This document discusses various technologies for voice and data communication when traveling, including phones that work via GSM networks for international coverage, satellite phones for remote areas, radios for short to long range communication, and accessing the internet via smartphones or cafes when away from WiFi. It emphasizes experiencing remote locations fully by utilizing these technologies to stay connected if needed but being present in the place visited.
The document shows a graph with points labeled A, B, C, and D plotted on the x-axis and y-axis. The graph also contains mirror lines that reflect the points across the y-axis and x-axis, labeling the reflected points A', B', C', and D'.
Principle of design used in the graphic artsbrittperk81
The document discusses key principles of design used in graphic arts, including balance, emphasis, pattern/repetition, proportion, movement, rhythm, contrast, and unity. Balance refers to visual equality in elements like shape, form, value and color that can be symmetrical or asymmetrical. Emphasis creates a center of interest to attract attention. Pattern and repetition unify a work through consistent visual elements. Proportion concerns the relative size of elements. Movement directs the eye along lines and colors. Rhythm relies on pattern and movement to create order. Contrast arranges opposing elements to make visual interest. Unity occurs when all elements combine into a harmonious whole.
The document discusses the key principles of landscape design including focalization, proportion and scale, balance, order and unity, repetition, rhythm and sequence, and interconnection. It provides examples of each principle and how landscape designers use them to create functional and aesthetically pleasing designs. The principles guide the organization of design elements and materials according to the laws of nature. Landscape design aims to divide outdoor spaces into rooms for different uses and encourage movement throughout the yard.
This document discusses various technologies for voice and data communication when traveling, including phones that work via GSM networks for international coverage, satellite phones for remote areas, radios for short to long range communication, and accessing the internet via smartphones or cafes when away from WiFi. It emphasizes experiencing remote locations fully by utilizing these technologies to stay connected if needed but being present in the place visited.
The document shows a graph with points labeled A, B, C, and D plotted on the x-axis and y-axis. The graph also contains mirror lines that reflect the points across the y-axis and x-axis, labeling the reflected points A', B', C', and D'.
Principle of design used in the graphic artsbrittperk81
The document discusses key principles of design used in graphic arts, including balance, emphasis, pattern/repetition, proportion, movement, rhythm, contrast, and unity. Balance refers to visual equality in elements like shape, form, value and color that can be symmetrical or asymmetrical. Emphasis creates a center of interest to attract attention. Pattern and repetition unify a work through consistent visual elements. Proportion concerns the relative size of elements. Movement directs the eye along lines and colors. Rhythm relies on pattern and movement to create order. Contrast arranges opposing elements to make visual interest. Unity occurs when all elements combine into a harmonious whole.
The document discusses the key principles of landscape design including focalization, proportion and scale, balance, order and unity, repetition, rhythm and sequence, and interconnection. It provides examples of each principle and how landscape designers use them to create functional and aesthetically pleasing designs. The principles guide the organization of design elements and materials according to the laws of nature. Landscape design aims to divide outdoor spaces into rooms for different uses and encourage movement throughout the yard.
The document discusses several key principles of visual art:
1) Principles of art provide guidelines for artists to organize elements in a visually pleasing composition. This includes principles like harmony, rhythm, balance, proportion, and emphasis.
2) Design is the arrangement of elements to achieve beauty. Good design carefully applies principles of art.
3) Specific principles are then defined, such as harmony creating unity among elements, and emphasis drawing attention to specific areas through techniques like color, size, or placement.
The document discusses principles of design including contrast, unity, pattern, repetition, emphasis, balance, movement, and gradation. Contrast refers to differences that create emphasis and interest. Unity relates to a sense of oneness. Pattern uses combinations of lines, colors and shapes. Repetition uses objects, lines, colors or shapes more than once. Emphasis places greater attention on certain areas. Balance creates visual equalization. Movement arranges elements to guide the eye's movement. Gradation is the gradual change of an element's value, color, or texture.
