The document analyzes the visual and audio codes used in the trailers for the horror films Halloween and Hostel. For visual codes, it notes that Halloween uses dark lighting, shadows, and contrast between bright and dark scenes to set an unsettling tone. Hostel also employs dark lighting and visuals of dirty tools and butcher-style outfits to suggest gore. Regarding audio codes, both trailers incorporate non-diegetic music and sound effects like screams to build fear and suspense, as well as diegetic sounds from within the film world. The analysis then discusses several narrative theories and how they relate to the story and structure conveyed through the trailers.
Here is a trailer analysis on the film Prisoners. This is part of my A2 Media Studies coursework and the main project is to film a trailer in small groups. We have chosen to do a kidnapping thriller
Florian Resatsch - Interaktion in der Zukunft - RFID Anwendungen für den Kons...Florian Resatsch
Slides are in German. Presented during the 8. Efficient Consumer Response day in Hamburg, Germany. The presentation presents challenges in retail and how to enable consumers to effectively use RFID and Near Field Communication.
Here is a trailer analysis on the film Prisoners. This is part of my A2 Media Studies coursework and the main project is to film a trailer in small groups. We have chosen to do a kidnapping thriller
Florian Resatsch - Interaktion in der Zukunft - RFID Anwendungen für den Kons...Florian Resatsch
Slides are in German. Presented during the 8. Efficient Consumer Response day in Hamburg, Germany. The presentation presents challenges in retail and how to enable consumers to effectively use RFID and Near Field Communication.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
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Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
3. A visual code (mise en scène) is what indicates to the audience what the genre is or if something
is about to happen visually, for example, if there was a lot of blood you would presume there
would have been some harm done to someone or they are dead. Halloween uses many visual
codes to help set the scene of a horror taking place in a typical suburban street.
• The lighting is very dark, and it is night for the majority of the film which makes it feel
uneasy and like a typical horror film. This is plays on peoples fears of the dark and the idea
that bad things come out at night. The night also suggests mystery as you can not see what is
happening or hiding. There is also a lot of shadow throughout this film which adds to the
mystery and secrecy of the film.
• The look of disbelief on young Michaels face at the beginning and the fact he is holding a
knife in his hands tells the audience that he has potentially just killed someone or done
something.
• The clip showing the girls walking in the day time is very bright and colourful. This
contrasts to the dark night, and therefore intensifies it also. This relates to Claude Levi –
Strauss’ theory stating that there are binary opposites in narrative. It also highlights the
setting more clearly, which is a typical American street. This therefore also contrasts to what
is going to take place there.
• The way the girls are dressed and the books they are carrying presents them as quite
innocent, which shows them to be the protagonist and makes the violence and that will be
inflicted towards them seem harsher and more prominent.
• The bluey tones that are seen in the houses around 1:30 in the trailer along with the very
dark colours and shadow creates a very cold and lonely feel making the protagonists seem
more vulnerable and alone, emphasizing the acts of the Michael.
Visual Codes
4. Audio codes in trailers can be a range of different forms, such as dialog, narration,
music and sound effects. These can be non diegetic and diegetic. The sound helps
create atmosphere – in the case of a horror film, it would be fear and suspense.
Halloween uses a mix of both diegetic and non diegetic sound to create a mysterious,
scary and eerie atmosphere.
• Throughout the trailer, there is a narrator, that at the beginning sets the scene and
introduces the film. This narrator then repeats the films title throughout, and
leaves a sort of cliffhanger at the end. The tone of voice is important as it is quite
deep, husky and American and creates mystery.
• The wind instruments at the beginning of the trailer creates a sense of mystery
and tension, and is repeated throughout the film along with piano to create fear,
suspense and mystery to let the audience know something is about to happen.
• At some points the music stops or softens, which hints to the audience that
something is about to happen, which when it does, the music becomes heavier,
louder and more excited than before to match with and intensify the actions that
are happening.
• Sound effects are used constantly with this – which are diegetic – to add more
fear, with the use of conventional “scary” sounds such as creaking doors, high
pitched screams of terror, and doors being torn apart to create a more realistic
feel.
