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CV AND PORTFOLIO

This document provides biographical and professional details about an architect. It includes information on their education, including degrees earned in architecture and project management. Their professional experience spanning over a decade is outlined, including roles at various architecture firms where they worked on commercial, residential, and institutional projects in Poland and abroad. Their areas of expertise and skills are highlighted, as are honors and awards received. Personal interests and languages spoken are also listed.

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Personal Information Nationality Polish Birth Date 15.02.1983 EDUCATION Warsaw School of Economics, Warsaw, Poland; II 2011 - I 2012 Project Management, Postgraduate Diploma FACULTY OF ARCHITECTURE AT WARSAW UNIVERSITY OF TECHNOLOGY; WARSAW, POLAND; X 2002 - X 2009 Master of Architecture Diploma, graduated with honuors Master thesis project: ‘Expansion of the department of Graphic Academy of Fine Arts in the context of architecture and urban design of the existing building’ HIGH SCHOOL, im. Stanisława Staszica w Starachowicach 1998-2002 General knowledge, extended mathematics and IT programme State School of Music. Felix Rybicki in Starachowice 1991-1998 Classical Guitar Class PROFESSIONAL EXPERIENCE APMD Sp. z o. o. Architect and Project Manager VII 2010 – present Architectural designs: • Reconstruction of office building, Rakowiecka St., Warsaw - leading the team, concept design, all stages architectural documentation, (project completed) • Concept design shopping center “Skorosze”, Warsaw - co-leading the team, concept design, architectural drawings, presentation (concept design) • Microsoft Office, Bucharest - Romania co-leading the team, concept design, 3d modeling, architectural drawings, presentation (concept design) • Apartment building, Warsaw, Poland - concept design, permit documentation, 3d modeling • Business Garden (Stage 1), Warsaw - hotel stairs concept design and construction drawings, building construction documentation (project completed) Supervision and managing the investment, including: • Prepare a Master Plan and Feasibility Study, • Managing contracts through organizing tender procedures, running monthly meetings, the site coordination meet ings with Clients and Design Teams • Preparation of the time schedule, spanning from the concept stage to the finished building hand-over • Assistance in assembling the Client’s Quality Inspectors Team responsible for supervising the quality of works and their progress PL09, Architect / Project Manager / Partner (An independent design group aiming at utilizing gen- erative and parametric design techniques on the field of Polish architecture.) XII 2007 – present Architectural design: • Feng-Shui Villa, Warsaw – Wilanów - leading the team, concept design, building permit documentation, detailing, designer’s supervision (project completed) • Duplex House, Józefów - concept design, building permit, designer’s supervision, production supervision documentation, detailing, designer’s supervision (under construction) • Optical Showroom “ Orlinscy” - ceoncept design, 3d modelling, visualisation, production supervision (project com pleted) • Conceptual design of “OCHOTA” theatre - ceoncept design, 3d modelling, visualisation, production supervision (competition) • Polish Financial Supervision Authority Warsaw headquarters competition, third prize – concept design, visualisation, architectural drawings (competition) • “Spójnia” Sports Club facilities redevelopment, Warsaw, Poland – concept design, 3d modelling, visualisation, investor meetings (concept design) • Triple skyscraper concept, Warsaw, Poland – concept design, 3d modelling, visualisation, investor meetings (concept design) • Architectural competition for the development of the Museum of the Polish Army, Warsaw - concept design, visualisation, architectural drawings (competition) Chapman Taylor Sp. z o. o. - Assistant Architect VII 2007 – IV 2009 Architectural designs: • Fabryka Biznesu, Lodz - concept design, visualisation, architectural drawings, presentation (concept design) • Retail and Leisure Complex, Szczecin - concept design, 3d modeling, visualisation, architectural drawings, presentation (concept design) • Eastern Railway Station, Warsaw - concept design, 3d modeling, visualisation, architectural drawings, presentation (competition) • Master Plan for Retail Center, Office Buildings and Residential - Constanta - Romania - concept design, architectural drawings, presentation (feasibility study) • Mixed-Use Development - Bucharest - Romania - concept design, architectural drawings, presentation (concept design) • Shopping center “Victoria”, Walbrzych - concept design, 3d modeling, visualisation, architectural drawings, presentation, permit documentation (project completed) • Coffeeheaven: Krakow, C.H. Bonarka, Opole, C.H. Solaris, Wroclaw, C.H. Just-In Center, Czestochowa, Galeria Jurajska, Warsaw, Atrium Plaza - concept design, 3d modeling, visualisation, architectural drawings, presentation, permit documentation, construdtion documentation (interior design - project completed) Kulczynski Architekt Sp. z o.o. - Assistant Architect V 2006 – VI 2007 • Conceptual design of residential buildings in Warsaw - concept design, 3d modeling, visualisation, architectural drawings, presentation (concept design) • Tales of the European Centre for Pacanow - construdtion documentation, concept design • Residential Konstancin Park, Konstancin – Jeziorna - oncept design, 3d modeling, visualisation, architectural drawings, presentation, investor meetings, (project completed) • Chess Union Center in Turkmenistan - concept design, architectural drawings (concept design) • Residential complex in Wilanów, Warsaw - concept design, architectural drawings (competition) PROFESSIONAL PROFILE • Great communicative, negotiation and interpersonal skills • Quick grasp of complex projects • Work experience in international environment • Positive approach and outlook, along with being thorough, well organized and innovative HONORS AND AWARDS Chapman Taylor Warsaw: • Real Estate Quality Award- Architect of the Year 2007 Central and Eastern Europe • Retail Real Estate Award -Architect of the Year 2008 Central and Eastern Europe Pl09 Design Group • Third place in the competition for the reconstruction of the building Financial Supervision Commission, Warsaw PUBLICATION ArchDaily - Warsaw Villa / Kulczynski Architect + PL09 Frameweb - Warsaw Villa by PL09 and Kulczynski Architect Exchibition - Mazowiecki days of creativity, design and innovation 2013 Magazine - “Architektura Murator” -Warsaw Villa / Kulczynski Architect + PL09; March 2014 Exchibition - “V4 FAMILY HOUSES 2014“ Warsaw Villa / Kulczynski Architect + PL09 IT SKILLS Rhinoceros - advanced AutoCAD - advanced 3d Studio Max + Vray - advanced Adobe Photoshop - advanced Adobe Indesign - intermediate Sketchup – intermediate Microsoft Project - advanced Windows and Mac OS X working environments LANGUAGES Polish - native English - advanced INTERESTS Technical innovation in the development of ‘Augmented Reality’ photography, international travel, playing guitar, triathlon workout, sailing, mountain climbing,
PL09 Architect - independent activity Warsaw, Poland Co-owner, Architect Projects: 2009 Polish Financial Supervision Authority Warsaw headquarters - competitino 2010 Feng-shui house in Warsaw - built 2013 Duplex house in Warsaw - under construction 2011 Ochota Theatre conversion - competition 2014 LIget budapest architecture and photography museum- competition
