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DIGITAL VIDEODIGITAL VIDEO
WORKSHOP 1WORKSHOP 1
CAMERA SHOTSCAMERA SHOTS
3 main components3 main components
 FramingFraming
 MovementMovement
 AngleAngle
FRAMNG SHOTSFRAMNG SHOTS

Framing - same as for still imagesFraming - same as for still images
- Don’t just point – compose the shot- Don’t just point – compose the shot

Wide shotWide shot (WS)(WS)

Medium shotMedium shot (MS)(MS)

Close upClose up (CU)(CU)

Over ShoulderOver Shoulder (OS)(OS)

InsertInsert

CutawayCutaway (CA)(CA)
RULE OF THIRDSRULE OF THIRDS
Wide ShotWide Shot
Medium shotMedium shot
Close upClose up
Over ShoulderOver Shoulder
InsertInsert
CutawayCutaway
4 BASIC CAMERA MOVEMENTS4 BASIC CAMERA MOVEMENTS
 PanPan
 TiltTilt
 ZoomZoom
 Track / FollowTrack / Follow
PANPAN

The framing moves left & right,The framing moves left & right,
with no vertical movementwith no vertical movement

Hold first image for 3 seconds,Hold first image for 3 seconds,
pan very slowly and hold lastpan very slowly and hold last
image for 3 secondsimage for 3 seconds

Avoid ‘fire hosing’ effect by usingAvoid ‘fire hosing’ effect by using
sparinglysparingly
TILTTILT

The framing moves up & down,The framing moves up & down,
with no horizontal movementwith no horizontal movement

Tilt up (high angle shot) to giveTilt up (high angle shot) to give
illusion of heightillusion of height

Tilt down (low angle shot) toTilt down (low angle shot) to
create steepnesscreate steepness

Use a tripod!Use a tripod!
ZOOMZOOM
 Regarded as ‘old fashioned’ today! FilmRegarded as ‘old fashioned’ today! Film
directors tend to use ‘insert’ rather thandirectors tend to use ‘insert’ rather than
zoom inzoom in
 Use as a cropping tool to set up the shotUse as a cropping tool to set up the shot
before recordingbefore recording
 If using Zoom during recordingIf using Zoom during recording

zoom in from a long shot and holdzoom in from a long shot and hold

zoom out from a close-up and holdzoom out from a close-up and hold
 Don’t overuse – leads to trombone effectDon’t overuse – leads to trombone effect
TRACK / FOLLOWTRACK / FOLLOW
 HoldingHolding the camera (or with camerathe camera (or with camera
mounted) - you track or follow themounted) - you track or follow the
action whilst walking.action whilst walking.
 Use a ‘dolly’ or improviseUse a ‘dolly’ or improvise
 Aim for continuityAim for continuity
ANALYSE THE SHOTSANALYSE THE SHOTS
http://www.youtube.com/watch?v=31pEZWaIhr0&feature=related
7 Deadly Sins of Camera Work7 Deadly Sins of Camera Work
DEADLY SINDEADLY SIN
 BacklightingBacklighting
 HeadhuntingHeadhunting
 Wrong angleWrong angle
 Jogging –movementJogging –movement
 Trombone effectTrombone effect
 SnapshottingSnapshotting
 HosepipingHosepiping
Seven Deadly Sins
http://www.youtube.com/watch?v=A-6tWTPTmcE&feature=related
REMEDYREMEDY
 Light source in frontLight source in front
 Medium shotMedium shot
 Subject at eye levelSubject at eye level
 Hold camera steadyHold camera steady
 Zoom in / out …hold…cutZoom in / out …hold…cut
 Don’t cut too quicklyDon’t cut too quickly
 Smooth panningSmooth panning
STORYBOARDSTORYBOARD
http://www.fis.ie/interactive/lesson5.php?part=2http://www.fis.ie/interactive/lesson5.php?part=2
GROUP TASKGROUP TASK
Using the storyboard template, take any
aspect of life and plan a video piece with a
clear beginning, middle and end structure.
Using the storyboard template, take any
aspect of life and plan a video piece with a
clear beginning, middle and end structure.
PACINGPACING
TASKTASK::
Play the video
Clap on the Cuts
http://www.fis.ie/interactive/lesson4.php?part=7http://www.fis.ie/interactive/lesson4.php?part=7
COMPREHENSIVE RESOURCESCOMPREHENSIVE RESOURCES
AND ONLINE TUTORIALAND ONLINE TUTORIAL
www.fis.iewww.fis.ie
Online InteractiveOnline Interactive
CourCourse
http://www.fis.ie/interactive/
FIONN FILM PROJECTFIONN FILM PROJECT
www.sci-spy.ie/Fionn.aspx

