This document contains sheet music for the song "So Much To Say" by the band Dave Matthews Band. It includes lyrics, chord progressions, and notation for the guitar, violin, drums, and bass guitar parts. The sheet music is divided into sections for the introduction, verses, choruses, bridges, and coda. It also includes a tablature explanation and notation legend at the beginning.
La Biblia de la guitarra Rock. Como indica su título, es un libro de devoción. Evidentemente, no hay cabida para todo, pero sí hay una buena recopilación. Acordes, tablaturas y letras. Desde Elvis y Janis Joplin a ACDC
La Biblia de la guitarra Rock. Como indica su título, es un libro de devoción. Evidentemente, no hay cabida para todo, pero sí hay una buena recopilación. Acordes, tablaturas y letras. Desde Elvis y Janis Joplin a ACDC
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
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This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
2. Contents
5 So Much To Say
12 Two Step
23 Crash Into Me
29 Too Much
42 #41
58 Say Goodbye
66 Drive In Drive Out
76 LetYou Down
85 Lie In Our Graves
94 Cry Freedom
99 Tripping Billies
105 Proudest Monkey
112 Tablature Explanation!
Notation Legend
Left to nrflt; leroi Moore (s..111~). Boyd Tinlley (violin). Carter Buuford
(dl'lmslpet"cuulOn). Stefan Lnurd (~s). D.a~ Muthews (gururlvou.lsj
3. So Much To Say
Words and Music by David Matthews.
Boyd Tinsley and Peter Gnesar
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elu.n~. __un...
(e nd double lime feel)
Om
....-
F c
I,
(Cel • e brale....- .,
...---Climb - In,__
"'Y'_
, '>--, ,
,.....
B'
c
I,
FCH _P0<
two
F
Sure
----,• •
I,
,
,..
c
Iwo.
Om
b, _ _
Fe;., B. Am
~ : ; F
.' O.wtll.
F C
-
~,
- ,,
:
,..".
O ,mh. m.__ ,..
D ouble lime f.,."l
.../Rhy. F1.. J andR,ff C tboth last 2baRonly)
F BliP AJnICOm
-,,
00'
•
",
B. Am
",;
ue.] __
Thlll gs
f., Q'
GmIB'
J
e;.,
Ourro
wlRh y. Fig_I and Riff A
41h lime wl~O("lIl .d lib (h ll end)
'Om
.=, ~~
.' '==
Om Am F Om Om
change.
fSi", h I Ilmr only}
°C'hordl implied loy ~.
Additional LyriC!
3. Hey. my love, you came to me like
Wine comes to this mouth.
Grown tired of wate r allthe time.
You que nch my heart and. oh. you
Quench my mind. (To Chorw'
4. Oh. my love, 1came 10 you
With best intentions.
You lay down and pvc 10me
Just what rIO seekmg.
Say, love, walch me celebrate. (To Chorw)
22
21. •
Crash Into Me
Words and Music by
David Matthews
.Ioderal~1y J • 10:
elm7
Rhy_FiJ- I ,·Gtn. 1It II)
mp
° AaMII (boIh &tn .)
.., - -~ f2Nl rune', I. YOIl·WC _ _ _
(end Rhy. Fie- I)
I =; ••
" ~ •
•
hi Vene
..../Rhy. Fig. I (41Irn.::. )
e lm1
..
A"".2
00'
..
, hom__
fJGl
lied _ _ ,._- - T. _ _
_ 'p__ a - ,am. - ,- SOI- the,r ,,-- ,..-
Jv..
my rriend~
es
,-
,..
es
@E.
it gam .
Copyright C 1996 DavidManheW$ (A$C AP)
lnl&mabonal Copyright s.curl'd AI Rights Rese<Ved
elm7
SWCCI_ hke d,
23
22. ESAlus2w,ESIB ES
~~' ~Ij'-
,",-- -- m,_ soul. SweCI_ you rock " d _ 5"'<:<:1_ '0" - roll.__
e lm7 A.II.2 £SIB ES ElGI A.us2 £SIB ES
~I , ~;:: s,~t===~~
~ ~ --=-= ~ I ~ '~
LosI_ for you. "m 50_ __ lost for you. 0 11._ and you_ come
Chorus
elm? NC. E
"'"
(end Rhy. Fig. 2)
•
•
,
crash
Rby Fig. 2 (GIn. I & 11)
'-='in • to mc. _
o«. I
OIT. IIr
And I come in '0-
,I
to
ES
'"
ES
,,'
ESIB
ESIBA,u.2w,
you,_
ES
ES
ESIBA>lI,,2
wlRlly_ Fig. l (2 limes)
e lm7 A.u02 EW
Rlly. Fig. 3... (GIr, II)
24
24. ·'
"
glows _ ~.- "00_ bare
ASlJl;2 ,,,. es
~ ~ I I If
mboncd_ ,,' cr.
"
Ior
cra~ in
•....IIlighl n rialion. ad lib
",;,
you.
"'sus2 es
Oh._ when you_ come
Chorus
·w IRlly. Fig. 2
e lm7 N.C.
'0 00',
e D1f'
wIRily. Fig. I
e lm7 A.1I>2
es
'0 _.. b, A"' rom, i"
I I.
",;, ....u.2
"'"
I - 1-
you.__
yeah.
"'"
--
wiRily. Figs. ) &. 3A
~g, ~~§J¥@§'~§, ~~
dream. m • """ - - - - dream.
w/Filll
as A.u. 2
E'''' es
'9 ]V :
3. 0 n
I 2.
E''''
~I l
as
Outre
wiRily. Fig. I
elm7 E'
Oh. _ hike lip your skut a IiI . lie rnorc _ and show lh<: _
Fili I r-oe. nu (Glr. III oul)
, , .. , .. , .. , .. .. .. .. ..
~
nifpp
'ACOII'
26
25. you_
".
b.
es
es
"
dream,
10 me .
stare
and _ l"'Ul · ed,
'"
and I
'p
..,;0
In I boy_
cow,
Clm7
tome_ CTadI
es
Hike up youl skin • ill - 110: IT'IOl'C _
Vod. erne.
es
10_ well.
to mc,_
es
for me.
00,, _
"'Cal'. ,t
•'"
..f2nd bar of Rhy. fis-) (15 ',mel)
ElGI A,laIl
w13rd bar of Rhy. F.,.J () '"""J
eve ss
,,,.
For )'010'.
, _ _ "Itch you lhcrc,__ IhrO,l&h the Win
Clm7
es
and Ulow 10111_ world_
es
es
gj "
w be.
10 mc._
J,
hk.
e lm1
<.'GO
WIY rd
•
•
"'"
6 1l~1 §
"
wlRhy_ Fig . I (lui 2 bABonIy) (Gu.lI) and
°Rhy. fIb I (both 11 limes)
eor A$u$2
Crash__ ,n 10 11'I<:._
"ScJl'UlUlC 3<01 ~.Illly_ Fill I • played
.IYanaliorl:s ad lib.
I
e
Crash __
.'
Rhy. Filii (GIr. I)
27
26. eo ."'" "'" " 00' ...,
~' f ~ - e
N' f q §E ISgjr 11;'1 .. ~ 4d'
~
" '"
_. crub _
"
. '0
_.
es eo
"
Oh . _
YOI know._
,,, the king of lhe cas lie. you're the din - Y las cal. O ..t> in • 10 mc._
" eo
" eo
• hi - Ik . N;bc ._ _
No. "0._
E
~.
eo
s<:<: the W, V<:_ auh
es
in • 10 me .
eo .....u.2 ,,/8 es
in • 10 mc.__ 0 '01 _ _
....lu l2
in - 10 me.
wl>ocal ad lib (ull end)
"'"
#fl..'
28
es
wiRily. Fla:. I (w 12 Nn only) (Gu. II)
wlRhy_FlU 1
eo ...,
AddiliOlUJI Lyrics
3. Only if I've gone ove rboard.
Then I' m begging you
To forgive me, oh,
In my haste.
