The document discusses representations of youth in the media over time from various sources. It includes quotes from Plato criticizing the behavior of youth, a quote from Gordon Brown expressing concern about youth roaming the streets, and a description of youth gangs from a 1898 newspaper. It also includes sections from reports on the needs of youth from 1939. The document analyzes how youth have been portrayed differently over history and compares historical representations to modern media.
Collective identity refers to how people define themselves based on their group memberships. This document discusses media representations of young people and their influence on collective identity. It analyzes how historical films and TV shows often portrayed delinquent youth in a negative way that reinforced societal norms. Contemporary media still tends to represent youth negatively and in a way that increases the perception they need control. However, audiences can interpret media in different ways, and social media now allows young people more ability to construct their own representations and challenge dominant narratives. The future impact of media on collective identity likely depends on navigating the blurred lines between reality and hyperreality in a digital age.
The document discusses collective identity and youth culture. It provides background on collective identity, noting that it refers to an individual's sense of belonging to a group. Collective identity shapes part of a person's personal identity through participation in social activities. Youth subcultures allow young people to express opposition to dominant society and challenge mainstream values through style and shared interests. Media representations of youth often reflect adult anxieties and serve to reinforce social norms.
This document provides hints, tips, and sample questions for an exam on media representation. It discusses key topics like how representation has changed over time, and how human identity is increasingly mediated. It emphasizes using theories like Marxism and references to theorists like Gauntlett and Butler. Good answers discuss both media texts and the relationship between representation, institutions, audiences, and identity formation. Sample exam questions assess representation of youth, social groups, and how collective identity is constructed and mediated.
The document discusses how youth are portrayed in different films from various eras. It contrasts how teenagers are depicted in older films from the 1980s like The Breakfast Club, which show youth as largely controlled and obedient with mild punishments, versus more modern films from the 2000s like Kidulthood that portray teenagers as freer and more rebellious with severe consequences. Additionally, it analyzes films centered around groups of girls like Mean Girls for their portrayal of social hierarchies among teenagers, and movies focused on mixed gender groups like The Goonies and how they represent personalities.
This document discusses portrayals of teenagers and youth in media and how those portrayals influence collective identity. It explores how media representations of youth have evolved over time, from early rebellious portrayals to today's idealized images, and how both shaped adults' fascination with and stereotypes of youth culture. It also examines how new digital technologies have allowed youth to create and spread their own media representations independent of mainstream outlets.
The document provides guidance for writing an essay on collective identity and the effects of media over time. It outlines key points to address in each section of the essay, including:
1) Discussing early media theories like the hypodermic needle theory and how audiences are now seen as active. Reference theories like uses and gratifications and cultural effects.
2) Link how media affects audiences' identities and how stereotyping plays a role. Discuss youth subcultures' changing stereotypes over time.
3) Analyze the film "The Selfish Giant" and how it represents a white working class youth, linking examples to relevant class or social theories. Compare to other representations of youth.
4
G325 example Response: Media and Collective IdentityM Taylor
This document provides an outline for an essay discussing the social implications of media representations of youth subcultures. It includes sample introductions, discussions of representations in film and music videos with references to social identity theory, and suggests ending by discussing the future of these representations and their social implications. Examples of films such as "Kidulthood" and "Shifty" are given to illustrate negative and stereotypical portrayals of youth in media and their potential effects on societal views.
This document provides a detailed plan for writing an essay on collective identity and media representations of youth. It outlines the lesson outcomes, objectives, assessment criteria, and a structure for a potential essay question. The plan includes an introduction, analysis of historical representations, studies of newspaper and film portrayals of youth, and a conclusion summarizing the argument around negative media constructions and their influence on collective identity.
Collective identity refers to how people define themselves based on their group memberships. This document discusses media representations of young people and their influence on collective identity. It analyzes how historical films and TV shows often portrayed delinquent youth in a negative way that reinforced societal norms. Contemporary media still tends to represent youth negatively and in a way that increases the perception they need control. However, audiences can interpret media in different ways, and social media now allows young people more ability to construct their own representations and challenge dominant narratives. The future impact of media on collective identity likely depends on navigating the blurred lines between reality and hyperreality in a digital age.
