Analysis 3 thriller frames sulieman
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The document analyzes three frames from a thriller film. In the first frame, the antagonist is portrayed through her vampire teeth, sinister lighting focused on her face, and gray hair representing darkness. The second frame shows a woman in a vulnerable position asleep while a masked man has power over her through a low angle shot. The third frame depicts a scared man worried for his life through his frightened expression and blood-stained shirt, as conveyed through a high angle shot.
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Presentation of Gender essay
The document analyzes how gender is presented in the film 'Texas Chainsaw Massacre' through the use of microelements. It notes that the two female characters are initially presented as sexualized objects. While the sole surviving female takes on the 'final girl' role, suggesting strength, her suicide makes her seem emotionally unstable. Male characters, like the villain and sheriff, are presented as dominant through camera angles and actions. Stereotypes like attacking males first and leaving females for last uphold the 'final girl' theory common to the horror genre. Overall, the microelements present typical gender stereotypes of males as strong and females as objects or emotionally unstable.
Genre Research
Slasher films typically feature a psychopathic killer who murders a group of people, often young adults engaging in illicit activities. The victims are usually stalked and killed violently in graphic scenes. Slasher films take place in isolated locations like forests or abandoned buildings that hinder the victims' ability to get help. Common characteristics of slasher films explored in the document include the remote settings of the killings, traits of the young victim characters, and how lighting, costumes, and the unidentified killer contribute to the suspense and horror of the genre.
Evaluation question 2
The document discusses how class, status, age, and race are portrayed through techniques in film. Class and status are different, as seen in films where cockney drug addicts have high status over educated characters. Age is also shown through status, as a young girl clutching a teddy bear is filmed from a higher camera angle, looking up at characters. Violence, though not shown directly, is used to convey the low status of criminal underworlds compared to educated society. Race is highlighted by the blurred face of the black protagonist, still giving more screen time to the white male and showing where true power lies.
Costume and-prop-list1
This document lists the costumes and props needed for different characters in a production. The boyfriend character needs casual clothes and a handgun. The girlfriend character needs casual clothes, a phone, and a bat. The police officer needs a police uniform, walkie talkie, gun, hat, and baton. Three villain groups need masks or face paint and a mixture of weapons like bats, knives, guns, axes, and sledgehammers to kill people.
Horror film analysis
This document contains summaries of shots from horror films. Shots described show antagonists sneaking up on unaware characters, establishing the antagonists' threatening and dangerous nature. Low angle shots emphasize the antagonists' power over victims. Shots also contrast innocent family scenes with how events actually turn out, and depict characters realizing the danger they are in through their scared expressions.
Narrative
This document discusses several narrative theories and how they apply to teen slasher films. It analyzes Todorov's narrative structure of equilibrium, disruption, recognition, and new equilibrium. While most films follow this structure, teen slashers are more irregular in their ordering. It also examines Propp's character types and narrative functions, noting teen slashers don't always have clear heroes and have multiple "princess" characters. Finally, it applies Levi-Strauss' concept of binary oppositions and Barthes' "enigma code" to teen slasher conventions like revealing the killer's identity.
Historic genre slasher sasiane saku
Slasher films involve a mysterious psychopathic killer stalking and murdering a sequence of young, weak, and vulnerable victims. Key early influential slasher films include Halloween (1978), which popularized the masked killer, and Friday the 13th (1980), which brought graphic violence and a sequential murder countdown to mainstream audiences. Slasher films typically feature stock characters like the final girl hero who fights the killer, and victims who are often female teens killed after sexual activity. The genre became popular in the 1970s influenced by earlier psychological horror films and continues with remakes and sequels today.
Representation
Emily Wilson, the main character in the opening sequence, is represented in a stereotypical way as a vulnerable female seeking help, which follows conventions of thriller films depicting women as weak and in danger. The antagonists pursuing Emily are a countertype as a mixed ethnicity group rather than only white. They are portrayed stereotypically as brave, fearless, masked, and carrying weapons to appear threatening, aligning with typical antagonist traits in thrillers.
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Presentation of Gender essay
The document analyzes how gender is presented in the film 'Texas Chainsaw Massacre' through the use of microelements. It notes that the two female characters are initially presented as sexualized objects. While the sole surviving female takes on the 'final girl' role, suggesting strength, her suicide makes her seem emotionally unstable. Male characters, like the villain and sheriff, are presented as dominant through camera angles and actions. Stereotypes like attacking males first and leaving females for last uphold the 'final girl' theory common to the horror genre. Overall, the microelements present typical gender stereotypes of males as strong and females as objects or emotionally unstable.
Genre Research
Slasher films typically feature a psychopathic killer who murders a group of people, often young adults engaging in illicit activities. The victims are usually stalked and killed violently in graphic scenes. Slasher films take place in isolated locations like forests or abandoned buildings that hinder the victims' ability to get help. Common characteristics of slasher films explored in the document include the remote settings of the killings, traits of the young victim characters, and how lighting, costumes, and the unidentified killer contribute to the suspense and horror of the genre.
