The document provides instructions for using wireless microphone systems in the Sennheiser ew 100 G3 evolution series. It describes the key features of the systems, including their adaptive diversity technology and frequency bank system. Product overviews and step-by-step instructions are given for setting up and operating the EK 100 G3 receiver and SK 100 G3, SKM 100 G3, and SKP 100 G3 transmitters. Safety warnings and maintenance tips are also included.
The eye gaze system is a communication and control system that uses eye movements to allow interaction for people with physical disabilities. It works by using an infrared camera to track the pupil and correlate eye position with points on a computer screen. The system requires the user to have control of one eye and adequate vision. It must be calibrated to each individual user by having them follow a moving target on screen. Once calibrated, users can control software programs and devices with their eyes by fixating on icons or buttons. While expensive, the eye gaze system provides an important access method for those unable to use other input systems.
This document describes an "EyePhone" technology that allows users to control a mobile phone using only their eyes. It tracks eye movement and blinks using the front-facing camera and machine learning algorithms. Blinks can activate applications that the user is looking at. Potential applications include accessibility for disabled users and monitoring driver safety. Accuracy is limited on mobile phones due to camera quality and phone movement compared to desktop systems. The document outlines the eye tracking and detection algorithms used and discusses challenges of developing such a system for mobile use cases.
The document describes a technical seminar report on a smart note taker device, including an overview of the system and its construction, current products like mobile and PC note takers as well as smart pens, the technologies used including display and handwriting recognition, advantages and disadvantages, applications, future scope, and conclusions. It provides details on the interior structure and technical requirements and includes diagrams of the smart note taker system and current products.
EYE GAZE COMMUNICATION SYSTEM
The Eye gaze System is a communication system for people with complex physical disabilities.
This operates with eyes by looking at control keys displayed on a screen.
ABSTRACT The Virtual Trial Room (VTR) application software simulates an apparel dressing room by the implementation of a virtual mirror, portraying an augmented view of the user with virtual superimposed clothes. Traditional approach to the design and implementation of virtual dressing rooms have been wildly using either normal webcams with Tag/Marker based tracking or expensive 3D depth & motion sensing cameras like Microsoft Kinect. The main idea of this paper is to methodologically devise a novel VTR solution deploying ubiquitous 2D webcams with tag-less tracking, in a real-time live video mode using open source tools and technologies. The solution model implements a tag-less or marker-less Augmented Reality (AR) technique with face detection technology and provides an intuitive motion-augmented User Interface (UI) to the VTR application, in the form of an interactive human-friendly Virtual Mirror using simple hand gestures. A qualitative performance analysis of the application is evaluated at the end of the paper to determine the fundamental susceptibility of the VTR system against varied illumination conditions.
https://github.com/Project-VTR
This document discusses holographic projection technology. It provides an overview of what holograms are and the different types. Holographic projection works by recording light interference patterns from an object and then using those patterns to reconstruct the 3D image of the object without the need for glasses. This technology has many potential applications and provides advantages over traditional 3D displays by creating glasses-free, multi-view 3D images in mid-air. The document highlights the importance and growing need for this technology across various fields such as education, advertising, and more.
The eye gaze system is a communication and control system that uses eye movements to allow interaction for people with physical disabilities. It works by using an infrared camera to track the pupil and correlate eye position with points on a computer screen. The system requires the user to have control of one eye and adequate vision. It must be calibrated to each individual user by having them follow a moving target on screen. Once calibrated, users can control software programs and devices with their eyes by fixating on icons or buttons. While expensive, the eye gaze system provides an important access method for those unable to use other input systems.
This document describes an "EyePhone" technology that allows users to control a mobile phone using only their eyes. It tracks eye movement and blinks using the front-facing camera and machine learning algorithms. Blinks can activate applications that the user is looking at. Potential applications include accessibility for disabled users and monitoring driver safety. Accuracy is limited on mobile phones due to camera quality and phone movement compared to desktop systems. The document outlines the eye tracking and detection algorithms used and discusses challenges of developing such a system for mobile use cases.
The document describes a technical seminar report on a smart note taker device, including an overview of the system and its construction, current products like mobile and PC note takers as well as smart pens, the technologies used including display and handwriting recognition, advantages and disadvantages, applications, future scope, and conclusions. It provides details on the interior structure and technical requirements and includes diagrams of the smart note taker system and current products.
EYE GAZE COMMUNICATION SYSTEM
The Eye gaze System is a communication system for people with complex physical disabilities.
This operates with eyes by looking at control keys displayed on a screen.
ABSTRACT The Virtual Trial Room (VTR) application software simulates an apparel dressing room by the implementation of a virtual mirror, portraying an augmented view of the user with virtual superimposed clothes. Traditional approach to the design and implementation of virtual dressing rooms have been wildly using either normal webcams with Tag/Marker based tracking or expensive 3D depth & motion sensing cameras like Microsoft Kinect. The main idea of this paper is to methodologically devise a novel VTR solution deploying ubiquitous 2D webcams with tag-less tracking, in a real-time live video mode using open source tools and technologies. The solution model implements a tag-less or marker-less Augmented Reality (AR) technique with face detection technology and provides an intuitive motion-augmented User Interface (UI) to the VTR application, in the form of an interactive human-friendly Virtual Mirror using simple hand gestures. A qualitative performance analysis of the application is evaluated at the end of the paper to determine the fundamental susceptibility of the VTR system against varied illumination conditions.
https://github.com/Project-VTR
This document discusses holographic projection technology. It provides an overview of what holograms are and the different types. Holographic projection works by recording light interference patterns from an object and then using those patterns to reconstruct the 3D image of the object without the need for glasses. This technology has many potential applications and provides advantages over traditional 3D displays by creating glasses-free, multi-view 3D images in mid-air. The document highlights the importance and growing need for this technology across various fields such as education, advertising, and more.
Smart pen which is able to write in a paper and that information is stored as a text file in a computer and the handwritten notes will be instantly converted into editable text. It is based on the principle of Hand Written Optical Character Recognition (HWOCR). HWOCR technique used to convert the handwritten input to digital character
The document summarizes an eye gaze communication system that allows people with physical disabilities to control devices and communicate using only their eyes. The system works by tracking a user's eye movements to select icons on a screen to synthesize speech, control their environment, operate software and the internet. It has benefited many users with conditions limiting hand or voice use. Advancements continue to be made to improve the system's portability, accuracy and ability to accommodate rapid eye movements and head motion.
This document summarizes a seminar presentation on ISPHERE technology for intuitive 3D modeling. ISPHERE is a spatial input device designed to reduce cognitive load. It is a foldable dodecahedron with capacitive sensors on each face that can detect hand movements and positions. The hardware sensors are connected to a microcontroller and software maps the input to manipulate 3D objects in modeling programs. The system allows more natural interactions like squeezing and stretching parts of a virtual object to transform it.
Abstract/Introduction/Users of Eye gaze/Skills required by the users/ Hardware Parts/Working//Menu's of Eye Gaze Communication System/Applications/Limitations/New Portable Eye Gaze Communication /Environment require for eye Gaze Communication/The eye gaze communication system components & prices/ Conclusion/ Thank you
The document is a seminar presentation on smart glasses that provides an introduction to the technology, its inventor, models available, types, uses and advantages, disadvantages, and conclusion. It discusses how smart glasses function as wearable computers that add information to what the wearer sees. It outlines the key inventor of smart glasses, technologies used, different models such as the Vuzix M300 and Epson Moverio, and types including ones with single or dual displays. Applications covered include camera, convenience, medical, safety, education, productivity, and sports uses. Disadvantages discussed are issues like data inaccuracy, battery life, cost, and lack of privacy.
The GY-HMQ10 is the world's first professional handheld 4K camcorder. It utilizes JVC's high-speed FALCONBRID image processor to capture and record 4K 60p video to SD cards. A supplied software merges the four simultaneous recordings into a single 4K file for editing. The camcorder also functions as a Full HD camcorder, and its 4K recordings can be trimmed in post to extract Full HD footage. This integrated workflow allows smooth 4K recording and editing using widely available media and formats.
The document is a user manual for the AJA HD10MD3 HDTV HD to SDI Down Converter. It provides an overview of the product's features which include broadcast-quality HD to SD down conversion, dual-rate HD-SDI/SDI input and output, support for various HD and SD input formats, and external dipswitch configuration. It also includes a block diagram showing the device's signal processing components.
The LMD-2451W is a 24-inch LCD monitor designed for professional applications. It has a 1920x1200 resolution display, 178 degree viewing angle, and accurate color reproduction. The monitor accepts various video and computer inputs and has features like waveform monitoring, audio level meters, and remote control options. It is suitable for a wide range of professional video applications.
The document is an installation and operation guide for the AJA RH10MD HD Downconverter and Re-clocking Distribution Amplifier card module. The RH10MD can downconvert HD video sources to SD formats while distributing the signal via 4 re-clocked HD-SDI or SDI outputs. It supports various HD and SD formats and can configure the 4 SD outputs individually as either SDI or analog signals. The guide provides an overview of the product's features and specifications.
The document provides information about the AJA HD10AVA converter, including:
1) It converts analog SD/HD video and audio inputs to 3 channel SD/HD-SDI outputs with embedded audio.
2) It supports a variety of SD and HD video formats and has balanced 4 channel analog audio inputs.
3) Configuration options like input format, audio levels, and blanking can be set using an external DIP switch.
The document is the user manual for the AJA HD10C2 HDTV Serial Digital to Analog Converter. It provides an overview of the product, including its features, block diagram, I/O connections, user controls, installation instructions, and specifications. The HD10C2 converts HD-SDI and SDI video signals to analog component HD and SD outputs. It has dual HD-SDI loop outputs and is configured via front-panel DIP switches to set the output format and options.
This document provides an instruction manual for the SE-2800 digital video switcher. It includes:
- An overview of the product and its features such as 8 or 12 input channels that can accept SD, HD-SDI or HDMI signals, dual PIP, two DSK channels, logo insertion, and frame stores.
- Descriptions of the connections on the rear and front panels, including inputs, outputs, audio, sync, tally, and control connections.
- Explanations of the controls on the front panel keyboard for video switching, transitions, logos, PIP, DSK, frame stores, and audio level adjustment.
- Details on configuration and control options using the
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document summarizes the features of the JVC GY-HM750U camcorder. It can record in both HD and SD formats to multiple file types. It has dual memory card slots for simultaneous or relay recording. The camcorder has a 14x HD lens and uses a 3CCD sensor with triplex offset technology to provide high resolution images. It uses a high bitrate MPEG2 encoder and dual SD card slots provide flexibility in recording workflows.
This document is a user manual for the PS 680 six channel power supply. It provides instructions on unpacking, installing, and operating the PS 680, including connecting mains power, using front and rear panel controls, cabling stations, and technical specifications. The PS 680 can power up to 40 beltpacks or 20 speaker stations to provide intercom services and includes features like an auxiliary input and remote microphone muting.
