This document provides an overview of copyright research resources and strategies. It discusses the importance of getting to know copyright sources during law school, developing a personal IP research toolkit, and doing comparative searches using free and premium services. It covers commercial research services, Lexis as an example, and features of the UNH Law IP library including its physical and digital holdings. The document then discusses various ways to access content in the IP library catalog and why using the catalog is important. It also touches on challenges with copyright research and provides examples of copyright research topics. Overall, the document serves as a guide to the wide variety of resources and tools available for conducting copyright research.
2. • Get to know copyright sources during your
law school years (including pricing options)
• Do comparative searches using free and
premium services
• Develop your personal IP Research Toolkit to
keep up to date and have indicated research
tools and strategies ready
3.
4. Commercial Services are
Multidimensional
• Pick a topic
• Research a topic
• Draft practice documents
• Litigation tasks
• Transactional tasks
• Keep up to date
• Do non-legal research
• Perform copyright/ownership searches
11. UNH Law IP Library
Physical and virtual holdings
12. Unique Features
• Only academic IP Library in the U.S.
– Only IP Librarian with LL.M. (IP) who knows copyright law
• One stop shop: including some copyright profs!
• Comprehensive : 30,000 print volumes
• Old to cutting edge materials
• Scholarly to news content
• Practice materials
• Unique content
• Global
• Interdisciplinary
14. Ways to access IP Library content
• MelCAT Online Catalog
– Advanced search limit to copyright in IP Library
– Strategic searching keywords
– Subject headings
• Stack browsing
• References
– Cross references
– Footnotes
– Other humans
• Move from online to print version
15. Why you need to use MelCAT
• UNH Law has thousands of copyright treatises
and practice titles, can’t provide a neat
bibliograpahy!
16. That said…
• Think outside the box with IP research
– Dedicated copyright content
– General content that contains copyright parts
• Example is practice materials on floor one
– Copyright is interdisciplinary
– Copyright is global
• Content from every country
• often in foreign languages
18. Copyright landscape from a birds eye view
• U.S.
• Foreign
• International
• Intersecting with other
legal topical area
• Interdisciplinary
– From business to
criminal to public policy
• Driven by special
interest groups
– Tension created by
Constitution
– Art/museum
– Music
– Publishing
– Entertainment
– Software
– Educators and libraries
– Open source movement
19.
20.
21.
22. Global Perspectives in Copyright
Possible Topics
• New Concepts in Originality, Creativity, Fixation, and Distribution
• The Implications and Impact of Blockchain Technology on Copyright Law, Theory, and Practice
(smart contract, code, DRM/DCM)
• Statutory Damages and Other Remedies
• The Orphan Works Problem
• Rights in Traditional Knowledge and Folklore
• Termination Rights
• The Intersection of Copyright and other Disciplines (trusts & estates, contracts/licensing,
entertainment, constitutional law)
• Digital Millennium Copyright Act (DMCA)
• International Copyright (treaties, conventions, trade, comparative law, developing/emerging
nations)
• Copyright Licensing
• The Intersection of Copyright and Other Disciplines
• Social Media & Copyright
• Gaming & Copyright
• Copyright in an Open Source Data World
• Copyright Law & Policy in Developing Nations
• Art and Imitation
• User-Generated Content (UGC)
• Ownership of Digital Spaces
23. Copyright professionals
• Lawyers
– Firms & in house
• Paraprofessionals
• Law Enforcement
• Copyright Office
• Copyright and Permissions
Assistant
• Copyright Royalties Analyst
• Special Interest Group
Associations
• Copyright Royalties Analyst
• Copyright Clearance Center
• Licensing Professionals
• Financial Analysts
• Librarians
• WIPO
• UNESCO
• Anti-piracy NGO’s
• Think Tanks
– Berkman Center
– Electronic Frontier
Foundation
26. • Recent cases
• Legislation (proposed and enacted)
• United States Copyright Statutes and Regulations
Title 17 - Copyrights
Copyright Rules, Title 37 CFR
United States Constitution
• Treaties and Acts