polish Financial Supervision Authority PROGRAM: office LOCATION: Warsaw, Poland AREA: 4672 M2 YEAR: 2009 INWESTOR: State Government TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Bogdan Kulczyński Office building is located on the corner of Bright and Moniuszko. This is an area very center of Warsaw, saturated largely by office buildings, local-level state in- stitutions and national and cultural centers like the National Philharmonic. The main objective of the project was the creation of building maximaly adapted to user needs, as well as being a full-fledged part of the rich urban fabric downtown. FRONT FACADE
Feng-shui house in Warsaw PROGRAM: house LOCATION: Warsaw, Poland AREA: 650 M2 YEAR: 2012 INWESTOR: private TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Bogdan Kulczyński The residence in one of Warsaw's Villa districts was conceived out of clients' pur- suit of unity with nature. It was supposed to become an urban refuge for the cli- ents as well as a gathering place for their closest family. The clients – Mariola and Tomasz – are active, career-oriented businessmen. They needed an asylum for them- selves, their twelve-year-old daughter and their two adult sons with their families, who would be frequent visitors of the residence. The required functionalities in- cluded: recreational unit with fitness-room and spa, home theatre with advanced home cinema, a place to throw private piano recitals and a library combined with an exhibition space for their art collection. The clients' extraordinary requirement was for the residence to be designed in accordance with feng-shui philosophy. The plot on which the residence was to be situated, was recessed from the main road, rich in exquisite greenery, and with a pond in one of its corners. According to feng- shui "bagua" diagram, all the functions of the house were to be distributed around the geometric centre of the plot, in line with certain feng-shui parameters specific for each of the household members. Furthermore, according to these principles, spe- cific parts of the plot were to be excluded from the development, which had a direct impact on the shape of the building. As an effect, the plan of the house resembled a chromosome with two clear functional flows on the West and the East. These flows permeate each other in the central part of the building creating a central hall, which allows for an easy access to all of the house's functions, distributed between two floors. This configuration reduces circulation area to the necessary minimum. fittness hol bawialnia pokoje dzieci kuchnia buiro pana domu apartament gościnny buiropanidomu pokójdzienny biblioteka spa głównasypialnia pokójkąpielowy jadalnia garaż pomieszcznia techniczne granica działki 15° granica działki rozrywka dziecipraca goście praca wypoczynek zdrowie wypoczynek zdrowie rozrywka dzieci praca praca goście goście fittness hol playroom children's rooms kithcen study room guestroom studyroom livingroom library spa mainbedroom bathroom diningroom grage technical plot boundary 15° plot boundary pastime childrenwork guest work recreation fitness recreation fitness pastime children work work guest fittness hol playroom children's rooms kithcen study room guestroom studyroom livingroom library spa mainbedroom bathroom diningroom grage technical plot boundary 15° plot boundary pastime childrenwork guest work recreation fitness fittness hol playroom children's rooms kithcen study room guestroom studyroom livingroom library spa mainbedroom bathroom diningroom grage technical plot boundary 15° plot boundary pastime childrenwork guest work recreation fitness An X-shaped, fragmented plan divides the plot area into four courtyard-like parts of different functions and spatial arrangements. The wings of the house are shaped to fit the functions as well as preserve the existing greenery. As a result the trees were left growing very close to the facades which in combination with roof-to-ceiling, pan- oramic windows and a specific special arrangement of forms creates an impression of fluent transitions between interiors and an exterior and blurs the borders between them. The largest rooms of the house, the living room and the entertainment area are opening on two sides creating a visual link between the main entrance courtyard the pond area and the back courtyard. Their space is extended to the adjacent terraces.
ground floor The central part of the building and its superior role in the plan is emphasized on the elevations by means of smooth wall lines, bent glass walls, a thickened rhythm of vertical divisions and a double curved roof surface resultant from the blend of tangent roof slopes over the hall part. This variation of the traditional roof, allowed to highlight the geometrical and functional heart of the building at the same time fulfilling the restrictions included in the local planning regu- lations which imposed the requirement of a gable roof with 35-45° slopes. In or- der to overcome the difficulties deriving from the large span between the sup- porting walls as well as the complex geometry of the roof, a set of 24 unique, curvilinear, laminated wood trusses were used to cover the central part of the house. first floor
Duplex house in Warsaw PROGRAM: house LOCATION: Józefów, Poland AREA: 2 x 200 M2 YEAR: 2013 INWESTOR: private TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Nina wójcicka ground floor first floor
Ochota Theatre conversion PROGRAM: public LOCATION: warsaw, Poland AREA: 450 M2 YEAR: 2011 INVESTOR: THE COUNCIL OF THE CAPITAL CITY OF WARSAW TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski The Ochota theatre building is located in Warsaw at the border of the historic part of the Ochota district, just near the busy intersection of Łazienkowska and Żwirki i Wigury Streets. The new block took the form of a pavilion protecting the theatre and the square. Inside the new quarter, peaceful and quiet places dedicated to theatrical work were created, including outdoor activities, but also music and dance. The outer scene was enriched with an open café, a multi-purpose hall, and a raised up vantage point. The new Ochota Theatre, from the outside, has been designed as a city block with a small amount of openings. The spatial structure of the coating is to protect the interior from the noise, but also to allow eye contact with the environment. The arrangement of elements is inspired by the moiré pattern – formed by superimposing the waves propagating in different directions. The resulting elevation has a character- istic feature – according to intention – of attracting passers-by and encouraging them to enter. The Ochota Theatre is surrounded by residen- tial housing forms established in the 1920s, known as colony Lubeckiego urban district and is registered on List of Warsaw Monu- ments. It is a kind of urban form which is influencing social community bonds cre- ation. The reconstruction project of the Ocho- ta Theatre building has been divided in several development stages. The first stage was cleaning the area from existing un- necessary environment elements like ar- tificially produced part of the old Thether building in order to create a line that de- limited the plot boundary. One of the main challenge of the project was the Theater building location exposed to high-traffic noise coming from the surrounding main communication city streets. A solution to the problem was a barrier that would distract noise. There- fore, essential element of the project has become a fence that can reduce the exter- nal sound without limiting the access to the theater complex. facade ENVIRONMENTAL CONDITIONS DIAGRAM NOISE POLLUTION DIAGRAM FACADE