The document discusses collective identity and youth culture. It provides background on collective identity, noting that it refers to an individual's sense of belonging to a group. Collective identity shapes part of a person's personal identity through participation in social activities. Youth subcultures allow young people to express opposition to dominant society and challenge mainstream values through style and shared interests. Media representations of youth often reflect adult anxieties and serve to reinforce social norms.
This document provides hints, tips, and sample questions for an exam on media representation. It discusses key topics like how representation has changed over time, and how human identity is increasingly mediated. It emphasizes using theories like Marxism and references to theorists like Gauntlett and Butler. Good answers discuss both media texts and the relationship between representation, institutions, audiences, and identity formation. Sample exam questions assess representation of youth, social groups, and how collective identity is constructed and mediated.
The document discusses how youth are portrayed in different films from various eras. It contrasts how teenagers are depicted in older films from the 1980s like The Breakfast Club, which show youth as largely controlled and obedient with mild punishments, versus more modern films from the 2000s like Kidulthood that portray teenagers as freer and more rebellious with severe consequences. Additionally, it analyzes films centered around groups of girls like Mean Girls for their portrayal of social hierarchies among teenagers, and movies focused on mixed gender groups like The Goonies and how they represent personalities.
This document discusses portrayals of teenagers and youth in media and how those portrayals influence collective identity. It explores how media representations of youth have evolved over time, from early rebellious portrayals to today's idealized images, and how both shaped adults' fascination with and stereotypes of youth culture. It also examines how new digital technologies have allowed youth to create and spread their own media representations independent of mainstream outlets.
The document provides guidance for writing an essay on collective identity and the effects of media over time. It outlines key points to address in each section of the essay, including:
1) Discussing early media theories like the hypodermic needle theory and how audiences are now seen as active. Reference theories like uses and gratifications and cultural effects.
2) Link how media affects audiences' identities and how stereotyping plays a role. Discuss youth subcultures' changing stereotypes over time.
3) Analyze the film "The Selfish Giant" and how it represents a white working class youth, linking examples to relevant class or social theories. Compare to other representations of youth.
4
G325 example Response: Media and Collective IdentityM Taylor
This document provides an outline for an essay discussing the social implications of media representations of youth subcultures. It includes sample introductions, discussions of representations in film and music videos with references to social identity theory, and suggests ending by discussing the future of these representations and their social implications. Examples of films such as "Kidulthood" and "Shifty" are given to illustrate negative and stereotypical portrayals of youth in media and their potential effects on societal views.
This document provides a detailed plan for writing an essay on collective identity and media representations of youth. It outlines the lesson outcomes, objectives, assessment criteria, and a structure for a potential essay question. The plan includes an introduction, analysis of historical representations, studies of newspaper and film portrayals of youth, and a conclusion summarizing the argument around negative media constructions and their influence on collective identity.
The document summarizes 7 generations in American history from the Lost Generation to the current Homeland Generation. It provides brief descriptions of each generation, including key events they experienced as children, young adults, and elders. The generations covered include the Lost Generation, G.I. Generation, Silent Generation, Baby Boomers, Generation X, Generation Y (Millennials), and the Homeland Generation.
This document provides an overview of concepts related to representations of youth in media and moral panics. It discusses Stanley Cohen's concept of moral panic, where exaggerated media coverage leads to politicians and police acting to return social values of normalcy. Youth are often portrayed as "folk devils" to reflect adult anxieties. Theories from Acland, Gerbner, and Galtung & Ruge are also summarized, explaining how media representations reinforce social order, influence perceptions of crime, and use selective gatekeeping to determine newsworthiness. Examples of past moral panics around various media are also briefly outlined.
A presentation that explores ideological criticism that illuminated how culture has changed since the dot com boom with insights about what Millennials value.
