Ancilliary shoot reserch
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The document provides details for the research needed to create a film poster and website for a horror film. Hair and makeup for the poster should be dark, messy, long hair and black smudged or pale makeup to fit horror conventions. Costumes will be a white robe or casual clothes that are ripped and muddy with blood. The poster will be shot in a studio to achieve an animated look, while the website location will be the bridge from the film with hyperlinks in the bushes and bridge blacked out on Photoshop.
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Evaluation
The document discusses different types of narratives including linear vs nonlinear, open vs closed stories, realistic vs unrealistic stories, and the typical narrative components of opening, conflict, climax, and resolution. It analyzes the narrator's story across these dimensions, noting that it is a linear, closed narrative with typical components that follows a race from start to finish in an unrealistic, anthropomorphic way without an enigma.
Submarine Review - Analysis
Analysis of The Guardian's review on Submarine. The 2010 debut film of Richard Ayoade starting Craig Roberts as Oliver Tate.
Pink digipack
The album cover portrays the artist in a way that references circus and gypsy culture through her provocative costume. She is depicted differently on the front and back covers - on the front she seems carefree while on the back she appears lonely and isolated. The settings of the circus on the inside and desert on the back contrast between lively and happy versus quiet and isolated, changing the narrative from happy to sad. Technical elements like lighting, filters, and composition are used to distinguish narrative parts and appeal to fans while referencing the time period of the Victorian era through props.
Fall out boy music video analysis
The music video depicts 4 Roman gladiators portrayed by Fall Out Boy. It shows a linear narrative of a gladiator battle in ancient Rome for entertainment. The video contains heavy religious iconography like paintings of Jesus and the Virgin Mary that could link to criticism of the Catholic Church. It is set in ancient Rome with establishing shots of the Colosseum and city to emphasize the time period and grandeur. While unconventional for this genre by lacking a performance narrative, conceptual videos are common in pop music.
Setting of thriller
The document discusses the setting, lighting, and costume for a thriller film opening. The setting is in London, with most shots based in a house and ending with the character walking out of the house or a view of Canary Wharf. For lighting, most scenes will have a light atmosphere but shift between light and dark, like in Se7en, keeping the killer's face hidden in light scenes but visible in dark scenes. The costume for the main character is a black suit with a purple shirt, with these colors linked to death, mystery, and magic, portraying the character as serious, sophisticated, and mysterious.
Planning for shoots etc
The filmmaker has changed their filming location from an inaccessible area to an abandoned motel with covered buildings that will allow filming in harsh weather. They plan to use dim, harsh lighting to create a mysterious, dark feeling. A generator and lighting equipment have been acquired, with candles as backup. Props will include weapons typical of horror films. Costumes for main characters will be everyday clothes while the murderer will wear a boiler suit, boots, and mask made from a woolen sack. Hair and makeup will initially be natural looking but special effects makeup like blood and prosthetics will be used to portray injuries on victims.
Muse – knights of cydonia
The music video for "Knights of Cydonia" by Muse is styled like an ironic short film that parodies Western and sci-fi genres. It uses exaggerated cinematic techniques and references many other films to tell a sarcastic story about a hero who defeats a villain using Muse's CD. The entire video has a tone of sarcasm and irony, emphasizing every moment in an over-the-top way to create a ridiculous and comedic effect.
Evaluation 1
The document analyzes how a trailer for the film "Eve" both conforms to and challenges conventions of real film trailers. The trailer begins conventionally by displaying the production company logo. It includes voiceover and subtitles to explain the narrative, slow pacing of scenes to set tone, and shows other associated production companies. However, it challenges conventions by having a young girl as the monster rather than a male, not concealing the monster's identity, and including on-screen text rather than just voiceover to convey the narrative. The trailer switches between following and challenging conventions to both draw in viewers familiar with standard trailers but also intrigue them with unique elements.
Recommended
Evaluation
The document discusses different types of narratives including linear vs nonlinear, open vs closed stories, realistic vs unrealistic stories, and the typical narrative components of opening, conflict, climax, and resolution. It analyzes the narrator's story across these dimensions, noting that it is a linear, closed narrative with typical components that follows a race from start to finish in an unrealistic, anthropomorphic way without an enigma.
Submarine Review - Analysis
Analysis of The Guardian's review on Submarine. The 2010 debut film of Richard Ayoade starting Craig Roberts as Oliver Tate.
Pink digipack
The album cover portrays the artist in a way that references circus and gypsy culture through her provocative costume. She is depicted differently on the front and back covers - on the front she seems carefree while on the back she appears lonely and isolated. The settings of the circus on the inside and desert on the back contrast between lively and happy versus quiet and isolated, changing the narrative from happy to sad. Technical elements like lighting, filters, and composition are used to distinguish narrative parts and appeal to fans while referencing the time period of the Victorian era through props.
