Audacity
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The document provides an overview of the tools and playback controls in Audacity, an audio editing software. It describes the Selection Tool, Envelope Tool, Zoom Tool, Timeshift Tool, and Multitool which allow editing of audio selections, volume levels, zooming in and out, moving tracks in time, and performing multiple edits. It also mentions the Draw Tool for eliminating pops and clicks. Finally, it lists playback control buttons like Start, Stop, Pause, and buttons to Skip to Start or End of an audio track.
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SOUND NOTES
Film sound is carefully designed in post-production to emphasize important sounds and create the right atmosphere for each scene. Sounds can be either diegetic (coming from visible or implied sources in the story) or non-diegetic (from sources outside the story, like narration or music). Selective sounds are used to highlight key audio elements, while ambient sounds help set the pace and atmosphere. Proper sound design also considers elements like synchronous or asynchronous sounds, voiceovers, theme music, musical scores, and strategic use of silence.
Sound
Diegetic sound is generated from within the narrative and includes dialogue and sound effects. Non-diegetic sound comes from outside the narrative and includes background music. Sound in TV dramas helps create atmosphere and mood for the audience by guiding their emotional response through music, sound effects, dialogue, and ambient noise. Different sound elements like themes, stings, and soundtrack also signify the genre and emotional emphasis of scenes.
P4 sound and pitches
Sound is produced by vibrations that travel through solids, liquids, or gases as waves, with louder sounds having more energy and more frequent vibrations than softer sounds. Sound can travel through some materials, like air and water, better than others, such as a vacuum, and its pitch is determined by whether the vibrations have a high or low frequency. Carpeting helps reduce sound transmission between floors more than hard flooring like wood.
Sound Notes Sheet
Film sound is carefully designed and plays an important role in the overall film. There are two main types of sound - diegetic sound that comes from within the story world and non-diegetic sound from outside. Sound can be used to emphasize important elements, set atmosphere, and help with transitions. During production, most sound is recorded separately from the visuals and mixed later to enhance the film experience.
Sound key words
This document defines and describes various types of sound that can be used in media, including diegetic sound that exists within the fictional world and non-diegetic sound that is heard by the audience but not characters. It also discusses synchronous and asynchronous sound, sound effects, motifs, bridges, dialogue, voiceovers, perspective, scores, incidental music, themes, stings, and ambient sounds. The document provides examples and brief explanations of these different elements to concisely outline key concepts relating to sound in media.
03 sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are two main types of sound: diegetic sounds that come from within the story world like characters' voices, and non-diegetic sounds from outside the world like music soundtracks. Sound can also be synchronous to match visuals, asynchronous to originate outside the story, or contrapuntal to create a different meaning by clashing with visuals. Key elements of sound design include selective and ambient sounds, sound bridges, effects, voiceovers, theme music, and musical scores.
Sound
There are several types of sounds that can be used in films and television to achieve different effects. Selective sound emphasizes key audio elements, ambient sound creates atmosphere, and sound bridges provide fluidity between shots. Diegetic sounds come from visible or implied sources while non-diegetic sounds do not. Synchronous sound reinforces visuals while asynchronous sound provides alternative meaning. Theme music and musical scores set tone and guide narrative or characters. Silence is sometimes used to provoke audience reaction.
Iconic sounds of horror
The document discusses the use of sound in film. There are two types of sound: diegetic, which comes from visible or implied sources within the story, and non-diegetic, which is added during editing. Sound can help set the mood and genre, manipulate audience emotions, and provide cues about characters' feelings and upcoming events. Horror film soundtracks commonly use suspenseful notes, changes in pitch, echoed voices, and alien and screaming effects to startle and unnerve the audience. When creating an opening sequence, appropriate music will be selected and edited to shots to successfully set the mood.
