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This document provides a summary and analysis of the films The Hangover and Bridesmaids. It examines how the films portray gender through the use of stereotypes, the male gaze in directing choices, and dichotomies between female rivalry vs. male camaraderie. Specific scenes are analyzed that depict sex as awkward for women but idealized for men's viewing pleasure, and how characters are judged by their relationship to motherhood or defined as "frigid" or "hooker". Racial stereotypes in The Hangover are also discussed.
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Romantic movies Ever
The document lists and provides brief descriptions for 25 of the most romantic movies ever, according to various online lists. It discusses classic romantic films like The Notebook, Titanic, When Harry Met Sally, and Brokeback Mountain. Many of the films highlight enduring love between main characters that overcome relationship challenges or societal barriers to be together.
Genre analysis
Drama is a genre of film or television programming that tells a serious story focused on realistic characters and emotional struggles. It aims to depict realistic situations, settings, and conflicts. Some key characteristics of drama films include a realistic narrative, normal locations, simpler camerawork and editing to enhance realism, and a focus on serious dramatic themes like addiction, prejudice, or family conflicts. The genre allows audiences to relate to everyday problems and find hope in difficult situations through an honest portrayal of human struggles.
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Romantic comedies article
There are a limited number of storylines that are commonly recycled in movies and television. Romantic comedies and tragic love stories are two genres that share the fundamental characteristic of two people wanting to be together but facing obstacles to their union. However, they differ in how the obstacles are presented. In romantic comedies, the obstacles are situational or internal to the characters and used for humor, while in tragic love stories the obstacles violate societal power structures and often result in death for one or both characters. Understanding genre conventions helps with script development and analysis to ensure a story meets audience expectations of the chosen genre.
How far has research impacted on our trailer
The document discusses research on representations of gender in horror films and the narrative structure of the group's trailer idea. It examines theories by Laura Mulvey, Carol Clover, and Jeremy Tunstall on representations of women. The narrative draws on theories by Tzetan Todorov, Vladimir Propp, and Levi Strauss. The background story is provided for the character of Miss Anderson in 1938 and the events that led to the deaths of children in a church fire. The genre of supernatural/paranormal horror is discussed along with conventions seen in trailers. Consideration is given to audiences and institutions in promoting the film through advertising stars, teasers, and generating hype.
What has slasher movies always involved
Slasher movies traditionally involve certain tropes and conventions, such as jump scares, tension between what characters see and the audience sees, attractive but unintelligent teenage victims, a masked killer chasing victims, gory violence, memorable theme music, and isolated settings. Successful early slasher films like Halloween and Friday the 13th set rigid rules for characters, often meaning certain behaviors like drinking or having sex led to death. More recent films focus on realistic threats and evil people trying to kill characters in graphic ways, with the killer sometimes appearing normal but hiding a dark side. The "final girl" character who often survives is now portrayed as stronger and smarter than helpless victims of earlier films.
True Grit
The document provides a detailed summary and analysis of the 2010 film True Grit, directed by the Coen Brothers. It discusses the film's adaptation of the 1968 Charles Portis novel of the same name. The film tells the story of 14-year-old Mattie Ross who hires Marshal Rooster Cogburn to help her track down her father's killer, Tom Chaney. The summary highlights the gritty and determined personalities of the main characters as well as the film's achievements in reviving the Western genre for modern audiences. It praises the performances of Jeff Bridges as Cogburn and Hailee Steinfeld as Mattie Ross.
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Romantic movies Ever
The document lists and provides brief descriptions for 25 of the most romantic movies ever, according to various online lists. It discusses classic romantic films like The Notebook, Titanic, When Harry Met Sally, and Brokeback Mountain. Many of the films highlight enduring love between main characters that overcome relationship challenges or societal barriers to be together.
Genre analysis
Drama is a genre of film or television programming that tells a serious story focused on realistic characters and emotional struggles. It aims to depict realistic situations, settings, and conflicts. Some key characteristics of drama films include a realistic narrative, normal locations, simpler camerawork and editing to enhance realism, and a focus on serious dramatic themes like addiction, prejudice, or family conflicts. The genre allows audiences to relate to everyday problems and find hope in difficult situations through an honest portrayal of human struggles.