When I'm holding you so. girl,
Close lome.
Dh, and you come... (To Chorus)
es
27. Too Much
Words by David Matthews
Music by David Matthews. Carter Beauford.
Stefan Lessard. l eroi Moore and Boyd Tinsley
DIF'
Ii, ,
G
Ii, .
8m
I'", .
,--------.
8mG
Moderale Funk J '" liS
DIF'
·R:!:.F,•.' ,
( tr. I) 'nf"
Rtf A (" ·0 II ). , tr.
~~- -, '.',no ~J•. ..~ -u u
• .. ..~
"Riff AI (" 'Gu, III)
,
mf
..
., ···Olr. IV ~
~ , .: - .. ..
-mf ..M.································_-_··_-_·········l
' P!.ayall repellu and '«!Ilkd guitar fiJurco .."'.rialion• .,;! lib tlhrOU&hoIl)
··GII. II to Icrt of .Inllu.
··· Gr r. II i. ~ iohn alT, for Il r.. G rr. III .. hom. arT, for lIT" GIt. IV il '''''0 Ilf'. an . ror gnc.
DIF',, .
G
)-)
..) -------.
(end Rhy. Fig. 1)
(G il. II oUI)
(end RIff A)
• J.
> >
>
(end Riff AI )
(Glr. 1II our)
- -
• AQCCnlCd POtCll Ire pla)"ld I"
urnc Oftl)': 0.....' _ hetl •...:alkd.
29
28. FIS
Rhy.
) . • I I , l' ) . • IFig. 2 ..- ..-
., , Rhy. Fig. 2A (Glr. IV)
~ !iB
I '"
. ;
" "i" "
(end Rhy. Fig. 2)
E7sus4 F1' E7sus4
) . • I I ~ ) . • I I ,[")..- ...
~,, ,
Hool
, , (end Rhy. Fig.2A)
,i
lsi, 2nd. 4th verses
l td lime wfFill J
F1,
Rhy. )
% f ig. ) ,i
E1sus4 FIS
,i ~
E7sus4
~ )
,
1. Sluighl in. suck 'p ..d go._ _ ' 001 n. swat • low, swal .
2.4. Sre addirio"{llly,ics
, , Rhy. Fig. JA
. ~
.
30
Fill 3 (Glr. II)
" . .~ (Olr. 1Iout)
29. 3rd lime ...1fi1l4
," E7sus4 F1' E7w,",
, ,
~ >I >I >I >I >I ~ ~ >I >I >I >I >I
", ,
• : -low Ob. brealhe deep,
~" il all, ro~ eheap._
, , ,
•• ..... -:..-"-p
p
,
••
'I')
•
Hmm. pU$h il Ihrough . Ihe doors _
' -
'eausc _
" be - tween.cthe nnes,
,
rts
) jr-- '" -)( )()( x x
p p
(end Rhy. FiB. 3)
F$S E7iUs4
",.-.-~; x!r - -x'"...'")( )( -c x >< )(~
, , *
"" gon-ea pack- mo';'"_ lines _ so I ca n gel do wn in.
(2nd & 3rd times coni. on lower slaff)
(end Rhy. Fig. 3A)
" .,. .. p
p
Fill 4 (Glr. II)
~.
il" I,,· h. (GIr. VoUI), .'
31
30. Chor us
nsRhy.
Fig. 4 )
FIl
.r:- ----.,) )r- ""'-"',, ,,7]
E7sus4
, ,
~ I::::
F drink_ 100
-I eal_ roo much. much.
Gtr, III 7" ~ )1 7" ~, , b. - • b; -- - -
oJ Glr. 1I II II
-
II II
, Rhy. Fig. 4A (Glr. IV)
~~
FIl
)
To Coda
eE7sus4 FI5
•
(end Rhy. Fig. 4)
E7sus4
, -"
I
~wam,
,
- too much. T~_ much!_ _
Fill I···················································.................,
)1 .r ~ )1, • -- -
II
II
., t
(end Rhy. Fig. 4A)
- ~=8
32
31. ••GD/l"
wfRhy. Fig. t &. Rifts A &: A I
M ' G 8m
•
-rve gol 10 .d it some- where.,
" "
., (e nd Rhy. Fig. lA)
•
Rhy. Fig.I A (011. IV)
.~ ~ ~t~1- - - fL,",
"- -
• ,~ .
- - , - -- -- - .,.1 ., .,- - -
-
•
oe.IV subsut ute Rhy. Fi1I2
U S E7A1H
Olr. IV subJl ilute Rhy. Fill I
3rd Verse
wfRhy. Figs. 3 &: 3A
FIS
, ~,
may • be _
E7w04
, ~
• '--' ~
yoc're , drum · ing. 3. Who do you thin1r. you're walch· ing? Who do you Ihin1r. yoo need?_ Play_
oe.v
, , . .
•
Rhy_FilI I (011. IV)
,
~.,
Rhy. Fill 2 (Otr. IV)
~'
.,
33
32. m £7...... rts E7lU14 F' 5 £7......
• •
~ - ......_ Ior mo. play more. len times in Ihe samc _ day._ I need morc._
d.
~~
,
, . , , •••• .e e
,"
~
-
~
lel - ter ~ let ~e,_I'm CO-WI o - veT my_ ecr • den._ Gee- n. lake more._ more from )'Ol._
, , • .eI" ~ .. ~e (conI. in slashes
, . .
n ) ) X )
,
34
r ".
33. 35
(GIl. VOUI)
E7su$4
(Gtr. Vout)
much. _
"
"
Too much!
i::::='
I drink_ 100
Irrm. pick
Gtr. IV IUbrolilUle Rhy. Fill 3
E7w$4 F'S
much. _
oe. V
.0.(Glr.1II oUI) ~ -&
much. _
wanl_ 100
s
,.
'IS
Chorus
wlRhy. Figs. 4 & 4A
'IS
,
,
<
34. ,,
Fun
I
FIlII
I
FilII
I
DIF' G B.
-
", ~:lft. lIDsr,
- ,.
0 G 0 A B
)
, ,
"
, , , ,
-
,. ,.C E
, $/. i""""""""l ,, , , " , ,
FIlII
,
~ ~ ~ ~ ! ~ ! H ~ ~ - ~ ~' ~ ~ ~ ! ~
F;" fir F;lI Ftll Ft Ft
Rhy. Fig. SA (G lr.IV)
...., ::.- ....... ~ ...., ~ .--, ~ ,...., i=::"'"I
" ""
• II
,
" "". II
II II II II II
w/Rifb A &: IA .lind Rhy. Fip . I &: IA
OIFI 0 8m
<II.... 2".
A B
ROy Fig ,) ,
(Glr.l) ....
Riff B(Glr.II)
Full FuU
, ,
..B
,,
YO
C
~ ,, , ,
,.
E
d. ----:
" ,
,,
Full
I
Full
I
Full
f
! ~ ~: - ~- • . ~ ~ s: ~ ! ~ !' H ~ ~
"
'''' ';" F;II
• f.-1Hf-'2---f
...., i=::"'"I r1 E;- ..., II
i1 II -; II
" " II
" - " ...I
II
II II II II
, II
"
36
35. (end Riff 8 )
wIFiI1 2 (end Rhy. Fig. 5)
.. (j)..
" .. ,.
-C G fI G F' E
~ ~ ) .- , , , I~ ~ .- .- ~ ~ .- ~ ~ ~ ~
F,,"
)
,
~
Full
)
,.
8
~
fuD
)
-A
, ~ ~ •IH ~ t ~ ~ ~ ~ H -~
~-.. '*
(Otr. 1I QuI)
~ , .
~
F:" FtU F,,"
• ,L
-; ;::=:; r-1
(end Rby. Fig.SA)
, II
••
.~ II ""-'
=
~
" • • • • •, ,
" "
, . .
