associated with the soul, the image of the destiny of the soul, symbol of resurrection,
allegory of the transience and fragility of existence,
her beauty and short lifespan made it a symbol of physical beauty that threatens virtue and leads to human downfall …
Frogs and toads are small and humble creatures, hardly attractive themes for the artist.
They’ve had their moments in paint though ...
DOWNLOAD:
http://www.authorstream.com/Presentation/guimera-4709422-frogs-toads-western-painting/
The peacock is featured in many religious works of art from the Middle Ages to Renaissance as a symbol of resurrection, immortality, and eternal life due to its association with Hera in Greek mythology and its distinctive tail feathers. In several paintings depicting biblical scenes like the Annunciation, Adoration of the Shepherds, and Adoration of the Magi, peacocks can be seen perched in the background as a symbolic reminder of Christ's death and resurrection. Peacocks also frequently appear in paintings involving the Greek goddess Hera due to their sacred status as her attributed animal.
one of the most beautiful magical creatures
an imaginary animal more important in the Christian West from the Middle Ages to the end of the Renaissance
(2) Dangerous Monsters and Mythological Creatures in paintingsguimera
This document discusses various mythological monsters and creatures depicted in paintings, including sirens, the Lernaean Hydra, the Sphinx, and Leviathan. It provides descriptions of each from Greek mythology and describes how different artists portrayed these fantastical beings, highlighting specific details about the monsters and their battles or interactions with heroes like Perseus, Hercules, and Oedipus. The text also references Hieronymus Bosch and Matthias Grünewald as artists known for painting whole menageries of invented monsters and weird beasts.
The document discusses depictions of serpents in Western painting from the 15th century to early 20th century. Serpents are commonly used as symbols of temptation, sin, and the devil. They are often shown wrapped around trees, women's bodies, or men to represent the fall of man through temptation by the serpent in the Garden of Eden story. Some paintings show serpents in battles between good and evil or being crushed under Mary's foot to represent Christianity's triumph over sin and the devil.
The Parrot in the painting 2, The profane parrotguimera
associated with the Virgin as an allegorical symbol of her purity and virginity
a symbol in portraits of marital fidelity or simply an indication of the status
a symbol of luxury in still life
or without a symbolic meaning, they are attractive, exotic birds, which make for striking visual motifs
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4864648-bats-european-paintings/
Frogs and toads are small and humble creatures, hardly attractive themes for the artist.
They’ve had their moments in paint though ...
DOWNLOAD:
http://www.authorstream.com/Presentation/guimera-4709422-frogs-toads-western-painting/
The peacock is featured in many religious works of art from the Middle Ages to Renaissance as a symbol of resurrection, immortality, and eternal life due to its association with Hera in Greek mythology and its distinctive tail feathers. In several paintings depicting biblical scenes like the Annunciation, Adoration of the Shepherds, and Adoration of the Magi, peacocks can be seen perched in the background as a symbolic reminder of Christ's death and resurrection. Peacocks also frequently appear in paintings involving the Greek goddess Hera due to their sacred status as her attributed animal.
one of the most beautiful magical creatures
an imaginary animal more important in the Christian West from the Middle Ages to the end of the Renaissance
(2) Dangerous Monsters and Mythological Creatures in paintingsguimera
This document discusses various mythological monsters and creatures depicted in paintings, including sirens, the Lernaean Hydra, the Sphinx, and Leviathan. It provides descriptions of each from Greek mythology and describes how different artists portrayed these fantastical beings, highlighting specific details about the monsters and their battles or interactions with heroes like Perseus, Hercules, and Oedipus. The text also references Hieronymus Bosch and Matthias Grünewald as artists known for painting whole menageries of invented monsters and weird beasts.