This document provides an installation and operation guide for the AJA RH10DA 1x8 SD/HD-SDI Reclocking Distribution Amplifier card module. The RH10DA is a multi-standard dual rate 1x8 SDI/HD-SDI distribution amplifier that automatically configures to different SDI formats and provides re-clocking and equalization for up to 100/300 meters of coax cable. The guide provides information on features, block diagrams, I/O connections, installation instructions, specifications and compliance/safety information for the RH10DA module.
The HXR-MC50E is a compact, professional AVCHD camcorder featuring a high resolution Exmor RTM CMOS sensor for sharp, detailed Full HD video recording. It has 10x optical and 120x digital zoom, optical image stabilization, and records for up to 6 hours on internal memory. The camcorder is well-suited for professional applications, with manual controls, a wide angle lens, and PrimeSupport for fast repairs.
The document is an operating manual for the BeachTek DXA-SLR active XLR adapter. It describes the adapter's features and functions, and provides instructions for setup and use. The adapter allows connecting external microphones and audio gear to DSLRs and other devices. It has XLR and line inputs, headphone monitoring, gain controls, and disables camera auto gain control to reduce noise. Setup involves mounting the adapter, connecting audio sources, setting gain and monitor levels, and testing the audio recording.
Smart pen which is able to write in a paper and that information is stored as a text file in a computer and the handwritten notes will be instantly converted into editable text. It is based on the principle of Hand Written Optical Character Recognition (HWOCR). HWOCR technique used to convert the handwritten input to digital character
The document summarizes an eye gaze communication system that allows people with physical disabilities to control devices and communicate using only their eyes. The system works by tracking a user's eye movements to select icons on a screen to synthesize speech, control their environment, operate software and the internet. It has benefited many users with conditions limiting hand or voice use. Advancements continue to be made to improve the system's portability, accuracy and ability to accommodate rapid eye movements and head motion.
This document summarizes a seminar presentation on ISPHERE technology for intuitive 3D modeling. ISPHERE is a spatial input device designed to reduce cognitive load. It is a foldable dodecahedron with capacitive sensors on each face that can detect hand movements and positions. The hardware sensors are connected to a microcontroller and software maps the input to manipulate 3D objects in modeling programs. The system allows more natural interactions like squeezing and stretching parts of a virtual object to transform it.
Abstract/Introduction/Users of Eye gaze/Skills required by the users/ Hardware Parts/Working//Menu's of Eye Gaze Communication System/Applications/Limitations/New Portable Eye Gaze Communication /Environment require for eye Gaze Communication/The eye gaze communication system components & prices/ Conclusion/ Thank you
The document is a seminar presentation on smart glasses that provides an introduction to the technology, its inventor, models available, types, uses and advantages, disadvantages, and conclusion. It discusses how smart glasses function as wearable computers that add information to what the wearer sees. It outlines the key inventor of smart glasses, technologies used, different models such as the Vuzix M300 and Epson Moverio, and types including ones with single or dual displays. Applications covered include camera, convenience, medical, safety, education, productivity, and sports uses. Disadvantages discussed are issues like data inaccuracy, battery life, cost, and lack of privacy.
The GY-HMQ10 is the world's first professional handheld 4K camcorder. It utilizes JVC's high-speed FALCONBRID image processor to capture and record 4K 60p video to SD cards. A supplied software merges the four simultaneous recordings into a single 4K file for editing. The camcorder also functions as a Full HD camcorder, and its 4K recordings can be trimmed in post to extract Full HD footage. This integrated workflow allows smooth 4K recording and editing using widely available media and formats.
The document is a user manual for the AJA HD10MD3 HDTV HD to SDI Down Converter. It provides an overview of the product's features which include broadcast-quality HD to SD down conversion, dual-rate HD-SDI/SDI input and output, support for various HD and SD input formats, and external dipswitch configuration. It also includes a block diagram showing the device's signal processing components.
The LMD-2451W is a 24-inch LCD monitor designed for professional applications. It has a 1920x1200 resolution display, 178 degree viewing angle, and accurate color reproduction. The monitor accepts various video and computer inputs and has features like waveform monitoring, audio level meters, and remote control options. It is suitable for a wide range of professional video applications.
The document is an installation and operation guide for the AJA RH10MD HD Downconverter and Re-clocking Distribution Amplifier card module. The RH10MD can downconvert HD video sources to SD formats while distributing the signal via 4 re-clocked HD-SDI or SDI outputs. It supports various HD and SD formats and can configure the 4 SD outputs individually as either SDI or analog signals. The guide provides an overview of the product's features and specifications.
The document provides information about the AJA HD10AVA converter, including:
1) It converts analog SD/HD video and audio inputs to 3 channel SD/HD-SDI outputs with embedded audio.
2) It supports a variety of SD and HD video formats and has balanced 4 channel analog audio inputs.
3) Configuration options like input format, audio levels, and blanking can be set using an external DIP switch.
The document is the user manual for the AJA HD10C2 HDTV Serial Digital to Analog Converter. It provides an overview of the product, including its features, block diagram, I/O connections, user controls, installation instructions, and specifications. The HD10C2 converts HD-SDI and SDI video signals to analog component HD and SD outputs. It has dual HD-SDI loop outputs and is configured via front-panel DIP switches to set the output format and options.
This document provides an instruction manual for the SE-2800 digital video switcher. It includes:
- An overview of the product and its features such as 8 or 12 input channels that can accept SD, HD-SDI or HDMI signals, dual PIP, two DSK channels, logo insertion, and frame stores.
- Descriptions of the connections on the rear and front panels, including inputs, outputs, audio, sync, tally, and control connections.
- Explanations of the controls on the front panel keyboard for video switching, transitions, logos, PIP, DSK, frame stores, and audio level adjustment.
- Details on configuration and control options using the
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document summarizes the features of the JVC GY-HM750U camcorder. It can record in both HD and SD formats to multiple file types. It has dual memory card slots for simultaneous or relay recording. The camcorder has a 14x HD lens and uses a 3CCD sensor with triplex offset technology to provide high resolution images. It uses a high bitrate MPEG2 encoder and dual SD card slots provide flexibility in recording workflows.
This document is a user manual for the PS 680 six channel power supply. It provides instructions on unpacking, installing, and operating the PS 680, including connecting mains power, using front and rear panel controls, cabling stations, and technical specifications. The PS 680 can power up to 40 beltpacks or 20 speaker stations to provide intercom services and includes features like an auxiliary input and remote microphone muting.
This document provides an installation and operation guide for the AJA RH10DA 1x8 SD/HD-SDI Reclocking Distribution Amplifier card module. The RH10DA is a multi-standard dual rate 1x8 SDI/HD-SDI distribution amplifier that automatically configures to different SDI formats and provides re-clocking and equalization for up to 100/300 meters of coax cable. The guide provides information on features, block diagrams, I/O connections, installation instructions, specifications and compliance/safety information for the RH10DA module.
The HXR-MC50E is a compact, professional AVCHD camcorder featuring a high resolution Exmor RTM CMOS sensor for sharp, detailed Full HD video recording. It has 10x optical and 120x digital zoom, optical image stabilization, and records for up to 6 hours on internal memory. The camcorder is well-suited for professional applications, with manual controls, a wide angle lens, and PrimeSupport for fast repairs.
The document is an operating manual for the BeachTek DXA-SLR active XLR adapter. It describes the adapter's features and functions, and provides instructions for setup and use. The adapter allows connecting external microphones and audio gear to DSLRs and other devices. It has XLR and line inputs, headphone monitoring, gain controls, and disables camera auto gain control to reduce noise. Setup involves mounting the adapter, connecting audio sources, setting gain and monitor levels, and testing the audio recording.
The Sony AWS-G500E is a compact live production solution that combines a video switcher, audio mixer, LCD display, and streaming encoder. It allows live switching between multiple video and computer sources without quality degradation. The system is highly flexible, supporting SD, HD, and computer inputs via optional modules. It can deliver live broadcasts, recordings, and streams straight from the unit. The intuitive interface enables simple live event production with minimal equipment and setup time.
The LMD-1510W is a 15.6-inch LCD monitor designed for entry-level video applications. It features a 10-bit processor for accurate color reproduction, a high purity RGB color filter for excellent depth and saturation, and 109% peak white brightness without clipping. The monitor also includes professional tools like adjustable color temperature and gamma curve, various video interfaces, and optional HD-SDI input. It provides cost-effective and high quality performance for moving image work.
The AG-HMX100 is a compact digital AV mixer that can:
1) Mix up to 10 audio sources and switch between 7 video sources including HDMI and SDI.
2) Provide transitions, digital effects, and multi-view display on a single monitor.
3) Operate as a 3D video switcher when used with dual SDI 3D camera inputs.
Sennheiser SKP 100 G3 plug on transmitterAV ProfShop
The document provides an instruction manual for the SKP 100 G3 plug-on transmitter. It includes:
1) An overview of the transmitter's features and compatible receivers. It can be used with Sennheiser dynamic microphones and operates in the UHF frequency range.
2) Instructions on how to insert batteries or an accupack, plug the transmitter onto a microphone, switch it on/off, mute audio or the RF signal, and select standard displays.
3) Details on the transmitter's operating menu which allows adjusting settings like sensitivity, frequency, name, and lock mode. An extended menu provides options to tune transmission frequencies.
4) Guidelines on synchronizing the transmitter with receivers
SKM 100-835 G3 Handzender met 835 KapselAV ProfShop
The document provides an instruction manual for the SKM 100 G3 radio microphone. It contains sections on safety instructions, an overview of the radio microphone family and frequency bank system, areas of application, product overview, operation instructions, and specifications. The manual describes how to insert batteries, charge the accupack, change the microphone head and protection ring, operate the radio microphone by switching it on/off and using the menu, and synchronize it with a receiver.
Sennheiser SKM 500-935 G3 Handzender met 935 kapselAV ProfShop
The document is an instruction manual for the SKM 500 G3 radio microphone. It contains sections on safety instructions, an overview of the radio microphone family and frequency bank system, areas of application, product overview, operation instructions, menus and settings, synchronization process, cleaning and maintenance tips, troubleshooting, accessories, specifications, and manufacturer declarations.
Sennheiser SKM 300-835 G3 Handzender met 835 kapselAV ProfShop
The document provides instructions for using the SKM 300 G3 radio microphone. It includes an overview of the radio microphone components and displays, instructions for powering the device with batteries or an accupack, changing the microphone head and color protection ring. It also describes how to switch the radio microphone on and off, temporarily deactivate the lock mode, mute the audio signal or deactivate the RF signal, and use the operating menu to adjust settings.
