This document provides biographical and professional details about an architect. It includes information on their education, including degrees earned in architecture and project management. Their professional experience spanning over a decade is outlined, including roles at various architecture firms where they worked on commercial, residential, and institutional projects in Poland and abroad. Their areas of expertise and skills are highlighted, as are honors and awards received. Personal interests and languages spoken are also listed.

2. Personal Information
Nationality
Polish
Birth Date
15.02.1983
EDUCATION
Warsaw School of Economics, Warsaw, Poland; II 2011 - I 2012
Project Management, Postgraduate Diploma
FACULTY OF ARCHITECTURE AT WARSAW UNIVERSITY OF TECHNOLOGY; WARSAW, POLAND; X 2002 - X 2009
Master of Architecture Diploma, graduated with honuors
Master thesis project: ‘Expansion of the department of Graphic Academy of Fine Arts in the context of architecture and
urban design of the existing building’
HIGH SCHOOL, im. Stanisława Staszica w Starachowicach 1998-2002
General knowledge, extended mathematics and IT programme
State School of Music. Felix Rybicki in Starachowice 1991-1998
Classical Guitar Class
PROFESSIONAL EXPERIENCE
APMD Sp. z o. o. Architect and Project Manager VII 2010 – present
Architectural designs:
• Reconstruction of office building, Rakowiecka St., Warsaw - leading the team, concept design, all stages
architectural documentation, (project completed)
• Concept design shopping center “Skorosze”, Warsaw - co-leading the team, concept design, architectural
drawings, presentation (concept design)
• Microsoft Office, Bucharest - Romania co-leading the team, concept design, 3d modeling, architectural drawings,
presentation (concept design)
• Apartment building, Warsaw, Poland - concept design, permit documentation, 3d modeling
• Business Garden (Stage 1), Warsaw - hotel stairs concept design and construction drawings, building construction
documentation (project completed)
Supervision and managing the investment, including:
• Prepare a Master Plan and Feasibility Study,
• Managing contracts through organizing tender procedures, running monthly meetings, the site coordination meet
ings with Clients and Design Teams
• Preparation of the time schedule, spanning from the concept stage to the finished building hand-over
• Assistance in assembling the Client’s Quality Inspectors Team responsible for supervising the quality of works and
their progress
PL09, Architect / Project Manager / Partner (An independent design group aiming at utilizing gen-
erative and parametric design techniques on the field of Polish architecture.) XII 2007 – present
Architectural design:
• Feng-Shui Villa, Warsaw – Wilanów - leading the team, concept design, building permit
documentation, detailing, designer’s supervision (project completed)
• Duplex House, Józefów - concept design, building permit, designer’s supervision, production supervision
documentation, detailing, designer’s supervision (under construction)
• Optical Showroom “ Orlinscy” - ceoncept design, 3d modelling, visualisation, production supervision (project com
pleted)
• Conceptual design of “OCHOTA” theatre - ceoncept design, 3d modelling, visualisation, production supervision
(competition)
• Polish Financial Supervision Authority Warsaw headquarters competition, third prize – concept design,
visualisation, architectural drawings (competition)
• “Spójnia” Sports Club facilities redevelopment, Warsaw, Poland – concept design, 3d modelling, visualisation,
investor meetings (concept design)
• Triple skyscraper concept, Warsaw, Poland – concept design, 3d modelling, visualisation, investor meetings
(concept design)
• Architectural competition for the development of the Museum of the Polish Army, Warsaw - concept design,
visualisation, architectural drawings (competition)
Chapman Taylor Sp. z o. o. - Assistant Architect VII 2007 – IV 2009
Architectural designs:
• Fabryka Biznesu, Lodz - concept design, visualisation, architectural drawings, presentation (concept design)
• Retail and Leisure Complex, Szczecin - concept design, 3d modeling, visualisation, architectural drawings,
presentation (concept design)
• Eastern Railway Station, Warsaw - concept design, 3d modeling, visualisation, architectural drawings,
presentation (competition)
• Master Plan for Retail Center, Office Buildings and Residential - Constanta - Romania - concept design,
architectural drawings, presentation (feasibility study)
• Mixed-Use Development - Bucharest - Romania - concept design, architectural drawings, presentation
(concept design)
• Shopping center “Victoria”, Walbrzych - concept design, 3d modeling, visualisation, architectural drawings,
presentation, permit documentation (project completed)
• Coffeeheaven: Krakow, C.H. Bonarka, Opole, C.H. Solaris, Wroclaw, C.H. Just-In Center, Czestochowa, Galeria
Jurajska, Warsaw, Atrium Plaza - concept design, 3d modeling, visualisation, architectural drawings,
presentation, permit documentation, construdtion documentation (interior design - project completed)
Kulczynski Architekt Sp. z o.o. - Assistant Architect V 2006 – VI 2007
• Conceptual design of residential buildings in Warsaw - concept design, 3d modeling, visualisation, architectural
drawings, presentation (concept design)
• Tales of the European Centre for Pacanow - construdtion documentation, concept design
• Residential Konstancin Park, Konstancin – Jeziorna - oncept design, 3d modeling, visualisation,
architectural drawings, presentation, investor meetings, (project completed)
• Chess Union Center in Turkmenistan - concept design, architectural drawings (concept design)
• Residential complex in Wilanów, Warsaw - concept design, architectural drawings (competition)
PROFESSIONAL PROFILE
• Great communicative, negotiation and interpersonal skills
• Quick grasp of complex projects
• Work experience in international environment
• Positive approach and outlook, along with being thorough, well organized and innovative
HONORS AND AWARDS
Chapman Taylor Warsaw:
• Real Estate Quality Award- Architect of the Year 2007 Central and Eastern Europe
• Retail Real Estate Award -Architect of the Year 2008 Central and Eastern Europe
Pl09 Design Group
• Third place in the competition for the reconstruction of the building Financial Supervision Commission, Warsaw
PUBLICATION
ArchDaily - Warsaw Villa / Kulczynski Architect + PL09
Frameweb - Warsaw Villa by PL09 and Kulczynski Architect
Exchibition - Mazowiecki days of creativity, design and innovation 2013
Magazine - “Architektura Murator” -Warsaw Villa / Kulczynski Architect + PL09; March 2014
Exchibition - “V4 FAMILY HOUSES 2014“ Warsaw Villa / Kulczynski Architect + PL09
IT SKILLS
Rhinoceros - advanced
AutoCAD - advanced
3d Studio Max + Vray - advanced
Adobe Photoshop - advanced
Adobe Indesign - intermediate
Sketchup – intermediate
Microsoft Project - advanced
Windows and Mac OS X working environments
LANGUAGES
Polish - native
English - advanced
INTERESTS
Technical innovation in the development of ‘Augmented Reality’
photography, international travel, playing guitar,
triathlon workout, sailing, mountain climbing,