Evaluation question 2
The document discusses how class, status, age, and race are portrayed through techniques in film. Class and status are different, as seen in films where cockney drug addicts have high status over educated characters. Age is also shown through status, as a young girl clutching a teddy bear is filmed from a higher camera angle, looking up at characters. Violence, though not shown directly, is used to convey the low status of criminal underworlds compared to educated society. Race is highlighted by the blurred face of the black protagonist, still giving more screen time to the white male and showing where true power lies.
Costume and-prop-list1
This document lists the costumes and props needed for different characters in a production. The boyfriend character needs casual clothes and a handgun. The girlfriend character needs casual clothes, a phone, and a bat. The police officer needs a police uniform, walkie talkie, gun, hat, and baton. Three villain groups need masks or face paint and a mixture of weapons like bats, knives, guns, axes, and sledgehammers to kill people.
Horror film analysis
This document contains summaries of shots from horror films. Shots described show antagonists sneaking up on unaware characters, establishing the antagonists' threatening and dangerous nature. Low angle shots emphasize the antagonists' power over victims. Shots also contrast innocent family scenes with how events actually turn out, and depict characters realizing the danger they are in through their scared expressions.
Narrative
This document discusses several narrative theories and how they apply to teen slasher films. It analyzes Todorov's narrative structure of equilibrium, disruption, recognition, and new equilibrium. While most films follow this structure, teen slashers are more irregular in their ordering. It also examines Propp's character types and narrative functions, noting teen slashers don't always have clear heroes and have multiple "princess" characters. Finally, it applies Levi-Strauss' concept of binary oppositions and Barthes' "enigma code" to teen slasher conventions like revealing the killer's identity.
Historic genre slasher sasiane saku
Slasher films involve a mysterious psychopathic killer stalking and murdering a sequence of young, weak, and vulnerable victims. Key early influential slasher films include Halloween (1978), which popularized the masked killer, and Friday the 13th (1980), which brought graphic violence and a sequential murder countdown to mainstream audiences. Slasher films typically feature stock characters like the final girl hero who fights the killer, and victims who are often female teens killed after sexual activity. The genre became popular in the 1970s influenced by earlier psychological horror films and continues with remakes and sequels today.
Representation
Emily Wilson, the main character in the opening sequence, is represented in a stereotypical way as a vulnerable female seeking help, which follows conventions of thriller films depicting women as weak and in danger. The antagonists pursuing Emily are a countertype as a mixed ethnicity group rather than only white. They are portrayed stereotypically as brave, fearless, masked, and carrying weapons to appear threatening, aligning with typical antagonist traits in thrillers.
Representation
Emily Wilson, the main character in the opening sequence, is represented in stereotypical ways as a vulnerable female seeking help, which follows conventions of thriller films depicting women as weak and in danger. The antagonists pursuing Emily are a mixed ethnicity group, providing a counterpoint to the usual portrayal of all-white antagonists, and are stereotypically brave, fearless, masked, and carrying weapons, aligning with typical thriller film conventions of threatening antagonists.
Q2 media question
The media product represents several social groups:
- The male character is depicted as typically aggressive and dominant in a thriller, while the female is passive with little dialogue, representing common thriller gender stereotypes. However, the ending suggests the girl may have been the villain, subverting expectations.
- Both characters are teenagers and portrayed as emotionally volatile and reckless, aligning with stereotypical media depictions of youth.
- Through the use of flashbacks around a violent event, the female character's experience could represent PTSD, accurately depicting a real-life symptom.
Saw VI analysis
The document analyzes the opening scene of Saw VI through its use of lighting, camera shots, sound, editing techniques, and character portrayals. Low key lighting is used to give the woman a sinister and worried expression, showing her as vulnerable. An establishing shot reveals props associated with murder and two characters trapped in cages with low lighting. Extreme close-ups show nails being screwed into their heads as the characters scream in pain. The scene contrasts male and female stereotypes through the characters' actions and dialogue.
Conventions of a thriller film
The document discusses the conventions of thriller films, including that they typically involve a protagonist battling an antagonist to restore peace, with the protagonist usually being a brave male who saves an innocent female. It also notes that the antagonist can take various mysterious forms and dresses according to the plot, while characters' costumes are used to convey traits like strength for males and vulnerability for females. Additionally, the themes of thrillers often relate to societal fears.
Evaluation question2
The document discusses the main female character Raven in the opening sequence. Compared to typical thriller female characters who are damsels in distress, Raven defies stereotypes by being able to protect herself. While she shows some fear, a conventional female trait, she channels it into strength. Raven is also dressed in atypical "delinquent clothes" rather than the usual white worn by pure female characters. She challenges theories that women only exist for male amusement by not dressing in a sexually appealing way but to portray female strength. Overall Raven subverts expectations of weak, scared females needing rescue by being able to defend herself.
