This lengthy document discusses Australian heritage and culture from the perspective of a streetwalking nomad. It touches on the natural landscape, Aboriginal culture, urban development, immigration, technology, and more. Specific references are made to places like the Great Southern, Sydney, Ayres Rock, and Vietnamese fishing villages. Overall, the summary attempts to capture the wide-ranging nature and philosophical musings within the document in just a few sentences.
The poem explores the poet's role in weaving illusions and dreams for dreamers through her writing, though she warns against underestimating or overestimating her abilities. She reflects on how her naivety has led to heartbreak in the past from believing in ideas like lasting love and kindness from all people. In the end, she is left as a poor poet, using her writing to work through her memories and experiences of love and heartbreak as she wonders if she truly has an audience for her work.
This document is the copyright page and introduction for the book "Great Southern Streetwalking Nomad" by Monte John Latham. It asserts the author's copyright over the work and provides contact information. It also lists some of the author's other publications and acknowledges the social and spiritual influences that nurtured the people and land of Australia.
GREAT SOUTHERN STREETWALKING NOMAD _draft11 4 18John Latham
This document provides a summary of Monte John Latham's book "Great Southern Street Walking Nomad". It includes biographical information about the author, noting he was born in Tasmania, Australia in the mid-20th century. The summary describes the book as a "loosely waxed, edited, flow of mind and subconsciousness" that reflects on geographic architecture, identities, and futures through a lyrical and lighthearted style. It also acknowledges the traditional owners of the land on which the author is writing.
Great Southern Streetwalking Nomads 1524 2286John Latham
A WORK IN PROGRESS
... Take me don’t take me, let me go with you away engulfed in your sea of joy - found interactive with a tribal family and foreigners inter-pollen and play. I don’t want to stop, simply to flow and break where necessary with a diamond facet in sync with a quasar edge to let it be the essence that nurtures a quoll, … whilst shining sanity to a witness who is a prisoner of war once leach ridden in a jungle ditch, formed at the base of a huge fallen tree whose fate was set by a bomb fallen at its other side. They are loved by many, the brave over-and-done stories of the hard won victories or the wasted lost battles that were part thereof; the lovers of the loved lean into the gloom finding a light, a warmth, an attitude, a valiance and characters to love. The story of a chapter of a life, the substance of desperate-sweat, endurance, genius, determination showing a success that one may like to share. It was here in the wind of mentality, yours and mine, the sole one; but stopping to manifest it here, I face but an echo of silence - just an error a ripple in our fluid. I am now again the pilot, my instrument keyboard, at one time a brush, is the glider in our wind. We unfold the wild wind of our angry hearts and roll out the moist words of our supreme joy. Retell me foreign gentleman … of the best way to prune the olive tree and I will explain the tapping of oil from the eucalypt and together we may see a quasar joining us through its veil. ... ./..
This document discusses the concept of space and room in both natural and built environments. It contrasts the open, fluid spaces found in nature and traditional Aboriginal dwellings with the rigid, angular rooms of modern Western architecture, characterized by three-plane corners at ceilings and floors. While people have adapted to indoor living, the document suggests built spaces can disrupt our connection to the natural world and challenges of the skyline.
Critical Aesthetics: Race, Class, Gender and Cultural Capital in Art and DesignTony Ward
This document provides an introduction to critical aesthetics. It discusses how aesthetics is usually associated with perceptions of beauty in artworks. It analyzes several famous artworks and discusses how they came to be considered beautiful and significant. It notes that art has the ability to reveal insights about the world and help people understand complex issues. The document then discusses how gnomes and other folk art objects found in everyday places can also be considered art and provoke reflection on human experiences and society. It analyzes several examples of unique homes and gardens created by ordinary people using found objects. It argues these works embody a creative spirit and philosophy shared by famous artists like Gaudi, who incorporated objects from local people into his distinctive architectural works in Barcelona
This document tells the story of Rainy and Sanya, citizens who wonder about the world. They discuss philosophical questions about nature, history, science, and the origins of the universe. They seek to understand the world through storytelling and by pondering the mysteries of life. Their discussions involve many other citizens from around the world as they contemplate humanity's relationship with nature and humanity's progress over time.
This document tells the story of Rainy and Sanya, citizens who wonder about the world. They discuss philosophical ideas about history, science, nature, and the origins of the universe. The story explores how people throughout time have sought to understand the world and make discoveries through thinking, writing, and sharing ideas. Rainy and Sanya hope to spread their sense of wonder to other citizens as their story continues across lands and centuries.
The poem explores the poet's role in weaving illusions and dreams for dreamers through her writing, though she warns against underestimating or overestimating her abilities. She reflects on how her naivety has led to heartbreak in the past from believing in ideas like lasting love and kindness from all people. In the end, she is left as a poor poet, using her writing to work through her memories and experiences of love and heartbreak as she wonders if she truly has an audience for her work.
This document is the copyright page and introduction for the book "Great Southern Streetwalking Nomad" by Monte John Latham. It asserts the author's copyright over the work and provides contact information. It also lists some of the author's other publications and acknowledges the social and spiritual influences that nurtured the people and land of Australia.
GREAT SOUTHERN STREETWALKING NOMAD _draft11 4 18John Latham
This document provides a summary of Monte John Latham's book "Great Southern Street Walking Nomad". It includes biographical information about the author, noting he was born in Tasmania, Australia in the mid-20th century. The summary describes the book as a "loosely waxed, edited, flow of mind and subconsciousness" that reflects on geographic architecture, identities, and futures through a lyrical and lighthearted style. It also acknowledges the traditional owners of the land on which the author is writing.
Great Southern Streetwalking Nomads 1524 2286John Latham
A WORK IN PROGRESS
... Take me don’t take me, let me go with you away engulfed in your sea of joy - found interactive with a tribal family and foreigners inter-pollen and play. I don’t want to stop, simply to flow and break where necessary with a diamond facet in sync with a quasar edge to let it be the essence that nurtures a quoll, … whilst shining sanity to a witness who is a prisoner of war once leach ridden in a jungle ditch, formed at the base of a huge fallen tree whose fate was set by a bomb fallen at its other side. They are loved by many, the brave over-and-done stories of the hard won victories or the wasted lost battles that were part thereof; the lovers of the loved lean into the gloom finding a light, a warmth, an attitude, a valiance and characters to love. The story of a chapter of a life, the substance of desperate-sweat, endurance, genius, determination showing a success that one may like to share. It was here in the wind of mentality, yours and mine, the sole one; but stopping to manifest it here, I face but an echo of silence - just an error a ripple in our fluid. I am now again the pilot, my instrument keyboard, at one time a brush, is the glider in our wind. We unfold the wild wind of our angry hearts and roll out the moist words of our supreme joy. Retell me foreign gentleman … of the best way to prune the olive tree and I will explain the tapping of oil from the eucalypt and together we may see a quasar joining us through its veil. ... ./..
This document discusses the concept of space and room in both natural and built environments. It contrasts the open, fluid spaces found in nature and traditional Aboriginal dwellings with the rigid, angular rooms of modern Western architecture, characterized by three-plane corners at ceilings and floors. While people have adapted to indoor living, the document suggests built spaces can disrupt our connection to the natural world and challenges of the skyline.
Critical Aesthetics: Race, Class, Gender and Cultural Capital in Art and DesignTony Ward
This document provides an introduction to critical aesthetics. It discusses how aesthetics is usually associated with perceptions of beauty in artworks. It analyzes several famous artworks and discusses how they came to be considered beautiful and significant. It notes that art has the ability to reveal insights about the world and help people understand complex issues. The document then discusses how gnomes and other folk art objects found in everyday places can also be considered art and provoke reflection on human experiences and society. It analyzes several examples of unique homes and gardens created by ordinary people using found objects. It argues these works embody a creative spirit and philosophy shared by famous artists like Gaudi, who incorporated objects from local people into his distinctive architectural works in Barcelona
This document tells the story of Rainy and Sanya, citizens who wonder about the world. They discuss philosophical questions about nature, history, science, and the origins of the universe. They seek to understand the world through storytelling and by pondering the mysteries of life. Their discussions involve many other citizens from around the world as they contemplate humanity's relationship with nature and humanity's progress over time.
This document tells the story of Rainy and Sanya, citizens who wonder about the world. They discuss philosophical ideas about history, science, nature, and the origins of the universe. The story explores how people throughout time have sought to understand the world and make discoveries through thinking, writing, and sharing ideas. Rainy and Sanya hope to spread their sense of wonder to other citizens as their story continues across lands and centuries.
This document provides information about the editorial team and staff of the Bolivian Express magazine. It lists the directors, partners, editorial team members, web and legal staff, printing and advertising manager, commercial manager, general coordinator, head of production, production assistant, domestic coordinator, head of design and photography, journalists, and contact information. It also provides a table of contents for the August 2015 issue and details on how to advertise with the magazine.
This document provides an imaginative retelling of Indigenous life in Hobart, Tasmania from the perspective of an Indigenous man. It describes the man standing by a brook, observing his surroundings which include trees, birds, and a small nearby island. It then contrasts this natural setting with the modern urban landscape of Hobart that was later built over the area, imagining how the man might react to the dramatic changes to his homeland over time. The work aims to highlight the loss of Indigenous connection to the land due to European colonization.
Gambado is screening a camera's celebration of a cake party. Various people such as Gammas, Byllytia, and Granulated Grains are helping to prepare and decorate for the first celebration of Gambado's camera. The camera will focus on capturing images of the people in attendance to commemorate the event.