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Dv workshop2012

  • 2. CAMERA SHOTSCAMERA SHOTS 3 main components3 main components  FramingFraming  MovementMovement  AngleAngle
  • 3. FRAMNG SHOTSFRAMNG SHOTS  Framing - same as for still imagesFraming - same as for still images - Don’t just point – compose the shot- Don’t just point – compose the shot  Wide shotWide shot (WS)(WS)  Medium shotMedium shot (MS)(MS)  Close upClose up (CU)(CU)  Over ShoulderOver Shoulder (OS)(OS)  InsertInsert  CutawayCutaway (CA)(CA)
  • 4. RULE OF THIRDSRULE OF THIRDS
  • 11. 4 BASIC CAMERA MOVEMENTS4 BASIC CAMERA MOVEMENTS  PanPan  TiltTilt  ZoomZoom  Track / FollowTrack / Follow
  • 12. PANPAN  The framing moves left & right,The framing moves left & right, with no vertical movementwith no vertical movement  Hold first image for 3 seconds,Hold first image for 3 seconds, pan very slowly and hold lastpan very slowly and hold last image for 3 secondsimage for 3 seconds  Avoid ‘fire hosing’ effect by usingAvoid ‘fire hosing’ effect by using sparinglysparingly
  • 13. TILTTILT  The framing moves up & down,The framing moves up & down, with no horizontal movementwith no horizontal movement  Tilt up (high angle shot) to giveTilt up (high angle shot) to give illusion of heightillusion of height  Tilt down (low angle shot) toTilt down (low angle shot) to create steepnesscreate steepness  Use a tripod!Use a tripod!
  • 14. ZOOMZOOM  Regarded as ‘old fashioned’ today! FilmRegarded as ‘old fashioned’ today! Film directors tend to use ‘insert’ rather thandirectors tend to use ‘insert’ rather than zoom inzoom in  Use as a cropping tool to set up the shotUse as a cropping tool to set up the shot before recordingbefore recording  If using Zoom during recordingIf using Zoom during recording  zoom in from a long shot and holdzoom in from a long shot and hold  zoom out from a close-up and holdzoom out from a close-up and hold  Don’t overuse – leads to trombone effectDon’t overuse – leads to trombone effect
  • 15. TRACK / FOLLOWTRACK / FOLLOW  HoldingHolding the camera (or with camerathe camera (or with camera mounted) - you track or follow themounted) - you track or follow the action whilst walking.action whilst walking.  Use a ‘dolly’ or improviseUse a ‘dolly’ or improvise  Aim for continuityAim for continuity
  • 16. ANALYSE THE SHOTSANALYSE THE SHOTS http://www.youtube.com/watch?v=31pEZWaIhr0&feature=related
  • 17. 7 Deadly Sins of Camera Work7 Deadly Sins of Camera Work DEADLY SINDEADLY SIN  BacklightingBacklighting  HeadhuntingHeadhunting  Wrong angleWrong angle  Jogging –movementJogging –movement  Trombone effectTrombone effect  SnapshottingSnapshotting  HosepipingHosepiping Seven Deadly Sins http://www.youtube.com/watch?v=A-6tWTPTmcE&feature=related REMEDYREMEDY  Light source in frontLight source in front  Medium shotMedium shot  Subject at eye levelSubject at eye level  Hold camera steadyHold camera steady  Zoom in / out …hold…cutZoom in / out …hold…cut  Don’t cut too quicklyDon’t cut too quickly  Smooth panningSmooth panning
  • 19. GROUP TASKGROUP TASK Using the storyboard template, take any aspect of life and plan a video piece with a clear beginning, middle and end structure. Using the storyboard template, take any aspect of life and plan a video piece with a clear beginning, middle and end structure.
  • 20. PACINGPACING TASKTASK:: Play the video Clap on the Cuts http://www.fis.ie/interactive/lesson4.php?part=7http://www.fis.ie/interactive/lesson4.php?part=7
  • 21. COMPREHENSIVE RESOURCESCOMPREHENSIVE RESOURCES AND ONLINE TUTORIALAND ONLINE TUTORIAL www.fis.iewww.fis.ie Online InteractiveOnline Interactive CourCourse http://www.fis.ie/interactive/
  • 22. FIONN FILM PROJECTFIONN FILM PROJECT www.sci-spy.ie/Fionn.aspx