The document discusses the principles of design that govern how artists organize elements in their work. It lists seven common principles: balance, variety, rhythm, movement, pattern, proportion, and emphasis. Balance can take formal, informal, or radial forms. Variety combines elements with slight changes. Rhythm uses repetition. Movement guides the eye. Pattern is repetition of colors, lines and textures. Proportion relates parts to each other and the whole. Emphasis makes elements stand out. Harmony combines similar elements. Unity combines it all for completeness.
The document discusses the evolution of morphological agreement. It begins by defining agreement and its key components. It then examines theories about the origins of morphology, with some arguing it evolved simultaneously with syntax from protolanguage, while others see it as an independent system. The document also explores proposed stages of development from protolanguage to modern languages, with agreement marking argued to emerge at a late stage. Additionally, it is noted that the functions of agreement may have evolved for reasons like disambiguating syntactic relations or marking constituents. Overall, the document analyzes debates around the evolutionary origins and development of morphological agreement.
On Tocharian Exceptionality to the centum/satem IsoglossRichard Littauer
Tocharian was an Indo-European language spoken in ancient times in the Tarim Basin in Central Asia. While most Indo-European languages fall into either the centum or satem category based on their treatment of Proto-Indo-European palatovelars, Tocharian patterns with centum languages but also shows some satem features. This document discusses possible reasons for Tocharian's exceptionality, including language contact influencing its phonology and changes in the size and use of the Tocharian language community over time leading to changes in its phonemic inventory.
Visualising Typological Relationships: Plotting WALS with Heat MapsRichard Littauer
This document describes a new method for visualizing typological relationships by plotting data from the World Atlas of Language Structures (WALS) on heat maps. It combines geographic, phylogenetic, and linguistic data to show typological diversity visually. Previous related work on visualizing language typology, phylogeny, and geographic variation is discussed. The method is applied to 372 languages from WALS to generate heat maps of 14 linguistic features, showing potential for illuminating new areas of linguistic research.
Workflow Classification and Open-Sourcing Methods: Towards a New Publication ...Richard Littauer
Presented at the Open Knowledge Conference 2011 in Berlin.
This work is being done under the heading of DataONE. More information can be found at http://notebooks.dataone.org/workflows
Academic Research in the Blogosphere: Adapting to New Risks and Opportunities...Richard Littauer
This was a talk given at the Digital Humanities 2012 conference in Hamburg by Michael Pleyer, a coauthor on the paper and on the blog ReplicatedTypo.com.
Presentation of the Marcu 2000 ACL paper "The rhetorical parsing of unrestricted texts- A surface-based approach" for Discourse Parsing and Language Technology seminar.
Named Entity Recognition - ACL 2011 PresentationRichard Littauer
This document summarizes an analysis of the performance of three named-entity recognition systems: Stanford, LBJ, and IdentifiFinder. The analysis found differences in how each system tokenized text and the total number of entities recognized. It also found ambiguity cases where the same token was assigned different entity types within a single document. To address evaluation issues, the document proposes a standardized unit test with examples of true positive entity types and guidelines for intrinsic evaluation of named-entity recognition.
Towards Open Methods: Using Scientific Workflows in LinguisticsRichard Littauer
The document discusses how scientific workflows can be used in linguistics research to automate processing, analysis, and management of linguistic data. Workflows make research more reproducible by documenting methods. They could allow accessing and downloading open linguistic databases. Hypothetical examples show workflows linking text characters to dictionary definitions. Workflows may help standardize part-of-speech tags. Tracking workflows early can help share methods and ensure reproducibility.
Elements & Principles of Art Design PowerPointemurfield
The document outlines the elements and principles of art design. The elements are the basic parts that make up a work of art, including line, form, space, texture, shape, and color. The principles are concepts that affect the content and message, such as emphasis, movement, unity, rhythm, contrast, and variety. Elements structure the work and carry the message, while principles impact how the elements are used.