Presentation1
The document discusses representation in media, specifically thriller films. It notes that thrillers typically portray female protagonists as vulnerable, usually young women, to generate empathy from audiences. Meanwhile, male antagonists are often powerful figures that pose a threat. The document analyzes how the opening title sequence adheres to these stereotypes by featuring a 16-year-old female protagonist in purple and a male antagonist dressed in black with a hidden identity.
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The trailer establishes the neo-noir style of Sin City through its black and white visuals with pops of color and introduces the urban setting and rival gangs. As more characters are shown engaging in crime, murder, torture, and violence, the narrative develops the themes of conflict between the gangs. While the main protagonist is unclear, it seems there are multiple protagonists including Bruce Willis' character, and the trailer hints at various characters and possible femme fatales that will drive the story.
Costumes and props
This document discusses costume and prop choices for a film sequence. It notes that a gun will be used in the first scene to symbolize violence from antagonists. A baseball bat will be used in the last scene to knock out the protagonist Adam, providing a unique action and physical connection. Adam will wear a blue hoodie and jeans to portray a calm teenage character. The gang members will wear black hoodies and masks to emphasize their negative traits and add mystery about their identities and motives.
Thriller!
This document outlines different types of thriller genres including action, captivity, crime, political, psycho, revenge, sci-fi, and supernatural thrillers. It provides examples for each genre, with action thrillers focusing on protagonists facing problems or missions using weapons. Captivity thrillers involve hostages being held. Crime thrillers follow either criminals or police investigating crimes. Political thrillers center around government corruption and terrorism. Psycho thrillers emphasize abnormal psychology of characters. Revenge thrillers are based on characters seeking retaliation. Sci-fi thrillers include heroes, villains, and science elements. Supernatural thrillers feature unexplained psychic abilities and spirits.
Presentation2 2
The nine shots that make up the opening sequence of "The Incredibles" introduce several characters that appear to have superpowers. Each shot is accompanied by dramatic and fast-paced music to create tension and excitement. The shots show characters in costumes that suggest they can fight evil forces. They feature people of both genders, of varying colors, and with different powers like super strength, the ability to light oneself on fire, and possibly magic. Taken together, the shots seem to set up a story where a group of superheroes with unique abilities will work together to battle an ominous threat.
Looper (2012) dir. Rain Johnson - Analysis
The trailer introduces the main character who is his own older self from the future in a dystopian world where time travel is used for disposing of victims. It establishes that the older self wants to kill a boy while the younger aims to stop him, creating conflict. The damsel is introduced as someone the protagonist aims to protect. The main character faces dilemmas as his future self escapes back in time to kill the boy and the organization seeks to kill him for letting his future self escape.
Slasher films tom
Slasher films involve a psychopathic killer stalking and violently murdering a group of teens. The films follow a typical cycle where the killer returns to the site of their origin to hunt down the teens. If features graphic violence and gore. The "final girl" often survives to defeat the killer in the end. Slasher films became self-referential and spawned parody films that mocked the genre's repetitive nature through humor and over-the-top fake gore effects.
Halloween (trailer inspiration)
This document provides key scenes and screenshots from the film Halloween. It summarizes:
1) A scene showing the final girl being frightened by Michael Myers, the killer protagonist, with him looking like he wants to kill her.
2) An early scene introducing Michael Myers during the day, though the audience knows no action will occur yet as horror films typically take place at night.
3) A scene showing Michael Myers appearing powerful and ready to take out the final girl, with the frame positioning the audience as looking towards him.
4) A shot establishing the detached middle-class house setting that horror movies often use, in a quiet area where the action will take place.
5) A flash
Character profiles
The document provides character profiles for the main characters in a horror film:
Charlie is described as the "final girl" who is not overtly feminine and survives through her smart and sensible nature. Michael is the villain, inspired by films like "Peeping Tom" and "Scream" who stalks and films his victims. Sophie is the promiscuous first character to die, who is feminine and ditsy. Henry is the jock who tries to seem brave but isn't very smart and also meets an early death. Mr. Sharp is the benefactor teacher who tries to protect the students after discovering an essay detailing Sophie's murder.
Evaluation Question 1
The document summarizes a student film project titled "POSSESSION" that follows the conventions of a psychological thriller. It discusses how the film opening establishes equilibrium that is disrupted when the main character becomes possessed and intends to kill her lover, mirroring the antagonist/protagonist battle typical of thrillers. References are made to the psychological thriller film Se7en and how it also features this confrontation between protagonist and antagonist after equilibrium is disrupted. The student film further challenges gender stereotypes by having a female protagonist who eventually deteriorates mentally, becoming possessed.
