This document lists 5 contemporary artists: David Choong Lee, Zhou Chunya, Rick Bartow, Yuko Shimizu, and Christina Boltanski. It provides their names without further details about their works or backgrounds.
World- Famous Shaolin Monks exhibition in London's Chinatownmaditabalnco
Shaolin monks posed for photographs in London's Chinatown while demonstrating their Shaolin Kung Fu skills. Shaolin Kung Fu is believed to be the oldest style of kung fu and the monks were in the UK to demonstrate their skills. Kung Fu refers to any skill acquired through perseverance, discipline and effort, though it is often associated with Chinese martial arts due to its early exposure to Westerners.
The document provides background information on the history and development of photography in Britain. It notes that photography was derived from Greek words meaning "light" and "to draw." Joseph Nicephore Niepce made the first photograph in 1827 with an 8 hour exposure. The document then discusses the tradition of documentary, art, and studio photography in Britain, including work focusing on the working classes. It notes photography struggled for acceptance as an art form in Britain until around 1990. Specific influential British photographers mentioned include Nick Knight, Corinne Day, and Tim Walker.
The document outlines the history of rock and roll music from its origins in the 1950s credited to Chuck Berry, the emergence of surf music and rock bands like the Rolling Stones in the 1960s-1970s. It then discusses the rise of heavy metal in the 1980s split between glam metal and black/death metal, and the alternative rock movement in the 1990s led by bands from Seattle like Nirvana that displaced the glam rock of the previous decade. The document concludes that new rock genres continue emerging regularly with new bands.
The document provides a shot list and shooting schedule for a music video about Johnny Cash, including 29 shots depicting Johnny at different stages of his life - as a young man bullying others, hitting his wife in his 20s, and as an old man reflecting in a church while joined by his younger selves. The shots will be filmed across 3 locations over 2 shoot days, with the first day focusing on scenes of Johnny's past sins and the second day centered around him reminiscing in and outside a church with other versions of himself.
Chuck Berry was born in 1926 in St. Louis and was influenced by artists like Nat King Cole and Muddy Waters. For his first performance, he sang "Confessin' the Blues" in his high school talent show. Berry's music transcended generations and he earned respect as the "Father of Rock & Roll" by entertaining audiences and playing what they wanted to hear. Songs like "Johnny B. Goode," "Maybellene" and "Memphis" became anthems for American youth culture.
World- Famous Shaolin Monks exhibition in London's Chinatownmaditabalnco
Shaolin monks posed for photographs in London's Chinatown while demonstrating their Shaolin Kung Fu skills. Shaolin Kung Fu is believed to be the oldest style of kung fu and the monks were in the UK to demonstrate their skills. Kung Fu refers to any skill acquired through perseverance, discipline and effort, though it is often associated with Chinese martial arts due to its early exposure to Westerners.
The document provides background information on the history and development of photography in Britain. It notes that photography was derived from Greek words meaning "light" and "to draw." Joseph Nicephore Niepce made the first photograph in 1827 with an 8 hour exposure. The document then discusses the tradition of documentary, art, and studio photography in Britain, including work focusing on the working classes. It notes photography struggled for acceptance as an art form in Britain until around 1990. Specific influential British photographers mentioned include Nick Knight, Corinne Day, and Tim Walker.
The document outlines the history of rock and roll music from its origins in the 1950s credited to Chuck Berry, the emergence of surf music and rock bands like the Rolling Stones in the 1960s-1970s. It then discusses the rise of heavy metal in the 1980s split between glam metal and black/death metal, and the alternative rock movement in the 1990s led by bands from Seattle like Nirvana that displaced the glam rock of the previous decade. The document concludes that new rock genres continue emerging regularly with new bands.
The document provides a shot list and shooting schedule for a music video about Johnny Cash, including 29 shots depicting Johnny at different stages of his life - as a young man bullying others, hitting his wife in his 20s, and as an old man reflecting in a church while joined by his younger selves. The shots will be filmed across 3 locations over 2 shoot days, with the first day focusing on scenes of Johnny's past sins and the second day centered around him reminiscing in and outside a church with other versions of himself.