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SOUND NOTES
Film sound is carefully designed in post-production to emphasize important sounds and create the right atmosphere for each scene. Sounds can be either diegetic (coming from visible or implied sources in the story) or non-diegetic (from sources outside the story, like narration or music). Selective sounds are used to highlight key audio elements, while ambient sounds help set the pace and atmosphere. Proper sound design also considers elements like synchronous or asynchronous sounds, voiceovers, theme music, musical scores, and strategic use of silence.
Sound
Diegetic sound is generated from within the narrative and includes dialogue and sound effects. Non-diegetic sound comes from outside the narrative and includes background music. Sound in TV dramas helps create atmosphere and mood for the audience by guiding their emotional response through music, sound effects, dialogue, and ambient noise. Different sound elements like themes, stings, and soundtrack also signify the genre and emotional emphasis of scenes.
P4 sound and pitches
Sound is produced by vibrations that travel through solids, liquids, or gases as waves, with louder sounds having more energy and more frequent vibrations than softer sounds. Sound can travel through some materials, like air and water, better than others, such as a vacuum, and its pitch is determined by whether the vibrations have a high or low frequency. Carpeting helps reduce sound transmission between floors more than hard flooring like wood.
Sound Notes Sheet
Film sound is carefully designed and plays an important role in the overall film. There are two main types of sound - diegetic sound that comes from within the story world and non-diegetic sound from outside. Sound can be used to emphasize important elements, set atmosphere, and help with transitions. During production, most sound is recorded separately from the visuals and mixed later to enhance the film experience.
Sound key words
This document defines and describes various types of sound that can be used in media, including diegetic sound that exists within the fictional world and non-diegetic sound that is heard by the audience but not characters. It also discusses synchronous and asynchronous sound, sound effects, motifs, bridges, dialogue, voiceovers, perspective, scores, incidental music, themes, stings, and ambient sounds. The document provides examples and brief explanations of these different elements to concisely outline key concepts relating to sound in media.
03 sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are two main types of sound: diegetic sounds that come from within the story world like characters' voices, and non-diegetic sounds from outside the world like music soundtracks. Sound can also be synchronous to match visuals, asynchronous to originate outside the story, or contrapuntal to create a different meaning by clashing with visuals. Key elements of sound design include selective and ambient sounds, sound bridges, effects, voiceovers, theme music, and musical scores.
Sound
There are several types of sounds that can be used in films and television to achieve different effects. Selective sound emphasizes key audio elements, ambient sound creates atmosphere, and sound bridges provide fluidity between shots. Diegetic sounds come from visible or implied sources while non-diegetic sounds do not. Synchronous sound reinforces visuals while asynchronous sound provides alternative meaning. Theme music and musical scores set tone and guide narrative or characters. Silence is sometimes used to provoke audience reaction.
Iconic sounds of horror
The document discusses the use of sound in film. There are two types of sound: diegetic, which comes from visible or implied sources within the story, and non-diegetic, which is added during editing. Sound can help set the mood and genre, manipulate audience emotions, and provide cues about characters' feelings and upcoming events. Horror film soundtracks commonly use suspenseful notes, changes in pitch, echoed voices, and alien and screaming effects to startle and unnerve the audience. When creating an opening sequence, appropriate music will be selected and edited to shots to successfully set the mood.
sound notes sheet
This document discusses the use of sound in films. It explains that sound is carefully crafted in post-production to emphasize important sounds and set the proper atmosphere. Sound can be diegetic, meaning it exists within the world of the film, or non-diegetic and comes from outside the film. Examples of each type are provided. The document also discusses other sound design elements like synchronous and asynchronous sound, and how sound is used to guide the audience's understanding.