Gambado is a screenwriter who is celebrating his camera's achievements with a cake party. He writes stories that are based on both real and imaginary events, characters, and places. Granulated Grains helps Gambado decorate and prepare for the first celebration of images captured by Gambado's camera, which focus on both reality and imagination. Gambado strives to avoid making his stories too realistic or fictional and wants to thoughtfully represent the minds of his people.
Gambado is a camera that is celebrating with a cake at a party. It focuses on the people at the party through its lens. Granulated Grains decorates for the party and Gambado's camera. Gambado is told not to make the story too realistic or fictional, but to capture the truth. Gambado starts filming to celebrate the inspiration of the cake through motions and emotions, documenting the story in a script.
Rolf Harris has released a new collection of 10 paintings personally selected from his studio. The collection shows the versatility, depth, and vitality of Harris' work, featuring landscapes from Amsterdam, Australia, Venice, and Kenya. Each painting in the collection has been reproduced as a high quality limited edition print, individually signed by Harris and numbered for authenticity.
This document provides information about the Battered Moons Poetry Competition 2011, including the 7 winning poems and 3 additional poems by organizers. It introduces the competition judges and winners, whose poems are included. It describes the competition receiving over 150 entries in its second year and being made possible by various supporters. The competition aimed to share accomplished poems that grabbed attention and had resonance. The winning poems are arranged to provide contrast between each other like a recital. Biographies of the winners and judges are also provided.
The Stream of Consciousness: A Cerebration of PoetryJinglyNama
An amateur prose writer strays into the dangerous wilderness of Verse- and lives to tell the tale.
A gripping narrative on the mysteries and dangers of casual rhyme.
The document discusses the photographer Dante Busquets' ongoing project "False Memory" which documents the environmental and social impacts of resource extraction across Latin America since European colonization. The project is inspired by Eduardo Galeano's book "Open Veins of Latin America" which describes how precious metals and other resources were stripped from indigenous civilizations and environments, fueling European development while leaving Latin American lands depleted. Busquets photographs abandoned mining towns in Mexico and Bolivia that once thrived on booms but are now ghost towns. His images show the lingering effects of centuries of exploitation and the current toll of ongoing extraction. The project aims to provoke thought on Latin America's "false memory" implanted by its role as a source
An immersive installation that utilizes the new brushes of the digital age to take America’s sense of place landscape tradition
from its birthplace — Kaaterskill Falls into the virtual realm.
A transformative visualization of the new century’s experiential learning potential through the hybridity of art and technology.
CoLabART - Lynn Small + Dennis Paul, EARTH ELEGIES III
As part of the Amsterdam Rietveld Academy's Studium Generale programme I held this lecture in March 2003 as part of a series of lectures and presentations centered around the contemporary city. In this lecture I perceive the modern city as a datascape running parallel with the intricate socio-cultural web of human exchange. Here, the city is readable and 'mappable' in many different ways.
Descargar libros electronicos Upstate: Living Spaces with Space to LiveFarizPrimastiny
Bucher abrufen Upstate: Living Spaces with Space to Live
Upstate: Living Spaces with Space to Live
This inspiring collection of compelling and characterful interiors will have city and country dwellers alike dreaming of carving out a personal haven far beyond the big city.Through two hundred newly commissioned photographs and engaging profiles of twelve unique, personal, and creative interiors on both sides of the Hudson, Upstate features a variety of spaces--from tranquil minimalist retreats to exuberant small-town residences. Among them are a farmhouse of globetrotting food photographers, a lavender-hued Victorian brimming with eclectic curios, a striking cottage with modern furnishings and elegant Georgian bones, and the country-house-on-acid of an artist and art director, complete with giant mushroom side tables and permanently installed party streamers. Shared by these distinctive spaces is a common approach to decoration that centers on collections gradually accumulated, delights in the handmade, embraces the beauty in imperfection, and values comfort and character above all.
Get Book in here : 1580935362
The story describes Santa Claus arriving on Christmas Eve to deliver presents to children. He arrives silently on his sleigh pulled by reindeer, dropping down chimneys to leave gifts under the tree. Though his visit is brief, the memory and spirit of Santa Claus is kept alive as the story is retold from generation to generation, allowing both children and adults to hold on to the magic and wonder of Christmas.
This document provides a summary of the 2013 Voiceless anthology, which was selected by J.M. Coetzee and others to promote respect, compassion, and understanding for animals. The summary discusses several stories and essays in the anthology that approach the topic of human-animal relations from different perspectives, such as advocating for vegetarianism, respecting indigenous hunting traditions, examining the ethics of animal agriculture, and highlighting the plight of factory farmed animals. Overall, the reviewer finds the anthology to be a varied and thoughtful collection that addresses this controversial issue without resorting to overly emotive language or graphic depictions.
The document contains 15 poems by various authors. The poems cover a range of topics including reflections on aging, nature, relationships, and cultural experiences. They utilize different styles and forms of poetry to express ideas in brief, imaginative ways.
This 3 sentence summary provides the key details from the document:
The document is an excerpt from Joseph Conrad's novella "Heart of Darkness" which describes a group of men relaxing on a boat called the Nellie at dusk on the Thames river. It introduces the character Marlow and sets the scene as the men wait for the tide to turn before continuing down the river, with Marlow preparing to tell them a story from his sailing experiences.
“Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.
This document provides a descriptive summary of a bal at Carnival Village. It describes the village as being located between the Atlantic and Pacific Oceans, around the island of the World. It follows some travelers as they make their way to the village of Carnival for the bal. The bal brings together people from around the world, represented by different continents. Music plays an important role, with the sound of a harmonica signaling the start of the bal. The village of Carnival is depicted as a place that brings people together and inspires dreams.
The document provides a summary of the short story "The Legend of Sleepy Hollow" by Washington Irving. It describes the setting of Sleepy Hollow as a quiet valley inhabited by descendants of Dutch settlers. It introduces Ichabod Crane, the schoolmaster of Sleepy Hollow, and describes him as a tall, lanky and superstitious man. It details how Ichabod ingratiates himself with the community by assisting on farms and leading the church choir. The summary concludes by describing how Ichabod enjoys frightening himself with ghost stories told by the old Dutch wives in the village.
Cultural Conquest by cablecar submission 20 6 21John Latham
The document discusses development proposals for Thylacine Bluff on Mount Wellington in Hobart, Tasmania. It raises concerns that:
1) Incremental development could degrade the wild character of Thylacine Bluff and impact local flora and fauna. The area provides a contrast to the urban city below and should be protected from overdevelopment.
2) Proposals are often justified by economic arguments but fail to properly consider environmental and social impacts. Commercial interests may overwhelm important cultural and natural values.
3) Increased vehicle access and tourism infrastructure like cable cars could disturb the sense of isolation and natural beauty that makes Thylacine Bluff special. Limited development is preferable to preserve its wilderness qualities
Bobby Dazzler has an epiphany while eating breakfast about how ordinary things like his kitchen are connected to people globally. He thinks about the global housing crisis and unsustainable development as he rides the bus to work. A fellow passenger enthusiastically discusses her new house but Bobby is concerned about the environmental and social impacts of unchecked housing development. He wonders how to resolve housing issues in an ecological way while also supporting his family with his job in the housing industry. The document explores the complex meaning and impacts of "house" from different cultural perspectives.
More Related Content
Similar to Aus national heritage latham debox 8 5 21
This document provides information about the editorial team and staff of the Bolivian Express magazine. It lists the directors, partners, editorial team members, web and legal staff, printing and advertising manager, commercial manager, general coordinator, head of production, production assistant, domestic coordinator, head of design and photography, journalists, and contact information. It also provides a table of contents for the August 2015 issue and details on how to advertise with the magazine.
This document provides an imaginative retelling of Indigenous life in Hobart, Tasmania from the perspective of an Indigenous man. It describes the man standing by a brook, observing his surroundings which include trees, birds, and a small nearby island. It then contrasts this natural setting with the modern urban landscape of Hobart that was later built over the area, imagining how the man might react to the dramatic changes to his homeland over time. The work aims to highlight the loss of Indigenous connection to the land due to European colonization.
Gambado is screening a camera's celebration of a cake party. Various people such as Gammas, Byllytia, and Granulated Grains are helping to prepare and decorate for the first celebration of Gambado's camera. The camera will focus on capturing images of the people in attendance to commemorate the event.
Gambado is a screenwriter who is celebrating his camera's achievements with a cake party. He writes stories that are based on both real and imaginary events, characters, and places. Granulated Grains helps Gambado decorate and prepare for the first celebration of images captured by Gambado's camera, which focus on both reality and imagination. Gambado strives to avoid making his stories too realistic or fictional and wants to thoughtfully represent the minds of his people.
Gambado is a camera that is celebrating with a cake at a party. It focuses on the people at the party through its lens. Granulated Grains decorates for the party and Gambado's camera. Gambado is told not to make the story too realistic or fictional, but to capture the truth. Gambado starts filming to celebrate the inspiration of the cake through motions and emotions, documenting the story in a script.
Rolf Harris has released a new collection of 10 paintings personally selected from his studio. The collection shows the versatility, depth, and vitality of Harris' work, featuring landscapes from Amsterdam, Australia, Venice, and Kenya. Each painting in the collection has been reproduced as a high quality limited edition print, individually signed by Harris and numbered for authenticity.