Evolution of Morphological Agreement - Peche KuchaRichard Littauer
The document discusses the evolution of morphological agreement and various theories about its origins, noting that agreement is thought to have developed gradually over time as languages evolved from protolanguages and emerged as a way to redundantly map semantic relations. It also examines how principles of canonical agreement in early languages may have influenced modern agreement systems and the role of language universals versus cultural influences on complexity. The conclusion suggests that further studying first language acquisition of agreement and modeling protolanguage systems could provide more insights into the evolution of morphology.
This document reanalyzes anatomical changes that have been attributed to the evolution of language. It argues that the descent of the larynx and loss of laryngeal air sacs were not necessarily driven by speech. The descent of the larynx may have initially occurred for size exaggeration and improved breathing before language. Evidence for when laryngeal air sacs were lost is inconclusive, and their loss could have been advantageous for directional calling and breathing efficiency regardless of language. Overall, the document concludes there are no irrefutable anatomical changes that can be traced specifically to the evolution of language abilities.
The document discusses the seven principles of design: balance, unity, emphasis, movement, rhythm, contrast, and proportion. It provides definitions and examples for each principle. Balance refers to how elements are arranged to create stability. Unity means all parts are interrelated, balanced, and organized to achieve cohesion. Emphasis uses accent or stress to draw attention to certain parts. Movement can be actual or implied through lines and shapes that guide the eye. Rhythm is created through regular repetition that establishes flow. Contrast is the difference between objects. Proportion concerns the relationship between parts and the whole in terms of size, quantity, or degree.
The document provides information about the city of Saarbrücken, Germany including that it has a population of around 175,000 people. It mentions transportation is free for students and there are also free theater tickets available. The University of Saarland is described as having 17,500 students, 15.8% of which are international students. Various campus amenities are listed such as the computational linguistics building, student union, cafeteria, and German Research Center for AI located on campus. Free German language courses and recreational activities like slacklining by the river are also noted.
The document discusses several key principles of visual art:
1) Principles of art provide guidelines for artists to organize elements in a visually pleasing composition. This includes principles like harmony, rhythm, balance, proportion, and emphasis.
2) Design is the arrangement of elements to achieve beauty. Good design carefully applies principles of art.
3) Specific principles are then defined, such as harmony creating unity among elements, and emphasis drawing attention to specific areas through techniques like color, size, or placement.
The document discusses principles of design including contrast, unity, pattern, repetition, emphasis, balance, movement, and gradation. Contrast refers to differences that create emphasis and interest. Unity relates to a sense of oneness. Pattern uses combinations of lines, colors and shapes. Repetition uses objects, lines, colors or shapes more than once. Emphasis places greater attention on certain areas. Balance creates visual equalization. Movement arranges elements to guide the eye's movement. Gradation is the gradual change of an element's value, color, or texture.
The document discusses the principles of design that govern how artists organize elements in their work. It lists seven common principles: balance, variety, rhythm, movement, pattern, proportion, and emphasis. Balance can take formal, informal, or radial forms. Variety combines elements with slight changes. Rhythm uses repetition. Movement guides the eye. Pattern is repetition of colors, lines and textures. Proportion relates parts to each other and the whole. Emphasis makes elements stand out. Harmony combines similar elements. Unity combines it all for completeness.
The document discusses the evolution of morphological agreement. It begins by defining agreement and its key components. It then examines theories about the origins of morphology, with some arguing it evolved simultaneously with syntax from protolanguage, while others see it as an independent system. The document also explores proposed stages of development from protolanguage to modern languages, with agreement marking argued to emerge at a late stage. Additionally, it is noted that the functions of agreement may have evolved for reasons like disambiguating syntactic relations or marking constituents. Overall, the document analyzes debates around the evolutionary origins and development of morphological agreement.