Coventions Of A Horror Film
The document discusses common tropes and character archetypes found in slasher films. It describes how the monster/villain targets and kills teenagers, especially the sexually active female character. It also discusses the "final girl" character who is typically the sole survivor and defeats the monster. Other common roles include the jock, nerd, benefactor who provides information to help victims, and an ineffective authority figure who is unable to stop the monster. Settings are often normal locations like family homes to make the danger seem closer to the audience's world. Cinematography with dark lighting, shadows, and silhouettes creates an unsettling atmosphere.
Conventions Of A Horror Film
The document discusses common tropes in slasher films. It states that a monster or villain usually targets and kills teenagers, with the sexually active female often being the first victim. The final girl, who is wise and sensible, is typically the only one to survive and defeat the monster. Other common characters include the jock, nerd, and a benefactor who tries to help the victims. The location is usually a normal place like a family home to make the audience uneasy, while the lighting is usually dark to create an ominous atmosphere.
Stock characters
Stock characters in horror films fall into several categories:
The jock is typically the arrogant athlete who dates the popular girl. The popular girl is spoiled and mean to others. The wanderer often gets killed first by wandering away from the group. The pervert flirts heavily and gets killed for their promiscuity. Pandora seems innocent but is often the plot twist killer. The final girl is the smartest who must outwit the killer to be the last survivor.
Q2 evaluation
Class and status are different, as shown in films like "Ill Manors" where cockney drug addicts have high status over others through violence and intimidation, despite their low class. Age also determines status, as the young girl is shot from above, clutching a teddy bear to show her insecurity and lack of importance. While violence gives characters status amongst each other, their status is still low compared to more educated people, as implied by the bloodied bat that represents settling disputes through violence rather than discussion.
Ahmedellahi
The document discusses settings, props, costumes, lighting, and framing used in the film O Brother, Where Art Thou?. It provides examples of how these elements were used to reflect the time period of 1937 Mississippi, establish the characters as fugitives on the run, and effectively tell the story. Specific props mentioned include cowboy hats, sunglasses, and pomade hair product. Scenes were often shot with amber lighting from fires to illuminate faces against dark backgrounds. Framing and composition were also important to focus on important characters and display the scale of events like a political meeting or flood.
Nine frame analysis of donnie darko
The opening sequence of a psychological thriller film establishes the genre through its secluded setting, mysterious elements, and contrasting scenes. It introduces the main character alone on a country road at dawn, dirty and on a bike, hinting at an unraveling plot. Shots include varying camera work and editing to build an air of mystery, while the font and gothic title contribute to the darker tone expected of the genre. By contrasting a strange first scene with a subsequent normal family scene, it hints at themes like split personalities that will be explored throughout the story.
Mitos terminado
El documento presenta una recopilación de cuentos, fábulas, leyendas y mitos. Incluye historias como "El cóndor y el zorro", "El leñador y las termes", "El perro y la pulga" y "Las estaciones". El documento está dividido en secciones temáticas e incluye ilustraciones que complementan los relatos. En total, presenta varias narraciones tradicionales del folclore peruano.
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Representation
Emily Wilson, the main character in the opening sequence, is represented in stereotypical ways as a vulnerable female seeking help, which follows conventions of thriller films depicting women as weak and in danger. The antagonists pursuing Emily are a mixed ethnicity group, providing a counterpoint to the usual portrayal of all-white antagonists, and are stereotypically brave, fearless, masked, and carrying weapons, aligning with typical thriller film conventions of threatening antagonists.
Q2 media question
The media product represents several social groups:
- The male character is depicted as typically aggressive and dominant in a thriller, while the female is passive with little dialogue, representing common thriller gender stereotypes. However, the ending suggests the girl may have been the villain, subverting expectations.
- Both characters are teenagers and portrayed as emotionally volatile and reckless, aligning with stereotypical media depictions of youth.
- Through the use of flashbacks around a violent event, the female character's experience could represent PTSD, accurately depicting a real-life symptom.
Saw VI analysis
The document analyzes the opening scene of Saw VI through its use of lighting, camera shots, sound, editing techniques, and character portrayals. Low key lighting is used to give the woman a sinister and worried expression, showing her as vulnerable. An establishing shot reveals props associated with murder and two characters trapped in cages with low lighting. Extreme close-ups show nails being screwed into their heads as the characters scream in pain. The scene contrasts male and female stereotypes through the characters' actions and dialogue.
Conventions of a thriller film
The document discusses the conventions of thriller films, including that they typically involve a protagonist battling an antagonist to restore peace, with the protagonist usually being a brave male who saves an innocent female. It also notes that the antagonist can take various mysterious forms and dresses according to the plot, while characters' costumes are used to convey traits like strength for males and vulnerability for females. Additionally, the themes of thrillers often relate to societal fears.
Evaluation question2
The document discusses the main female character Raven in the opening sequence. Compared to typical thriller female characters who are damsels in distress, Raven defies stereotypes by being able to protect herself. While she shows some fear, a conventional female trait, she channels it into strength. Raven is also dressed in atypical "delinquent clothes" rather than the usual white worn by pure female characters. She challenges theories that women only exist for male amusement by not dressing in a sexually appealing way but to portray female strength. Overall Raven subverts expectations of weak, scared females needing rescue by being able to defend herself.