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This is the February 2010 edition of the Luckie-produced Generational News & Views newsletter. It takes a quick topical look into the lives of Baby Boomers, Gen Xers and Gen Y. For more information, please visit www.luckie.com
The document discusses the journalistic treatment of risky behaviors sometimes referred to as "dangerous youth games". It notes that while adolescence is often linked to risk-taking, media representations can be alarming and distorted. Some behaviors mentioned include "balconing", "choking games", "planking", and "daredevil selfies". However, the document questions whether these are truly new, played only by youth, or actually constitute games. It advocates for fact-checking, asking questions beyond cliches, following reporting standards, and listening to those involved to move beyond sensationalized coverage and provide a more informed discussion of these complex issues.
This document analyzes the attitudes and behaviors of Dutch girls aged 15-30. It finds they have become more ego-centric and focused on themselves compared to previous generations. Key indicators of this "me-thinking" include having more feminine ambitions like travel and appearance, prioritizing careers lower, and being less dependent on relationships with others or a partner. Facilitators of this individualism include post-feminism emphasizing independence, the role of shows like Sex and the City, financial independence, being single becoming more accepted, and constant online connectivity through technology. This represents a shift from a "we-feeling" to a more individualistic attitude that marketers must recognize by appealing to what's in it for the individual
This is the April 2010 edition of the Luckie-produced Generational News & Views newsletter. It takes a quick topical look into the lives of Baby Boomers, Gen Xers and Gen Y. For more information, please visit www.luckie.com
SAMPLE is an independently owned and operated culture report by Eddy Perezic and Leigh Citarella. In times like these when tons of, medium-spicy-take filled, Corporatized Culture Reports™ are being published, the world could use some SAMPLE. and, as always, SAMPLE, could use the thoughts and opinions of the world.
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This document provides an overview and analysis of an episode of the adult animated science fiction comedy TV show Futurama. It discusses the genres of the show and why they are used. It then summarizes the key themes and plots of the episode "The Godfellas" which covers religion. It analyzes how the episode portrayed the serious and lighter sides of religion through the main and sub plots. It also discusses the use of intertextual references in the show and provides examples. Finally, it closes with a short segment analysis and list of references.
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The Gift Of The Magi Essay. The Story The Gift of the Magi and Its Thematic S...Bria Davis
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Hoodies have become popular villains in British cinema, preying on the middle class's fear of urban youth. Films portray hoodies as feral, criminal gangs roaming housing estates, perpetuating the stereotype of the dangerous, excluded underclass. However, films that attempt to understand hoodies as real people with relationships and humanity rarely fall into the thriller genre. Directors want to exploit societal fears but showing hoodies' human sides can undermine that fear.
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Cry the beloved country racism essay. Cry, the Beloved Country: A .... Cry, the Beloved Country Essay Example Topics and Well Written Essays .... Cry, The Beloved Country Essay Prompt by Dawnell Jacobs TpT. Cry The Beloved Country Pdf Summary Resume Examples. Cry the Beloved Country Introduction: Summary, Background, and Author .... Cry, The Beloved Country.teachers Notes.level Six Crime Thriller. Compare and Contrast Essay Cry, the Beloved Country. Fear in cry the beloved country essay. quot;Cry The Beloved Countryquot; Essay Example GraduateWay. Similarities and Differences Between Kumalo and Jarvis in In Cry, the .... Cry, The Beloved Country Chapter 1-17 Grief. Cry the beloved country essay topics. Alan Patons quot;Cry, The Beloved .... Cry, The Beloved Country Essay Topics amp; Writing Prompts Study.com .... Cry The Beloved Country Intro To Lit and Author PDF African .... Essay On Cry The Beloved Country. Cry the beloved country analysis essay in 2021 Essay examples, Essay .... Cry, the Beloved Country Compare and Contrast Essay - GCSE English .... Arthur jarvis cry the beloved country essay. Cry the Beloved Country by Vukile MGijiMa - Issuu. Social and Economic Problems in Cry the Beloved Country Free Essay Example. Cry the beloved country biblical allusions. Biblical Allusion in Cry .... Cry the beloved country essay - dissertationsynonym.x.fc2.com. Buy Cry, The Beloved Country Online Sanity. Cry, the Beloved Country Final Essay Project TpT. Cry The Beloved Country Study Guide Answer Key - Study Poster. Analysis of quot;Cry the Beloved Countryquot; by Alan Paton Free Essay Sample .... Essay On Cry The Beloved Country PDF. Cry, The Beloved Country Chapter 18-29 Violence Free 30-day Trial ... Cry The Beloved Country Essay Cry The Beloved Country Essay. quot;Cry The Beloved Countryquot; Essay Example GraduateWay
This document discusses cultural relativism and ethical relativism. It defines cultural relativism as the descriptive claim that ethical practices differ between cultures, and what is considered right in one may be considered wrong in another. Ethical relativism is the logical result of claims of cultural relativism. The document provides examples of practices that differ between cultures, such as views on premarital sex and contraceptives. It also discusses challenges to ethical relativism, noting that cultural diversity does not necessarily mean ethical relativism, and there may be underlying shared ethical principles despite surface differences in behavior.
