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‘An Inspector Calls’
Coursework
AO2 – 15 marks
• Understanding of how Language,
Form and Structure are used
purposefully to achieve effects
• Understanding of how Language, Form and Structure
are used purposefully to achieve effects
The intended effect on the audience?
Gives the impression…
Suggests…
Implies…
The effect here…
AO2 – 15 marks
Language
Word choice / connotations
Speech patterns
What characters say
What characters reveal through what they say
Modal Verbs and modifiers are your friend!
This could suggest that…
The intention here may be…
Priestley, here, might be…
This is, arguably, an attempt to
AO2 – 15 marks
Form Structure
3 Act Play
Genre
Entrances & exits
Stage directions
Rising & falling of tension
Which task will you tackle?
How does Priestley create dramatic tension in the play?​
or
Explore the ways in which Priestley uses female characters in An
Inspector Calls.​
or
How does Priestley use An Inspector Calls to denounce the hypocrisy
and callousness of capitalism?
ACT 1
“When your married you’ll realize that men
with important work to do sometimes have to
spend nearly all their time and energy on
their business. You’ll have to get used to that,
just as I had.”
Sybil Birling
“perhaps we can look forward to a time
when the Crofts and Birlings are no longer
competing but are working together – for
lower costs and higher prices.”
Arthur Birling
“I think Sheila and I had better go into
the drawing room and leave you men”
Sybil Birling
“I’m talking as a hard-headed, practical
man of business. And I say there isn’t a
chance of war.”
Arthur Birling
Gerald (lightly) “Only something we were talking
about when you were out. A joke really.”
Eric (still uneasy) “Well, I don’t think it’s very
funny.”
“One person and one line of enquiry at
a time. Otherwise, there’s a muddle.”
Inspector Goole
“If we were all responsible for
everything that happened to everyone
we’d had anything to do with, it would
be very awkward”
Arthur Birling
“She was a lively good-looking girl –
country-bred, I fancy…A good worker
too.”
Arthur Birling
Arthur “It’s my duty to keep labour costs
down…if they didn’t like those rates, they could
go and work somewhere else. It’s a free country,
I told them.”
Eric “It isn’t if you can’t go and work somewhere
else.”
“She’d had a lot to say – far too much –
so she had to go.”
Arthur Birling
“It’s better to ask for the earth than to
take it.”
Inspector Goole
Arthur “Perhaps I ought to warn you that he’s
(Chief Constable Colonel Roberts) an old friend
of mine…we play golf together sometimes… ”
Inspector Goole (dryly) “I don’t play golf.”
Arthur “I didn’t suppose you did.”
Arthur “The girl had been causing trouble in the
works. I was quite justified.”
Gerald “Yes, I think you were. I know we’d have
done the same thing. Don’t look at me like that
Sheila.”
“But these girls aren’t cheap labour –
they’re people.”
Sheila Birling
“It would do us all a bit of good if
sometimes we tried to put ourselves in the
place of these women counting their
pennies in their dingy little back bedrooms.”
Inspector Goole
He produces a photograph. She looks at it
closely, recognizes it with a little cry, gives a
half-stifled sob, and then runs out.
Stage direction
“A nice little promising life there, I thought, and
a nasty mess somebody’s made of it.”
Inspector Goole
“We were having a nice little family celebration
tonight. And a nasty mess you’ve made of it now,
haven’t you?.”
Arthur Birling
“She was the right type for it, just as I was
the wrong type…how could I know what
would happen afterwards?.”
Sheila Birling
“Of course he knows. And I hate to think
how much he knows that we don’t yet.
You’ll see. You’ll see.”
Sheila Birling (right at the end of the Act)
ACT 2
Gerald “It’s bound to be unpleasant and
disturbing.”
Inspector Goole “And you think young women
ought to be protected against unpleasant and
disturbing things? … well we know one young
woman who wasn’t, don’t we?”
Inspector Goole “But she died in misery and
agony – hating life –”
Sheila Birling (distressed) “Don’t please – I know,
I know – and I can’t stop thinking about it.”
Sheila Birling “I don’t understand about you.”
Inspector Goole (calmly) “There’s no reason why you
should.”
He regards her calmly while she stares at him
wonderingly and dubiously.
“I want you to know that I didn’t install her
there so that I could make love to her…I was
sorry for her...”
Gerald Croft
“You were a wonderful Fairy Prince. You
must have adored it, Gerald.”
Sheila Birling
“You were a wonderful Fairy Prince. You
must have adored it, Gerald.”
Sheila Birling
“She didn’t blame me at all. I wish to
God she had now. Perhaps I’d feel
better about it.”
