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The document discusses using the ReaVerb (Cockos) VST plugin to process a passing car sound. The effect of ReaVerb made the car sound more like either an alien ship or a large industrial pump. The plugin transformed the original car sound into something unfamiliar.
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Effects manipulation 06
The document discusses using ReaPitch audio editing software to add effects to a sound, making it sound like someone wading through mud. The effects were added to an existing sound using ReaPitch, transforming the audio to resemble someone moving through thick mud.
Effect manipulation 05 screenshot
The document discusses using a VST called BATTERY ACID to create a sound effect. The sound effect created with this VST could potentially be used within a horror video game. In just one sentence, the document notes getting a sound effect from the VST that may work for a horror game.
Ig1 task 2 analysis work sheet Titanfall
This document discusses the sound design techniques used in the game Titanfall. It analyzes specific audio elements like robot sounds, gunshots, explosions, and voices. For each element, it hypothesizes the production methods used, such as recording gun sounds at a field and heavily modifying them, or creating robot voices entirely with computer software. The overall setting is described as futuristic with frequent robot and computer blips, while the mood is quite dark featuring gunfights and what seems to be breaking bones.
Effect Manipulation 01 Screenshot
The document discusses changes made to an audio clip by removing echo and modifying dry/wet sounds, EQ, damping, gating, decay and shape using various VST plugins. The audio clip was altered to sound like someone tripping in a forest. Ambience, Paper-snare room 02 and Battery Acid – SynthEdit The Bubbles Frizzle VSTs were used.
Ig1 task 2 analysis work sheet Wolfenstein The New Order
The soundtrack of the game Wolfenstein: The New Order uses various production techniques. Robotic footsteps were likely recorded or created in software, while electric sounds may have been recorded or digitally made. Recorded voices were used for dialogue exchanges between characters. Gunfire and knife sounds were probably recorded at a firing range and while being sheathed respectively. The genre appears to be a shooter based on these audio cues along with a dark, threatening narrative set in a futuristic world.
Ig1 task 2 analysis work sheet Deadpool
The document summarizes the soundtrack elements of the game Deadpool through 3 examples. For each example, it describes the soundtrack element and the likely production technique used to create it. This includes teleportation sounds that were probably recorded, voice actors reading from a script to set a comical mood, and a gun shot that may have been recorded in the field to indicate the game genre is a shooter.
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This document summarizes techniques used to create sound effects for the game Halo 4. It analyzes specific audio elements like teleporting noises, a struggling sound followed by gunfire, alien sounds mixed with gunfire, and a computer voice communicating with a human and alien. The writer believes the teleporting, struggling, and alien sounds were likely computer generated, while gunfire was recorded in the field and voices were made by recording into a microphone. The setting is futuristic, the mood is dark, and the game genre is a sci-fi shooter based on the audio elements and narrative described.
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The document discusses using DSK Drumz, a drum machine, to create a background track that alternated between higher and lower pitches. The track switched back and forth between the two pitch levels.
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Effects manipulation 06
The document discusses using ReaPitch audio editing software to add effects to a sound, making it sound like someone wading through mud. The effects were added to an existing sound using ReaPitch, transforming the audio to resemble someone moving through thick mud.
Effect manipulation 05 screenshot
The document discusses using a VST called BATTERY ACID to create a sound effect. The sound effect created with this VST could potentially be used within a horror video game. In just one sentence, the document notes getting a sound effect from the VST that may work for a horror game.
Ig1 task 2 analysis work sheet Titanfall
This document discusses the sound design techniques used in the game Titanfall. It analyzes specific audio elements like robot sounds, gunshots, explosions, and voices. For each element, it hypothesizes the production methods used, such as recording gun sounds at a field and heavily modifying them, or creating robot voices entirely with computer software. The overall setting is described as futuristic with frequent robot and computer blips, while the mood is quite dark featuring gunfights and what seems to be breaking bones.
Effect Manipulation 01 Screenshot
The document discusses changes made to an audio clip by removing echo and modifying dry/wet sounds, EQ, damping, gating, decay and shape using various VST plugins. The audio clip was altered to sound like someone tripping in a forest. Ambience, Paper-snare room 02 and Battery Acid – SynthEdit The Bubbles Frizzle VSTs were used.