'WIRily. Fip _2 '" 2A
..,Gtr. III
• ,!. .... l
(Gu. III oul)
"I.& !}. ,~•• & Go< V
(Glr. V oul)
• •PM......•...........__........•._-_........•.......••••••••••••••.__•.• __...__.. __._--•.~
•
GIr. IV 5uhstitule Rhy. Fill 4
GCr. 1I
E7sus4 fI'
D.S. (no rrprut) (II Codu
E75U54 %
(coni. in Fill 3)
#
FiU2tc « III)
Rh y_Fill 4 (GIT. IV)
, , . , . ~ ~ -~• -°Jtrady rlw.
~
"Slide up nnnp in steadY C1iss. ....hile
pil;t"'l In opcciflCdrhythm.
37
36. " .
"GU. 1110 lefl of tJashel.
.
,.E
..D
,.
S
..C
,.
E
H
..D -A
,.
S
..C
H
,.
E
..D
14»><D5lr _ztt:wr
o DAB C
,.
FI
..G
Gil. II
,.
FI -E
, "J... ,,J i i ,.
Gl r. 1II
W! i
~ , P(Gtr. 1II aUI)
sl: • 1 1
HH'
·01•. 111 0 Ich orslas.hes.
oe.IV substitute Rhy. Fill 4
E7 FIS E7E7
Outro
wfRhy. Figs. 4 &; 4A (bolh till end)
ess .... .... ....
• Ii'-"" ---..... ,
«» ~~*
Hey! H~ b~ b~ ~ ...Ub,_ b<y,_
, . Gtr. II ,- - - b. •
38
37. ", '" E7~'"
, , -
.' Suck il up. suck it "p.-
oc.II =,... r=....
, , ~..~ ~
. . ~~ I ~ ~ . ~
• • • •• •
• GIr. III b::::LJ. I:::LJ.
co. IV substit ute Rhy. Fill 4
'"
£1 1U54 FI5 E7sus4
, '
Suck it up, suck
" up. sud.
" up. yeah.
(Gu. II 0 1,11)
, ~~ ~ .Frl ..
•• ~~.J I C.J r U r. . .
•
•
SlICk it up.__
1I iI Otr. III
FIS
suck it up.
FIS
suck it up.
E7sus4 FIS E7ws4
•
Suck il up. suck It up. suck it up. suck II up. b<I • by.
r
39
38. , .
·,
' IS
'Cause I eat_ 100
E7sus4
much._
E7susA
GIr. IV substitute Rh y. Fill 4
F1, E7sus.4 rts E7sus4
·, -
-..
'Cause I drink_ '00 much._
,
·,
40
'Cause
~
want, too
E7sus.4 FIS
much.__
Glr. IV substitute Rhy. Fill 4
E7sus4 FIS E7sus4
Too much!
39. oo. IV substitute Rh y. Fill 4
FIS
F"
,
E1sus4
, ,
--
, , ,b.. , .. "~
, ,
,
, ,
, ,
1=
I eal__ '00
-
OIr. IV substitute Rhy. Fill 4
FI5
-much.c.,
E7sus4 FIS
E7$UH E7sus4
Fade QUI
E7sus4
Additional Lyrics
2. Dh, traffic jam, ~Ol more cars than a beach got sand.
Suck it up, suck It up, suck it up.
Fill it up until no more.
I'm no crazy creep.
I've gOI it coming to me beca use I'm not satisfied.
The hunger keeps on growing. (To Chorus)
4. I told God, "I'm coming to your country.
I'm going to ea t up your cities.
Your homes,you know."
I've got a stomach full,
It's nol a chip on my shoulder.
I've got this growl in my tummy
And I'm gonna stop it today. (To Churus)
41
40. #41
Am 7
I"
8m7
I",.,
Em'
I" ,
Words by David Matthews
Music by David Matthews. Carter Beauford.
Stefan Lessard. Leroi Moore and Boyd Tinsley
o
I",..
B...... _
•
•
Intro
!t od~rat~ly J • III
""""'"
~GU~" ~~~~~=
• .......
Am7
· Glr. 1I J.
mp
I
Bm7
J. I
-
'A c"".
Em9 o (ron!. In noc. tion)
,
•• I I
"
42
42. Em
../Riff A (Glr. II W I)
~
- -
,
~
~ "-" -
hI Vcnc
......R,ff A ( 16ILmn)
NC.tAm7) (Bm',
~
Come and
Glr. 1
K'.__ sweat b, oow I'm
OIIII'r hrdut
"'Ill'll PM-···················································..........................................................•.•.......••.•.•......•.•.....•........................•
es
play ,". time a - gBm ~1 m,_ -Im u • blcs._ _ "b _
--
44
Itf ' illg··············. In 'i",l··········l
43. Db. I'm _ com - Ing
Em7
slow b" spee d ing.
•
Do
0.",,2
)011_
•
Bmll
,
dance? _
~ ,
And IOIhilc_ I'm
"
N C.CEmI
~
01.. fron l, 01..
., pia)' "- - - .~
Oh ._ _ "", the dif
•
-*
D
• ~I ", '.J
45
44. wtRhy.Fig. IA (2 limes)
Am0dd2 ......
,
•
h=.. _
Rhy. F.J. I
o
Em9 Em7
A....'
os
.....~
I
lend Rhy. Fla.I)
••
46
Rhy. Fig IA IGtr.IV)
~ ===: ====
, , , ,& & & & & & & e e e e • • • •
•
---____....1_------ ..............
••
45. ,
C'1l0 1US
w/Rhy. Fi•. 2A
c M' c
"T
-r . I.b.....b
• ,
I will O' m
~"
.., .00
Rhy. Fi._2
.. - r
" - -
• .. - - =--..
"' ~r - -"T
"
o M'
.- fiOO ••y ~,. _-
,,' ..
--
H
Rhy. Fi,l. 2A ro«. IV)
I. II 2.
47
46. ..tRhy. FlU I
C
"'. bIll _ it's illl_ to much
2ndV<~
..fRhy. Fil-) (2 III'lla )
."""",
_.---
t~nd Rhy. Fil- 2)
M, _
•
Em'
~
• - CO~ dowlI._ <h, ghOil1
-- b. d., reel m. ;, Y"--
I Fi I
.'
• ,• ~.
....... k,rot,
Rhy. fili i (GIr. Ill) (Gil_III 0111)
wIlighfdUl
Rhy. Fil- ) (GIr. I V)
Irt""1
Ilight P.M. •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.•.••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
"
48
..............-..............................................................................................................................................•
H
47. --- 0', ....,
,
"'"
"
[hu~2
wlRirr A (8 limes)
AINlkI2
-.-"
t, ._- way._ .~d ,,- play_ 101_ all
, -
"'"
,I
" ,. ~
lone . Ii lhal _ nO
~
y_ no .. " ,~ --
es
I
-
F9
,
&,---
,
"'. .'.-
"m ina
49
48. wl!thy. Figs. I (2 lim<:s) & IA (4 limes)
Am.>ddZ Bmaddb6
here... _
es
yeah. ycah._ yeah. _
Ii
0,
Iy wail in'. __ want • ed '0
Bmaddl'6
slay. wanl • ed
Em9
play.
Em'
wanl • cd
DS
you. _ I'm on . Iy Ihis
far. "d Iy mer ",- - - ..y.--------
I
Plcasc._in . to youI_ head.mo~ - 109and _baeka _ Wahl - ingcom > 10 'I'm
Amadd2 Bmadd:.c, Em9 Em7 DS
~§;giQ
I "
(bOlUS
wlRhy. Figs. 2 (2 times) & 2A
G
0 -
would - nl
"'"
pass
,
lhis _
c"'",
by.