Slasher tropes
The document discusses several common character tropes that are often seen in slasher films. It describes the villain, who is usually disfigured or wears a mask, and is oddly powerful. It also discusses the group of friends, which often includes a jock, stoner/nerd, promiscuous girl, and final girl. Other tropes mentioned include the benefactor, who gifts the group items; common locations like cabins in the woods; and the final girl character who is typically the last survivor. The document also examines psychological theories about the oedipal complex and how some analyses see the final girl representing castration anxiety.
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There are a limited number of storylines that are commonly recycled in movies and television. Romantic comedies and tragic love stories are two genres that share the fundamental characteristic of two people wanting to be together but facing obstacles to their union. However, they differ in how the obstacles are presented. In romantic comedies, the obstacles are situational or internal to the characters and used for humor, while in tragic love stories the obstacles violate societal power structures and often result in death for one or both characters. Understanding genre conventions helps with script development and analysis to ensure a story meets audience expectations of the chosen genre.
How far has research impacted on our trailer
The document discusses research on representations of gender in horror films and the narrative structure of the group's trailer idea. It examines theories by Laura Mulvey, Carol Clover, and Jeremy Tunstall on representations of women. The narrative draws on theories by Tzetan Todorov, Vladimir Propp, and Levi Strauss. The background story is provided for the character of Miss Anderson in 1938 and the events that led to the deaths of children in a church fire. The genre of supernatural/paranormal horror is discussed along with conventions seen in trailers. Consideration is given to audiences and institutions in promoting the film through advertising stars, teasers, and generating hype.
What has slasher movies always involved
Slasher movies traditionally involve certain tropes and conventions, such as jump scares, tension between what characters see and the audience sees, attractive but unintelligent teenage victims, a masked killer chasing victims, gory violence, memorable theme music, and isolated settings. Successful early slasher films like Halloween and Friday the 13th set rigid rules for characters, often meaning certain behaviors like drinking or having sex led to death. More recent films focus on realistic threats and evil people trying to kill characters in graphic ways, with the killer sometimes appearing normal but hiding a dark side. The "final girl" character who often survives is now portrayed as stronger and smarter than helpless victims of earlier films.
True Grit
The document provides a detailed summary and analysis of the 2010 film True Grit, directed by the Coen Brothers. It discusses the film's adaptation of the 1968 Charles Portis novel of the same name. The film tells the story of 14-year-old Mattie Ross who hires Marshal Rooster Cogburn to help her track down her father's killer, Tom Chaney. The summary highlights the gritty and determined personalities of the main characters as well as the film's achievements in reviving the Western genre for modern audiences. It praises the performances of Jeff Bridges as Cogburn and Hailee Steinfeld as Mattie Ross.
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The document analyzes the film "The Crazies" and whether it follows the classical Hollywood narrative structure. It does not follow this structure as it lacks an equilibrium at the beginning and end. The opening scene shows a town destroyed by fire. At the end, the characters believe they found a new life but the government is still following them, implying no true resolution. The document also identifies which of Propp's character archetypes are present in the film, including the hero, princess, helper, and villains. It provides examples for each from the movie.
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Jeffrey Dahmer was a notorious serial killer who murdered 17 men and boys between 1978 and 1991. John "Derf" Backderf's graphic memoir "My Friend Dahmer" chronicles Dahmer's early life from junior high through high school in the 1970s in Ohio before he began killing. It explores Dahmer's strange behavior like collecting roadkill and drinking heavily from a young age. Though seen as funny by his peers, Dahmer was clearly troubled, yet received no intervention from adults. After a divorce left him alone, some question if his first murder could have been prevented with proper support earlier on.
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- He's Just Not That Into You focuses on the romantic woes of interconnected people in Baltimore based on a self-help book, with a relationship drama and comedic elements.
- Confessions of a Shopaholic stars Isla Fisher as a shopaholic woman who works as a financial magazine's advice columnist and finds trouble paying her credit cards bills.
- The Proposal stars Sandra Bullock as a publishing executive who forces her assistant, played by Ryan Reynolds, to marry her to avoid deportation to Canada.
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This document summarizes how the production of the student's thriller "Invisible Lives" uses and develops conventions of real media products while also challenging some conventions. It was inspired by "The Third Man" and uses its dystopian city setting. Low-key lighting, suits worn by the stalker character, and costumes for female victims were influenced by other films. While reinforcing some stereotypes like using young female victims, it also challenges others like age stereotypes by having an older male perpetrator. Location and visual conventions of dark streets are also used from influences like "Once Upon a Time in America" but the setting is not a conventional claustrophobic space.
