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A new film exploring the always hot-button issues of feminism and pornography,
wrapped up in one desperate woman’s journey to keep her dreams alive…kind of.
This is the story of Aubrey Ackerman, a woman drowning in the soul-crushing city of Los
Angeles, watching her dreams die one by one as her day begins. By the time it ends, she is a
crumpled heap on her living room floor, heartbroken, hand down her pants, with a faint, shocking
glimpse into her bizarre future.
It’s the story of what happens when Aubrey is summoned to the side of Libby Ackerman,
Aubrey’s beloved aunt and only living relative, when she has a stroke in the very small, ultra-
conservative town of Peachville, TX, the one place in the world Aubrey swore she would never
return.
This is the story of how Aubrey, driven by financial desperation, convinces a group of GOOD
GIRLS from the local college to be her crew, a couple of BAD GIRLS from Grandma’s Gentlemen’s
Club in the next town to be her talent, and a few of Aunt Libby’s dear, sweet, neighbors to create
CRIMSON PIQUED, an empowering gothic romance porn film of the most beautiful order. If Aubrey
is reduced to porn, it’s gonna be the best porn any woman ever saw...felt…got off to.
It’s the story of how the citizens of Peachville, TX, react when porn comes to town. When the
buried small-town secrets come out to play in the light, and the very ordinary town of Peachville
becomes national news as alliances split down the middle in a smack-down of ‘let’s save our town’
vs ‘you’ll all burn in hell’.
Also, there’s a love story… actually, two love stories.
A BIT ABOUT AUBREY GOES DOWN
The visual style will be energetic, creative and cinematic. The framing will be bold, and the pacing
fast, feeling with Aubrey through the highs and lows, never backing off the uncomfortable, frustrating,
painful, shocking and ‘WTF’ real moments.
Inside the film are versions of the final movie Aubrey is creating and Aubrey’s occasional ‘visions’
play out for the audience. The cinematography is breathtaking, stepping away from the real world and
showcasing beautiful, artistic images that both take your breath away and makes your pulse race.
Aubrey’s desperate drive feels a bit like Ruth’s from GLOW. A women who will do just about
anything to keep her dream alive, doing things she never thought possible, constantly walking that thin
line between ‘I can’t give up’ and ‘Holy hell, what did I just do’. As in GLOW, Aubrey is surrounded by a
band of delightfully offbeat characters who are both titillated and offended by Aubrey at the same time.
There is a bit of Midge from The Marvelous Mrs. Maisel as Aubrey is also coloring way outside the
lines. Midge doing standup in the late 50s feels like the same kind of risk as Aubrey boldly making
feminist porn now. They both have real haters and they both have to rise above the noise.
The Peachville, Texas setting is a backdrop full of nostalgia and traditional small-town bible belt life.
Church on Sunday, BBQ’s and picnics, overly friendly neighbors who know everything about everyone.
When they find out what’s going on there will be a full-on battle between folks who are willing to save
their dying town by any means necessary and the bible thumpers who say their eternal souls are more
important.
TONE AND STYLE
“This is a genuinely exciting piece, in numerous regards. An entirely new story we’ve in no way heard
before? Check. An unapologetic comedy centered around women? Check. A story that doesn’t shy away
from how smart it is yet remains ultra-accessible. CHECK. This piece has such an insane amount of
promise it’s borderline overwhelming. This is the kind of film that’s going to have a glorious cult following
behind it.”
“It’s Zack and Miri Make a Porno meets Sweet Home Alabama”
“This is the kind of film that men and women, from any variety of places, from any variety of
backgrounds, would WANT to sit down and watch, and would feel simultaneously entertained and
infuriated and turned-on by. This is the kind of film that could do really well while at the same time do a
lot of GOOD. That’s not said lightly. That’s said in absolute earnest. Get this made, please.”
“Super bonus points: way to craft women who are undeniably real creatures, who also happen to be
wonderfully funny and sexy.”
“It’s a comedy not just centered around women but a comedy whose message is all about women
reclaiming their power.”
INDUSTRY PROFESSIONALS
ON AUBREY GOES DOWN
AUBREY, MATT, AUNT LIBBY and SAMANTHA
Aubrey is an award-winning feminist filmmaker who falls
headfirst down a rabbit hole trying to keep her dreams alive.
Piper Perabo, Bellamy Young, Constance Zimmer and Carla
Gugino all have the ability to create stunning, well-rounded
characters equally comfortable with comedy and drama.
