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LETTERS
are concerned with nutritionalanalysis of
the foods they cook. I find this informa-
tion extremely helpful in keeping track of
the amount of fat my family eats, and it
also helps me decide when I need to mod-
ify a recipe to keep the fat intake in our
daily diet within the recommended 30%
range. To my mind, this analysis is far
more useful than presenting special low-
calorie recipes. I hope you'll consider in-
corporating this information.
-Diana Stiegler,
Albuquerque, NM
RENNET OR RENNIN,
IT'S STILL CHEESE
We noted an error in Ari Weinzweig's de-
scription of how cheese is made (Fine
Cooking # 1, p. 49) . Rennet is any agent
of either animal or vegetable origin that
causes milk to clot. Rennin is rennet that
has been obtained from ruminant ani-
mals. Rennin has been in short supply for
some years, but is now available as re-
combinant rennin. This is the first genet-
ically engineered food ingredient.
-Sharon & Patrick Oriel,
Midland, MI
HURRY CURRY
I was delighted to read Aminni Ra-
machandran's article, "South Indian
Chicken Curry" (Fine Cooking#2), since
my roots also are in Kerala, India. How-
ever, since I have to cook quickly for lack
oftime, I have several shortcuts for cook-
ing foods native to a slower pace oflife.
I stock commercially available jars of
chopped garlic, and I always keep a
gingerroot in a sealed plastic bag in the
freezer. I break off a small section at a
time, but it also can be peeled and
chopped before freezing. Also, Thai
coconut milk (available in most Asian
groceries) is an excellent product, and
freezing it in ice-cube trays gives you
small portions to use as needed. Finally, I
cook curries in a small pressure cooker.
All told, my curries are done in half an
hour from start to serving. The best part
ofcooking Indian curries is that leftovers
actually taste better the next day!
-Hima Thomas, Sturbridge, MA
MODERN KITCHEN SEEKS
WOOD-BURNING OVEN
I would be very interested in a compre-
hensive article about the construction
and use ofwood-burning ovens. Are they
feasible for use in a home or in a commu-
nity building that serves large numbers?
-Nan Crocke1; Ketchum, ID
THE FINE ART OF
WEIGHING FLOUR
In the Letters department of Fine Cook-
ing #3, you discuss two flour-related
topics: weight vs. volume measures, and
the gluten content of flours. Because
there are differences in protein contents
between brands of flours, you never can
know exactly how much flour you'll
need. Weight is more precise than vol-
ume in flour measurement, but unless
you know the flour's exact protein con-
tent, getting the appropriate quantity is
still something of an art.
A couple ofyears ago, when I was the
head cook at a Plymouth, Massachusetts,
retreat, I received King Arthur Special
Flour from two different purveyors. One
company marketed the flour as all-
purpose, the other as bread flour.To con-
fuse matters further, I received the store
brand ofKing Arthur as a substitution on
an order, and it too was labeled all-
purpose. When I called King Arthur in
Vermont, they explained that the "spe-
cial" flour was high in gluten-that is, a
bread flour-and the supermarket ver-
sion was actually all-purpose.
At a Culinary Institute of America
class, ChefRichard Coppedge explained
that King Arthur all-purpose flour was
higher in gluten-forming proteins than
most other all-purpose flours. He also
said that humidity had a definite effect
on the amount of water he used in bak-
ing. This explains why bread recipes,
whether you're using weight or volume,
need a range for flour quantities.