.....Oh._ I
e« 111
o
wIIight disr. Itr rinK
G
"'"
.~, ---m"01wrtwhalmOre_ lhanytake aO
t
50
49. Clu,2
by. 1-
MII _
brina •• ter,
....IRlly. Fia. 2A
o
Why you ev ,,-
•
M'
• II mcll10
'"
,. der,
-- ,. fm_
M'
you. Why you run ,. ,. ", rain__
,,'---
c'" c
"
, ~
play .od_ ., Inn splash_ . 11 0 vcr_ you?_
(Gu. III out)
.-. • t.. t.-t. t. t. t.
51
50. OUITO
w/R,ffB
Am 8 m D
'O tr V
~ .IIlp PM ...•...•............................•••.•.•................................................................................................ ......••....•.••.•.•.•..•.•.•.•. .•.
.'
.......
Otr. l
•
Am 8 m D
RiffB
o« II
Pl4y 4/inwJ
(41h time bOlh V B- OUI)
52
' PM ...............................................................•............................................•.•.•.•.•••..•.•... .. .•
51. Am
Riff81
Bm Em D (end Ritf BI )
...••............................................•.•.•.•.•........•...........••.•.•.•.•....•.•.••..•...............................................•..•.•.•.•........•
..,R,f{ 8 1
Am
GU. I
Bm
D
{Gu_VOUIJ (Aute cnters)
Am' Bm'
..
Em, D
Gn lV
~-I~ "tlI
GIr. 1
e I I" • •
.. I V
53
52. •
•
'm
S C,IAmI
Rhy.F..... (GIr_ IV)
lB.."
D
(Gl r. loU I)
- -
•
....'PM ..... ....................................- ...................................................................................................................... ......
(Su CnICT'l)
IEm ) <0,
(end Rtly. Fi, .of
..............................................................................................................................................................................................•
•
wiRily FiB_"
tAml
GIT I
( Bm)
"
54
lli"hl PM,······················. In fIll' .
56. Say Goodbye
j
E 0 •• W I • A(l~1Dn;>ai7n= 1 0
I~ I~
~ 1* II II ii'" '" ", ,",' • T "II
'" T "' " ,U._
G~l?
"". A'
En_Jt
0' A1UlO2 0..2 Do'O
Ii II II~
II .~
mm ii iiI " •
' " ",," '" "" " , " ,."
Words and Music by
David Matthews
Intro
Moderalely. Reu a" fn l J • 104
(Drulln, Oute, piZDUIO~io1i n. "gIn .)
, 29
N C.(A)
Gin. ' '" 1I
0'
•
'" A0 1.11:0
(GIf. 1I001I1. in du hc5) 0Rhy. R &- I (Gn . 1)
II oer
Glr. 1I
"'PlayaUIIly_flp_../Shth' >ll1ll11Ofl1 ..:l ht> ...hell.eeaned (Ih,oupou. )
lei"""·····.
•
A
:.
(end Rh y_Fi.. II
" "
58
CopyrIgh t C 1993, 1996 CoIdom Grey, Ltd. (ASCAPj
InternaTional Copynghl Secured AI Rights Flese<Ved
57. ',-- ...,). J ,I•
lst Verse
~i'2A :-.--~ ,I-~"')-)""'--'"
. •
" -mg.t. ........ ~ - ~ .
""
.
" "';Ih lhe ,,--- w, ·
Rhy. Fi~ 2
•
" 1 1
" == V
A,....__, "-'-l"'", (e nd !thy. Fig. 2A)
). J ) ,I J-j ) J ,I j ) " J
•
• .... .... fi - fe's Oh._ ....
'"
(end Rh). Fi~ 2)
wlRhy. Figs. 2 &. 21 (both 3 limes)
E
~
.' eyes M:C_ "'hal's on_
m,__
}
mind._ _ And you r.01 _ me ""Id._
I· round
'"
...,._-
,
". 'p he.~ - y, . h. in - side
59
58. A
, q El n , ~
,,'" "" "f leel _
"" - "f u 1- -
do___
,
j J J -. ,.
J j J J LiEJ, I , rL~"- - -now._ I.,,' make_ this
'"- '" Dmg. Lo« - OB_ ,., .-
bere, _
D A
~, J~---====nigh t. _ le v - CTS_
J-,., ___ 10 · night, _ for US. _ Slay_
,}'""'J)- - - - - -)
"G'
J-I
;
Cborlls
'm
J- - - - - - - - .;Rhy. Fif-lA
(G il. II
• -
• "' • ~
-- ...,,- ....,Ih __
""-
-- to • nl&hl••
•
R,hy. fi J. 3 (Gil. I )
~
---
• .- • • • • • • -. -. 1---. • -.-
A (l~ZI Dmaj7/Fl (end Rhy. Fil . 3A)
J- - ) I
J""J , J -.r-J n ,;
.' just ,,,- •• ,~ nl Dg_ A" when will ee
(e nd Rhy. Fi,. 3)
, -
• .- • • .,- .~
• • -• • • .--
..lRhy. Fit'- 3 8l.) A
,. "G'
.'"-
J
In the pas - Slon . ate PiC ' tun".
I
yO li and m", tWlsl _ up. • SC • cU'1 ....ea •
60
59. hc:re:. to •
·Ouwl l~ .. toe.Rhy. f ,O I It recalled
~
.' And we:'11
G
Rhy. filII J
(Gtn. I &:II) .....
..,---
wlRhy. Fie- I and FiliI
A E
1»'
o
(e:ftd Rhy. Filii )
•
iii' . J.I·
j j. ~~' ~;:=
===
mar · nlw _ go back 10 be · inll friend•. Ycall._ yeah. ycall.•
o
t¢;# "/
.'
fnc:nd•. b" 10 • mghl _
."
A
011. we: kiss _ .,d __
Ih,s_ _
o
) Fl
A
b<'
J mD_H J
". thing _ '0- "" "',,'
E
. If ~ ~ , 01 Icr. Oh._ lb . rOJ"" _ .~ -
A
bg,
"' "'d loollucl_ '00-
lips.__ Ob, see
-- this
. f
o
•
•
E
~ g . J J F3 ~ J ~~~
way. Ob , l'm _ turn ,,' .,d "m in· I., yuu.__ Ob ,__ glrl. _
f,U I (G Ir. II)
"~
• •-..'.'•-• - "
•• • .".. .' ~.....:.,
•
"~
61
60. D
~, 011._ just '0
A
night. • ..,- -
hcrc_ wilh_ mo. oh._ .0
'"
ning. _ on. just .... il _
Dmaj7JF1
~- and see._ B UI 10 • mor • ro w_
'0 back '0 ~Ollr man . I'm back to my worfd,
Dmaj71F1 8m
~I:I "~,
.od_ we're back to be: • ing
J
Oh.__ wail and scc_ mc. _
EIG'
011._ 10 - niglll.__ oh._ let's do_
Drn;oj71F1
Ihis thing.• A ll WC_ arc
8m
rs
EIG'
110 - urs. the SUIl_ comes, iI's .11_-
0-- - - --
Dmaj71F1
oun. _ 0" 0"
G
Gin. )
I & II .
wa, - -
M'
here.
J..
Come '0.
yeah••Yeah.•
li)4ft 2ft
ot FI
j""""""J...:!--J-JJ)
-
))..;)
friends.10 be- ingmar - row.__
wIRily. Fig. I
A'
,..~ GtT. II J.
-~~~~~
l ~r
J
-~, ~~~~~~_ yeah. ycah._ yeah, yeall. _ Oh ,__ ,0 ""k '0_ be - ing__
62
63. )) ) ) ) ),----,
-,)
>
) ) )
G
G~ ,.----,_...
1.1: II)
61;' -If F ~ f
" "'"'
,... ,....-
(OtT. II 0U1)1»'•
rn=-- e ..'
...._-------
e,
And 10 - rnor - row _ _
",--- """, .
To . mor ·
....lFi1l 2
1»'
....IRhy. Fig. 4 (2 tunes) (GIr. I)
o Gm.j 7
~ -
byc. _
J- )
) ))
.,..-- ----- --- - --
Q,~2
Glr. 1I U.
