Call sheet 2
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Aminatta will be filming scene 1 at Ellie's house at 1pm on February 19th. She will need her shoulder bag, Harrods carrier bag, makeup, mobile phone, wardrobe, mirror, makeup bag, and bed as props. The director reminds Aminatta to bring her jump suit.
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Call sheet 3
This call sheet provides details for a filming session on March 29th, 2014 at 1:00pm at Ellie's house. It lists Aminatta as the cast member and includes props like a shoulder bag, carrier bag from Harrods, makeup items, a mobile phone, wardrobe, mirror, makeup bag and bed. It also reminds the cast member to bring her jumpsuit.
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Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
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The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
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The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
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Call sheet 3
This call sheet provides details for a filming session on March 29th, 2014 at 1:00pm at Ellie's house. It lists Aminatta as the cast member and includes props like a shoulder bag, carrier bag from Harrods, makeup items, a mobile phone, wardrobe, mirror, makeup bag and bed. It also reminds the cast member to bring her jumpsuit.
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The document discusses genocide through examples like the Holocaust, Rwanda, and the Ottoman Empire. Genocide is defined as mass killing without valid explanation and has occurred countless times throughout history, targeting entire species or ethnic groups. Some examples of ongoing genocides mentioned are in Syria, Afghanistan, Burma and Somalia. To help understand the scale and horror, genocide is compared to being trapped with 200,000 people in a deadly scenario like the movie Saw, with no survivors.
Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
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The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
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The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
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