-David Shewmake1;
Ashfield, MA
Editor's note: Ellen Davies, director of
sales and marketing at King Arthur
Flour, concurs with Shewmaker's con-
clusion that both humidity and a flour's
protein content are factors in how much
flour a recipe needs. According to
Davies, King Arthur flour does have a
higher gluten content than most other
all-purpose flours. However, King
Arthur also makes a high-gluten flour-
King Arthur Special-that's designed
for breadmaking, but would produce
tough biscuits and pie crusts. The differ-
ence between these high- and higher-
gluten flours, says Davies, "is like the dif-
ference between skim milk and whole
milk." She offers an additional caution:
a flour's protein content can vary with
the crops. Last year's crop was poor,
which meant protein-poor flour. Davies
says this year's crop is shaping up as an
excellent one. +
TauntonPUBLI CA TIONS
for fellow enthusiasts
The Taunton Press: Paul Roman, chairman; Janice A.
Romani president, Carolyn Kovaleski, administrative
secretary. Corporate Editorial: John Lively, editor in chief
& vice president; Scott Gibson, Valerie Kanter, managing
editors; Ruth Dobsevage, Peter Chapman, Thomas C.
McKenna, Zack Gaulkin. Personnel: Carol Marotti,
Deborah Baldwin, books; Philip VanKirk, Tracie Pavlik, magazines. Video: Craig Umanoff,
Thomas Menard. Corporate Marketing: Peter Chidsey, director; Sarah Roman. Corporate
Trade Sales: Dale Brown, director; Thomas Johnson, Barbara Buckalew, Donna Veinstein,
Donna Pierpont, Diane Patterson, Marcie Seigel. Fulfillment & Operations: Thomas Luxeder,
director; Jane Torrence. Client Services: Patricia Villiamson, manager; Carolyn Arneth.
Subscriber Services: Patricia Malouff; manager; Penny Lefferts, Karen Lewis, Barbara Smith,
Siri Vhceler. Order Processing: Megan Sangster, manager; Dawn Bartram, Nancy Brown,
Barbara Lowe, Marylou Thompson. Data Entry: Carole Ando, manager; Concetta Barczak,
Bonnie Beardsley, Margaret Fainer, Madelaine Frengs, Marie Pato, Andrea Sharrock, Denise
Zor. Distribution: Paul Seipold, manager; David Blasko, Michael Capalbo, james Chappuis,
Mary Ann Costagliola, Maureen Flynn, Linnea Ingram, Frederick Monnes, Marcia Pelillo,
Alice Saxton, Astor Taylor, Robert Weinstein. Purchasing & Facilities: William Schappert,
manager; ChristopherMyers, Lois Beck, Cynthia Carroll, Sarah Hillard, Charles Hollis, Arthur
Villiams, Susan Nerich, Oscar Carranza, John Dziadik. Cafeteria: Donna Freeman, m~nager;
Geraldine Benno, Patricia Sutton-Wells,Norma-Jean Taylor.Data Processing: Robert Peters,
MIS director; Brendan Bowe, Arthur Caron, Gabriel Dunn, Roger Seliga. PC Systems: Heidi
Valdkirch, manager; Robert Nielsen, J. Larry Kinnear, Rebecca Fanning, Laurie Yeager.
