Art & Science
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This Art & Science presentation was original presented in 2004 at Creighton University Medical Center, specifically the radiology department. The inventor of the Statscan for The Lodox Corporation Johannesburg, South Africa attended the presentation in Nebraska. This was the first time Smith's fine art radiograph research was exhibited in an academic, scientific and medical forum. The results of the continued fine art and radiograph research were exhibited on a post at the International CARS Confrenece in Osaka, Japan.
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that had partially funded the show. Their decision changed the course of arts
funding in 1990s.
At the time, I was working as a curator at Washington Project for the Arts, a
nonprofit, experimental gallery in the nation’s capital. I had been following
closely the political debates over arts funding and content, and the specific
controversies that were beginning to engulf the art world. The country was
moving into an election year, and certain politicians seemed ready to exploit a
handful of artists and their work in order to capture the attention of the
electorate. These artists, who had received NEA funding, directly or indirectly,
had struck a raw nerve in Congress and in some segments of the public: federal
money, it was thought, should not support the creation and exhibition of ideas
that questioned the status quo.
Between 1985 and 1990, artists were increasingly confronted by government
agencies and special interest groups for creating work that some considered to
be obscene, pornographic, blasphemous, politically motivated, or degrading of
national symbols. Those artists — whose work addressed specific social issues
such as war, economics, racism, environmental concerns, immigration, multi
culturalism, gender representations, sexuality, and AIDS — and by extension
their sponsors (the NEA, state arts councils, foundations, museums, and so on),
were criticized in Congress and the national media for the content of their
outspoken work. For example, Representative Richard Armey (R-Tex.), a
vociferous critic who tried to eliminate the NEA, admonished the agency in
1985 for funding gay-oriented literary journals. In response, the arts community
began to question congressional criticism, arguing that any attempt to legislate
the content of work that qualified for federal funding was tantamount to
censorship. Armey’s response: “This is not a matter of censorship, it is a matter
of judgement, of values.”1 Arguments about symbolic speech and public moral
ity politicized the issue of arts patronage.
Less than four years later, the NEA again came under attack from members
of Congress, and from a handful of confrontational religious groups, led by
Reverend Donald Wildmon, executive director of the American Family Associ
ation (AFA) in Tupelo, Miss ...
What is Sculpture?
Unit 1C
Art and Design
Key Stage 1&2
QCA Curriculum
Prepared for the first meeting/introduction
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Art & Science
- 1. Art & Science Janet G. Smith, ISA Member of the International Society of Appraisers Art Consulting, Appraisal & Authentication
- 8. Norman E. Mangold 1911-1956 Nebraska artist biography & catalogue developed because of this painting. Other unknown works were discovered. Jake Kavish, Merchant Fremont, NE
- 11. US Marine 1798-1806 First Issue of US Marine Uniforms
- 13. Close up of Uniforms
- 20. Composite Digital X-ray a number of x-rays pieced together
- 22. Same picture Lodox X-ray One digital x-ray no composite
- 23. Composite VS Statscan
- 24. Sheep and Lauren Mill
- 25. Lodox X-ray: Sheep and Lauren Mill
- 27. A Challenge Think of the technology you use everyday and how it might assist with the authentication of art.
- 29. Thank you Your ideas, suggestions, and questions are welcome!