Audio Codes
5. •
•
•
•
Todorov’s theory of narrative suggests that there is a equilibrium that gets disrupted in the
narrative and the protagonists have to fight to gain it back, leading to a new equilibrium.
This relates to the trailer for Halloween as the equilibrium is set when Michael got sent to
the institution for killing his sister as a child. This is then disrupted very early on in the
trailer by him escaping and going after the girls on the street.
Barthes theory that narrative is made up of five different codes also relates to this trailer as;
action - the chase and violence Michael inflicts on the protagonists, enigma – the
unanswered questions and cliffhangers presented in the trailer, symbolic – the visual
symbols included in the trailer (such as the pumpkins indicating it is halloween), semic – the
hidden codes in the trailer indicating themes and ideas (such as the shadows indicating that
Michael is hiding and waiting to attack, and Cultural – the obvious and identifiable
American suburban street.
Levi – Strauss’ theory of binary opposition relates to this trailer for a couple of reasons.
Firstly the clear contrast between the character of Michael and the innocent teenage victims.
And secondly the stark contrast between the dark night and the bright day time showing the
same street in two different ways. These contrasts intensify and make the bad seem worse by
showing the opposites.
Although Propp’s theory is mainly applied to Russian Fairytales, laying out the basic list of
characters but can also be related to trailers. This trailer uses some of this theory, but only
the points for the villain, helper and princess. With villain being Michael, helper being the
doctor and princess referring to he victims.
Narrative Codes
6. The action codes help to show and emphasize the genre and the action that
you will find in the film without giving too much away. For example, if
someone is being chased it will cut out before they get get caught or get
away.
• The girl getting walked up on and pushed down the stairs suddenly
shows the action and how fast paced the film is.
• Door being cut through show how the protagonist is in pursuit of the
victims, which links into the fast pace of the film.
• The chase across the street shows how weak the victim is, and how she is
desperate to get away. This reflects on the elements of chase in the film.
• The attack on the nurses car shows how jumpy and frightening the film
is. Yet again, relating to the fast pace of the film.
• When the protagonist is coming out of shadows, it gives it an sense of
mystery and slightly leans towards the thriller genre.
Action Codes
7. Enigma codes are the questions left unanswered and cliffhangers in the
trailer. These are added and unanswered to create suspense and to play with
the viewers natural want and need to find things out, which will then make
the want to go and see the film.
• How he escaped is one of the main questions in the trailer. This is
emphasized by the presence of the doctor and what he is saying, and by
the attack on the nurses car. This is one of the key questions as his escape
is what leads to the attacks. Another question linking to this is why he
escaped. For example; is there someone he is after? Is it the anniversary
of when he killed his sister?
• When the three girls are walking along the houses in the day, they stop
and look slightly shocked and unsettled at something behind the camera.
Due to the fact it is in the trailer, it is obviously linked to story. But, we
don’t know what it is that is shocking them. This is a question that plays
on the mind a lot as this is in day time which goes against the typical
horror night time convention.
• If she gets caught is probably the strongest question of all in the trailer as
it ends during her trying to escape with Michael right behind her, almost
catching her. You can also tell that the chase between this girl and
Michael is one of the central story lines to this film from how much both
characters are featured in the movie.
Enigma Codes
8. The technical codes relate to how the film trailer is made, for
example how fast the clips have been put together or whether
they fade into each other or not. It also talks about other technical
effects that can be included in the trailer. This trailer is quite
basic in terms of technical codes, but there are a few which help
give an idea of the genre.
• Throughout the trailer, the films title keeps popping up on
screen at regular intervals. This not only reminds the audience
of the film and makes it stick in their head, but the fact that the
film is called Halloween indicates towards the genre of horror.
• The cuts are really fast and don’t fade or merge into each other.
This clearly gives the viewer an indication that the film will
contain action, suspense and horror.
Technical Codes
10. A visual code (mise en scène) is what indicates to the audience what the genre is or if
something is about to happen visually, for example, if there was a lot of blood you
would presume there would have been some harm done to someone or they are dead.
Hostel shows a lot of visual codes which set the scene for the film, creating certain
expectations for it.
• The lighting in this trailer is very dark. This connotes the horror genre and also
gives the setting an air of secrecy like bad things are happening there.
