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“Prawo autorskie a muzyka”
Aleksandra Sewerynik
Aleksandra Sewerynik
2
Utwór
Aleksandra Sewerynik
3
Istota twórczości
to
odmienny sposób wyrażenia
tej samej
idei
Aleksandra Sewerynik
4
Utwór
Elementy chronione Elementy niechronione
Aleksandra Sewerynik
5
Plagiat
Przypisanie sobie autorstwa lub
wprowadzenie w
błąd co do autorstwa całości cudzego
utworu lub chronionego elementu
cudzego utworu.
Aleksandra Sewerynik
6
Czy istotne podobieństwo
pomiędzy utworami
zawsze oznacza
Plagiat?
Aleksandra Sewerynik
7
Przejęcie elementu
niechronionego
nie jest plagiatem
Aleksandra Sewerynik
8
Utwór muzyczny
Elementy chronione Elementy niechronione
Aleksandra Sewerynik
9
Metoda analizy
Elementy dzieła muzycznego
Aleksandra Sewerynik
10
Podstawowe elementy dzieła
muzycznego
Melodia
Harmonia
Kolorystyka
Aleksandra Sewerynik
11
Melodia
Aleksandra Sewerynik
12
Plagiat?
„A gdy jest już ciemno”muzyka i tekst Piotr Kupicha
“Coming Around Again”
muzyka i tekst Carly Simon
Aleksandra Sewerynik
13
Jaki odcinek melodii jest
chroniony?
Aleksandra Sewerynik
14
Myśl muzyczna
Aleksandra Sewerynik
15
Myśl muzyczna
to
(co do zasady)
Element chroniony
Aleksandra Sewerynik
16
Fragment myśli muzycznej
to
Element niechroniony
Aleksandra Sewerynik
17
Niechroniona myśl muzyczna
Gamy
Rozłożone akordy
Podstawowe składniki akordów
oparte na powszechnie stosowanych schematach
harmonicznych
Aleksandra Sewerynik
18
Duże ryzyko nieświadomych
powtórzeń
Aleksandra Sewerynik
19
Chroniona myśl muzyczna
Gamy
Rozłożone akordy
Podstawowe składniki akordów
oparte na twórczej harmonii
Aleksandra Sewerynik
20
Jan Sebastian Bach, Preludium C - dur
Aleksandra Sewerynik
21
???
„A gdy jest już ciemno”muzyka i tekst Piotr Kupicha
“Coming Around Again”
muzyka i tekst Carly Simon
Aleksandra Sewerynik
22
Plagiat?
"Kogut" Wojciech Kilar
"Koko euro spoko" Jarzębina
Aleksandra Sewerynik
23
Melodia ludowa
to
Element niechroniony
Aleksandra Sewerynik
24
Oryginalna melodia napisana
w stylu ludowym
Twórcza modyfikacja melodii ludowej
to
Element chroniony
Aleksandra Sewerynik
25
Plagiat?
Brathanki "Czerwone Korale"
Ferenca Sebö „Do Lidii”
Aleksandra Sewerynik
26
Modyfikacje melodii
twórcze i indywidualne techniczne
nowa melodia ta sama melodia
Aleksandra Sewerynik
27
Harmonia
Aleksandra Sewerynik
28
Red Hot Chili Peppers
„Dani California”
Blur „Country House”
Plagiat?
Aleksandra Sewerynik
29
Schemat akordowy
to
Idea
czyli
Element niechroniony
Aleksandra Sewerynik
30
Konkretne dźwiękowe wyrażenie
schematu akordowego
to
Element chroniony
(myśli muzyczne)
Aleksandra Sewerynik
31
Niechroniony akompaniament
(myśl muzyczna)
Gamy
Rozłożone akordy
Podstawowe składniki akordów
oparte na powszechnie stosowanych schematach
harmonicznych
Aleksandra Sewerynik
32
Kolorystyka
Aleksandra Sewerynik
33
Mikołaj Rimski-Korsakow
„Instrumentacja jest
częścią istoty dzieła. (…)
Czyż można oddzielić
istotę muzyki Wagnera od
jego instrumentacji? To
tak, jakby ktoś powiedział:
malarz obraz swój świetnie
pociągnął farbami.”
“Zasady instrumentacji”, Tom I, PWM 1953,
str. 9.
Foto: http://www.russisches-musikarchiv.de/bilder-einer-
ausstellung-reimar-walthert/bilder-einer-ausstellung-2.htm
Aleksandra Sewerynik
34
Modest Mussorgski
“Obrazki z wystawy”
Promenada
Aleksandra Sewerynik
35
W procesie tworzenia utworu muzycznego
instrumentacja jest działaniem twórczym i
indywidualnym
Aleksandra Sewerynik
36
Utwór muzyczny
Twórcza
instrumentacja
Utwór zależny
Techniczna przeróbka
(transkrypcja)
Ten sam utwór
Aleksandra Sewerynik
37
Podsumowanie
Aleksandra Sewerynik
38
Nie wszystko co podobne to plagiat
Aleksandra Sewerynik
39
www.sewerynik.pl
Wykorzystano fragmenty z prezentacji autorki “O plagiacie w
czterech akordach” wygłoszonej na konferencji CopyCamp

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Aleksandra Sewerynik "Prawo autorskie a muzyka"