AUBREY ACKERMAN
Matt is a writer, the town heartthrob, Aunt Libby’s TA, and
quickly becomes Aubrey’s confidant and sidekick on her
madcap journey to save herself. Up for anything and
everything, Matt the feminist saves Aubrey over and over
again. Booboo Stewart, Cody Christian and Keith Powers are
all strong choices for the second lead.
MATT DEBOW
Aubrey’s beloved aunt and only living relative has lived in
Peachville her whole life. A near death experience changes
everything, and Libby realizes that it’s never too late to begin
again. Dee Wallace, Lindsay Wagner, Mimi Kennedy, Kathy
Baker and Jean Smart are all excellent choices for Libby.
LIBBY ACKERMAN
Samantha grew up in Peachville, leaving town shortly after
Aubrey did. She came back to care for her parents, and when
they passed, she stayed. Samantha stars in every production
at the Peachville Playhouse and is the most seductive chef in
town. Moon Bloodgood, Julia Jones and Ella Thomas are all
great choices to play the saucy, sexy Samantha.
SAMANTHA CLARKE
A MOMENT FROM THE SCRIPT
EXT. THEATER PARKING LOT – DAY
Aubrey shakes with anger as Kaine blows through the exit. He stomps past her, gets
into his car, SLAMS the door and rolls down the window.
KAINE
I’m coming back in exactly one hour
and you’d better be gone. All of you!
He begins to pull away as Aubrey jumps in front of his car. He SCREECHES to a stop.
KAINE (CONT’D)
Get out of my way.
AUBREY
You’d like that, wouldn’t you. Just get
out of my way little lady.
Aubrey crawls up onto the hood of Kaine’s car.
AUBREY (CONT’D)
I’m not getting out of the way Kaine.
You get out of your damn car and deal
with this like a human being. You can’t
just say get out of my way. No! You
get out!
Kaine turns off the car and jumps out, looking around.
KAINE
Jesus Aubrey. I’m out.
The fictional town of Peachville, Texas
Aubrey grew up here, and at age 19 left Peachville in the
rearview mirror to follow her dreams in Los Angeles. Now over 20
years later she’s back to care for her Aunt Libby, and through a
series of shocking events discovers this small town has more to
offer than she ever imagined.
PEACHVILLE, TEXAS
Important moments in the story play out between all the main
characters here at Libby’s. Drama, love, pain, surprise, revelation
and lunacy all come to life in the living room, kitchen, bedrooms
and front porch. This is the grounding location in the film.
Aunt Libby’s House
Aubrey transforms the small theater production set of
“A Doll’s House” into the backdrop for her stunning
gothic romance film… with a twist.
The only place in town that makes Aubrey smile is the Pie ‘N
More diner. Fond memories of her mother and happy times
spent there. Now it’s where Aubrey and her crew gather to plan,
plot and stage a rebellion.
Past, present and future collide at Grandma’s as Aubrey experiences a life-changing Come-To-
Jesus moment in the weirdest way possible. Also, it’s where she and Matt ‘discover’ Lola and
Paige, the stars of Crimson Piqued. A love connection happens at The Fuzzy Peach.
A MOMENT FROM THE SCRIPT
INT. AUNT LIBBY'S LIVING ROOM – NIGHT
Aubrey paces the room, studying dusty, cluttered shelves of
photos and knickknacks.
She acts out a moment of the script, sits down, writes a
few lines, deletes them, paces again, walks past a shelf of
old VHS tapes and runs her finger along them until she sees
something and stops. 'Aubrey's 8th grade talent show' is
scribbled across the label.
Aubrey pops the tape into Libby’s old VHS player, sits on
the floor and pushes play.
INSERT TELEVISION SCREEN: 13-year-old Aubrey stands alone on
a stage, dressed in 80s Cyndi Lauper. She scans the
audience, then looks directly into the camera. Girls Just Want
To Have Fun begins to play and young Aubrey lets loose, singing
to an audience of thousands that doesn't exist.
Aubrey's eyes are saucers and her hand flies up over her mouth.
She watches for a minute then pushes pause.
AUBREY
Oh my God. I forgot about you.
Aubrey stares at her young fearless self on the screen, frozen in
mid-song, staring back at her.