This document is a user manual for the E5GN temperature controller. It provides instructions for use, safety precautions, and technical specifications. Key details include:
- The E5GN can be mounted in compact panels and accepts various sensor inputs including thermocouples. It features self-tuning and communications functions.
- The manual describes how to use the E5GN temperature controller and important safety precautions to ensure correct use.
- Precautions are provided to ensure safe use and application of the controller within its intended environmental and electrical ratings.
This document is a user guide for the LG-P880 phone. It provides guidelines for safely using the phone and maximizing battery life. It also contains sections about the phone's components, installing SIM cards and batteries, making calls, managing contacts and accounts, using the camera, multimedia functions, connecting to Wi-Fi, and contains the phone's software license agreements.
INFORMACIÓNINFORMACIÓNINFORMACIÓNIMPORTANTELea atentamente este manual antes de utilizar su batidora por primera vez. Este equipo cumple con la directiva de Compatibilidad Electromagnética 2014/30/EU y LVD 2014/35/EU. Este producto está aprobado según los estándares de seguridad: IEC60065:2014 (Octava edición)EN60065:2014UL60065 2015 Ed. 8 CAN/CSA-E60065:2016 Ed. 2Y estándares EMC:EN55032: 2012+AC: 2013 Compatibilidad electromagnética de equipos multimedia - requisitos de emisionesEN61000-3-2:2014 Compatibilidad electromagnética - Parte 3-2: Límites para emisiones de corriente armónicaEN61000-3-3:2013 Compatibilidad electromagnética - Parte 3- 3: Limitación de cambios de voltaje, uctuaciones de voltaje y parpadeos en sistemas públicos de suministro de bajo voltaje. EN55103-2: 2009 (E2) Compatibilidad electromagnética: estándar de familia de productos para aparatos de control de iluminación de audio, video, audiovisual y entretenimiento para uso profesional - parte 2: Advertencia de inmunidad: cualquier modicación o cambio realizado en este dispositivo, a menos que Harman lo apruebe explícitamente, invalidará la autorización de este dispositivo. El funcionamiento de un dispositivo no autorizado está prohibido según la Sección 302 de la Ley de Comunicaciones de 1934, según enmendada, y la Subparte 1 de la Parte 2 del Capítulo 47 del Código de Regulaciones Federales. NOTA: Este equipo ha sido probado y cumple con los límites para un dispositivo digital de Clase B, de conformidad con la Parte 15 de las Reglas de la FCC. Estos límites están diseñados para proporcionar una protección razonable contra interferencias dañinas en una instalación residencial.
The PMW-320K/320L is a shoulder-mount HD memory camcorder that supports multi-format recording including 1080/59.94i, 1080/50i, 1080/29.97P, 1080/23.98P, 720/59.94P, 720/29.97P, 720/23.98P, 1080/25P, 720/50P, and 720/25P. It has three 1/2-type full-HD CMOS image sensors and a 1/2-type bayonet mount. The camcorder can also record and play back SD signals in DVCAM-AVI format and output HD signals down-converted to SD.
The document is a product manual for the dMIX300 Digital Music Control Station. It provides instructions on setup, features, compatibility, care/maintenance, and operation of the device. Key features highlighted include jog wheels for precise control, pitch control with 0.05% precision over multiple ranges, database-driven music management and searching, playlist support, and an iPod dock. The manual provides detailed instructions on device setup and use.
This instruction manual provides information for properly handling and operating a FRENIC-MEGA series inverter to drive a three-phase induction motor. The manual outlines safety precautions for the application, installation, wiring, operation, and maintenance of the inverter. It also contains copyright information and a preface describing the manual's purpose and intended users.
Hướng dẫn sử dụng đồng hồ vạn năng Testo 760
https://testostore.vn/san-pham/dong-ho-van-nang-so-testo-760-1/
https://testostore.vn/san-pham/dong-ho-van-nang-so-testo-760-2/
https://testostore.vn/san-pham/dong-ho-van-nang-testo-760-3/
https://testostore.vn/danh-muc/do-dien/dong-ho-van-nang/
The document provides instructions for operating a digital multimeter. It describes the display, control keys, and various measurement functions of the device including voltage, current, resistance, capacitance, frequency, temperature, and more. Safety warnings are also provided regarding proper use of the multimeter.
ROTORK YTC YT-870 LIMIT SWITCH BOX Suppliers ManualYTC INDIA
Rotork YTC YT-870 limit Switch box - Visual position indicator - Easy adjustment of cam position - 6 contacts of terminal ports - All plastic body - Compatibility with any rotary motion actuator
Rotork YTC Smart Positioner, Electro Pneumatic Positioner, Volume Booster, Lock Up Valve, Solenoid Valve, Position Transmitter, I/P Converter Distributors, Suppliers, Traders, Wholesalers India
For any Enquiry Call Us: +91-11-2201-4325, For Bulk Order Email at : Enquiry@ytcindia.com, Our Website :- www.ytcindia.com
This document provides operating instructions for the PMW-350K/350L solid-state memory camcorder. It begins with an overview of the camcorder's features and a description of its parts and controls. The document then covers preparations such as attaching accessories and setting the area of use and date/time. Subsequent chapters provide details on shooting, clip operations, menu settings, saving and loading user data, and connecting external devices.
The document is a user manual for the EuroPower PMX2000 power mixer. It includes:
1) An introduction describing the mixer's features and design goals of providing maximum flexibility and performance.
2) A section describing the front panel controls including 10 channel strips with identical EQ, effects, monitoring and level controls on each channel.
3) A brief description of the rear panel connections including mains power, speaker outputs, and audio I/O.
This document is the user manual for Samsung memory camcorders models SMX-F30/F33/F34BN, SMX-F30/F33/F34LN, SMX-F30/F33/F34RN, and SMX-F30/F33/F34SN. It provides information on key features such as a 2.7-inch LCD screen, H.264 video encoding, internal flash memory storage, optical and digital zoom, and easy upload of videos to YouTube. It also includes safety warnings and instructions for use.
This document provides an overview and operating manual for the MD-HX HDMI/SDI Cross Converter. The MD-HX can simultaneously convert between HDMI and SDI while supporting 3G, HD, and SD formats. It also includes scaling and frame rate conversion capabilities. The operating manual describes the unit's four operation modes and provides details on its menu system for controlling inputs, outputs, scaling settings, and other parameters using the front panel LCD and buttons.
The AV-HS410 is a live production switcher that provides:
1) High-end performance and functions in a compact body, including 9 video inputs, 6 outputs, chroma keying, transitions, and memory functions.
2) An intuitive user interface designed for live operation, with a built-in LCD monitor, memory preview, and multi-viewer display.
3) Expandability through optional input/output boards and a software development kit to add customized functions.
Panasonic AW-HE40SW/SK/HW/HK PTZ Camera with HD-SDI / HDMI OutputAV ProfShop
The document provides specifications for Panasonic's AW-HE40 series of integrated full HD cameras. It has a 30x optical zoom lens and supports Power over Ethernet Plus (PoE+) for installation flexibility. The cameras feature a 1/2.3-type MOS sensor, 30x optical zoom lens, 40x total zoom with super resolution, and support various outputs including HDMI, SDI, and IP. They can be controlled remotely over IP from devices like PCs and smartphones.
The MCX-500 is an affordable multi-camera live production switcher that allows a single operator to mix up to 8 video sources plus titles for live events. It provides professional 3G-SDI, HDMI, and composite video inputs along with integrated recording to SD cards. The switcher offers features like chroma keying, transitions, picture-in-picture, and live streaming for engaging live productions and events. Controls are designed for intuitive single-operator use but can also be controlled remotely via tablet or PC.
The document describes two compact 4K camcorders, the GY-HM200 and GY-HM170. Both cameras feature a 12x optical zoom lens, 4K video recording at up to 150Mbps to SD cards, HD recording up to 50Mbps in 4:2:2 color sampling, and dual SD card slots. The GY-HM200 additionally offers live streaming of HD video over WiFi or 4G LTE while continuing to record locally.
The document provides information on the JVC GY-HM620 HD/SD memory card camcorder. It summarizes the key features as having a 23x Fujinon lens, 3 full HD 1/3-inch CMOS sensors, and a FALCONBRID image processing engine for superior image quality. It records in multiple formats including MOV, MP4, and AVCHD and has dual SD card slots for simultaneous or relay recording. The camcorder offers various professional features such as XLR audio inputs, timecode sync, and HDMI and SDI outputs.
The document summarizes the features of the JVC GY-HM660 HD/SD memory card camcorder. It can live stream in full HD up to 12Mbps via Wi-Fi, 4G LTE, or Ethernet. It has a 23x optical zoom lens, dual SD card slots, and records to multiple formats including H.264 up to 50Mbps. The camcorder also has advanced connectivity including SDI and HDMI outputs, USB ports, and XLR audio inputs for professional video applications such as electronic news gathering.
This document provides an overview of the MS-2800 mobile video studio system and its components. It includes diagrams showing how the various components such as cameras, switchers, audio mixers, and monitors connect together via SDI and audio cables. Key components highlighted include the MS-2800A/B 12-channel mobile video switchers, DAC-60 SDI to VGA converters, AM-100 audio mixer, and NVS-20 video streaming server.
The document is a 2012-2013 product guide that describes the HS-2800, a 12-channel portable video studio. The HS-2800 features dual PIP and dual DSK inputs, 8 HD-SDI inputs and outputs, HDMI connectivity, and can be used with accessories like a 42" LCD monitor, digital video recorder, audio mixer, and WiFi bridging unit.
The Datavideo DVK-200 is a standalone chromakey solution that allows users to create virtual studio effects without complicated software. It supports connections from video, computer, and DVI sources and can key against blue, green, white, or black backgrounds. The DVK-200 has advanced key adjustments, input/output options, and can be controlled via RS-232. It is suitable for education, small studios, wedding videography, and other applications.
The Datavideo ITC-100 Intercom system provides clear communication between production crew members through an 8-channel intercom setup. It features a standard 1U rack design for easy integration into existing systems. Each channel supports talkback functions as well as dual color tally lights to indicate speaker status. Communication can occur between individuals or broadcast to all channels simultaneously from the director. The system helps coordinate camera operators, lighting, and more from a control room during live productions.
The RMC-180 is a PTZ camera control unit that can control up to 4 PTC-100 pan, tilt, and zoom cameras. It provides functions like iris, focus, preset positions, and tally indicators for each camera. The RMC-180 integrates easily with Datavideo SE-2000R and HS-2000 HD switchers and allows control over camera balance, noise reduction, and other settings from the switcher. It connects to PTZ cameras via RS-422 and can be controlled over IP through a network video server.