• The dripping, water puddles and dirt give the building a dirty, damp feel. This not
only makes it feel and look disgusting and dirty, but also increases the horror
look. This then makes the viewer uncomfortable and like it is not a good place to
be in.
• The tools that you see frequently during the trailer gives a strong indication
towards the gory, slasher elements to the film. The tools are also grimy which
adds to this effect and look.
• The flickering lights that is evident in some clips from this trailer gives the trailer
suspense as the viewer is made to feel like something or someone could suddenly
appear. It also adds to the fear elements.
• The fact some of the characters shown in this trailer are wearing butchers style
outfits adds to the blood and guts theme of the film. They are clearly shown
through this as the protagonists on the film.
Visual Codes
11. Audio codes in trailers can be a range of different forms, such as dialog, narration, music and
sound effects. These can be non diegetic and diegetic. The sound helps create atmosphere – in
the case of a horror film, it would be fear and suspense. Halloween uses a mix of both diegetic
and non diegetic sound to create a mysterious, scary and eerie atmosphere.
• There is music throughout this trailer. It starts of quite tense, with quite a lot of drums and
violins. Although this theme continues throughout the trailer, it gets more hurried and fast as
the trailer goes on and increases in pace.
• There are also a lot of sound effects used in this trailer that are instantly recognizable, and if
you were just listening to the trailer you would be able to tell that the genre is horror. The
echoey dripping water gives a sense of emptiness and aloneness which creates some fear.
The heavy breathing, pleading indicates along with the other signs that someone is in danger
and feels scared. The fact that it is a male voice emphasizes the fear in the audience and men
are stereotypically stronger than women. Another sound effect that works really well is the
scream after you see the toe about to be cut off. This scream happens with a dark screen
which hides what is actually happening, this intrigues the audience. Another very
stereotypical sound effect that is used is a chainsaw. This noise is very closely associated
with horror movies and therefore gives a strong indication of the genre.
• At the end of the trailer, the only narrative there is in the whole film is purely just the title.
This is strong and definitive which helps the title stick in the audiences head. The narrators
voice is also important, as it sounds quite dark, rough and scary which links into the films
genre.
Audio Codes
12. • Todorov’s theory of narrative suggests that there is a equilibrium that gets
disrupted in the narrative and the protagonists have to fight to gain it
back, leading to a new equilibrium. This theory does not relate to this trailer as
the only part of the film you get to see is where the victims get tortured, and does
not show you how they ended up there of if they escape.
• Barthes theory that narrative is made up of five different codes also relates to this
trailer as; action - the violence and the torture inflicted upon the victims, enigma
– the unanswered questions and cliffhangers presented in the trailer such as why
the victims are being tortured, symbolic – the visual symbols included in the
trailer these include the torture tools, the location and the fact the victims are
restrained as they all indicate to the horror genre, semic – the hidden codes in the
trailer indicating themes and ideas this includes the man washing down the room
as it indicates that he has just possibly tortured someone in there and is cleaning
his mess, and Cultural – the American accent of the pleas that you hear in the
trailer.
• Levi – Strauss’ theory of binary opposition relates to this trailer as there is a clear
difference and contrast in character between the protagonists inflicting the torture
and the victims.
• Although Propp’s theory is mainly applied to Russian Fairytales, laying out the
basic list of characters but can also be related to trailers. This trailer uses some of
this theory, but only the points for the villain, and the princess with the villain(s)
being those doing the torture and the princess being the victims.
Narrative Codes
13. The action codes help to show and emphasize the genre and the action that you will
find in the film without giving too much away. For example, if someone is being
chased it will cut out before they get caught or get away.
• At about 20 seconds into the trailer you see the protagonist take a bag off the
victims head and look as though he is about to do something to harm him. This
then cuts of so you do not know what will happen – if anything does. This
creates suspense and grabs the audiences attention.
• There is a very fast cut that shows what looks like someone tied to something
restraining them and keeping them imprisoned. The audience does not see what
else happens in the trailer, but the person is moving around frantically which
indicates that they are trying to escape and get away from something.