Fall out boy music video analysis
The music video depicts 4 Roman gladiators portrayed by Fall Out Boy. It shows a linear narrative of a gladiator battle in ancient Rome for entertainment. The video contains heavy religious iconography like paintings of Jesus and the Virgin Mary that could link to criticism of the Catholic Church. It is set in ancient Rome with establishing shots of the Colosseum and city to emphasize the time period and grandeur. While unconventional for this genre by lacking a performance narrative, conceptual videos are common in pop music.
Setting of thriller
The document discusses the setting, lighting, and costume for a thriller film opening. The setting is in London, with most shots based in a house and ending with the character walking out of the house or a view of Canary Wharf. For lighting, most scenes will have a light atmosphere but shift between light and dark, like in Se7en, keeping the killer's face hidden in light scenes but visible in dark scenes. The costume for the main character is a black suit with a purple shirt, with these colors linked to death, mystery, and magic, portraying the character as serious, sophisticated, and mysterious.
Planning for shoots etc
The filmmaker has changed their filming location from an inaccessible area to an abandoned motel with covered buildings that will allow filming in harsh weather. They plan to use dim, harsh lighting to create a mysterious, dark feeling. A generator and lighting equipment have been acquired, with candles as backup. Props will include weapons typical of horror films. Costumes for main characters will be everyday clothes while the murderer will wear a boiler suit, boots, and mask made from a woolen sack. Hair and makeup will initially be natural looking but special effects makeup like blood and prosthetics will be used to portray injuries on victims.
Muse – knights of cydonia
The music video for "Knights of Cydonia" by Muse is styled like an ironic short film that parodies Western and sci-fi genres. It uses exaggerated cinematic techniques and references many other films to tell a sarcastic story about a hero who defeats a villain using Muse's CD. The entire video has a tone of sarcasm and irony, emphasizing every moment in an over-the-top way to create a ridiculous and comedic effect.
Evaluation 1
The document analyzes how a trailer for the film "Eve" both conforms to and challenges conventions of real film trailers. The trailer begins conventionally by displaying the production company logo. It includes voiceover and subtitles to explain the narrative, slow pacing of scenes to set tone, and shows other associated production companies. However, it challenges conventions by having a young girl as the monster rather than a male, not concealing the monster's identity, and including on-screen text rather than just voiceover to convey the narrative. The trailer switches between following and challenging conventions to both draw in viewers familiar with standard trailers but also intrigue them with unique elements.
Mise en- scene
The document compares and contrasts elements from the films Snatched and Prom Night. It notes that in both films, the antagonists are partially obscured and wear casual, youthful clothing like hoodies and tracksuits. This establishes them as young while hiding their identities. The document also analyzes how locations in Snatched establish the setting as a run-down, inner city park and use of a ball and phone help characterize the protagonist as a typical teenager. Finally, it discusses how Snatched challenges conventions by showing the antagonist in the background at first to build tension while focusing on the protagonist.
Taylor swift music video analysis
The video depicts a stereotypical relationship with a submissive female and indifferent male. Scenes show the female looking down when making eye contact with the male, portraying her as submissive. However, some shots show the female with a lion, symbolizing her strength and power. Towards the end, the roles are reversed as the male chases the female, breaking the stereotype. The narrative follows a love story on a film set over months, with a twist ending revealing the male had another girlfriend. Iconography like lions and lightning project power onto the female to change her public image from sensitive to strong.
Kasier chiefs music video analysis
The video depicts male characters representing different aspects of the singer's personality and life. Though the narrative is unclear and nonlinear, it seems to symbolize the characters' desire to escape from everyday responsibilities represented by suits, and embrace a carefree attitude represented by Hawaiian shirts. The beach setting and shipwreck may symbolize wanting to break free from normal life but being unable to fully do so. Recurring imagery like a blue door suggests the characters all face the same problems despite differences, and could provide insight into the singer's true emotions which are conflicted between responsibility and freedom.
Promotion/Tickets
The document discusses the production of a student film called "Akumu San". It describes how the students created fake premiere tickets using an online generator to make them look authentic. It then outlines the film's narrative about friends summoning a demon from a game found online and being unable to get rid of it. The document also discusses decisions made regarding the narrative, problematic casting, the film poster linking to the trailer and magazine cover, and how the trailer was influenced by other successful horror films.
Storyboard ideas, scripted reality
The document deconstructs the trailer for the reality TV show "TOWIE" into three parts:
1. It analyzes the first character shown, Arg, and how his introduction establishes his character as silly but typical of Essex.
2. It examines how different characters are portrayed as glamorous but down to earth through their costumes, backgrounds, and dialogue.
3. It concludes by looking at how the final character, Jess, indicates she may have a prominent role and how the trailer effectively promotes the show's sponsors.
A2 Mise en-scene research
This document discusses conventions of psychological thriller films that will be utilized in a student film trailer project. It covers how lighting and shadows can represent a character's inner darkness and add mystery. Mirror scenes are discussed as a way to indicate a protagonist's twisted nature, though they can be difficult to film. Costumes aim to show how a normal person can become corrupted, rather than portraying villains as overly stylized. Locations in urban areas can make the story feel closer to home for viewers. These mise-en-scene elements will help craft an unsettling trailer that draws on thriller conventions.