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The agenda includes a film screening of She's the Man, a 2006 romantic comedy directed by Andy Fickman, starring Amanda Bynes and Channing Tatum. It runs for 1 hour and 46 minutes. The homework assignments ask students to discuss what Olivia's interchangeability of Cesario and Sebastian in Twelfth Night says about love and marriage, and to compare a scene from She's the Man to the corresponding scene in Twelfth Night, discussing how the director made the film relevant while staying true to Shakespeare.
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The agenda includes a film screening of She's the Man, a 2006 romantic comedy directed by Andy Fickman, starring Amanda Bynes and Channing Tatum. It runs for 1 hour and 46 minutes. The homework assignments ask students to discuss what Olivia's interchangeability of Cesario and Sebastian in Twelfth Night says about love and marriage, and to compare a scene from She's the Man to the corresponding scene in Twelfth Night, discussing how the director made the film relevant while staying true to Shakespeare.
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The document discusses the "bad boy" archetype through five cultures: as a hero, villain, sidekick, love interest, and rebel brought to the good side. Examples are given for each, such as Captain Jack Sparrow as a heroic bad boy and Danny Zuko from Grease transforming from a bad boy to good through love. The archetype is meant to be dangerous, rebellious, and unwilling to follow rules, but also charming and willing to sacrifice for others in some cases.
Pr1 how do we analyse film
The document provides an overview of two main types of film analysis: genre analysis and auteur theory. Genre analysis examines how a film conforms to or challenges typical codes and conventions of its genre. Auteur theory analyzes films in the style of individual directors who challenge genre conventions. The document then discusses several films as examples that conform to or challenge genre through their codes/conventions, characters, narratives, themes, and other elements. It also profiles two auteur directors, Luc Besson and Quentin Tarantino, analyzing how their films Leon and Pulp Fiction employ unconventional styles that demonstrate their auteur visions.
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City of God (2002) is a Brazilian film directed by Fernando Mereilles that depicts life in the violent slums of Rio de Janeiro in the 1960s-1980s. The film uses handheld cameras and location shooting to capture the "real" experiences of living in poverty. One character, Rocket, manages to escape the gangster lifestyle by pursuing his talent in photography. The film examines themes of social climbing through power and intimidation in slums, where money often leads to both happiness and downfall. It provides a glimpse into alien worlds and life experiences that audiences can personally relate to, even if not directly part of their own lives.
The representation of women in romantic comedies by Melissa Cannons
This is part of my film studies coursework, where I analysed the representation of women in romantic comedies.
January 2015 WATCH - Good Wife
The document discusses the departure of actress Archie Panjabi from her role as Kalinda Sharma on the TV show The Good Wife after six seasons. Panjabi earned an Emmy for the role but her contract was not renewed. Speculation from critics includes Kalinda coming into a fortune and leaving on a private jet, or revealing a capacity for love and following someone anywhere. While fans will miss the character, the show has proven it can change and continue to be successful as it did after the departure of another main character.
SMP 09 cover package
Seth Rogen and Megan Fox were interviewed together by USA WEEKEND magazine. Both actors rose to fame from television sitcom roles before breaking into major movies. During the interview, they discussed their careers, working with respected directors, and double standards in Hollywood based on gender. They also poked fun at each other and shared amusing anecdotes from filming their recent movies.
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This document outlines a proposed action thriller film. The plot involves a young man who must fight for his life after borrowing money from a criminal gang and failing to repay it. A stylish hitman is sent to collect the debt and ends up killing the young man in a brutal fight. The target audience is predominantly male, aged 16-50, who enjoy action thrillers. Potential filming locations include backstreets in Ringwood or fields in the New Forest. The document discusses casting Osisin Kelleher as the hitman for his quirky but cool demeanor.
My Friend Dahmer _ Imprint Magazine (20120409)
Jeffrey Dahmer was a notorious serial killer who murdered 17 men and boys between 1978 and 1991. John "Derf" Backderf's graphic memoir "My Friend Dahmer" chronicles Dahmer's early life from junior high through high school in the 1970s in Ohio before he began killing. It explores Dahmer's strange behavior like collecting roadkill and drinking heavily from a young age. Though seen as funny by his peers, Dahmer was clearly troubled, yet received no intervention from adults. After a divorce left him alone, some question if his first murder could have been prevented with proper support earlier on.
