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DESIGN FOR PRESENTATION:
How do you reach your audience?




       By Francis Glebas, PhD. in Fantasy
HOW DO WE
REACH OUR
AUDIENCE?
SO THEY'll
  CARE.
Some people
   say...
that the audience
doesn't hear background
  music during a movie
That's why
they call it
background
   music
But if the music
is there, Why can't
    they hear it?
Let's pretend
 this rope is the
threshold of our
    conscious
   awareness.
Since we can
 only really pay
full attention to
  one thing at a
      time...
We don't notice
  anything below the
threshold of conscious
 awareness, or below
       this line.
Let the
 story
begin...
h ee




MUSIC SWELLS
Howdy. I'm
Blue sock.
Hi, Pink Sock.
 Do you hear
    music?
I think it's
coming from down
      here...
What did
you do?
Oh NO! You
crossed the
threshold!
Pretend I'm
 not here.
I think I broke
   the story.
Without looking back at the earlier slides,

How many character's were involved?

Did you see him tie the ends of the rope?

How many clothes pins did you see him put on?

How many colors were used during this story?

Did the sock puppets have noses?

How many slides did it take to tell this story?

How many slides were the puppets in?

Did you ever see the Puppeteer's feet?
DOES THIS QUIZ MATTER?

If you went back over the story, you
could find the answer to all of these
questions. They were all there in
plain sight. But did you pay attention
to it to these things…
OR
…were you LOST IN THE STORY,
not paying attention to anything
below the THRESHOLD OF
CONSCIOUS AWARENESS?
This is exactly the case with background
music. It's always there, but we don't
usually pay attention to it. But we could
pay attention to the music at any time.
This is true for all of the structuring of
any story.

The audience gets LOST IN THE STORY,
unless the storyteller does something
wrong, like being boring or confusing or
breaking the fourth wall, like our Blue
sock puppet did.
So what did
you learn?
AIM for the heart
BUT...
work at the structure
 below conscious
    awareness
IS YOUR AUDIENCE
LOST IN YOUR STORY?
Or are you
 distracting them,
bumping them out of
     the story?
This material, as well as other demonstrations on how to direct
your audience's attention, perceptions, meanings and
EMOTIONS can be found in Directing the Story: Professional
storytelling and storyboarding techniqes from Focal Press.




It's also great for instructional designers.
Francis Glebas is a story artist, director, author, teacher, and speaker
  WPIX (speaker with pictures)
  Portfolio: francisglebas.weebly.com
  Storytelling tutorials: francisglebas.blogspot.com
  Art tutorials: http://www.youtube.com/user/frankiegeniustein


You may also enjoy The Animator's Eye and Iggy's Incredibly Easy Way to Write a Story.

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DESIGN FOR PRESENTATION: How do you reach your audience?

  • 1. DESIGN FOR PRESENTATION: How do you reach your audience? By Francis Glebas, PhD. in Fantasy
  • 2. HOW DO WE REACH OUR AUDIENCE?
  • 3. SO THEY'll CARE.
  • 4. Some people say...
  • 5. that the audience doesn't hear background music during a movie
  • 6. That's why they call it background music
  • 7. But if the music is there, Why can't they hear it?
  • 8. Let's pretend this rope is the threshold of our conscious awareness.
  • 9. Since we can only really pay full attention to one thing at a time...
  • 10. We don't notice anything below the threshold of conscious awareness, or below this line.
  • 14. Hi, Pink Sock. Do you hear music?
  • 15. I think it's coming from down here...
  • 17. Oh NO! You crossed the threshold!
  • 19. I think I broke the story.
  • 20. Without looking back at the earlier slides, How many character's were involved? Did you see him tie the ends of the rope? How many clothes pins did you see him put on? How many colors were used during this story? Did the sock puppets have noses? How many slides did it take to tell this story? How many slides were the puppets in? Did you ever see the Puppeteer's feet?
  • 21. DOES THIS QUIZ MATTER? If you went back over the story, you could find the answer to all of these questions. They were all there in plain sight. But did you pay attention to it to these things…
  • 22. OR …were you LOST IN THE STORY, not paying attention to anything below the THRESHOLD OF CONSCIOUS AWARENESS?
  • 23. This is exactly the case with background music. It's always there, but we don't usually pay attention to it. But we could pay attention to the music at any time. This is true for all of the structuring of any story. The audience gets LOST IN THE STORY, unless the storyteller does something wrong, like being boring or confusing or breaking the fourth wall, like our Blue sock puppet did.
  • 24. So what did you learn?
  • 25. AIM for the heart
  • 27. work at the structure below conscious awareness
  • 28. IS YOUR AUDIENCE LOST IN YOUR STORY?
  • 29. Or are you distracting them, bumping them out of the story?
  • 30. This material, as well as other demonstrations on how to direct your audience's attention, perceptions, meanings and EMOTIONS can be found in Directing the Story: Professional storytelling and storyboarding techniqes from Focal Press. It's also great for instructional designers.
  • 31. Francis Glebas is a story artist, director, author, teacher, and speaker WPIX (speaker with pictures) Portfolio: francisglebas.weebly.com Storytelling tutorials: francisglebas.blogspot.com Art tutorials: http://www.youtube.com/user/frankiegeniustein You may also enjoy The Animator's Eye and Iggy's Incredibly Easy Way to Write a Story.