Rufus use this one 10 page perfect
My short film combines conventions of a typical romantic comedy with those of an art house film. It uses a small cast of four characters and only a few narrative conventions typical of art house films. The film challenges typical romantic comedy structures by having the protagonist end unhappily with the tragic realization that he cannot care for his child. It also explores binary opposites between the male and female leads and intends to be a postmodern take on the romantic comedy genre through less clearly defined characters that use more subdued art house-style expressions and responses.
Spotless Review
Milly Devine's short film "Spotless" won the Short Film Award at the BFI Film Festival. The film provides a fresh perspective on obsessive compulsive disorder (OCD) through its portrayal of characters Phoebe, who has OCD, and her slovenly roommate Molly. Unlike most media depictions of OCD, "Spotless" shows it as just one aspect of Phoebe's life that she and Molly deal with, rather than an exaggerated or debilitating condition. The film uses symmetrical shots and an unconventional bird's-eye-view perspective to visually represent OCD tendencies. Strong performances from the lead actresses help carry the narrative about friendship and managing mental illness.
The visit
The trailer provides context clues to summarize the film. It denotes that the film has a PG-13 rating and uses hand-held camera work to give it a sense of realism and documentary style. Two children are seen saying goodbye to their mother at a train station, indicating they are going somewhere far from home, suggested to be their grandparents. Clues imply their father may have passed away. Strange events seem to begin happening after sunset per their grandfather's warning of a 9:30 pm lights out. The grandmother's white clothing carries representations of female ghosts that allude to other similar films.
Film Posters Presentation
This document analyzes several film posters and discusses their visual elements and how they are used to convey information and intrigue audiences. The posters analyzed employ techniques like shadowy figures, ominous typography, vulnerable characters, and references to true events to create atmospheres of fear, mystery and suspense that draw viewers into the horror genre worlds depicted. Common themes across the posters include the use of dark colors, low-key lighting, ambiguous threats, and vulnerability of female characters.
Settings for media trailer
Ross Gibson, a man searching for a missing girl, will investigate locations around a park and forest. The park provides places for Gibson to search and follow suspects unseen. An abandoned playground and gothic building in the park could be related to the girl's disappearance. An old police station will be used to interrogate Gibson after he is accused of the kidnapping.
Art & Design Samples 1
The document provides samples from storyboards for three different video projects. The first is a romantic poem projected on a hotel in Dubai. The second uses atmospheric style frames for an unspecified project. The third shows black and white storyboard frames paired with the finished video, which is about finding lost children around the world.
Maleficent
Maleficent (2014) was directed by Robert Stromberg, with Angelina Jolie starring as the title character Maleficent. The $180 million film tells the story from Maleficent's perspective, as she places a curse on the infant Princess Aurora but later breaks it. The film uses a balance of practical and computer-generated visual effects to bring the dark fantasy world to life. It attracted majority female and family audiences, with over $757 million in global box office sales.
A nightmare on elm street
This document analyzes the 1984 horror film A Nightmare on Elm Street, summarizing how it incorporates common slasher film elements like an iconic killer (Freddy Krueger) and themes of revenge while also innovating with its surreal premise of a killer who stalks victims in their dreams. The document examines the film's narrative, themes, iconography, style, and setting, highlighting how these aspects combine the familiar with the frighteningly unfamiliar to create an enduring horror villain and establish the dream-based slasher subgenre.
Edward Scissorhands Analysis
The director conveys multiple genres in the opening scenes of Edward Scissorhands through visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale aspects are represented by gingerbread and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone. Romance is seen through the relationship between the little girl and grandmother. The opening scenes juxtapose warm, colorful settings with the dark, Gothic castle to blend horror, comedy, fairy tale and romance genres.
Analysis of 2 similar texts
The document analyzes two soap opera trailers - one for EastEnders about the death of Lucy Beale, and one for Emmerdale about a storyline called "Judgement Day". It examines aspects like the channel, target audience, storyline/themes, and technical codes like camerawork, editing, lighting, and sound used in each trailer. The document finds that both soaps target a wide audience, use dramatic storylines and nighttime lighting to create suspense. Technical elements like close-ups, soundtrack, and voiceover help persuade viewers to watch.
G321: Planning - Equipment, Costume, Props
The document discusses planning for a student film project. It includes sections on equipment, costumes, props, and importance. The group will use a camera, VT tape, tracking dolly, tripod, and Final Cut editing software. Costumes are planned for the detective, young girl, and the shade/villain. The detective will wear a long coat, and the shade will be fully covered. The young girl's dress will be muddy. Important props include a red ribbon, lamp post, photographs, notes, casebook, string connectors, and police gear to develop characters and mystery.
postmodern masterpiece
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Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis summarizes the use of verbal codes like dialogue, music and sound effects to build tension. It also examines the non-verbal codes of costumes, facial expressions and lighting used to set mood. Technically, fast-paced cuts between characters and a zoom out shot are used.