Ig1 task 2 analysis work sheet Wolfenstein The New Order
The soundtrack of the game Wolfenstein: The New Order uses various production techniques. Robotic footsteps were likely recorded or created in software, while electric sounds may have been recorded or digitally made. Recorded voices were used for dialogue exchanges between characters. Gunfire and knife sounds were probably recorded at a firing range and while being sheathed respectively. The genre appears to be a shooter based on these audio cues along with a dark, threatening narrative set in a futuristic world.
Ig1 task 2 analysis work sheet Deadpool
The document summarizes the soundtrack elements of the game Deadpool through 3 examples. For each example, it describes the soundtrack element and the likely production technique used to create it. This includes teleportation sounds that were probably recorded, voice actors reading from a script to set a comical mood, and a gun shot that may have been recorded in the field to indicate the game genre is a shooter.
Ig1 task 2 analysis work sheet Halo 4
This document summarizes techniques used to create sound effects for the game Halo 4. It analyzes specific audio elements like teleporting noises, a struggling sound followed by gunfire, alien sounds mixed with gunfire, and a computer voice communicating with a human and alien. The writer believes the teleporting, struggling, and alien sounds were likely computer generated, while gunfire was recorded in the field and voices were made by recording into a microphone. The setting is futuristic, the mood is dark, and the game genre is a sci-fi shooter based on the audio elements and narrative described.
Sound generating 04
The document discusses using DSK Drumz, a drum machine, to create a background track that alternated between higher and lower pitches. The track switched back and forth between the two pitch levels.
Audio Generating 1
This audio track contains DSK mini DRUMZ 2 and TAL NoiseMaker Plugin to provide a beat and techno sound, giving the overall track a feel suitable for an intense or angry scene in a game.
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The document summarizes sound elements from the game Hitman: Absolution. It describes the setting as present day based on a courtroom scene. The mood is described as dark, evidenced by rain sounds after gunfire. The genre is identified as a shooter based on gunfire sounds. Narrative elements include radio communications, conversations between characters, and an open room discussion with added ambient noise.
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This document summarizes audio elements from the game Prototype 2. It describes the post-apocalyptic setting suggested by a character's line about a new world. Dark mood is conveyed through a sound of ripping flesh that could have been recorded online or with thick liquids. Hack-and-slash genre is implied by blade sounds. Shifting tones in a narrative between calm and shouting men and women are analyzed to have been recorded voices with ambient effects added.
Sound Generation 2
This 3 sentence summary provides the high level information from the document:
This sound uses the DSK mini DRUMZ 2 with a repeating beat. A straight beat from the Altair 4 Pro was used that gives a disoriented sound. The document describes a drum machine and synthesizer used to create a beat with a disoriented sound.
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The soundtrack for the game Assassin's Creed Black Flag was created using various recording and production techniques. Sails blowing in the wind and swords clashing were likely recorded using field recordings. Voice actors were also recorded to provide narrative elements and convey the dark and mysterious mood of the characters. Gunshots and sword combat sounds suggest the game is an action-adventure genre involving pirate combat.
Ig1 task 2 analysis work sheet Ghost Recon Future Soldier
The soundtrack uses recorded audio of voice actors speaking and laughing to set the scene of a snowstorm and establish the mood as cheerful but not totally serious. It also uses a recorded conversation between multiple voice actors to advance the narrative of a group interacting in the snowstorm, with one character panicking after jokingly calling themselves the Queen of England.
Ig1 task 2 analysis work sheet Watch_Dogs
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Ig1 task 2 analysis work sheet portal 2
The soundtrack of Portal 2 uses recorded human voices that have been altered to sound robotic to establish the futuristic setting. Around halfway through the clip, the mood becomes darker when a robot scream is heard, which was likely either computer generated or a recording with added effects. Puzzle elements are indicated by mentions of a portal gun and portal sounds that were likely computer generated. The only narrative comes from robotic voices that were possibly generated with a program or altered recordings.