Berne Convention for the Protection of Literary and Artistic Works
Convention for the Protection of Producers of Phonograms
International Convention for the Protection of Performers, Producers of
Phonograms and Broadcasting Organizations
Rome Convention for the Protection of Performers, Producers of
Phonograms and Broadcasting Organizations
Sonny Bono Copyright Extension Act
Universal Copyright Convention
WIPO Copyright Treaty
WIPO Performances and Phonograms Treaty
27. Copyright Counterfeiting
• Entire other presentation
• Research Pathfinder on UNH Law
Library
• Massive amount of government,
primary and NGO content
28. • UNH Law = Westlaw and Intelliconnect
• Copyrightable Materials
• Scope of Protection, Limitations, Fair Use
• Licensing
• Ownership, Duration and Renewal
• Notice, Deposit and Registration
• International Aspects
• Administration—Copyright Office, Appeals
• Laws, Treaties and Regulations
• Copyright Circulars, Reference Materials
• Forms
• New Developments
• Copyright Law Decisions
29. U.S. Code
• Remember session laws go into U.S. Code
• Title 17
– In premium legal research sites and hundreds
of open web sites
– Evaluate value added considering time and $
• Dozens of Copyright Related Acts
• Copyright matters scattered in USC
– TITLE 2. THE CONGRESS CHAPTER 5--LIBRARY OF CONGRESS §
142g. Copyright Royalty Tribunal;
– TITLE 10. ARMED FORCES PROCUREMENT PROVISIONS § 2386.
Copyrights, patents, designs, etc.; acquisition
35. CFR
• Remember final rules go into
Code of Federal Regulations
• Title 37
– In premium legal research sites and
hundreds of open web sites
– Evaluate value added considering
time and $
• Vital to to keep up with rules
changes via Federal Register and
new sources.
36. Copyright matters scattered in CFR
• Title 7. Agriculture
• Title 10. Energy
• Title 14. Aeronautics and Space
• Title 19. Customs Duties
• Title 22. Foreign Relations
• Title 24. Housing and Urban
Development
• Title 26. Internal Revenue
• Title 28. Judicial Administration
• Title 31. Money and Finance: Treasury
• Title 32. National Defense
• Title 34. Education
• Title 36. Parks, Forests, and Public Property
• Title 38. Pensions, Bonuses, and Veterans'
Relief
• Title 40. Protection of Environment
• Title 41. Public Contracts and Property
Management
• Title 42. Public Health
• Title 43. Public Lands: Interior
• Title 44. Emergency Management
• Title 45. Public Welfare
• Title 48. Federal Acquisition Regulations
• Title 49. Transportation
• Title 50. Wildlife and Fisheries
37. • Premium legal research sites
• Open web legal research & copyright sites
• Alerting Services
• YOU NEED A STRATEGY TO TRACK NEW RULES
• Clipping services
• Copyright Office Rules page
• NGO email services
• RSS Feeds
• Social media (e.g. Twitter feeds)
38.
39. • Decisions Of The Appeals Board - United States
Copyright Office
– when the Copyright Office refuses to register a claim to copyright, it
notifies the applicant in writing of the refusal to register. After such
notification, the applicant may appeal within 120 calendar days, by
sending a letter requesting reconsideration and setting forth his or
her objections to the refusal.
– The only access point is the UNH Law IP Mall
• Copyright Royalty Tribunal (1976 – 1993?)
– Tribunal adjusts copyright royalty rates for cable retransmission of
broadcast signals in recording new versions of previously recorded
songs and for noncommercial educational stations that broadcast
musical, pictorial, graphic, and sculptural works.
– Decisions published in the Federal Register
• Copyright Arbitration Royalty Panels (CARP)
• Copyright Royalty Board
40. • What gets litigated?
– Decisions of the Copyright Office denying
a registration
– Infringement
– Non Title 17 cases
41. Spectrum of Copyright Case Access
Choices
• Lexis, Westlaw, Bloomberg topical and general
case law databases
• Dedicated copyright case access tools
• General open web legal research with topical
and general case law databases
• Copyright oriented websites with case
collections
44. International
Encyclopaedia of
Laws for Intellectual
Property (Kluwer)
International Copyright Law and Practice
(Lexis)
World Intellectual Property
Rights and Remedies
48. Copyright law of the European Union
• The copyright law of the European Union has arisen
in an attempt to harmonise the differing copyright
laws of European Union member states.
