The document discusses how a media product uses, develops or challenges conventions of real media products. It summarizes that the music video challenges conventions by developing a narrative-driven concept, unlike typical performance-based videos. It uses forms like a single narrative structure and club scene setting. Flash forwards create an imaginary world. Feedback found people enjoyed the humor and relatability. Audiences understood the dream concept from the black and white footage. New media like YouTube and search engines aided research, while Final Cut Pro, cameras and scanners supported production and evaluation stages.
Tutorial on Text Mining and Internet Content Filtering. 13th European Conference on Machine Learning (ECML\'02) and 6th European Conference on Principles and Practice of Knowledge Discovery in Databases (PKDD\'02), Helsinki, Finland, 19-23 August 2002.
Tutorial on Text Mining and Internet Content Filtering. 13th European Conference on Machine Learning (ECML\'02) and 6th European Conference on Principles and Practice of Knowledge Discovery in Databases (PKDD\'02), Helsinki, Finland, 19-23 August 2002.
32 Ways a Digital Marketing Consultant Can Help Grow Your BusinessBarry Feldman
How can a digital marketing consultant help your business? In this resource we'll count the ways. 24 additional marketing resources are bundled for free.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
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Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Meet Crazyjamjam - A TikTok Sensation | Blog Eternal
Evalutation media
1. 1. In what way does your media product use, develop or challenge
forms and conventions of a real media product?
There are several ways in which our media product uses/develops and challenged
forms and conventions of official media products. Our product mainly challenges
forms and conventions of real media products. Our structure and format challenges
the customary forms and conventions of music videos by developing a concept of
narrative driven music video; contrasting to the conventional performance based
videos, as it gave us the ability to be inventive. The music piece we chose to do was
DJ Chuckie- Move it to the drum. Our genre of music is tech-mix; this is an extremely
popular genre within the age group aimed at; we have intentionally done this
because it would appeal to our target audience which are teenagers and young
adults. One way in which our product follows forms and conventions of real media
products, was the use of a single stranded narrative; this created a sense of our
music video being straightforward as oppose to the buoyant tempo of our song.
Our music video is mainly performance based, which also associates with the lyrics
of the song and exhibits a positive, humorous feeling through the actions of the
characters. Our performance is based upon a young guy who dreams about being a
DJ. However, in reality he is just a cleaner in the club in which he works at. He also
dreams about being popular with a lot of pretty girls, who worsens look wise, as it
goes from there being a “sexy girl”, a “bucktooth geek” and then a “transvestite”,
therefore generating a nightmare effect.
This consequently supports the forms and conventions of music videos in the present
day, for example many music videos are all about dancing and set in a club, which
verifies that we have maintained this aspect to the mass audience. However we have
also challenged forms and conventions of music videos as there is no reference to
voyeurism, which you would see in many of the music videos in the present day.
2. Different styles are integrated into dance music videos, such as romantic and
abstract. Our music video challenges forms and conventions of other music videos
within this genre as there’s the whole element of humour. We used a dream
sequence, as we developed a non-linear structure. Flash forwards were used in
order to create an imaginary world, which was created by the main character.
Flash forwards used throughout music video, the dream part is in colour
and the reality in black and white; making it clearer from viewers to
understand the concept
In my opinion, our use of camera follows the forms and conventions which is merely
due to the fact that our research shows that specific shots are most effective in these
kind of music videos, for example many close ups are important so we get a clear
perspective of the main characters facial expressions, weather his shocked, happy or
disappointed with the encounters he has with the girls in his dream. Also long shots
are imperative in our music video because it shows a whole situation and to get a
better understanding of the different situations taking place.
Long shot of dance floor & close up of facial expression
Editing is the
most vital part in
3. a music video, where everything comes together in a very effective way. It makes a
music video flow smoothly, without any editing taking place the music video would be
very rough cut. The editing follows the traditional style of cuts between the beats on
the music, which typical ‘techno- mix’ genre music videos also do. The visuals
accolade the video. However, when the beat drops in the beginning half of the song,
faster transitions took place which compliments and impacts the energetic feel.
Mise en scene is tremendously significant in music videos, especially in techno-mix
music videos; this is because it represents feelings, which are generally positive in
these videos. Our music video followed forms and conventions when referring to the
mise en scène; this is because it’s set in a club scene, with
flashing strobe lights and a lot of dance involved. With many
music videos, it is common that big budgets will be given to
stars that are in the top of the charts, nevertheless we have
still managed to get an ideal location that they would have to
pay a lot of money for. For example, by building a network of
contacts, we had admittance to film in a club called ‘Mansion’
(which we did not have to pay for) in Essex. In terms of
intertextuality, our use of forms and conventions from
music videos show that we have been influenced from
other similar genres and music videos. For example, our
use of a music video that is very performance driven has
been influenced by techno mix dance music videos such
as ‘Ayo-hyper crush’; it’s very common for them to be
performance based and full of people dancing, having fun.