6
manager; Linda Ballerini, Christine Lincoln. Accounting:
Vayne Reynolds, controller; Patrick Lamontagne, manager; Jeffrey Sherman, Mary Sullivan,
Andrea DuBois, Carol Diehm, Dorothy Blasko, Susan Burke, Lawrence Rice, Gayle
Hammond, judith Rivera, Lydia Krikorian, Elaine Yamin. Corporate Design: Susan Edelman,
director; Robert O lah, Donna Confalone. Corporate Art: Mary Terrizzi, manager;Henry Roth,
Catherine Cassidy, jodie Delohery, Rosalie Vaccaro. Promotion: Philip Allard, manager;
D. J. Arneson, Wendy Bowes, Christopher Casey, Julia Brine, Mary Beth Cleary, Francesca
Arminio. Manufacturing: Kathleen Davis, director. Prepress: Austin Starbird, manager; Robert
Marsala, Patricia Sigetti, Deborah Cooper, Richard Booth, Mark Coleman, William Godfrey,
joseph Petrahai, Chansam Thammavongsa, Lisa DeFeo, Margot Knorr, Y,f. Kathy Martin,
Monica Murphy. Print Production: Dee Flanagan, Lynda Morris, promotion; Thomas Greco,
FINE COOKING

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FC5_p6

  • 1. LETTERS are concerned with nutritionalanalysis of the foods they cook. I find this informa- tion extremely helpful in keeping track of the amount of fat my family eats, and it also helps me decide when I need to mod- ify a recipe to keep the fat intake in our daily diet within the recommended 30% range. To my mind, this analysis is far more useful than presenting special low- calorie recipes. I hope you'll consider in- corporating this information. -Diana Stiegler, Albuquerque, NM RENNET OR RENNIN, IT'S STILL CHEESE We noted an error in Ari Weinzweig's de- scription of how cheese is made (Fine Cooking # 1, p. 49) . Rennet is any agent of either animal or vegetable origin that causes milk to clot. Rennin is rennet that has been obtained from ruminant ani- mals. Rennin has been in short supply for some years, but is now available as re- combinant rennin. This is the first genet- ically engineered food ingredient. -Sharon & Patrick Oriel, Midland, MI HURRY CURRY I was delighted to read Aminni Ra- machandran's article, "South Indian Chicken Curry" (Fine Cooking#2), since my roots also are in Kerala, India. How- ever, since I have to cook quickly for lack oftime, I have several shortcuts for cook- ing foods native to a slower pace oflife. I stock commercially available jars of chopped garlic, and I always keep a gingerroot in a sealed plastic bag in the freezer. I break off a small section at a time, but it also can be peeled and chopped before freezing. Also, Thai coconut milk (available in most Asian groceries) is an excellent product, and freezing it in ice-cube trays gives you small portions to use as needed. Finally, I cook curries in a small pressure cooker. All told, my curries are done in half an hour from start to serving. The best part ofcooking Indian curries is that leftovers actually taste better the next day! -Hima Thomas, Sturbridge, MA MODERN KITCHEN SEEKS WOOD-BURNING OVEN I would be very interested in a compre- hensive article about the construction and use ofwood-burning ovens. Are they feasible for use in a home or in a commu- nity building that serves large numbers? -Nan Crocke1; Ketchum, ID THE FINE ART OF WEIGHING FLOUR In the Letters department of Fine Cook- ing #3, you discuss two flour-related topics: weight vs. volume measures, and the gluten content of flours. Because there are differences in protein contents between brands of flours, you never can know exactly how much flour you'll need. Weight is more precise than vol- ume in flour measurement, but unless you know the flour's exact protein con- tent, getting the appropriate quantity is still something of an art. A couple ofyears ago, when I was the head cook at a Plymouth, Massachusetts, retreat, I received King Arthur Special Flour from two different purveyors. One company marketed the flour as all- purpose, the other as bread flour.To con- fuse matters further, I received the store brand ofKing Arthur as a substitution on an order, and it too was labeled all- purpose. When I called King Arthur in Vermont, they explained that the "spe- cial" flour was high in gluten-that