For the second trailer, the analysis notes the use of dialogue and music to engage viewers. Facial expressions of the main character Sienna reveal her guilt. Female characters seem more dominant. Costumes and lighting are used to portray the antagonist as dark. Transitions between scenes build suspense. Shot types like close-ups reveal emotions. The trailer
Best work
Leah Wilsher submitted work for evaluation in May 2013. The document appears to be a record of work submitted by Leah Wilsher during the month of May in 2013, but provides limited other context or details about the nature of the work.
Presentation1
This very short document contains 3 sentences about an October edition and mentions the name Leah. It does not provide enough contextual information to generate a meaningful 3 sentence summary.
Besty worky
This appears to be a very brief document with no substantive content other than a title "Best work" and a date of "January 2014". The document provides no details about any work, only the title and date with no other context or information given.
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Mise en- scene
The document compares and contrasts elements from the films Snatched and Prom Night. It notes that in both films, the antagonists are partially obscured and wear casual, youthful clothing like hoodies and tracksuits. This establishes them as young while hiding their identities. The document also analyzes how locations in Snatched establish the setting as a run-down, inner city park and use of a ball and phone help characterize the protagonist as a typical teenager. Finally, it discusses how Snatched challenges conventions by showing the antagonist in the background at first to build tension while focusing on the protagonist.
Taylor swift music video analysis
The video depicts a stereotypical relationship with a submissive female and indifferent male. Scenes show the female looking down when making eye contact with the male, portraying her as submissive. However, some shots show the female with a lion, symbolizing her strength and power. Towards the end, the roles are reversed as the male chases the female, breaking the stereotype. The narrative follows a love story on a film set over months, with a twist ending revealing the male had another girlfriend. Iconography like lions and lightning project power onto the female to change her public image from sensitive to strong.
Kasier chiefs music video analysis
The video depicts male characters representing different aspects of the singer's personality and life. Though the narrative is unclear and nonlinear, it seems to symbolize the characters' desire to escape from everyday responsibilities represented by suits, and embrace a carefree attitude represented by Hawaiian shirts. The beach setting and shipwreck may symbolize wanting to break free from normal life but being unable to fully do so. Recurring imagery like a blue door suggests the characters all face the same problems despite differences, and could provide insight into the singer's true emotions which are conflicted between responsibility and freedom.
Promotion/Tickets
The document discusses the production of a student film called "Akumu San". It describes how the students created fake premiere tickets using an online generator to make them look authentic. It then outlines the film's narrative about friends summoning a demon from a game found online and being unable to get rid of it. The document also discusses decisions made regarding the narrative, problematic casting, the film poster linking to the trailer and magazine cover, and how the trailer was influenced by other successful horror films.
Storyboard ideas, scripted reality
The document deconstructs the trailer for the reality TV show "TOWIE" into three parts:
1. It analyzes the first character shown, Arg, and how his introduction establishes his character as silly but typical of Essex.
2. It examines how different characters are portrayed as glamorous but down to earth through their costumes, backgrounds, and dialogue.
3. It concludes by looking at how the final character, Jess, indicates she may have a prominent role and how the trailer effectively promotes the show's sponsors.
A2 Mise en-scene research
This document discusses conventions of psychological thriller films that will be utilized in a student film trailer project. It covers how lighting and shadows can represent a character's inner darkness and add mystery. Mirror scenes are discussed as a way to indicate a protagonist's twisted nature, though they can be difficult to film. Costumes aim to show how a normal person can become corrupted, rather than portraying villains as overly stylized. Locations in urban areas can make the story feel closer to home for viewers. These mise-en-scene elements will help craft an unsettling trailer that draws on thriller conventions.
Rufus use this one 10 page perfect
My short film combines conventions of a typical romantic comedy with those of an art house film. It uses a small cast of four characters and only a few narrative conventions typical of art house films. The film challenges typical romantic comedy structures by having the protagonist end unhappily with the tragic realization that he cannot care for his child. It also explores binary opposites between the male and female leads and intends to be a postmodern take on the romantic comedy genre through less clearly defined characters that use more subdued art house-style expressions and responses.
Spotless Review
Milly Devine's short film "Spotless" won the Short Film Award at the BFI Film Festival. The film provides a fresh perspective on obsessive compulsive disorder (OCD) through its portrayal of characters Phoebe, who has OCD, and her slovenly roommate Molly. Unlike most media depictions of OCD, "Spotless" shows it as just one aspect of Phoebe's life that she and Molly deal with, rather than an exaggerated or debilitating condition. The film uses symmetrical shots and an unconventional bird's-eye-view perspective to visually represent OCD tendencies. Strong performances from the lead actresses help carry the narrative about friendship and managing mental illness.
The visit
The trailer provides context clues to summarize the film. It denotes that the film has a PG-13 rating and uses hand-held camera work to give it a sense of realism and documentary style. Two children are seen saying goodbye to their mother at a train station, indicating they are going somewhere far from home, suggested to be their grandparents. Clues imply their father may have passed away. Strange events seem to begin happening after sunset per their grandfather's warning of a 9:30 pm lights out. The grandmother's white clothing carries representations of female ghosts that allude to other similar films.