as concerts, dance parties or open-air film screenings. The stage is a main ele- ment of the development of thecourtyard and has been designed in the form of three levels wooden terrace. One of the levels is slightly recessed in the ground, the other is exactly at the level of the square, while the third is elevated up to a height of 75 centimeters. This solution allows the or- ganization of several different types of events. The main Theatre buildings is constructed from number of blocks that have separate, unique function. The differentiations have been reflected in the sections design. Ex- ample of that treatment is the cafe place where color of the decoration is combined with interior design. The cafe is located in the southern pavilion and is naturally dark and intimate space. The area allows to conduct quiet conversations or listening to the music. The cafe thanks to the opening to the outdoor square is benefiting from natural surroundings. At the same time, the gallery hall is designed on the "white cube"-white space concept. It is characterised by limited design details, allowing full exposure and flexible adaptation for different cultural purposes. The essential part of the Ochota Theatre complex is an internal square which has been designed as an open natural green area. The space has been split in the three sections serving following functions: a green park from the south-east, a theater garden on the north side and a cafe terrace on the west side. The area's design has been composed from large wooden platform that is an extension of the pergola. The levels of wooden terrace guarantee the full functional flexibility allowing for different theater scene orientation as well as providing possibility to host intimate outdoor events such The extensive flexibility is answering differentiated cultural exhibition needs from a central scene set-up with audience surrounding the stage to one facing stage set-up with audience informally organized on the grass or on the seats set from one side only. The construction is creating a possibility to leverage as well the part of a per- gola roof to cover the stage for a close-roof concert or movies projections. SITE GROUND FLOOR PLAN
LIget FotoMuzeum Budapest and the Hungarian Museum of Architecture PROGRAM: public competition LOCATION: budapest, hungary AREA: 2 x 8750 M2 YEAR: 2014 INvESTOR: the Government of Hungary TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Nina Wójcicka Fotomuzeum Budapest and the Hungarian Architecture Museum are interesting and dynamically developing cultural institutions, which new headquarters will be locat- ed at the edge of the dense urban fabric and the park in Budapest. They will be built in the immediate vicinity of major urban assumptions: public promenade along Dózsa György Street, monument of the revolution of 1956, Városligeti Allée Urban Axis and reconstructed park with the rondo. The basic objective of this project is to create modern, open and green buildings representing the spatial and symbolic gateway to the city park. Both the Fotomuzeum Budapest and the Hungarian Architecture Muse- um have been designed as clear, simple solid constructions ordering a complicated context. The buildings are going to be positioned on both sides of monument of the revolution of 1956 and the surrounding square, form a spatial framework and emphasize very important for the Hungarian society public place. The buildings with trapezoid floor plans are set along the promenade with the longest sides. Monolithic solids hiding exhibition spaces have been raised above the ground and opened up at the promenade. Irregular chambered roof planes allow obtaining two slightly different forms of dynamically behaving in a different context. Beveled edges refer to the roofs of the historic building as well as creating a central point - the monument of the revolution of 1956. Buildings are gaining a unique look at each side, in each view. Maximum open ground floors of buildings invite people strolling along the prom- enade, square at the monument of the revolution of 1956 and rondo. The internal spa- tial arrangement of buildings is a composition of vertical and horizontal spaces. In both buildings entries from the promenade and rondo lead to long entrance halls. From this place, through the high halls, visitors get to higher floors to visit the ex- hibitions. Last floors of the buildings, hidden under the sloping undulating roofs are topped with openings allowing distant views of the city skyline and city park. Spaces designed inside buildings are simple and clear. Multilevel system of galleries and educational parts allow the creation of intriguing spatial and visual connections. This causes a certain kind of interaction between different parts of the building, en- couraging visitors to use all of its resources. At the same time, spatial arrangement, by its simplicity and clarity is not trying to divert attention from exposure - is it a neutral background. Irregular chamfered roof planes allow to obtain two slightly different forms of dy- namically behaving in a different context. Beveled edges refer to the roofs of the his- toric building as well as creating a central point - the Monument of the Revolution of 1956. Buildings are gaining a unique look on each side, in each view. Maximum open ground floors of buildings invite people strolling along the prom- enade, square at the Monument of the Revolution of 1956 and Rondo. SITE
The immediate context of new residences of Fotomuzeum Budapest and Hungarian Ar- chitecture museum is a diverse urban fabric - from urban villas in Városligeti Allée, the tenement houses, the modernist blocks up to the late post-modern office buildings. The location on the border of the park puts buildings museums, in a sense, in opposi- tion to the urban fabric. Simple, clear blocks are not trying to make a dialogue with each neighboring building, do not compete with the environment and only organize them, highlighting the main objectives of urban planning. From the analysis of the height of adjacent buildings, the average building height ranges from 12-13 meters at Városligeti Allée to 26-28 meters with Dózsa György Street. The height limit for museums of photography and architecture is 25 meters, but be- cause of the aspect ratio, as well as the desire to merge into the environment designed Fotomuseum is 21 meters high and Architecture Museum - 23 meters. With the roof sur- face slants front facades of both buildings are 17 meters high. The buildings designed with the trapezoid plans are much narrower in the park than on the promenade. Avoiding sharp angles, museums gently slide into the trees. Vege- tative pattern on the facade suppresses clash with the park. Greenery climbs up the fa- cades to green roofs. The buildings coexist with the natural environment. Thanks to the proximity of greenery they are a unique place of culture. The park itself, however, by two museums located at the entrance gains protection from the noise of the city. Last floors of buildings, including office spaces are open up to the magnificent view of the treetops. The aim