Introduction to Audacity
This document provides instructions for downloading and using the free audio editing software Audacity to record and edit podcasts. It outlines how to download Audacity, set preferences like microphone and soundcard selection, describes the various recording, editing, and output controls, and provides tips on adding background music, editing audio, and saving or exporting final audio files. The overall purpose is to guide new users through the basic steps of setting up and using Audacity to create podcasts.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two types of sound: diegetic, which exists within the fictional world, and non-diegetic, which comes from outside it (like music and effects). Sound can also be synchronous, matching the visuals to reinforce them, or asynchronous/contrapuntal, coming from outside the fictional world or juxtaposed to create new meanings. Elements like voiceovers, theme music, and silence are also used to guide the audience and develop characters and narratives.
06. sound notes sheet
The document discusses different elements of sound design in films. It defines diegetic and non-diegetic sound, with diegetic sound existing within the world of the film and non-diegetic coming from outside. Film sound is carefully crafted in post-production to emphasize important sounds and maintain atmosphere. Selective sound is used to highlight key audio, while ambient sound creates a sense of place. Sound bridges and effects also help with transitions and realism.
sound notes sheet
This document discusses different types of sound used in films, including diagetic sounds that come from within the world of the film and non-diagetic sounds like film soundtracks. It describes how film sound is carefully crafted in post-production to emphasize important sounds and set the right atmosphere. Specific techniques mentioned include selective sound to highlight key elements, ambient sound to create a sense of place, sound bridges to smoothly transition scenes, and sound effects to add realism or psychological impact. The document also provides examples of diagetic and non-diagetic sound from the film Sherlock Holmes.
03 sound notes sheet
Film sound is carefully designed in post-production to emphasize important sounds and create the right atmosphere for scenes. Selective sound is used to highlight key audio elements, while ambient sound helps establish a sense of place. Sound can be diegetic, existing within the film's world, or non-diegetic, coming from outside it, such as music soundtracks. Proper use of synchronous, asynchronous, and contrapuntal sounds reinforces visuals and creates alternative meanings. Voiceovers, theme music, score, and strategic use of silence are also important elements of sound design.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies various types of sounds that can be used, including diegetic sounds that come from within the story world and non-diegetic sounds from outside the story world. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound bridges help transitions and sound effects add realism or psychological impact. The document also discusses voiceovers, theme music, musical scores, silence and how identifying these elements can enhance analysis of films like Sherlock Holmes.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. Most film sound is added during post-production rather than being recorded on set. Sound is mixed to emphasize important sounds and create the right atmosphere for each scene. There are different types of sounds, including diegetic sounds that come from visible or implied sources within the story and non-diegetic sounds from outside the story. Film sounds can also be synchronous to match actions, asynchronous from outside the story world, or contrapuntal to create different meanings by clashing with the visuals. Sound designers use a variety of techniques to guide the audience and reinforce narrative elements and character personalities.
Sound note sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and create the right atmosphere for scenes. Sound can be either diegetic, coming from visible or implied sources within the film, or non-diegetic, coming from outside the film world, like voiceovers or musical scores. Effective film sound uses techniques like selective sound to highlight key audio elements, ambient sound to set a scene's location or mood, and sound bridges to smoothly transition between sequences.
06. sound notes sheet
Film sound is carefully designed and plays an important role in storytelling. Sound can be diegetic, originating from visible or implied sources within the film, or non-diegetic, added in post-production from outside the world of the film. Sound is used selectively to emphasize key elements or create atmosphere, and is mixed carefully to maintain the correct atmosphere for each sequence. Film sound can be synchronous to match actions, asynchronous to come from outside the diegetic world, or contrapuntal to create alternative meanings by juxtaposing noise with visuals.
Sound in tv and film
Sound is created by vibrations that move through air particles and create sound waves. The pitch of a sound depends on the frequency of vibrations, with higher pitches resulting from faster vibrations and lower pitches from slower vibrations. There are two types of sound used in films - diegetic sound, which comes from visible or implied sources within the story, and non-diegetic sound, which comes from sources outside the story like narration, music, or added sound effects. Diegetic sounds can be either on screen or off screen, while non-diegetic sounds are represented as coming from outside the story space.
