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内容:(2014年11月時点)
1) About us (GLOCOM & DFJI,
2) DFJI説明、
3) Run伴
4) 富士宮プロジェクト(ヒストリーピン)
5) 旅のことば
6) 香りのプロジェクト
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3. 3
CONTENTS
TABLE OF
E D OARD O SANTAN G E LO .04
S E T TI N G TH E NARR ATIVE .07
WH Y .13
H OW .15
E N E RGY ACCE S S C A S E S TU DY .20
PH OTO S TO RY SA M PLE .32
WO RK SAM PLE .42
4. 4 ISEEHUMANSTORIES
Edoardo Santangelo is a humanitarian documentary photographer
oriented towards the investigation of social contemporary issues, with a
focus on international development and humanitarian emergencies.
HUMANITARIAN PHOTOGRAPHER
EDOARDOSANTANGELO
Using his background in Economics and his master in Energy and International
Development, he focuses on researching and documenting the lived experiences of
rural settlements and displaced communities, such as refugee camps and internally
displaced people. With a strong passion for human interest stories and a diploma in
Documentary Photography, Edoardo has long-term experience in producing compelling
photoreportages for international non-governmental organizations (NGO), UN and
International agencies in a range of fragile and vulnerable settings.
Edoardo has solid expertise in the international development sector. He has long-
term experience with GIZ in India, and has worked as a humanitarian energy specialist
for Practical Action - a British international non-governmental organization (NGO) -
where he embedded documentary photography as an innovative and complementary
ethnographic research method to amplify community voices, develop evocative impact
case studies and depict the evidence base for intervention. Before dedicating himself
entirely to photography, Edoardo worked for General Electric in Scotland for almost five
years.
Edoardo is fluent in English, Spanish and Italian and has extensive experience in
Asia (Nepal, India and Bangladesh), West Africa (Togo and Burkina Faso) and East
Africa (Kenya and Rwanda). His photos have been published in various editions of the
Poor People Energy Outlook and used in numerous humanitarian energy publications,
workshops and conferences worldwide to document the lived conditions of refugees and
internally displaced people in Nepal, Kenya, Burkina Faso and Rwanda.
His photographic work is driven by the need of raising awareness of urgent humanitarian
issues and building the case for action, engendering empathy and recognition. He is
devoted to produce persuasive images that convey stories from the bottom-up and give
voice to those who otherwise would not have it, allowing a better understanding of the
human condition in vulnerable contexts.
WWW.EDOARDOSANTANGELO.COM
7. 7
• Provide visual representations of project outcomes.
• Expand the global reach of the organization.
• Strengthen the relationship with existing partners.
• Create an appetite for onward funding.
• Depict the case for action and the evidence base for
intervention.
LOCATION (LEFT)
Kakuma
Refugee camp
Kenya
LOCATION (BELOW)
Makueni County
Kenya
SETTINGTHENARRATIVE
PRODUCTION OF COMPELLING, HIGH QUALITY
& COHERENT PHOTOREPORTAGES.
8. 8 ISEEHUMANSTORIES
Disseminate evocative images that support stories from the
bottom-up and give voice to those who otherwise would not
have one.
Grassroots photo stories have the potential to shift develop-
ment approaches by amplifying community voices and build-
ing their capacity for communication.
People-centered photos convey persuasive stories in a co-
herent and integrated manner that is clear, concise, and in-
spires audiences to take action, engendering recognition
and empathy.
LOCATION (RIGHT)
Kharbang
village Nepal
LOCATION (BELOW)
Goudoubo
Refugee Camp
Burkina Faso
13. 13
LOCATION (OTHER
PAGE)
Indian
Himalayas
LOCATION (BELOW)
Kame village
Togo
• To enhance the profile and visibility of the organization by
strengthening its visual identity and external recognition.
• Contribute to knowledge capture and dissemination by offering
an immediate and unbiased representation of the work delivered.
• Strengthen community engagement initiatives and inclusive
participatory approaches by working directly with communities
on their inputs into technical reports. Research participants
would feel actively involved in the investigation, in a collaborative,
cathartic and empowering manner. The research findings will also
be actively constructed, not passively received.