Gerald Croft
Arthur Birling “Now, Sheila. I’m not defending him. But
you must understand that a lot of young men -”
Sheila Birling “Don’t interfere, please, father...”
“I’m very sorry. But I think she had
only herself to blame.”
Sybil Birling
“I didn’t like her manner. She’d
impertinently made use of our name.”
Sybil Birling
“I accept no blame for it at all.”
Sybil Birling
Sheila Birling (with sudden alarm) “Mother – stop –
stop!”
Arthur Birling “Be quiet, Sheila!”
Sheila Birling “But don’t you see –”
Sheila Birling “Mother – I begged and begged you
to stop – “
Inspector hold up his hand. We hear the front
door. They wait, looking towards the door. Eric
enters, looking extremely pale and distressed. He
meets their enquiring stares.
Curtain falls quickly.
ACT 3
“she told me she didn’t want me to go
in but that – well, I was in that state
when a chap easily turns nasty – and I
threatened to make a row.”
Eric Birling
(Inspector – very sharply)
“I don’t want any of it from either of
you. Settle it afterwards.”
“she treated me as if I were a kid.
Though I was nearly as old as she was.”
Eric Birling
“you killed her – and the child she’d
have had too – my child – your own
grandchild – you killed them both –
damn you.”
Eric Birling
Arthur Birling “Look, Inspector – I’d give thousands –
yes, thousands.”
Inspector “You’re offering the money at the wrong
time.”
“One Eva Smith has gone – but there
are millions and millions and millions
of Eva Smiths and John Smiths ...we do
not live alone”
Inspector Goole
“If men will not learn that lesson, then
they will be taught it in fire and blood
and anguish. Good night.”
Inspector Goole
“you don’t seem to have learned anything.”
Sheila Birling
“He was prejudiced from the start.
Probably a Socialist or some sort of
crank – he talked like one.”
Arthur Birling
“Now look at the pair of them – the
famous younger generation who know it
all. And they can’t even take a joke -”
(The telephone rings sharply)
Arthur Birling
As they stare guiltily and dumbfounded,
the curtain falls.
END OF PLAY

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'An Inspector Calls' - Quotation Bank

  • 2. AO2 – 15 marks • Understanding of how Language, Form and Structure are used purposefully to achieve effects
  • 3. • Understanding of how Language, Form and Structure are used purposefully to achieve effects
  • 4. The intended effect on the audience? Gives the impression… Suggests… Implies… The effect here…
  • 5. AO2 – 15 marks Language Word choice / connotations Speech patterns What characters say What characters reveal through what they say
  • 6. Modal Verbs and modifiers are your friend! This could suggest that… The intention here may be… Priestley, here, might be… This is, arguably, an attempt to
  • 7. AO2 – 15 marks Form Structure 3 Act Play Genre Entrances & exits Stage directions Rising & falling of tension
  • 8. Which task will you tackle? How does Priestley create dramatic tension in the play?​ or Explore the ways in which Priestley uses female characters in An Inspector Calls.​ or How does Priestley use An Inspector Calls to denounce the hypocrisy and callousness of capitalism?
  • 9.
  • 10. ACT 1
  • 11. “When your married you’ll realize that men with important work to do sometimes have to spend nearly all their time and energy on their business. You’ll have to get used to that, just as I had.” Sybil Birling
  • 12. “perhaps we can look forward to a time when the Crofts and Birlings are no longer competing but are working together – for lower costs and higher prices.” Arthur Birling
  • 13. “I think Sheila and I had better go into the drawing room and leave you men” Sybil Birling
  • 14. “I’m talking as a hard-headed, practical man of business. And I say there isn’t a chance of war.” Arthur Birling
  • 15. Gerald (lightly) “Only something we were talking about when you were out. A joke really.” Eric (still uneasy) “Well, I don’t think it’s very funny.”
  • 16. “One person and one line of enquiry at a time. Otherwise, there’s a muddle.” Inspector Goole
  • 17. “If we were all responsible for everything that happened to everyone we’d had anything to do with, it would be very awkward” Arthur Birling
  • 18. “She was a lively good-looking girl – country-bred, I fancy…A good worker too.” Arthur Birling
  • 19. Arthur “It’s my duty to keep labour costs down…if they didn’t like those rates, they could go and work somewhere else. It’s a free country, I told them.” Eric “It isn’t if you can’t go and work somewhere else.”
  • 20. “She’d had a lot to say – far too much – so she had to go.” Arthur Birling
  • 21. “It’s better to ask for the earth than to take it.” Inspector Goole
  • 22. Arthur “Perhaps I ought to warn you that he’s (Chief Constable Colonel Roberts) an old friend of mine…we play golf together sometimes… ” Inspector Goole (dryly) “I don’t play golf.” Arthur “I didn’t suppose you did.”
