30 - 40 minute presentation on the changes in media production and distribution which have led to the development of Creative Commons. Presentation licensed under a Creative Commons Attribution 3.0 New Zealand Licence, however please note the images each have their own individual licence, as shown. First presented by Holly Grover on March 14, 2013, to a Wellington Girls' College Year 13 (final year in high school) Media Studies class. As the presentation is largely visual, I have uploaded my speaking notes here: www.slideshare.net/htgrover/slide-notes-changes-in-media-production-and-distribution-which-have-led-to-the-development-of-creative-commons Thanks to Di Henjyoji and Matt McGregor for their encouragement!

1. ©

2. Image: Holly Grover, 2007

3. Image: artist in turkey, Maria & Michal P.

4. Life + 50 years
Image: Disney, Miss Kels

5. Life + 70 years
Image: Disney, Miss Kels

6. The Public Domain
Image: Romeo és Júlia, Gink Károly, Magyar Királyi Operaház / Magyar Állami Operaház, 1950, Országos
Színháztörténeti Múzeum és Intézet (Hungarian Theatre Museum and Institute).

7. Image: Rip! A Remix
Manifesto, colindunn

8. Image: Featherbed Alley Printshop Bermuda, Aodhdubh
Technological Revolution #1:
Gutenberg’s
Printing Press

9. Technological Revolution #2:
Telegraph &
Telephone
Image: Telephoning from the exhibition: Schoolchildren at the Post and Telegraph Department’s court, Auckland
Weekly News, 15 Nov. 1939, Sir George Grey Special Collections, Auckland Libraries, AWNS-19391115-39-5

10. Image: A Royal Air Force cameraman working with an oblique
camera, Evening Post, 1 March 1941, from Papers Past
Technological Revolution #3:
Recorded
Media

11. Technological Revolution #4:
Radiowave
Transmission
Image: Nothin’ on TV 4,
Susan E. Adams

12.  Expertise
 Equipment
 Distribution
= $$$$$$
(Portrait of a man with camera), Geoff W Perry
Auckland Art Gallery Toi o Tāmaki,

13. Image: Sony Betamax
1978, Nesster

14. “I say to you that the VCR
is to the American film
producer and the American
public as the Boston
strangler is to the woman
home alone.”
Jack Valenti, former President of the Motion Picture
Association of America, giving testimony in front of
the U.S. Congress in 1982

15. Image: DJ Hypnotize and
Baby Cee DJ'ing, By D.L.

16. Image: Cookin’ Soul Vol 1 (New
York Times), Julius – Laid Back

17. Digitalisation
Image: Binary, Brett Jordan

18. Image: www.icanhascheezburger.com

19. Image: Napster, Bixentro

20. Public
Domain
All Rights Reserved No Rights Reserved

21. © Public
Domain
“Some Rights Reserved”

22. Attribution

23. Share Alike

24. Non Commercial

25. No Derivatives

28. Image: Culture Always Builds on the Past, licensed under Creative Commons Attribution-Non Commercial-Share Alike
3.0 New Zealand. Remixed by Holly Grover, based on the works used in an earlier version of this presentation:
Disney, Miss Kels; Romeo és Júlia, Gink Károly; Rip! A Remix Manisfesto, colindunn; Featherbed Alley Printshop
Bermuda, Aodhdubh; Telephoning from the exhibition, Auckland Weekly News, Sir George Grey Special Collections,
Auckland Libraries, AWNS-19391115-39-5; A Royal Air Force cameraman working with an oblique camera, Evening Post,
Papers Past; Rocky Hall, Radio Foxton, Foxton Historical Society, Kete Horowhenua; (Portrait of a man with camera),
Geoff W Perry, Auckland Art Gallery Toi o Tāmaki; Sony Betamax 1978, Nesster; DJ Hypnotize and Baby Cee DJ'ing,
D.L.; Cookin’ Soul Vol 1 (New York Times), Julius – Laid Back; Binary, Brett Jordan; www.icanhascheezburger.com;
Napster, Bixentro.

29. References
Free To Mix Guide, Creative Commons
Aotearoa New Zealand, CC-BY
Creative Commons for Schools, Matt
McGregor, CC-ANZ, CC-BY
How Social Media Can Make History,
Clay Shirky, TED.com
Font:
Alte Hass Grotesk, by Yann Le Coroller
Find CC content
Images:
flickr.com/creativecommons
Music:
jamendo.com/en/search
ccmixter.org/
Video:
youtube.com/creativecommons
vimeo.org/creativecommons
Everything:
search.creativecommons.org
commons. wikimedia.org