Generic conventions
This document discusses generic conventions for various genres including romance, horror, and thriller films. For romance films, it outlines typical themes of marriage or partnership, characters as average working class people, plots involving unlikely lovers overcoming complications to be together, props like flowers and gifts, and settings like cafes or parks. For horror films, it discusses common themes of relationships, death, supernatural entities as characters, settings like forests or hospitals, props involving religion, and plots involving supernatural occurrences and rituals. For thrillers, it notes themes of unexpected dangerous events and characters facing life-threatening situations to resolve issues.
150-moviereview
The document provides summaries of several romantic comedy movies that were popular or upcoming releases targeting female audiences:
- He's Just Not That Into You focuses on the romantic woes of interconnected people in Baltimore based on a self-help book, with a relationship drama and comedic elements.
- Confessions of a Shopaholic stars Isla Fisher as a shopaholic woman who works as a financial magazine's advice columnist and finds trouble paying her credit cards bills.
- The Proposal stars Sandra Bullock as a publishing executive who forces her assistant, played by Ryan Reynolds, to marry her to avoid deportation to Canada.
- Duplicity stars Julia Roberts and Clive Owen as corporate spies
Drama and action
The document discusses drama and action films. It defines drama as fiction represented in performance, derived from the Greek word for "action." Action films prioritize action sequences over elements like characterization. The document then provides a history of action/drama films from the 1920s-1940s and modern use of martial arts. Top 10 lists from 2000-2013 are given for drama and action films. The target audience for the film being created is described as adolescents to adults aged 16-35, with the goal of appealing beyond stereotypical views of the genres.
Question 1
This document summarizes how the production of the student's thriller "Invisible Lives" uses and develops conventions of real media products while also challenging some conventions. It was inspired by "The Third Man" and uses its dystopian city setting. Low-key lighting, suits worn by the stalker character, and costumes for female victims were influenced by other films. While reinforcing some stereotypes like using young female victims, it also challenges others like age stereotypes by having an older male perpetrator. Location and visual conventions of dark streets are also used from influences like "Once Upon a Time in America" but the setting is not a conventional claustrophobic space.
2015 Code Camp on Computational Creativity
The PROSECCO network (an EC-funded project for the PROmotion of the Scientific Exploration of Computational Creativity) is organizing a computational creativity code camp in Coimbra, Portugal (January 12-15, 2015). This presentation introduces the challenge that participants will address in groups: build a creative Twitterbot that can generate its own interesting micro-fiction using a large knowedge-base of facts about real historical people and fictional characters.
Computational Creativity is the scientific study of the creative potential of machines: to determine whether machines can indeed be creative, it aims to build generative machines and programs that exhibit human-scale creativity.
Sub genre
The document discusses five horror subgenres: supernatural, psychological, slasher, possession, and gothic. It provides details on some common conventions and tropes of each subgenre. For example, it notes that possession films often feature religious imagery and focus on characters displaying abnormal behavior after becoming possessed. The document also explains that the author's group chose to focus on the possession subgenre for their project because it offers rich narrative possibilities and appeals to modern audiences. They believe the subgenre provides an opportunity to flex their creative skills as media practitioners.
The Alienist and The Underdogs
This review summarizes several stories and characters from different works. It describes a woman named Sarah Howard trying to join the NYPD and overcome barriers, and a boy named Stevie Taggert who was assaulted but defended himself. It also mentions the strength and loyalty of Mr. Cyrus Montrose in helping capture a criminal. The review discusses characters from The Underdogs fighting in war until there was no tomorrow, and fighting without fully knowing what they were fighting for. It notes the ending of the novel was a stunning image of Demetrio aiming his rifle into eternity.
NY_cover%2520Story%2520Jada_6_2
Jada Pinkett Smith discusses her roles playing strong female characters in Gotham and Magic Mike XXL. She says she gravitates towards portraying strength but tried to show Rome's strength from a softer, more feminine place. She was drawn to the role because of Channing Tatum and the filmmakers' vision to portray the adult entertainment industry in a responsible way. Smith emphasizes the importance of her family and staying open to new creative opportunities and roles that allow her to continually grow as a person and artist.