• It consists of a number of directives, which the
member states are obliged to enact into
– their national laws
– Court of Justice of the European Union
– European Court of Justice and General Court
– Available on Lexis, Westlaw and open web
49.
50. • Spectrum of scholarly to news
• Spectrum of ancient to real time
• Treatises
• Practice Materials
• Continuing Legal Ed
• Periodicals
• Web content spectrum
51. Secondary Sources
• Encyclopedias
• ALR
• Periodicals
• Treatises
• Government
Documents
• Websites
• Grey Literature
– NGO reports
– Commercial Reports
– Newsletters
• Law firm
• Special Interest Groups
• Legal Publishers
52.
53. • Formal work on a subject dealing systematically
with its principles and conclusions.
– Print
– Premium online
– Open web online
– eBook
• Includes scholarly and practice works
• Major distinction in law are works that are
updated and those that are static.
54. • Mirrors earlier discussion on copyright
spectrum
– Law
– Scholarly to Practice
– Focus on interested parties (industries, public,
educators, musicians, authors)
55. Secondary sources of IP treatises
• Lexis Publishing
• West Publishing
• Aspen/Kluwer
• CCH
• BNA
• Oxford University Press
• Edward Elgar
• Practicing Law Institute
• Law Journal Seminar Press
Name that publisher…I am
the Godfather of legal
research
Name that publisher…I am
the Godfather of legal
research
56. The “big two” dueling monumental
copyright treatises
Who wins the
contest?
Who wins the
contest?
57.
58. Practice Materials
• Copyright Practice books in the IP Library
• General practice sets on floor one and Wexis”
– Federal Practice
– AmJur & West Legal Forms
• Lots of IP forms on the open web
• Wexis have massive conglomerated form databases
– Causes of Action
• Non IP Practice Materials on floor one with copyright sections
– Bankruptcy, tax, antitrust…
59.
60. • Required by most states
• Copyright lawyers use it
to keep up to date
• Delivered on spectrum
from face to face to
webinars
• Make sure your state
will accept the credits
• Great Sources of CLE
– Practicing Law Institute
– Copyright/IP Association
– State Bar IP Sections
– West Legal Ed
• Good Materials
– Many formats
– Foreign as well as U.S.
62. Periodicals
• IP Library
– More comprehensive than Wexis or open web
• Wexis Topical or general databases
• Legal Resource Index to the next level…
– Find copyright articles searching titles and indexing
• Open Web Law Reviews
– Justia
– ABA
• Spectrum of web journals and newsletters both legal and
interdisciplinary
63. Dedicated Copyright Legal
Periodicals
• Findlaw
– IP Collection
– Entertainment & Sports
Law Collection
• Copyright articles
appear in ALL U.S. law
reviews
– Search combined
databases
– Law schools in NYC &
California heavy on
Copyright
65. • Investigating the copyright status of a work
– Remember the “bundle of rights” divisible
– A focused search of a work's registrations, renewals,
and assignment history.
• Unlike patents and trademarks, the Copyright Office
does not perform a search to determine whether a work
is registerable.
• Searches are not necessary under the copyright code.
66. Copyright Searches at UNH
Law
• Copyright Office Web
– See tutorial at the end of this presentation
– What does searching copyright records teach you?
– Larger inquiry : How to Investigate the Copyright Status of
a Work
– Copyright Office has the assignment data
• Lexis U.S. Copyrights Combined Files (ALLCPY file)
• Westlaw U.S. Copyrights Database
67. • To help you make the most informed decisions, our U.S. Copyright Search provides:
– Publication history
– Authorship data, information regarding heirs
– Copyright registrations and renewal status
– Copyright status and publication history of underlying works
– Identification of derivative works
– History of assignments of rights as recorded in the U.S. Copyright Office or entertainment
industry publications
– Licenses and rights information, such as television and video distribution rights, publication or
licensed rights
– Future projects or plans based on the work
• To uncover the most relevant information, we search a comprehensive range of sources including:
– U.S. Copyright records (1870 to present) including registration and renewal data, in-process
records and recorded assignment and transfer of ownership information
– Thomson CompuMark's private reference library and card indices
– Thomson CompuMark's proprietary databases of entertainment industry reporting since 1920s
– Entertainment trade publications
– Online and CD-ROM entertainment databases
– Library of Congress records and special collections, such as the National Gallery of Art
69. Copyright Royalty Rates
• Copyright Office
mandates
• Licensing Royalty Rates
(Kluwer)
– royalty rates for over 1,500
products and services in ten
lucrative licensed product
categories—art, celebrity,
character and entertainment,
collegiate, corporate, designer,
event, sports, nonprofit and
music.