of the project is to revitalize the space, changing its current destination. To build the urban character of the environment, commercial zone was located along the promenade. There are museum shops, cafes with shady terraces, commercial prem- ises for rent. Located in the second row, behind services, entrance hall has a connec- tion to both the promenade and rondo. This space, deep and open, invites to interact both in the commercial and cultural sphere. Staff entrance and the place of delivery of the artifacts are on the side facades - the Fotomuzeum from the north, and in the Architecture Museum of the south. The buildings are located in such a way, as to create an architectural framework for both the public promenade and the reconstructed park rondo. The main facades are facing southwest. Opening on the top floors create a long view of the city center and the park. Access to the building is provided directly from the underground car park located under the promenade. Visitors through the lobbies and elevators can get straight to the main halls. Museum staff has internal parking for cars and bicycles located under buildings accessible from public parking. Bicycle parking for visitors, bays for buses and public transportation stops are lo- cated at the level of the promenade. Outline planning a public promenade provides for the use of crossing streets for entrances to the parking lot and the coach bays. Between the bays and buildings of the museums there is a space serving organization groups of visitors. Further, in front of the entrance to each building there is a foun- tain designed as landmarks. Bike path leads along the entire promenade. At every entrance to the underground car park there are parking spaces for bicycles. The idea for the boardwalk, rondo and the park should be the maximum openness to pedestrians and cyclists, while reducing ve- hicular traffic. Energy saving is realized in the project on many levels. According to three simple rules of "trias energetica" project provides the maximum energy saving, high efficien- cy fossil fuels and moving towards the use of renewable energy sources. BUILDING SHAPEFUNCTIONAL DIAGRAM OF passage ENVIRONMENTAL CONDITIONS DIAGRAM DIVERSITY OF SHAPES PANORAMIC ROOFTOP GARDENS OVER THE SITY AND PARK
The project involves the use of heat pumps as a source of heating in the building, reducing air conditioning for natural ventilation, use of photovoltaic cells, ener- gy-efficient sources of indoor lighting and maximum use of natural light. Simple solid buildings with relatively small surface of elevation and green roofs contribute to energy savings. To improve the quality of work in the proposed buildings they have been designed to use natural ventilation, mechanically assisted only in extremely adverse weather con- ditions. All permanent workplaces have access to natural light. All levels of buildings are equipped with toilets accessible to people with disabilities. The spaces of childcare and first aid room are designed in the buildings. Rainwater collection and re-use systems are designed in the buildings. It is used to irrigate plants on the roof and facades as well as flushing toilets in the building. There is also the possibility of recovery of gray water and use it for irrigation of green areas around buildings. Storage reservoirs are located in the garages of both buildings. All used materials contribute to the reduction of the environmental impact of the building. The reduced numbers of reinforced concrete and steel causes the car- bon emissions reduce. The use of precast construction and elevation shortens and simplifies the process of construction. The project involves the use of local materi- als and finishing products in order to minimize the need for transportation. For the development of green spaces, facades and roofs local plant species will be used. This will facilitate care and reduce the need for additional irrigation. ENERGY MANAGEMENT DIAGRAM GREEN ELEMENT DIAGRAM WATER MANAGEMENT DIAGRAM DIAGRAM FLOOR FOTOMUSEUM DIAGRAM FLOOR Museum of Architecture
kulczynski Architekt Warsaw, Poland assistant Architect Projects: 2007 quadruplex house, konstancin jeziorna - build
quadruplex house PROGRAM: residential LOCATION: konstancin jeziorna, poland AREA: 3319 M2 YEAR: 2007 INVESTOR: budizol TEAM: Bogdan Kulczyński, Mateusz jędrzejewski, minimalist form of the building is symmetrically divided into two parts. With this solution gave a very attractive appearance, and was exposed to the facility's main entrance. Each apartment will have an area of about 136 m2. On the ground floor a kitchen, which is adjacent utility room, large dining room, living room with fire- place and a guest toilet. On the first floor there are three bedrooms, including one with a separate bathroom and a separate bathroom for other rooms. The building is designed underground parking for 8 cars, for each property provides 2 parking spac- es and a large storage room cell. Another advantage is that for each property will belong backyard. FUNCTIONAL DIAGRAM FUNCTIONAL DIAGRAM GROUND FLOOR PLAN
APMD Warsaw, Poland Architect Projects: 2011 turkish embassy, warsaw-build 2012 microsoft office building, Bucharest - concept design 2014 Mennica residentianl complex, warsaw - competition 2014 office building, warsaw-concept design 2015 residential building, warsaw - concept
turkish embassy PROGRAM: office LOCATION: warsaw, Poland AREA: 1600 M2 YEAR: 2011 INVESTOR: Polish Real Estate Holding TEAM: Mateusz jędrzejewski, michał janukanis the Polish real estate holding has commissioned project for the reconstruction of the historic building designed by prominent polish architect romuald gutt. the build- ing was built in 1920s, since then it has been subject to various changes that have affected its original appearance. the main challenge of design process was to recre- ate the original layout of the building. required changes included the demolition of the building's internal structure and reconstruction of the facade. the next step was to adapt the building to the requirements of modern office buildings class a +. the last step was to design the superstructure of the building in such a way that it corre- sponds with the old part of the historic facade. After building work completion, the building was sold to the government of Turkey and will serve as the embassy of the country.
microsoft office building PROGRAM: office LOCATION: warsaw, Poland AREA: 7500 M2 YEAR: 2011 INVESTOR: microsoft TEAM: lead-Mateusz jędrzejewski, Marcin Pajura, magda drygalak, dariusz pieńkowski typical floor plan
Mennica residentianl complex PROGRAM: residential LOCATION: warsaw, Poland AREA: 32 200 M2 YEAR: 2014 INVESTOR: Mennica TEAM: Mateusz jędrzejewski, aleksander krauze, nina wójcicka, marcin pajura public space diagram site plan ELEVATION FROM passage
a- new office building b- existing office building c-residential building d-historical building stage 1 stage 2 functional diagram existing environment ground floor plan typical floor plan
office building PROGRAM: office LOCATION: warsaw, Poland AREA: 3610 M2 YEAR: 2014 INVESTOR: dynamic development TEAM: lead-Mateusz jędrzejewski, marcin pajura site plan typical floor plan
residential building PROGRAM: residential LOCATION: warsaw, Poland AREA: 1000 M2 YEAR: 2015 INVESTOR: dynamic development TEAM: lead-Mateusz jędrzejewski, marcin pajura site plan typical floor plan

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CV AND PORTFOLIO

  • 2.