The document discusses depictions of serpents in Western painting from the 15th century to early 20th century. Serpents are commonly used as symbols of temptation, sin, and the devil. They are often shown wrapped around trees, women's bodies, or men to represent the fall of man through temptation by the serpent in the Garden of Eden story. Some paintings show serpents in battles between good and evil or being crushed under Mary's foot to represent Christianity's triumph over sin and the devil.
The Parrot in the painting 2, The profane parrotguimera
associated with the Virgin as an allegorical symbol of her purity and virginity
a symbol in portraits of marital fidelity or simply an indication of the status
a symbol of luxury in still life
or without a symbolic meaning, they are attractive, exotic birds, which make for striking visual motifs
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4864648-bats-european-paintings/
Writing has been depicted in Western paintings for centuries, from ancient Roman depictions of women writing on wax tablets to modern portraits of people writing letters. Some key details that often appear include quill pens, inkwells, books, and sheets of paper or parchment. Writing was traditionally shown as an intellectual pursuit but became more commonplace in domestic interiors by the late 19th century as literacy increased.
The cypress tree in European paintings.ppsxguimera
In Greek mythology associated with Cyparissus beloved by Apollo, and with Hades, god of the underworld.
Symbol of Immortality, of life and death, of mourning …
Hell and Paradise in European painting.ppsxguimera
This document summarizes depictions of hell and paradise in European painting from the 13th century to the early 20th century. It provides examples from famous artists like Bosch, Bouts, Van Eyck, Signorelli, Martin and Botticini. Hell is often shown as a fiery underground realm with tormented souls and demonic creatures. Paradise is depicted as an idealized garden or heavenly realm where souls are received by Christ or angels. The concept of the afterlife continued to fascinate artists over the centuries and provided opportunities for vivid imagination and moral instruction through dramatic scenes.
The immortal female triads in paintings.ppsxguimera
Greek mythology has several female triads, four of which, according to Hesiod, are immortal:
the terrible Fates, the avenging Erinyes, the sweet Seasons and the charming Graces.
a fabulous imagination
a style that did not correspond to any artistic current of the time
countless details, numerous symbols, moralizing messages
images evoking the defects and decadence of society at the time, the fears of the end of the world and the last judgment
The Getty Museum contains many works of art from various periods and styles. This includes portraits, mythological scenes, still lifes and allegorical works. Many depict famous figures from classical mythology or historical events. The works showcase the technical skills of artists like Bosschaert, who established traditions in flower painting, and Lagrenée, praised for lavish drapery and delicate lighting effects. They illustrate themes like love conquering war, as in Mars Disarmed by Venus.
according to the ancient Greeks is born of the blood of Medusa beheaded by Perseus
in Christianity symbol of the blood of Christ’s passion
used as an amulet to protect against the forces of evil, against the evil eye, counter evil spells and particularly from fascination by witches ...
a ferocious, fire-breathing beast, bad tempered with impenetrable scales, bat-like wings, jagged fangs, and sharp claws
enemy, evil, symbol of sin, wickedness and ferocity
The carnation in the painting, the profane carnationguimera
The profane carnation …
symbol of earthly love, devotion
symbol of marriage or betrothal
symbol of distinction
symbol of fascination, passion in European Renaissance art, especially in portraiture
The document discusses the use of transparency in paintings over centuries to depict various materials and objects. It provides numerous examples from famous paintings where artists showed transparency through techniques like diaphanous veils, glassware, bubbles, and other materials. The summaries highlight how transparency was a tool for artists to represent different textures and symbolic meanings in their works.
The Christian religious western paintings adopt the palm tree in two major narratives in the life of Jesus:
the Flight to Egypt and his triumphal entrance into Jerusalem at the start of the Passion.
The martyrs were often shown holding a palm frond as an attribute.