City of god contextual info
Fernando Meirelles is a Brazilian film director born in 1955 in São Paulo, Brazil. He studied architecture in university but developed an interest in filmmaking, making experimental videos with friends. After working in television for nine years, he began directing commercials and a children's TV show. In the 1990s he co-founded a film production company. His breakout film was the 2002 crime drama City of God, adapted from a Brazilian novel, about the violent drug culture in the slums of Rio de Janeiro. The film was a huge success in Brazil and internationally, and earned Meirelles fame and Hollywood offers, though he has stayed focused on independent films telling Brazilian stories.
English II Assignment 1 by Tan Wen Hao
The document compares the plots, climaxes, and characters of the James Bond films Casino Royale and Skyfall. Both films involve Bond pursuing terrorists - Le Chiffre in Casino Royale and Silva in Skyfall. The climaxes in both films see Bond facing near-death experiences as he tries to save lives. Key characters like M and Bond exhibit similar traits of composure and loyalty in each movie.
Elit 17 class 6n film she's the man
The agenda includes a film screening of She's the Man, a 2006 romantic comedy directed by Andy Fickman, starring Amanda Bynes and Channing Tatum. It runs for 1 hour and 46 minutes. The homework assignments ask students to discuss what Olivia's interchangeability of Cesario and Sebastian in Twelfth Night says about love and marriage, and to compare a scene from She's the Man to the corresponding scene in Twelfth Night, discussing how the director made the film relevant while staying true to Shakespeare.
Elit 17 class 6n film she's the man
The agenda includes a film screening of She's the Man, a 2006 romantic comedy directed by Andy Fickman, starring Amanda Bynes and Channing Tatum. It runs for 1 hour and 46 minutes. The homework assignments ask students to discuss what Olivia's interchangeability of Cesario and Sebastian in Twelfth Night says about love and marriage, and to compare a scene from She's the Man to the corresponding scene in Twelfth Night, discussing how the director made the film relevant while staying true to Shakespeare.
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Romantic comedies: Rom coms, chick flicks and homme coms
An exploration of the romantic comedy genre and why it's so poorly regarded. A look at the history and different forms within the genre.
Review
Little White Lies is a British independent film magazine published monthly in London since 2005. Each issue features a cover illustration of an independent or art house film. The magazine focuses on reviews of both current and classic independent and niche films, aiming its content at an audience with a keen interest in film who understand cinema conventions and genres. The submitted document proposes that the magazine would be a good fit to feature the film noir "Malice in Manhattan" due to its focus on independent and niche films similar to the submitted film.
Genre
This document discusses film genres, specifically focusing on the genre of romantic comedy. It provides information on genre conventions and how genres evolve over time. For romantic comedies, it identifies several cycles or eras of the genre, including screwball comedies, sex comedies, radical romantic comedies, and neo-traditional romantic comedies. It also discusses how genres can reflect and shape cultural values and explores how directors can assert their own vision while working within genre conventions, using Stanley Kubrick's The Shining as an example.
Melodrama & Romance, LUC
The document discusses the genre of melodrama and its key characteristics and conventions. It notes that melodrama involves emotional excess, drama occurring in interior spaces, central roles for women and children, and themes of sacrifice, affliction, and choice for women. It explores important directors and actors of melodrama from the 1920s-1950s and discusses how the genre addresses social issues through private and emotional terms.
Me and My Movies
This document provides information about three romantic comedy films: Pretty Woman, When Harry Met Sally, and He's Just Not That Into You. For each film, it lists the release date, rating, director, running time, and a brief plot summary. It also discusses the author's choice of romantic comedy as their favorite genre. Some key points made are that the films typically have happy endings showing opposites attract, and feature stars like Julia Roberts and Hugh Grant. The document analyzes the films using concepts like codes and conventions, settings, characters, themes, narratives, and ideological messages. It also discusses how the author learns about new films through trailers in theaters and social media recommendations.
Sipos media
I do not have personal desires about how I am portrayed. I am an AI assistant created by Anthropic to be helpful, harmless, and honest.
Fatlove
The document discusses the role of fat characters in romantic comedies. It notes that fat characters are often relegated to the role of the "fat best friend" and their romantic aspirations are rarely taken seriously. It explores how gender, race, and sexuality further limit the roles available to fat actors and actresses. The archetype of the fat best friend plays into Hollywood's formula for romantic comedies but also reflects the industry's fat phobia.
THECINEMATIC WONDERS AND BLUNDERS OF 2023
Here is my list of my best and worst times at the movies in 2023.
