Ch 4 5 test review
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This document provides a review of key concepts in art appreciation that will be covered on an upcoming test. It lists 26 terms related to visual art analysis and includes an example image and brief description for each term. Some of the key concepts covered are: use of lines, shapes, textures, perspectives, principles of design like balance and emphasis, techniques like pointillism, and elements of composition.
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Ch 4-5 test review - visual
This document provides a review guide for an Art Appreciation test on chapters 4-5, listing 26 terms related to visual art analysis and examples of works of art that demonstrate each term. The terms include elements like line, shape, texture, and perspective techniques as well as principles of design like balance, emphasis, proportion, and rhythm. For each term an image, artist, date, and medium is provided to illustrate the concept. The document also provides grading criteria for presentations, requiring they be 5 minutes, include biographical and historical context on the artist, images of their work, influences, and properly cited sources.
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Ch 4-5 test review - visual
This document provides a review guide for an Art Appreciation test on chapters 4-5, listing 26 terms related to visual art analysis and examples of works of art that demonstrate each term. The terms include elements like line, shape, texture, and perspective techniques as well as principles of design like balance, emphasis, proportion, and rhythm. For each term an image, artist, date, and medium is provided to illustrate the concept. The document also provides grading criteria for presentations, requiring they be 5 minutes, include biographical and historical context on the artist, images of their work, influences, and properly cited sources.
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The document provides an overview of drawing techniques throughout history. It includes examples of drawings from various time periods ranging from 30,000 year old cave paintings to modern digital drawings. A variety of drawing materials and surfaces are also discussed, such as pencil, ink, paper, walls, and digital formats. Specific artists mentioned include Picasso, Degas, Da Vinci, Rembrandt, Kollwitz, and Lee. The final pages demonstrate different rendering techniques like contour lines, line variation, stippling, cross-hatching, and use of value.
Art apprec ch4 5
This document provides an overview of key concepts in art appreciation, including the visual elements (line, shape, mass, space, value, color, light, texture, pattern, perspective) and principles of design (unity, variety, balance, subordination, emphasis, scale, proportion, rhythm). Each element and principle is defined in one to three sentences. The document also includes several images as examples.
Art apprec ch1-3
This document provides an overview of key concepts and works in art history. It begins with examples of prehistoric cave paintings from France and stone structures like Stonehenge. It then discusses various styles, time periods, and movements throughout history like Dadaism, Surrealism, and Pop Art. Key artists mentioned include Picasso, Dali, Warhol, and Pollock. The document also covers definitions of art, the role of the artist, patronage, and themes commonly depicted in art like the sacred, politics, and human experience. Terms like aesthetics, perception, and iconography are defined. In the end, it discusses propaganda and how art has been used to influence attitudes.
Drawing Technique Examples
The student is required to complete 3 drawings for class: a contour line drawing, line variation drawing, and a rendered drawing showing value changes. They can choose to do 2 additional drawings for bonus points from options including a cross-hatched drawing, pointillism drawing, or color drawing, all of which must demonstrate value changes from light to dark areas.
More from brannanART1101 (10)
Ch 4 5 test review
- 1. Art AppreciationFall2010 Ch 4-5 TestReview
- 2. The Biglin Brothers Racing, Thomas Eakins, 1873-74, oil on canvas
- 3. 1 - Horizontal Line
- 4. The Perfect Ride, Jennifer Pastor, Pencil on Paper
- 5. 2 - Contour Line
- 6. The Embarkation for Cytheria,Jean-Antoine Watteau, 1718-19
- 7. 3 - Implied lines
- 8. The Madonna of the Meadows, Raphael, 1505, oil on panel
- 9. 4 - Implied shape
- 10. The Raven and the First Men, Bill Reid, 1983, Laminated yellow cedar
- 11. 5 - Mass
- 12. Bird in Space,Constantin Brancusi, 1925
- 13. 6 - Actual texture
- 14. Regatta at Cowes,Raoul Dufy, 1934, oil on linen
- 15. 7 – Implied texture
- 16. Untitled, Photograph, SeydouKeïta, 1950s
- 17. 8- Pattern
- 18. The Nose,Alberto Giacometti, 1947
- 19. 9 - Space
- 20. Ideal City,Piero della Francesca, c. 1470
- 21. 10 – One-point Linear Perspective
- 23. The Groom and The Witch, Hans BaldungGrien, 1540, woodcut
- 25. Valley of the Yosemite, Albert Bierstadt, 1864, oil on canvas
- 26. 12 – Atmospheric perspective
- 27. The Night Revels of Han Xizai, GuHongzhong, ink and colors on silk
- 28. 13 – Isometric Perspective
- 29. Dynamism of a Dog on a Leash, GiacomoBalla, 1912, oil on canvas
- 30. 14 - Time and Motion
- 31. Black Face and Arm Unit, Ben Jones, 1971, Painted Plaster
- 32. 15 – Unity and Variety
- 34. 16 - Unity and Variety
- 35. Deer’s Skull with Pedernal, Georgia O’Keeffe, 1936, Oil on canvas
- 36. 17 – Symmetrical Balance
- 37. The Two Fridas,Frida Kahlo, 1939, oil on canvas
- 38. 18 – Symmetrical Balance
- 39. Death and Life, Gustav Klimt, before 1911
- 40. 19 – Asymmetrical Balance
- 41. The Banjo Lesson, Henry Ossawa Tanner, 1893, oil on canvas
- 43. Executions of the Third of May, 1808, Francisco de Goya, 1814-15, oil on canvas
- 44. 21 – Focal Point
- 45. Plantoir, Oldenburg and van Bruggen, 2001
- 46. 22 - Scale
- 47. Vitruvian Man, Leonardo da Vinci, 1485-90, Pen and ink
- 48. 23 - Proportion
- 49. Broadway Boogie-Woogie, Piet Mondrian, 1942-43, oil on canvas
- 50. 24 - Rhythm
- 51. 25 -
- 52. A Sunday on La Grande Jatte, Georges Seurat, 1884-86, oil on canvas
- 53. 26 - Painting technique = Pointillism