This event summarizes Art of the Danforth, a community art walk that took place in Toronto's Danforth neighborhood. Over 50 local artists participated by displaying sculptures, paintings, photographs and other artworks outdoors along the Danforth strip. The event aimed to showcase the local art community and bring residents together. It included interactive art installations, a photo exhibit in the local subway stations, and an attempt to build the world's longest sculpture in a park. The writer concludes the event generated enthusiasm and a sense of community pride, and that it could help revitalize the neighborhood in the future.
The occurrences of light festivals in UK cities has grown exponentially in the last decade, yet little is known of their impact on participants’ and audiences’ lives; how the spatial landscape of their urban contexts shapes participants feelings and behaviours. Much has been studied of the impact of cultural festivals, how they may be central to our identification with place, however, investigation into light festivals has been minimal, therefore the research aims to address this gap, particularly focusing on a small event, where empirical evidence is lacking.
Utilising a case study of a small lantern procession in Ordsall, Salford, which started in 1994, Gail will analyse the 2018 festival, which marks a major anniversary for an inner-city community, whose landscape and sense of place is increasingly influenced by central and peripheral private housing developments. The research seeks to understand how this annual lantern procession deepens a sense of place for established residents and introduces the character of place to newer residents.
by Gail Skelly PhD, Manchester Metropolitan University
The occurrences of light festivals in UK cities has grown exponentially in the last decade, yet little is known of their impact on participants’ and audiences’ lives; how the spatial landscape of their urban contexts shapes participants feelings and behaviours. Much has been studied of the impact of cultural festivals, how they may be central to our identification with place, however, investigation into light festivals has been minimal, therefore the research aims to address this gap, particularly focusing on a small event, where empirical evidence is lacking.
Utilising a case study of a small lantern procession in Ordsall, Salford, which started in 1994, Gail will analyse the 2018 festival, which marks a major anniversary for an inner-city community, whose landscape and sense of place is increasingly influenced by central and peripheral private housing developments. The research seeks to understand how this annual lantern procession deepens a sense of place for established residents and introduces the character of place to newer residents.
by Gail Skelly PhD, Manchester Metropolitan University
Live Nation Network: "Bands and Brands: Building Content, Communities and Com...Digiday
It’s undeniable that music is an empowering force, and in particular, live music is the number-one producer of the positive human emotions and experiences that advertisers seek to tap – for example, favorite memories, shared moments, and friendships. The universality of music and its ability to create these powerful emotional experiences have made it a potent springboard, platform or component of brands’ marketing campaigns. This session will explore all the ways new media and technology are being harnessed to better connect fans, brands and bands around live music experiences.
Speaker: Russell Wallach, president, Live Nation Network
Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
In our guide to experiential activations at music festivals, we cover the current landscape and our five keys to making a lasting impression at fests large and small, along with shout-outs to companies who've crushed it at events like Lollapalooza, Coachella, Outside Lands and SXSW.
This is the first presentation in a series exploring what makes ideas stick.
Another jam packed 12 pages of my newsletter. A tribute to Nelson Mandela, Overground Arts Jam, Celebrating Diversity event in Peterborough, Black History Month and more.
I will be examining the nature and role of artworks sited in the public domain
Exploring different categories of public art: monumental sculpture; building features including murals and light projections; natural artworks such as land-form artworks and temporary public works including events
I will be touching on the political argument that art is force for economic and social regeneration
I will look at a genre of public art that as a result of such policies was parachuted into public space and that was sometimes no more than a token gesture, somewhat dumped in an uncongenial setting
I will consider vandalism as a manifestation of public criticism, or a spirited guerrila art intervention by the public
Furthermore I will consider definitions of public art as the site, that is rather than the current make up of the public which it invariably outlasts, and how this new genre public art aims to resolve the contradiction of public art by determining public as the space or time
Live Nation Network: "Bands and Brands: Building Content, Communities and Com...Digiday
It’s undeniable that music is an empowering force, and in particular, live music is the number-one producer of the positive human emotions and experiences that advertisers seek to tap – for example, favorite memories, shared moments, and friendships. The universality of music and its ability to create these powerful emotional experiences have made it a potent springboard, platform or component of brands’ marketing campaigns. This session will explore all the ways new media and technology are being harnessed to better connect fans, brands and bands around live music experiences.