Film Posters Presentation
This document analyzes several film posters and discusses their visual elements and how they are used to convey information and intrigue audiences. The posters analyzed employ techniques like shadowy figures, ominous typography, vulnerable characters, and references to true events to create atmospheres of fear, mystery and suspense that draw viewers into the horror genre worlds depicted. Common themes across the posters include the use of dark colors, low-key lighting, ambiguous threats, and vulnerability of female characters.
Settings for media trailer
Ross Gibson, a man searching for a missing girl, will investigate locations around a park and forest. The park provides places for Gibson to search and follow suspects unseen. An abandoned playground and gothic building in the park could be related to the girl's disappearance. An old police station will be used to interrogate Gibson after he is accused of the kidnapping.
Art & Design Samples 1
The document provides samples from storyboards for three different video projects. The first is a romantic poem projected on a hotel in Dubai. The second uses atmospheric style frames for an unspecified project. The third shows black and white storyboard frames paired with the finished video, which is about finding lost children around the world.
Maleficent
Maleficent (2014) was directed by Robert Stromberg, with Angelina Jolie starring as the title character Maleficent. The $180 million film tells the story from Maleficent's perspective, as she places a curse on the infant Princess Aurora but later breaks it. The film uses a balance of practical and computer-generated visual effects to bring the dark fantasy world to life. It attracted majority female and family audiences, with over $757 million in global box office sales.
A nightmare on elm street
This document analyzes the 1984 horror film A Nightmare on Elm Street, summarizing how it incorporates common slasher film elements like an iconic killer (Freddy Krueger) and themes of revenge while also innovating with its surreal premise of a killer who stalks victims in their dreams. The document examines the film's narrative, themes, iconography, style, and setting, highlighting how these aspects combine the familiar with the frighteningly unfamiliar to create an enduring horror villain and establish the dream-based slasher subgenre.
Edward Scissorhands Analysis
The director conveys multiple genres in the opening scenes of Edward Scissorhands through visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale aspects are represented by gingerbread and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone. Romance is seen through the relationship between the little girl and grandmother. The opening scenes juxtapose warm, colorful settings with the dark, Gothic castle to blend horror, comedy, fairy tale and romance genres.
Analysis of 2 similar texts
The document analyzes two soap opera trailers - one for EastEnders about the death of Lucy Beale, and one for Emmerdale about a storyline called "Judgement Day". It examines aspects like the channel, target audience, storyline/themes, and technical codes like camerawork, editing, lighting, and sound used in each trailer. The document finds that both soaps target a wide audience, use dramatic storylines and nighttime lighting to create suspense. Technical elements like close-ups, soundtrack, and voiceover help persuade viewers to watch.
G321: Planning - Equipment, Costume, Props
The document discusses planning for a student film project. It includes sections on equipment, costumes, props, and importance. The group will use a camera, VT tape, tracking dolly, tripod, and Final Cut editing software. Costumes are planned for the detective, young girl, and the shade/villain. The detective will wear a long coat, and the shade will be fully covered. The young girl's dress will be muddy. Important props include a red ribbon, lamp post, photographs, notes, casebook, string connectors, and police gear to develop characters and mystery.
postmodern masterpiece
Barbara Biaows' film "Big Love" is a postmodern masterpiece that deconstructs cinematic formulas and plays with kitsch and pop culture tropes. The film contains many references to other films like "Bitter Moon", "Requiem for a Dream", and "Natural Born Killers" and directors like Godard and Truffaut. Every shot and scene is carefully considered and part of an overarching convention examined in the film. The film challenges stereotypes about love in cinema through its unconventional style and bold experimentation with form and content.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis summarizes the use of verbal codes like dialogue, music and sound effects to build tension. It also examines the non-verbal codes of costumes, facial expressions and lighting used to set mood. Technically, fast-paced cuts between characters and a zoom out shot are used.
For the second trailer, the analysis notes the use of dialogue and music to engage viewers. Facial expressions of the main character Sienna reveal her guilt. Female characters seem more dominant. Costumes and lighting are used to portray the antagonist as dark. Transitions between scenes build suspense. Shot types like close-ups reveal emotions. The trailer
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Best work
Leah Wilsher submitted work for evaluation in May 2013. The document appears to be a record of work submitted by Leah Wilsher during the month of May in 2013, but provides limited other context or details about the nature of the work.
Presentation1
This very short document contains 3 sentences about an October edition and mentions the name Leah. It does not provide enough contextual information to generate a meaningful 3 sentence summary.
Besty worky
This appears to be a very brief document with no substantive content other than a title "Best work" and a date of "January 2014". The document provides no details about any work, only the title and date with no other context or information given.
Shoots research
This document discusses costumes and makeup for various roles including girls in school, a ghost, girls when people are dying, and mums. It also lists the actual bridge as a location and mentions props will be needed.
Results
The questionnaire results showed that the target audience for the magazine is male students aged 16-21 living in Bishops Stortford who enjoy music and shopping. They prefer a magazine priced at £2 with a black, white, and electric blue color scheme that is sold in superstores and online. It should feature artists like Deadmau5 and Example and include contests like festival ticket discounts.
