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Costumul în anii 1950-
1960
• Costumul, în secolul al XIX-lea purta cu sine toate
ingredientele unui trecut, aducând din acesta
numeroase prejudecăţi, un statut social şi
economic, obligaţii şi gusturi. Sigur, este vorba de
acel costum aparţinând cotidianului, purtat de
pături sociale din mediile orăşeneşti, de
protipendada vremii. Cel ţărănesc, majoritar la acea
vreme exprima un trecut milenar, atrăgând atenţia
deopotrivă învăţaţilor şi reginelor.
• Influenţele occidentale, reminiscenţele orientale,
croială şi linie în evoluţie, făcute în ateliere ilustre
sau de croitori anonimi, materiale scumpe şi fine
indică o lume românească activă, întreprinzătoare şi
încrezătoare în destinul său. Asistăm la o lume cu
stratificări şi orgolii, cu simţul acut al mascării
rolului şi poziţiei individului, la o societate
prosperă, dinamică şi deschisă dialogului şi
conlucrării, conştientă de valoarea unui ilustru trecut
şi de rosturile ei prospere, bătând frenetic la poarta
veacului.
• În spatele hainei s-a aflat omul, cel care a produs materialul
şi a confecţionat-o; cel pentru care s-a creat, cel care a
cumpărat-o şi cel care a purtat-o. Aceştia, împreună
dovedesc un dat uman remarcabil. Aceşti predecesori, cei
mai mulţi anonimi, întâmpinau trecerea pragului dintre
veacuri cu mult optimism. Ei ştiau că „Secolul care începea
va fi patetic, niciun moment de odihnă, va fi o extraordinară
trăire şi o nemaiîntâlnită descărcare colectivă. Românii
intrau în veacul cel nou cu speranţele lor mai vechi şi cu
toată încrederea într-un prezent pe care-l voiau
continuat”1 (Bulei, 1984, 170).
Costumul în ani 1960.pptx
Costumul în ani 1960.pptx
Costumul în ani 1960.pptx

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Costumul în ani 1960.pptx

  • 1. Costumul în anii 1950- 1960
  • 2. • Costumul, în secolul al XIX-lea purta cu sine toate ingredientele unui trecut, aducând din acesta numeroase prejudecăţi, un statut social şi economic, obligaţii şi gusturi. Sigur, este vorba de acel costum aparţinând cotidianului, purtat de pături sociale din mediile orăşeneşti, de protipendada vremii. Cel ţărănesc, majoritar la acea vreme exprima un trecut milenar, atrăgând atenţia deopotrivă învăţaţilor şi reginelor.
  • 3. • Influenţele occidentale, reminiscenţele orientale, croială şi linie în evoluţie, făcute în ateliere ilustre sau de croitori anonimi, materiale scumpe şi fine indică o lume românească activă, întreprinzătoare şi încrezătoare în destinul său. Asistăm la o lume cu stratificări şi orgolii, cu simţul acut al mascării rolului şi poziţiei individului, la o societate prosperă, dinamică şi deschisă dialogului şi conlucrării, conştientă de valoarea unui ilustru trecut şi de rosturile ei prospere, bătând frenetic la poarta veacului.
  • 4. • În spatele hainei s-a aflat omul, cel care a produs materialul şi a confecţionat-o; cel pentru care s-a creat, cel care a cumpărat-o şi cel care a purtat-o. Aceştia, împreună dovedesc un dat uman remarcabil. Aceşti predecesori, cei mai mulţi anonimi, întâmpinau trecerea pragului dintre veacuri cu mult optimism. Ei ştiau că „Secolul care începea va fi patetic, niciun moment de odihnă, va fi o extraordinară trăire şi o nemaiîntâlnită descărcare colectivă. Românii intrau în veacul cel nou cu speranţele lor mai vechi şi cu toată încrederea într-un prezent pe care-l voiau continuat”1 (Bulei, 1984, 170).