Lesson 4 Audio codes
This document discusses different types of audio codes used in films including dialogue, music, and sound effects. It describes diegetic sounds that are part of the film's world and non-diegetic sounds edited in later. Diegetic sounds are further broken down into on-screen sounds whose source can be seen, off-screen sounds coming from outside the frame, and sounds that move the narrative forward. Non-diegetic sounds include background music, voice-overs, and computer generated or Foley studio sound effects. Parallel sounds mirror the mood of a scene while contrapuntal sounds create discomfort by not fitting the scene.
Sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important sounds and maintain the intended atmosphere. There are different types of sounds that serve different purposes, such as selective sounds that highlight key elements, ambient sounds that set the scene, and sound bridges that smoothly transition between scenes. Sound can exist within the world of the film (diegetic) or come from outside of it (non-diegetic), and it can be synchronous to match actions or asynchronous to enhance the scene. Elements like voiceovers, theme music, musical scores, and silence are also used strategically to guide the audience and create certain effects.
Media Language Lesson 5 - audio codes
This document discusses different types of audio codes used in films including dialogue, music, and sound effects. It defines diegetic sound as sound that is part of the film world, while non-diegetic sound has been edited in, such as background music. Parallel sound mirrors the mood of a scene, while contrapuntal sound creates tension by not fitting the scene. Off-screen sounds are used to move the narrative forward, such as investigating a distant scream in the woods at night.
Lesson 13 - Sound
This document provides information about analyzing sound in films. It defines key sound terminology like diegetic and non-diegetic sound, parallel and contrapuntal sound, and on-screen and off-screen sound. Examples are given of different types of sounds used in films and how they can be used to move the narrative, set mood, or make the audience feel uncomfortable. The document also discusses Foley studios and how realistic sounds are added to films.
03 sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are different types of sounds: diegetic sounds exist within the film's world while non-diegetic sounds come from outside. Synchronous sounds match the visuals while asynchronous sounds come from outside the diegetic reality, like musical scores. Other elements include voiceovers, theme music to introduce characters, and silence which is sometimes used provoke a reaction.
Sounds
Selective sound is used to emphasize key elements, ambient sound creates atmosphere, and sound bridges help transitions flow smoothly. Diegetic sounds belong to the world on screen like voices or doors, while non-diegetic sounds like music have no visible source. Synchronous sounds match the action, asynchronous sounds originate outside the scene, and contrapuntal sounds mismatch the visuals. Voiceovers guide the audience and theme music develops through the film.
Sound Notes Sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere for scenes. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Selective sound is used to highlight key audio elements while ambient sound creates a sense of place. Elements like sound bridges, effects, and voiceovers can help transitions, add realism or psychological impact, and guide the audience.
Sound
Film sound is carefully crafted in post-production to emphasize important sounds and create the proper atmosphere for scenes. Sound can be either diegetic, coming from within the world of the film, or non-diegetic, coming from outside the film like music soundtracks. Diegetic sounds include voices, effects from visible objects, and implied music, while non-diegetic effects are added for drama or narration. Sound is also categorized as synchronous, asynchronous, or contrapuntal based on its relationship to the visuals and whether it reinforces, originates outside of, or contradicts them. Elements like voiceovers, theme music, score, and silence are all used strategically to guide audiences and develop narrative or characters.
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sound notes sheet
This document discusses the use of sound in films. It explains that sound is carefully crafted in post-production to emphasize important sounds and set the proper atmosphere. Sound can be diegetic, meaning it exists within the world of the film, or non-diegetic and comes from outside the film. Examples of each type are provided. The document also discusses other sound design elements like synchronous and asynchronous sound, and how sound is used to guide the audience's understanding.