,ood
,
-'
"'
.J
1»'
?-f. ,I "~' 0 '
)
To - mar ·
I
wlRby. FiU I (Gir. I)
~2
) .
byc. _
))-)
J
mw _
,, .
Dffl
,, .
" ..
. Fill 2 (GIT. II)
•
(con I..iJI.auhn)
" ~-r-----LI r"
65
64. Drive In Drive Out
Words and Music by
David Matthews
A
I."
D
I'"
c
I'"
AS
I•
A6
I,
lnttc ,
M od~n t~ly slow J,;I88
N.C(A7)
· Riff A r-oo.u
(0)
(end Riff A)
• •
· Pl. y .11glr, r,p_wlohghl un"..,n, ad lib ....hell rcc.lIe4 (throughout).
" Acous _
wlRiff A
N.C(A7)
P/lly3timu
(0)
Riff A I r-oo. II)
(3,d limt:) I.
H. nn·····1
(8~Q) (end Riff A I)
"Aro..,_
J
(0)
L®
, d9. lj
So
(0)
,c.like[llan I'd _ _morc _hear _
h i Venc
",!Riffs A &: Al (bo lh 8 limes)
N.C.(A7)
IA7)
.~.. ~~§~§.~
boil _ my hcad _
'0 • . 1_ _ h, mor;
lau&II _ ., whal 1_ _ can - 1'101 _
And I
66
Copyright 0 1993.1996 Colden Gray, ltd. (ASCAPj
International Copyright Secured A8 Rights Reserved
65. (A7) (0)
" ,,-- ". a· pln. _
A'"'.
,-- do_ ,, __ ,~ _
....-
(0)
when al1_
{A7} (0)
<Iu, I .~,--
0 _ _ W
(A1) (0)
~I ' ~r .
. r Vb,_ _
If
5
I'P
m, ~,,---
~'
a - 'aon. _
(0)
bf-~ ' -brai n. _m,_01-0"-nght _'0
(A1)
RIff B (Violin arr, fOl gn.)
67
66. Choru~
N.C(G) (Bm) 'A,
I (G In . I & II)
in._ dri~e _ OUI.
-, )
1m leav in'. __
(end R h~, Fig. I)
,)
wIRh~. Fig, I (2 times)
(0 ) (Bm) (A,
Dri~e_ m.__ dri~e_ out. oomo _ back a - gain. _ _
,GI (11m)
'A'
Drt ~e _
m.__ driw_ oul. 1m Icll~
In ', _
IGI (8 m)
Rh~.
Fi .2
{(ftr. l)
Bridge
A
,~
, ~
• I
Dri~e _
m.__ dri ve__ 0 0 1, I don1_ ,"re __
o! Rhy. Fili i (GIn. 1& II)
rour com. in ~laShesl
•
(end Rh ~. Fili i Gtr.1I
"
_ _ d .
"
§3
, ) I..r ring
A'
),.or----o_ -";
)),A',-----.,._ -,
)
Dadd4
,} ,,
,)
C
,
/
D
, ,
" II wo ~ll turn '0 waste.
,
~ ~
"
~ ~ ~
68
67. •
,
lend Rhy. F'I. 21
AS wlRhy_Fil- 2 (2 1imc1)
A
whcn_
D
be• • '00__
-
c Dadd4 AS M A6 A
D c
m• . _
AS
Be - Q lISC
A'
•_ _ ~II of
A6
• •
" - - =---dlrl. hun -
.". h" . ." boy
• , - I ,
'.' V I
- ,- J .. .. 'J ~
- 'J 'J
wlRhy. Fig. 2 ( h I 3 b..n only)
A D c
.,
" D~ '00__ ",,,- cave_ ~ .11_- • .
• I , I
~
~ , ; '
•
69
69. (G' (Bm) (Al
Vfff -~- ,~ f ~ ,," j =-~ J
9F 3~J >
• "=
""'" ,,--- cr ", ,,--- we're __
......
••
wlRby_ Fill I
(G)
""'0
(A7)
R,ff A2 (GIn. J & 11 )
2nd.Jrdverses
..tR,ffs A &: A 2 (OIT. II ) (tIOlh " 1l1DC$)
% NC.(A1J
,,- - -
( Bm)
way. _
wlRh y. FiJl2
GIT. I
(G,
(end Riff A2l
m '••
2.00h._ -.,._
l Sn tJddmOltQII~'riu
m, "'"..
11' J. j
~--::;.
"- - - PO"'" '0'
_.
iO) (All
GOO _ has__ . 11 _ ,,,
• .,,---- - - -
J'<
hlnd. _
(0) (A 7)
z
rN.' _
, '-'
••
Rlly. Fill 2 (GIr. II)
•
71
70. (0)
F Ii t& J J :]J: ~.so ;;;::::0-
• - of
- ry.
2nd lime Glf. 1I SIIbsl:,IUIc:Fin 1
(m 10 - in' _ '0 dri~_ m
.""- dnv.,_ 00'__ •
(0)
0_
wIRily. Fill_I (J tllnes)
N.C.(G) ( 8m)
".m. D~ _ m.__ drivc _ _
02f,d1_ .'Ill' ",IslIp' ...n'lioN ad lib.
out. ( m
o
(A' (0)
,....---- Dn~ __ dn~ __
(Bm) A
F
OUI.
~~~~=. = ====---
Drive m. _ drive OUI.
( m _ _
le. v in'. _
wlRhy_ Fdll
(0 )
f f
To Codil
•(Bm~)~;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
Dnve __ '0 _ d~ __ 00'. _
Fin I
Harm.··················································· -.- -.- ···············1
rll..._)
,
Hann. ......•........................................•...•.......................................-...•........•...··· ········1
72
71. (SIIII lu _ """,
Ii GIn..I &: 1I
.' , ,
.,
.' ,
"
HHH
N,C.(G7)
Riff CI t-ounn
H H
',; e :A' . , I';' e f_fl- . , ',; r -, -. -.
" H
" " H H H
- -
0Hofnt, .". ,.... rtf
Riff C (GIn.. I &: II)
,
~
" q~ . <:» 'J
.
73
73. (wf.! nd bar of Rhy. Fili i )
Cod.
e (Bm)
, ,
out
,
(m )
N.C (AS)
Riff D (GIn. I &< II)
,. .,
(AS) PI" :!,, limtl
(end Riff D)
w/Riffs C & c t
N C.(G7)
4
wlRiff 0 (6 limes)
N.C.(AS) (m)
I I.-S.
(AS) (AS)
Additional Lyrics
3. Here, oh, I'm over this arrangement.
Around here, oh, emptiness sounded so good .
I want to drive you right into my world. (To Chorus)
75
74. Let You Down
Words by David Matt~
Music by David Matthews and Stefan Lessard
I'm D A Gi S 8m
I~ I~ I~ I~ I"'" " • " , , " I ..
8m"
I" ,
~lod",ral",1) J =H O
-,-
Triplelfnl (J:!.J ))
Em o A
Intra
.'
•• f.I«. wldean 1<><1.
·GCr. I (a.:ous.)
.' mp
In 'ill,...............................•
"......., ~U'. ~ltl. • " ro. ,,""
Hm em
(enll Riff A)
o
kf ,lIll ····
A
• ,
• ..............•...•.......................•
-
Rhy. Fif .
-
76
75. Bm Em
~ ~., ~
1. 1
.
" s
~,~
s
(end Rhy. Fig. I)
,
~
I
~
J-
~ ~
" :~
"
~
•
I~r rm g ..... .....•. ... .......................................................•
lsi. 3rd verses
wlRhy. Fig. I (S limes )
•
D
leI you
3. Su addit"'''all.~'riC3
- Riff B to« II )
A
down, _
O' B Bm
· Plny "'1010&111~~"~Uon. ad llb on D.S
and "'hen r. calkd (throughout),
Em
--
D A om
pick ,"" "p._ - - lei you
77
76. .,
•
8m
......------
Em
,
8 m
L<,
D
'------'d .....__
Em
"P
A
'----',...-
D
"
oh, "'1'- - ~ --- oh, ~iew _
~ , -
I'M····························.·.....·.•.•.•.•.•.••.•.•.•.......................••..•..••.....•.....