Speaker: Russell Wallach, president, Live Nation Network
Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
In our guide to experiential activations at music festivals, we cover the current landscape and our five keys to making a lasting impression at fests large and small, along with shout-outs to companies who've crushed it at events like Lollapalooza, Coachella, Outside Lands and SXSW.
This is the first presentation in a series exploring what makes ideas stick.
Another jam packed 12 pages of my newsletter. A tribute to Nelson Mandela, Overground Arts Jam, Celebrating Diversity event in Peterborough, Black History Month and more.
I will be examining the nature and role of artworks sited in the public domain
Exploring different categories of public art: monumental sculpture; building features including murals and light projections; natural artworks such as land-form artworks and temporary public works including events
I will be touching on the political argument that art is force for economic and social regeneration
I will look at a genre of public art that as a result of such policies was parachuted into public space and that was sometimes no more than a token gesture, somewhat dumped in an uncongenial setting
I will consider vandalism as a manifestation of public criticism, or a spirited guerrila art intervention by the public
Furthermore I will consider definitions of public art as the site, that is rather than the current make up of the public which it invariably outlasts, and how this new genre public art aims to resolve the contradiction of public art by determining public as the space or time
Is a KAWS Celeb Sighting Cause for Speculation?Reverlavie
The ex-street artist turned art-world sensation receives a warm reception and an award from the Hirshhorn
On a steamy Friday afternoon before the annual Hirshhorn Ball, one of the world’s most popular visual artists received an award from one of the world’s most popular recording artists.
The summer arts camp provided a structured space for children to develop their creativity, knowledge, and critical thinking skills through the creation of visual and theatre arts. The multi-arts based curriculum was rooted in a respect for community, collaboration, and cooperation.
Public art initiative for Northern Manhattan from 125th Street to the tip of the island in Inwood near and along the Hudson River and the East River esplanade from 14th Street to East Harlem.
Barrett Wissman is an individual who sees innovation in differentiation. He brings us the concept of truly allowing ourselves to become absorbed in the arts. He has closely worked with and also supported organizations that promote arts education and diversity.
Is a KAWS Celeb Sighting Cause for Speculation?Reverlavie
Check out our new Kaws Bedding Set collection. These items are inspired by the latest designs on a cast of figurative characters and motifs that amazed all fans. A high-quality comforter set gives your bedroom a comfortable, and hypebeast look.
The Bridge Groups Artists show IMAGINATION at MoMaThe Bridge
The Bridge Group Artists began twenty-three years ago under the direction of Judith Raskin Rosenthal, ATR. Many of the artists began with very little or no formal training. Eventually the group attracted individuals with some art education or experience. All have come to understand that the desire to create is in itself an expression of mental wellness and that—as artists—there is always room for growth. Over the past year, MoMA's Department of Education and The Bridge’s Art Department participated in their sixth annual extended partnership.
The Bridge Groups Artists show IMAGINATION at MoMa
ArtsyFartsy-local
1. We heard about this fabulous event from several people
in the communi!)! and were luc9 enough that Gina
Bearne, last issue's road trip writer, was planning to
spend the weekend along the Art Walk. She shares her
experience ofthis event - we won't miss it nextyear.
artsy
fartsy
STORY: GINA BEARNE
A WoNDERFUL WALK IN 'THIS PLAcE' -THE DANFORTH
'What is this place?' This was the question posed by the
event, Art of the Danforth and answered by many artists
and members of the community along the Danforth between
Greenwood and Woodbine at a myriad of primairly outdoor
installments. Organized by DECA - the Danforth East
Community Association, an independent group of locally-
based individuals, this new community art walk took place
over the last week in April. It was rooted in the belief that art
has the power to cross divisions and draw people together.