This isn't an Oscars list... this is a list of which movies gave me the entertainment factor that I was looking for
Essay
The document discusses how the male gaze is portrayed in the 1996 horror film Scream. It analyzes how female characters, particularly Sidney Prescott, are depicted as objects for the male viewer's gaze. It discusses how typical slasher film tropes like the "last woman standing" cater to the male gaze. The opening scene with Drew Barrymore's character is analyzed as a graphic example that depicts the female as a passive object for the male viewer. The document concludes that Scream helped shift the horror genre away from being so heavily influenced by the male gaze through Sidney's subversion of stereotypes as the final girl.
Representational issues
The document discusses how different social groups are commonly presented in horror films. It notes that women are often subjected to gender-specific violence, their roles are reduced to tropes, and their sexuality is portrayed as something that needs punishment. It also mentions that teenagers are typically depicted as inexperienced and rebellious while elders are wise and conservative. Regarding witches in horror movies, they are generally presented as ugly and evil, trying to corrupt women or get revenge on men, though some films like Harry Potter show good witches.
After reading the three movie reviews, post at least two full pa.docx
After reading the three movie reviews, post at least two full paragraphs discussing the way they are structured and written. How do they start? What does the author do in each review? How do they support their opinion? How do they end the review? What rhetorical techniques or strategies do the authors use? How does a movie review work?
Question 1:
"Deuce Bigalow: European Gigolo" makes a living cleaning fish tanks and occasionally prostituting himself. How much he charges I'm not sure, but the price is worth it if it keeps him off the streets and out of another movie. "Deuce Bigalow" is aggressively bad, as if it wants to cause suffering to the audience. The best thing about it is that it runs for only 75 minutes.
Rob Schneider
is back, playing a male prostitute (or, as the movie reminds us dozens of times, a "man whore"). He is not a gay hustler, but specializes in pleasuring women, although the movie's closest thing to a sex scene is when he wears diapers on orders from a giantess. Oh, and he goes to dinner with a woman with a laryngectomy, who sprays wine on him through her neck vent.
The plot: Deuce visits his friend T.J. Hicks (
Eddie Griffin
) in Amsterdam, where T.J. is a pimp specializing in man-whores. Business is bad, because a serial killer is murdering male prostitutes, and so Deuce acts as a decoy to entrap the killer. In his investigation he encounters a woman with a penis for a nose. You don't want to know what happens when she sneezes.
Does this sound like a movie you want to see? It sounds to me like a movie that Columbia Pictures and the film's producers (
Glenn S. Gainor
,
Jack Giarraputo
, Tom McNulty, Nathan Talbert Reimann,
Adam Sandler
and
John Schneider
) should be discussing in long, sad conversations with their inner child.
The movie created a spot of controversy last February. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the
Los Angeles Times
listed this year's Best Picture Nominees and wrote that they were "ignored, unloved and turned down flat by most of the same studios that ... bankroll hundreds of sequels, including a follow-up to 'Deuce Bigalow: Male Gigolo,' a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic."
Schneider retaliated by attacking Goldstein in full-page ads in
Daily Variety
and the
Hollywood Reporter
. In an open letter to Goldstein, Schneider wrote: "Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind ... Maybe you didn't win a Pulitzer Prize because they haven't invented a category for Best Third-Rate, Unfunny Pompous Reporter Who's Never Been Acknowledged by His Peers.
Reading this, I was about to observe that Schneider can dish it out but he can't t.
Genre Research
This document discusses genre research and paradigms in film. It defines genre as a typical example or pattern of something, and iconography as the visual images and symbols used in a work of art. Specific genres like westerns, James Bond films, romantic comedies, thrillers, horror, and sci-fi films are described as having expected elements that indicate their genre through mise-en-scene and iconography. Genre conventions can become limiting if they are too rigid, but paradigms can be revived by subverting expectations as in Brokeback Mountain for westerns and Moulin Rouge for love stories/musicals.
Women in film
This document discusses gender roles in films from different time periods. It provides examples of how gender roles were portrayed traditionally in films like You've Got Mail from 1998, compared to more modern portrayals in films and TV shows like Sex and the City that showed more independent women. It also discusses how magazines like Cosmopolitan aimed to "liberate" women sexually and how little mainstream media content explicitly targets LGBT audiences due to being produced through a heterosexual male gaze.