3. PL09 Architect - independent activity
Warsaw, Poland
Co-owner, Architect
Projects:
2009 Polish Financial Supervision Authority Warsaw headquarters - competitino
2010 Feng-shui house in Warsaw - built
2013 Duplex house in Warsaw - under construction
2011 Ochota Theatre conversion - competition
2014 LIget budapest architecture and photography museum- competition

4. polish Financial Supervision Authority
PROGRAM: office
LOCATION: Warsaw, Poland
AREA: 4672 M2
YEAR: 2009
INWESTOR: State Government
TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Bogdan Kulczyński
Office building is located on the corner of Bright and Moniuszko. This is an area
very center of Warsaw, saturated largely by office buildings, local-level state in-
stitutions and national and cultural centers like the National Philharmonic. The
main objective of the project was the creation of building maximaly adapted to
user needs, as well as being a full-fledged part of the rich urban fabric downtown.
FRONT FACADE

5. Feng-shui house in Warsaw
PROGRAM: house
LOCATION: Warsaw, Poland
AREA: 650 M2
YEAR: 2012
INWESTOR: private
TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Bogdan Kulczyński
The residence in one of Warsaw's Villa districts was conceived out of clients' pur-
suit of unity with nature. It was supposed to become an urban refuge for the cli-
ents as well as a gathering place for their closest family. The clients – Mariola and
Tomasz – are active, career-oriented businessmen. They needed an asylum for them-
selves, their twelve-year-old daughter and their two adult sons with their families,
who would be frequent visitors of the residence. The required functionalities in-
cluded: recreational unit with fitness-room and spa, home theatre with advanced
home cinema, a place to throw private piano recitals and a library combined with
an exhibition space for their art collection. The clients' extraordinary requirement
was for the residence to be designed in accordance with feng-shui philosophy.
The plot on which the residence was to be situated, was recessed from the main road,
rich in exquisite greenery, and with a pond in one of its corners. According to feng-
shui "bagua" diagram, all the functions of the house were to be distributed around
the geometric centre of the plot, in line with certain feng-shui parameters specific
for each of the household members. Furthermore, according to these principles, spe-
cific parts of the plot were to be excluded from the development, which had a direct
impact on the shape of the building. As an effect, the plan of the house resembled
a chromosome with two clear functional flows on the West and the East. These
flows permeate each other in the central part of the building creating a central hall,
which allows for an easy access to all of the house's functions, distributed between
two floors. This configuration reduces circulation area to the necessary minimum.
fittness
hol
bawialnia
pokoje
dzieci
kuchnia
buiro
pana domu
apartament
gościnny
buiropanidomu
pokójdzienny
biblioteka
spa
głównasypialnia
pokójkąpielowy
jadalnia
garaż
pomieszcznia
techniczne
granica działki
15°
granica działki
rozrywka
dziecipraca
goście
praca
wypoczynek
zdrowie
wypoczynek
zdrowie
rozrywka
dzieci
praca
praca
goście
goście
fittness
hol
playroom
children's
rooms
kithcen
study
room
guestroom
studyroom
livingroom
library
spa
mainbedroom
bathroom
diningroom
grage
technical
plot boundary
15°
plot boundary
pastime
childrenwork
guest
work
recreation
fitness
recreation
fitness
pastime
children
work
work
guest
fittness
hol
playroom
children's
rooms
kithcen
study
room
guestroom
studyroom
livingroom
library
spa
mainbedroom
bathroom
diningroom
grage
technical
plot boundary
15°
plot boundary
pastime
childrenwork
guest
work
recreation
fitness
fittness
hol
playroom
children's
rooms
kithcen
study
room
guestroom
studyroom
livingroom
library
spa
mainbedroom
bathroom
diningroom
grage
technical
plot boundary
15°
plot boundary
pastime
childrenwork
guest
work
recreation
fitness