Presentation1
This short document appears to be about work and contains two lines. The first line states "Best work" possibly referring to someone's best work. The second line contains the name "Leah wilsher" which could be the author or subject of the work mentioned in the first line. Overall the document provides little context but seems to reference an individual's work or project.
Detailed research
The document analyzes three horror film trailers:
1) Insidious 2 establishes the genre through scary music and reactions. It reveals much of the plot.
2) The Crazies effectively uses fast pacing, sound effects, and sad music to scare audiences. It reveals less of the plot.
3) The Woman in Black appeals most due to its star actor and anticipation created without revealing much of the narrative.
All three trailers effectively employ fast pacing, wording formats, and similar fonts to professionally generate fear and interest audiences in the films.
Comment et pourquoi Plasmodium modifie-t-il la surface du globule rouge hôte?
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Comment et pourquoi Plasmodium modifie-t-il la surface du globule rouge hôte? - Présentation de la 8e édition du Cours international « Atelier Paludisme » - MBANYE Hypax - Burundi - mbanye_h@yahoo.frAnémie et paludisme: l’hémolyse est-elle tout. Que faire pour la prévenir et ...
Anémie et paludisme: l’hémolyse est-elle tout. Que faire pour la prévenir et ...Institut Pasteur de Madagascar
Anémie et paludisme: l’hémolyse est-elle tout. Que faire pour la prévenir et la prendre en charge? - Présentation de la 8e édition du Cours international « Atelier Paludisme » - AÏSSAN Codjovi Julien - Benin - codjo3aj2000@yahoo.frViewers also liked (9)
Comment et pourquoi Plasmodium modifie-t-il la surface du globule rouge hôte?
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The poster depicts an old woman sitting alone in a dark, isolated room holding a creepy doll. The woman's face is turned away from the camera, making her mysterious. The doll is smiling but also seems alive with its head turned, which is unsettling. These visuals along with the dark color scheme and grimy setting create an ominous and frightening atmosphere. The tagline notes the film is based on true cases, adding to the scare factor by implying it could really happen. Overall, the poster employs common horror conventions through its disturbing imagery and dark tone to attract audiences interested in supernatural thrillers from the directors of similar films.
Shoot Plan
This document provides details on the planning for an independent horror film shoot. It discusses changing the filming location from an inaccessible site to an abandoned motel with covered buildings. Lighting plans involve using a generator and candles to illuminate interior scenes at night. Props will include weapons like axes and knives. Costumes are casual clothes for main characters and a boiler suit and mask for the antagonist. Makeup will involve special effects like blood and wounds. A variety of shot types are planned like close-ups, zooms and establishing shots to convey emotion and pace in the horror trailer.
The sinister poster
This film poster is for the horror film "Sinister" which involves a family home that is possessed after a horrific crime occurred there previously. The poster depicts a young girl dragging what appears to be blood across a wall, within which the face of the demonic antagonist can be seen. This conveys to the audience that the antagonist will possess the innocent young girl. Additional text on the poster promotes it using the producers of popular horror films for additional credibility and appeal. The mise-en-scene of an attic-like background provides context clues to suggest where key events in the film's narrative will take place. Overall, the poster successfully conveys the supernatural/possession genre and tone of fear and darkness through its imagery
Conventions
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Media powerpoint final
The director researched various horror and thriller trailers to understand how to craft fear without revealing the entire plot. They are responsible for realizing the film's vision through shots, tone, and audience experience. The target audience is teenagers and young adults, as horror films often feature teenage characters and situations they can relate to. Feedback from teenage test audiences confirmed that an appealing horror film keeps the audience on edge without resolving uncertainties. It also features a single main scary character rather than many.
Evaluation question
This document summarizes how the media product, a horror film trailer, uses and challenges conventions of the horror genre. It follows many typical horror conventions like using suspense, jump scares, darkness, and a narrative that sets up killings without revealing all details. However, it challenges conventions by having the threatening entity be a doll instead of a human, using an ordinary family home as the main setting, and having the main character wear white instead of dark colors. The trailer also challenges conventions through using one nursery rhyme music track throughout, employing static to purposely lower video quality, and ending with an additional clip instead of showing the title.
Horror themes
The document discusses potential horror film themes and ideas for an opening scene:
1) A vampire-themed film inspired by "The Lost Boys" with scary vampires in an opening scene that sets a tone of realism. However, accurately portraying vampires in an opening scene without revealing too much would be difficult.
2) An idea similar to "Saw" with an unseen killer creating tension, but portraying graphic death scenes and fake blood all over a kitchen floor would not be appropriate.
3) Taking inspiration from "One Flew Over the Cuckoo's Nest" by using the costume and brutal portrayal of an old mental asylum, showing a escaped mental patient lost in the woods with flash
Charlene fenandes - newest - Old had mistake
This document contains an analysis of two soap opera trailers by a student named Charlene Serena Fernandes.