This document provides information about the Battered Moons Poetry Competition 2011, including the 7 winning poems and 3 additional poems by organizers. It introduces the competition judges and winners, whose poems are included. It describes the competition receiving over 150 entries in its second year and being made possible by various supporters. The competition aimed to share accomplished poems that grabbed attention and had resonance. The winning poems are arranged to provide contrast between each other like a recital. Biographies of the winners and judges are also provided.
The Stream of Consciousness: A Cerebration of PoetryJinglyNama
An amateur prose writer strays into the dangerous wilderness of Verse- and lives to tell the tale.
A gripping narrative on the mysteries and dangers of casual rhyme.
The document discusses the photographer Dante Busquets' ongoing project "False Memory" which documents the environmental and social impacts of resource extraction across Latin America since European colonization. The project is inspired by Eduardo Galeano's book "Open Veins of Latin America" which describes how precious metals and other resources were stripped from indigenous civilizations and environments, fueling European development while leaving Latin American lands depleted. Busquets photographs abandoned mining towns in Mexico and Bolivia that once thrived on booms but are now ghost towns. His images show the lingering effects of centuries of exploitation and the current toll of ongoing extraction. The project aims to provoke thought on Latin America's "false memory" implanted by its role as a source
An immersive installation that utilizes the new brushes of the digital age to take America’s sense of place landscape tradition
from its birthplace — Kaaterskill Falls into the virtual realm.
A transformative visualization of the new century’s experiential learning potential through the hybridity of art and technology.
CoLabART - Lynn Small + Dennis Paul, EARTH ELEGIES III
As part of the Amsterdam Rietveld Academy's Studium Generale programme I held this lecture in March 2003 as part of a series of lectures and presentations centered around the contemporary city. In this lecture I perceive the modern city as a datascape running parallel with the intricate socio-cultural web of human exchange. Here, the city is readable and 'mappable' in many different ways.
Descargar libros electronicos Upstate: Living Spaces with Space to LiveFarizPrimastiny
Bucher abrufen Upstate: Living Spaces with Space to Live
Upstate: Living Spaces with Space to Live
This inspiring collection of compelling and characterful interiors will have city and country dwellers alike dreaming of carving out a personal haven far beyond the big city.Through two hundred newly commissioned photographs and engaging profiles of twelve unique, personal, and creative interiors on both sides of the Hudson, Upstate features a variety of spaces--from tranquil minimalist retreats to exuberant small-town residences. Among them are a farmhouse of globetrotting food photographers, a lavender-hued Victorian brimming with eclectic curios, a striking cottage with modern furnishings and elegant Georgian bones, and the country-house-on-acid of an artist and art director, complete with giant mushroom side tables and permanently installed party streamers. Shared by these distinctive spaces is a common approach to decoration that centers on collections gradually accumulated, delights in the handmade, embraces the beauty in imperfection, and values comfort and character above all.
Get Book in here : 1580935362
The story describes Santa Claus arriving on Christmas Eve to deliver presents to children. He arrives silently on his sleigh pulled by reindeer, dropping down chimneys to leave gifts under the tree. Though his visit is brief, the memory and spirit of Santa Claus is kept alive as the story is retold from generation to generation, allowing both children and adults to hold on to the magic and wonder of Christmas.
This document provides a summary of the 2013 Voiceless anthology, which was selected by J.M. Coetzee and others to promote respect, compassion, and understanding for animals. The summary discusses several stories and essays in the anthology that approach the topic of human-animal relations from different perspectives, such as advocating for vegetarianism, respecting indigenous hunting traditions, examining the ethics of animal agriculture, and highlighting the plight of factory farmed animals. Overall, the reviewer finds the anthology to be a varied and thoughtful collection that addresses this controversial issue without resorting to overly emotive language or graphic depictions.
The document contains 15 poems by various authors. The poems cover a range of topics including reflections on aging, nature, relationships, and cultural experiences. They utilize different styles and forms of poetry to express ideas in brief, imaginative ways.
This 3 sentence summary provides the key details from the document:
The document is an excerpt from Joseph Conrad's novella "Heart of Darkness" which describes a group of men relaxing on a boat called the Nellie at dusk on the Thames river. It introduces the character Marlow and sets the scene as the men wait for the tide to turn before continuing down the river, with Marlow preparing to tell them a story from his sailing experiences.
“Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.
This document provides a descriptive summary of a bal at Carnival Village. It describes the village as being located between the Atlantic and Pacific Oceans, around the island of the World. It follows some travelers as they make their way to the village of Carnival for the bal. The bal brings together people from around the world, represented by different continents. Music plays an important role, with the sound of a harmonica signaling the start of the bal. The village of Carnival is depicted as a place that brings people together and inspires dreams.
The document provides a summary of the short story "The Legend of Sleepy Hollow" by Washington Irving. It describes the setting of Sleepy Hollow as a quiet valley inhabited by descendants of Dutch settlers. It introduces Ichabod Crane, the schoolmaster of Sleepy Hollow, and describes him as a tall, lanky and superstitious man. It details how Ichabod ingratiates himself with the community by assisting on farms and leading the church choir. The summary concludes by describing how Ichabod enjoys frightening himself with ghost stories told by the old Dutch wives in the village.
Similar to Aus national heritage latham debox 8 5 21 (20)
Cultural Conquest by cablecar submission 20 6 21John Latham
The document discusses development proposals for Thylacine Bluff on Mount Wellington in Hobart, Tasmania. It raises concerns that:
1) Incremental development could degrade the wild character of Thylacine Bluff and impact local flora and fauna. The area provides a contrast to the urban city below and should be protected from overdevelopment.
2) Proposals are often justified by economic arguments but fail to properly consider environmental and social impacts. Commercial interests may overwhelm important cultural and natural values.
3) Increased vehicle access and tourism infrastructure like cable cars could disturb the sense of isolation and natural beauty that makes Thylacine Bluff special. Limited development is preferable to preserve its wilderness qualities
Bobby Dazzler has an epiphany while eating breakfast about how ordinary things like his kitchen are connected to people globally. He thinks about the global housing crisis and unsustainable development as he rides the bus to work. A fellow passenger enthusiastically discusses her new house but Bobby is concerned about the environmental and social impacts of unchecked housing development. He wonders how to resolve housing issues in an ecological way while also supporting his family with his job in the housing industry. The document explores the complex meaning and impacts of "house" from different cultural perspectives.
Ergothetics is defined as the art of designing built environments to fit ergonomic needs and allow for comfortable movement. It aims to create spaces without obstructions through welcoming shapes, legroom, and accessibility. An ergothetically designed space follows streamlined and organic aesthetics to facilitate movement and handling with a sense of joy. Applied ergothetics can help resolve overly boxed housing designs by optimizing practical construction alongside dweller aesthetics and equal access for all abilities.
This document is a proposal from M. John Latham - Architect (Debox-Degrid Architecture) to Clarence City Council for developing a streetscape plan for Lindisfarne Village. The proposal outlines a process that includes gathering design information through stakeholder consultation, developing a framework plan, and producing background and collaboration reports and a final streetscape plan. If selected, the architect would conduct research, facilitate a public forum, and work with the Council to create a plan that enhances the village's character while meeting stakeholders' needs. The proposed budget is $35,000 and the timeframe is 3 months.
Balance & Opportunity in East Devonport Urban RenovationJohn Latham
This document outlines Debox_Degrid Architecture's proposal to develop an overall urban architectural scheme and special place designs for East Devonport, Tasmania. It involves gathering design information through stakeholder workshops and research. Personnel such as a planner, drafter, artist and other specialists would help develop an overall plan, special place designs, and sketch details. Computer modeling and summary guidelines would communicate the designs. The proposed budget is $47,000 for the principal's and personnel's time over 9 weeks. Additional costs could include computer modeling services. Prior experience with similar urban design projects is also referenced.
This document appears to be technical in nature and discusses immunology concepts but provides little contextual information to summarize. It includes abbreviations and technical terms but no clear topic, narrative, or main ideas are presented in the brief text. More context would be needed to generate an informative summary.
The document is a proposal from consultants John Latham and Peter McFie to undertake work for the Devonport City Council on the settlement heritage of Devonport and environs.
The consultants propose to produce three documents: a history document, an inventory document, and a strategy document providing a basis for applying authentic settlement heritage to Devonport's ongoing development. John Latham will manage the project and focus on planning, design, and strategy elements. Peter McFie will focus on historical research and cultural understandings.
Both consultants have extensive relevant experience. They propose a collaborative process involving community engagement and input. The documents are intended to provide inspiration and flexible guidance for conservation and development decisions in Devonport.
Hollybank Wedgetails Eden Tourism SubmissionJohn Latham
This document proposes a major tourism development for Hollybank Forest. It identifies three key aspects of the forest - the highest points, the lowest ravine junction, and cultural/built activities. It suggests sensitively developing these areas with attractions like lookouts, bungee jumping, and walking tracks to create a cohesive visitor experience while protecting the forest's character. The highest priority is preparing infrastructure like bridges and a circuit track to facilitate commercial leases of potential business sites and drive long-term growth as a family-focused theme park. Approvals and further feasibility studies are required before finalizing plans.
Community Environment Art & Design TownscapeJohn Latham
The document summarizes four townscape projects led by John Latham as the community townscape architect. The projects include:
1) The St Marys Townscape Project which produced a report addressing issues in the township and providing development opportunities.
