The document provides details for filming a music video to accompany an aggressive hip hop song. It describes various scenes and shots that will depict a character dealing with drugs and the consequences of his actions. The scenes include the character smoking while walking, then later with blood-stained clothes after witnessing a murder while under the influence. Lyrics from the song describe drug use, violence, and the mental toll of societal pressures. The filmmaker aims to use the visuals and music together to convey the self-destructive effects of drug dependency and the character's struggle with perception of reality.

1. (Start: 0:41 minutes)
The shot will pan from a close-up of grass swaying in the wind.
There will be a view of the hill on a sunny day then cut to the same
view but on a bad day. The shot will fade into darkness then a
faded shot of the main character sitting looking outwards
becoming focused then slow motion smoking on the hill.
(Next location)
Jonah will be lighting a cigarette then smoking it into the camera as a close up/possibly slow
motion. Jonah will be walking towards the camera wearing normal clean clothes. He will be
still walking the same direction however the camera will viewing from the side
(Drumin: 1:19)
As the drums build up the character will be walking towards the camera this time with blood
stained clothes and an aggressive look on his face then stop and look directly into the
camera.
[Verse 1: Jam Baxter] (1:47 mins)
Shit, I'd best warn everyone
Where'd you get that confetti?
Come sell me some
So we can celebrate the day that our twenty one nail bomb salute
spelta death for the setting sun
Let 'em run
Their brittlefemurs were builtto snap
Too proud to crawl out the thrall of a simpletrap
Prescribea pill for that
Pilfer that bagof jewels
Luminous thieves in the blackness
A pack of fools
With pack mentality
We pack less gravity
Dark auras hover in a hand stretched canopy
Key:
Character 1
Character 2
Both characters
Bold- Lyrics sung
Confetti inthiscontextisusedtospeakof drugs
whichiswhat I planto base a lot of my video
contenton.This isbecause drugsisa large issue
inour societythatmany people demonise,
rather thanunderstandandrealise the troubles
these people have.Incarcerationonlyleadsto
greaterproblemswithamind-setof punishment.
I use the lyricspredominantlyto
developinthe charactersmindand
ideas.Notnecessarilytheiractions.
Whichis whyalthoughthe lyricsare
aggressive atthispointthe pace is
slow andnot erratic.

2. A strangled menagerie
Landed a job
Landinga lostplanein a land where the fog reigns king
With strange skin ever shrinking
And fifty two eject buttons blinking
Guess that's a win win but wings cost extra
Send your cheques to the pigeon in the blender
[Verse 2: Mr Key] (2:30 mins)
My mother was a princess my father was a king
Spring,summer, autumn and winter to spring
BlackbirdssingingI seeGod in all things
And as the earth spins itends and begins again
My beauty is the simple– a cosmos sprays off a singlestem
Turn men to kings,turn kings to men
In the blink of infinity so think again
What you think? I ain'tsureI ain'tmastered my thoughts
I'm staringatthe stars laughingtryingto ask them for more
Like the universeisn'tenough – nor's infinity drugs
And I swore that I was givingitup
Quantum leap – Ziggy's not watchingme
What'd you mean? What'd you mean son? It's simpleas a crystal
Dynamic systems sinkingthrough the blissful
Thimble full of ink to pour symbols in my ritual
[Verse 3: Ronnie Bosh] (3:16 mins)
I didn't see the mirrorball shatter but there's glass on the dance floor
Saw the lineflatten - asked any lastthoughts
The shards plotpaths to your yard's door
The voice of the artistis quite deep
and the lyricsare quite obscure in
termsof contentsoI decidedtouse
thissectiontoshootthe scene
where Jonahviewsthe murder.
Althoughit’srelativelyupbeatin
comparisontothe othersectionsI
thinkthisgivesita goodcontrast to
the aggressiontocreate a type of
irony.
In the songthe transitionsbetween
artistsgive a time gap whichIthink
isan opportunitytomake a
transitionwithinthe video.
The lyricsshow clear confusion
withinthe charactersmindas if the
character doesn’tunderstandor
believewhattheyare seeing.Ifind
thisan interestingideaasitproves
the drugs have made the character
questiontheirownperceptionof
whathas happenedinfrontof him.
I like the ideathatthe artist speaks
of a lackof recollectionof what
happenas if theycannotkeepup
withwhatis goingonaround them
so have beenkickedout.