The analysis examines the use of verbal codes like dialogue and voiceovers, and non-verbal codes like settings, costumes, lighting, facial expressions and characters. It also analyzes technical codes such as camera angles, shot types and camera movement.
The student identifies strengths in both trailers that could be exploited in their own trailer project, such as using broken frame shots, matching lyrics to action, fast pacing, and conveying character personalities through costumes. The abstract nature and hidden allusions used in trailer 2 are also noted as original strengths.
Video techniques and Inspiration
The document discusses ideas for incorporating horror elements and aesthetics from various films and music videos into the creator's own music video. It analyzes techniques used in videos for Earl Sweatshirt's "Chum", Marilyn Manson's "The Beautiful People", and American Horror Story title sequences that utilize black and white imagery, derelict locations, makeup and costumes. It also lists specific elements inspired by films like Halloween, Nightmare on Elm Street, Poltergeist, The Shining, and Slipknot's "Psychosocial" video that the creator plans to reference, including masks, shadows, static-filled TVs, vintage costumes and a tricycle.
Evaluation question 1
1) The media product challenges some conventions of horror films by setting most of the story in a family household rather than run-down or dark locations, and by having the main threat be an innocent-looking doll rather than a human villain.
2) It follows some conventions through its use of suspenseful music, quick cuts, and fade transitions in editing, as well as special effects like extreme close-ups and opacity that create an unsettling atmosphere.
3) Some unique aspects include using only one nursery rhyme music track throughout, intentionally making the video quality seem degraded with static effects, and ending with an additional teaser clip rather than showing the title.
My presentation 17
This document contains evaluations of mise en scene elements for horror film productions and a student's opening title sequence project from last year. For a horror film makeup assignment, a zipped face with blood and clown face paint were effective typical horror elements. A graveyard setting with a hanging man and fire was suitable for the horror genre. For the student's opening title sequence, costumes matched the time period, locations provided good shots, and chalk on horses' legs made them appear whiter on camera. Improvements suggested included darker makeup, costumes reflecting the time more accurately, and shooting in a forest.
Horror Film Poster Analysis
The poster depicts an old woman sitting alone in a dark, dingy room holding a creepy doll. Details like scratches on the walls, shadows on the floor, and the woman's posture imply something supernatural or terrifying has occurred. The poster uses conventions like a dark color scheme, isolated central image, and taglines to promote the film as a supernatural horror and attract audiences interested in the genre.
In what ways does your media product use, develop or challenge forms and conv...
The document summarizes the opening sequence of a short horror film titled "Sasha". It discusses the film's title, setting in the main character Sasha's bedroom, her costume and key props. It describes the camerawork and editing techniques used to build tension. It explains how the opening establishes the story about Sasha's schizophrenia and her mother's struggle with her daughter's violent behavior. Finally, it discusses how the opening suggests the horror genre through the use of conventions like a knife prop, music, and camera angles.
Question 1
The document discusses horror movie title sequences and opening techniques. It analyzes conventions like using dramatic fonts to set the tone, implying themes through visuals. It also discusses using plain fonts and sounds instead of images to establish setting. The document then talks about following conventions like using close-ups and cuts to create tension, while challenging others like using sound over images. It analyzes the film's use of typical horror elements and victims while being similar to "Blair Witch Project" by featuring young people in woods.
Conventions
This document discusses how the media product "Porcelain" uses and is inspired by conventions of real horror films. It summarizes how Porcelain employs typical horror film techniques like using a doll to evoke fear, close-up shots of the doll to build suspense, changing focus to reveal threats, using dark wooded locations cut off from people, fast-paced editing and draining color to build tension. It also notes that unlike some films, the main character Paul is portrayed as the weakest character, similarly to the husband in Insidious, challenging some gender conventions of the genre.
Evaluation 2 - effectiveness
The document summarizes the effectiveness of a student's short film and two ancillary texts - a film poster and film review. The student believes the ancillary texts relate well to the film and help market it. The poster focuses on the main character, location and implies a stalker through a shadowy figure. Taking inspiration from horror film posters, it uses dark lighting and imagery to convey the horror genre. The review focuses on characters, directors and relates the film to Little Red Riding Hood without revealing spoilers. Overall, the student concludes the ancillary texts capture key aspects of the film and work well together to promote it.
Similar to Ancilliary shoot reserch (20)
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
More from leahwilshh
The audience of websites and film posters
Websites need to target specific audiences by identifying a niche and showing passion for the content. A stereotype of the target audience must be created to guide content, such as identifying common values. Film websites could see a revolution through use of social media platforms like Facebook, which allow easy sharing of trailers, images and ticket booking. Film posters traditionally use cliche conventions to attract audiences, such as prominent images of protagonists and bold titles with clear release dates. However, some audiences grow bored with such conventions.
Crazies poster
The poster uses dull green and red colors that create a negative and horror atmosphere. A single disturbing image of a character covered in blood takes up the entire poster, immediately signaling to viewers that this is a horror film. While the text is placed artistically in one corner, this may not catch viewers' attention as well as central text would. The lighting and dark shadows of the character make it seem as if it is looming over the audience, further enhancing the frightening tone.