An X-shaped, fragmented plan divides the plot area into four courtyard-like parts of
different functions and spatial arrangements. The wings of the house are shaped to
fit the functions as well as preserve the existing greenery. As a result the trees were left
growing very close to the facades which in combination with roof-to-ceiling, pan-
oramic windows and a specific special arrangement of forms creates an impression
of fluent transitions between interiors and an exterior and blurs the borders between
them. The largest rooms of the house, the living room and the entertainment area are
opening on two sides creating a visual link between the main entrance courtyard
the pond area and the back courtyard. Their space is extended to the adjacent terraces.

6. ground floor
The central part of the building and its superior role in the plan is emphasized
on the elevations by means of smooth wall lines, bent glass walls, a thickened
rhythm of vertical divisions and a double curved roof surface resultant from the
blend of tangent roof slopes over the hall part. This variation of the traditional
roof, allowed to highlight the geometrical and functional heart of the building
at the same time fulfilling the restrictions included in the local planning regu-
lations which imposed the requirement of a gable roof with 35-45° slopes. In or-
der to overcome the difficulties deriving from the large span between the sup-
porting walls as well as the complex geometry of the roof, a set of 24 unique,
curvilinear, laminated wood trusses were used to cover the central part of the house.
first floor

7. Duplex house in Warsaw
PROGRAM: house
LOCATION: Józefów, Poland
AREA: 2 x 200 M2
YEAR: 2013
INWESTOR: private
TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Nina wójcicka
ground floor first floor

8. Ochota Theatre conversion
PROGRAM: public
LOCATION: warsaw, Poland
AREA: 450 M2
YEAR: 2011
INVESTOR: THE COUNCIL OF THE CAPITAL CITY OF WARSAW
TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski
The Ochota theatre building is located in Warsaw at the border of the historic part
of the Ochota district, just near the busy intersection of Łazienkowska and Żwirki i
Wigury Streets. The new block took the form of a pavilion protecting the theatre and
the square. Inside the new quarter, peaceful and quiet places dedicated to theatrical
work were created, including outdoor activities, but also music and dance. The outer
scene was enriched with an open café, a multi-purpose hall, and a raised up vantage
point. The new Ochota Theatre, from the outside, has been designed as a city block
with a small amount of openings. The spatial structure of the coating is to protect
the interior from the noise, but also to allow eye contact with the environment. The
arrangement of elements is inspired by the moiré pattern – formed by superimposing
the waves propagating in different directions. The resulting elevation has a character-
istic feature – according to intention – of attracting passers-by and encouraging
them to enter.
The Ochota Theatre is surrounded by residen-
tial housing forms established in the 1920s,
known as colony Lubeckiego urban district
and is registered on List of Warsaw Monu-
ments. It is a kind of urban form which is
influencing social community bonds cre-
ation.
The reconstruction project of the Ocho-
ta Theatre building has been divided in
several development stages. The first stage
was cleaning the area from existing un-
necessary environment elements like ar-
tificially produced part of the old Thether
building in order to create a line that de-
limited the plot boundary.
One of the main challenge of the project
was the Theater building location exposed
to high-traffic noise coming from the
surrounding main communication city
streets. A solution to the problem was a
barrier that would distract noise. There-
fore, essential element of the project has
become a fence that can reduce the exter-
nal sound without limiting the access
to the theater complex.
facade
ENVIRONMENTAL CONDITIONS DIAGRAM NOISE POLLUTION DIAGRAM FACADE