On Tocharian Exceptionality to the centum/satem IsoglossRichard Littauer
Tocharian was an Indo-European language spoken in ancient times in the Tarim Basin in Central Asia. While most Indo-European languages fall into either the centum or satem category based on their treatment of Proto-Indo-European palatovelars, Tocharian patterns with centum languages but also shows some satem features. This document discusses possible reasons for Tocharian's exceptionality, including language contact influencing its phonology and changes in the size and use of the Tocharian language community over time leading to changes in its phonemic inventory.
Visualising Typological Relationships: Plotting WALS with Heat MapsRichard Littauer
This document describes a new method for visualizing typological relationships by plotting data from the World Atlas of Language Structures (WALS) on heat maps. It combines geographic, phylogenetic, and linguistic data to show typological diversity visually. Previous related work on visualizing language typology, phylogeny, and geographic variation is discussed. The method is applied to 372 languages from WALS to generate heat maps of 14 linguistic features, showing potential for illuminating new areas of linguistic research.
Workflow Classification and Open-Sourcing Methods: Towards a New Publication ...Richard Littauer
Presented at the Open Knowledge Conference 2011 in Berlin.
This work is being done under the heading of DataONE. More information can be found at http://notebooks.dataone.org/workflows
Academic Research in the Blogosphere: Adapting to New Risks and Opportunities...Richard Littauer
This was a talk given at the Digital Humanities 2012 conference in Hamburg by Michael Pleyer, a coauthor on the paper and on the blog ReplicatedTypo.com.
Presentation of the Marcu 2000 ACL paper "The rhetorical parsing of unrestricted texts- A surface-based approach" for Discourse Parsing and Language Technology seminar.
Named Entity Recognition - ACL 2011 PresentationRichard Littauer
This document summarizes an analysis of the performance of three named-entity recognition systems: Stanford, LBJ, and IdentifiFinder. The analysis found differences in how each system tokenized text and the total number of entities recognized. It also found ambiguity cases where the same token was assigned different entity types within a single document. To address evaluation issues, the document proposes a standardized unit test with examples of true positive entity types and guidelines for intrinsic evaluation of named-entity recognition.
Towards Open Methods: Using Scientific Workflows in LinguisticsRichard Littauer
The document discusses how scientific workflows can be used in linguistics research to automate processing, analysis, and management of linguistic data. Workflows make research more reproducible by documenting methods. They could allow accessing and downloading open linguistic databases. Hypothetical examples show workflows linking text characters to dictionary definitions. Workflows may help standardize part-of-speech tags. Tracking workflows early can help share methods and ensure reproducibility.
Elements & Principles of Art Design PowerPointemurfield
The document outlines the elements and principles of art design. The elements are the basic parts that make up a work of art, including line, form, space, texture, shape, and color. The principles are concepts that affect the content and message, such as emphasis, movement, unity, rhythm, contrast, and variety. Elements structure the work and carry the message, while principles impact how the elements are used.
Evolution of Morphological Agreement - Peche KuchaRichard Littauer
The document discusses the evolution of morphological agreement and various theories about its origins, noting that agreement is thought to have developed gradually over time as languages evolved from protolanguages and emerged as a way to redundantly map semantic relations. It also examines how principles of canonical agreement in early languages may have influenced modern agreement systems and the role of language universals versus cultural influences on complexity. The conclusion suggests that further studying first language acquisition of agreement and modeling protolanguage systems could provide more insights into the evolution of morphology.
This document reanalyzes anatomical changes that have been attributed to the evolution of language. It argues that the descent of the larynx and loss of laryngeal air sacs were not necessarily driven by speech. The descent of the larynx may have initially occurred for size exaggeration and improved breathing before language. Evidence for when laryngeal air sacs were lost is inconclusive, and their loss could have been advantageous for directional calling and breathing efficiency regardless of language. Overall, the document concludes there are no irrefutable anatomical changes that can be traced specifically to the evolution of language abilities.