Also, the clothing and makeup of the characters are also significant as they portray
the characters personality. The “sexy girl” has brown eyes, mascara & black eye liner
to emphasise her pretty eyes and make them stand out; blusher applied on her
cheeks to add a little colour and make her cheekbones more noticeable; lipstick to
make her lips stand out and look more alluring. Tight black and white dress: This
shows her curvaceous figure and she’s also wearing black heels to make her look
taller. The main guy “Jignesh” has more of a Casual dress sense, grey hooded
jumper with denim blue jeans, and trainers. However, when he is shown in the dream
sequence, he wears jeans and a smart black jumper, which emphasises that he is no
longer a cleaner and looks more attractive to girls. The “bucktooth
geek” Wears big glasses, clothes’ braces and a bow tie with a purple
long sleeved cardigan underneath; emphasising the fact that she
likes to dress as a nerd. Her plain facial expressions suggest that
she’s shy and nervous. The attitude of the ‘buck tooth’ is quite laid
back. Her buckteeth are exposed slowly, when she smiles, which
then shocks the main character, leading him on to
the next ‘girl’ who turns out to be a transvestite.
The transvestite wears a long brown curly wig with
a long black moustache, which adds to the humour
involved in our music video.
4. 2. How effective is the combination of your media product and
ancillary texts?
The song we chose was “Move it to the drum”. From the name of the song, we knew
that our product would have to involve a colourful dance theme throughout the
product. Our Digipack, CD cover & advert consisted of a bright multi coloured
background. We were influenced by other music video advert which has the same
genre as ours; it influenced our group because we wanted to think of something
original as we decided not to make our digipak cover too simplistic, which as the
research suggested, normally are. We then contrasted other Digipack covers such as
Benny Benassi and David Guetta. We found a frequent convention which the CD
covers consisted of having the main artist on the front cover.
ADVERT
FRONT & BACK OF INSIDE
LEAFLET
FRONT & BACK COVER
Multi-coloured background-continual theme throughout
Our digipak cover, inside leaflet, advert and music video all go well together, as there
is a continual theme throughout; we developed characteristics from the video into the
digipak. For example, the concept of bright lights that were in the music video was
followed by the use of bright colours as the backgrounds of our ancillary texts. Both
the music video and digipak should compliment each other; there is a continuation of
the mood from what the music video gives to what the digipak gives. It’s important for
them both to complement each other as they have to link in, because if a viewer
wanted to buy the digipak after watching our music video, they would be anticipating
that the digipak ties in with what they have seen.
5. My ancillary text encloses and presents full attention to the main artist, with the main
guy being the centre of attention; which makes him easily identifiable. The digipak
cover consists of the four main characters, however the artist is slightly enlarged,
which helps to recognize the main person, this is different to the advert as it’s only
got the main guy on it; I have related all three of the ancillary texts together. Within
my final productions, I have mentioned a major record label; ‘Sony BMG music
entertainment’, this would help in order for attracting a larger audience as it is such a
big well known label. Having the logo on the ancillary texts shows that the artists
must be really good; this is because they are signed to such a well known
established company.
I think my ancillary texts help greatly to promote my music video; the public can
easily identify the artist and genre of the music video due to the conventions that I
have used within my CD Case and Advert. As it is easily recognisable it will help the
targeted audience be attracted to my products which will inevitably lead to more CD's
being sold and even more profit coming in; after the promotion of the main product it
will help become more successful around the world which will make the targeted
audience become greater. Our digipak follows several established forms and
conventions, for example, the image of the main character/artist, name of the song,
and a track listing.
With regards to the magazine advert, we tried to achieve branding by keeping a
consistent theme. The magazine advert and digipak both use the same font type
which is on all the ancillary texts, it makes it stand out and eye-catching for viewers.
It also gives a sense to what is expected in the video. The viewers should be able to
recognise that the two ancillary texts come from the same music video as we felt it
was important to create a sense of permanence, continuity and immovability.
3) What have you learned from your audience feedback?
Our initial target audience were male and female aged 14-40. When looking at target
audience research, from the results received, it is obvious that people enjoy music
videos that portray emotion and is relatable to them and which portrays the song in a
suitable way that matches the beat and emotions of the song. The results from the
interview tell us that both the music and lyrics are very important to the success of a
song. In our music video the lyrics of the song are limited, there is one phrase sung
at various stages of the song to which adds as a constant reminder to the audience.
The phrase is “Ah damn girl, I like the way you move it to the drum”, since this phrase
is replayed a number of times it makes it easier for the audience to remember. Also
the phrase links to the name of the song, also creating an easy way for the person
listening to the song to get excess easily through downloading sites such as ‘iTunes’,
which makes it easier to gain views and sale. This helps the profit margins and helps
the song travel higher in music charts.