10. as concerts, dance parties or open-air
film screenings. The stage is a main ele-
ment of the development of thecourtyard
and has been designed in the form of three
levels wooden terrace. One of the levels is
slightly recessed in the ground, the other
is exactly at the level of the square, while
the third is elevated up to a height of 75
centimeters. This solution allows the or-
ganization of several different types of
events.
The main Theatre buildings is constructed from number of blocks that have separate,
unique function. The differentiations have been reflected in the sections design. Ex-
ample of that treatment is the cafe place where color of the decoration is combined
with interior design. The cafe is located in the southern pavilion and is naturally dark
and intimate space. The area allows to conduct quiet conversations or listening to
the music. The cafe thanks to the opening to the outdoor square is benefiting from
natural surroundings. At the same time, the gallery hall is designed on the "white
cube"-white space concept. It is characterised by limited design details, allowing full
exposure and flexible adaptation for different cultural purposes.
The essential part of the Ochota Theatre complex is an internal square which has been
designed as an open natural green area. The space has been split in the three sections
serving following functions: a green park from the south-east, a theater garden on
the north side and a cafe terrace on the west side. The area's design has been composed
from large wooden platform that is an extension of the pergola. The levels of wooden
terrace guarantee the full functional flexibility allowing for different theater scene
orientation as well as providing possibility to host intimate outdoor events such
The extensive flexibility is answering differentiated cultural exhibition needs from a
central scene set-up with audience surrounding the stage to one facing stage set-up
with audience informally organized on the grass or on the seats set from one side
only. The construction is creating a possibility to leverage as well the part of a per-
gola roof to cover the stage for a close-roof concert or movies projections.
SITE
GROUND FLOOR PLAN

11. LIget FotoMuzeum Budapest and the Hungarian Museum
of Architecture
PROGRAM: public competition
LOCATION: budapest, hungary
AREA: 2 x 8750 M2
YEAR: 2014
INvESTOR: the Government of Hungary
TEAM: Mateusz jędrzejewski, Aleksander Krauze, Bartosz świniarski, Nina Wójcicka
Fotomuzeum Budapest and the Hungarian Architecture Museum are interesting and
dynamically developing cultural institutions, which new headquarters will be locat-
ed at the edge of the dense urban fabric and the park in Budapest. They will be built in
the immediate vicinity of major urban assumptions: public promenade along Dózsa
György Street, monument of the revolution of 1956, Városligeti Allée Urban Axis and
reconstructed park with the rondo. The basic objective of this project is to create
modern, open and green buildings representing the spatial and symbolic gateway to
the city park. Both the Fotomuzeum Budapest and the Hungarian Architecture Muse-
um have been designed as clear, simple solid constructions ordering a complicated
context. The buildings are going to be positioned on both sides of monument of
the revolution of 1956 and the surrounding square, form a spatial framework and
emphasize very important for the Hungarian society public place. The buildings with
trapezoid floor plans are set along the promenade with the longest sides.
Monolithic solids hiding exhibition spaces have been raised above the ground and
opened up at the promenade. Irregular chambered roof planes allow obtaining two
slightly different forms of dynamically behaving in a different context. Beveled edges
refer to the roofs of the historic building as well as creating a central point - the
monument of the revolution of 1956. Buildings are gaining a unique look at each
side, in each view.
Maximum open ground floors of buildings invite people strolling along the prom-
enade, square at the monument of the revolution of 1956 and rondo. The internal spa-
tial arrangement of buildings is a composition of vertical and horizontal spaces.
In both buildings entries from the promenade and rondo lead to long entrance halls.
From this place, through the high halls, visitors get to higher floors to visit the ex-
hibitions. Last floors of the buildings, hidden under the sloping undulating roofs are
topped with openings allowing distant views of the city skyline and city park.
Spaces designed inside buildings are simple and clear. Multilevel system of galleries and
educational parts allow the creation of intriguing spatial and visual connections.
This causes a certain kind of interaction between different parts of the building, en-
couraging visitors to use all of its resources. At the same time, spatial arrangement,
by its simplicity and clarity is not trying to divert attention from exposure - is it
a neutral background.
Irregular chamfered roof planes allow to obtain two slightly different forms of dy-
namically behaving in a different context. Beveled edges refer to the roofs of the his-
toric building as well as creating a central point - the Monument of the Revolution
of 1956. Buildings are gaining a unique look on each side, in each view.
Maximum open ground floors of buildings invite people strolling along the prom-
enade, square at the Monument of the Revolution of 1956 and Rondo.
SITE