The document discusses how hoodies have become frightening villains in British cinema, preying on society's fears of urban youth. Hoodies are portrayed more negatively than previous youth subcultures due to their perceived lower class status and oppositional relationship with society. Films that feature hoodies as villains generate fear by depicting them as feral, dangerous packs roaming housing estates. However, films that attempt to humanize and understand individual hoodies through empathy are rarely horrors, showing there is love and humanity behind the threatening facade.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
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This dissertation examines anti-heroes and their struggle as unsung heroes. It begins by discussing the author's lifelong interest in villains and antagonists. The introduction provides context on why villains can make stories more engaging. The literature review examines how the anti-hero has emerged prominently in entertainment in recent years. Anti-heroes often make morally questionable choices and challenge societal norms. Key research questions are presented regarding whether anti-heroes always need heroes as opponents and how they are understood through their narrative construction. The discussion analyzes prominent anti-heroes like Tony Montana from Scarface and Walter White from Breaking Bad.
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Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
2. When were these thoughts
about youth written?
“THE CHILDREN NOW LOVE LUXURY; THEY HAVE BAD MANNERS, CONTEMPT FOR AUTHORITY;
THEY SHOW DISRESPECT FOR ELDERS AND LOVE CHATTER IN PLACE OF EXERCISE. CHILDREN
ARE NOW TYRANTS, NOT THE SERVANTS OF THEIR HOUSEHOLDS. THEY NO LONGER RISE WHEN
ELDERS ENTER THE ROOM. THEY CONTRADICT THEIR PARENTS, CHATTER BEFORE COMPANY,
GOBBLE UP DAINTIES AT THE TABLE, CROSS THEIR LEGS, AND TYRANNIZE THEIR TEACHERS.”
'KIDS ARE OUT OF CONTROL... THEY'RE ROAMING THE STREETS. THEY'RE OUT
LATE AT NIGHT.'
‘THEY WORE PEAKED CAPS, NECK SCARVES, BELL-BOTTOM TROUSERS AND A HAIRSTYLE
CROPPED CLOSE TO THE SCALP. THERE WERE PITCHED BATTLES BETWEEN RIVAL GANGS, ARMED
WITH IRON BARS, KNIVES, POWERFUL CATAPULTS AND EVEN GUNS. THEY PATROLLED THEIR
NEIGHBOURHOODS SHOUTING OBSCENITIES AND PUSHING PEOPLE DOWN.'
‘RELAXATION OF PARENTAL CONTROL, DECLINE OF RELIGIOUS INFLUENCE AND THE MOVEMNT OF
MASSES OF YOUNG PEOPLE TO HOUSING ESTATES WHERE THERE IS LITTLE SCOPE FOR
RECREATION AND PLENTY FOR TROUBLE… THE PROBLEM IS A SERIOUS CHALLENGE, THE
DIFFICULTY OF WHICH IS INTENSIFIED BY THE EXTENSION OF FREEDOM WHICH, FOR BETTER OR
WORSE, HAS BEEN GIVEN TO YOUTH IN THE LAST GENERATION.’