Uncommon in the areas of the Roman Campaigna in which landscape painting flourished, the palm tree in the secular landscape paintings of the Mediterranean coast, appear in the 19th century, when they became popular plant
In classical mythological painting is a sacred sign of Apollo, who was born under a palm tree on the island of Delos.
symbol in the Christian faith, associated with Easter, of the resurrection of Jesus Christ
symbol of sacrifice and loss in the Jewish Passover holiday
symbol of awakening of nature
... symbol of life, of fertility and rebirth
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4827789-crows-ravens-european-painting/
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
(1) Dangerous Monsters and Mythological Creatures in paintingsguimera
This document summarizes information about various mythological monsters and creatures from Greek mythology including: Cerberus, the three-headed dog that guarded the gates of the underworld; Centaurs, half-man half-horse creatures known for their savagery; the Minotaur, a man-bull monster that lived in the Labyrinth; and Satyrs, creatures that were part man and part goat known for their drunkenness and lewdness. The document also provides descriptions of these creatures and examples of how they have been depicted in classical paintings.
mythical, biblical, erotic
apple of original sin, apple of the discord, from the Hesperides garden, apples of the still life, Cézanne's apples to impress Paris, Magritte's floating apple
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4839222-dream-european-painting/
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4783327-cast-shadows-western-paintings/
Writing has been depicted in Western paintings for centuries, from ancient Roman depictions of women writing on wax tablets to modern portraits of people writing letters. Some key details that often appear include quill pens, inkwells, books, and sheets of paper or parchment. Writing was traditionally shown as an intellectual pursuit but became more commonplace in domestic interiors by the late 19th century as literacy increased.
The cypress tree in European paintings.ppsxguimera
In Greek mythology associated with Cyparissus beloved by Apollo, and with Hades, god of the underworld.
Symbol of Immortality, of life and death, of mourning …
Hell and Paradise in European painting.ppsxguimera
This document summarizes depictions of hell and paradise in European painting from the 13th century to the early 20th century. It provides examples from famous artists like Bosch, Bouts, Van Eyck, Signorelli, Martin and Botticini. Hell is often shown as a fiery underground realm with tormented souls and demonic creatures. Paradise is depicted as an idealized garden or heavenly realm where souls are received by Christ or angels. The concept of the afterlife continued to fascinate artists over the centuries and provided opportunities for vivid imagination and moral instruction through dramatic scenes.
The immortal female triads in paintings.ppsxguimera
Greek mythology has several female triads, four of which, according to Hesiod, are immortal:
the terrible Fates, the avenging Erinyes, the sweet Seasons and the charming Graces.
a fabulous imagination
a style that did not correspond to any artistic current of the time
countless details, numerous symbols, moralizing messages
images evoking the defects and decadence of society at the time, the fears of the end of the world and the last judgment
The Getty Museum contains many works of art from various periods and styles. This includes portraits, mythological scenes, still lifes and allegorical works. Many depict famous figures from classical mythology or historical events. The works showcase the technical skills of artists like Bosschaert, who established traditions in flower painting, and Lagrenée, praised for lavish drapery and delicate lighting effects. They illustrate themes like love conquering war, as in Mars Disarmed by Venus.
according to the ancient Greeks is born of the blood of Medusa beheaded by Perseus
in Christianity symbol of the blood of Christ’s passion
used as an amulet to protect against the forces of evil, against the evil eye, counter evil spells and particularly from fascination by witches ...
a ferocious, fire-breathing beast, bad tempered with impenetrable scales, bat-like wings, jagged fangs, and sharp claws
enemy, evil, symbol of sin, wickedness and ferocity
The carnation in the painting, the profane carnationguimera
The profane carnation …
symbol of earthly love, devotion
symbol of marriage or betrothal
symbol of distinction
symbol of fascination, passion in European Renaissance art, especially in portraiture
The document discusses the use of transparency in paintings over centuries to depict various materials and objects. It provides numerous examples from famous paintings where artists showed transparency through techniques like diaphanous veils, glassware, bubbles, and other materials. The summaries highlight how transparency was a tool for artists to represent different textures and symbolic meanings in their works.