The document discusses the seven principles of design: balance, unity, emphasis, movement, rhythm, contrast, and proportion. It provides definitions and examples for each principle. Balance refers to how elements are arranged to create stability. Unity means all parts are interrelated, balanced, and organized to achieve cohesion. Emphasis uses accent or stress to draw attention to certain parts. Movement can be actual or implied through lines and shapes that guide the eye. Rhythm is created through regular repetition that establishes flow. Contrast is the difference between objects. Proportion concerns the relationship between parts and the whole in terms of size, quantity, or degree.
The document provides information about the city of Saarbrücken, Germany including that it has a population of around 175,000 people. It mentions transportation is free for students and there are also free theater tickets available. The University of Saarland is described as having 17,500 students, 15.8% of which are international students. Various campus amenities are listed such as the computational linguistics building, student union, cafeteria, and German Research Center for AI located on campus. Free German language courses and recreational activities like slacklining by the river are also noted.
1. Bahan2
Bahan A
3 biji telur Gred B - guna telur yg korang dh letak dlm fridge,
maknanya telur tu sejuk
220gm gula halus @ 1 cwn + 4 1/2 tbsp gula castor - sejukkn
gak
edit - akak guna 200gm gula kastor/granulated sugar
1 tsp ovalatte
Bahan B
150gm susu sejuk - guna Susu kotak Nestle Rendah Lemak
- Edit akak guna 3/4 cwn. Buat pg td
275gm tepung gandum* / 2 cwn + 7 tbsp
-Edit - akak guna 255gm tepung gandum
1 tsp baking Powder*
- ayak bahan2 bertanda
* Pengurangan kuantiti tepung & gula ni menghasilkn apam yg
lbh lembut
Bahan2 Lain
Apa2 filling - akak guna blueberyy filling
Kaler hitam, kuning, merah..
Edit - Tips Mengurangkan Kebarangkalian Filling Jatuh
Ramai yg bertanya camna nk atasi masalah filling jatuh.
Sbnrnya filling jatuh adalah perkara biasa dlm apam ni. Kita
cuma bleh mengurangkan kebarangkalian filling tu jatuh tp ini x
bermakna filling tu x jatuh ye.
2. Klau lama sgt masa yg diambil tuk mengukus apam ni selepas
filling dimasukkn, filling tersebut tetap akan jatuh. Selalunya
akak akan keraskn filling tu sedikit sebelum mula membuat
apam. Cara ni dpt mengurangkn masalah filling jatuh.
Cara Keraskn jem @ filling
Panaskn butter/marjerin dlm pan. Pastu masukkn agak2 1 sudu
besar tepung gandum. Kacau hgga nampak tepung tu mendidih.
Pastu masukkn jem. Kacau hgga sebati & pekat.. klau keras,
bleh tambah sedikit air. Klau lembik, bleh tambahkn lg jem.
Tutup api, angkat & biar sejuk baru guna
Sebelum nk mula kn sediakn semua Bahan2 dia tau... Besi mixer
tu pn sejukkn gk. Akak masukkn je kejap dlam fridge bahagian
atas. Ni tuk mempercepat proses mengembang & menggebukan
adunan... Yg xde stand mixer, mmg terasa lenguh tangan
memukul adunan ni.. cam akak la. Akak cuma ada hand-mixer
je...
Cara2
1. Pukul Bahan2 A hgga putih & kembang. Dia akan jd agak
likat. Sesape yg pnh buat Kuih Bahulu.. haaa.. cam2 la likatnya
adunan ni..
3. Telur + Gula + Ovalatte - sume sejuk ye.. bru kuar dr fridge...
Proses exercise tangan dh bermula dh...
Akak guna high speed - pastikan off kn kejap mixer bila dh
sampai 2 minit ye. Pastu on balik - klau x, nnt rosak plak mixer
tu
4. Adunan yg mula kembang.. go nuri go...hehehe...
Adunan yg cukup kembang - bila angkat mixer tu, adunan
meleleh & tinggalkn jejak, adunan yg berlingkar kt bawah tu la
dinamakn jejak...