The document provides an overview of an audio/video system setup including various components such as a Datavideo SE-600 8-channel digital video switcher, TLM-170H 17.3" HD/SD LCD monitors, a DN-600 SD digital video recorder, ITC-100 intercom system, DAC-60 SDI to VGA converter, and NVS-20 H.264 video streaming server. The diagram outlines the connections between the components including video, audio, network, and control connections to integrate the system.
The document outlines an audio visual system setup including a 4-channel digital video switcher connected to 7-inch LCD monitors, an SD digital video recorder, and an H.264 video streaming server. The system allows for video and audio switching, recording, streaming, and intercom communication, and includes connections for cameras, projectors, and other peripheral devices. Tally lights indicate the active video and audio sources.
1. Atomos produces field monitor-recorders that allow video professionals to record directly from camera sensors to formats like Apple ProRes and Avid DNxHR on affordable HDD/SSD media. Their devices also function as professional monitors, playback devices, and basic editing tools.
2. The document highlights several Atomos product lines - the high-end Shogun Inferno, the mid-range Flame series including the Shogun Flame and Ninja Flame, and the entry-level Blade series. All are designed for professional recording, monitoring, and basic editing functions.
3. A case study describes how the Cloakroom Media production company used a Shogun Flame and N
The PXW-Z450 is a new 4K shoulder camcorder from Sony that records using the XAVC format. It has a newly developed 2/3-type Exmor RTM CMOS sensor that provides high quality 4K and HD images. The camcorder is compatible with a wide range of existing HD lenses through its B4 lens mount and also supports 4K lenses. It offers features such as low power consumption, wireless capabilities and flexible recording formats that make it suitable for live news gathering and television production in both 4K and HD.
Datavideo SE-2200 6 input HD broadcast quality switcherAV ProfShop
The document provides instructions and specifications for the SE-2200 production switcher. It includes a packing list, descriptions of the front and rear panels, explanations of connection types and ports, and instructions for operating keyboard controls and menu options. Dimensions and technical specifications are also provided.
How Many Universal Studios Are There in the World_.pdfTrending Blogers
Discover the world of Universal Studios with theme parks in five locations globally: Hollywood (USA), Florida (USA), Japan, Singapore, and Beijing (China). Each park offers unique attractions and immersive experiences based on popular films and TV shows. From the magical world of Harry Potter to thrilling rides like Transformers and Jurassic Park, Universal Studios parks provide unforgettable adventures for visitors of all ages.
Unveiling the Future of TV- Eternal IPTV Trends in 2024.pdfXtreame HDTV
As we step into 2024, the landscape of television continues to evolve rapidly, and Eternal IPTV is at the forefront of this transformation. With technological advancements and changing viewer preferences, IPTV (Internet Protocol Television) is reshaping how we consume entertainment. Eternal IPTV, known for its diverse and high-quality streaming options, is setting new trends that will define the future of TV.
Party Photo Booth Prop Trends to Unleash Your Inner StyleBirthday Galore
Are you planning an unforgettable event and looking for the best photo booth props to make it a memorable night? Party photo booth props have become essential to any celebration, allowing guests to capture priceless memories and express their personalities. Here, we'll explore the hottest party photo booth prop trends that will unleash your inner style and create a buzz-worthy experience with Birthday Galore!
For more details visit - birthdaygalore.com
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
Robert Downey Jr. Net Worth: A Comprehensive Analysisgreendigital
Introduction
Robert Downey Jr., synonymous with Hollywood success. has had a career marked by dramatic ups and downs. Downey's journey is remarkable, from his early days as a promising young actor to his well-documented struggles with addiction and his triumphant comeback in Iron Man. Central to this narrative is his financial success. This article delves into Robert Downey Jr. net worth, exploring how he amassed his fortune. the various income streams contributing to his wealth, and his financial management strategies.
Follow us on: Pinterest
Early Life and Career Beginnings
Childhood and Family Background
Robert Downey Jr. was born on April 4, 1965, in Manhattan, New York City. His father, Robert Downey Sr., was an influential filmmaker and actor. while his mother, Elsie Ann, was an actress. Growing up in a creative environment, Downey was exposed to the entertainment industry at a very young age, appearing in his father's films as early as age five.
Breakthrough in the 1980s
Downey's career began in earnest in the 1980s when he joined the cast of Saturday Night Live. His early film roles in movies like Weird Science (1985) and Less Than Zero (1987) showcased his talent and potential. Despite his initial success, these early years were also marked by personal challenges. Particularly his struggles with substance abuse.
The Downfall and Recovery
Struggles with Addiction
The 1990s were a tumultuous period for Downey. Despite critical acclaim for roles in films such as "Chaplin" (1992), for which he received an Academy Award nomination, his career was derailed by legal troubles related to his drug addiction. Frequent arrests and stints in rehab created an image of an actor whose potential was being overshadowed by his demons.
Comeback and Redemption
The early 2000s marked the beginning of Downey's remarkable comeback. With the support of friends and family and a strong will to overcome his addictions. he gradually rebuilt his career. Key to this resurgence was his role in the TV series Ally McBeal, which not only earned him a Golden Globe but also proved that he still had the talent and appeal needed for Hollywood stardom.
The Marvel Era and Explosive Financial Growth
Casting as Iron Man
2008 was a pivotal year for Downey, as he was cast as Tony Stark/Iron Man in the Marvel Cinematic Universe (MCU). This role would redefine his career and boost Robert Downey Jr. net worth. Marvel Studios took a risk by casting him, but it paid off as "Iron Man" (2008) became a critical and commercial success.
Earnings from the Marvel Cinematic Universe
Downey's portrayal of Iron Man became iconic. Leading to roles in many MCU films, including the "Avengers" series. His compensation for these films varied significantly, starting with a modest (by Hollywood standards) $500,000 for the first "Iron Man" movie. But, his earnings skyrocketed as the MCU grew and his role expanded. For example, Downey reportedly earned $50 million for "The Avengers" (2012) a
So far, no details are known about Darby Galen’s career. She is not old enough to work yet. Currently, Darby focuses on her academic studies rather than making plans for his future career.
As a result, no one knows how much money it is worth. However, Patrick Dempsey’s net worth is projected to be around $80 million as of February 2023, as of this date.
The fact that Darby Galen Dempsey is related to Patrick Dempsey is what makes her best known. Darby was also born in Los Angeles, California on February 1, 2007. In 2020, Darby will turn 13 years old. She is Aquarius by birth sign. Her twin brother Sullivan Dempsey is also an actor.
Similarly, Darby Galen Dempsey is listed as the most famous celebrity on Wiki Famous People. Jillian Fink, Patrick Dempsey’s second wife, is Darby’s mother. Patrick Dempsey’s first wife was Rochelle “Rocky” Parker. Rocky, Patrick’s first wife, is an actress and acting teacher; However, the two divorced in 1994.
Darby’s parents, Patrick and Jillian, married in 1994. Together, Patrick and Jillian Fink are the parents of three children. Tallulah Fyfe and Sullivan Patrick, twins, are Darby’s siblings. Patrick founded the Patrick Dempsey Center, a cancer center at Central Maine Medical Center, in addition to his acting career. When Patrick’s mother was diagnosed with ovarian cancer and experienced severe suffering as a result, Patrick was motivated to find the center.
Darby Galen’s father is a well-known American actor who also drives racing cars. In Pastor’s film “McDreamy,” he plays Derek, a neurologist. The character of Darby’s father in the romantic thriller Grey’s Anatomy is well known. 2005 marked the year Darby’s father made his theatrical debut. In addition, the program is still on the air. In the 1980s, Darby’s father Patrick was the most sought-after and successful performer, and every director and producer wanted to collaborate with him. He has appeared in numerous films and television shows.
Darby’s father, Patrick, appeared in several major films during this time, such as “Can’t Buy Me Love” in 1987 and “Loverboy” in 1989. The wildly popular mystery horror film Scream 3 featured Darby’s father, Mark Kincaid, in 2000. The father is also a racing enthusiast. Darby’s father is a car fanatic who likes to race, drive sports vehicles, and collect old cars.
Enhance Your Viewing Experience with Gold IPTV- Tips and Tricks for 2024.pdfXtreame HDTV
In the ever-evolving landscape of digital entertainment, IPTV (Internet Protocol Television) has emerged as a popular alternative to traditional cable and satellite TV services. Offering unparalleled flexibility, a vast selection of channels, and affordability, IPTV services like Gold IPTV have revolutionized the way we consume television content. This comprehensive guide will delve into everything you need to know about Gold IPTV, its features, benefits, setup process, and how it can enhance your viewing experience.
A Comprehensive Guide to Setting Up A1 IPTV for Your Home Entertainment.pdfXtreame HDTV
The digital age has revolutionized the way we consume content, and IPTV (Internet Protocol Television) stands at the forefront of this transformation. A1 IPTV is one of the leading services in this space, offering a wide range of channels and features that cater to the needs of modern viewers. This comprehensive guide will delve into everything you need to know about A1 IPTV, from its features and benefits to how it compares to traditional TV services.
Explore Treydora's VR economy, where users can trade virtual assets, earn rewards, and build digital wealth within immersive game environments. Learn more!
Bangalore Call Girls 7339748667 No Advance Payment with Trusted Models
Sennheiser EW-100-ENG-G3
1. 100-P Series
| Bedienungsanleitung
Instruction manual | Notice d’emploi
Istruzioni per l’uso | Instrucciones de uso
Gebruiksaanwijzing | Manual de instruções
|
2. Contents
Contents
Important safety instructions ............................................................................................................................................................. 2
The ew 100 G3 evolution wireless series .......................................................................................................................................... 3
The frequency bank system ........................................................................................................................................................... 3
Product overviews .................................................................................................................................................................................. 4
Overview of the EK 100 G3 diversity receiver ............................................................................................................................ 4
Overview of the SK 100 G3 bodypack transmitter ................................................................................................................... 5
Overview of the SKM 100 G3 radio microphone ........................................................................................................................ 6
Overview of the SKP 100 G3 plug-on transmitter ..................................................................................................................... 7
Overview of the displays of the EK 100 G3 ................................................................................................................................ 8
Overview of the displays of the SK 100/SKM 100/SKP 100 G3 ............................................................................................. 9
Putting the devices into operation ................................................................................................................................................... 10
EK 100 G3 diversity receiver ........................................................................................................................................................ 10
SK 100 G3 bodypack transmitter ............................................................................................................................................... 12
SKM 100 G3 radio microphone .................................................................................................................................................... 13
SKP 100 G3 plug-on transmitter ................................................................................................................................................. 15
Using the devices .................................................................................................................................................................................. 16
Switching the devices on/off ....................................................................................................................................................... 17
Synchronizing a transmitter with the diversity receiver ....................................................................................................... 19
Deactivating the lock mode temporarily ................................................................................................................................... 20
Muting the audio signal or deactivating the RF signal ........................................................................................................... 21
Selecting a standard display ........................................................................................................................................................ 22
Overview of the operating menus .................................................................................................................................................... 23
Synchronizing transmitters with diversity receivers ................................................................................................................... 26
Cleaning the devices ............................................................................................................................................................................. 28
If a problem occurs ... ........................................................................................................................................................................... 29
Specifications ......................................................................................................................................................................................... 31
Manufacturer Declarations ................................................................................................................................................................. 34
Detailed instruction manuals for the individual products can be found on the corresponding product
pages at www.sennheiser.com.