    Personal Information Nationality Polish Birth Date 15.02.1983 EDUCATION WarsawSchool of Economics, Warsaw, Poland; II 2011 - I 2012 Project Management, Postgraduate Diploma FACULTY OF ARCHITECTURE AT WARSAW UNIVERSITY OF TECHNOLOGY; WARSAW, POLAND; X 2002 - X 2009 Master of Architecture Diploma, graduated with honuors Master thesis project: ‘Expansion of the department of Graphic Academy of Fine Arts in the context of architecture and urban design of the existing building’ HIGH SCHOOL, im. Stanisława Staszica w Starachowicach 1998-2002 General knowledge, extended mathematics and IT programme State School of Music. Felix Rybicki in Starachowice 1991-1998 Classical Guitar Class PROFESSIONAL EXPERIENCE APMD Sp. z o. o. Architect and Project Manager VII 2010 – present Architectural designs: • Reconstruction of office building, Rakowiecka St., Warsaw - leading the team, concept design, all stages architectural documentation, (project completed) • Concept design shopping center “Skorosze”, Warsaw - co-leading the team, concept design, architectural drawings, presentation (concept design) • Microsoft Office, Bucharest - Romania co-leading the team, concept design, 3d modeling, architectural drawings, presentation (concept design) • Apartment building, Warsaw, Poland - concept design, permit documentation, 3d modeling • Business Garden (Stage 1), Warsaw - hotel stairs concept design and construction drawings, building construction documentation (project completed) Supervision and managing the investment, including: • Prepare a Master Plan and Feasibility Study, • Managing contracts through organizing tender procedures, running monthly meetings, the site coordination meet ings with Clients and Design Teams • Preparation of the time schedule, spanning from the concept stage to the finished building hand-over • Assistance in assembling the Client’s Quality Inspectors Team responsible for supervising the quality of works and their progress PL09, Architect / Project Manager / Partner (An independent design group aiming at utilizing gen- erative and parametric design techniques on the field of Polish architecture.) XII 2007 – present Architectural design: • Feng-Shui Villa, Warsaw – Wilanów - leading the team, concept design, building permit documentation, detailing, designer’s supervision (project completed) • Duplex House, Józefów - concept design, building permit, designer’s supervision, production supervision documentation, detailing, designer’s supervision (under construction) • Optical Showroom “ Orlinscy” - ceoncept design, 3d modelling, visualisation, production supervision (project com pleted) • Conceptual design of “OCHOTA” theatre - ceoncept design, 3d modelling, visualisation, production supervision (competition) • Polish Financial Supervision Authority Warsaw headquarters competition, third prize – concept design, visualisation, architectural drawings (competition) • “Spójnia” Sports Club facilities redevelopment, Warsaw, Poland – concept design, 3d modelling, visualisation, investor meetings (concept design) • Triple skyscraper concept, Warsaw, Poland – concept design, 3d modelling, visualisation, investor meetings (concept design) • Architectural competition for the development of the Museum of the Polish Army, Warsaw - concept design, visualisation, architectural drawings (competition) Chapman Taylor Sp. z o. o. - Assistant Architect VII 2007 – IV 2009 Architectural designs: • Fabryka Biznesu, Lodz - concept design, visualisation, architectural drawings, presentation (concept design) • Retail and Leisure Complex, Szczecin - concept design, 3d modeling, visualisation, architectural drawings, presentation (concept design) • Eastern Railway Station, Warsaw - concept design, 3d modeling, visualisation, architectural drawings, presentation (competition) • Master Plan for Retail Center, Office Buildings and Residential - Constanta - Romania - concept design, architectural drawings, presentation (feasibility study) • Mixed-Use Development - Bucharest - Romania - concept design, architectural drawings, presentation (concept design) • Shopping center “Victoria”, Walbrzych - concept design, 3d modeling, visualisation, architectural drawings, presentation, permit documentation (project completed) • Coffeeheaven: Krakow, C.H. Bonarka, Opole, C.H. Solaris, Wroclaw, C.H. Just-In Center, Czestochowa, Galeria Jurajska, Warsaw, Atrium Plaza - concept design, 3d modeling, visualisation, architectural drawings, presentation, permit documentation, construdtion documentation (interior design - project completed) Kulczynski Architekt Sp. z o.o. - Assistant Architect V 2006 – VI 2007 • Conceptual design of residential buildings in Warsaw - concept design, 3d modeling, visualisation, architectural drawings, presentation (concept design) • Tales of the European Centre for Pacanow - construdtion documentation, concept design • Residential Konstancin Park, Konstancin – Jeziorna - oncept design, 3d modeling, visualisation, architectural drawings, presentation, investor meetings, (project completed) • Chess Union Center in Turkmenistan - concept design, architectural drawings (concept design) • Residential complex in Wilanów, Warsaw - concept design, architectural drawings (competition) PROFESSIONAL PROFILE • Great communicative, negotiation and interpersonal skills • Quick grasp of complex projects • Work experience in international environment • Positive approach and outlook, along with being thorough, well organized and innovative HONORS AND AWARDS Chapman Taylor Warsaw: • Real Estate Quality Award- Architect of the Year 2007 Central and Eastern Europe • Retail Real Estate Award -Architect of the Year 2008 Central and Eastern Europe Pl09 Design Group • Third place in the competition for the reconstruction of the building Financial Supervision Commission, Warsaw PUBLICATION ArchDaily - Warsaw Villa / Kulczynski Architect + PL09 Frameweb - Warsaw Villa by PL09 and Kulczynski Architect Exchibition - Mazowiecki days of creativity, design and innovation 2013 Magazine - “Architektura Murator” -Warsaw Villa / Kulczynski Architect + PL09; March 2014 Exchibition - “V4 FAMILY HOUSES 2014“ Warsaw Villa / Kulczynski Architect + PL09 IT SKILLS Rhinoceros - advanced AutoCAD - advanced 3d Studio Max + Vray - advanced Adobe Photoshop - advanced Adobe Indesign - intermediate Sketchup – intermediate Microsoft Project - advanced Windows and Mac OS X working environments LANGUAGES Polish - native English - advanced INTERESTS Technical innovation in the development of ‘Augmented Reality’ photography, international travel, playing guitar, triathlon workout, sailing, mountain climbing,
  • 3.