70. Staying up to date….
Jon R. Cavicchi, Intellectual Property Research
Tools and Strategies Keeping Up To Date With IP
News Services And Blogs: Drowning In A Sea Of
Sameness? 46 IDEA 453 (2006).
71. Email based newsletters
• Legal Publishers
• Law Firms
• Government sites
• NGOs
• Solutions providers
• Academics/law schools
• Blogs
72. RSS Feeds
• Websites of all types
• Blogs
• Wikis
• Email
– Also RSS feeds into emails
73. • IP News in general news
• Legal Newspaper IP articles
• Set up alert services in any database
75. IP Blogs
• Most popular
• Most informative
• Most scholarly
• Most useful
• How to find them
• How to evaluate them
• How to use them
• How to search them
• How to manipulate
them
Now on Lexis
and Westlaw
Now on Lexis
and Westlaw
76. Some evaluation questions
• Who is the blogger? With so many blogs offering spotty or nonexistent “about”
pages, this may be a clue in itself.
• What sorts of materials is the blogger reading or citing?
• Does this blogger have influence? Is the blog well-established? Who and how
many people link to the blog? Who is commenting? Does this blog appear to be
part of a community?
• Is this content covered in any depth, with any authority?
• How sophisticated is the language, the spelling?
• Is this blog alive? It there a substantial archive? How current are the posts?
• At what point in a story’s lifetime did a post appear? Examining a story’s date may
offer clues as to the reliability of a blog entry.
• Is the site upfront about its bias? Does it recognize/discuss other points of view?
(For certain information tasks–an essay or debate–bias may be especially useful.
Students need to recognize it.)
• If the blogger is not a traditional “expert,” is this a first-hand view that would also
be valuable for research? Is it a unique perspective?
• http://21cif.com/rkitp/assessment/v1n5/blog_evaluation_assessment_v1n5.html
80. Twitter
• Often first instance of IP news
• Most law firms and IP organizations tweet
• Links in tweets may be only place to get a doc
• “Tweets get buried and lost…Twitter is useless”
– Set up two twitter accounts
• One for PR or fun & other to follow select few
• Tweets are now searchable on Google
85. Module 3: Copyright Searching
This will be an overview of how to search
the copyright database. It is found on the
U.S. Copyright web site at
http://www.copyright.gov/
86. This is the introductory
screen for the U.S.
Copyright Office web
site. The URL is
http://www.copyright/gov.
To begin
searching, select
Registrations and
Documents under
Search Copyright
Records.
87. To search for copyright
information, you
simply click on the
Search the Catalog
link in the box on
the left side of the
screen.
88. This brings up a very
simple search menu.
You can use Basic
Search or you can
select Other Search
Options, which is a
more advance
searching method and
allows more
complicated searches
and to combine
keywords, names and
registration numbers.
89. As you can see from the Basic
Search menu, you can
search by title, name,
keywords, registration
number, document
number and command
keyword. Each of these
options is described with
examples at the bottom of
the screen.
We will start with a very
simple search. Notice I
have put my last name
first and then selected
Name from the menu.
90. Notice that unless you are
working with a very unusual
name, there may be several
choices. It is good to have
middle name if possible and
to check several of the
choices if you are not sure.
Knowing the year of birth
and/or death can also be
helpful. In this case, I know
which person on the list I am
interested in, so I will check
that box. Notice that this also
provides the full title, the
copyright number and the
date. A simple click of the
mouse selects the full record.