3. “THE CHILDREN NOW LOVE LUXURY; THEY HAVE BAD MANNERS, CONTEMPT FOR AUTHORITY;
THEY SHOW DISRESPECT FOR ELDERS AND LOVE CHATTER IN PLACE OF EXERCISE. CHILDREN
ARE NOW TYRANTS, NOT THE SERVANTS OF THEIR HOUSEHOLDS. THEY NO LONGER RISE WHEN
ELDERS ENTER THE ROOM. THEY CONTRADICT THEIR PARENTS, CHATTER BEFORE COMPANY,
GOBBLE UP DAINTIES AT THE TABLE, CROSS THEIR LEGS, AND TYRANNIZE THEIR TEACHERS.”
'KIDS ARE OUT OF CONTROL... THEY'RE ROAMING THE STREETS. THEY'RE OUT
LATE AT NIGHT.'
THEY WORE PEAKED CAPS, NECK SCARVES, BELL-BOTTOM TROUSERS AND A HAIRSTYLE CROPPED
CLOSE TO THE SCALP. THERE WERE PITCHED BATTLES BETWEEN RIVAL GANGS, ARMED WITH
IRON BARS, KNIVES, POWERFUL CATAPULTS AND EVEN GUNS. THEY PATROLLED THEIR
NEIGHBOURHOODS SHOUTING OBSCENITIES AND PUSHING PEOPLE DOWN.'
‘RELAXATION OF PARENTAL CONTROL, DECLINE OF RELIGIOUS INFLUENCE AND THE MOVEMNT OF
MASSES OF YOUNG PEOPLE TO HOUSING ESTATES WHERE THERE IS LITTLE SCOPE FOR
RECREATION AND PLENTY FOR TROUBLE… THE PROBLEM IS A SERIOUS CHALLENGE, THE
DIFFICULTY OF WHICH IS INTENSIFIED BY THE EXTENSION OF FREEDOM WHICH, FOR BETTER OR
WORSE, HAS BEEN GIVEN TO YOUTH IN THE LAST GENERATION.’
4. “THE CHILDREN NOW LOVE LUXURY; THEY HAVE BAD MANNERS, CONTEMPT FOR AUTHORITY;
THEY SHOW DISRESPECT FOR ELDERS AND LOVE CHATTER IN PLACE OF EXERCISE. CHILDREN
ARE NOW TYRANTS, NOT THE SERVANTS OF THEIR HOUSEHOLDS. THEY NO LONGER RISE WHEN
ELDERS ENTER THE ROOM. THEY CONTRADICT THEIR PARENTS, CHATTER BEFORE COMPANY,
GOBBLE UP DAINTIES AT THE TABLE, CROSS THEIR LEGS, AND TYRANNIZE THEIR TEACHERS.”
PLATO (428-348 BC)
'KIDS ARE OUT OF CONTROL... THEY'RE ROAMING THE STREETS. THEY'RE OUT
LATE AT NIGHT.'
THEY WORE PEAKED CAPS, NECK SCARVES, BELL-BOTTOM TROUSERS AND A HAIRSTYLE CROPPED
CLOSE TO THE SCALP. THERE WERE PITCHED BATTLES BETWEEN RIVAL GANGS, ARMED WITH
IRON BARS, KNIVES, POWERFUL CATAPULTS AND EVEN GUNS. THEY PATROLLED THEIR
NEIGHBOURHOODS SHOUTING OBSCENITIES AND PUSHING PEOPLE DOWN.'
‘RELAXATION OF PARENTAL CONTROL, DECLINE OF RELIGIOUS INFLUENCE AND THE MOVEMNT OF
MASSES OF YOUNG PEOPLE TO HOUSING ESTATES WHERE THERE IS LITTLE SCOPE FOR
RECREATION AND PLENTY FOR TROUBLE… THE PROBLEM IS A SERIOUS CHALLENGE, THE
DIFFICULTY OF WHICH IS INTENSIFIED BY THE EXTENSION OF FREEDOM WHICH, FOR BETTER OR
WORSE, HAS BEEN GIVEN TO YOUTH IN THE LAST GENERATION.’