2) The Bicheno Townscape Manual which was produced in collaboration with the community and local councils to provide guidance on the town's character.
3) The St Helens Townscape Plan which addressed the community's vision for the future of the town as both a tourism destination and seaside community.
4) The North Hobart Townscape Project which engaged designers and artists to establish an ongoing development program for Central North Hobart.
The document proposes revitalizing the area where the British first established tents upon settling Hobart, now obscured by urban development. It envisions constructing a new "Settlement Hall" building with interpretive displays about the original landscape and indigenous people. The building would provide orientation around the original shoreline and link the central business district to the docks, restoring a connection to Tasmania's colonial roots. The project aims to renew the area's cultural and historic significance through sustainable redevelopment respecting the landscape.
This document proposes the development of the Old Shore Public Landscape and Cultural Heritage Precinct in Hobart, Tasmania. The precinct would include several important landmarks and public spaces in the area surrounding the Hobart waterfront. The proposal aims to [1] enhance the local identity and sense of place through landscape design that connects the area's human and natural history, [2] establish the precinct as a transition zone between the CBD and waterfront that carries public spaces and amenities, and [3] rival the tourism of Port Arthur through cultural interpretation of the site. Key elements include reconnecting pedestrian access to the waterfront, diminishing the barrier of Davey Street, and indicating the original shoreline landscape through native tree plantings. The estimated
The document proposes 5 adjustments to the Hobart Rivulet Park master plan to better highlight the natural and cultural heritage of the area. It suggests:
1. Showing the trail along the old rivulet course where it meets Macquarie Street.
2. Changing the preferred pedestrian route from Elizabeth Street grid to along the rivulet course for better access.
3. Allowing a concept plan for a "Buried Brook Promenade" trail along the rivulet from the docks to the CBD.
4. Noting the convicts who camped by the rivulet at the mall as an important heritage value.
5. Using "urban plastic surgery" to connect the
Sorell community administration centre a4 docJohn Latham
This document provides an expression of interest and tender from DeBox Architectures for a proposed Community Administration Centre in Sorell. It includes 3 drawings. The proposal includes fully resolved schematic design, construction documents, tendering and contract administration for $50,000. It discusses the site location and considers heritage aspects of the area. The design aims to complement the railway heritage and be sympathetic to future developments.
The document proposes the design and construction of a new Community Administration Centre for the Sorell Municipal Council in Tasmania. It includes a notional future precinct plan showing how the new building could be situated within a redeveloped area focused around the area's rail heritage. The proposed building would be approximately 1200 square meters over two stories, constructed with a simple but detailed design incorporating cues from significant local heritage buildings. Within a proposed $25,000 per square meter budget, the building aims to provide a dignified civic presence for the precinct while utilizing modern materials and technologies.
Natural Heritage icons and amenity of smaller scale than ‘the mountain’ prevail throughout Tasmania’s settled areas. Even people local to these Natural aspects easily overlook the pressures on them - even whilst enjoying them. This is partly because of a concept that Natural Heritage is far-away wilderness. It is partly that the pressures are largely future. And partly the settler’s tradition of private ownerships.
“You don’t know what you’ve got ‘till its gone!” This is true whether we’re “putting up a parking lot”, nailing up sheets of medium density chipboard; or whether we’re running with the global, and locally manic, population centralisation ethos. The latter is my point here; another key concern to Tasmania.
The letter discusses the development pressures facing Seven Mile Beach in Tasmania and the incremental loss of natural assets to urban sprawl. It argues that Seven Mile Beach is a unique and valuable natural asset for both its recreational and socio-economic benefits. However, without stronger protections through planning and conservation efforts, the beach is at risk of being transformed from a rare and wonderful natural treasure accessible to all, to something that could be found anywhere else. The letter calls for a more holistic evaluation of Tasmania's priority natural assets and implementation of tougher laws to defend them from development pressures.
This document requests a complete settlement infrastructure and impact plan for Tasmania Together. The plan would include broadscale resource inventories, public access plans, urban development plans, limited impact transportation plans, utility placement plans, and standards for improving indoor workspaces. A cross-section of local, regional, and government representatives would comprise flexible task-specific committees to develop each plan, with ultimate approval given to the affected local communities. The plans would be implemented by shared resource bodies to help all communities, especially smaller, poorer, and more isolated ones, benefit from development expertise.
This document provides a vision for reorganizing Tasmania into a unified "City of Gondwana" or "Island City" made up of distinct towns and locales rather than a traditional urban sprawl. It proposes designing the state as an "inside-out mega-city" where the towns and natural areas serve as the "botanical gardens" embedded in the countryside rather than separated from it. This aims to preserve the unique character of communities while improving access and fostering local culture and identity over anonymous suburbs. Snapshots provide examples of how different towns may develop under this model from hi-tech eco-towns to grassroots cultural hubs.
The document discusses the importance of considering architecture and built heritage in a holistic context that includes natural surroundings and urban planning. It argues that architectural heritage should be valued not just for its own sake, but for how it can connect to and enhance cultural currency and future development through sensitive renovation and addition. The author worries that in Tasmania, architectural currency and development are not prioritized and that heritage bodies focus narrowly on preservation without consideration for how heritage can integrate with new designs.
Food safety, prepare for the unexpected - So what can be done in order to be ready to address food safety, food Consumers, food producers and manufacturers, food transporters, food businesses, food retailers can ...
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
A Guide to AI for Smarter Nonprofits - Dr. Cori Faklaris, UNC CharlotteCori Faklaris
Working with data is a challenge for many organizations. Nonprofits in particular may need to collect and analyze sensitive, incomplete, and/or biased historical data about people. In this talk, Dr. Cori Faklaris of UNC Charlotte provides an overview of current AI capabilities and weaknesses to consider when integrating current AI technologies into the data workflow. The talk is organized around three takeaways: (1) For better or sometimes worse, AI provides you with “infinite interns.” (2) Give people permission & guardrails to learn what works with these “interns” and what doesn’t. (3) Create a roadmap for adding in more AI to assist nonprofit work, along with strategies for bias mitigation.
Combined Illegal, Unregulated and Unreported (IUU) Vessel List.Christina Parmionova
The best available, up-to-date information on all fishing and related vessels that appear on the illegal, unregulated, and unreported (IUU) fishing vessel lists published by Regional Fisheries Management Organisations (RFMOs) and related organisations. The aim of the site is to improve the effectiveness of the original IUU lists as a tool for a wide variety of stakeholders to better understand and combat illegal fishing and broader fisheries crime.
To date, the following regional organisations maintain or share lists of vessels that have been found to carry out or support IUU fishing within their own or adjacent convention areas and/or species of competence:
Commission for the Conservation of Antarctic Marine Living Resources (CCAMLR)
Commission for the Conservation of Southern Bluefin Tuna (CCSBT)
General Fisheries Commission for the Mediterranean (GFCM)
Inter-American Tropical Tuna Commission (IATTC)
International Commission for the Conservation of Atlantic Tunas (ICCAT)
Indian Ocean Tuna Commission (IOTC)
Northwest Atlantic Fisheries Organisation (NAFO)
North East Atlantic Fisheries Commission (NEAFC)
North Pacific Fisheries Commission (NPFC)
South East Atlantic Fisheries Organisation (SEAFO)
South Pacific Regional Fisheries Management Organisation (SPRFMO)
Southern Indian Ocean Fisheries Agreement (SIOFA)
Western and Central Pacific Fisheries Commission (WCPFC)
The Combined IUU Fishing Vessel List merges all these sources into one list that provides a single reference point to identify whether a vessel is currently IUU listed. Vessels that have been IUU listed in the past and subsequently delisted (for example because of a change in ownership, or because the vessel is no longer in service) are also retained on the site, so that the site contains a full historic record of IUU listed fishing vessels.
Unlike the IUU lists published on individual RFMO websites, which may update vessel details infrequently or not at all, the Combined IUU Fishing Vessel List is kept up to date with the best available information regarding changes to vessel identity, flag state, ownership, location, and operations.
This report explores the significance of border towns and spaces for strengthening responses to young people on the move. In particular it explores the linkages of young people to local service centres with the aim of further developing service, protection, and support strategies for migrant children in border areas across the region. The report is based on a small-scale fieldwork study in the border towns of Chipata and Katete in Zambia conducted in July 2023. Border towns and spaces provide a rich source of information about issues related to the informal or irregular movement of young people across borders, including smuggling and trafficking. They can help build a picture of the nature and scope of the type of movement young migrants undertake and also the forms of protection available to them. Border towns and spaces also provide a lens through which we can better understand the vulnerabilities of young people on the move and, critically, the strategies they use to navigate challenges and access support.
The findings in this report highlight some of the key factors shaping the experiences and vulnerabilities of young people on the move – particularly their proximity to border spaces and how this affects the risks that they face. The report describes strategies that young people on the move employ to remain below the radar of visibility to state and non-state actors due to fear of arrest, detention, and deportation while also trying to keep themselves safe and access support in border towns. These strategies of (in)visibility provide a way to protect themselves yet at the same time also heighten some of the risks young people face as their vulnerabilities are not always recognised by those who could offer support.
In this report we show that the realities and challenges of life and migration in this region and in Zambia need to be better understood for support to be strengthened and tuned to meet the specific needs of young people on the move. This includes understanding the role of state and non-state stakeholders, the impact of laws and policies and, critically, the experiences of the young people themselves. We provide recommendations for immediate action, recommendations for programming to support young people on the move in the two towns that would reduce risk for young people in this area, and recommendations for longer term policy advocacy.
