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In Embassy of Finland, Nairobi, June 2012   Seppo Toikka
Composition

Photo with a good composition gets
your attention even from far away

Respect the frame!

Without cropping, you have two options:
horizontal and vertical orientation
Levels of composition

Abstract – graphical elements


Message – what is this photo about?


Details – how to keep the viewer’s
attention in the picture
Composition elements

Alignment – lines aligned with frame
borders create stability
Diagonal lines create tension and
direct the eye (perspective)

Convergence – perceived or imaginary
convergence of diagonal lines
Composition balance

Rule of thirds & Golden ratio (1,6:1)


Continuity

”Natural” positioning of subjects

Compensating objects, left-right balance
High graphic style

Clear geometry, high contrast

Symmetry

Extreme angles

Opposite colors
Contrasting elements

Separate layers, depth

Tonal contrast, colors, focusing

Extreme angles

Opposing colors
Leading the eye

Diagonal lines

Changing brightness

Changing focus

Subject ”viewing vector”
Tips

Frame action tighly

Opposing dynamics are powerful

Try different angles, go higher or lower

With three subjects, form
a balanced triangle
Photographer’s mindset

Think in frames – what happens if
I move closer or to the side, higher
or lower? What will change?

Look for powerful compositions and
interesting subjects – be patient!

Build your own ”composition bank”
Photographer’s checklist

When you stop to take a photo,
think what exactly caught your eye

Compose the frame around that
exact thing

Do a ”perimeter check” for any
distracting details that don’t belong
Hard work pays off

Don’t settle for the first ok photo, think
how the composition could be improved

Come prepared, have an idea what
you want and how to get it

The more you shoot the more you get
better pictures (just put your mind to it!)
Example exercise

Look around your home, try to find
new perspectives to your everyday
surroundings

Pay attention to light, shapes,
pairs or groups of objects

Don’t settle for the first ok photo, think
how it could be improved
Example photoshoot

3 days, 600 photos taken (not
Counting technically failed photos)


Resulted in 3 photos that I’m satisfied with


Great success!
Any camera, same advice

All cameras have strengths and
weaknesses, use the strengths!


Keep composing until you have
eliminated all distracting elements
and have the most pure composition

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Class3

  • 1. Course on In Embassy of Finland, Nairobi, June 2012 Seppo Toikka
  • 2. Composition Photo with a good composition gets your attention even from far away Respect the frame! Without cropping, you have two options: horizontal and vertical orientation
  • 3. Levels of composition Abstract – graphical elements Message – what is this photo about? Details – how to keep the viewer’s attention in the picture
  • 4. Composition elements Alignment – lines aligned with frame borders create stability Diagonal lines create tension and direct the eye (perspective) Convergence – perceived or imaginary convergence of diagonal lines
  • 5.
  • 6.
  • 7.
  • 8. Composition balance Rule of thirds & Golden ratio (1,6:1) Continuity ”Natural” positioning of subjects Compensating objects, left-right balance
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. High graphic style Clear geometry, high contrast Symmetry Extreme angles Opposite colors
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21. Contrasting elements Separate layers, depth Tonal contrast, colors, focusing Extreme angles Opposing colors
  • 22.
  • 23.
  • 24.
  • 25.
  • 26. Leading the eye Diagonal lines Changing brightness Changing focus Subject ”viewing vector”
  • 27.
  • 28.
  • 29.
  • 30.
  • 31. Tips Frame action tighly Opposing dynamics are powerful Try different angles, go higher or lower With three subjects, form a balanced triangle
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. Photographer’s mindset Think in frames – what happens if I move closer or to the side, higher or lower? What will change? Look for powerful compositions and interesting subjects – be patient! Build your own ”composition bank”
  • 37. Photographer’s checklist When you stop to take a photo, think what exactly caught your eye Compose the frame around that exact thing Do a ”perimeter check” for any distracting details that don’t belong
  • 38. Hard work pays off Don’t settle for the first ok photo, think how the composition could be improved Come prepared, have an idea what you want and how to get it The more you shoot the more you get better pictures (just put your mind to it!)
  • 39. Example exercise Look around your home, try to find new perspectives to your everyday surroundings Pay attention to light, shapes, pairs or groups of objects Don’t settle for the first ok photo, think how it could be improved
  • 40.
  • 41.
  • 42.
  • 43. Example photoshoot 3 days, 600 photos taken (not Counting technically failed photos) Resulted in 3 photos that I’m satisfied with Great success!
  • 44.
  • 45. Any camera, same advice All cameras have strengths and weaknesses, use the strengths! Keep composing until you have eliminated all distracting elements and have the most pure composition