13. The immediate context of new residences of Fotomuzeum Budapest and Hungarian Ar-
chitecture museum is a diverse urban fabric - from urban villas in Városligeti Allée,
the tenement houses, the modernist blocks up to the late post-modern office buildings.
The location on the border of the park puts buildings museums, in a sense, in opposi-
tion to the urban fabric. Simple, clear blocks are not trying to make a dialogue with
each neighboring building, do not compete with the environment and only organize
them, highlighting the main objectives of urban planning. From the analysis of the
height of adjacent buildings, the average building height ranges from 12-13 meters at
Városligeti Allée to 26-28 meters with Dózsa György Street.
The height limit for museums of photography and architecture is 25 meters, but be-
cause of the aspect ratio, as well as the desire to merge into the environment designed
Fotomuseum is 21 meters high and Architecture Museum - 23 meters. With the roof sur-
face slants front facades of both buildings are 17 meters high.
The buildings designed with the trapezoid plans are much narrower in the park than
on the promenade. Avoiding sharp angles, museums gently slide into the trees. Vege-
tative pattern on the facade suppresses clash with the park. Greenery climbs up the fa-
cades to green roofs. The buildings coexist with the natural environment. Thanks to
the proximity of greenery they are a unique place of culture. The park itself, however,
by two museums located at the entrance gains protection from the noise of the city.
Last floors of buildings, including office spaces are open up to the magnificent view
of the treetops.
The aim of the project is to revitalize the space, changing its current destination. To
build the urban character of the environment, commercial zone was located along
the promenade. There are museum shops, cafes with shady terraces, commercial prem-
ises for rent. Located in the second row, behind services, entrance hall has a connec-
tion to both the promenade and rondo. This space, deep and open, invites to interact
both in the commercial and cultural sphere. Staff entrance and the place of delivery
of the artifacts are on the side facades - the Fotomuzeum from the north, and in the
Architecture Museum of the south.
The buildings are located in such a way, as to create an architectural framework for
both the public promenade and the reconstructed park rondo. The main facades are
facing southwest. Opening on the top floors create a long view of the city center
and the park. Access to the building is provided directly from the underground car
park located under the promenade. Visitors through the lobbies and elevators can get
straight to the main halls. Museum staff has internal parking for cars and bicycles
located under buildings accessible from public parking.
Bicycle parking for visitors, bays for buses and public transportation stops are lo-
cated at the level of the promenade. Outline planning a public promenade provides
for the use of crossing streets for entrances to the parking lot and the coach bays.
Between the bays and buildings of the museums there is a space serving organization
groups of visitors. Further, in front of the entrance to each building there is a foun-
tain designed as landmarks.
Bike path leads along the entire promenade. At every entrance to the underground car
park there are parking spaces for bicycles. The idea for the boardwalk, rondo and the
park should be the maximum openness to pedestrians and cyclists, while reducing ve-
hicular traffic.
Energy saving is realized in the project on many levels. According to three simple
rules of "trias energetica" project provides the maximum energy saving, high efficien-
cy fossil fuels and moving towards the use of renewable energy sources.
BUILDING SHAPEFUNCTIONAL DIAGRAM OF passage
ENVIRONMENTAL CONDITIONS DIAGRAM
DIVERSITY OF SHAPES PANORAMIC ROOFTOP GARDENS OVER THE SITY AND PARK

