This document discusses autocartography, which is using map-making strategies to write one's autobiography. It explains how medieval maps known as mappae mundi incorporated personal and cultural elements rather than just geography. Various examples of medieval mappae mundi are described, showing how they depicted biblical events and spiritual histories alongside real places. The document suggests approaching an autocartography by thinking of oneself as a sacred geography to map one's stories, histories, places and figures that define one's identity. It distinguishes between topos, a neutral literary space, and chora, a more emotional and relational space, saying autocartography involves a choragraphy using chora.