Effect manipulation 03 Screenshot
The creator added an ambience effect to make a booming sound echo as if it was in a cave environment. They used ReaSurround to develop the sound to mimic a cave environment, making the booming sound echo as if heard from within a cave.
Sound generating 03
The document describes hearing a sound throughout a track that occasionally changed its tune. The author made the pitch of the sound deeper.
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Script gta 5 cut sequence
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I start by loading in a sound and replacing an already existing in-game sound without needing new sprites or commands. I then created my own background music sound by adding an event and selecting a sound to repeat continuously in the game. Here I changed the sound for the player's plane movement in a similar way, creating a new sound action and setting it to loop at a lower volume than the background music. This final part describes setting a louder death sound effect to play when the player dies while allowing the game to continue.
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2) Develop initial ideas using techniques like mind maps and pitch a proposal for the selected idea.
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The document outlines the development process of a 2D space-themed level featuring a keyboard-controlled player that shoots lasers at randomly attacking enemy ships. First, the player sprite was created with a blue head and face. Movement and boundaries were added to the player object. Backgrounds and a particle system that fires behind the player were also included. Enemies spawn in triangular squadrons traveling opposite the player, who can shoot rocket-style lasers with firing sounds. All assets were created or obtained to build out this scrolling shooter game.
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Audio Generating 1
This audio track contains DSK mini DRUMZ 2 and TAL NoiseMaker Plugin to provide a beat and techno sound, giving the overall track a feel suitable for an intense or angry scene in a game.
Ig1 task 2 analysis work sheet Hitman Absolution
The document summarizes sound elements from the game Hitman: Absolution. It describes the setting as present day based on a courtroom scene. The mood is described as dark, evidenced by rain sounds after gunfire. The genre is identified as a shooter based on gunfire sounds. Narrative elements include radio communications, conversations between characters, and an open room discussion with added ambient noise.
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This document summarizes audio elements from the game Prototype 2. It describes the post-apocalyptic setting suggested by a character's line about a new world. Dark mood is conveyed through a sound of ripping flesh that could have been recorded online or with thick liquids. Hack-and-slash genre is implied by blade sounds. Shifting tones in a narrative between calm and shouting men and women are analyzed to have been recorded voices with ambient effects added.
Sound Generation 2
This 3 sentence summary provides the high level information from the document:
This sound uses the DSK mini DRUMZ 2 with a repeating beat. A straight beat from the Altair 4 Pro was used that gives a disoriented sound. The document describes a drum machine and synthesizer used to create a beat with a disoriented sound.
Ig1 task 2 analysis work sheet Assassin's Creed IV Black Flag
The soundtrack for the game Assassin's Creed Black Flag was created using various recording and production techniques. Sails blowing in the wind and swords clashing were likely recorded using field recordings. Voice actors were also recorded to provide narrative elements and convey the dark and mysterious mood of the characters. Gunshots and sword combat sounds suggest the game is an action-adventure genre involving pirate combat.
Ig1 task 2 analysis work sheet Ghost Recon Future Soldier
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Ig1 task 2 analysis work sheet Watch_Dogs
The document analyzes the soundtrack of the game Watch_Dogs. It describes the setting as a modern day public place based on the initial conversation. The mood starts calm but gets intense with alarms. The genre is suggested to be an action or shooter game based on the alarms and later conversation about "taking someone out". The narrative involves a phone conversation between two men and a later conversation about a contract. Production techniques used include recording audio in a crowded public place and editing voices to sound over phone or from different perspectives.
Ig1 task 2 analysis work sheet portal 2
The soundtrack of Portal 2 uses recorded human voices that have been altered to sound robotic to establish the futuristic setting. Around halfway through the clip, the mood becomes darker when a robot scream is heard, which was likely either computer generated or a recording with added effects. Puzzle elements are indicated by mentions of a portal gun and portal sounds that were likely computer generated. The only narrative comes from robotic voices that were possibly generated with a program or altered recordings.
Effect manipulation 03 Screenshot
The creator added an ambience effect to make a booming sound echo as if it was in a cave environment. They used ReaSurround to develop the sound to mimic a cave environment, making the booming sound echo as if heard from within a cave.