  • 23. Arthur “The girl had been causing trouble in the works. I was quite justified.” Gerald “Yes, I think you were. I know we’d have done the same thing. Don’t look at me like that Sheila.”
  • 24. “But these girls aren’t cheap labour – they’re people.” Sheila Birling
  • 25. “It would do us all a bit of good if sometimes we tried to put ourselves in the place of these women counting their pennies in their dingy little back bedrooms.” Inspector Goole
  • 26. He produces a photograph. She looks at it closely, recognizes it with a little cry, gives a half-stifled sob, and then runs out. Stage direction
  • 27. “A nice little promising life there, I thought, and a nasty mess somebody’s made of it.” Inspector Goole “We were having a nice little family celebration tonight. And a nasty mess you’ve made of it now, haven’t you?.” Arthur Birling
  • 28. “She was the right type for it, just as I was the wrong type…how could I know what would happen afterwards?.” Sheila Birling
  • 29. “Of course he knows. And I hate to think how much he knows that we don’t yet. You’ll see. You’ll see.” Sheila Birling (right at the end of the Act)
  • 30. ACT 2
  • 31. Gerald “It’s bound to be unpleasant and disturbing.” Inspector Goole “And you think young women ought to be protected against unpleasant and disturbing things? … well we know one young woman who wasn’t, don’t we?”
  • 32. Inspector Goole “But she died in misery and agony – hating life –” Sheila Birling (distressed) “Don’t please – I know, I know – and I can’t stop thinking about it.”
  • 33. Sheila Birling “I don’t understand about you.” Inspector Goole (calmly) “There’s no reason why you should.” He regards her calmly while she stares at him wonderingly and dubiously.
  • 34. “I want you to know that I didn’t install her there so that I could make love to her…I was sorry for her...” Gerald Croft
  • 35. “You were a wonderful Fairy Prince. You must have adored it, Gerald.” Sheila Birling
  • 36. “You were a wonderful Fairy Prince. You must have adored it, Gerald.” Sheila Birling
  • 37. “She didn’t blame me at all. I wish to God she had now. Perhaps I’d feel better about it.” Gerald Croft
  • 38. Arthur Birling “Now, Sheila. I’m not defending him. But you must understand that a lot of young men -” Sheila Birling “Don’t interfere, please, father...”
  • 39. “I’m very sorry. But I think she had only herself to blame.” Sybil Birling
  • 40. “I didn’t like her manner. She’d impertinently made use of our name.” Sybil Birling
  • 41. “I accept no blame for it at all.” Sybil Birling
  • 42. Sheila Birling (with sudden alarm) “Mother – stop – stop!” Arthur Birling “Be quiet, Sheila!” Sheila Birling “But don’t you see –”
  • 43. Sheila Birling “Mother – I begged and begged you to stop – “ Inspector hold up his hand. We hear the front door. They wait, looking towards the door. Eric enters, looking extremely pale and distressed. He meets their enquiring stares. Curtain falls quickly.
  • 44. ACT 3
  • 45. “she told me she didn’t want me to go in but that – well, I was in that state when a chap easily turns nasty – and I threatened to make a row.” Eric Birling
  • 46. (Inspector – very sharply) “I don’t want any of it from either of you. Settle it afterwards.”
  • 47. “she treated me as if I were a kid. Though I was nearly as old as she was.” Eric Birling
  • 48. “you killed her – and the child she’d have had too – my child – your own grandchild – you killed them both – damn you.” Eric Birling
  • 49. Arthur Birling “Look, Inspector – I’d give thousands – yes, thousands.” Inspector “You’re offering the money at the wrong time.”
  • 50. “One Eva Smith has gone – but there are millions and millions and millions of Eva Smiths and John Smiths ...we do not live alone” Inspector Goole
  • 51. “If men will not learn that lesson, then they will be taught it in fire and blood and anguish. Good night.” Inspector Goole
  • 52. “you don’t seem to have learned anything.” Sheila Birling
  • 53. “He was prejudiced from the start. Probably a Socialist or some sort of crank – he talked like one.” Arthur Birling
  • 54. “Now look at the pair of them – the famous younger generation who know it all. And they can’t even take a joke -” (The telephone rings sharply) Arthur Birling
  • 55. As they stare guiltily and dumbfounded, the curtain falls. END OF PLAY

Editor's Notes

  1. Hokusai
  2. Priestley’s intended impact on audience (not reader)