CONTACT INFORMATION
MARINA RICE BADER
310.435.9420
Marina@PlayBigPictures.com
www.playbigpictures.com
MICHAEL CARADONNA
818.929.4834
bold universal stories
strong female characters

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Aubrey Goes Down Feature Film

  • 1. A new film exploring the always hot-button issues of feminism and pornography, wrapped up in one desperate woman’s journey to keep her dreams alive…kind of.
  • 2. This is the story of Aubrey Ackerman, a woman drowning in the soul-crushing city of Los Angeles, watching her dreams die one by one as her day begins. By the time it ends, she is a crumpled heap on her living room floor, heartbroken, hand down her pants, with a faint, shocking glimpse into her bizarre future. It’s the story of what happens when Aubrey is summoned to the side of Libby Ackerman, Aubrey’s beloved aunt and only living relative, when she has a stroke in the very small, ultra- conservative town of Peachville, TX, the one place in the world Aubrey swore she would never return. This is the story of how Aubrey, driven by financial desperation, convinces a group of GOOD GIRLS from the local college to be her crew, a couple of BAD GIRLS from Grandma’s Gentlemen’s Club in the next town to be her talent, and a few of Aunt Libby’s dear, sweet, neighbors to create CRIMSON PIQUED, an empowering gothic romance porn film of the most beautiful order. If Aubrey is reduced to porn, it’s gonna be the best porn any woman ever saw...felt…got off to. It’s the story of how the citizens of Peachville, TX, react when porn comes to town. When the buried small-town secrets come out to play in the light, and the very ordinary town of Peachville becomes national news as alliances split down the middle in a smack-down of ‘let’s save our town’ vs ‘you’ll all burn in hell’. Also, there’s a love story… actually, two love stories. A BIT ABOUT AUBREY GOES DOWN
  • 3. The visual style will be energetic, creative and cinematic. The framing will be bold, and the pacing fast, feeling with Aubrey through the highs and lows, never backing off the uncomfortable, frustrating, painful, shocking and ‘WTF’ real moments. Inside the film are versions of the final movie Aubrey is creating and Aubrey’s occasional ‘visions’ play out for the audience. The cinematography is breathtaking, stepping away from the real world and showcasing beautiful, artistic images that both take your breath away and makes your pulse race. Aubrey’s desperate drive feels a bit like Ruth’s from GLOW. A women who will do just about anything to keep her dream alive, doing things she never thought possible, constantly walking that thin line between ‘I can’t give up’ and ‘Holy hell, what did I just do’. As in GLOW, Aubrey is surrounded by a band of delightfully offbeat characters who are both titillated and offended by Aubrey at the same time. There is a bit of Midge from The Marvelous Mrs. Maisel as Aubrey is also coloring way outside the lines. Midge doing standup in the late 50s feels like the same kind of risk as Aubrey boldly making feminist porn now. They both have real haters and they both have to rise above the noise. The Peachville, Texas setting is a backdrop full of nostalgia and traditional small-town bible belt life. Church on Sunday, BBQ’s and picnics, overly friendly neighbors who know everything about everyone. When they find out what’s going on there will be a full-on battle between folks who are willing to save their dying town by any means necessary and the bible thumpers who say their eternal souls are more important. TONE AND STYLE
  • 4. “This is a genuinely exciting piece, in numerous regards. An entirely new story we’ve in no way heard before? Check. An unapologetic comedy centered around women? Check. A story that doesn’t shy away from how smart it is yet remains ultra-accessible. CHECK. This piece has such an insane amount of promise it’s borderline overwhelming. This is the kind of film that’s going to have a glorious cult following behind it.” “It’s Zack and Miri Make a Porno meets Sweet Home Alabama” “This is the kind of film that men and women, from any variety of places, from any variety of backgrounds, would WANT to sit down and watch, and would feel simultaneously entertained and infuriated and turned-on by. This is the kind of film that could do really well while at the same time do a lot of GOOD. That’s not said lightly. That’s said in absolute earnest. Get this made, please.” “Super bonus points: way to craft women who are undeniably real creatures, who also happen to be wonderfully funny and sexy.” “It’s a comedy not just centered around women but a comedy whose message is all about women reclaiming their power.” INDUSTRY PROFESSIONALS ON AUBREY GOES DOWN