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This document provides instructions for downloading and using the free audio editing software Audacity to record and edit podcasts. It outlines how to download Audacity, set preferences like microphone and soundcard selection, describes the various recording, editing, and output controls, and provides tips on adding background music, editing audio, and saving or exporting final audio files. The overall purpose is to guide new users through the basic steps of setting up and using Audacity to create podcasts.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two types of sound: diegetic, which exists within the fictional world, and non-diegetic, which comes from outside it (like music and effects). Sound can also be synchronous, matching the visuals to reinforce them, or asynchronous/contrapuntal, coming from outside the fictional world or juxtaposed to create new meanings. Elements like voiceovers, theme music, and silence are also used to guide the audience and develop characters and narratives.
06. sound notes sheet
The document discusses different elements of sound design in films. It defines diegetic and non-diegetic sound, with diegetic sound existing within the world of the film and non-diegetic coming from outside. Film sound is carefully crafted in post-production to emphasize important sounds and maintain atmosphere. Selective sound is used to highlight key audio, while ambient sound creates a sense of place. Sound bridges and effects also help with transitions and realism.
sound notes sheet
This document discusses different types of sound used in films, including diagetic sounds that come from within the world of the film and non-diagetic sounds like film soundtracks. It describes how film sound is carefully crafted in post-production to emphasize important sounds and set the right atmosphere. Specific techniques mentioned include selective sound to highlight key elements, ambient sound to create a sense of place, sound bridges to smoothly transition scenes, and sound effects to add realism or psychological impact. The document also provides examples of diagetic and non-diagetic sound from the film Sherlock Holmes.
03 sound notes sheet
Film sound is carefully designed in post-production to emphasize important sounds and create the right atmosphere for scenes. Selective sound is used to highlight key audio elements, while ambient sound helps establish a sense of place. Sound can be diegetic, existing within the film's world, or non-diegetic, coming from outside it, such as music soundtracks. Proper use of synchronous, asynchronous, and contrapuntal sounds reinforces visuals and creates alternative meanings. Voiceovers, theme music, score, and strategic use of silence are also important elements of sound design.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies various types of sounds that can be used, including diegetic sounds that come from within the story world and non-diegetic sounds from outside the story world. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound bridges help transitions and sound effects add realism or psychological impact. The document also discusses voiceovers, theme music, musical scores, silence and how identifying these elements can enhance analysis of films like Sherlock Holmes.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. Most film sound is added during post-production rather than being recorded on set. Sound is mixed to emphasize important sounds and create the right atmosphere for each scene. There are different types of sounds, including diegetic sounds that come from visible or implied sources within the story and non-diegetic sounds from outside the story. Film sounds can also be synchronous to match actions, asynchronous from outside the story world, or contrapuntal to create different meanings by clashing with the visuals. Sound designers use a variety of techniques to guide the audience and reinforce narrative elements and character personalities.
Sound note sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and create the right atmosphere for scenes. Sound can be either diegetic, coming from visible or implied sources within the film, or non-diegetic, coming from outside the film world, like voiceovers or musical scores. Effective film sound uses techniques like selective sound to highlight key audio elements, ambient sound to set a scene's location or mood, and sound bridges to smoothly transition between sequences.
06. sound notes sheet
Film sound is carefully designed and plays an important role in storytelling. Sound can be diegetic, originating from visible or implied sources within the film, or non-diegetic, added in post-production from outside the world of the film. Sound is used selectively to emphasize key elements or create atmosphere, and is mixed carefully to maintain the correct atmosphere for each sequence. Film sound can be synchronous to match actions, asynchronous to come from outside the diegetic world, or contrapuntal to create alternative meanings by juxtaposing noise with visuals.
Sound in tv and film
Sound is created by vibrations that move through air particles and create sound waves. The pitch of a sound depends on the frequency of vibrations, with higher pitches resulting from faster vibrations and lower pitches from slower vibrations. There are two types of sound used in films - diegetic sound, which comes from visible or implied sources within the story, and non-diegetic sound, which comes from sources outside the story like narration, music, or added sound effects. Diegetic sounds can be either on screen or off screen, while non-diegetic sounds are represented as coming from outside the story space.