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
The Antyodaya Saral Haryana Portal is a pioneering initiative by the Government of Haryana aimed at providing citizens with seamless access to a wide range of government services
About Potato, The scientific name of the plant is Solanum tuberosum (L).Christina Parmionova
The potato is a starchy root vegetable native to the Americas that is consumed as a staple food in many parts of the world. Potatoes are tubers of the plant Solanum tuberosum, a perennial in the nightshade family Solanaceae. Wild potato species can be found from the southern United States to southern Chile
Synopsis (short abstract) In December 2023, the UN General Assembly proclaimed 30 May as the International Day of Potato.
Donate to charity during this holiday seasonSERUDS INDIA
For people who have money and are philanthropic, there are infinite opportunities to gift a needy person or child a Merry Christmas. Even if you are living on a shoestring budget, you will be surprised at how much you can do.
Donate Us
https://serudsindia.org/how-to-donate-to-charity-during-this-holiday-season/
#charityforchildren, #donateforchildren, #donateclothesforchildren, #donatebooksforchildren, #donatetoysforchildren, #sponsorforchildren, #sponsorclothesforchildren, #sponsorbooksforchildren, #sponsortoysforchildren, #seruds, #kurnool
1. AUSNATIONAL HERITAGE
EXCERPT ‘Streetwalkin Nomad’ MJLatham 8 5 21
The baseline of groundandcountry
… this wonderfulold land massof ours.
(Itwas still there lastIlooked);
Thismassive heritage bulkof detailedlandcountrysubstance thatwe pragmaticallyadaptand
renovate;
we all touch itsbroaderearth andthenjoinhands,beautiful naturedplaces,vastcloudroofed
kernel-roomsandforestwalls,valleysandcoves –the awesomeminutiaeasmuch as and singular
with thebroad awe;
all filteredintrinsicwithsunlightsandmoonlightsflickeringeyesresting,throughanotherclear
sheetof rigidmeltedsand,onthe shadowsof eucalyptleavesfallingtothose leafs intheir
shadowedlightlee,all of themwaftingandwavinginthe movingairswiththe coloursof
photosynthesis,whitishreflectedlight,grayedatshadow andmergingwithfleshyfickledlimbsand
theirfractal-likedisseminationtothe fine line enteringeachleaf. All thiscutoff straightbythe
window-sill paintedsimilarincolourandreflectingthe same lightalbeitaverytightmomentlater
ontothe curtain-foldagainof similartone.Butthere’snoughtmuchsimilarityinthe fragrant
fragrance,not odour,scent,or smell butblendedfragrance finelyvariedleafwithleaf tone with
tone,hue withhue andinsectarmpitstoo.
Thisis incountrynot a lot intownletalone cityand megalopolis,huge railwayyardoropencut
impost.Canwe shouldwe notdo withoutall of some or some at least.
It is this baseenvironmenthomeof thezindigian-
australian thatwerenovate,adapt,enhance,filter,
tap,cut & shunt,into quarries,mines,forestcoupes,
rangepasses,building footings,sewerpondsforpublic
realm, workplace,residentialgeographicplace,
houses,very largeconstructions,highwaysand air
strips.
We still usuallysitourcityhallswhere we will,onlytostifle acritical soul of place inour little
townsroom-boomingsprawl.
What will we dowhere will we goaswe renovate the landonwardswithestablisheddemo-
geographicprevail andimpost?Ye
olde handsplittimberslab will rarelyor
nevernow be built – or will itindeed?!
The Aboriginesnosteelen blademade;
trulywas itat all needed.
A eucalyptplantationwithsilicon-cleversplitting
mechanicsmightproduce perfectlysplitundamaged
surface graintimbersthatwill weatherlong-timein
uncut grainnatural resilience torainand rot,going
silvergrayand needingnotchemical sealant. Enhance
the new mechanical advantageswithnew forest
Slab roof.. never
known a liquidcoat
other thanrain&
melting kunanyington
snow.
Photo from old glass
slide: J&MGrist
2. breeding&we may well have abeautiful fine detailedbuildingmaterial.Maybe we haven’tseen
the last of thisessentiallydelightful architecture.
The glowingred-orange tickticktickof the automobile trafficturnindicatorlikelywillbe around
for a while inourpublicarchitecturesthoughenhancedtofacilitatedriverlesssilenttechnology.
For manysuch audio-visualfunctioningshave dailyoftensubliminalpartsinoursensorymelee.
Great Southernandanywhere global share …sowhat isour great southernuniquenessandor
special charactersfromwhichwe grow - red desertandabundantgray-greenandsandcoastal
withpeople of wildernessthatwasisinfact home of endlessoutdoorindoorsmeetingwithpeople
of the seaand back-home foreignvastcadasteredindoorsandabove all …guns bangbang.
BetweenyourAyresRockback to uluruthenacross to the operahouse,streetsweepcleanthe
australianuglinesspillowbuiltonprime lands….Woooopsfeelingsickagainabouttomeltoff the
chair here todayisit too late heyhey.Isthere hope while we play,‘vinegar and brownpaper’the
orderof the day; I have to relyonothersto carry that day. Makingdo withsome adhoc
computeroid ticker-tape clues:the genome is the concentriccentre of the atom-star-gravity
triangle.That’ll dogive me some soul thatIcan breathe.Streetwalkingnomadfindsfocusin
countrysoul,as he walksdownSydneyLane,nosidewaysintofluorescentvoidlike Geogalong
walkingthroughthe house utilisingsome space-floorandnotother. There are parts where people
don’tneedtogo. There are people still…a tad too many,and lookingforoursunnybeachesto
blendwiththeirownculture,andsothe agony-joy of zindigenous acclimations&adaptations.
Theyare there:here withusnowtogetherandapart. Our dance isdisjointedandsome
disappointedwiththe future thathasevolvedfromtheirpast.How manyknow and how many
presume;whichdoandwhichdon’t:goldinthe rabble,rabble aboutthe gold.Sosomany: so so
fewknowanddo. Vietnamese justo’erthere –partof the picture frame of our heritage chunkof
land,suchlovelypeopleasa pairof theirownshoeshumble.Humbleandlovelybutstill bickerand
leanonthe bodythat will fall atthe beginningthattheysee asan end.Quy Nhomtownbysome
watera saltyshore withwavesabubble andthe fisherman’soar.We surge as a teamas a crew
tastingof salt and bite onthe meatdrawn fromthe net.Lookingto the leftandto the right
thinkingof the centre asour self,of the writeras someone else.Takingoff the shoe becauseit’s
become all wet,bothfootandshoe are betteroff dryinginthe warmthof the breeze blownsun.
The fishhooksnagsthe little toe andherbloodwatered,asitmeton herskinthe brine;wasno
worryat all,notat all,take me home fishingpal,take me toshore,we have a fishandmy shoe is
wet,take me home to the mat wovenfloorandthe hot little cookbox thatgrandpabroughtand
uncle installed.The youngwomenrememberedbythe glowingwood,now orange emberedand
saw inhervisiona hintof dangerousfission,notatall far,in fact touchingherskinandher
mother’s,inthisvisionnor-east.Itwasmore a thoughtat the closenessof itall,all the seething
productionsof manypeople otherthanheror hers,a coastal sea awaybut atomicfalloutwashing
up on boardand splashinginfromthe oars.
We care sowe know:it’sthere splashinginfromthe oars,feedingthe gullsonthe shores,festering
the oysterswithmicroscopicsores.The Frenchmanandthe Yank,the Pom and the Kiwi,the
politicianandthe headbanger:theyall dranktoomuchand simplyflushedtheiroars.
It’sall too big,too big,toobig to manage to see: sometimesall we see isdamage shininglighton
whatwas good,that once keptcompanywithwhat isgoodand remains,remainswaitingforthe
goodto come andjoinit ina complete wholistichumof awesome answerdevoidof question.
Simplysomethingthatis simplyfantasticeverydaywhere there isnodisasterforthe mindto
mention.
3. Mentionto who?The eyesoutthere lookinginhere.Orthe mindof the dancer collapsed
ecstaticallyexhaustedonthe disciplinedwoodenchair – manymilesfromanyoar or fission,with
that awesome answerrecliningcomfortablyinherhair.
Reader,myowninteractive position:
There came again time towrite and it’sthisone righthere.What for,whofor,in the middle of the
night. A fragmentof a personreceivinganobel prize,the winddriftingthroughthe sleeping
cavernsleftbythe university’sairsystemandthe pollutantdustpluscosmicdustformingthe
genomicpattern-baldingof herconsciousness.There are timestoread eventhough it’sonlythe
feel of the booksuitingyourinteractiveinteractionandthe anticipationof acosy realm
neutralizingthe urbanstormsthat bringone to ingestthe firstof the endlessstringthatrestsas
the fingerrevertsthe file toitsfolder.The nudgerwhonurturedthe movementtowrite maynot
have intendedone readertoingest.The readerwasnotas apprehensive norasbewilderedat
whatis writtenandinfact convertedthe write tofitthe psychedelicheal,soughttorepairthe
cavernsthat had formedonlythateveningwhenanews headlinecollidedwithalovingnotion -
thisto the highlyinappropriatecelebrationof agroup of youthsstrollingtraffic-defiantattiredina
newtraditional arrayof culturedfabricand colour,itself nurturedbythe same nudgeraspart of
the eternal canvas. Are there people whoknow andpeoplewhodon’t.Of course the reader,the
writer,the prize winnerbutnotthe nudger;forthe nudgermustknow all to allow the wine glass
to ringresonate as the agingcuff linkchinksthe rim.Is a Rolf Harris broadbrush paintingthat
starts as a mysteryandcomesup clearout of the artistsimpressionisticsquintorisa largely
accidental paint-drippedsinglemindrationalethatcan be pointlesslynamedBluePoles(andsobe
celebratedandperpetuated) sufficienttosteal fromthe nudgerthe copyrightthatcreates
regardlessmanyacerebral joy.Oh ourpeople of shallow smilesthatappearfull andcompleteto
the viewersproppedupbywindblowncavernsandbonesdissolvingincoke.The writerknowshe
has caverns buthe knowsnotwhere.Hiseyesstingandclose,he’sabouttofall face to the
keyboardbuta nudgerputsit to bed.