The lyrics of the song make the audience think of girls dancing sexually, the word
“Ah” itself acts as a sexual motif to make the song more likeable with the male
gender.
6. From our audience feedback, the majority of people thoroughly enjoyed our music
video and thought that it all fitted together really well. They got the concepts really
clear in the video, and the felt that the black and white helped to show an
understanding of our music video. Our aim when creating our music video was that it
should be entertaining, funny and enjoyable to watch, all 5 people interviewed
commented on the way they really enjoyed the video. They also all said that the
ancillary products all resemble and link to the video. When asked to grade my music
video the majority gave me a seven or above, showing that my music video consists
of the main conventions that are generally used in techno-mix music videos.
In addition, we did not only want positive feedback from the answers, we also wanted
constructive criticism, which is why we asked them ‘if they could change something
about the video, what would it be?’ When asked this question, one person said that
they wanted the concept to be more clearer as it was not clear enough what was
going on in the video, they also wanted more dance elements and for the onstage
chemistry between the characters to be more publicized. One other negative
comment was mainly that the text colour/font used in the music video did not
compliment the video, other than that, there was overall positive comments
throughout. In conclusion, I think that we have met the OCR brief of the forms and
conventions for our music video and print work, as it appeals to our target audience.
4) How did you use new media technologies in the research,
planning, construction and evaluation stages?
Most of our planning and research was
accomplished by getting information from search
engines and the internet. Search engines such as
www.google.com provided us with many images
and videos to help us with our research.
Also www.youtube.com was
used to help us with our similar textual analysis, as we selected
which videos we wanted to analyse.
I also used www.facebook.com, this was to get the
audience feedback results after they viewed our music
video. To complete our music video successfully I had
to research several other music videos of the same
genre. This helped me with the development of my own
ideas.
Researching music videos was the most significant in getting my own ideas as it
gave me a clear vision of the types of things I could include and it also showed what
elements make it enjoyable to watch. Also using primary research which was
conducting questionnaires was very useful as it showed what most people would
want to see in a music video and what they expect.
7. The difficulties I had encountered whilst conducting my research was putting all the
individual thoughts in the group all together and fitting it into the final proposal. The
planning was all very useful when we got to the production phase. For the edifice of
our music video, we used the Canon XM2 camcorder. To make sure our recording
was clear; we had to set up a few controls. By using manual focus, it enabled us to
capture very clear shots from a distance.
One of the main digital technologies that I have used for the process of my project
was ‘Blogger’ itself. ‘Blogger’ enabled me to store my work efficiently and it was easy
to access. ‘Blogger’ enabled us to upload our video clips of our final cut. When it
came to blogging I felt that I was very creative as I changed the text formats and
inserted images. However, we decided to upload our evaluation via slideshare, which
then went on to our blog. Another digital technology which I have used are the search
engines on the internet; websites such as ‘Wikipedia’ to find out about the artists.
With these I was able to research the music video genre.
I used these search engines for my research as well as my evaluation as I have been
linking these websites to the different films
mentioned throughout my evaluation. We used
Apples’ Final cut pro to upload our footage. The
upload to final cut pro was quick and easy. Once
our footage was on it we were able to sort out our
clips, deciding which clips we were going to use.
After we had done this we were then able to cut
and edit our clips using the cutting tool which was
fairly easy to use. Final cut pro also enabled us to
add filters, transitions, visual effects, sound effects and text on to our music video.
Whilst taking our footage we used camera XM2 camcorders.
This enabled us to take footage efficiently and we were able
to capture the shots we wanted. However one problem we did
find with these camcorders was that the sound that we
captured on them was not very clear.
However I was able to zoom in and out of a shot smoothly
using the zoom tool. I also used a scanner to upload
storyboards that we had done on paper. This was fast and
efficient and meant we were able to include our storyboards
within our blog. All of the software I have mentioned above
was used through a Mac computer. The Macs enabled us to
use the software’s, whereas if we had been using a PC we
wouldn’t have been able to use them. I was also able to
upload footage and photos onto the Mac computers quick
and efficiently as well as storing our work in our individual
folders.
8. Most of the technology techniques used were learnt during AS.
Whilst importing all of our clips onto Final Cut Pro, in which we
used the log and capture feature. One of the new techniques
we learnt was adding visual effects and transitions into our
video. As for the construction of our digipak and magazine
adverts, we captured still images from Final Cut Pro whilst we
were editing, and used them in our ancillary texts. Our advert,
inside leaflet, front and back cover were all designed on Adobe
Photoshop, we knew how to use it because we were taught the
basic from tutorials given in lesson.