East Danforth's population includes an above average
percentage of artists and Art of the Danforth certainly
showcased some amazing talent, but it also provided a
potent reminder that creativity and art belong to all of us.
As I admired silhouettes in paper and cellophane on the
windows of the Community Housing Complex, a resident
stood proudly in profile- "that's me!", he proclaimed.
Cristina Delago helped young immigrants create
banners at Woodgreen Immigrant Services; Heidi Pospisil
populated Coxwell Library with sil~ouettes made by local
residents ; children and families fashioned flamboyant flags
that flew above the pit left behind when the hardware store
near Woodbine burned down; and, in "Prism", a series of
photo mosaics displayed in the three TTC stations along
the strip, local photographers - amateurs, hobbyists and
professionals, children, teens and adults - contributed to a
colourful snapshot of the Danforth East community that was
definitely greater than the sum of its parts.
Walking the street during Art of the Danforth was a
veritable voyage of discovery. No one could miss the big,
bright, coroplast silhouettes of The Pigeon Paradigm Project
designed by Real and Barbara Eguchi that tied the art
walk together. Pigeons roosted in participating shops and
businesses to indicate art on display. A howling wolf, giant
carrots, a lovers' kiss in front of the Roxy Cinema, all these
THE CARROTS AND STRAWBERRIES REPRESENTING THE FARMLAND THAT WAS ONCE HERE; AND THE ATIEMPT AT THE LONGEST SCULPTURE
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2. NEIGHBOURHOOD KIDS CREATED FLAGS TO FLY AT THE SITE WHERE THE HARDWARE STORE BURNT DOWN NEAR WOODBINE
and more celebrated aspects of the Danforth's natural and the sculpture was lovingly studded with golden dandelions.
cultural heritage, as well as the vibrant life that exists here. With more than fifty artists involved, as well as a host
Annie Wong's "Public Display of Affection" consisted of community organizations and individual volunteers,
of notes in obscure places that contained a secret, a these were just some of the highlights of an event that
confession, a personal message from an anonymous lover. encompassed dance, music, graffiti art, sculpture, paintings,
Though not found by everyone, the notes caused one to photographs, history displays and more. Art of the Danforth
stop and step outside the everyday, caught up in the poetic seemed to generate a new energy. People are already
vignettes, some dark, some joyous. Some found these notes talking about a bigger, better event next year. Business
disconcerting, but for me they were a delight, momentary owners are keen to be more involved. Politicians are hinting
glimpses of the untold stories that are our lives. at further funding. There is a genuine sense that art can
Throw pillows brought unexpected comfort to Coxwell make a difference. "What you are doing here is rebuilding a
Parkette. Each pillow was screenprinted with an image of a neighbourhood, taking a place that has gone through difficult
domestic object representing symbols of both the home and times and showing people how beautiful it can be and how
the private sphere. Artist Laura Brown challenged people to creative our soul is," said MPP Peter Tabuns.
make themselves 'at home' in a public place, and to consider 'What is this place?' Diverse, rich in talent, culture and
what 'home' means in the context of community. community spirit, there is certainly more here than meets the
•On May Day, in East Lynn Park, an attempt was made eye. East Danforth is alive and well.
to set a new world record for the longest freestanding THE IN-SUBWAY PHOTO EXHIBITS FROM FAR AND NEAR
sculpture in the world. Jerry Silverberg led children and
families in linking together simple square and round dowels,
and garden stakes as connectors. By the time I arrived, the
materials had been used up. Such was the enthusiasm that
the work continued, with wood from the start of the structure
being removed and re-used to take it further round the park.
And, in a fundamental human impulse towards decoration,
I ~,
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