  • 5. AUBREY, MATT, AUNT LIBBY and SAMANTHA
  • 6. Aubrey is an award-winning feminist filmmaker who falls headfirst down a rabbit hole trying to keep her dreams alive. Piper Perabo, Bellamy Young, Constance Zimmer and Carla Gugino all have the ability to create stunning, well-rounded characters equally comfortable with comedy and drama. AUBREY ACKERMAN
  • 7. Matt is a writer, the town heartthrob, Aunt Libby’s TA, and quickly becomes Aubrey’s confidant and sidekick on her madcap journey to save herself. Up for anything and everything, Matt the feminist saves Aubrey over and over again. Booboo Stewart, Cody Christian and Keith Powers are all strong choices for the second lead. MATT DEBOW
  • 8. Aubrey’s beloved aunt and only living relative has lived in Peachville her whole life. A near death experience changes everything, and Libby realizes that it’s never too late to begin again. Dee Wallace, Lindsay Wagner, Mimi Kennedy, Kathy Baker and Jean Smart are all excellent choices for Libby. LIBBY ACKERMAN
  • 9. Samantha grew up in Peachville, leaving town shortly after Aubrey did. She came back to care for her parents, and when they passed, she stayed. Samantha stars in every production at the Peachville Playhouse and is the most seductive chef in town. Moon Bloodgood, Julia Jones and Ella Thomas are all great choices to play the saucy, sexy Samantha. SAMANTHA CLARKE
  • 10. A MOMENT FROM THE SCRIPT EXT. THEATER PARKING LOT – DAY Aubrey shakes with anger as Kaine blows through the exit. He stomps past her, gets into his car, SLAMS the door and rolls down the window. KAINE I’m coming back in exactly one hour and you’d better be gone. All of you! He begins to pull away as Aubrey jumps in front of his car. He SCREECHES to a stop. KAINE (CONT’D) Get out of my way. AUBREY You’d like that, wouldn’t you. Just get out of my way little lady. Aubrey crawls up onto the hood of Kaine’s car. AUBREY (CONT’D) I’m not getting out of the way Kaine. You get out of your damn car and deal with this like a human being. You can’t just say get out of my way. No! You get out! Kaine turns off the car and jumps out, looking around. KAINE Jesus Aubrey. I’m out.
  • 11. The fictional town of Peachville, Texas
  • 12. Aubrey grew up here, and at age 19 left Peachville in the rearview mirror to follow her dreams in Los Angeles. Now over 20 years later she’s back to care for her Aunt Libby, and through a series of shocking events discovers this small town has more to offer than she ever imagined. PEACHVILLE, TEXAS
  • 13. Important moments in the story play out between all the main characters here at Libby’s. Drama, love, pain, surprise, revelation and lunacy all come to life in the living room, kitchen, bedrooms and front porch. This is the grounding location in the film. Aunt Libby’s House
  • 14. Aubrey transforms the small theater production set of “A Doll’s House” into the backdrop for her stunning gothic romance film… with a twist.
  • 15. The only place in town that makes Aubrey smile is the Pie ‘N More diner. Fond memories of her mother and happy times spent there. Now it’s where Aubrey and her crew gather to plan, plot and stage a rebellion.
  • 16. Past, present and future collide at Grandma’s as Aubrey experiences a life-changing Come-To- Jesus moment in the weirdest way possible. Also, it’s where she and Matt ‘discover’ Lola and Paige, the stars of Crimson Piqued. A love connection happens at The Fuzzy Peach.
  • 17. A MOMENT FROM THE SCRIPT INT. AUNT LIBBY'S LIVING ROOM – NIGHT Aubrey paces the room, studying dusty, cluttered shelves of photos and knickknacks. She acts out a moment of the script, sits down, writes a few lines, deletes them, paces again, walks past a shelf of old VHS tapes and runs her finger along them until she sees something and stops. 'Aubrey's 8th grade talent show' is scribbled across the label. Aubrey pops the tape into Libby’s old VHS player, sits on the floor and pushes play. INSERT TELEVISION SCREEN: 13-year-old Aubrey stands alone on a stage, dressed in 80s Cyndi Lauper. She scans the audience, then looks directly into the camera. Girls Just Want To Have Fun begins to play and young Aubrey lets loose, singing to an audience of thousands that doesn't exist. Aubrey's eyes are saucers and her hand flies up over her mouth. She watches for a minute then pushes pause. AUBREY Oh my God. I forgot about you. Aubrey stares at her young fearless self on the screen, frozen in mid-song, staring back at her.
  • 18. CONTACT INFORMATION MARINA RICE BADER 310.435.9420 Marina@PlayBigPictures.com www.playbigpictures.com MICHAEL CARADONNA 818.929.4834 bold universal stories strong female characters