    PL09 Architect -independent activity Warsaw, Poland Co-owner, Architect Projects: 2009 Polish Financial Supervision Authority Warsaw headquarters - competitino 2010 Feng-shui house in Warsaw - built 2013 Duplex house in Warsaw - under construction 2011 Ochota Theatre conversion - competition 2014 LIget budapest architecture and photography museum- competition
  • 4.
    polish Financial SupervisionAuthority PROGRAM: office LOCATION: Warsaw, Poland AREA: 4672 M2 YEAR: 2009 INWESTOR: State Government TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Bogdan Kulczyński Office building is located on the corner of Bright and Moniuszko. This is an area very center of Warsaw, saturated largely by office buildings, local-level state in- stitutions and national and cultural centers like the National Philharmonic. The main objective of the project was the creation of building maximaly adapted to user needs, as well as being a full-fledged part of the rich urban fabric downtown. FRONT FACADE
  • 5.
    Feng-shui house inWarsaw PROGRAM: house LOCATION: Warsaw, Poland AREA: 650 M2 YEAR: 2012 INWESTOR: private TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Bogdan Kulczyński The residence in one of Warsaw's Villa districts was conceived out of clients' pur- suit of unity with nature. It was supposed to become an urban refuge for the cli- ents as well as a gathering place for their closest family. The clients – Mariola and Tomasz – are active, career-oriented businessmen. They needed an asylum for them- selves, their twelve-year-old daughter and their two adult sons with their families, who would be frequent visitors of the residence. The required functionalities in- cluded: recreational unit with fitness-room and spa, home theatre with advanced home cinema, a place to throw private piano recitals and a library combined with an exhibition space for their art collection. The clients' extraordinary requirement was for the residence to be designed in accordance with feng-shui philosophy. The plot on which the residence was to be situated, was recessed from the main road, rich in exquisite greenery, and with a pond in one of its corners. According to feng- shui "bagua" diagram, all the functions of the house were to be distributed around the geometric centre of the plot, in line with certain feng-shui parameters specific for each of the household members. Furthermore, according to these principles, spe- cific parts of the plot were to be excluded from the development, which had a direct impact on the shape of the building. As an effect, the plan of the house resembled a chromosome with two clear functional flows on the West and the East. These flows permeate each other in the central part of the building creating a central hall, which allows for an easy access to all of the house's functions, distributed between two floors. This configuration reduces circulation area to the necessary minimum. fittness hol bawialnia pokoje dzieci kuchnia buiro pana domu apartament gościnny buiropanidomu pokójdzienny biblioteka spa głównasypialnia pokójkąpielowy jadalnia garaż pomieszcznia techniczne granica działki 15° granica działki rozrywka dziecipraca goście praca wypoczynek zdrowie wypoczynek zdrowie rozrywka dzieci praca praca goście goście fittness hol playroom children's rooms kithcen study room guestroom studyroom livingroom library spa mainbedroom bathroom diningroom grage technical plot boundary 15° plot boundary pastime childrenwork guest work recreation fitness recreation fitness pastime children work work guest fittness hol playroom children's rooms kithcen study room guestroom studyroom livingroom library spa mainbedroom bathroom diningroom grage technical plot boundary 15° plot boundary pastime childrenwork guest work recreation fitness fittness hol playroom children's rooms kithcen study room guestroom studyroom livingroom library spa mainbedroom bathroom diningroom grage technical plot boundary 15° plot boundary pastime childrenwork guest work recreation fitness An X-shaped, fragmented plan divides the plot area into four courtyard-like parts of different functions and spatial arrangements. The wings of the house are shaped to fit the functions as well as preserve the existing greenery. As a result the trees were left growing very close to the facades which in combination with roof-to-ceiling, pan- oramic windows and a specific special arrangement of forms creates an impression of fluent transitions between interiors and an exterior and blurs the borders between them. The largest rooms of the house, the living room and the entertainment area are opening on two sides creating a visual link between the main entrance courtyard the pond area and the back courtyard. Their space is extended to the adjacent terraces.
  • 6.
    ground floor The centralpart of the building and its superior role in the plan is emphasized on the elevations by means of smooth wall lines, bent glass walls, a thickened rhythm of vertical divisions and a double curved roof surface resultant from the blend of tangent roof slopes over the hall part. This variation of the traditional roof, allowed to highlight the geometrical and functional heart of the building at the same time fulfilling the restrictions included in the local planning regu- lations which imposed the requirement of a gable roof with 35-45° slopes. In or- der to overcome the difficulties deriving from the large span between the sup- porting walls as well as the complex geometry of the roof, a set of 24 unique, curvilinear, laminated wood trusses were used to cover the central part of the house. first floor
  • 7.
    Duplex house inWarsaw PROGRAM: house LOCATION: Józefów, Poland AREA: 2 x 200 M2 YEAR: 2013 INWESTOR: private TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Nina wójcicka ground floor first floor
  • 8.
    Ochota Theatre conversion PROGRAM:public LOCATION: warsaw, Poland AREA: 450 M2 YEAR: 2011 INVESTOR: THE COUNCIL OF THE CAPITAL CITY OF WARSAW TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski The Ochota theatre building is located in Warsaw at the border of the historic part of the Ochota district, just near the busy intersection of Łazienkowska and Żwirki i Wigury Streets. The new block took the form of a pavilion protecting the theatre and the square. Inside the new quarter, peaceful and quiet places dedicated to theatrical work were created, including outdoor activities, but also music and dance. The outer scene was enriched with an open café, a multi-purpose hall, and a raised up vantage point. The new Ochota Theatre, from the outside, has been designed as a city block with a small amount of openings. The spatial structure of the coating is to protect the interior from the noise, but also to allow eye contact with the environment. The arrangement of elements is inspired by the moiré pattern – formed by superimposing the waves propagating in different directions. The resulting elevation has a character- istic feature – according to intention – of attracting passers-by and encouraging them to enter. The Ochota Theatre is surrounded by residen- tial housing forms established in the 1920s, known as colony Lubeckiego urban district and is registered on List of Warsaw Monu- ments. It is a kind of urban form which is influencing social community bonds cre- ation. The reconstruction project of the Ocho- ta Theatre building has been divided in several development stages. The first stage was cleaning the area from existing un- necessary environment elements like ar- tificially produced part of the old Thether building in order to create a line that de- limited the plot boundary. One of the main challenge of the project was the Theater building location exposed to high-traffic noise coming from the surrounding main communication city streets. A solution to the problem was a barrier that would distract noise. There- fore, essential element of the project has become a fence that can reduce the exter- nal sound without limiting the access to the theater complex. facade ENVIRONMENTAL CONDITIONS DIAGRAM NOISE POLLUTION DIAGRAM FACADE
  • 10.