1
3. Important safety instructions
Important safety instructions
• Read this instruction manual.
• Keep this instruction manual. Always include this instruction manual when passing the
products on to third parties.
• Heed all warnings and follow all instructions in this instruction manual.
• Use only a cloth for cleaning the products.
• Do not place the products near any heat sources such as radiators, stoves, or other devices
(including amplifiers) that produce heat.
• Only use attachments/accessories specified by Sennheiser.
• When replacement parts are required, only use replacement parts specified by Sennheiser
or those having the same characteristics as the original part. Unauthorized substitutions
may result in fire, electric shock, or other hazards.
• Refer all servicing to qualified service personnel.
Servicing is required if the products have been damaged in any way, liquid has been spilled,
objects have fallen inside, the products have been exposed to rain or moisture, do not
operate properly or have been dropped.
• WARNING: To reduce the risk of fire or electric shock, do not use the products near water
and do not expose them to rain or moisture.
Intended use
Intended use of the ew 100 G3 products devices includes:
• having read these instructions especially the chapter “Important safety instructions”,
• using the products within the operating conditions and limitations described in this
instruction manual.
“Improper use” means using the products other than as described in these instructions, or
under operating conditions which differ from those described herein.
2
4. The ew 100 G3 evolution wireless series
The ew 100 G3 evolution wireless series
With the ew 100 G3 evolution wireless series, Sennheiser offers high-quality state-of-the-art
RF transmission systems with a high level of operational reliability and ease of use. Transmit-
ters and receivers permit wireless transmission with studio-quality sound.
Adaptive diversity
The EK 100 G3 diversity receiver operates on the adaptive diversity principle where the shield
of the line cable is used as the second antenna to provide improved reception.
The frequency bank system
The devices are available in 6 UHF frequency ranges with 1,680 frequencies per frequency
range:
Range A: Range G: Range B: Range C: Range D: Range E:
516 – 558 566 – 608 626 – 668 734 – 776 780 – 822 823 – 865
Each frequency range (A–E, G) offers 21 frequency banks with up to 12 channels each:
Channel 1 – frequency preset
Channel 2 – frequency preset
Frequency bank 1 ... 20
Channel 12 – frequency preset
Channel 1 – freely selectable frequency
Channel 2 – freely selectable frequency
Frequency bank U
Channel 12 – freely selectable frequency
Each of the channels in the frequency banks “1” to “20” has been factory-preset to a fixed
frequency (frequency preset).
The factory-preset frequencies within one frequency bank are intermodulation-free.
These frequencies cannot be changed.
For an overview of the frequency presets, please refer to the supplied frequency information
sheet. Updated versions of the frequency information sheet can be downloaded from the
corresponding product page on our website at www.sennheiser.com.
The frequency bank “U” allows you to freely select and store frequencies. It might be that
these frequencies are not intermodulation-free.
3
5. Product overviews
Product overviews
Overview of the EK 100 G3 diversity receiver
³ ·
»
´
¿
¹
´
¸
²
¶
µ
º
¾
µ
Operating elements
³ 3.5 mm jack socket, lockable (AF OUT) ² SET button
(the shielding is used by antenna II) ¶ / rocker button (UP/DOWN)
· Antenna I º Battery compartment
» Operation and battery status indicator, ¾ Battery compartment cover
red LED
(lit = ON/flashing = LOW BATTERY) µ Battery compartment catches
¿ RF signal indication, green LED ¸ Infra-red interface
(lit = RF) ¹ ON/OFF button
´ Charging contacts (serves as the ESC (cancel) key in
the operating menu)
Display panel, backlit in orange
4
6. Product overviews
Overview of the SK 100 G3 bodypack transmitter
»
³ ·
¿
²
´
²
¹
¶
º
¸ ¾
µ
¸
Operating elements
³ Microphone/instrument input (MIC/LINE), ¶ SET button
3.5 mm jack socket, lockable º / rocker button (UP/DOWN)
· MUTE switch ¾ Battery compartment
» Antenna µ Battery compartment cover
¿ Operation and battery status indicator, ¸ Battery compartment catches
red LED
(lit = ON/flashing = LOW BATTERY) ¹ Infra-red interface
´ Audio overmodulation indicator, ON/OFF button,
yellow LED serves as the ESC (cancel) key in
(lit = AF PEAK) the operating menu
² Charging contacts Display panel, backlit in orange
5
7. Product overviews
Overview of the SKM 100 G3 radio microphone
¶
²
´
¿
»
·
º
¸
µ
¾
º
¹
µ µ
Operating elements
³ Microphone head (interchangeable) º Color-coded protection ring;
available in different colors
· Name and pick-up pattern of the
microphone head (not visible here) ¾ Operation and battery status indicator,
red LED
» Body of radio microphone
(lit = ON/flashing = LOW BATTERY)
¿ Battery compartment (not visible from
µ Charging contacts
outside)
¸ Multi-function switch:
´ Display panel, backlit in orange
(DOWN), (UP) and (SET)
² Infra-red interface
¹ ON/OFF button,
¶ Antenna
serves as the ESC (cancel) key in the
operating menu
6
8. Product overviews
Overview of the SKP 100 G3 plug-on transmitter
³
·
»
¿
´
²
¶
º
¾
µ
¸
Operating elements
³ Microphone input, XLR-3 socket ¶ Operation and battery status indicator,
(female, unbalanced) red LED
(lit = ON/flashing = LOW BATTERY)
· Mechanical locking ring of
XLR-3 socket º ON/OFF button
(serves as the ESC (cancel) key in the
» Infra-red interface
operating menu)
¿ Display panel, backlit in orange
¾ MUTE switch
´ UP button ( ) µ SET button
² DOWN button ( ) ¸ Battery compartment cover
7
9. Product overviews
Overview of the displays of the EK 100 G3
After switch-on, the diversity receiver displays the standard display “Frequency/Name”.
For further illustrations and examples of the different standard displays, refer to page 22.
The display backlighting is automatically reduced after approx. 20 seconds.
533.875 MHz
ew100 G3
RF AF P MUTE
Display Meaning
RF level “RF” Diversity display:
(Radio Frequency) Antenna input I is active
Antenna input II is active
RF signal level:
Field strength of the received signal
RF Squelch threshold level
Audio level “AF” Modulation of the transmitter
(Audio Frequency) Peak hold function
When the display shows full deflection, the audio
input level is excessively high.
AF
Frequency Current receiving frequency
Name Freely selectable name of the receiver
Lock mode icon Lock mode is activated
Battery status Charge status:
approx. 100%
approx. 70%
approx. 30%
Charge status is critical; in addition,
the red LOW BATT LED » is flashing.
Muting function “Mute” is only displayed on the “Frequency/Name” standard
“MUTE” display (see page 22) when no RF signal is being received.
or The diversity receiver then does not output an audio signal.
line output level The line output level AF OUT is only displayed on the
AF OUT “Frequency bank/Channel/Name” standard display
(see page 22).
Pilot tone “P” Activated pilot tone evaluation
8
10. Product overviews
Overview of the displays of the SK 100/SKM 100/SKP 100 G3
After switch-on, the transmitter displays the standard display “Frequency/Name”.
For further illustrations and examples of the different standard displays, refer to page 22.
The display backlighting is automatically reduced after approx. 20 seconds.
533.875 MHz
ew100 G3
AF P MUTE
Display Meaning
Audio level “AF” Modulation of the SK/SKM/SKP 100 G3
with peak hold function.
Frequency Current transmission frequency
Name Freely selectable name of the transmitter
Transmission icon RF signal is being transmitted
Lock mode icon Lock mode is activated
Pilot tone “P” Pilot tone transmission is activated
“MUTE” Audio signal is muted
Battery status Charge status:
approx. 100%
approx. 70%
approx. 30%
Charge status is critical, the red
LOW BATTERY LED ¶/¿/¾ is flashing:
¿ P
¶
¾
9
11. Putting the devices into operation
Putting the devices into operation
EK 100 G3 diversity receiver
Inserting the batteries/accupack
For powering the diversity receiver, you can either use two 1.5 V AA size batteries or the
rechargeable Sennheiser BA 2015 accupack.
Open the battery compartment by pushing the two catches µ in the direction of the
arrows and open the cover ¾.
¾ µ
¾
´
Insert the two batteries or the accupack as shown above. Please observe correct polarity
when inserting the batteries/accupack.
Close the battery compartment by pressing on the center of the cover ¾.
The battery compartment cover ¾ locks into place with an audible click.
Charging the accupack
To charge the BA 2015 accupack:
Insert the diversity receiver into the L 2015 charger (optional accessory).
The L 2015 simultaneously charges up to two devices, e.g. two diversity receivers or
one diversity receiver and one SK 100 G3 bodypack transmitter.
The L 2015 charger can only charge the BA 2015 accupack. Standard batteries
(primary cells) or individual rechargeable battery cells cannot be charged.
10
12. Putting the devices into operation
Mounting the diversity receiver to a camera
Use the supplied CA 2 camera adapter to mount the receiver to a camera’s flash mount.
Determine where on the perforated plate the flash mount adapter will need to be
fastened so that the receiver can best be attached to the camera.
At this position, place a square nut under the perforated plate .
Fasten the flash mount adapter to the perforated plate using the square nut .
Lift one side of the belt clip as shown.
Press down the belt clip at one fixing point and pull it out of the receiver housing.
Repeat for the other side.
Place the perforated plate onto the rear of the receiver.
Reinsert the belt clip .
Use one of the supplied line cables to connect the line input of the camera to the
socket ³.
³
The shield of the line cable serves as the antenna for the second diversity section.
11
13. Putting the devices into operation
SK 100 G3 bodypack transmitter
Inserting the batteries/accupack/Charging the accupack
The procedure is the same as for the EK 100 G3 diversity receiver:
To insert the batteries/accupack:
Read the chapter “Inserting the batteries/accupack” on page 10.
To charge the accupack:
Read the chapter “Charging the accupack” on page 10.
Connecting the microphone cable/line cable
The audio input is designed for the connection of condenser microphones. DC powering of the
condenser microphones is via the audio input MIC/LINE ³ (3.5 mm jack socket).
Use one of the recommended Sennheiser microphones or the optional CL 2 line cable.
Connect the 3.5 mm jack plug from the Sennheiser cable to the 3.5 mm jack socket
MIC/LINE ³.
Lock the 3.5 mm jack plug by screwing down the coupling ring of the cable.