91. Now you can see a description
of the individual item. You can
see the title of the work, it is a
work of visual material, that it is
a soft sculpture, that I am
copyright claimant (I have not
assigned my rights to another
entity nor is this a work-for-
hire), the date of creation and
the date of registration. Notice
that the registration number
begins with a VA for work of
visual art. Notice also that my
name is highlighted, so I could
click on this to see any other
creative work that I have
registered for copyright .
92. This list shows how
important it is to
have a first name,
middle initial or
middle name, date
of birth and date of
death, particularly
when a last name is
common. This list
also indicates the
number of titles
each person has
registered.
93. Next let’s go back to the search
screen and see how to search by
title of the work. Notice that I
have selected Title from the
Search by pull-down menu. Also
note that you need to omit
articles “A”, “An”, “The”, etc.
Let’s search by the title of my
soft sculpture, Fiddler’s Fruit. I
do find it helpful to search both
with and without punctuation.
94. And here is the same
information we saw
before.
95. If we had a short
title or just a few
words in the title,
we would get this
kind of list to
select from.
Notice that in the
Full Title box,
there are live
links. Also notice
that copyright
numbers and
dates are
provided.
Let’s try another
title search.
96. Let’s search for
the book The
Vanishing
Violinist. Again,
notice that we
don’t use “The”.
Be sure you have
highlighted Title in
the Search by
menu.
97. And here is the information on
The Vanishing Violinist. Notice
that the registration number
now begins with TX for
Literary Works (Hint: think
Text – although this category
could also include websites
and computer programs). You
can also see the number of
pages, the publisher, the date
of publication and the date of
creation. If we wanted to see
other work by Sara Hoskinson
Frommer, we just need to click
on her name.
98. And here is her
name at the top of
the list. Under the
Titles column, we
can see that she
has 23 items
registered. By
clicking on [1], we
can see the titles of
her other works.
99. Some of these titles look
really interesting.
Continuing on our
musical theme, I’d
suggest we look at
Murder in C Major,
which is item 15 on the
list. So we’ll click on [15]
to and get the details for
this book.
100. And here is the
information. Notice all of
the useful information
provided, including the
number of pages of the
book, the publisher,
when the book was
created and its
registration and
publication date.
101. Author searches do not
need to be just
individual people. You
can also search by
organization,
corporation and group
names. Let’s search for
works by Blind Melon.
102. And here is the list.
We will check the
box for Blind
Melon, which
appears to have 7
items registered.
Notice that the
copyright numbers
begin with either SR
for sound recording
or PA for a work of
performing art.
103. I’m going to select Live
at the Palace. Notice
that this is a sound
recording and a
collection. Notice that
although Blind Melon is
the author, the
copyright claimant is
actually Capitol Records
and that they actually
own the copyright .
Also notice that this is a
work-for-hire.
Now let’s try a search by
the registration number.
104. So we type in the
registration
number and select
Registration
Number from the
menu.
105. There are special
formats for searching
by registration
number. Scroll down
to the bottom of the
screen to see an
explanation and
examples.
106. And here we have the
information on the
work with that
particular registration
number. This looks like
a compilation and
commentary on poetry
that is distributed
regularly as a series.
107. Let’s try a more advanced
search using the Other
Search Options tab. Here
I can do a combination
search. In this case, I am
looking for the title Color
of Money – notice I have
used the pull-down menu
on the left to select Title.
Then I am going to
include Walt Disney as
the Claimant. Note the I
have selected AND rather
than OR or NOT. These
are known as Boolean
operators and allow you
to mix, match and
exclude.
108. Here I have found
two items – a
press release and
a work of
performing arts
(copyright number
begins with PA),
so I will select [2].
109. And here I have a
great deal of
information, including
the cast, credits for the
screenplay and
photography, a
description, the
distributor and that the
motion picture based
on a novel by Walter
Tevis. I could then
select any of the links
at the bottom of the
screen .
110. This has been a brief overview of how to search the copyright
database. Please return to Module 3 using the Back button on
your browser. Then please visit the U.S. Copyright website at
http://www.copyright.gov/ and practice some simple searches
of your own. This will help you prepare for the Copyright
Assignment, which I will be distributing soon.