    as concerts, danceparties or open-air film screenings. The stage is a main ele- ment of the development of thecourtyard and has been designed in the form of three levels wooden terrace. One of the levels is slightly recessed in the ground, the other is exactly at the level of the square, while the third is elevated up to a height of 75 centimeters. This solution allows the or- ganization of several different types of events. The main Theatre buildings is constructed from number of blocks that have separate, unique function. The differentiations have been reflected in the sections design. Ex- ample of that treatment is the cafe place where color of the decoration is combined with interior design. The cafe is located in the southern pavilion and is naturally dark and intimate space. The area allows to conduct quiet conversations or listening to the music. The cafe thanks to the opening to the outdoor square is benefiting from natural surroundings. At the same time, the gallery hall is designed on the "white cube"-white space concept. It is characterised by limited design details, allowing full exposure and flexible adaptation for different cultural purposes. The essential part of the Ochota Theatre complex is an internal square which has been designed as an open natural green area. The space has been split in the three sections serving following functions: a green park from the south-east, a theater garden on the north side and a cafe terrace on the west side. The area's design has been composed from large wooden platform that is an extension of the pergola. The levels of wooden terrace guarantee the full functional flexibility allowing for different theater scene orientation as well as providing possibility to host intimate outdoor events such The extensive flexibility is answering differentiated cultural exhibition needs from a central scene set-up with audience surrounding the stage to one facing stage set-up with audience informally organized on the grass or on the seats set from one side only. The construction is creating a possibility to leverage as well the part of a per- gola roof to cover the stage for a close-roof concert or movies projections. SITE GROUND FLOOR PLAN
  • 11.
    LIget FotoMuzeum Budapestand the Hungarian Museum of Architecture PROGRAM: public competition LOCATION: budapest, hungary AREA: 2 x 8750 M2 YEAR: 2014 INvESTOR: the Government of Hungary TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Nina Wójcicka Fotomuzeum Budapest and the Hungarian Architecture Museum are interesting and dynamically developing cultural institutions, which new headquarters will be locat- ed at the edge of the dense urban fabric and the park in Budapest. They will be built in the immediate vicinity of major urban assumptions: public promenade along Dózsa György Street, monument of the revolution of 1956, Városligeti Allée Urban Axis and reconstructed park with the rondo. The basic objective of this project is to create modern, open and green buildings representing the spatial and symbolic gateway to the city park. Both the Fotomuzeum Budapest and the Hungarian Architecture Muse- um have been designed as clear, simple solid constructions ordering a complicated context. The buildings are going to be positioned on both sides of monument of the revolution of 1956 and the surrounding square, form a spatial framework and emphasize very important for the Hungarian society public place. The buildings with trapezoid floor plans are set along the promenade with the longest sides. Monolithic solids hiding exhibition spaces have been raised above the ground and opened up at the promenade. Irregular chambered roof planes allow obtaining two slightly different forms of dynamically behaving in a different context. Beveled edges refer to the roofs of the historic building as well as creating a central point - the monument of the revolution of 1956. Buildings are gaining a unique look at each side, in each view. Maximum open ground floors of buildings invite people strolling along the prom- enade, square at the monument of the revolution of 1956 and rondo. The internal spa- tial arrangement of buildings is a composition of vertical and horizontal spaces. In both buildings entries from the promenade and rondo lead to long entrance halls. From this place, through the high halls, visitors get to higher floors to visit the ex- hibitions. Last floors of the buildings, hidden under the sloping undulating roofs are topped with openings allowing distant views of the city skyline and city park. Spaces designed inside buildings are simple and clear. Multilevel system of galleries and educational parts allow the creation of intriguing spatial and visual connections. This causes a certain kind of interaction between different parts of the building, en- couraging visitors to use all of its resources. At the same time, spatial arrangement, by its simplicity and clarity is not trying to divert attention from exposure - is it a neutral background. Irregular chamfered roof planes allow to obtain two slightly different forms of dy- namically behaving in a different context. Beveled edges refer to the roofs of the his- toric building as well as creating a central point - the Monument of the Revolution of 1956. Buildings are gaining a unique look on each side, in each view. Maximum open ground floors of buildings invite people strolling along the prom- enade, square at the Monument of the Revolution of 1956 and Rondo. SITE
  • 13.
    The immediate contextof new residences of Fotomuzeum Budapest and Hungarian Ar- chitecture museum is a diverse urban fabric - from urban villas in Városligeti Allée, the tenement houses, the modernist blocks up to the late post-modern office buildings. The location on the border of the park puts buildings museums, in a sense, in opposi- tion to the urban fabric. Simple, clear blocks are not trying to make a dialogue with each neighboring building, do not compete with the environment and only organize them, highlighting the main objectives of urban planning. From the analysis of the height of adjacent buildings, the average building height ranges from 12-13 meters at Városligeti Allée to 26-28 meters with Dózsa György Street. The height limit for museums of photography and architecture is 25 meters, but be- cause of the aspect ratio, as well as the desire to merge into the environment designed Fotomuseum is 21 meters high and Architecture Museum - 23 meters. With the roof sur- face slants front facades of both buildings are 17 meters high. The buildings designed with the trapezoid plans are much narrower in the park than on the promenade. Avoiding sharp angles, museums gently slide into the trees. Vege- tative pattern on the facade suppresses clash with the park. Greenery climbs up the fa- cades to green roofs. The buildings coexist with the natural environment. Thanks to the proximity of greenery they are a unique place of culture. The park itself, however, by two museums located at the entrance gains protection from the noise of the city. Last floors of buildings, including office spaces are open up to the magnificent view of the treetops. The aim of the project is to revitalize the space, changing its current destination. To build the urban character of the environment, commercial zone was located along the promenade. There are museum shops, cafes with shady terraces, commercial prem- ises for rent. Located in the second row, behind services, entrance hall has a connec- tion to both the promenade and rondo. This space, deep and open, invites to interact both in the commercial and cultural sphere. Staff entrance and the place of delivery of the artifacts are on the side facades - the Fotomuzeum from the north, and in the Architecture Museum of the south. The buildings are located in such a way, as to create an architectural framework for both the public promenade and the reconstructed park rondo. The main facades are facing southwest. Opening on the top floors create a long view of the city center and the park. Access to the building is provided directly from the underground car park located under the promenade. Visitors through the lobbies and elevators can get straight to the main halls. Museum staff has internal parking for cars and bicycles located under buildings accessible from public parking. Bicycle parking for visitors, bays for buses and public transportation stops are lo- cated at the level of the promenade. Outline planning a public promenade provides for the use of crossing streets for entrances to the parking lot and the coach bays. Between the bays and buildings of the museums there is a space serving organization groups of visitors. Further, in front of the entrance to each building there is a foun- tain designed as landmarks. Bike path leads along the entire promenade. At every entrance to the underground car park there are parking spaces for bicycles. The idea for the boardwalk, rondo and the park should be the maximum openness to pedestrians and cyclists, while reducing ve- hicular traffic. Energy saving is realized in the project on many levels. According to three simple rules of "trias energetica" project provides the maximum energy saving, high efficien- cy fossil fuels and moving towards the use of renewable energy sources. BUILDING SHAPEFUNCTIONAL DIAGRAM OF passage ENVIRONMENTAL CONDITIONS DIAGRAM DIVERSITY OF SHAPES PANORAMIC ROOFTOP GARDENS OVER THE SITY AND PARK
  • 14.