Woman in black poster
The poster uses a dark color scheme of black and grey to create a frightening and supernatural atmosphere. The close-up image of the main character's frightened face and the more subtle image of a pale woman's face without eyes add to the eerie and unsettling tone. Shadowy lighting fades from the main character's face into complete darkness around the woman's face, suggesting danger from the unknown. Text styles and placement lead the viewer to the shadowy image of the woman's face and pose an open-ended question to involve the audience.
Film psters
Film posters originated in the late 19th century as a way to advertise early animated films and movies given high illiteracy rates through images on lithographic stone posters. The first poster containing scenes from the film was designed in 1896 for Lumiere's L'Arroseu Arrose. By 1909, many movie companies were producing films though Thomas Edison criticized their profiting from his inventions, leading companies to create posters housed in small display cases at theaters and circuses to promote their films. Toward the late 19th century, posters began incorporating early photo editing techniques and followed conventions like featuring main characters while also influencing album art designs of the era's musicians.
Phptog so far
The document provides an evaluation of a photography project and future plans. It summarizes that the photographer feels their skills have improved, covering topics like jumping, showing, and modeling, but that there is still more to cover like surrealism. It lists future shoot plans including a studio light horse shoot at sunset, surreal shoots inserting images into a horse's eye and having horses trot through water, and an animated point of view ride.
Presentation1
This document outlines ideas for two film genres: a horror film and a romantic comedy.
For the horror film, the document provides details on conventions like good vs. evil battles, blood and gore, dark atmospheres, and flashing cuts. The proposed storyline follows a group of girls exploring an old railroad where ghost rumors turn out to be true. Locations mentioned include train tracks, woodland, old houses, and cars.
For the romantic comedy, conventions discussed include love, humor, jokes, family, and sad music. The proposed storyline is about an ex-wife and son staying with the ex-husband and his new, young girlfriend after their house burns down. Locations proposed are beaches, houses,
Types of film trailers
The document discusses different types of film trailers and their conventions based on genre. It outlines theatrical trailers, teaser trailers, and DVD trailers. It then examines conventions for horror, comedy, and romance/romantic comedy genres. For horror, conventions include eerie music, quick cuts, and close-ups. Comedy trailers tend to include the funniest parts and describe the storyline. Romance trailers have smooth transitions, soft voiceovers, and close-up shots.
Best work
Leah Wilsher completed her best work in May 2013. The document provides a brief note about Leah Wilsher and the month and year of May 2013 but does not include any other context or details about the actual work.
Results
The questionnaire results show that the target audience for the magazine should be males ages 16-21 who enjoy music and live in Bishops Stortford. Most respondents are students or work part-time. While they rarely buy magazines now, they would be interested in a music magazine if it featured artists like Deadmau5 and offered discounts on music festivals. The magazine should be available primarily through supermarkets and online to make it easy for the target audience to purchase.
Music magazine questionnaire
This document contains a questionnaire for a music magazine. The questionnaire aims to determine the target audience's preferences in terms of age, gender, location, hobbies, how often magazines are purchased, preferred music genres, favorite artists, and pricing. Respondents are asked multiple choice questions in these areas to help the creator design a magazine that will appeal to and attract the desired reader demographic.
Initial ideas
The document outlines three initial ideas for magazine genres that could be developed. Idea one is a pop music magazine targeting ages 13-18 with a cover story on a female artist. Idea two is a genre magazine with a bold fashionista model and stories on working with music stars. Idea three is a simple designed indie magazine for ages 15-25 with a cover story on a YouTube artist's rise to fame. The purpose is to get feedback on which idea to further develop and refine based on the intended audience.
leah wilsher best work
This short document appears to be about work and includes the name "Leah wilsher". It suggests that Leah wilsher's work is considered the "Best work". However, without more context it is difficult to determine what the work is or why it is considered the best. The document provides very little information to summarize.
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留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
Anasuya Sengupta Cannes 2024 Award Winner
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University of Western Sydney degree offer diploma Transcript
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Ancilliary shoot reserch
- 1. RESEARCH FOR FILM POSTER AND WEBSITE SHOOTS Leah wilsher
- 2. HAIR AND MAKEUP. Hair would have to be long, messy and dark, this fits the conventions of other horror film posters. Makeup should be black, and smudged, or if the character on the poster is of a young girl (in my case the ghost) very natural but pale ill looking makeup.
- 3. COSTUMES Either a white robe or the girls casual clothing. However the clothing will be ripped, muddy, with blood on it.
- 4. PROPS
- 5. LOCATION Because of the conventional, animated look to film posters, particularly horror genre, I will shoot in the studio. However if not I will shoot in the same location of the actual trailer( under the bridge)
- 6. WEBSITE Will be the same however, I huge element of my website will be the images Have hyperlinks, a lot like the insidious website.
- 7. WEBSITE The location with be the bridge in the film, and like the insidious website, instead of door however, the hyperlinks will be the bushes and the bridge which will be blacked out on Photoshop.