Chuck Berry was born in 1926 in St. Louis and was influenced by artists like Nat King Cole and Muddy Waters. For his first performance, he sang "Confessin' the Blues" in his high school talent show. Berry's music transcended generations and he earned respect as the "Father of Rock & Roll" by entertaining audiences and playing what they wanted to hear. Songs like "Johnny B. Goode," "Maybellene" and "Memphis" became anthems for American youth culture.
The document discusses several artists who create collaged and re-purposed drawings including Barbara Moody, Cheryl Richey, Dorota Jedrusik, Lee Krasner, Judy Foosaner, Jackie Berridge, Dawn Clements, and Raymond Saa. It notes techniques like piecing together old drawings, working with gesso, ink, and charcoal, and using tears and cuts in collaged pieces. It encourages trying to put together contiguous images to create a large work or a collection of small drawings.
The document discusses abstraction in art and describes several series of drawings that demonstrate increasing abstraction. It provides examples of series by Piet Mondrian and Picasso that simplify forms into geometric shapes over multiple drawings of the same subject. Another example described is a "half-life" drawing series where the same subject is drawn for progressively shorter periods of time. Students are assigned to create their own series of increasingly abstract drawings from a single subject over multiple drawings.
The document discusses several artists who create collaged and re-purposed drawings including Barbara Moody, Cheryl Richey, Dorota Jedrusik, Lee Krasner, Judy Foosaner, Jackie Berridge, Dawn Clements, and Raymond Saa. It notes techniques like piecing together old drawings, working with gesso, ink, and charcoal, and using tears and cuts in collaged pieces. It encourages trying to put together contiguous images to create a large work or a collection of small drawings.
The document discusses abstraction in art and describes several series of drawings that demonstrate increasing abstraction. It provides examples of series by Piet Mondrian and Picasso that simplify forms into geometric shapes over multiple drawings of the same subject. Another example described is a "half-life" drawing series where the same subject is drawn for progressively shorter periods of time. Students are assigned to create their own series of increasingly abstract drawings from a single subject over multiple drawings.
This document provides instructions for an art assignment asking students to create a minimum of two surrealist drawings incorporating disparate visual elements from unrelated photographs. The pieces can be separate or combined into a diptych or larger multi-panel work. Examples are given of artists who have created diptychs, triptychs, or multi-panel works that either continue a single image or theme across panels or use independent images. Recommended drawing media include mixed media.
The document provides instructions for an art exercise involving drawing on clear acetate sheets that are placed over photographs. Students will use markers and pens on the acetate to incorporate and manipulate the images from the photos below. Examples are given of various contemporary artists who have used this acetate drawing technique in their own works, demonstrating different ways the photos can be obscured, incorporated into cutouts, or used as guides for tracing. Tips are provided on adhering the acetate sheets while drawing and which mediums work best for bonding acetate to paper or other acetate layers.
The document provides instructions for an art exercise involving drawing on clear acetate sheets that are placed over photographs. Students will use markers or other media to draw on the acetate, and can then remove the underlying photo or layer multiple acetates. Examples are given of different techniques like using alcohol to erase marker on acetate, drawing the shapes seen in cloud photos, and painting on the underside of the acetate to obscure the photo. Tips are provided on adhering acetate to paper or other surfaces. The goal is for students to experiment with the various effects that can be created through drawing on and manipulating acetate over photographs.
The document discusses how overlaying images can add mystery and free artists from literal interpretations. It provides examples of works that build layers of information:
- The Archimedes Palimpsest was originally a 10th century copy of Archimedes that was overwritten in the 13th century, but modern imaging has revealed the original text.
- Hibiki Miyazaki's work has a transparent toy battle horse and swords painted over text that explains the image.
- Helen Ward uses obscured bottom text as a pattern and "secret message" under dreamlike dripping images.
This document discusses contemporary approaches to drawing that expand traditional definitions. It lists various artists and techniques that challenge conventions, including recordings of subway motion by William Anastasi, wall drawings instructed but not created by Sol LeWitt, works using materials like tape, gunpowder, and earth. It advocates collaborating with other artists, combining different styles, appropriating other works, and allowing spontaneity in drawing to discover new ideas and constantly grow as an artist.