The Christian religious western paintings adopt the palm tree in two major narratives in the life of Jesus:
the Flight to Egypt and his triumphal entrance into Jerusalem at the start of the Passion.
The martyrs were often shown holding a palm frond as an attribute.
Uncommon in the areas of the Roman Campaigna in which landscape painting flourished, the palm tree in the secular landscape paintings of the Mediterranean coast, appear in the 19th century, when they became popular plant
In classical mythological painting is a sacred sign of Apollo, who was born under a palm tree on the island of Delos.
symbol in the Christian faith, associated with Easter, of the resurrection of Jesus Christ
symbol of sacrifice and loss in the Jewish Passover holiday
symbol of awakening of nature
... symbol of life, of fertility and rebirth
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4827789-crows-ravens-european-painting/
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
(1) Dangerous Monsters and Mythological Creatures in paintingsguimera
This document summarizes information about various mythological monsters and creatures from Greek mythology including: Cerberus, the three-headed dog that guarded the gates of the underworld; Centaurs, half-man half-horse creatures known for their savagery; the Minotaur, a man-bull monster that lived in the Labyrinth; and Satyrs, creatures that were part man and part goat known for their drunkenness and lewdness. The document also provides descriptions of these creatures and examples of how they have been depicted in classical paintings.
mythical, biblical, erotic
apple of original sin, apple of the discord, from the Hesperides garden, apples of the still life, Cézanne's apples to impress Paris, Magritte's floating apple
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4839222-dream-european-painting/
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4783327-cast-shadows-western-paintings/
Similar to Butterflies in Western painting.ppsx (20)
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
From Gethsemane to the Tomb ... Passion Stories.ppsxguimera
This document provides summaries of paintings depicting scenes from Jesus's passion and death. It describes paintings showing Jesus in the Garden of Gethsemane praying before his arrest, Jesus appearing before Pilate, Jesus being mocked and crowned with thorns, Jesus carrying the cross, Jesus on the cross with Mary and John, the crucifixion and death of Jesus, his body being taken down and mourned over, and his entombment. The paintings highlighted come from artists like William Blake, James Tissot, Hieronymus Bosch, and Lovis Corinth and are housed in museums around the world.
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
Personnages de la mythologie grecque ....ppsxguimera
exceptionnels par leur intelligence, leur bravoure et leur force,
mais aussi parfois arrogants, fiers, prétentieux, vaniteux, vindicatifs et un peu infantiles ...
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Fashionista Chic Couture Mazes and Coloring AdventureA
Butterflies in Western painting.ppsx
1.
2.
3. associated with the soul, the image of the destiny of the soul, symbol of resurrection,
allegory of the transience and fragility of existence,
her beauty and short lifespan made it a symbol of physical beauty that threatens virtue and leads to human downfall …
5. A Princess of the House of Este,
flowers
and
butterflies ...
The butterfly, a Vanessa Atalanta, near the princess' brow is a symbol of the soul.
(It seems likely that the painting was commissioned from Pisanello
when the model died. Columbine and carnations are symbols of death and pain.
And the Greek uses the same word, Ψυχή (psyche), to refer to butterflies
and the soul).
Pisanello
Portrait d'une princesse de la Maison d'Este
Portrait of a Princess
1436-1438
Musée du Louvre, Paris
6.
7.
8. Here is an image type that was very much in vogue in the XVIth century
in Flanders, at a time when death fascinated people as much as it terrified them.
An angel with the wings of a butterfly holds a mirror in which a skull is reflected
...
(The skull, in the Western world a symbol of Vanity, shows the fragility
of human life.)
Jan Sanders van Hemessen
Vanité
Vanitas
1535-1540
Palais des Beaux-Arts de Lille, Lille
9.
10.
11. Butterfly ... a symbol of the artist’s ephemeral creative vision,
of the volatility of thought,
of the soul released through sleep or death
It was once said that the goddesses of Virtue and Fortune
had a bad quarrel.