Similar to Filmtheory (13)
Romantic comedies: Rom coms, chick flicks and homme coms
Romantic comedies: Rom coms, chick flicks and homme coms
After reading the three movie reviews, post at least two full pa.docx
After reading the three movie reviews, post at least two full pa.docx
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Christian Louboutin: Innovating with Red Soles
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Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
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本公司拥有海外各大学样板无数，能完美还原。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Learn about Steve Greisen's dedication to capture the spirit of his subjects in his documentaries with honesty and integrity.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
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Slide criativo e muito lindo, apenas editar, muito simples
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
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Barbie Movie Review - The Astras.pdfffff
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Filmtheory
- 2. BRIDESMAIDS AND THE HANGOVER
- 3. A BRIEF HISTORY OF THE COMEDY GENRE Funny Violence Popularity of physical comedy or slapstick, non-conservative behavior Women in Early Comedy Women were believed incapable of portraying themselves as imperfect and were considered unsuitable for comedy Women appeared in comedies only as objects of ridicule, the men’s reward, antagonists or objects of male fantasy
- 4. THE THREE STOOGES (x)
- 5. MARKETING
- 6. WHAT DO YOU SEE?
- 10. THE “FEMALE” VERSION OF THE HANGOVER ?
- 11. RECEPTION “Being a 21-year-old male “I am not a fan of raunchy comedies, by will help you really enjoy and large, but this one won me over this flick.” completely. I’m wary of any comedy that - Simon Miraudo, Quickflix sets out to be “outrageous”, but The Hangover delivers on its promise. It’s clever, original, and very, very funny.” – “Leave the kids at home, round up a Leonard Maltin, IndieWire group of guys and head out to the theater for a good time.” -Sonny Bunch, The Washington Times “The real, underlying message of The Hangover, is that women are shrews, “This is a bromance so primitive, whores and/or fools.” it's practically Bro-Magnon”. – Adam Lippe, The Examiner -Richard Corliss, TIME Magazine
- 12. “The funniest movie of the year. “Whether it says something incisive about Unlike The Hangover, the film female friends and their inability to truly feel doesn't rely on sexism, comfortable and rise above petty jealousies and competition, Bridesmaids never homophobia and racial epithets achieves the wolf pack camaraderie that to hit a punch line.” The Hangover executes so naturally.” - Clay Cane, BET.com -Jordan Hiller, Bangitout.com “If this is only a chick flick, then call me a chick. Witty, raunchy Is it funny? Yes, at times, and its female-centric and affecting, Bridesmaids theme will appeal to many women. I just hope crosses boundaries by blithely they have the patience to trudge through the ignoring them. A woman’s point of slow spots and story detours. Bridesmaids, view is one of the film’s great which might as easily bear the title distinctions. Women Behaving Badly. -Joe Morgenstern, The Wall - Leonard Maltin, IndieWire Street Journal
- 13. EXAMINING THE GAZE AND DIRECTORIAL CHOICES IN THE HANGOVER AND BRIDESMAIDS What is the gaze? Anti-Erotic Film is a man’s medium, In Bridesmaids, some and as such the camera scenes were the anti-male lens serves as an fantasy, portraying sex extension of the male (which is idealized by the view, delivering content male) as awkward and demeaning (clip) that is directed toward male spectators Enacting the male fantasy Scopophilia Women are exhibitionists, embodying to-be-looked-at- pleasure in looking ness (clip) (clip)
- 14. DICHOTOMIES Female rivalry vs male camaraderie Female relationships are characterized by catfighting while male relationships are harmonious (clip1) (clip2)
- 15. Good guy vs bad guy Sex scenes are filmed distinctly in order to give the audience an idea of who is the good guy and who is the bad guy
- 16. The good woman vs the bad woman Two female characters were defined and judged by their relationship to motherhood
- 17. “Frigid bitch” vs “hooker with a heart of gold” Extreme caricatures of women, one being uptight, nagging and shrill and the other one submissive, easygoing and sexually liberal
- 18. STEREOTYPES AND CLICHÉS Male Stereotypes The rugged cowboy/frontiersman who doesn’t reveal his emotions Men who cannot subjugate women are weak Castration Anxiety (clip) Female Stereotypes women need relationships to feel complete women can’t hold their liquor and catfight all the time
- 19. Racial Stereotypes The only black man in the film is portrayed as a gangster and a thug A Chinese man is portrayed as speaking broken english and was a caricature of a gay man (clip)