5. “THE CHILDREN NOW LOVE LUXURY; THEY HAVE BAD MANNERS, CONTEMPT FOR AUTHORITY;
THEY SHOW DISRESPECT FOR ELDERS AND LOVE CHATTER IN PLACE OF EXERCISE. CHILDREN
ARE NOW TYRANTS, NOT THE SERVANTS OF THEIR HOUSEHOLDS. THEY NO LONGER RISE WHEN
ELDERS ENTER THE ROOM. THEY CONTRADICT THEIR PARENTS, CHATTER BEFORE COMPANY,
GOBBLE UP DAINTIES AT THE TABLE, CROSS THEIR LEGS, AND TYRANNIZE THEIR TEACHERS.”
PLATO (428-348 BC)
'KIDS ARE OUT OF CONTROL... THEY'RE ROAMING THE STREETS. THEY'RE OUT
LATE AT NIGHT.'
GORDON BROWN FROM 2008
THEY WORE PEAKED CAPS, NECK SCARVES, BELL-BOTTOM TROUSERS AND A HAIRSTYLE CROPPED
CLOSE TO THE SCALP. THERE WERE PITCHED BATTLES BETWEEN RIVAL GANGS, ARMED WITH
IRON BARS, KNIVES, POWERFUL CATAPULTS AND EVEN GUNS. THEY PATROLLED THEIR
NEIGHBOURHOODS SHOUTING OBSCENITIES AND PUSHING PEOPLE DOWN.'
‘RELAXATION OF PARENTAL CONTROL, DECLINE OF RELIGIOUS INFLUENCE AND THE MOVEMNT OF
MASSES OF YOUNG PEOPLE TO HOUSING ESTATES WHERE THERE IS LITTLE SCOPE FOR
RECREATION AND PLENTY FOR TROUBLE… THE PROBLEM IS A SERIOUS CHALLENGE, THE
DIFFICULTY OF WHICH IS INTENSIFIED BY THE EXTENSION OF FREEDOM WHICH, FOR BETTER OR
WORSE, HAS BEEN GIVEN TO YOUTH IN THE LAST GENERATION.’
6. “THE CHILDREN NOW LOVE LUXURY; THEY HAVE BAD MANNERS, CONTEMPT FOR AUTHORITY;
THEY SHOW DISRESPECT FOR ELDERS AND LOVE CHATTER IN PLACE OF EXERCISE. CHILDREN
ARE NOW TYRANTS, NOT THE SERVANTS OF THEIR HOUSEHOLDS. THEY NO LONGER RISE WHEN
ELDERS ENTER THE ROOM. THEY CONTRADICT THEIR PARENTS, CHATTER BEFORE COMPANY,
GOBBLE UP DAINTIES AT THE TABLE, CROSS THEIR LEGS, AND TYRANNIZE THEIR TEACHERS.”
PLATO (428-348 BC)
'KIDS ARE OUT OF CONTROL... THEY'RE ROAMING THE STREETS. THEY'RE OUT
LATE AT NIGHT.'
GORDON BROWN FROM 2008
THEY WORE PEAKED CAPS, NECK SCARVES, BELL-BOTTOM TROUSERS AND A HAIRSTYLE CROPPED
CLOSE TO THE SCALP. THERE WERE PITCHED BATTLES BETWEEN RIVAL GANGS, ARMED WITH
IRON BARS, KNIVES, POWERFUL CATAPULTS AND EVEN GUNS. THEY PATROLLED THEIR
NEIGHBOURHOODS SHOUTING OBSCENITIES AND PUSHING PEOPLE DOWN.'
NEWSPAPER ARTICLE, 1898
‘RELAXATION OF PARENTAL CONTROL, DECLINE OF RELIGIOUS INFLUENCE AND THE MOVEMNT OF
MASSES OF YOUNG PEOPLE TO HOUSING ESTATES WHERE THERE IS LITTLE SCOPE FOR
RECREATION AND PLENTY FOR TROUBLE… THE PROBLEM IS A SERIOUS CHALLENGE, THE
DIFFICULTY OF WHICH IS INTENSIFIED BY THE EXTENSION OF FREEDOM WHICH, FOR BETTER OR
WORSE, HAS BEEN GIVEN TO YOUTH IN THE LAST GENERATION.’