Via the operating menu, adjust the sensitivity of the microphone/line input.
³
Attaching and positioning the corresponding microphones
ME 2/ME 4 Use the microphone clip to attach the microphone to clothing (e.g. tie, lapel).
The ME 2 clip-on microphone (shown on the right in the diagram) has an omni-directional
pick-up pattern. It is therefore not necessary to position it precisely.
Attach the ME 2 microphone as close as possible to the sound source.
The ME 4 clip-on microphone (shown on the left in the diagram) has a cardioid pick-up
pattern.
Position the ME 4 microphone so that its sound inlet is directed towards the sound source
(e.g. mouth).
12
14. Putting the devices into operation
Attaching the bodypack transmitter to clothing
You can use the belt clip to attach the bodypack transmitter to clothing (e.g. belt, waist-
band).
The belt clip is detachable so that you can also attach the transmitter with the antenna
pointing downwards. To do so, withdraw the belt clip from its fixing points and attach it
the other way round. The belt clip is secured so that it cannot slide out of its fixing points
accidentally.
To detach the belt clip:
Lift one side of the belt clip as shown in the diagram on the right-hand side.
Press down the belt clip at one fixing point and pull it out of the transmitter housing.
Repeat for the other side.
SKM 100 G3 radio microphone
Only hold the radio microphone by its body.
If you touch the antenna of the radio microphone during operation, the trans-
mitter’s range will be considerably reduced!
Inserting the batteries/accupack
For powering the radio microphone, you can either use two 1.5 V AA size batteries or the
rechargeable Sennheiser BA 2015 accupack.
Unscrew the lower part of the radio microphone from the radio microphone’s body » by
» turning it counterclockwise.
When unscrewing the radio microphone during operation, the muting function is
automatically activated. “MUTE” appears on the display panel.
When screwing the lower part of the radio microphone back to the radio micro-
phone’s body, the muting is canceled.
Slide back the lower part of the radio microphone as far as it will go.
Open the battery compartment cover (see page 14).
Insert the batteries or the BA 2015 accupack as shown on the battery compartment
cover. Observe correct polarity when inserting the batteries/accupack (see page 14).
13
15. Putting the devices into operation
Close the battery compartment cover .
Push the battery compartment into the radio microphone’s body.
Screw the lower part of the radio microphone back to the radio microphone’s body.
Charging the accupack
To charge the radio microphone with the BA 2015 accupack (optional accessory) installed:
Use the LA 2 charging adapter to insert the radio microphone into the L 2015 charger
(charger and charging adapter are available as optional accessories).
Changing the microphone head
The microphone head ³ is easy to change.
Unscrew the microphone head ³.
³
Do not touch the contacts of the radio microphone nor the contacts of the micro-
phone head ³. The contacts can become dirty or damaged if touched.
When unscrewing the microphone head ³ during operation, the muting function is
automatically activated. “MUTE” appears on the display panel.
When screwing the microphone head ³ back to the radio microphone, the muting
is canceled.
Screw the desired microphone head to the radio microphone.
The radio microphone is operational again.
14
16. Putting the devices into operation
Changing the color-coded protection ring
The color-coded protection ring º prevents the multi-function switch ¸ from accidental
operation. Protection rings in different colors are available as accessories. The protection
rings allow you to clearly identify each radio microphone.
Remove the color-coded protection ring as shown in the left-hand diagram.
Put on a new protection ring as shown in the right-hand diagram.
º º
SKP 100 G3 plug-on transmitter
Inserting the batteries/accupack
For powering the plug-on transmitter, you can either use two 1.5 V AA size batteries or the
rechargeable Sennheiser BA 2015 accupack.
Slide the battery compartment cover ¸ in the direction of the embossed arrow and open
the cover.
Insert the two batteries or the accupack as shown below. Please observe correct polarity
when inserting the batteries/accupack.
Close the battery compartment.
The battery compartment cover ¸ locks into place with an audible click.
¸ ¸
Charging the accupack
Remove the BA 2015 accupack (optional accessory).
Insert the BA 2015 accupack into the L 2015 charger (accupack and charger are optional
accessories):
The L 2015 charger can only charge the BA 2015 accupack. Standard batteries
(primary cells) or individual rechargeable battery cells cannot be charged.
15
17. Using the devices
Plugging the plug-on transmitter onto a microphone
Plug the microphone’s XLR-3M socket onto the transmitter’s XLR-3F socket ³.
³
·
Tighten the locking ring · in the direction of the arrow.
The transmitter uses the microphone body as an antenna – therefore microphones
with a metal casing should be used for best signal transmission.
Using the devices
To establish a transmission link, proceed as follows:
1. Switch the diversity receiver on.
2. Switch a transmitter on.
The transmission link is established and the diversity receiver’s RF level display “RF”
reacts.
If you cannot establish a transmission link between transmitter and diversity receiver:
Make sure that transmitter and diversity receiver are set to the same frequency bank and
to the same channel.
If necessary, read the chapter “If a problem occurs ...” on page 29.
It is vital to observe the following notes:
Make sure that the desired frequencies are listed in the enclosed frequency
information sheet.
Make sure that the desired frequencies are approved and legal in your country
and, if necessary, apply for an operating license.
16
18. Using the devices
Switching the devices on/off
EK 100 G3 diversity receiver
To switch the diversity receiver on:
Push the two battery compartment catches µ and open the battery compartment
cover ¾.
»
¹
µ
¾
µ
Press the ON/OFF button ¹.
The red ON LED » lights up and the standard display “Frequency/Name” appears on the
display panel.
To switch the diversity receiver off:
Press the ON/OFF button ¹ until “OFF” appears on the display panel.
The red ON LED » goes off and the diversity receiver switches off.
When in the operating menu, pressing the ON/OFF button ¹ will cancel your entry
(ESC function) and return you to the current standard display.
17
19. Using the devices
SK 100 G3 bodypack transmitter, SKM 100 G3 radio microphone and
SKP 100 G3 plug-on transmitter
P
¸
¾
¹
¸ ¿
¸ ¶
¶
µ µ
º
To switch your transmitter on (online operation):
SK 100 G3 SKM 100 G3 SKP 100 G3
Push the two catches ¸ Briefly press the ON/OFF Briefly press the ON/OFF
and open the battery button ¹. button º.
compartment cover µ. The radio microphone The plug-on transmitter
Briefly press the ON/OFF transmits an RF signal. transmits an RF signal.
button . The bodypack The red ON LED ¾ lights The red ON LED ¶ lights
transmitter transmits an up and the standard up and the standard
RF signal. display “Frequency/ display “Frequency/
The red ON LED ¿ lights Name” appears on the Name” appears on the
up and the standard display panel. The trans- display panel. The trans-
display “Frequency/ mission icon is mission icon is
Name” appears on the displayed. displayed.
display panel. The trans-
mission icon is
displayed.
You can switch your transmitter on and deactivate the RF signal on switch-on.
For more information, refer to page 19.
To switch your transmitter off:
If necessary, deactivate the lock mode (see page 20).
Press the ON/OFF Press the ON/OFF Press the ON/OFF
button until “OFF” button ¹ until “OFF” button º until “OFF”
appears on the display appears on the display appears on the display
panel. panel. panel.
The display panel turns The display panel turns The display panel turns
off. The red ON LED ¿ off. The red ON LED ¾ off. The red ON LED ¶
goes off. goes off. goes off.
When in the operating menu, pressing the ON/OFF button will cancel your entry
(ESC function) and return you to the current standard display.
18
20. Using the devices
To switch your transmitter on and to deactivate the RF signal on switch-on (offline operation):
SK 100 G3 SKM 100 G3 SKP 100 G3
Keep the ON/OFF Keep the ON/OFF Keep the ON/OFF
button pressed until button ¹ pressed until button º pressed until
“RF Mute On?” appears “RF Mute On?” appears “RF Mute On?” appears
on the display panel. on the display panel. on the display panel.
Press the SET button ¶. Press the multi-function Press the SET button µ.
switch ¸.
The transmission frequency is displayed but the transmitter does not transmit an
RF signal.
The transmission icon is not displayed.
533.875 MHz 533.875 MHz 533.875 MHz
ew100 G3 ew100 G3 ew100 G3
AF P MUTE AF P MUTE AF P MUTE
Use this function to save battery power or to prepare a transmitter for use during
live operation without causing interference to existing transmission links.
To activate the RF signal:
Briefly press the ON/OFF Briefly press the ON/OFF Briefly press the ON/OFF
button . button ¹. button º.
“RF Mute Off” appears “RF Mute Off” appears “RF Mute Off” appears
on the display panel. on the display panel. on the display panel.
Press the SET button ¶. Press the multi-function Press the SET button µ.
The transmission icon switch ¸. The transmission icon
is displayed again. The transmission icon is displayed again.
is displayed again.
Synchronizing a transmitter with the diversity receiver
You can synchronize a suitable transmitter of the ew 100 G3 series with the diversity
receiver. During synchronization, the following parameters are transferred to the trans-
mitter:
Setting Transferred parameters
“Frequency Preset” Currently set frequency
“Name” Freely selectable name currently set on the receiver
“Pilot Tone” Current pilot tone setting of the receiver (“Inactive”/“Active”)
19
21. Using the devices
To transfer the parameters:
Switch the transmitter and the diversity receiver on.
On the receiver, call up the “Sync” menu item.
“Sync” appears on the display panel of the diversity receiver.
Place the infra-red interface of the transmitter (see page 5 to page 7) in front of the
infra-red interface of the diversity receiver ¸.
¸ The parameters are transferred to the transmitter. When the transfer is completed, “ ”
appears on the display panel of the diversity receiver. The receiver then switches back to the
current standard display.
To cancel the transfer:
Press the ON/OFF button ¹ on the diversity receiver.
“ ” appears on the display panel of the receiver. “ ” also appears if no suitable trans-
mitter was found (wrong frequency range/wrong generation).
Deactivating the lock mode temporarily
You can activate or deactivate the automatic lock mode via the “Auto Lock” menu item (see
page 23). If the lock mode is activated, you have to temporarily deactivate it In order to be
able to operate the devices:
P
¸
´
²
² ¶
¶ º
µ
EK 100 G3/SK 100 G3 SKM 100 G3 SKP 100 G3
Press the SET Press the multi- Press the SET
button ² (EK) or ¶ function switch ¸. button µ.
(SK).
“Locked” appears on the display panel.
Press the rocker Move the multi- Press the
button ¶ (EK) or º function switch ¸ UP button ´/
(SK). upwards/downwards. DOWN button ².
“Unlock?” appears on the display panel.
Press the SET Press the multi- Press the SET
button ² (EK) or ¶ function switch ¸. button µ.
(SK).
The lock mode is temporarily deactivated.