• Translate research findings into evocative images, enriching
interpretations of emerging data, allowing a better understanding
of nuanced expressions of communities and reducing the
likelihood of misrepresentation.
• Provide a neutral and impartial platform to interpret and
contextualize qualitative studies, allowing a better understanding
of the human condition.
WHY
A PHOTOGRAPH CAN CONVEY A MESSAGE, CAN TRIGGER
STAGGERING EMOTIONS, MEMORIES AND REACTIONS
ALMOST INSTANTLY. IT CAN TELL A STORY IN SECONDS.
15. 15
• Each photo can be used as a standalone photo story
and homogenous photo-stories (comprising between
7-10 photos) which will be produced to highlight any key
programmatic work or uniform story.
• Consistent photographic composition and aesthetic
style across all the images,
• Applying the same rigorous editing and post-processing
workflow to ensure a Homogeneous, coherent and
consistent final output.
HOW
LOCATION (LEFT)
Kigeme refugee
camp
Rwanda
LOCATION (ABOVE)
Indian
Himalayas
PRODUCTION OF HIGH RESOLUTION AND COHERENT
PHOTOS, INCLUDING CAPTIONS AND DESCRIPTIONS TO
IDENTIFY LOCATIONS, PROGRAM SITES.
18. 18 ISEEHUMANSTORIES
The images will promote the vision, mission, and
strategic goals of the organization while being considerate
of gender, culture and other diverse sensitivities.
19. 19
• Fundraising campaigns
• Marketing materials
• Press packages
• Website
• Publications and annual
reports
• Conferences and
workshops
• Social media
• Branding Initiatives
• Blog posts
• Advocacy materials (e.g
infographics, factsheets)
• Various communications
and publishing outputs
The photos will also be action-oriented, have universal appeal
and will be useable for diverse audiences and platforms:
LOCATION (OTHER
PAGE)
Baglung District
Nepal
LOCATION (ABOVE)
Barguna
Bangladesh
22. 22 ISEEHUMANSTORIES
• The energy access levels and energy backgrounds, including
the needs, priorities and expectations of the community.
• The nuanced energy needs and priorities of different
community dimensions (i.e. female, youth, elderly, households,
enterprises, community services).
• Energy availability and usage, including diurnal vs nocturnal
variations.
• The role of everyday energy objects and appliances in people’s
lives.
ENERGYACCESSCASESTUDY
LOCATION
(PREVIOUS PAGE)
Baglung
Nepal
LOCATION (BELOW)
Goudoubo
Refugee Camp
Burkina Faso
THIS PHOTOREPORTAGE AIMS TO DEPICT THE COMMUNITY
LIVED EXPERIENCES WITH REGARDS TO ENERGY.
23. 23
• The effects of energy on livelihood opportunities, such
as income generating activities, productive uses and
community events.
• The impacts of energy on well-being, identity and
heritage through an improved quality of lighting.
• Community economic growth as markets and business can
prolong their activities after the sunset, including informal
exchanges through which firewood and food circulate.
• Different living patterns between the households with
energy access and those without it (e.g. safety, mobility,
economic activity, social practices).
LOCATION
Haho prefecture
Togo
35. 35
Food and firewood are central to the
livelihoods of the inhabitants of Kakuma
Camp as contact between the refugees
and local community, the Turkana, often
entails the exchange of these two items.
This photo-story portrays refugees
bartering sorghum received through
distribution for charcoal. Turkana women
walk through the streets of the camp
with charcoal on their heads, waiting for
refugees willing.
Established in 1992 and with a population
of approximately 190.000 people, Kakuma
is the world’s 4th largest refugee camp.
Food and firewood are distributed for
free and on a regular basis by the UNCHR
(the UN Refugee Agency) and the WFP
(World Food Programme). However, it is
not uncommon that refugees run out of
firewood, especially in winter when they
use it for cooking and heating purposes.
In these circumstances, refugees have the
option to buy more from the Turkana, who
gather wood from their lands and sell the
bundles in the camp. These informal food
for fuel exchanges drastically reduce the
physical and time burden for the women
who are usually responsible for this activity
in the camp.
FOODFORFUEL
TRADING FOOD FOR FUEL - KAKUMA
REFUGEE CAMP IN KENYA.