    The project involvesthe use of heat pumps as a source of heating in the building, reducing air conditioning for natural ventilation, use of photovoltaic cells, ener- gy-efficient sources of indoor lighting and maximum use of natural light. Simple solid buildings with relatively small surface of elevation and green roofs contribute to energy savings. To improve the quality of work in the proposed buildings they have been designed to use natural ventilation, mechanically assisted only in extremely adverse weather con- ditions. All permanent workplaces have access to natural light. All levels of buildings are equipped with toilets accessible to people with disabilities. The spaces of childcare and first aid room are designed in the buildings. Rainwater collection and re-use systems are designed in the buildings. It is used to irrigate plants on the roof and facades as well as flushing toilets in the building. There is also the possibility of recovery of gray water and use it for irrigation of green areas around buildings. Storage reservoirs are located in the garages of both buildings. All used materials contribute to the reduction of the environmental impact of the building. The reduced numbers of reinforced concrete and steel causes the car- bon emissions reduce. The use of precast construction and elevation shortens and simplifies the process of construction. The project involves the use of local materi- als and finishing products in order to minimize the need for transportation. For the development of green spaces, facades and roofs local plant species will be used. This will facilitate care and reduce the need for additional irrigation. ENERGY MANAGEMENT DIAGRAM GREEN ELEMENT DIAGRAM WATER MANAGEMENT DIAGRAM DIAGRAM FLOOR FOTOMUSEUM DIAGRAM FLOOR Museum of Architecture
  • 15.
    kulczynski Architekt Warsaw, Poland assistantArchitect Projects: 2007 quadruplex house, konstancin jeziorna - build
  • 16.
    quadruplex house PROGRAM: residential LOCATION:konstancin jeziorna, poland AREA: 3319 M2 YEAR: 2007 INVESTOR: budizol TEAM: Bogdan Kulczyński, Mateusz jędrzejewski, minimalist form of the building is symmetrically divided into two parts. With this solution gave a very attractive appearance, and was exposed to the facility's main entrance. Each apartment will have an area of about 136 m2. On the ground floor a kitchen, which is adjacent utility room, large dining room, living room with fire- place and a guest toilet. On the first floor there are three bedrooms, including one with a separate bathroom and a separate bathroom for other rooms. The building is designed underground parking for 8 cars, for each property provides 2 parking spac- es and a large storage room cell. Another advantage is that for each property will belong backyard. FUNCTIONAL DIAGRAM FUNCTIONAL DIAGRAM GROUND FLOOR PLAN
  • 17.
    APMD Warsaw, Poland Architect Projects: 2011 turkishembassy, warsaw-build 2012 microsoft office building, Bucharest - concept design 2014 Mennica residentianl complex, warsaw - competition 2014 office building, warsaw-concept design 2015 residential building, warsaw - concept
  • 18.
    turkish embassy PROGRAM: office LOCATION:warsaw, Poland AREA: 1600 M2 YEAR: 2011 INVESTOR: Polish Real Estate Holding TEAM: Mateusz jędrzejewski, michał janukanis the Polish real estate holding has commissioned project for the reconstruction of the historic building designed by prominent polish architect romuald gutt. the build- ing was built in 1920s, since then it has been subject to various changes that have affected its original appearance. the main challenge of design process was to recre- ate the original layout of the building. required changes included the demolition of the building's internal structure and reconstruction of the facade. the next step was to adapt the building to the requirements of modern office buildings class a +. the last step was to design the superstructure of the building in such a way that it corre- sponds with the old part of the historic facade. After building work completion, the building was sold to the government of Turkey and will serve as the embassy of the country.
  • 19.
    microsoft office building PROGRAM:office LOCATION: warsaw, Poland AREA: 7500 M2 YEAR: 2011 INVESTOR: microsoft TEAM: lead-Mateusz jędrzejewski, Marcin Pajura, magda drygalak, dariusz pieńkowski typical floor plan
  • 21.
    Mennica residentianl complex PROGRAM:residential LOCATION: warsaw, Poland AREA: 32 200 M2 YEAR: 2014 INVESTOR: Mennica TEAM: Mateusz jędrzejewski, aleksander krauze, nina wójcicka, marcin pajura public space diagram site plan ELEVATION FROM passage
  • 22.
    a- new officebuilding b- existing office building c-residential building d-historical building stage 1 stage 2 functional diagram existing environment ground floor plan typical floor plan
  • 23.
    office building PROGRAM: office LOCATION:warsaw, Poland AREA: 3610 M2 YEAR: 2014 INVESTOR: dynamic development TEAM: lead-Mateusz jędrzejewski, marcin pajura site plan typical floor plan
  • 24.
    residential building PROGRAM: residential LOCATION:warsaw, Poland AREA: 1000 M2 YEAR: 2015 INVESTOR: dynamic development TEAM: lead-Mateusz jędrzejewski, marcin pajura site plan typical floor plan