20
22. Using the devices
How you are using the devices determines how long the lock mode remains deactivated:
When you are in the operating menu
The lock mode remains deactivated until you exit the operating menu.
When one of the standard displays is shown
The lock mode is automatically activated after 10 seconds.
The lock mode icon flashes prior to the lock mode being activated again.
Muting the audio signal or deactivating the RF signal
You can deactivate the RF signal of the transmitters (SKM 100 G3, SK 100 G3,
SKP 100 G3) on switch-on. For more information, refer to the chapter “Switching the
devices on/off” on page 17.
Using the ON/OFF button, you can also activate/deactivate the transmitters’ RF
signal during operation. To do so, briefly press the ON/OFF button and proceed as
described on page 19.
SK 100 G3/SKP 100 G3
·
533.875 MHz
ew100 G3
AF P MUTE
¾
The MUTE switch · (SK)/ ¾ (SKP) allows you to mute the audio signal or to deactivate the
RF signal. Via the “Mute Mode” menu item, you can set the desired function of the MUTE
switch · (SK)/ ¾ (SKP):
Setting Slide the MUTE switch · / ¾ ... Function
“AF On/Off” ... to the left (position MUTE) Mutes the audio signal
... to the right Unmutes the audio signal
“RF On/Off” ... to the left (position MUTE) Deactivates the RF signal
(offline operation)
... to the right Activates the RF signal
(online operation)
“Disabled” No function
From the “Mute Mode” menu item, select the desired setting (see page 25).
Exit the operating menu.
Slide the MUTE switch · (SK)/ ¾ (SKP) to the left, to the position MUTE.
The transmitter reacts as indicated in the table.
21
23. Using the devices
The current state of the muting function or the RF signal is displayed on the display panel of
the transmitter:
Audio signal is muted
Transmitter’s display panel: “MUTE” is displayed
Audio signal is activated (muting is canceled)
Transmitter’s display panel: “MUTE” is not displayed
RF signal is deactivated
Transmitter’s display panel: Transmission icon is not displayed,
“MUTE” is displayed
RF signal is activated
Transmitter’s display panel: Transmission icon is displayed,
“MUTE” is not displayed
Selecting a standard display
EK 100 G3
ON/OFF Briefly press the ON/OFF button to select a standard display.
Contents of the display Selectable standard display
“Frequency/Name”
533.875 MHz with “MUTE” display
ew100 G3
RF AF P MUTE
“Frequency bank/Channel/Name”
B.Ch: 20.12 with display of the line output level “AF OUT”
ew100 G3
RF AF P 0
22
24. Overview of the operating menus
SK 100/SKM 100/SKP 100 G3
To select a standard display:
SK 100 G3 SKM 100 G3 SKP 100 G3
Press the rocker Move the multi- Press the UP
button. function switch. button/DOWN
button.
Contents of the display Selectable standard display
“Frequency/Name”
533.875 MHz
ew100 G3
AF P MUTE
“Channel/Frequency”
B.Ch: 20.12
533.875 MHz
AF P MUTE
“Name/Channel”
ew100 G3
B.Ch: 20.12
AF P MUTE
Overview of the operating menus
For more detailed information on the operating menus, refer to the individual
instruction manuals of the devices. These instruction manuals can be down-
loaded from the corresponding product pages at www.sennheiser.com.
EK 100 G3
Main menu
“Menu”
Sync
Squelch “Easy Setup”
Easy Setup
Frequency Preset
Name
Reset List
AF Out
Current List
Auto Lock
Scan New List
Advanced
Extended menu Exit
Exit
“Advanced Menu”
Tune
Pilot Tone
LCD Contrast
Reset
Software Revision
Exit
23
25. Overview of the operating menus
When one of the standard displays is shown on the display panel, you can get into the main
menu by pressing the SET button ². The extended menu “Advanced Menu” and the “Easy
Setup” menu can be accessed via the corresponding menu items.
Display Function of the menu item
Main menu “Menu”
Sync Synchronizes a transmitter with the diversity receiver
Squelch Adjusts the squelch threshold
Adjustment range: “Low”, “Middle”, “High”, can be switched off
Special function (for servicing purposes only): With the squelch threshold set to “Low”,
you switch the squelch off by keeping the DOWN rocker button ¶ pressed for 3 seconds.
If you then press the UP button ¶, you switch the squelch on again.
Easy Setup Scans for unused frequency presets, releases and selects frequency presets
Frequency Preset Changes the frequency bank and the channel
Name Enters a freely selectable name
AF Out Adjusts the audio output level
Adjustment range: –30 dB to +12 dB, adjustable in steps of 6 dB
Auto Lock Activates/deactivates the automatic lock mode
Advanced Calls up the extended menu “Advanced Menu”
Exit Exits the operating menu and returns to the current standard display
“Easy Setup”
Reset List Releases all locked frequency presets
Current List Selects an unused frequency preset
Scan New List Automatically scans for unused receiving frequencies (frequency preset scan)
Exit Exits the menu “Easy Setup” menu and returns to the main menu
Extended menu “Advanced Menu”
Tune Sets the receiving frequencies for the frequency bank “U”
Sets a channel and a receiving frequency for the frequency bank “U”:
Select this menu item and call it up by pressing the SET button ² until the channel
selection appears.
Pilot Tone Activates/deactivates the pilot tone evaluation
LCD Contrast Adjusts the contrast of the display panel
Reset Resets the diversity receiver
Software Revision Displays the current software revision
Exit Exits the extended menu “Advanced Menu” and returns to the main menu
24
26. Overview of the operating menus
SK 100/SKM 100/SKP 100 G3
SK 100 G3 SKM 100 G3 SKP 100 G3
Main menu Main menu Main menu
“Menu” “Menu” “Menu”
Sensitivity Sensitivity Sensitivity
Frequency Preset Frequency Preset
Extended menu Frequency Preset Extended menu
Extended menu
Name “Advanced Menu” Name
Name “Advanced Menu”
Auto Lock “Advanced Menu” Auto Lock
Advanced Auto Lock
Advanced
Exit Tune Advanced Tune
Tune Exit
Mute Mode Exit Mute Mode
Cable Emulation Pilot Tone Pilot Tone
Pilot Tone LCD Contrast LCD Contrast
LCD Contrast Reset Reset
Reset Software Revision Software Revision
Software Revision Exit Exit
Exit
Display Function of the menu item
Main menu “Menu”
Sensitivity Adjusts the sensitivity “AF”
Frequency Preset Changes the frequency bank and the channel
Name Enters the transmitter name
Auto Lock Activates/deactivates the automatic lock mode
Advanced Calls up the extended menu “Advanced Menu”
Exit Exits the operating menu and returns to the current standard display
Extended menu “Advanced Menu”
Tune Sets the transmission frequencies for the frequency bank “U”
Sets a channel and a transmission frequency for the frequency bank “U”
Select this menu item and call it up by pressing the SET button (SK, SKP)/the
multi-function switch (SKM) until the channel selection appears.
Mute Mode (SK, SKP only) Sets the mode for the MUTE switch
Cable Emulation (SK only) Emulates guitar cable capacities
Pilot Tone Activates/deactivates the pilot tone transmission
LCD Contrast Adjusts the contrast of the display panel
Reset Resets the transmitter
Software Revision Displays the current software revision
Exit Exits the extended menu “Advanced Menu” and returns to the main menu
25
27. Synchronizing transmitters with diversity receivers
Synchronizing transmitters with diversity receivers
When synchronizing transmitters with diversity receivers, please observe the following:
Make sure that the desired frequencies are listed in the enclosed frequency
information sheet.
OR:
Contact your Sennheiser partner who will be pleased to calculate intermodula-
tion-free frequencies for you.
Make sure that the desired frequencies are approved and legal in your country
and, if necessary, apply for an operating license.
Upon delivery, transmitter and diversity receiver are synchronized with each other. If,
however, you cannot establish a transmission link between transmitter and diversity
receiver, you have to synchronize the channels of the devices:
Deactivate the RF signal on all transmitters (see page 21).
This prevents that, during the frequency scan, the channels used by switched-on trans-
mitters are displayed as “used”.
With a diversity receiver, perform a frequency preset scan to scan the frequency banks
for unused channels (“Scan New List”, see page 24).
Select a frequency bank and a channel on this diversity receiver (“Current List”, see
page 24).
If you want to set up a multi-channel system, select a frequency bank with a sufficient
number of unused channels for all planned transmission links.
Synchronize a transmitter with the diversity receiver (see page 19).
The receiver’s frequency, name and pilot tone setting are transferred to the transmitter.
OR:
Manually set the transmitter to the same frequency bank and channel that you set on the
receiver.
Activate the RF signal on the transmitter.
The transmission link is established.
If you want to set up a multi-channel system:
Repeat the following 4 steps for each additional transmission link:
– Perform a frequency preset scan with the next diversity receiver.
– Select a channel from the same frequency bank as with the first diversity receiver.
– Synchronize a transmitter with the diversity receiver.
– Activate the RF signal on the transmitter.
26
28. Synchronizing transmitters with diversity receivers
Using freely selectable frequencies
You can also freely select the receiving frequencies and store these frequencies in the
frequency banks “U”.
It might be that the freely selected frequencies are not intermodulation-free
If you use frequencies from the frequency bank “U”, it might be that the frequen-
cies are not intermodulation-free.
Contact your Sennheiser partner who will be pleased to calculate intermodula-
tion-free frequencies for you (see www.sennheiser.com).
Set each diversity receiver to the frequency bank “U”.
On one of the receivers, select a channel within this frequency bank and assign this
channel one of the calculated receiving frequencies (“Tune”, see page 24).
Synchronize a transmitter with this receiver (see page 19).
OR:
Manually set the transmitter to the same frequency bank and channel that you set on the
receiver.
Repeat for the remaining transmitters and receivers as described above.
27
29. Cleaning the devices
Cleaning the devices
CAUTION! Liquids can damage the electronics of the devices!
Liquids entering the housing of the devices can cause a short-circuit and damage the
electronics.
Keep all liquids away from the devices.
Use a cloth to clean the devices from time to time. Do not use any solvents or cleansing
agents.
SKM 100 G3
To clean the radio microphone’s sound inlet basket:
Unscrew the upper sound inlet basket from the microphone head by turning it counter-
clockwise.
CAUTION! Liquids can damage the microphone head!
Liquids can damage the microphone head.
Only clean the upper sound inlet basket.
Remove the foam insert.
There are two ways to clean the sound inlet basket:
– Use a cloth to clean the upper sound inlet basket from the inside and outside
– or scrub with a brush and rinse with clear water.
If necessary, clean the foam insert with a mild detergent or replace the foam insert.
Dry the upper sound inlet basket.
Dry the foam insert.
Reinsert the foam insert.
Replace the sound inlet basket on the microphone head and screw it tight.