• The part where you can see the toe about be cut off with bolt croppers gives the
audience a squirmy, unsettling feeling of fear and adrenaline. The fact that this
clip is so fast and does not show much action creates more suspense and a strong
cliffhanger.
• At around 50 seconds into the trailer, there are some clips that show the tortures
going towards the victim ready to torture them. This creates a fast pace, and the
fact that they are walking in the direction of the camera makes it seem like they
are pursuing the audience which adds to the fear and excitement.
• At the end you see a man about to have his head submerged in water. You get the
feeling he was chased and trapped in the room, which then leads to questions
about how and why that happened.
Action Codes
14. Enigma codes are the questions left unanswered and cliffhangers in the
trailer. These are added and unanswered to create suspense and to play with
the viewers natural want and need to find things out, which will then make
the want to go and see the film. This trailer does not give much away, and
so consequently creates a lot of enigma code.
• Throughout the whole of this trailer, there is no indication or clue given
as to how the victims got there or how they got out. This is the strongest
question in the trailer as it plays a major part of the story line in the film.
• Another question that is left from this trailer is why the torturers are
torturing. Although you get the sense they want to be there and are doing
it for fun from the intertitles, you do not know anything else.
• All of the torture clips are showing victims imprisoned or about to be
tortured, and they cut out to another clip. All of these individually leave
cliffhangers and questions, such as; do they die? How hurt are they? Do
they escape? Etc.
Enigma Codes
15. The technical codes relate to how the film trailer is made, for example how
fast the clips have been put together or whether they fade into each other or
not. It also talks about other technical effects that can be included in the
trailer. This trailer shows a lot of use of technical codes throughout to create
more of an impact.
• Intertitles are used regularly, giving some vague information about what
is happening, and about how the film is based on true events. These add
suspense, give some extra information to the audience that is not seen in
the clips. There main function is to make the viewer want to see the film
even more, and due to the wording and how they appeal directly to the
viewer in a personal way, they do achieve this.
• The cuts used in this fade into each other, and fade to black which is not
as harsh as having them just switch. This creates more of a mystery and
links the clips more closely. This works well as the clips seem to all
show the same area – most likely middle where the film is at its
highpoint – throughout the trailer.
• The pace of the clips increases throughout the trailer, matching the pace
of the music. At first they last around four seconds, but by the end of the
trailer they are a lot faster and show a lot more action, lasting only
around one to two seconds.
Technical Codes
17. A visual code (mise en scène) is what indicates to the audience what the genre is or if something
is about to happen visually, for example, if there was a lot of blood you would presume there
would have been some harm done to someone or they are dead. Wrong Turn uses visual codes to
not only give indications of the genre, but to confuse the audience at first.
• The bright sky indicates that it is obviously day time, however, this is quite unusual for a
horror film to be entirely set in the day due to the fact one of the typical elements of horrors
is the dark and night. This at first throws the audience off, and then makes the action and
horror elements less assumed.
• The way the camera is sometimes filming from behind trees and from a distance gives you
the idea that the antagonists are being watched. This creates an eerie, creepy feeling and
gives indications towards the horror genre.
• The cabin that they come across is quite typical in horror movies set in the woods, and the
audience would probably immediately pick up on the fact it is not a safe place for the
antagonists to go looking. This due to the typical, run down, dirty, dark and abandoned style
of it.
• The scene that shows someone looking through a keyhole witnessing someone being
murdered shows quite a lot. Firstly, it shows how the group of people who crash their cars
are being hunted and murdered quite brutally. It also shows the fear in the persons eye. This
fear is then felt by the audience along with excitement and adrenaline which makes them
want to watch the film.
• The last clip shown on the trailer shows the woman hiding from one of the inbred creatures.
This gives strong indications to what is expected of the film, action, horror, and chases. As
this is the last clip and the trailer appears to be in chronological order, you can get the
impression that this woman is one of the last survivors.
Visual Codes
18. Audio codes in trailers can be a range of different forms, such as
dialog, narration, music and sound effects. These can be non diegetic and diegetic.
The sound helps create atmosphere – in the case of a horror film, it would be fear
and suspense. Wrong Turn uses a mix of both diegetic and non diegetic sound to
create a eerie, suspense filled atmosphere.