Presentation1
The document discusses representation in media, specifically thriller films. It notes that thrillers typically portray female protagonists as vulnerable, usually young women, to generate empathy from audiences. Meanwhile, male antagonists are often powerful figures that pose a threat. The document analyzes how the opening title sequence adheres to these stereotypes by featuring a 16-year-old female protagonist in purple and a male antagonist dressed in black with a hidden identity.
Sin City Trailer Analysis
The trailer establishes the neo-noir style of Sin City through its black and white visuals with pops of color and introduces the urban setting and rival gangs. As more characters are shown engaging in crime, murder, torture, and violence, the narrative develops the themes of conflict between the gangs. While the main protagonist is unclear, it seems there are multiple protagonists including Bruce Willis' character, and the trailer hints at various characters and possible femme fatales that will drive the story.
Costumes and props
This document discusses costume and prop choices for a film sequence. It notes that a gun will be used in the first scene to symbolize violence from antagonists. A baseball bat will be used in the last scene to knock out the protagonist Adam, providing a unique action and physical connection. Adam will wear a blue hoodie and jeans to portray a calm teenage character. The gang members will wear black hoodies and masks to emphasize their negative traits and add mystery about their identities and motives.
Thriller!
This document outlines different types of thriller genres including action, captivity, crime, political, psycho, revenge, sci-fi, and supernatural thrillers. It provides examples for each genre, with action thrillers focusing on protagonists facing problems or missions using weapons. Captivity thrillers involve hostages being held. Crime thrillers follow either criminals or police investigating crimes. Political thrillers center around government corruption and terrorism. Psycho thrillers emphasize abnormal psychology of characters. Revenge thrillers are based on characters seeking retaliation. Sci-fi thrillers include heroes, villains, and science elements. Supernatural thrillers feature unexplained psychic abilities and spirits.
Presentation2 2
The nine shots that make up the opening sequence of "The Incredibles" introduce several characters that appear to have superpowers. Each shot is accompanied by dramatic and fast-paced music to create tension and excitement. The shots show characters in costumes that suggest they can fight evil forces. They feature people of both genders, of varying colors, and with different powers like super strength, the ability to light oneself on fire, and possibly magic. Taken together, the shots seem to set up a story where a group of superheroes with unique abilities will work together to battle an ominous threat.
Looper (2012) dir. Rain Johnson - Analysis
The trailer introduces the main character who is his own older self from the future in a dystopian world where time travel is used for disposing of victims. It establishes that the older self wants to kill a boy while the younger aims to stop him, creating conflict. The damsel is introduced as someone the protagonist aims to protect. The main character faces dilemmas as his future self escapes back in time to kill the boy and the organization seeks to kill him for letting his future self escape.
Slasher films tom
Slasher films involve a psychopathic killer stalking and violently murdering a group of teens. The films follow a typical cycle where the killer returns to the site of their origin to hunt down the teens. If features graphic violence and gore. The "final girl" often survives to defeat the killer in the end. Slasher films became self-referential and spawned parody films that mocked the genre's repetitive nature through humor and over-the-top fake gore effects.
Halloween (trailer inspiration)
This document provides key scenes and screenshots from the film Halloween. It summarizes:
1) A scene showing the final girl being frightened by Michael Myers, the killer protagonist, with him looking like he wants to kill her.
2) An early scene introducing Michael Myers during the day, though the audience knows no action will occur yet as horror films typically take place at night.
3) A scene showing Michael Myers appearing powerful and ready to take out the final girl, with the frame positioning the audience as looking towards him.
4) A shot establishing the detached middle-class house setting that horror movies often use, in a quiet area where the action will take place.
5) A flash
Character profiles
The document provides character profiles for the main characters in a horror film:
Charlie is described as the "final girl" who is not overtly feminine and survives through her smart and sensible nature. Michael is the villain, inspired by films like "Peeping Tom" and "Scream" who stalks and films his victims. Sophie is the promiscuous first character to die, who is feminine and ditsy. Henry is the jock who tries to seem brave but isn't very smart and also meets an early death. Mr. Sharp is the benefactor teacher who tries to protect the students after discovering an essay detailing Sophie's murder.
Evaluation Question 1
The document summarizes a student film project titled "POSSESSION" that follows the conventions of a psychological thriller. It discusses how the film opening establishes equilibrium that is disrupted when the main character becomes possessed and intends to kill her lover, mirroring the antagonist/protagonist battle typical of thrillers. References are made to the psychological thriller film Se7en and how it also features this confrontation between protagonist and antagonist after equilibrium is disrupted. The student film further challenges gender stereotypes by having a female protagonist who eventually deteriorates mentally, becoming possessed.