Sound generating 03
The document describes hearing a sound throughout a track that occasionally changed its tune. The author made the pitch of the sound deeper.
Reaper Analysis
The green lines beneath audio clips control volume throughout a clip, allowing volume to be altered. The orange line controls pan, shifting sound from left to right to create effects like a passing car. The document describes an audio project set in an alien snowy location, using sounds like 'monster', sped up 'Walking on snow' to create running, and altered 'match strike' to sound like a cave.
Script gta 5 cut sequence
Trevor angrily confronts Wade about selling meth from their lab without permission. Wade explains that he was just following Trevor's instructions from the previous week, when Trevor was drunk. Trevor threatens Wade for disobeying his rule about not making deals when Trevor is angry. Trevor then storms off to make deals to reassert his authority over his business.
Ig1 l2 btec_assignment_2012_to_2013
This document provides the details of an assignment for a Level 2 Diploma in Creative Media Production unit on audio production. The purpose is to develop skills in broadcast and non-broadcast audio formats, sound recording technology, and audio post-production software. Students must complete 4 tasks: 1) research and define audio products and formats, 2) record voice jingles for radio station E6 Radio, 3) use post-production techniques to edit the jingles, and 4) evaluate two finished jingles based on audience feedback. The assignment aims to improve students' technical and evaluative skills in audio production.
Unit 73 ig3 assignment programming sound assets to a game 2013_y1
This document provides an assignment brief for a student to complete tasks involving sound design and programming for a computer game. The student must select sound effects and music they have produced, document the process of programming these sounds into their game, and create a video demonstrating the gameplay with their soundtrack. They will be assessed on applying sound assets to a game following industry practice and presenting information about their project. The assignment aims to help the student learn outcomes involving sound design, asset production, and communicating technical processes.
Annotated screenshots game maker
I start by loading in a sound and replacing an already existing in-game sound without needing new sprites or commands. I then created my own background music sound by adding an event and selecting a sound to repeat continuously in the game. Here I changed the sound for the player's plane movement in a similar way, creating a new sound action and setting it to loop at a lower volume than the background music. This final part describes setting a louder death sound effect to play when the player dies while allowing the game to continue.
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Ig1 task 2 analysis work sheet Assassin's Creed IV Black Flag
Ig1 task 2 analysis work sheet Assassin's Creed IV Black Flag
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Unit 73 ig3 assignment programming sound assets to a game 2013_y1
Unit 73 ig3 assignment programming sound assets to a game 2013_y1
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This assignment brief requires the student to:
1) Create a 3D animation by devising either an original character run cycle or collision-based object sequence using animation techniques from tutorials.
2) Develop ideas through research, mind-mapping, and storyboarding before producing the animation in LightWave.
3) Review and evaluate the finished animation against the original intentions and production process.
Legal & ethical
This document is a legal and ethical checklist completed by Adam Copeland for a 3D animation project. It confirms that Adam checked the work for decency and appropriate representation of race, gender, religion and sexuality. Adam agrees and accepts the standards checked in the project. The notes section provides considerations for facts, ethics, legality, decency, and representation that should be evaluated before completing the checklist.
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The document outlines a student's progress over 15 weeks in creating art assets for a video game as part of their final major project. It details the various sprites, backgrounds, enemies, power-ups, and other game elements they designed each week. Their planned work for upcoming weeks included finishing additional backgrounds, a main menu, a final boss, and other art elements to complete the game.
IG5 Assignment Final Major Project 2014-2015
This document outlines the tasks and assessment criteria for a student's final major project. The project requires the student to:
1) Independently devise and manage a creative media production from pre-production to post-production. The project must relate to at least one discipline such as video, audio, motion graphics, photography or graphic design.
2) Develop initial ideas using techniques like mind maps and pitch a proposal for the selected idea.
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4) Produce the final media product according to the planned pre-production.