3. Hard fought sagas you are what you ask for
Pass more shitthrough your system for wisdom
The masked hoards driftin to the distance
Last call for the tricksters and vixens
Mixed with a difference I shiftlikethe pistons
And yes I guess I did something once
And yes yes whatever next dunce is done
They bled red I sever flesh drunk the blood
And left death a step ahead crumblingpunk
It's likefresh leaves turning into red leaves autumn
Dead leaves turning into fresh green portions
Bless these vermin the rest keep falling
Emcee turning kids to next weak orphans
[Verse 4: Dirty Dike] (4:00 mins)
With my eyes black staringatthe white on the page
I try to crystallisemy mind and ignite into flames
The priceof the game – either catch the vibe or the shame
And try and wipe away the silencewhen you're hypingthe stage
I fly into space– rightbeside this guy and his mates
A giantface screamingcry James – die and escape
Try and erasethe bad lies violenceand hate
Try and abidethe bad guy try and behave
Try and replacea man's mind at night with a spade
Try and climb mad high atnight at night in the rain
Try falling –sittingin the water and dry's calling
Committed 9 sins and the fucking pigs caught him
Nothing's this awesome a fucking bigbox full of bloody sick drops that
some other kids taught him
The ideathat puttingdrugsinto
your bodyto achieve happinessor
‘wisdom’ supportsmyideaof
dependencyondrugs.I like thisas
an ideaas itis self-destructiveyet
occurs oftenandtraps people ina
loopand outcasted insociety.
The aggressive conceptof gore is
interestingasitshowsa clear
darknessof whichgoesagainstthe
purpose of whypeople take drugs.
Speakingof bloodandseveredflesh
almostinducesanger.
DirtyDike isclearlythe most
aggressive artistinthe songwitha
fastpace witha lot of swearing,
whichwill be removed.Notonlythis
but the ideaof tryingto represshis
angerin the lyricsyetcausing
greaterangerto existfollowsthe
narrative of my videoandthe
character profile.
The character will lookthe man
sittingonthe curb directlyinthe
eyesandstopthenhe will walkoff
withfearof the police playingonhis
mindcausinghimto flee.

4. His mother sits ballingher stubborn littleeyes out
A son still alivein another prison lifenow
[Verse 5: Edward Scissortongue] (4:55 mins)
Starter for ten
Who's that parkingthe car in the grey suit?
Last seen parcellingcarcinogens with the top down targeting artforms darker than death
It was 4am when the sky splitsideways –i sawbright steam
Bellow from the skylinecrunching
Life gushed hard on this one-a-penny whitewash
Starved on a monetary timeclock sunken
Callingall workers –report to the docks where the bullets fly
One lastship leaves these shores
Drawn to the furnace – ninehour shifts with the shovel
Pistons and coal heaps
Better lifeparchment – next lifesetting sun – time grows darker
Heaven might sell us somebetter lives after the carnagehas settled
So disarmthe grenades and pass them to everyone
(Lyrics end5:40) (Total=4:59 possibly less)
I chose to have bothcharacters on
the scene whenthisartistispresent
as it hasa widerpicture of life and
stressesthatmanypeople have to
face.Withjob relationsandcity
stressand the impactthat this
clearlyhason manypeople.
Overall Iam goingto have a greaterrelationshipbetweenthe musicandvisualsintermsof pace and aggression
for a conceptual narrative.Ratherthanfollowingthe lyricstodevelopthe narrative.Iwill be usingsome
performance basedelementsasinUK hiphop itis a commonlyusedconvention.