Coventions Of A Horror Film
The document discusses common tropes and character archetypes found in slasher films. It describes how the monster/villain targets and kills teenagers, especially the sexually active female character. It also discusses the "final girl" character who is typically the sole survivor and defeats the monster. Other common roles include the jock, nerd, benefactor who provides information to help victims, and an ineffective authority figure who is unable to stop the monster. Settings are often normal locations like family homes to make the danger seem closer to the audience's world. Cinematography with dark lighting, shadows, and silhouettes creates an unsettling atmosphere.
Conventions Of A Horror Film
The document discusses common tropes in slasher films. It states that a monster or villain usually targets and kills teenagers, with the sexually active female often being the first victim. The final girl, who is wise and sensible, is typically the only one to survive and defeat the monster. Other common characters include the jock, nerd, and a benefactor who tries to help the victims. The location is usually a normal place like a family home to make the audience uneasy, while the lighting is usually dark to create an ominous atmosphere.
Stock characters
Stock characters in horror films fall into several categories:
The jock is typically the arrogant athlete who dates the popular girl. The popular girl is spoiled and mean to others. The wanderer often gets killed first by wandering away from the group. The pervert flirts heavily and gets killed for their promiscuity. Pandora seems innocent but is often the plot twist killer. The final girl is the smartest who must outwit the killer to be the last survivor.
Q2 evaluation
Class and status are different, as shown in films like "Ill Manors" where cockney drug addicts have high status over others through violence and intimidation, despite their low class. Age also determines status, as the young girl is shot from above, clutching a teddy bear to show her insecurity and lack of importance. While violence gives characters status amongst each other, their status is still low compared to more educated people, as implied by the bloodied bat that represents settling disputes through violence rather than discussion.
Ahmedellahi
The document discusses settings, props, costumes, lighting, and framing used in the film O Brother, Where Art Thou?. It provides examples of how these elements were used to reflect the time period of 1937 Mississippi, establish the characters as fugitives on the run, and effectively tell the story. Specific props mentioned include cowboy hats, sunglasses, and pomade hair product. Scenes were often shot with amber lighting from fires to illuminate faces against dark backgrounds. Framing and composition were also important to focus on important characters and display the scale of events like a political meeting or flood.
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Nine frame analysis of donnie darko
The opening sequence of a psychological thriller film establishes the genre through its secluded setting, mysterious elements, and contrasting scenes. It introduces the main character alone on a country road at dawn, dirty and on a bike, hinting at an unraveling plot. Shots include varying camera work and editing to build an air of mystery, while the font and gothic title contribute to the darker tone expected of the genre. By contrasting a strange first scene with a subsequent normal family scene, it hints at themes like split personalities that will be explored throughout the story.
Mitos terminado
El documento presenta una recopilación de cuentos, fábulas, leyendas y mitos. Incluye historias como "El cóndor y el zorro", "El leñador y las termes", "El perro y la pulga" y "Las estaciones". El documento está dividido en secciones temáticas e incluye ilustraciones que complementan los relatos. En total, presenta varias narraciones tradicionales del folclore peruano.
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Reserch on thrillers
Daniel Gilmore conducted research on thriller movie opening titles and created their own opening credits video for a film project. They took 7 photos on a bright day and edited them to have darker colors to create an unsettling atmosphere and generate suspense and worry in viewers. Their hypothetical film involved a student investigating the disappearance of everyone at their school.
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American Psycho Textual Analysis
This document provides a detailed analysis of shots and sequences from a movie trailer. It examines aspects of mise-en-scene like costumes, props, lighting and setting to understand the characters. The male lead is shown as wealthy and dominant over women through his business attire and interactions filmed from high angles. Shots of weapons and sex suggest he may be psychopathic. Editing uses fast cuts and fades to black to build tension. Sound includes dialogue, music and changes to signify plot shifts. Cinematography and characters align with common horror conventions like having a clear villain through scenes of violence.
Evaluation question2 pp
The document discusses how various social groups are represented in thriller films. It notes that females are often portrayed as damsels in distress requiring male rescue, though some films subvert this by showing powerful female survivors. It analyzes the portrayal of gender in the described film opening. It also discusses how thrillers often depict males as both protagonists and antagonists. Ethnic minorities are frequently represented as threats or criminals. Disabilities are sometimes used to increase victim vulnerability in thrillers. The film opening in the document does not include physical disabilities so as not to challenge thriller conventions.
Analyse How Women Are Represented In The Clip
The document analyzes how women are represented in a film clip through camera work, editing, and mise-en-scene. Shots establish three main characters, subverting expectations by showing the two women as powerful and in control while the man appears weaker. Camera angles, costumes, actions, and facial expressions portray the women as strong and aggressive while the man seems defensive. Editing techniques like arc shots make one woman appear intimidating as she circles the man. Mise-en-scene reveals the setting and uses lighting, shots, and character positions and attire to further develop the subversion of typical gender representations.