5) Gather audience feedback and evaluate the project
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The document describes the steps taken to create a 3D terrain level in Unity. The creator started by generating a mountainous terrain and adding terrain textures like grass, rock, and dirt. Details were added to the mountains using terrain tools and smoothing. Various textures were applied to the terrain including grass, dirt, and rock textures. Lights, water, trees, rocks, and other assets were placed throughout the level to add realism and detail. Fog was also added to give the environment a dark, ominous feel similar to games like Silent Hill.
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The document outlines the development process of a 2D space-themed level featuring a keyboard-controlled player that shoots lasers at randomly attacking enemy ships. First, the player sprite was created with a blue head and face. Movement and boundaries were added to the player object. Backgrounds and a particle system that fires behind the player were also included. Enemies spawn in triangular squadrons traveling opposite the player, who can shoot rocket-style lasers with firing sounds. All assets were created or obtained to build out this scrolling shooter game.
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This document contains a glossary of terms related to video game design and development. It provides definitions for terms like demo, beta, alpha, pre-alpha, gold, debug, automation, white-box testing, bug, and others. For each term, it gives a short definition from an online source as well as a one sentence description of how the term relates to the production practice of video games. Images or videos are also provided for some terms to illustrate their usage in games.
Ig1 task 2 analysis work sheet Assassins Creed IV Black Flag
The soundtrack for the game Assassin's Creed Black Flag was created using various production techniques. Sails blowing in the wind and swords clashing were likely recorded sounds to set the pirate setting. Voice actors were recorded to convey the dark and mysterious mood described by the character Black Beard. Gun shots and sword combat sounds suggest this is an action/adventure game. The majority of the cut scene features a voice actor portraying Black Beard speaking about another character through recorded dialogue.
Ig1 task 2 analysis work sheet Ghost Recon Future Soldier
The soundtrack for the game Ghost Recon: Future Soldier establishes a snowy setting through digitally produced snowstorm sounds. Voice actors were recorded having cheerful conversations and laughing to set a mood of levity, despite references to military codes. Various voice actors were recorded having conversations to advance the narrative and imply multiple characters amid the snowstorm sounds.
Ig1 task 2 analysis work sheet Assassin's Creed Black Flag
The document analyzes the soundtrack of the video game Assassin's Creed Black Flag. It discusses three key elements: the setting, mood, and genre of the game based on audio cues. For the setting, sounds of sails and swords suggest a pirate-era time period. The mood is described as dark based on a character's ominous warning. The genre is identified as action/adventure due to gunshots and sword combat heard. Voice acting was likely used to record dialogue that establishes the narrative and sets the mood.
Ig1 task 2 analysis work sheet wolfenstein the new order
The document analyzes sound elements from the game Wolfenstein: The New Order. It describes the setting as modern or futuristic based on recorded or digitally created electrical and robotic footstep sounds. Dark mood is conveyed through a recorded voice line about hunting and killing. The genre is identified as a shooter since the excerpt includes recorded knife sounds, an electric sound, and later gunshots and robotic footsteps. Foreign dialogue between two characters was likely recorded voices later overdubbed in English.
Ig1 task 2 analysis work sheet Watch Dogs
The document analyzes the soundtrack of the game Watch_Dogs. It describes the setting as a modern day public place based on the conversation at the beginning about hacking. The mood starts calm but gets intense with alarms. The genre is identified as an action or shooter game based on the alarms and conversation about "taking someone out". The narrative involves a phone conversation between two men that was likely recorded and edited to sound like it was over the phone, and a later conversation about a contract that was also likely recorded and edited.
Cv template
This curriculum vitae is for Adam Copeland, who is studying a BTEC Level 3 Extended Diploma in Creative Media Production with a focus on Games Design at Salford City College Eccles Sixth Form Centre. It provides his contact details, education history, work experience at WHSmith, skills and interests, and lists his tutor Harry Arnold as a reference.
Table of setting up games
The document details a person's activities on various dates that involved setting up and playing games on different consoles. On March 18th they set up their SNES with games on a CRT TV and tested multiplayer on their Xbox One and Xbox 360. On May 12th they opened the Channel 4 app on their Xbox One to watch a programme using a gamepad.