A 0'" 8m
"P
there _
Tn
(end Riff B)
•
~ ,~
...............................,
D A 0'"
I'M.········
'Omll tin ....... Riff B
.""''''' 8m
.'
"
m ,...,
,
-hIl1 T _
,
,
78
...................................................................................................................................................- .
77. Em
wlRby. Fig. I (1s14 ban only)
o A
,,, yo, down . _
.........•.•.•......................•......•.•.•.•.•.....•...........................................................................................................•..•.•.•....••
Chorus
2nd time Gir. II substitu te Riff D
Bm Em 0
Gu. I-) ) , ) , ) , ) , )
have
""- - - lid up - on _ _
) , ) , )
Bm Em Rhy.
Fill. 2
.r-J- )
Bmll
.r-J-
,
~
- my hcad. __ b", ,f , did. ..' could 'ook
"Riff e
,
~ §§
P.M. .................•.•.•..•••.........•..•........................•.
·Play wIsb Jht vana llOM ad llbo.. O.S.
ar>d when recalled (thr ouglloull.
79
78. To Coda
&
8m
)-----:1-
m, _
A
; - ) -J
..."
J-J
c
J
Ul - side
-J
Em
;-)-J
8m"
;-)-J
c
.-')-J
A
You could look in • MOe: ... 00
m, _ mmd _
.........................-.-...........• llillhl PM.··················································· .
GiB
..." - ') -J
8m
Jr- ---,J__- __)
(end Rhy. I'ie. 2)
Em
)r - --'J _
2.'
(cnd JMC)
..............................................................................................................................................................................•
80
79. 2nd Vcrse
wiRily, Fig. I (4 Iimcs)
w/Riff B
0 A GIB Bm
~ J ~ ~. § . jgj
'-----',,, '0' dow n. Oh._ _ 1o,
Em 0 A GIB
~ J ~ ~. "J§
givc me. Yo, give m, lovc._
Bm Em 0 A
I'1
J J J ~Let m, walk _ _ willi _ you. _
G'B Bm Em o
may could
J
say. may - be talk _ _
J
with you. __
a way. _
o . pcn
wlRiff e
'p--
'"' let
Bm Em
~,
f.~Jm, Ihrougll.
"""' walk_
A G'B
) J~) j""""""J~
FJ I I
Bm Em Bm" C
, r-i , , ) - ) i J-) ..r-J~-, "'" ""'-... , ,
~ - I'1
::: ~ ij ij IJnom walk
A G/B Bm
-) ...r---:J-J ) J-) ) J-) )' ,
i'i .
if 3 J 51 II '1
j@r a way,
81
80. Em
n-,)
Bm
,),A
)r---.-----,,,),
""..~
Em;-....,._ ...,
)
~
" '----'
"'.. ~-- lid 'p
00 _ _
m, ""..,- 'm "
1-_- dId.
Rdf D (Ger. III
• .. (,,,, Riff OJ
. . .. • • .. .. ..
.' , , s , , , , ,In """ .......................................................... .... .. ... .... .... .. .. ...................................................__.. • P.M, ••••••••••••••••••••••••••
wlRhy. f'l- 2" R,ff C
Bm' e A G'"
t':
,
I ~ J J J ggg;; J .@ . J, :.
you ~" look m ..... ~, see ...h.aI'I 00
my___ mind.
.... Em Bm' e
, J J J @ J J ,.J§
Yoo row'
""'" m ..... ,,,, ~
"""I'" 00
m, __
DS tI/CoJtl
A G'B Bm Em
*
jij ® Fmind. 3, 1
....IR hy FiB. 2 &t Riff C
Cod. (bolh lu I 7 baRonl))
e Em Bm" e A G'" Bm
~ I , j@ @ J §j •
A ,
....oh. it yUli.
4th Ven(:
wiRily. Fig_ I (2 limes)
wIRI(fB( ISl I7banonly)
DEm
.,
"
.,
J
yo,
A
......,- - - - - - - - - - 1m • p'p
Bm
pop ,•I'm
G'"AD
..,1m
"
~,_Em
Em
wlRhy. FiJ. I (151 • bal"$ only)
D A Bm
82
81. GIr. 1
....)
A
))- J
For • poe
Bm
(G tr. Il laCd)
A
For - aM: _._--
_.--
A
For • give
I ~
Bm
T""""J- ) ..J"J-J -- - --
~~}¥f
A ce
.r-J-J ,I""J- J
,
~ 1J' J ~
oe. oh. oh.__
Bm
../RlffB!
c
~
-J --- - - J -- - - - J --- - - J - - - -- J --- ---J--- - -
~s @ I I ~
Em
o
, -
OUlro
wlRh1' FiJ- I &:·Riff A (bo th 6 1;nlCl)
wlwlllllhni ad lib
D A Bm Em
EmBm
,.
,
,.
,
Art •• lSItil"".play wl'.,,"lIona ad lib (h ll "nd).
A
,
"Ell". w/dlR lone
"Vol. knob ",ell
~ ", "'"
_.
'od"Ou. 1II
--=::...* -
~. ~ -if
Full
.
'od
Riff Bl (Gu. lI) IGIT. II OUI)
J .... J ....
PM ..•••••••••••••••••·•··········· ··· · •
J .... J -..
P.M,··································l
83
82. 8m Em 0
","............•....•...•.•.......................::::::-..
Ao
. - - - -
.,
I"./ •.•.•..............................•.•.••••..-----
.
A
,., I- ij.
., I'll
' Sound all_a.1>ol kllOb.-1II (liD cad).
GIB 8m Em
,'.t:=:.= u.u u u u u u u u m ~ --..
A
(OSu enh:rl )
8m
•
'''''
Rt pt af D1Id fadr
Em8m
filII
GiB
Eke . ..Idr&!. IOM_Sound all_to .."'<>l. b ob ...d b tlolleadl
" f'Ir,ybeat 1 1"'1I_ "'Iy, lAOet oa.~1S
wlRhy. Fig. 1& Riff A
o
"Gff. IV hll
t ~
.r-f-- H-~
r.LuuT uuuum~'l- J I-- ~ ~
•
• .
OU.1iI
/;'1 ,.. '''''.. .f'................... "<,
.
Additional Lyrics
3. l ie! you down.
How could I be such a fool like me?
I let you down.
Tail between my legs.
I'm a puppy for your love.
I'm a pupp y fur your InYC. (To Chorus]
84
83. Lie In Our Graves
Words by David Matthews
Music by David Matthews. Carter Beauford,
Stefan Lessard. Leroi Moore and Boyd Tinsley
GO A
I 11, " '"
Modcr.ldy J • 116
D
Rhy. Fig. I (·GIr.1)
" Bm " Em G6
{end Rhy. Fi&. I) wlRhy. Fig. I (3 1;mc:$)
1nlro
r-- ~
D Bm
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r •
In rUlt .•.........• f~l rinc········•
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Em G6
Rhy. Filii (·Gtr. II)
D Bm
D Bm
Em
Em
oIilh l PM .•.
•
....................•
lOu 1l0U1)
(e nd Rhy. Filii )
Copyngtlt C 1996 Coklerl G.II')'. lid.. Carter Beauford. Sielan Lessard.
Leroi Moore, Boyd TIn$ley (A$CAp)
IntemabOnal CopyrightSeeuted .... Aogtlls Reserved
on. ..hen
85
84. ----
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my
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01. when I
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hi Verse
.IRhy Fi,.I I~ I"n""J wlRhy. filii (hi 2 ban only)
D ~~Em G6
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Em
I
my CyClO _ oca"h • Inl _ wild Iy _ _ Would _ you
hkc_
8m
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loil • lin' 0' 'OP of
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frec? _ Yc:ah._
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be _
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(Drums enler)
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wlRhy_Fig. I (41imcs)
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-
- "
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86
85. " ..'....