In her distress, Virtue sought the aid of Jupiter, chief of all the gods.
But Mercury intervened, and told her to wait:
the gods were busy, he said, making cucumbers blossom
and painting the wings on butterflies ...
Dosso Dossi
Jupiter Painting Butterflies, Jupiter, Mercury and Virtue
Jupiter peignant des papillons, Jupiter, Mercure et la Vertu
1524
Wawel Royal Castle, Cracow
12.
13.
14.
15.
16. A strange painting in which to find butterflies ...
The Gods have won ... and the Titans, fell from the heavens
and were imprisoned in Tartarus, or Hell
The flying insects, even butterflies, were associated with the fire of the underworld
although
… the two butterflies and one dragonfly appear quite incongruous,
at least to the modern eye.
Cornelis van Haarlem
The Fall of the Titans
La Chute des Titans
1588-1590
Statens Museum for Kunst (Den Kongelige Malerisamling), Copenhagen
17.
18.
19.
20. The Golden butterflies, floating above the heads of angels …
Traditionally, butterflies stand for the soul or resurrection.
In antiquity, the souls of the deceased were imagined as butterflies;
this idea was adopted as well in Christianity, and the Resurrection of Christ
is compared to the metamorphoses of a chrysalis into a butterfly.
(The cherry that is offered to the infant Jesus is a reference to the Garden
of Eden.)
Jean Malouel
Virgin and Child with Butterflies
Vierge à l'enfant aux papillons
1410
Staatliche Museen zu Berlin, Berlin
21.
22. Good and evil fighting for the human soul ...
…
The demon with butterfly wings ...
The demon dressed in the wings of a Small Tortoiseshell Aglais urticae,
has the same black and red chromatism,
in full sunlight, near the iridescence of the rainbow and the peacock
feathers of the Archangel:
diabolical, the butterfly remains so, even far from the infernal flames.
The wing color, red and black, of the Small tortoiseshell
and the Vanessa atalanta was associated with the devil, and to feed
on rotting meat and excrement, a symbol of death and corruption.
Hans Memling
The Last Judgment (central panel)
Le Jugement dernier (panneau central)
1466-1473
Muzeum Narodowe w Gdańsku, Gdańsk
23.
24.
25.
26. Bruegel invents creatures that are the most repulsive, but also the most
curious and fantastic imaginable.
Within the "mêlée"
mussel shells grafted onto a gigantic shrimp,
a puffy gnome carrying a sundial and with a plumed helmet on his head,
a viscous fish with arms, lizard scales, crustacean paws,
a human head with butterfly wings attached to a shapeless, bloated body ...
Pieter Brueghel the Elder, Pieter Brueghel l'Ancien
The Fall of the Rebel Angels
La Chute des anges rebelles
1562
Royal Museums of Fine Arts of Belgium, Brussels
27.
28.
29.
30. Mars, the God of War, conquered and exhausted Mars,
Venus, the Goddess of Love, victorious (this would then be
an allegory of Love triumphing over War),
Cupid, chubby little child nestled in his mother’s arm,
a group of putti play with Mars' weapons and armor,
two doves that symbolize tender love
and
a long-eared rabbit,
a fly dozes on Mars’s pillow,
a large butterfly, wings outspread, dawdles on Venus’s knee
…
What is the giant bunny doing here? ... a symbol of sexual excess?
... and the fly ... and the butterfly?
Piero di Cosimo
Venus, Mars and Cupid
Vénus, Mars et Cupidon
1490
Staatliche Museen, Berlin
31.
32.
33.
34.
35. Psyche receives Cupid's first kiss with astonishment,
the thought, the feeling awaken in their hitherto dormant being
and
… the butterfly of the soul flutters and flaps its wings
Psyche is the Greek goddess of the soul and often represented with butterfly.
François Gérard
Psyché et l'Amour, dit aussi Psyché recevant le premier baiser de l'Amour
Psyche and Amor, also known as Psyche Receiving Cupid's First Kiss
1798
Musée du Louvre, Paris
36.