Review of Project
The document provides a review of the author's project to create a robotic sidekick. Some of the key tasks included filling out a project charter detailing their skills, collecting research on existing robots, designing the sidekick through sketches and mind maps, and modeling the sidekick using 3D software. The author notes strengths in character creation but acknowledges getting set on ideas. They found the 3D modeling software challenging to use initially but was able to complete the robotic sidekick model with some assistance. Overall, the author feels the project was a success.
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Adam Copeland created a 3D model of a sidekick robot for a games design project between March 14 and May 14. He started by scanning hand-drawn designs and adding content to a project charter. Adam then used primitive shapes in a 3D modeller to construct the head, torso, arms, and legs of the robot. Over multiple sessions, he added textures, adjusted proportions, and refined details like the face and toes. In May, Adam sent the completed model for retexturing and photography from multiple angles to document his work.
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Adam copeland ig2 task 1 work sheet
This document contains a glossary of terms related to sound design and production. It defines terms such as Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations including mono and stereo audio, audio recording systems like analog and digital, MIDI, software sequencers, plugins, and MIDI keyboard instruments. For each term, it provides a short definition and URL source, as well as describing the relevance of the term to the author's own production practice, such as using .wav files and mono audio when editing sounds, and using MIDI for creating custom music tracks.
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10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
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A Comprehensive Guide to DeFi Development Services in 2024
DeFi represents a paradigm shift in the financial industry. Instead of relying on traditional, centralized institutions like banks, DeFi leverages blockchain technology to create a decentralized network of financial services. This means that financial transactions can occur directly between parties, without intermediaries, using smart contracts on platforms like Ethereum.
In 2024, we are witnessing an explosion of new DeFi projects and protocols, each pushing the boundaries of what’s possible in finance.
In summary, DeFi in 2024 is not just a trend; it’s a revolution that democratizes finance, enhances security and transparency, and fosters continuous innovation. As we proceed through this presentation, we'll explore the various components and services of DeFi in detail, shedding light on how they are transforming the financial landscape.
At Intelisync, we specialize in providing comprehensive DeFi development services tailored to meet the unique needs of our clients. From smart contract development to dApp creation and security audits, we ensure that your DeFi project is built with innovation, security, and scalability in mind. Trust Intelisync to guide you through the intricate landscape of decentralized finance and unlock the full potential of blockchain technology.
Ready to take your DeFi project to the next level? Partner with Intelisync for expert DeFi development services today!
Skybuffer SAM4U tool for SAP license adoption
Manage and optimize your license adoption and consumption with SAM4U, an SAP free customer software asset management tool.
SAM4U, an SAP complimentary software asset management tool for customers, delivers a detailed and well-structured overview of license inventory and usage with a user-friendly interface. We offer a hosted, cost-effective, and performance-optimized SAM4U setup in the Skybuffer Cloud environment. You retain ownership of the system and data, while we manage the ABAP 7.58 infrastructure, ensuring fixed Total Cost of Ownership (TCO) and exceptional services through the SAP Fiori interface.
Artificial Intelligence for XMLDevelopment
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAU
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
Letter and Document Automation for Bonterra Impact Management (fka Social Sol...
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on automated letter generation for Bonterra Impact Management using Google Workspace or Microsoft 365.
Interested in deploying letter generation automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
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An English 🇬🇧 translation of a presentation to the speech I gave about the main changes brought by CCS TSI 2023 at the biggest Czech conference on Communications and signalling systems on Railways, which was held in Clarion Hotel Olomouc from 7th to 9th November 2023 (konferenceszt.cz). Attended by around 500 participants and 200 on-line followers.
The original Czech 🇨🇿 version of the presentation can be found here: https://www.slideshare.net/slideshow/hlavni-novinky-souvisejici-s-ccs-tsi-2023-2023-1695/269688092 .
The videorecording (in Czech) from the presentation is available here: https://youtu.be/WzjJWm4IyPk?si=SImb06tuXGb30BEH .
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When it comes to unit testing in the .NET ecosystem, developers have a wide range of options available. Among the most popular choices are NUnit, XUnit, and MSTest. These unit testing frameworks provide essential tools and features to help ensure the quality and reliability of code. However, understanding the differences between these frameworks is crucial for selecting the most suitable one for your projects.
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