You should also clean the contact rings of the microphone head from time to time:
Wipe the contact rings of the microphone head with a cloth.
28
30. If a problem occurs ...
If a problem occurs ...
EK 100 G3
Problem Possible cause Possible solution
Diversity receiver cannot Lock mode is activated Deactivate the lock mode (see page 20).
be operated, “Locked”
appears on the display
panel
No operation indication Batteries are flat or accupack is flat Replace the batteries or recharge the accupack
(see page 10).
No RF signal Transmitter and receiver are not on the Set the transmitter and receiver to the same
same channel channel.
Synchronize the transmitter with the receiver
(see page 19).
Transmission range is exceeded Reduce the distance between receiver and
transmitter.
RF signal is deactivated (“RF Mute“) Activate the RF signal (see page 21).
RF signal available, no Transmitter is muted Cancel the muting (see page 21).
audio signal, “MUTE”
Receiver’s squelch threshold is adjusted Reduce the squelch threshold setting on the
appears on the display too high receiver (see page 24).
panel
Transmitter doesn’t transmit a pilot tone Deactivate the pilot tone evaluation
(see page 24).
Audio signal has a high Transmitter sensitivity is adjusted too Adjust the transmitter sensitivity correctly
level of background noise low (“Sensitivity”, see page 25).
Audio signal is distorted Transmitter sensitivity is adjusted too Adjust the transmitter sensitivity correctly
high (“Sensitivity”, see page 25).
Receiver’s audio output level is adjusted Reduce the audio output level (“AF Out”, see
too high page 24).
No access to a certain During scanning, an RF signal has been Set the transmitter operating on this channel to
channel detected on this channel and the channel a different channel and redo the frequency
has been locked preset scan (see page 24).
During scanning, a transmitter of your Switch the transmitter off and redo the
system operating on this channel has not frequency preset scan (see page 24).
been switched off
29
31. If a problem occurs ...
SK 100/SKM 100/SKP 100 G3
Problem Possible cause Possible solution
Transmitter cannot be Lock mode is activated Deactivate the lock mode (see page 20).
operated, “Locked”
appears on the display
panel
No operation indication Batteries are flat or accupack is flat Replace the batteries or recharge the accupack
(see page 13).
No RF signal at the Transmitter and receiver are not on the Synchronize the transmitter with the receiver
receiver same channel (see page 19).
Set the transmitter to the same channel as the
receiver.
Transmission range is exceeded Reduce the distance between receiver and
transmitter.
RF signal is deactivated (“RF Mute“) Activate the RF signal (see page 21).
RF signal available, Transmitter is muted (MUTE) Cancel the muting (see page 21).
no audio signal, Receiver’s squelch threshold is adjusted Reduce the squelch threshold setting on the
“MUTE” appears on the too high receiver.
display panel
Transmitter doesn’t transmit a pilot tone Activate or deactivate the pilot tone transmis-
sion (see page 25).
Audio signal has a high Transmitter’s sensitivity is adjusted too Adjust the input sensitivity (see page 25).
level of background noise low/too high
or is distorted
If a problem occurs that is not listed in the above table or if the problem cannot be solved with the proposed solutions,
please contact your local Sennheiser partner for assistance. To find a Sennheiser partner in your country, search at
www.sennheiser.com under “Service & Support”.
30
32. Specifications
Specifications
System
Modulation wideband FM
Frequency ranges 516–558, 566–608, 626–668, 734–776,
780–822, 823–865 MHz (A to E, G, see page 3)
Frequencies 1,680 frequencies, tuneable in steps of 25 kHz
20 frequency banks, each with up to 12 factory-preset
channels
1 frequency bank with up to 12 user programmable
channels
Switching bandwidth 42 MHz
Frequency stability ±10 ppm (–10°C to +55°C)
Compander system Sennheiser HDX
Nominal/peak deviation ±24 kHz/± 48 kHz
Pilot tone (frequency/deviation) 32.7665 kHz/±2 kHz
THD ≤ 0.9%
Temperature range –10°C to +55°C
EK 100 G3
Receiver principle adaptive diversity
Sensitivity
(with HDX, peak deviation) < 1.6 μV for 52 dBArms S/N
Adjacent channel rejection typ. ≥ 65 dB
Intermodulation attenuation typ. ≥ 65 dB
Blocking ≥ 70 dB
Squelch Off, Low: 5 dBμV, Middle: 15 dBμV, High: 25 dBμV
Pilot tone squelch can be switched off
S/N ratio (1 mV, peak deviation) ≥ 60 dB
AF output voltage
(at peak deviation, 1 kHz AF) 3.5 mm jack socket: +11 dBu (mono, unbalanced)
Adjustment range of audio output level (“AF Out”) 42 dB, adjustable in steps of 6 dB
Power supply 2 AA size batteries, 1.5 V or BA 2015 accupack
Nominal voltage 2.4 V
Power consumption:
• at nominal voltage typ. 140 mA
• with switched-off diversity receiver ≤ 25 μA
Operating time typ. 8 hrs
Dimensions approx. 82 x 64 x 24 mm
Weight (incl. batteries) approx. 120 g
In compliance with
Europe EMC EN 301489-1/-9
Radio EN 300422-1/-2
Security EN 60065
USA 47 CFR 15 subpart B
31
33. Specifications
Approved by
Canada Industry Canada RSS 123
IC 2099A-G3EK100
limited to 806 MHz
SK 100/SKM 100/SKP 100 G3
RF output power at 50 Ω typ. 30 mW
Pilot tone squelch can be switched off
AF frequency response
SK microphone: 80–18,000 Hz
line: 25–18,000 Hz
SKM/SKP 80–18,000 Hz
Signal-to-noise ratio (1 mV RF, peak deviation)
SK/SKM/SKP ≥ 110 dBA
Max. input voltage (SK) microphone/line 3 Vrms
Max. input voltage (SKP) 3.3 Vrms
Input impedance SK microphone/line 40 kΩ, unbalanced/1 MΩ
Input impedance SKP 60 kΩ, unbalanced
Input capacitance SK switchable
Adjustment range of input sensitivity SK: 60 dB, adjustable in steps of 3 dB
SKM, SKP: 48 dB, adjustable in steps of 6 dB
Power supply 2 AA size batteries, 1.5 V
or BA 2015 accupack
Nominal voltage 2.4 V
Current consumption
at nominal voltage typ. 180 mA
with switched-off transmitter ≤ 25 μA
Operating time typ. 8 hrs
Dimensions SK: approx. 82 x 64 x 24 mm
SKM: approx. ∅ 50 x 265 mm
SKP: approx. 105 x 43 x 43 mm
Weight (incl. batteries) SK: approx. 160 g
SKM: approx. 450 g
SKP: approx. 195 g
32
34. Specifications
In compliance with (SK, SKM and SKP 100 G3)
Europe EMC EN 301489-1/-9
Radio EN 300422-1/-2
Security EN 60065, EN 62311 (SAR)
Approved by (SK, SKM and SKP 100 G3)
SK 100 G3 SKM 100 G3 SKP 100 G3
Canada Industry Canada RSS 123, Industry Canada RSS 123, Industry Canada RSS 123,
IC: 2099A-G3SK IC: 2099A-G3SKMEM IC: 2099A-G3SKP
limited to 806 MHz limited to 806 MHz limited to 806 MHz
USA FCC-Part 74, FCC-Part 74, FCC-Part 74,
FCC-ID: DMO G3SK FCC-ID: DMO G3SKMEM FCC-ID: DMOG3SKP
limited to 698 MHz limited to 698 MHz limited to 698 MHz
For accessories and information on connector assignment, visit the ew G3 product page at www.sennheiser.com.
Microphones (SK 100 G3)
ME 2 ME 4
Microphone type condenser condenser
Sensitivity 20 mV/Pa 40 mV/Pa
Pick-up pattern omni-directional cardioid
Max. SPL 130 dB SPL 120 dB SPL
MMD 835-1 microphone head (SKM 100 G3)
MMD 835-1
Microphone type dynamic
Sensitivity 2.1 mV/Pa
Pick-up pattern cardioid
Max. SPL 154 dB SPL
Polar diagram and frequency response curve of the MMD 835-1 microphone head (SKM 100 G3)
Polar diagram MMD 835-1 Frequency response curve MMD 835-1
0°
0
dBV
30° 30°
5 -30
10
60° 60°
15 -40
20
25
-50
90° dB 90°
-60
120° 120°
-70
125 Hz 150° 150° 2000 Hz
-80
250 Hz
500 Hz
180° 4000 Hz
8000 Hz
50 100 200 500 1.000
1k 2k 5k 10.000
10k 20k Hz
1000 Hz 16000 Hz
33
35. Manufacturer Declarations
Manufacturer Declarations
Warranty
Sennheiser electronic GmbH & Co. KG gives a warranty of 24 months on this product.
For the current warranty conditions, please visit our web site at www.sennheiser.com or
contact your Sennheiser partner.
In compliance with the following requirements
• RoHS Directive (2002/95/EC)
• WEEE Directive (2002/96/EC)
Please dispose of these products at the end of their operational lifetime by taking
them to your local collection point or recycling center for such equipment.
• Battery Directive (2006/66/EC)
The supplied batteries or rechargeable batteries can be recycled. Please dispose of
them as special waste or return them to your specialist dealer. In order to protect
the environment, only dispose of exhausted batteries.
CE Declaration of Conformity
• EK 100 G3: 0682 SK / SKM / SKP 100 G3: 0682
• R&TTE Directive (1999/5/EC)
The declarations are available at www.sennheiser.com.
Before putting the devices into operation, please observe the respective country-specific
regulations.
34
36. Manufacturer Declarations
Statements regarding FCC and Industry Canada
These devices comply with Part 15 of the FCC Rules and with RSS-210 of Industry Canada.
Operation is subject to the following two conditions: (1) these devices may not cause harmful
interference, and (2) these devices must accept any interference received, including inter-
ference that may cause undesired operation.
This equipment has been tested and found to comply with the limits for a Class B digital
device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable
protection against harmful interference in a residential installation. This equipment gener-
ates, uses and can radiate radio frequency energy and, if not installed and used in accordance
with the instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If this equip-
ment does cause harmful interference to radio or television reception, which can be deter-
mined by turning the equipment off and on, the user is encouraged to try to correct the inter-
ference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver
is connected.
• Consult the dealer or an experienced radio/TV technician for help.
These class B digital devices comply with the Canadian ICES-003.
Changes or modifications made to this equipment not expressly approved by Sennheiser
electronic Corp. may void the FCC authorization to operate this equipment.
Before putting the devices into operation, please observe the respective country-specific
regulations!
35
37. Sennheiser electronic GmbH & Co. KG Printed in Germany
Am Labor 1, 30900 Wedemark, Germany Publ. 01/09
www.sennheiser.com 529660/A01