It riseseighthourslaterbrighteyedandbushytailed,eyesrestingthroughanotherrigidtransparent
sheetof meltedsandincityglory.The bestof citieswill alwaysrequiresomethingthatisn’tan
emotional motion-full rushedrashof unattachedpeople;the eternalephemeral handcraftedcountry
village andnomurbicnomadsmayuse the creationsof the cities - okaybut if there are devices we
needpersonalisedzero-roomscreens;especiallyforthe children. The twoshouldflow together.
Let's wary be
of the frontiers of urban planning having us
stand besideourselves idolitic in
wonder atwhatwe can create
ratherthan stand with that of the greatcreator of all.
There wasalwaysat leasta personof character,nearbyina far-off memoryof friendlyconnection,
enhancingthe appreciationswithawilywit,himself anudgerneedinganudge.Thisone inmindis
nowa writeralso.Like the leafyshadowsandinterplaysof lightthe writersof ourpeople are read
invocational relativity;the language grows,the genres,the wisdoms,the turnsof tongue.Some
are stolen,the readerdoesn’tknow.Some are revelation,the readerdoesn’tnotice.A writer
writingof writingisflounderingandflappingfortake-off.The flounderisa fine fish,beneathits
wingsisa brine of its locale.Notthe same preciselyasthe brine cutbya surfboardfinatsome Lion
Rock locale offshore the Melaleucawildernesswhere the waterswearthe minutiafromthe local
creekand the droppingsof the local fishdiet.We are findinglift-offwhere the eagle isrelative to
the flounder;asgo the creaturelylocalesmerginglocal creature typesinthe lifeacidsandsimple
mechanicsof bone fleshandmuscle.We are away.Goingsomewhere.Vietnamese sea,village,city
awe,manmade threat,simple nature,trendyset.Cultural persuasionslocal like brineandspoiled
4. as easy.The god particle,feelinguslooking,awesome canvasandmasterpiece inone.The
internet.The binariednanocircuits.Awesome seductionspowerfulgoods.The trapof built
interior,the newtrapof cyber interior.The lightof dayirrelevanttothe cyber-adaptedsomewhat
snaredeyes,the hunter’sreflex irrelevanttothe zeroroomgameplayer’shandeye.He needsthe
foodfromthe lightof daybut managesthat,thenin to play.The doctor will visitohyesforsure.
He can come throughthe cyberdoor andpost the medicine inthe mail tokeephimgoing‘til he
fallsheadfirstdownstairsthinkinghe’sinhischair.The flounderhasnoideawe thinkbutwe
wonderaboutthe squidandprintinginksnow simplypixel colour.
The date intime,the toolsthataccrue; enoughto sendthe robotto mars and leave aslimysludge
at the factorypipe.Fromthe africanplains,wildanimals,insectsandbirds;we see themaplentyin
the digital screensthathelpedtocause theirdemise,byindustrial footprint:the screensare a
pinnacle onthe industrial rampage thatdrainsenergy,pollutesandover-runs.While thisis
happeningthe catat the corner,as he can, tellshismatesthathe eatsthe same foodas humans
and stretchesatall positionsinfrontof theirfire while the alleycatsgothe binsoutdoorsinthe ice
of winter;
: ) … remindsme of the billionairecowswe saw,sittingsublime withlushfoodjoy,soclose tothem
as to require onlythe mostconvenientof reach andluxuriantdelicacy munch.We celebratedthis
fromopencar on ournarrow windybitumenribbon,tree-overhung,inthe mostaestheticof all
rich longthickchoice-greengrassyravined,delled,hilled,sunnednichelocales,mooingultralush
nearenoughto a battlingaussie homemaker.The holyspiritwiththe greatcreatorcomesby,
passesandreturnsto dwell,oninvitation,makingthe reasoningof itall obviousthoughinvisible.
Humouris ours,ours at least.Funnystoriesandcircumstance loweredusto a gut wrenchinglaugh
unable tostand butonlyto layon the floorlaughingsohard that all thoughtmaybe theymightdie.
It was refreshing;we hadn’tdone thissince we were nine.
There wasnothingbetterthanthat laughter,thatI couldsee.Init the lushest,richestof colours
and musicwere all bound.The laughterneededthe contextthough;be itlight-mottledeucalypt
leavesorrefinedplasterornamentinavictorianerahouse.Itneededcompany,whetheran
audience orfellowlaughers.Itneededanopportunity,forone doesn’tpartake wheninstealth
witha bowand arrow pointedtoa pheasantforthe family,norwhengivingthankstothe
supremelygracioussaviour- forindeedthe bugof earthis contagiousinheritedandusually
ultimatelydeadly.
5. A numberof momentarycircumstancesafterwardcame another‘patch in the quiltof shared lives’;
seeminglyunrelatedlittlepatchesof eventsandcircumstance,of people andactivity,of weather
and screen.Patchby patchand many forgottenuntil the topicof anotherpatchwhenwe reachthe
bottom.Is there a passioninthere;ahthat’ssomethingwe like andif we don’thave one there we
may diminenvyand wonderatthat whichwe don’thave. Microscopicviews,macroscopictoo,
passingconversersinblackshinyshoes.Littlebitsandpieces,butmypicture isinmyownstride
not that of the passers-bynora patch of weathernoreventhe hole inmyshoe.Iknow where Iam
going,youwere coming too;and whenIlost myway,it was me whowentwithyou.It hasbecome
a story of walkinginplace inour world,a storyof identityandpreferenceandwonderingabout
whatwe’re told.If youeverleftwouldIcome too?I’m all rightwhenI’mwithyou.Maybe yoursis
one of the fat people orIalmostwas.Maybe she was one of our few prone gaywho felttofightit
away.Let there be aceswhere once yousoughtdiamondswhile inprayerfordeliverance from
thievesinthe middleof anight.
It’srelative to the eagle andthe flounder,the vietnamese andthe streetkids;toshakespeare and
‘johnthe baptist’. A plunge intothe seanearshore,froma surfboardat the top of a headhighwave,
bubblesall aroundandthe positivityof the negative ionsinthe foam, massagesfull bodywitha
powerful energybornwayoutat sea,small atthe base of an everso huge atmosphericdowndraft.Up
youcome freshwithzestimpassionedandkindanew,notevenwonderingwhatyoushoulddo;doing
the same as being.Forthe man who growshisfingernailsintohisclenchedhand,forthe womanwho
burstswithvigourwithherfamily;doingisbeingisdoing.Beingdoingbeing,doingbeingdoing.There
are billionswhohave beenanddone,here inthisearthypatch;thispatchof richand wonderful
vegetatedabundance andserendipiccomfortandcompany.Thispatchoft timesIhave wished
eternal,forgettingthe dissipationof unconsciouszest,the outwashof feral nuclearradiationsandthe
small murdersof emotional distortionandfouled genomes.Where wasInow,where are you…and
the onesbeside you – inthe companyof yourzestand drive;andus intheirs.There are those withus
intheir’s;there reallyare.
Our buildingsandconstructedrealmsare notthere tobe
garnishedbyourculture selvescountryside neighboursbut
rather are there to shelter,foster,embrace andcelebrate all of
these things.Letbe andmake all these thingsvibrantandgiving
love tosame will ina momentof unifiedtime create the wombat
shopat the oldbank corner withall itsaccompanimentour
buildingsandconstructedrealms.
The gossamerdelicate nomurbicharmonybetweenbecomes
steelenjoy.
Nomurbicsis the architecture to do it.We don’tknow it exactly
yetbut itstarts withan ayre-ulururianparliament-house andgrowstofitour songs - free nomadic
roam, hunting and camp options on t h e d e s i g n - p u r p o s e d r i p p e r
e a r t h e n c o u n t r y r o o f o f o u r h o u s e o f n a t i o n a l p o l i c y c h a t t e r –
but foiledbythe bug’o theworld,rightthere inthe countryabove parliamenthouse,withno
personnel security(foreitherpolitic),shamefullydidn’tbutshouldhave ephemerallypicnickedin
celebrationandelaborationof anepiceventandintent.Petercosgrove governorgeneral,thoroughly
hilariedmalcomturnbullprime ministermetclyntonpryor(Priortomost!) aboriginal ‘citizen’having
freshlyarrivedatthe endof his walkfrom Perthviathe likesof uluru,desertandcommunitiesthe
longway toCanberra.The air wasstill inan echoof silence-nce ...nobodydaubinganythingtonear
match the Clyntonfresh.