is, a bread flour-and the supermarket ver- sion was actually all-purpose. At a Culinary Institute of America class, ChefRichard Coppedge explained that King Arthur all-purpose flour was higher in gluten-forming proteins than most other all-purpose flours. He also said that humidity had a definite effect on the amount of water he used in bak- ing. This explains why bread recipes, whether you're using weight or volume, need a range for flour quantities. -David Shewmake1; Ashfield, MA Editor's note: Ellen Davies, director of sales and marketing at King Arthur Flour, concurs with Shewmaker's con- clusion that both humidity and a flour's protein content are factors in how much flour a recipe needs. According to Davies, King Arthur flour does have a higher gluten content than most other all-purpose flours. However, King Arthur also makes a high-gluten flour- King Arthur Special-that's designed for breadmaking, but would produce tough biscuits and pie crusts. The differ- ence between these high- and higher- gluten flours, says Davies, "is like the dif- ference between skim milk and whole milk." She offers an additional caution: a flour's protein content can vary with the crops. Last year's crop was poor, which meant protein-poor flour. Davies says this year's crop is shaping up as an excellent one. + TauntonPUBLI CA TIONS for fellow enthusiasts The Taunton Press: Paul Roman, chairman; Janice A. Romani president, Carolyn Kovaleski, administrative secretary. Corporate Editorial: John Lively, editor in chief & vice president; Scott Gibson, Valerie Kanter, managing editors; Ruth Dobsevage, Peter Chapman, Thomas C. McKenna, Zack Gaulkin. Personnel: Carol Marotti, Deborah Baldwin, books; Philip VanKirk, Tracie Pavlik, magazines. Video: Craig Umanoff, Thomas Menard. Corporate Marketing: Peter Chidsey, director; Sarah Roman. Corporate Trade Sales: Dale Brown, director; Thomas Johnson, Barbara Buckalew, Donna Veinstein, Donna Pierpont, Diane Patterson, Marcie Seigel. Fulfillment & Operations: Thomas Luxeder, director; Jane Torrence. Client Services: Patricia Villiamson, manager; Carolyn Arneth. Subscriber Services: Patricia Malouff; manager; Penny Lefferts, Karen Lewis, Barbara Smith, Siri Vhceler. Order Processing: Megan Sangster, manager; Dawn Bartram, Nancy Brown, Barbara Lowe, Marylou Thompson. Data Entry: Carole Ando, manager; Concetta Barczak, Bonnie Beardsley, Margaret Fainer, Madelaine Frengs, Marie Pato, Andrea Sharrock, Denise Zor. Distribution: Paul Seipold, manager; David Blasko, Michael Capalbo, james Chappuis, Mary Ann Costagliola, Maureen Flynn, Linnea Ingram, Frederick Monnes, Marcia Pelillo, Alice Saxton, Astor Taylor, Robert Weinstein. Purchasing & Facilities: William Schappert, manager; ChristopherMyers, Lois Beck, Cynthia Carroll, Sarah Hillard, Charles Hollis, Arthur Villiams, Susan Nerich, Oscar Carranza, John Dziadik. Cafeteria: Donna Freeman, m~nager; Geraldine Benno, Patricia Sutton-Wells,Norma-Jean Taylor.Data Processing: Robert Peters, MIS director; Brendan Bowe, Arthur Caron, Gabriel Dunn, Roger Seliga. PC Systems: Heidi Valdkirch, manager; Robert Nielsen, J. Larry Kinnear, Rebecca Fanning, Laurie Yeager. 6 manager; Linda Ballerini, Christine Lincoln. Accounting: Vayne Reynolds, controller; Patrick Lamontagne, manager; Jeffrey Sherman, Mary Sullivan, Andrea DuBois, Carol Diehm, Dorothy Blasko, Susan Burke, Lawrence Rice, Gayle Hammond, judith Rivera, Lydia Krikorian, Elaine Yamin. Corporate Design: Susan Edelman, director; Robert O lah, Donna Confalone. Corporate Art: Mary Terrizzi, manager;Henry Roth, Catherine Cassidy, jodie Delohery, Rosalie Vaccaro. Promotion: Philip Allard, manager; D. J. Arneson, Wendy Bowes, Christopher Casey, Julia Brine, Mary Beth Cleary, Francesca Arminio. Manufacturing: Kathleen Davis, director. Prepress: Austin Starbird, manager; Robert Marsala, Patricia Sigetti, Deborah Cooper, Richard Booth, Mark Coleman, William Godfrey, joseph Petrahai, Chansam Thammavongsa, Lisa DeFeo, Margot Knorr, Y,f. Kathy Martin, Monica Murphy. Print Production: Dee Flanagan, Lynda Morris, promotion; Thomas Greco, FINE COOKING