14. The project involves the use of heat pumps as a source of heating in the building,
reducing air conditioning for natural ventilation, use of photovoltaic cells, ener-
gy-efficient sources of indoor lighting and maximum use of natural light. Simple
solid buildings with relatively small surface of elevation and green roofs contribute
to energy savings.
To improve the quality of work in the proposed buildings they have been designed to
use natural ventilation, mechanically assisted only in extremely adverse weather con-
ditions. All permanent workplaces have access to natural light. All levels of buildings
are equipped with toilets accessible to people with disabilities. The spaces of childcare
and first aid room are designed in the buildings.
Rainwater collection and re-use systems are designed in the buildings. It is used to
irrigate plants on the roof and facades as well as flushing toilets in the building.
There is also the possibility of recovery of gray water and use it for irrigation of
green areas around buildings. Storage reservoirs are located in the garages of both
buildings. All used materials contribute to the reduction of the environmental impact
of the building. The reduced numbers of reinforced concrete and steel causes the car-
bon emissions reduce. The use of precast construction and elevation shortens and
simplifies the process of construction. The project involves the use of local materi-
als and finishing products in order to minimize the need for transportation. For the
development of green spaces, facades and roofs local plant species will be used. This
will facilitate care and reduce the need for additional irrigation.
ENERGY MANAGEMENT DIAGRAM
GREEN ELEMENT DIAGRAM
WATER MANAGEMENT DIAGRAM DIAGRAM FLOOR FOTOMUSEUM DIAGRAM FLOOR Museum of Architecture

15. kulczynski Architekt
Warsaw, Poland
assistant Architect
Projects:
2007 quadruplex house, konstancin jeziorna - build

16. quadruplex house
PROGRAM: residential
LOCATION: konstancin jeziorna, poland
AREA: 3319 M2
YEAR: 2007
INVESTOR: budizol
TEAM: Bogdan Kulczyński, Mateusz jędrzejewski,
minimalist form of the building is symmetrically divided into two parts. With this
solution gave a very attractive appearance, and was exposed to the facility's main
entrance. Each apartment will have an area of about 136 m2. On the ground floor a
kitchen, which is adjacent utility room, large dining room, living room with fire-
place and a guest toilet. On the first floor there are three bedrooms, including one
with a separate bathroom and a separate bathroom for other rooms. The building is
designed underground parking for 8 cars, for each property provides 2 parking spac-
es and a large storage room cell. Another advantage is that for each property will
belong backyard.
FUNCTIONAL DIAGRAM
FUNCTIONAL DIAGRAM GROUND FLOOR PLAN

17. APMD
Warsaw, Poland
Architect
Projects:
2011 turkish embassy, warsaw-build
2012 microsoft office building, Bucharest - concept design
2014 Mennica residentianl complex, warsaw - competition
2014 office building, warsaw-concept design
2015 residential building, warsaw - concept

18. turkish embassy
PROGRAM: office
LOCATION: warsaw, Poland
AREA: 1600 M2
YEAR: 2011
INVESTOR: Polish Real Estate Holding
TEAM: Mateusz jędrzejewski, michał janukanis
the Polish real estate holding has commissioned project for the reconstruction of
the historic building designed by prominent polish architect romuald gutt. the build-
ing was built in 1920s, since then it has been subject to various changes that have
affected its original appearance. the main challenge of design process was to recre-
ate the original layout of the building. required changes included the demolition of
the building's internal structure and reconstruction of the facade. the next step was
to adapt the building to the requirements of modern office buildings class a +. the
last step was to design the superstructure of the building in such a way that it corre-
sponds with the old part of the historic facade. After building work completion, the
building was sold to the government of Turkey and will serve as the embassy of the
country.

19. microsoft office building
PROGRAM: office
LOCATION: warsaw, Poland
AREA: 7500 M2
YEAR: 2011
INVESTOR: microsoft
TEAM: lead-Mateusz jędrzejewski, Marcin Pajura, magda drygalak, dariusz pieńkowski
typical floor plan

21. Mennica residentianl complex
PROGRAM: residential
LOCATION: warsaw, Poland
AREA: 32 200 M2
YEAR: 2014
INVESTOR: Mennica
TEAM: Mateusz jędrzejewski, aleksander krauze, nina wójcicka, marcin pajura
public space diagram site plan
ELEVATION FROM passage

22. a- new office building
b- existing office building
c-residential building
d-historical building
stage 1
stage 2 functional diagram
existing environment
ground floor plan typical floor plan

23. office building
PROGRAM: office
LOCATION: warsaw, Poland
AREA: 3610 M2
YEAR: 2014
INVESTOR: dynamic development
TEAM: lead-Mateusz jędrzejewski, marcin pajura
site plan
typical floor plan

24. residential building
PROGRAM: residential
LOCATION: warsaw, Poland
AREA: 1000 M2
YEAR: 2015
INVESTOR: dynamic development
TEAM: lead-Mateusz jędrzejewski, marcin pajura
site plan typical floor plan