Now;
there’s apalatino-linotype (font-style) willy-willy intrusion changing the scenario,righthere dropping inthe writing
page from some weeks hence (this did happen). The scene on the rooftop is now more -so one of the he ri tag e
c o untry l and-b as e ; dozershaving pushedthe earth back over the interiors ofle carcass parlimentaire, bit of re-
Pryor Arrived to..
Traced by Mont
6. engineering, now on the roof the g ums and s e dg e g ras s e s o f l o c al s e e di ng and ai rs hav e
g ro w n and there is no surface constructionyet. This iswhat is grantedby the early hours andsettlesthrough my morning bath,
dust to water into type. Melted faces of hopeless self-disgust humiliated native-boatie visages frozen in the actionless
momentmeltedi n t h e l e af c r u n c h b e e t l e d e ar t h dr ag g e d ac r o s s b y a t h o r o u g h l y u n f e de r a t e d
u n g u t t e d r o o c ar c as s t o b e t h r o w n b y C h e e k y ac r o s s t h e f l am i n g dr y e u c al y p t l i m b s s e t
i n t h e o c c as i o n al e p h e m e r al e t e r n al f i r e . The fire is set, nomurbically drawing an order of land a
comparative entropy into the oldpurely centralisedformality, justaside the ‘top’ in granite, an openchimney -free
fireplace with polished shoulders unengraved with british font similar to this. The top is rehashed, the light can
still get to interiors parlimentaire, but local rock and stock standard simple bush is re-enacted and the built top
newly detailedwithintimacy and hand expressionre-acknowledging itas a s m a l l f r i e n d o f t h e l a n d . The existing
building and site designhad gone some distance but notfarenou
gh; lawnedroofharking notto the local watercourses
and rises, the 100k sniffto the mighty oceaneastand the vastwestcrossing to the macdo nnels central but instead
to petrol mowers motor noise commercial weedkiller fertiliser cadastre and concrete kerbs. While the carcass
scorches fromfragrant dry limbs with gumnuts collected nearby and the adrenalin is built for the adapted footy-
instead-of-chatter-match, the willy-willy makes its way funnelling the smokes, quite poetically blokes, thinks the
womensecretly, emuwinks obliquely. Itis a nomurbic thing, this willy-willy, outofits dust and smokes appear
some minimal architecture landscape – some half-western-height ironbark bench seats and not much else in this
part, the refreshment of tapped water gurgling yabbied into a little lake glistening when the wind settles more
polished than any urban industrial gloss even as it flows over and between the stones of a formed creek it runs
agurgle asmile in its way to the level landwhere the road is moved overheadand a little billabong it forms astill
agloss reflections oflocal eucs, casuarinas and a parliament constructionpiece. The footy ‘oval’ a tad inclined and
distortedis nomurbic for all thoughtit greatand fit for the cultural shared interface ofsuchvastdifference insome
regards; in the end we all are winners, that’s why we call us mates. The spirit that arose was one of many local
peoples inthe fertile groundofdismantled imperialism and pompous whole oflandbig nation. The nations are all
asmall and abright of locally weathered characters. The roo asizzling asmoking is on a million four barbies and
camps amalgamating quite a few hundred local shires; all unitednbn (looking to the vast chinaspace net) withand
slick mechtechtravel legacy ofthe imperial age coordinatedby alotoffriendly bickering acrossthe council’s shire
– notquite the pommy shire-bicker for fear ofaspear inthe leg. Youmay recall this … waita minnie! … ah! … from
a few pages ahead, “…dwellingendlesslyinlocales ofcharacter witharchitectures as friendlyas shells, accessed
by paths and roads as gentle as pademelon trails and as pungent as kookaburra kookas. Built interiors as
delightful as abalone shell interior existing onlywhere theycanbe infair place-loving reason, ladenmother-of-
pearl wealthinvisual creative delights equallyoozingmusic andloudest ofall wonders oflover, mother, father,
children, tribal, family, parliamentary vocal merging indoors with out.” As agreed by the local reps on the
federated council for ‘national’ developments: We’re left nakedof missiles to invasionagainby choice ofthe true
love; just wasn’t worth it as we all came to see. True to the holy synchronisation, the willy-willy came down in
Auscopiaas the New Jerusalem, more dramatic a lot, came downto its home locale,where bloodalot spilled had
been. All afalling together in the almighty cosmic logic as it turns to compost the sludge of the bugs of the earth.
The palantino willy-willy is lifted and the written old present is returned.
I thinksome needtoreviewthe ideaof whatisprimitive andthatmechtechisnotmandatoryforgood
life.Some knowperpetuallymodern nature, whichisnotsubjecttoobsolescence,pollutionsandthe
trap of interior.One can’tmanage papers,screensandkeyboardsinthe windedsun.Mobilityand
ultravioletare greatantiseptics.Huntingbeatssupermarketaisles.Theirlegsare theirfrontdoor,
campfiresthe bushtelevision,the soundsof the weathertheirsymphony,aspearinthe legtheirlaw,
natureslimitstheircontraceptive.
The mindsetcultural differencesthatdidn’tgel intoacountryparliamentpicnicare vastyetall are
terrestrials - pathetic,sublime britishbulldogaussie bankersyndrome,lousy,nearasimmoral or
rather stupidassodomy.Absolutelyfoolishstupidmind-feeblingphysical horror.Itisobvioushere
Grasshopper Day / Perpetually Modern Nature by Mont
7. that the geographicarchitecturestosuiteachmindsetwill varygreatly.Variouspeoplesdon’twalk
variouspartsof any city.Some don’twantcasinos,stupidlylarge housesandcitycentresstarvedof
the breathof the countryand neighbourintimacy.Whenwe pleadforsome countryvitalityinstreet
canyon,we plead
firstly for the great southernchildren
whohave not developed aneconomicrationale forsuchplaces,alongwithamentalitythatknowsto
getin to townand outagain,to holdthe breath andnot fearthe absence of the shysubliminalsky-
blue orgone … butmaybe fearthe absence of airpurity.Back ina day,the nativesof thisland,before
sugar,alcohol,bulletsanddisplacements, wouldhave suffered,if expectedtostayat all ina modern
citystreetcanyon.Beingawayfrom the songsof the landdrove manyto sad ends.
There oughtplacesbe and there are,
like here withthe camelscaravanseringthe Areyongasuppliesbase,smackbanggeographically
central inthe Great South‘Island’,nornoreastof uluru,well westinthe MacDonnell Rangesandafair
haul by crow fromthe Alice.
There,trucksand cars put camelsoutof supplywork;theywentonthe dole slowlyferal.The real
locals,the Pitjantjara,continuedusingcamelstotravel andconnect.Let’ssay a veterancameleer,
austroriginal zindigianCheekybuggaTalkabout,travelledoutfromthe base to capture and grow their
domesticcamel herds.Papunya,evenmore cityremote,three days’walkaway,100kmbycrow, same
distance askunanyi’sorganpipestoBathurstHarbour.
Cheekytalking, “You know Monte, not just Arabs but the comfort slickers should eat
out their heart. We’re out here in the red heart. Not speaking for the locals but
“reckonin’ they’re with me”; we don’t mind some internal combustion in the
ambience and the Levi jeans, checked shirts and hats that come with it; but do we
want a five star wind-water-solar powered litter spitter with ovens, verandas,
helipad, airstrip, electronic music and some of our fundamental needs? Nah … ah
well maybe, if it’s limited in size outa respect for red and the stars, yeah that’d be
great. We nomadic types don’t mind bumping shoulders with the air -travelled
hypertech urban people if they don’t mind bumping with us by throwin’ this goanna
straight on yr kitchmod charcoals there. We can call it the nomurbunya; it’s in our
place, you build it - ta! If you want to dig into the cool of the big hill where it’s
unseen too, you can make it big enough for us to wander into the town square with
our camels to trade and talk, stay if want and move on … yeah that’d be nice. Only
one though, no more. We’ve got 600 centuries under our belt, so they say, as a
continuous cultural thang yknow; I tell y but, there’s likely none alive anywhere in
the world who don’t have rellies that far back. The silly boatie pollies even so are
Photo: Google2018, Landsat Copernicus.Aprx 150km altitude. Grayscaleversionof
some‘’redcentre”;mighthavethoughtitaclose-upofsomebarkoracroc’seyebrow..
Seetherivers.Areyongaisdownthereay!…Free-fallingareyou?
8. pretty silly like ingrown toenails … from shoes; they say that we’re ‘ in the Regions’
here; that’s their synthetically trapped sense of demographic geography. Maate,
this is the heart of the life here, not the bitumen nourished boxes and airterminal
cattleruns that they live in ... bouncy bouncy all go bizzie trip, holiday, tour
package, rubber-neck photo ops, sabbatical, pilgrimage out we go back we come,
ego sustained, hankering for the next run. Do you get my drift; they are saying that
they are not in a Region themselves and that they’re all over everything anyway …
of course they’re in a region, it’s the country there nude under their cadastral giant
3D printout in concrete and tar ink and they are blind to it; they don’t even
manifest understanding that the architect design o’ parliament has the spirit of the
broader countryside intently retained and enhanced above their low little ceilings.
