Multigenre/Multi
modal
Composing
Amy Braziller, Red Rocks Community College
Liz Kleinfeld, Metro State University of Denver
How we got here
•Inspiration from CCCC 2007
•Need to engage students
•Desire to integrate creativity and
fun into FYC
Types of assignments
•Visual arguments
•Digital stories
•Research-based pieces
•Multigenre projects
Student
Project:
“Deaf
Culture”
Nathaniel LaCrue
Student Project:
“Video Games and Violence”
Neil Carr
Student Project:
“Direct-to-Consumer Prescription Drug Advertising”
Kristen LaCroix
Results
•Student Engagement
•Increased transfer
•Ownership
•More adept at reading rhetorical
situations
What do students think?
“I have written papers where it feels like I just
regurgitate the information. With this
method, I could use the research to make my
own informative piece instead of summarizing
what I learned.”
“I had never made a brochure, collage or
written a business letter and I feel like I did
okay considering that I had zero experience
and might consider doing them again. I feel
like I will have a bit more confidence going
into projects I have never done before
because of this experience.”
Support—aka Textbook

Cccc2014presentation

Editor's Notes

  • #3 Amy attending sessions on research for inspiration—ways to engage students moreOur students are non-residential, and many are non-traditional. We have many veterans and parents. And the vast majority work—20 hours a week is the norm, and many work full-time. These students want examples and assignments that resonate with them—and they want to be able to take what they’re learning in FYC and apply it on the job. There are some traditional students, too—18 year old rights out of high school. But those students, too, are pragmatic and want to be engaged in the world, to communicate publically, often through social media. And frankly, we wanted teaching FYC to be more interesting and fun—for students and us. We think writing and researching is a blast and we want our students to see the possibilities for fun and creativity in those processes.
  • #8 Engagement—students don’t fade in the middle of the semesterOwnership: Sense of accomlishment—more aligned with real world (composing beyond academia)