2. Masukkn susu sedikit demi sedikit. Pukul sebati setiap kali
susu dimasukkan
5. Masukkn susu sedikit demi sedikit
Pukul hgga btol2 sebati & gebu & masukkn susu lagi
Buat hgga susu abis dimasukkan dalam adunan
6. Adunan yg telah cukup kembang selepas susu dimasukkn
3. Masukkn tepung sedikit demi sedikit. Pukul dgn kelajuan
perlahan. Pukul hgga likat bg setiap kali dh masukkn tepung
Masukkan tepung sedikit demi sedikit
7. Pukul perlahan & btol2 sebati baru masukkn tepung lg
Adunan yg dh sebati ngn tepung - Anda akan dapat adunan yg likat
Masa pukul tu rasa berat je...Jgn pandai2 pukul ngn high speed ye... x pasal2 rosak aset tu. Klau
yg berkuasa tinggi xpe la...
4. Amik lebih kurang 1 senduk adunan & letak kaler hitam.
Akak xde kaler hitam, so.. akak campurkn kaler merah & biru.
Dpt la kaler purple kehitaman. Bleh la. Kaler hitam mmg susah
nk dapat. Pastu harganya mmg mahal dlm RM6 - RM7 sebotol..
8. Amik 1 tbsp lg adunan & masukkn terus ke dlam piping bag. Yg
len tu bahagi 2 - 1 letak kaler merah & 1 lg kaler kuning
Adunan kaler hitam yg dimasukkn dlm piping bag
Adunan kaler hitam & ori. Filling blueberry pn masukkn dlm piping bag gk ye
10. Guna sudu tuk masukkn adunan kaler merah ke dlam
acuan lompang saiz kecik & dilapik ngn cup kertas
Isi hgga hampir penuh...
Pipe kan blueberry filling. Masa ni bleh la panaskn kukusan
11. Tutup filling ngn adunan kaler merah gak. Isi hgga separas ngn
cup kertas.. Bila dh masak nnt bru nampak montel2.
Akak buat ni x cukup penuh sebenarnya.. tu yg x nampak
montel sgt
6. Proses nk lukis Ladybird....Amik piping bag berisi adunan
kaler hitam.
Buat garis melintang cam pic kt atas
12. Gunakan kaler yg sama & pipe kn hgga memenuhi semua ruang
kt bahagian atas tu
Buat plak garis menegak cam pic kt atas
13. Then, buat dot2 la... ikut la bnyk mana dot2 nk
Pastu, amik piping bag berisi kaler ori.. pipe kn 2 dot kt atas tuk
buat mata dia
Amik piping bag kaler hitam lak. Pipe kan kt tengah2 dot yg
kaler ori/putih tu
haaaa... jd dh mata dia.. Lengkap la Ladybird kita
Yg atas tu lukisan, nampak cantik la..
yg ni real.. comot.. hehehe...
14. Ladybird yg dh siap. Tgh pose tunggu tuk masukkn dlam periuk
kukusan. Periuk tu pn dh memanggil sejak td.. dia pn x sabaq
no..
7. Kukus selama 15min ngn api sederhana.. Jgn guna api
perlahan plak.. nnt x kembang plak..& jd x brapa nk comel.
Uiks.. nape yg len plak yg kena kukus ni????? Dr mana lak dia
dtg ni??? Nape cuma ade 3 ekor Ladybird ye??? Dh la x cantik..
memalukan tuan je la korang ni...adussss...
yg ni pic yg 1st. Buat dot2 dlu.. hehehe.. test power..
15. Yg ni dh siap kukus...
Lega rasanya dh siap
Ladybird2 ni tgh posing ...
Seronok sgt bila tgk hasilnya..
Nota..
* Penutup kukusan kena lapik/balut ngn kain/towel bersih
supaya air x menitik atas permukaan apam..
16. * Kaler hitam = Royal Blue + Merah + Oren + Kuning Lemon
- akak cuma campurkn biru + merah + oren + kuning. Nisbah
sukatan akak agak2 je..