Evaluation question 2
This document analyzes the use of gender stereotypes in the filmmaker's short film. It notes that casting a female actor as the nurse role uses the stereotype of nursing being a female profession. It also points out that the main character Summer is portrayed as more emotional than the male character Tom, playing into stereotypes of women being more openly emotional. However, it acknowledges some of these decisions could also be due to the story being told from Summer's perspective. Overall, the document provides a detailed examination of both the intentional and unintentional use of common gender stereotypes in the film's characters, shots, and storyline.
Doctor who clip analysis
Within the clip of Doctor Who, gender is represented through the characters of Martha Jones and the Master. Martha is initially portrayed as weak due to camera angles and being imprisoned, but later shown as strong and powerful as she helps defeat the Master. The Master is portrayed as bold and powerful through his costumes and surroundings. Stereotypical portrayals of women as servants or dependent on men are also shown. Camera angles, lighting, music and other techniques are used to convey power dynamics and tension between the characters.
Doctor who clip analysis
The document analyzes how gender is represented through micro-features in a clip from Doctor Who. It finds that Martha Jones is represented as both a strong, confident woman but also initially as a subordinate female. The Master is portrayed as bold and powerful through his costumes and surroundings. Camera angles, lighting, music and editing techniques are used to convey meanings about gender, with some techniques reinforcing stereotypes while others challenge them.
Wolf Creek Textual Analysis - Peter Maddison
The trailer provides context about the plot and characters through various camera techniques and shots. It begins by showing three friends enjoying a party, representing the equilibrium stage. Their car then breaks down in a remote area, signifying the disruption. They meet an older man who initially seems friendly but his sinister intentions are hinted at through his dialogue and expressions. Shots of the friends looking distressed and a woman running imply danger is pursuing them. Close-ups of the man holding weapons and peering through a scope establish him as the threatening villain aiming to inflict harm on the isolated protagonists.
Primeval essay
The document provides an analysis of the representation of gender in a film clip from Primeval. It summarizes:
1) The character of Abbey is portrayed as a strong, feisty female who challenges stereotypes by skillfully operating heavy machinery and fighting off a saber-toothed creature while saving a man.
2) In contrast, the man she saves is depicted as cowardly and weak, running away from the creature while Abbey pursues it with a gun.
3) Another man is shown as intelligent but not physically strong, cowering in a hole when attacked by the creature.
4) The analysis examines how characters conform and contradict typical gender stereotypes through their clothing, actions
Question two
Katie Jackson and Michael Shelton are portrayed as stereotypical characters for the thriller genre through their use of stereotypes, costumes, makeup, and props. Katie, the female protagonist, is portrayed as vulnerable and weak through her blonde hair, minimal makeup, and use of a dog prop. Michael, the male antagonist, is portrayed as mysterious and strange through his use of a hat and dark clothing. Overall, the characters conform to stereotypes about gender roles expected in the thriller genre.
V for vendetta
V's face is hidden behind a mask, making him look mysterious and inhuman. He is positioned at an angle looking powerful and intimidating, characteristics common to thriller characters. A secondary female character stands below V in his shadow, showing she is less powerful but allied with him. Her uncovered face suggests she may be a good character helping V. Elements like the distorted red sky, references to blood and death, and V's knife being highlighted convey danger and violence, common thriller conventions used to achieve freedom for the people.
Evaluation Two Media
The document summarizes how a media opening sequence portrays social groups through its characters. The sequence involves a 17-year-old blonde girl named Emily who is kidnapped by an older male antagonist. It compares this portrayal to other films and real cases. Stereotypes of age, gender, disability and social class are represented through characteristics of the characters and their interactions. Shots are framed to depict the male as powerful and the female as vulnerable. The sequence aims to draw on audience expectations of common stereotypes in thriller films.
Trailer presentation
This trailer for a horror film introduces various shots that establish the setting, characters, and conflict. It begins with establishing shots of a city known for religious and historical significance, highlighting its purity. Subsequent shots introduce the protagonist as a mysterious dark figure emerging from darkness into light, showing him in a negative manner. Shots reveal he kills supernatural creatures for a secretive priest, restoring equilibrium. The antagonist, Count Dracula, is shown ruling over others from his dark castle. Intercut shots depict the creatures disturbing villagers' peace and the protagonist hunting to stop them. Tension and mystery are built through brief glimpses of the antagonists and their disturbing of the village, leaving the viewer to piece together the plot.
The riot club (2014) ppt
The document analyzes the trailer for the film "The Riot Club" through the lens of various film theories. It discusses how the trailer uses imagery, costumes, settings and other elements to represent the upper class male characters as wealthy, privileged and prone to violence when intoxicated. It also depicts the lower class female characters as objects of sexual desire for the upper class men. The analysis suggests the trailer builds tension and establishes binary opposites between the upper and lower class characters to set up conflicts that will likely occur in the film.