That shows how cut-off they are bro’, bring ‘em out we’ll tell them and show them,
then they’ll grow their constructions ecopically (that’s a word you taught me monte
- found it in the dictionary in back of this book ). Our life and country is well
sustained; the comfort slickers make good movies but they’re going down man,
down - by their own leaderships and politics. “
How dowe lookviasea,to othernationsnz,anglo,kiwi,coconut,ching,nip,indo,sri lankin, canada,
comingincoastal byboat, seeingourneighbourlandsonthe wayand choosingtheirbitof terra
australistocome ashore,orby internetsearch,how dowe look - gdaymate,nice choice bitof realty
and easypickins,we’re movinginstealth - we love youbutyou’re apack of clowns.Maybe not as raw
as that but our locale andnational culturesare have changedradicallybyimmigration,economic
coercion,commercial identifications,mismanagedmicrochiptechnological options,especiallyselling
our potatopatch and importingitall back… mus’be some sort of moneypowercabal.Nothingleftbut
to sell ourverycountryside and/ortoworkfor new landlords. Andreallydoesthatall matter…. S’only
the bug of the worldthatwe needthe bighelpto rid.
Sorry forthat rant package courtesyof Cheekybugga.Bitirrational largelyapolitical poetical;I’m
lookingtofuture options.Keypointiswe’re all inaninteractivestoryof ourown.The state of carousal
isoftenour communal glue andour distractionanddeviance thatleadstoourawkwardsometimes
agonisingembarrassmentsandteeteringonthe edge unsustainable andstifling. Asthe eoniccenturial
sojournsroll,where are we goingorwhat of our conditionsall. Huge impactsfromglobal cultures,
huge impactson our individual gospelicinteractive stories.Thatwrittenorinvitedordevelopedinany
reader’sheart,forsurvival notonlybutalsopeakingeternal momentaryinteractive joy,asIsaid
characterisedbythe painof unstoppable groundrollingbodycurlingbellylaughs the likeof memories
of manyothernine yearolds - exceptinstreetcanyon.If onlyall foodwasas healthyasthat; not
breadalone saysthe bread of life unleavenedandnotevenvegesmited.Knockknockheartof uluru,
kunanyington,of everyhouse,town,city,locale,businessdeal,cultural creation;we know you’re
there raw-underthe bitumenfootpathandthe white demarkedcarpark,the blinkersof hopeless
ceremoniesandwelfare excuse forapologyandcharity.Come outand shake yourfistnot at a foreign
neighbour,visitororpollie butatthe enemyof pure vitalityof individual communallivesandpeople
old,young,quietrowdytall shortsmoothdowdy.
My childhoodvision: shakeitall withthe one simple logicthatfitsall mindsandsouls,nounsettled
disputesall,interlockinflightharmonyinaccordwithpersonal passions,predilectionsandtalentsall
insync.
Great southernbush-embracingarchitect,wildernessisrobustbutstill ourpoisonsspread,peopleare
locale mindedeasilyblinkeredbywirespolessignswalls.Heartsknow while,mindsrebel,thatthe
islandedbroadscale andmyriadzoom-instofractalianendemicsinfragrance profoundlymatter;
colour,sounds,vegetationsandcreatures.The joysof greattravelswithinand,shiningthisbackto
9. that page past, nowdwellingendlesslyinlocalesof characterwitharchitecturesasfriendlyasshells,
accessedbypaths androads as gentle aspademelontrailsandaspungentaskookaburrakookas.Built
interiorsas delightful asabalone shell interiorexistingonlywhere theycanbe infairplace-loving
reason,ladenmother-of-pearl wealthinvisualcreativedelightsequallyoozingmusicandloudestof all
wondersof lover,mother,father,children,tribal,family, parliamentaryvocal mergingindoorswith
out.
Thisword 'ecopical'isbasicallyaboutthatbut includesthe aspect
of social personality - aspeople,we dobestwhatpeople
understand,love andare correctlyprone todo – andso politicsis
part of ecopicalityalso –we cop the truth of our failings.
Ecopicalityisnotyetin our consensusdictionaries,butitsimprints
are inour framesof mindwhenwe developourpublicrealms,
grids,officesandfactoriesourenhancednationalcharacterof
place.
They say as hunting gatherers (ie old-hat anglo-boaties) we have
enjoyed lifestyle, health,lightwork,man-womanharmony,leisure
and freedom from government and using traditional,
nonindustrial, energy resource efficient building. The book, ‘The
Biggest Estate on Earth’, shows complex systems of Aboriginal land
managementusingfire (wellthey use the word ‘complex’ I reckonto counter the
idea of primitivity). It seems to be relating to the wider north eastern
country in the now naked-under, rather than the wholistic
everywhere thatcoppedthe boatie rash.Distinctivelytherewas a
burnless sometimes kinder country interface likely followed by
most Abs across the big island. The first euroboaties noted
frequentlythatthe northeastlandevokedpark-likeanglocountry
‘estate’ - paths,extensive grassy patches, open woodlands, abundant wildlife. The people managed
the land supremely systematically locally sustainably. The anglo-boaties 200 years later still hadn’t
noticed the daisies’ fullness, nude-under their caroused backsides.
Boxlocustsswarmournational estate;more thananythingdoes. Throughtheirbirthandcatylistics,
theyabsorband transformfar beyondtheirlocal geography. Gurglingthe earth,stampingthe psyche
and spawningnewthings.
CheekybuggerTalkaboutmeetsnexuswiththe boaties. Nomadminima,boulevardbold. Albert
Geogalongisof the same land,buta of a people whogenerallyhave seenonlysimple thoroughly
modernnature – no boulevardsandnopark-like ‘estates’.Hunting,manipulatingandgatheringin
sparse central countryinvolvedalotof walking. Theyvalue astrongpair of legsoverand above any
frontdoor, or gush-ladencable carview-window. Theirvalue of home andsociety,physical trappings
scant, isveryrich withoutbrickveneer. Headingfromhome Sydney,where he artfullyenjoysshort
sojournsof cross-cultural jibesanddance asto whatthe boatiesare missing,including,the boxlocust
and the academicprotagonistsof ecopianactivity,Talkaboutthrowsoff hisshirtwrapbefore reaching
hissimple house bypreference withhisfamilyandhiseasternbio-geodiversitysimplyhis‘country’
abundance.
Childof the global West,nomadicurbanaltruistLow Carl forewentpenthouselife forcitytumble-
weedingbecausehe feltthe roomshummingharder. We note thata joyful walkinnature is
Afrienddropsby,
youhavenoashtray.
DETAIL: Nomadin
EveryRoom, byMont
Detailof‘The Big Nothing’
Mont painting.
10. definitivelyimpactedwhere boxlocustsblendwiththisworld. We note thata joyful walkinnature is
definitivelyimpactedwhere boxlocustsblendwiththisworld. We note that a joyful …
Justlike we findroom-kernelsinthe bushCheekyfindsbush-kernelsinthe urbiaincludinginhouses.
A Redfernzindigianmind warp…a plastictoiletbrushdraggingonthe spear,a halfwaynomadstill
makeshisshotat the pizza-lizardscurryingacrosshispathhence as intendeditwastakentothe 40th
floorreceptionforexecutivelunch. Forgreens,he reachesforthe supermarkettuckedunderhisbelt.
On the shelf he findsanarchitect’shouse blueprint;“Inthe trade we call this‘the comic’!”,smirkshis
builder. Tumbleweedsroll,rootsanchor,cityantennae dissolverootsandmake shuttle androoms,
rather thanstrides, inspace. The house seesbothintraand cross-cultural smirk.
We have nanotechsurveillance,robotics,medical.We have the christianbasisbeingscoffedand
dismantledoutof ourconstitutionandpoliticalcorrectness,childrenempoweredbysociotech and
newlysearchingtoreplace whatisscoffed.We have tribulatingwiththatandthe tributaryof
microplasticatedfishwe eat,atribulationcurrentlyflowingtowardanexpandingseaof extreme
discomfortandagonieswithwingsof extincteagles.Tomanyall thisremainsinvisibleunderaseaof
seemingcarousedjoygodsandsomas.
What we lose isnot onlythe naked-undertapestrybutthe whole wildernessoutbackcountryside vibe
watersky florafaunaand air;whenwe hermeticallyseal ourselvesorour people intoboxesoreven
eggshapes,ie a little lesshermetically,evenwithwindows,courtyards,DavidRabbitbourough(sorry
Steve Irwinismore ours)(nowthere’sapommy-aussie shift),indoorplantsandclearroadto the bush.
Our anticipatedgreat southerngeographicarchitects’cultural heritage conservationplansshouldbe
applicable inprinciple toall all all of ourdevelopments - minesroadsdamstowerspizzashops
mcmansions.The professional plannersacceptthisideaandenforce it… a little.The same crew refuse
to understandthatthe daisywe siton is comparablyandmore significantandultimatelysupremely
significantovercultural heritage …“evenaboheritage monte”(steadyupCheekydon’tgetcocky).
Our conservationplansexist - toinformourdevelopment
limitsandcharacter; we desperatelyneedtomake them
as ‘Natural (natural natural) andCultural ConservationPlans’andthese tooshouldbe informed
nomurbicallyintoourbuildingscience regulations,asfreshairandidentityof place andat the
household andworkplace door-steps–wilderness.Itisthe primolife thatCheekyknowsisgoodfor
hischildrenandthe childinhim+ the zap of mechtechand cityculture.Avarice ignorance social
disease iswhatblocksit.Please read thataloudthree (3) times…
on the bus,
on topof uluru,kunanyington,…
or justquietlytoyourself orwhisperitintopreshus’sear.