7. “THE CHILDREN NOW LOVE LUXURY; THEY HAVE BAD MANNERS, CONTEMPT FOR AUTHORITY;
THEY SHOW DISRESPECT FOR ELDERS AND LOVE CHATTER IN PLACE OF EXERCISE. CHILDREN
ARE NOW TYRANTS, NOT THE SERVANTS OF THEIR HOUSEHOLDS. THEY NO LONGER RISE WHEN
ELDERS ENTER THE ROOM. THEY CONTRADICT THEIR PARENTS, CHATTER BEFORE COMPANY,
GOBBLE UP DAINTIES AT THE TABLE, CROSS THEIR LEGS, AND TYRANNIZE THEIR TEACHERS.”
PLATO (428-348 BC)
'KIDS ARE OUT OF CONTROL... THEY'RE ROAMING THE STREETS. THEY'RE OUT
LATE AT NIGHT.'
GORDON BROWN FROM 2008
THEY WORE PEAKED CAPS, NECK SCARVES, BELL-BOTTOM TROUSERS AND A HAIRSTYLE CROPPED
CLOSE TO THE SCALP. THERE WERE PITCHED BATTLES BETWEEN RIVAL GANGS, ARMED WITH
IRON BARS, KNIVES, POWERFUL CATAPULTS AND EVEN GUNS. THEY PATROLLED THEIR
NEIGHBOURHOODS SHOUTING OBSCENITIES AND PUSHING PEOPLE DOWN.'
NEWSPAPER ARTICLE, 1898
‘RELAXATION OF PARENTAL CONTROL, DECLINE OF RELIGIOUS INFLUENCE AND THE MOVEMNT OF
MASSES OF YOUNG PEOPLE TO HOUSING ESTATES WHERE THERE IS LITTLE SCOPE FOR
RECREATION AND PLENTY FOR TROUBLE… THE PROBLEM IS A SERIOUS CHALLENGE, THE
DIFFICULTY OF WHICH IS INTENSIFIED BY THE EXTENSION OF FREEDOM WHICH, FOR BETTER OR
WORSE, HAS BEEN GIVEN TO YOUTH IN THE LAST GENERATION.’
1939 REPORT TITLED NEEDS OF YOUTH
32. Semiotics of the Hood
Comfort - babies, young children
Protection from the elements
Academic/religious costume
1940s athletic training gear - today’s fashion
TIME
1990s skateboard/hip hop culture
Power, mystery, transformation, disgust
Fashion statement/symbol of dissent - a statement
about self?
Concealment from CCTV
Synonymous with crime
37. STANLEY COHEN: FOLK DEVILS AND MORAL PANICS
Look at the
media as amplifying
anxieties and events and therefore
create a moral panic. The
demonisation of youth in this way
can only come about if there is
some kind of collective identity
to which to point.
39. Examines how
young people construct their
identity through fashion and
musical influence. His arguments
still apply today even if subcultures
do not neatly divide in quite the way
they did in the 70s, given the way
music has tended to
hybridise.
50. Learning Objectives
How media that are in public circulation today
represent groups of people in different ways
How these representations differ to historical
representations of the same groups
The effects in society of particular kinds of media
representations of collective identities
Ways in which people might use the media actively to
form a collective identity
Debates and the ideas that our identities are
increasingly constructed by, or through, or in
response to the media (and arguments against this
51. Exam Answer
Must cover:
two different media
a minimum of two critics/theorists (summary notes
can be used)
past
PRESENT
future
52. Analyse the ways in which the media
represent one group of people that you
have studied
Identify:
- examples to compare and contrast
- critics/theorists/ideas/theories
- the implications/consequences of young
people being represented in these ways
53. “The media do not construct
collective identity; they
merely reflect it”. Discuss.