37.
38.
39. The legendary Greek prince Oedipus
the malevolent Sphinx,
a riddle,
remains of victims who answered incorrectly
a bay tree, sacred to Apollo, representing man’s highest achievements,
a fig tree, a traditional symbol of sin,
a cinerary urn, symbolizing death,
a snake, associated with death, and through the biblical serpent, with sin
and
a butterfly, representing the soul …
Gustave Moreau
Oedipe et le sphinx
Oedipus and the Sphinx
1864
Metropolitan Museum of Art, Manhattan, New York City
40.
41.
42.
43. Every hunter’s dream:
discover the largest and most spectacular butterflies ever seen ...
a great big hat, an umbrella,
a tiny net
and
seemingly packed for a great jungle adventure
(the insignificance of man in the vastness of nature …)
Carl Spitzweg
The butterfly hunter
Le chasseur de papillons
1840
Museum Wiesbaden, Wiesbaden
44.
45.
46. The beauty of flowers and insects ...
large poppy flowers
and
two bright butterflies, contrasted with the background of grass and leaves
Vincent van Gogh
Papillons et coquelicots
Butterflies and Poppies
April 1890-May 1890
Van Gogh Museum, Amsterdam
47.
48.
49. a highly imaginative collection of flowers, plants, rocks,
butterflies ...
Odilon Redon
Papillons
Butterflies
1910
The Museum of Modern Art, New York City
50.
51.
52. Intriguing, eccentric and bold painting...
a desert-like setting, lifeless, where time seems to have stopped
and
two butterflies that appear to be in flight yet there is no sense
of movement about them.
They appear static as if caught and placed for observation at the edge
of the rock.
For the Dali, the butterflies often they represent metamorphosis,
or have a meaning that alludes to carnal desire and seduction
Salvador Dalí
Paysage aux papillons
Landscape with Butterflies
1956
Private collection
53.
54.
55. A magnificent and enigmatic Italian painting …
roses, three quails, a toad, a little owl, a white stilt,
butterfly ...
The atmosphere is twilight, certainly,
… but each creature is full of life.
Can we really talk about a still life?
Paolo Porpora
Nature morte avec des cailles, un hibou et une échasse blanche
Still-Life with Quails, an Owl and a White Stilt
1625 and 1650
Musée du Louvre, Paris
56.
57.
58. butterflies,
flowers,
frogs, snails,
a mouse, a black beetle.
snakes, poisonous mushrooms
...
and barely visible amid this vivid and perilous nature,
a sole bird skeleton is a symbol of vanity and shortness of life
Abraham Mignon
Flowers and tiny creatures, Vanitas
Fleurs et petites créatures, Vanitas
17th century
Muzeum Narodowe w Warszawie,
Warsaw
59.
60.
61. The transience of earthly things ...
‘Ecquid Sunt aliud quam breve gaudium?’ What are these other than a brief joy?
the skull and the thighbone beside it signify death,
the fly on the forehead stands for the persistence with which death pursues us,
the books refer to the inadequacy of human knowledge,
flowers are symbolic of the brevity of life
the valuable exotic shell, the pearls and the coins are reminders that earthly riches
are vain in the face of death
…
But there is a ray of light in the darkness:
a French proverb written on the paper protruding from the book, ‘mourir pour vivre’,
die to live, a reference to life after death, the only life that is worthwhile
and
a butterfly,
is a garden tiger moth Arctia caja, lived as a caterpillar, to become a butterfly.
Thus the human spirit, when it leaves this earthly life, will find salvation.
Adriaen van Nieulandt
Vanitas Still Life
Vanité Nature morte
1636
Frans Hals Museum, Haarlem
62.
63.
64. Butterflies in Western painting
Papillons dans la peinture occidentale
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Music The Piano Guys Crescendo
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