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me and_ )'011 - tak . in' "
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(end Rhy. FiD3)
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,
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(end Rhy. Fill- 2)
87
86. <C, lO' Am
···········1
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Gtr. II '-"I
8m c 8m (2nd lime Giro II QUI)
•
wlRhy. Fia.
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in'
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88
87. G8m
"""
Interlude
D
G III
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89. wlRhy. f ll_) (3 ' nTlcs)
D
D
AIC'
AIC'
B. A
B.
•
ohJI'l P.M.···················································•...............................................•...•.•.•.........••.•...•........................•
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Rhy.. fiB- 4 (Glr. l)
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91
90. ,
Bm
Em
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Off ' G
A
Bm
wiRily. Fig. 3 (2 limes)
o
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,
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A
AIC'
G
....................... ... .. .... .. ................. .•
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AIC'
o AIC'
Bm
Bm
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flip P.M.·········. P.M.·· ·· ·· ·· · ·· .
92
91. I'·o A
• be thai would
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wlRhy. }-"illl (1st 2 ban only)
F.m Go
"Play I IIrh~, fill, ...1. b~11l nrill;on. ad hb (ull end).
of
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won • d 'nng
3rd V~rsc
wiRily. Fig. 1 (7.'.0 limes)
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lJq@ J US).• ue m 00' . r.,cs
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be: - hc' c 111111 '0' would
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o hy._
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GO A
.--J -----. 17
GIn. ! ! ~ I
1&:11 ... -- - - - - , "'- 0:
93
92. Cry Freedom
Words and Music by
David Matthews
E
Ii... i."
AlP ES BJf:"
.~ Il~ m;. " " .. H'
85m2 OfA Asus2 CU BiA
.- .- .'.•-•," 1" '" ". HI
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(KOU$.) •
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(GIr. II OUI)
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dine· inl Ihrollih my head .•
) .
Broth - cr. Sis - Icr. SO
FJ-.J) ))
1-
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luna • • "' . y1_
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place
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94
Copyrght 0 1993 , 1996 CokIen Grey, l id (-'SCA P)
lnlemabonal Copyrlghl Secured AI R9htS Reserved
93. ~ ~ .
St=. = "Y.
t 'tB,
l~ . _ ~d __
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I q ~
len thou . Iand__
l>.
..IR hy. Fill. I (3 tllT",;sl
lend Rh)'. Fie- 1) B0us.2
,
~
wide. H"l" _ _ _
laid ' p . on
A.u.2 ell
£I~I)
~ J W II , -
.. will ,~ -
,,' ,ide._
hop<
Blu.2
l.<'
that Ihis
11111_ n.,_
tl'owd_
burn_
l>. ....., eu
V:=f@ J i J j§ I•, ,
• '0_ dusI._ _ .... • ~.--
• f~r _ do . ...-- '" ......-
l>'
....
,
in prayer."'"",,--hclld In _ _"'111. _ _
---EJ'.'
i,
'" . dream - less
I
sleep I • Ja in.
j'
A,d wavc _
bul fl:u_
bul 1OId-
.,
like.
es
,~ .
• like.
(end R1:r fie 211"'-.---- - - ---
f'l E
) .
"~ .
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,
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oil
(j)~
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f~' _ are
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OUl' hand:s._
B
) - )
ee - 1_ 0 _ dt · vide_ us. Hands
"S..pLoY' DI whefl l lr plloY' II (Ibtoupout)
,~ .
Chor~
e
be . twece ., di • vi<.lc_ u~
111 _ iilip a · way,__
95
94. 12.
e
==8
3. In this rcom.; stood B__ iiI . 11c _ ehild._ And in _ this Toom ._
)
some· one, _
)-)
Iii
cts B ~u.2
) ) . J- J ).
,~ '1 ,.
would " . main_
A.... 2
). ) - )
~~ ~this IiI _ lie child._ she
Of A ASlsl c is
). ) - J ) . ) -) ) ).
~§'-_ might de - cidc_ to dana: this_ iii • lie child _ a · CTOilS. IlIi,__ hall
)-J
,,~
in • to a
space where she miglll_ ReV- C. trace her way _ a · "OM. this croo k-cd mile. _
• Gu. II double. Glr. I wlrh~lhmil: . an ahons ad lib (till Choru s).
a ous2
GIn . )
tiifcold .
) - ) )
Asud
) )-) )
Cry__ free _dom, _ from deep in • stdc ,
)-) )
cr,.
D",
".)
Bsw2
(:rook. cd page.•• • cross . this
CIS
).
~ ,
CO>
) ). ) -)
~ ,
)
-
A,l. 2
where we arc a1l__ con- fined ._ wnc _
Churus
wiRily. Fig. 2
e
hnds.. _
How can lurn .. ....ay?__ Brolh • cr. Si. . Ie.. go dane. ing through my hClId._
A
fPI
2f fhu
BIA
m,"__ .. to _
j Ej I J §
==h, man. _ _ Tho fu
lure
B
,,- - ""
pli.ce__ 0 place YOUT_
J
be l· ICT_ days. _ _
96
95. ) -)
,
.-.
Hands and; fecl_ ." .11 • like. b" '0"__ be v tween, di . ~ide_ us.
"GI,. II wl,hy thmlCwanallon.... lib
• E
~' &Ifr gggF
Hi nds Ind. fect_
'" . 11 • hke, bo' fur __ be- tween. di· ....- "
Heir ....hat 1 _
A
""""
"A
and_ feel
A' ss
,
r' fr'." oll_ _
• - bke. yeab._
• E
A
•
"A
Hu r ....lu l lily Oh.__ be il._ yelh. _
• E
I wan· nl dano: ..
..lfiU 1
A "A A'
" • E A "A A'
;WI to 'i
.....y.- yelh._ b. b. b.
Fili I (a.oous. glr.)
I -I I I I . • I
,
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,
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g~ ---....
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97
96. 1;1;#,
0,
., B E
H.,. CIIn '.m • - ....y? - -
dane . inS lllrougll my
es
8mlll • er. Sis - tcr, 10
B E
Iicad._
"'A
hll . man_
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h. _._-
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. ,
~-~
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J ;Jt£]i J jgj
-Tho I. ..~
"-- - ~ p"",-
J J
98
to pl~ YOU1_ _
Addi/io"al Lyrics
2. There was a window,
And by it stood a mirror
In which he could see himself.
He thought of some thing,
Something he had neve r had
BUI hoped wouldcome along.
Cry freedom, cry.
From deep inside.
Where we are . 11 confined
While we WI'C hands in fire. yeah . (To Chorus)
97. Tripping Billies
Words and Music by
David Matthews
G
"""
wlRhy. FiJ. IA
Rh y. FiJ. I
G
"""GIr. I (1lW1A.)
Mod<rr-t,,1y J• 124
Inuo
• • •
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o.
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8m
""" G
I 1.
""" G 8m
""" G
II 2
""" G Aad44 Bill
(endRh y. Fig. I)
PldyJ/,mn
I~I ""It ..........• I~lri"' ............•
99
98. lSI.2nd, Jrd Vcrses
wlRhy. Fi,l. 2A
A os c es
• I. We were
• . bov.,. ycu were sland . ing un . dOl . neath
". w,
2.3. Su ilddilio"illlyriCJ
Rhy. Fig. 2
~" -- I ". , l~
"It' ring ...... .......• Itlring - ..... .... ....... ......., ".
"
A os
s
0'" G A
s
os c
~ Drag . onswere
""'-- lot jov ers. were smo ked. born .
~I ~
-- - ~
I
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s
A os oM G
s
I ~ '-J
eie .
"'" were sling" ing us. I WM __
~"- 10 be m .