• The music used is quite ghostly and ominous to start with when the cars crash, as
if the characters and caught in a trap and walking further into it. This music
continues, but also with some heavier drum music to add more suspense and let
the audience know something is going to happen.
• When the news clippings are shown, the music instead sounds like bad radio
frequency. This goes well with the images and text shown as it gives it a lost, and
frantic atmosphere.
• When they get to the cabin, the music sounds almost like a ticking clock. This
gives the effect of a countdown towards the action and like they are getting closer
and closer to peak of the film.
• The heavy breathing in complete silence emphasizes the fact that the victim is
hiding and trying to stay hidden. This creates a sense of suspense and fear in the
audience, not knowing whether they will get caught or not.
• The howl that you hear come from one of the protagonists gives them an
inhuman, animal like characteristic which creates a scarier feel than if there was
no howl and they were shown in a more human manner.
Audio Codes
19. • Todorov’s theory of narrative suggests that there is a equilibrium that
gets disrupted in the narrative and the protagonists have to fight to gain it
back, leading to a new equilibrium. This relates to the trailer for Wrong
Turn as the equilibrium is when they are driving down the road. This is
then disrupted when they crash. They then fight for their life effectively
to gain a new equilibrium.
• Barthes theory that narrative is made up of five different codes also
relates to this trailer as; action - the hunt for the victims by the inbreds,
enigma – the unanswered questions and cliffhangers presented in the
trailer, symbolic – the visual symbols included in the trailer such as the
weapons and cabin, semic – the hidden codes in the trailer indicating
themes and ideas for example – the feeling that the antagonists are being
watched from the trees, and Cultural – the isolated forest setting.
• Levi – Strauss’ theory of binary opposition relates to this trailer as there
is a clear contrast between the inbreds and the victims.
• Although Propp’s theory is mainly applied to Russian Fairytales, laying
out the basic list of characters but can also be related to trailers. This
trailer uses some of this theory, but only the points for the villain and
princess. The villain relating to the inbreds and the princess role being
the victims.
Narrative Codes
20. The action codes help to show and emphasize the genre and the
action that you will find in the film without giving too much
away. For example, if someone is being chased it will cut out
before they get caught or get away.
• The car crash that occurs right at the beginning of the trailer
indicates that that is how things change for the worse and kick
start a series of events.
• When the person is watching through the key hole, you see the
protagonist go to attack someone. This shows you some of the
action to expect – such as the hiding and the violence.
• There are a lot of fast clips around three quarters of the way
through on the trailer. These all show various high action
moments in the film. They are very fast also which indicates to
the audience that the film will contain a lot of fast paced
action.
Action Codes
21. Enigma codes are the questions left unanswered and cliffhangers
in the trailer. These are added and unanswered to create suspense
and to play with the viewers natural want and need to find things
out, which will then make the want to go and see the film. This
trailer creates a few cliffhangers and questions that make the
audience want to find out more.
• When the woman finds the barbed wire that caused the crash
and states that someone put it there on purpose, the audience is
left wanting to know who put it there and why.
• When the man in the cabin picks up and looks at what appears
to be a booklet, he looked intrigued and shocked. The clip then
cuts so the audience does not know what it is. They are then
left wondering why it is important and why it got that reaction.
• The cliffhanger created at the end of the trailer by the various
clips used showing chases and violence is if anyone
survived, and what happened to the protagonists.
Enigma Codes
22. The technical codes relate to how the film trailer is made, for example how
fast the clips have been put together or whether they fade into each other or
not. It also talks about other technical effects that can be included in the
trailer. This trailer shows good use of technical codes continuously
throughout.
• The main technical code evident in this trailer is when the clips cut away
to show the newspaper reports and images. These are used effectively to
make the story of the inbred creatures living in the forest seem like a
urban legend. This adds more fear to the audience and creates a deeper
story.
• The intertitles work alongside the newspaper reports to create a deeper
story and make it seem more realistic and believable. These are used to
give background information to the audience.
• The cuts alternate in pace and how they merge. At first the cuts are
longer and fade into each other or into black. They then speed up when
the action increases. They cuts also just change from one to the next now
instead of fading into each other.
Technical Codes