Lesson 4 Audio codes
This document discusses different types of audio codes used in films including dialogue, music, and sound effects. It describes diegetic sounds that are part of the film's world and non-diegetic sounds edited in later. Diegetic sounds are further broken down into on-screen sounds whose source can be seen, off-screen sounds coming from outside the frame, and sounds that move the narrative forward. Non-diegetic sounds include background music, voice-overs, and computer generated or Foley studio sound effects. Parallel sounds mirror the mood of a scene while contrapuntal sounds create discomfort by not fitting the scene.
Sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important sounds and maintain the intended atmosphere. There are different types of sounds that serve different purposes, such as selective sounds that highlight key elements, ambient sounds that set the scene, and sound bridges that smoothly transition between scenes. Sound can exist within the world of the film (diegetic) or come from outside of it (non-diegetic), and it can be synchronous to match actions or asynchronous to enhance the scene. Elements like voiceovers, theme music, musical scores, and silence are also used strategically to guide the audience and create certain effects.
Media Language Lesson 5 - audio codes
This document discusses different types of audio codes used in films including dialogue, music, and sound effects. It defines diegetic sound as sound that is part of the film world, while non-diegetic sound has been edited in, such as background music. Parallel sound mirrors the mood of a scene, while contrapuntal sound creates tension by not fitting the scene. Off-screen sounds are used to move the narrative forward, such as investigating a distant scream in the woods at night.
Lesson 13 - Sound
This document provides information about analyzing sound in films. It defines key sound terminology like diegetic and non-diegetic sound, parallel and contrapuntal sound, and on-screen and off-screen sound. Examples are given of different types of sounds used in films and how they can be used to move the narrative, set mood, or make the audience feel uncomfortable. The document also discusses Foley studios and how realistic sounds are added to films.
03 sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are different types of sounds: diegetic sounds exist within the film's world while non-diegetic sounds come from outside. Synchronous sounds match the visuals while asynchronous sounds come from outside the diegetic reality, like musical scores. Other elements include voiceovers, theme music to introduce characters, and silence which is sometimes used provoke a reaction.
Sounds
Selective sound is used to emphasize key elements, ambient sound creates atmosphere, and sound bridges help transitions flow smoothly. Diegetic sounds belong to the world on screen like voices or doors, while non-diegetic sounds like music have no visible source. Synchronous sounds match the action, asynchronous sounds originate outside the scene, and contrapuntal sounds mismatch the visuals. Voiceovers guide the audience and theme music develops through the film.
Sound Notes Sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere for scenes. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Selective sound is used to highlight key audio elements while ambient sound creates a sense of place. Elements like sound bridges, effects, and voiceovers can help transitions, add realism or psychological impact, and guide the audience.
Sound
Film sound is carefully crafted in post-production to emphasize important sounds and create the proper atmosphere for scenes. Sound can be either diegetic, coming from within the world of the film, or non-diegetic, coming from outside the film like music soundtracks. Diegetic sounds include voices, effects from visible objects, and implied music, while non-diegetic effects are added for drama or narration. Sound is also categorized as synchronous, asynchronous, or contrapuntal based on its relationship to the visuals and whether it reinforces, originates outside of, or contradicts them. Elements like voiceovers, theme music, score, and silence are all used strategically to guide audiences and develop narrative or characters.
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Factors affecting pricing
Fixed and variable costs, competition, opportunity cost, demand, and supply all affect pricing. Direct competition refers to businesses selling similar products, while indirect competition sells dissimilar products. Price competition uses price to attract customers, while non-price competition uses other factors. Demand depends on factors like utility, price, advertising, fashion, and consumer needs/wants. Supply is affected by costs of production, price, demand, profit goals, competition, and technology. Elasticity of demand, economic conditions, regulations, distribution channels, and company objectives also impact price.