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James Bergin 2012 
for Amy Advocat 
Calling 
q ca. 40 
= 16 cents high 
= 16 cents low 
= 33 cents high 
= 33 cents low 
= 50 cents high 
= 50 cents low 
    
        
   
u 
j 
s 
Bass Clarinet 
in Bb 
3 
5 
7 
9 
11 
13 
 
i 5 3 
  
        
         
3 3 5:4e 
 
 
 
  
          
 
  
 
5      5:4e    3        5     5 
    
  
 
                   
 
s i 
5 s 
5 5:4e 3 
 
 
 
 
 
mf 
i 
5 
s 
5 
f 
 
o i 
l 
(accidentals, both traditional and microtonal, 
apply only to the notes they precede) 
s I K i 
 
3 
o s 
 
p mf 
7:4x 
pp 
5 
 
5 
mf 
s 
i  
K i o i 
 K K i  
cresc. 
i s i 
 o 
  
            
3 3 5 
       
o 
f 
poco agitato 
  
 
mf 
l s i K I 
  5    5    5:4e  5 
        
 s  i K i
14 
 s 
16 
19 
22 
accel. 
24 
26 
5 3 3 3 3 5 5 
appassionata 
ˆ s 7 i I 
accel. 
28 
 
 
 
 
 
5 5 
 
6 5 
     
  
 ca. 60 
 
 
 
 
5 
s ˆ  ˆ s 
f 
K i ˆ s 
p 
3 
5 
 
risoluto 
f 
3 
ˆ l i  ˆ s s i 
5 
 i 
più agitato 
p 
o s ˆ  i 
 5 ˆ 5 i s i K s ˆ s 3 3 5 5 
 
mf 
f 
l  5 
3 3 3 3 
 
I o  i s 
i  ˆ  
5 
s 
I5 
7 5:4e 7 5 
 
q ca. 80 
i s ˆ 
mf delicato 
3 L s i 
f agitato 
7 
7 
5:4e 
3 
     
             
 
 
 
                   
 
                      
 
 
 
  
                   
                
     
 
                    
    
 
                 
3
30 
accel. 
32 
6 5 
q 
34 
36 
38 
41 rit. 
5 5 
44 < q = h > 
3 5 5 
 
 
 
 
 
5 5 
p f 
  
 
 
 
 
   
5 u o5 3  
 
 
  
ˆ  i  
s i 
f ˆ 
5 
 
p 
ˆ s 
ca. 92 
 
ff 
o 
3 
j l 5 
 
i 
5:4e 
s ˆ s Ò u 
 s I 
ff 
s 
subito 
i ˆ 
3 
K i  
5 5 5 
 
ff 
3 
l  i  
s 
fff 
  
5 3 
 
ca. 40 
3 
o 
pp teneramente 
j 
     
               
 
 
 
    
  
       
 
    
 
 
 
 
  
 
      
 
         
        
            
   
   
 
 
 
          
     
 
  
 
       
          
    
4
47 
50 
53 
 
5:4q ˆ ˆ 5 
 
l 5 ˆ 3 
5 
56 rit. 
 
 
mf 
u 
sub. p 
o 
f 
i5 j 
 
5 
5 
s 
mf 
 Ò 
f 
 
5 
 
3 
   
 
p pp 
i 
3 
l 
p 
 
niente 
5 
           
  
   
   
         
      
      
        
 
   
 
    
 
 
   
5

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Calling (2012)

  • 1. James Bergin 2012 for Amy Advocat Calling q ca. 40 = 16 cents high = 16 cents low = 33 cents high = 33 cents low = 50 cents high = 50 cents low                u j s Bass Clarinet in Bb 3 5 7 9 11 13  i 5 3                    3 3 5:4e                    5      5:4e    3        5     5                            s i 5 s 5 5:4e 3      mf i 5 s 5 f  o i l (accidentals, both traditional and microtonal, apply only to the notes they precede) s I K i  3 o s  p mf 7:4x pp 5  5 mf s i  K i o i  K K i  cresc. i s i  o               3 3 5        o f poco agitato    mf l s i K I   5    5    5:4e  5          s  i K i
  • 2. 14  s 16 19 22 accel. 24 26 5 3 3 3 3 5 5 appassionata ˆ s 7 i I accel. 28      5 5  6 5         ca. 60     5 s ˆ  ˆ s f K i ˆ s p 3 5  risoluto f 3 ˆ l i  ˆ s s i 5  i più agitato p o s ˆ  i  5 ˆ 5 i s i K s ˆ s 3 3 5 5  mf f l  5 3 3 3 3  I o  i s i  ˆ  5 s I5 7 5:4e 7 5  q ca. 80 i s ˆ mf delicato 3 L s i f agitato 7 7 5:4e 3                                                                                                                                                        3
  • 3. 30 accel. 32 6 5 q 34 36 38 41 rit. 5 5 44 < q = h > 3 5 5      5 5 p f          5 u o5 3      ˆ  i  s i f ˆ 5  p ˆ s ca. 92  ff o 3 j l 5  i 5:4e s ˆ s Ò u  s I ff s subito i ˆ 3 K i  5 5 5  ff 3 l  i  s fff   5 3  ca. 40 3 o pp teneramente j                                                                                                                                      4
  • 4. 47 50 53  5:4q ˆ ˆ 5  l 5 ˆ 3 5 56 rit.   mf u sub. p o f i5 j  5 5 s mf  Ò f  5  3     p pp i 3 l p  niente 5                                                               5