This document lists the names of 16 artists and 1 student. It includes Terry Allen, Travis Somerville, Fred Stonehouse, Banksy, Jess Reno, Basquiat, Janis Walker, Giosuè Quadrini, Laly Mille, Despina Stokou, Joan Fullerton, Geri Rebstock, Tom O’Neill, Squeak Carnwath, Leslie Dill, Jane Davies, and one student.
Combining elements from former drawings to create new onespamlanza
The document lists the names of 12 contemporary drawing artists and describes some techniques they use that combine disparate elements or approaches from multiple sources into a single drawing, such as drawing with both hands, overlapping washes of ink, including multiple drawings on one page, using reductive or non-representational styles, collaborative drawings between artists, and using non-traditional materials like coffee. It also announces an upcoming experimental drawing exhibition in fall 2018.
REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2pamlanza
The document lists the names of several contemporary drawing artists and mentions some of their mediums. It appears to be notes related to a class on contemporary drawing artists that includes reflections on unusual objects and combined drawings as part of the homework. Artists mentioned include Jeff Raymond, Alex Hamilton, Ali Osborne, Harvey Tulcensky who uses ballpoint pen, Natalia Pivko, Vitaly Pushnitsky, Zeng Xiajun who uses ink on paper, and Beili Liu who works with blown ink on paper.
This document discusses various compositional techniques for arranging elements on a two-dimensional picture plane, including diagonal, radial, concentric, symmetric, asymmetric, and vertical compositions. It provides examples of each technique drawn by artists like Jim Dine, Ginny Grayson, and Giorgio Morandi. The final sentences assign homework to experiment with compositional techniques using hanging objects and letting light or shadow be an important element.
This document lists various artists and their works, as well as examples of how students and other artists studied and were influenced by the masters. It includes Michelangelo studying under Ghirlandaio, Van Gogh being influenced by Japanese prints, Picasso studying the works of Velazquez and Courbet, and examples of student sketches copying and analyzing works by Rembrandt, Cezanne, Bellows, and Van Gogh. The purpose is to show artists learning from the masters by close observation and interpretation of their techniques.
Draw a hpto keeping it upside-down the entire time. Turning it right-side up to make corrections or to tighten up your drawing to make it more exact defeats the important multiple purposes of the exercise:
• To stop thinking in terms of rendering objects, and start seeing large shapes of light and dark
• To note how placement of those shapes carves up the picture plane
• To understand how the placement of values defines and energizes the composition
• To abstract the photo into a drawing – not a photorealist drawing, but one with your own kinds of lines and choices and interpretation
The document discusses various compositional techniques for shading in artwork. It provides examples from different artists to illustrate concepts like grouping objects to form rectangles within rectangles, objects touching or going off the edges of the picture plane, selective shading with contour lines only indicating some objects, close-ups emphasizing shape and blocking out light and dark areas, and using backgrounds to set off objects and create edges without outlining. It recommends doing thumbnail sketches to plan compositions and using the full range of values from darkest to lightest when shading, with darker values for receding objects and lighter for those coming forward. Background tones can shift depending on nearby objects to set them off through value contrast.
DRAWING WITHOUT FEAR! Week 1: Basic shapespamlanza
This document provides guidance on drawing techniques for students. It discusses drawing still lifes, contour drawing, gesture drawing, and studying master artists' works. Students are encouraged to practice different techniques like blind contour drawing and shading to improve hand-eye coordination. They are also assigned homework to set up their own still life at home using ordinary objects.
The NOT FLAT workshop at the Asheville Art Museum in May 2018 explored concepts beyond the flat, two-dimensional surface. Participants experimented with techniques that incorporated texture, dimensionality, and other sculptural elements into their artwork. The goal was to challenge traditional notions of painting and drawing and push creative boundaries in new directions.
Students in a class critique their final projects and provide feedback to each other on their work. Ali Campbell, Becca Campbell, Kate Chassner, Jacob Fisher, Louise Glickman, and Pat Johnson are listed as having participated in the critique by providing their projects for feedback and reviewing their classmates' work.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
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Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024