Mise en-scène
The document provides analysis of the mise-en-scene elements of settings, props, costumes, facial expressions, body language, lighting, and color in thriller movie trailers. It examines screenshots from three different trailers, summarizing the intended emotional impact and implications of each visual element. For example, settings are often shown as empty to imply danger or isolation, costumes help establish characters' roles and social statuses, and facial expressions aim to elicit feelings of fear, empathy or intrigue from viewers. Overall, the document demonstrates how visual composition works to subtly convey a trailer's plot and tone through symbolic use of its formal components.
47 marks section b film
This document contains examiner's comments on a candidate's answers to two questions on a media studies exam. For question one, the examiner notes that the candidate addressed concepts of gender representation reasonably well through their analysis of a TV show scene, though parts were descriptive. For question two, the examiner gave a low mark because the candidate provided a very brief response using outdated film examples to discuss the British film industry, failing to adequately address the set question. The total mark awarded was 47 out of 100.
47 marks section b film
This document contains examiner's comments on a candidate's answers to two questions on a media studies exam.
For question 1, the examiner notes the candidate addressed concepts of gender representation but in a descriptive way. They explored challenges to stereotypes but not fully. The use of examples was limited and the final paragraph's relevance was questionable. Overall it was a sound response but with areas for improvement.
For question 2, the response was brief and used dated examples from Working Title films. There was little address of the set question and limited profile of the requested studio. The candidate seemed underprepared with case study material.
Q2 evaluation
The document discusses the portrayal of teenagers, gender roles, and stereotypes in films. It notes that the film aims to break stereotypes of naive and immature teenagers by showing them as an aggressive group that adapts to survive. While the main character is male, as is typical in action thrillers, his fear is emphasized through sound effects rather than a "macho facade." The female character subverts expectations by being a sniper rather than a love interest, but her role could also be seen as portraying females in a negative light as violent.
Evaluation question 2
The document analyzes the use of gender stereotypes in a student film. It notes that having a female nurse character reinforces the stereotype of nursing as women's work. It also says the main character Summer is portrayed as more emotional than the male character Tom, playing into stereotypes of women being more openly emotional. However, it acknowledges some elements subvert stereotypes, like both female characters having equal status in a scene. The document examines how various shots and character choices either reinforce or subvert common stereotypes about gender and genre.
Analysing Horror Posters
This document analyzes horror film posters and their generic conventions. It discusses two specific posters - for the films "The Girl in the Photographs" and "The Purge: Election Year". Key conventions highlighted include using dark colors to represent darkness, having the bold title at the top to catch viewers' attention, and centering a large main image to show what the film is about. Specific symbolism of the colors and imagery in the two posters is also examined.
Magazine presentation
The image shows a man peering through a battered door with a crazed expression, suggesting he has gone mad or is the antagonist. The black under his neck makes his head appear floating. The catchphrase "I'm not gonna hurt ya. I'm just gonna bash your brain's in" hints that the film is about an evil man planning to kill. The dark background creates a feeling of danger. The red lettering draws attention to highlight "Plus" and "Exclusive", symbolizing danger and death as is typical for horror magazines.
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
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Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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This is my presentation for the Record Store Scavenger Hunt.
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原版定制【微信:bwp0011】《(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
Ealing London Independent Photography meeting - June 2024
Photographs from trip to American Deep South
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Analysis 3 thriller frames sulieman
- 1. ANALYSIS OF 3 FRAMES
- 2. As you can see from the frame of this thriller film the lady is presented as an antagonist as she has the vampire teeth. Also the lighting in the film portrays the antagonist is the main character, as a villain as the light is focused on her face shows she is the main character. the women has a red teeth the color of her teeth which Is red represents blood which also represents her as a antagonist. Also the shape of her teeth Is also a big factor as the shape of her teeth represents her as a vampire, this shows that she is an antagonist that likes blood. Her hair also presents the character as a evil and cruel character, this is because she has grey hair, the color grey represents darkness and dullness which portrays her as a character and as an antagonist as we go back to the lighting the lighting in the frame shows the life she lives, she lives in darkness and her life is dull which again shows her as a character.
- 3. The second frame is a frame were there is a protagonist and an antagonist there is a women and a man the women is portrayed as weak and has no power the use of the low angle shot shows the women sleeping and powerless and has no power over what the man is doing to her. Also the use of mise-en-scene in what the antagonist which is the man is wearing, he is wearing a mask the use of him wearing a mask shows he is portrayed as a villain and the man has the upmost power over the women. Also the lighting used in the frame is very dim and blurry from the outside and is focused on the 2 main characters which are the women and the man.
- 4. As you can see from the third frame the man is looking powerless for example the man is looking scared and worried as you can see the mise-en-scene used in the frame with the man is portrayed as a scared and worried man as you can see the man is wearing a t-shirt with blood all over the shirt this is a sign of a man who is a fighter and is worried for his life as all of his survivors are dead also the use of the high angle shot shows that the man is really scared for his life and is worried about death.