" I. EaI. drink _
2.3. So why_
(end Rhy. Fig. 2)
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' 00
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99. ""-;:===p....,
8m
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M'l G ....add4 8 m
ry,--b<__ rocr
wOllld YOl Cllrc _n'
C'hor~
wfRhy_ Fil. 3A
8m ....;k/d.l
Rhy_ FIB- 3
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drink _
--- ."".""
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(~nd Rh),. Fig. 3)
<
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<
" " " " · S;ng ha,many
3,d Itmt only.
Rhy. ''';g. 3" (GIl. II) PIQyJ "mt~
.'
101
100. .'
1 I.
Om
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"""
....._ - - ---
G ..- Om
·c.U$C we're Inp . pIn,
• • • •
Rh)'. FiU2 ...........•....................•....•............••..·······················1
wlRhy. Figs . 2 & 2A
A D'
Bil lin _
A
c 0' A 0'
- """ G
12
wiRhy. Fili i
Om
Gu. I substitute Rh),. Fill 2
M I G Aaddot 8m
am A"""
"'" G
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"
Om A",,"
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DIFI G Aadd4 8 m
"'" G DM G
'C. usc wc're Inp . pm.
102
RIa)'_fIli i (Gtr II
•
.' • • • • • _.- - -- •,I ,I -
" "
101. • Rh, Rp. 2 &: 2A
. '"
8 .1 hcs, _
0 '
-
c
c 0'
-
0.<'
0.<1
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G
D,S. til CodtJ
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,_lIast 2 boan 01 Rhy. Rio 3A)
001'1 G~ Bm
w/Rhy. YIp.. 3 (2 Ullles) It lA
......
ha py- h" moo ,=-- Eat. drink_ ,"d "'- mer ry.-
0.<' G
""''' ' m ..... 'm ...... 0.<' G ...... . m
#)1; -J J) .!J¥1E' ~
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'm ...... M I G ..ud04 Bm
Take II, moun - tam hoy._ _ _ ___ yuh.
rSinKlSI Itmr onlyJ
M I G AaoI6oI Bm
••
'm
0.+1 G Aadd-l Bill ...... 'm
Play J limr~
M l G Aidd4 Bm
......
II
wl Rhy. Fig. 1
lim A0dd4
Cllu ru.
wiRily, Fip . 3 ()II>limes) &. JA
Oh . _
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#*3 J p
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I
ry.--
......
f~ __ ,•
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M I G Aadd-l lim
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103
102. die. _
~.-
"'-..ddrinlr._
J.
Ea.,
D.'fl G Aaldol 8m
~'
•
F'
---
8m
mor - TOW_
8m [)Ifl G Aadd-t Bm
I~ -- ~ .~
--- dic. _
Eo'. OOnk_
Dt'F' G A.Idd4 8m
wlRhy. Fill I
Aadd4 8m Aald4
~~l ~' ~
,ed
"'- m" ~.-- 10._ 10 - mOl TOw_
--- die. _
GOO"8mG
1 I:
OUIrD
(Gld l ool) wIRhy. FiJ. I (I" 6 bIon only)
G OO"D'F' G A.Idd4 8m 0.1"
@li E?'ew~' ~§~~~~~
1<:&11._
wiRily. Fir.. IA (151 2 ban only) (2 lime»
OO" G 8m
•
OO" G
OO" G 8m DIFl G
•
"G lT. II
""
GOO"
wiRily. Fig. IA l°la'll 2 b,an only)
G. I• lu
., ' u
- -- Gir.
r- r'
,
"-
" " -. "'
"tm.Jf~ I
"•
,l
"
Additional Lyrics
2. We're weari ng nothing,
Nothing but our shado,,".
Shadows faJling down on the beach sand.
Rememberingonce.
QUIon the beaches,
We wore pineapple grass bracelets. (To Chorus}
3. We are all silting.
u gs crossed'round a fire.
My yellow name, she dances.
Tequi la drin king,
Dh, our minds will wander
To wondrous places. ( To Cho rus)
104
103. Proudest Monkey
Words by David Matthews
Music by David Matthews, Carter Beauford,
Stefan Lessard. Lero! Moore and Boyd TInsley
SIo..I,. J .64
"A' D. AI D'
Intrc Gu l(~)
. ,
~
;. • - -""'~.
A.
Rhy_FlI. I
..IRhy. Fie.1 (2 limes)
D~ A~
(end IIh)'. Fi,. 1) Gu. lI (e1ec.)
•
• ~ - - - - rCkQ1lUHw
"""fin,",
A' D' AI D' A' 0 1
h I Vcne
wIRh)'_ FIe. 1 (8 tnnes)
AI 01 A' D' A' D'
• I.Swm, "- thn nee.
-
.'
105
104. •
A'
Mm._ oh._
D'
1- .m__ bouncc_ a . round
D'
well .. _ branch_
.~
A'
_ 10 branch.
A'
limb 10 limb. yOIl .ce._ all_ in .- day's,
A' D' A'
-
~ ~
- V
dream.__ I .m .Iuck IIkc_ " 0 0" . 0'
-~ -
~
• ~
-.
y
A' D' D'
-~
mo. . koy here. 1- - . m_
.--- ~=. .--- ~
-
I ~
~ y
106
105. A' A' 0>
'; '
b,m , ble_ ~"
, key. ..' ling "P m bm _ _
::::~: ---*
~ T r
III TI",.······.
.'
"
a . P'Il-_ _
o. A'
2. B ill then
Irl m.' ·······.
o•
""
d.'--,,_--,,-;- _
().) Sa "dJIl;o"..llyr;cs
•
•
2nd. )rd Ve""",
w/Rhy. Fig_I (8 lImn)
iii AIo o•
1__
climbcd_
o.
0 ," __
01
wlpick
Ie' ""K- -.................•
"l'1.oy ..tun. llons '" lib on O.S.
A' D'
Itt""g·····························.
A' o.
.'
",. hmbl._ lured_ a - ,.,ay. _
' 07
106. A' 0, .. 0,
• ~
~
• -walk . Ul, 1",IL_
"''''- hip "p- -
""'-
..nl _ Lng.
o.
2nd limeG IT. II , um lilIJtc Fill I
..
wenl
o•
'0_- ~I - y._
•
••
0,
ear_ hums,
•
o.
lien and the
wipid ---H
H
"
108
foil I
" r--,
-
~.~
--= -" I
wIfr"~"
" .
107. •
A' D' A. D'
•
gn t • 1) . _ Now_ 1- -
.m__ <h,
D. A.
I,lrmr ....•... •
D.
•
•
•
proud
D.
lq- _
A'
)'Ol,I''1: CV • cr
D.
secn.__
Mon . key iCC. mon · key do. ~ah. _
.'
•
.' • •
109
108. ,
Guuer 10010
w'Rhy. Fia. I . nd 'R,ff A (both lllnn"s )
A~ D'
o« III (.<:Gus J
A' DO A' D'
-
.. p
.~
.. p
D.
.. p
•
.. p
A' D'
P.M.·············1
• PM " 1
D'
A. D' A' D'•1. .1
e ~ •, .- '.. • .-
~
•
.1
"
D'
R,ll A toum
A' P
D'
n.
110
•
109. D' D'
, ,
D' D.
D.S.oJ Codtl
Ii!
wtkhy. Fi, . I
../su. vocal ed lIb
A'
· Pl.~ w'''.''.lIonoad lib on repel Is.
•
D'
•
Additional Lyrics
3. Then comes the day.
Staring at myself. Ltum
To question me.
I wonder, do I want
The simple.simple life
Thall once lived in well?
Dh, thin gs were quiet then.
In a way. they were the belief da ys.
BUI now I am (he proudest monkey
You 've ever seen.
Monkey see, monk ey do, yeah.
l . 1ben ((XDe$ _ lbc cby.__
.-
old ria& Ibrouch III beat
01 OS. (011 . 11I il lbe n o ld.)
'"