2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
This article is all about what AI trends will emerge in the field of creative operations in 2024. All the marketers and brand builders should be aware of these trends for their further use and save themselves some time!
2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
This article is all about what AI trends will emerge in the field of creative operations in 2024. All the marketers and brand builders should be aware of these trends for their further use and save themselves some time!
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...Applitools
During this webinar, Anand Bagmar demonstrates how AI tools such as ChatGPT can be applied to various stages of the software development life cycle (SDLC) using an eCommerce application case study. Find the on-demand recording and more info at https://applitools.info/b59
Key takeaways:
• Learn how to use ChatGPT to add AI power to your testing and test automation
• Understand the limitations of the technology and where human expertise is crucial
• Gain insight into different AI-based tools
• Adopt AI-based tools to stay relevant and optimize work for developers and testers
* ChatGPT and OpenAI belong to OpenAI, L.L.C.
More than Just Lines on a Map: Best Practices for U.S Bike Routes
This session highlights best practices and lessons learned for U.S. Bike Route System designation, as well as how and why these routes should be integrated into bicycle planning at the local and regional level.
Presenters:
Presenter: Kevin Luecke Toole Design Group
Co-Presenter: Virginia Sullivan Adventure Cycling Association
Ride the Storm: Navigating Through Unstable Periods / Katerina Rudko (Belka G...DevGAMM Conference
Has your project been caught in a storm of deadlines, clashing requirements, and the need to change course halfway through? If yes, then check out how the administration team navigated through all of this, relocating 160 people from 3 countries and opening 2 offices during the most turbulent time in the last 20 years. Belka Games’ Chief Administrative Officer, Katerina Rudko, will share universal approaches and life hacks that can help your project survive unstable periods when there seem to be too many tasks and a lack of time and people.
This presentation was designed to provide strategic recommendations for a brand in decline. The deck also incorporates a situational assessment, including a brand identity, positioning, architecture, and portfolio strategy for the Brand.
Presentation originally created for NYU Stern's Brand Strategy course. Design by Erica Santiago & Chris Alexander.
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...Applitools
During this webinar, Anand Bagmar demonstrates how AI tools such as ChatGPT can be applied to various stages of the software development life cycle (SDLC) using an eCommerce application case study. Find the on-demand recording and more info at https://applitools.info/b59
Key takeaways:
• Learn how to use ChatGPT to add AI power to your testing and test automation
• Understand the limitations of the technology and where human expertise is crucial
• Gain insight into different AI-based tools
• Adopt AI-based tools to stay relevant and optimize work for developers and testers
* ChatGPT and OpenAI belong to OpenAI, L.L.C.
More than Just Lines on a Map: Best Practices for U.S Bike Routes
This session highlights best practices and lessons learned for U.S. Bike Route System designation, as well as how and why these routes should be integrated into bicycle planning at the local and regional level.
Presenters:
Presenter: Kevin Luecke Toole Design Group
Co-Presenter: Virginia Sullivan Adventure Cycling Association
Ride the Storm: Navigating Through Unstable Periods / Katerina Rudko (Belka G...DevGAMM Conference
Has your project been caught in a storm of deadlines, clashing requirements, and the need to change course halfway through? If yes, then check out how the administration team navigated through all of this, relocating 160 people from 3 countries and opening 2 offices during the most turbulent time in the last 20 years. Belka Games’ Chief Administrative Officer, Katerina Rudko, will share universal approaches and life hacks that can help your project survive unstable periods when there seem to be too many tasks and a lack of time and people.
This presentation was designed to provide strategic recommendations for a brand in decline. The deck also incorporates a situational assessment, including a brand identity, positioning, architecture, and portfolio strategy for the Brand.
Presentation originally created for NYU Stern's Brand Strategy course. Design by Erica Santiago & Chris Alexander.
20. 180 CzÚĂÊ VI: Akordy z rodziny F
F (maj, M) *
pryma = f; tercja wielka = a; kwinta = c
B - H R - P 3M 3w
F (maj, M) *
pryma = f; tercja wielka = a; kwinta = c
B - H R - P 3M 3w
<<s. 167>>
Poleć książkę
Kup książkę
21. CzÚĂÊ VI: Akordy z rodziny F 181
f (min, m, –) *
pryma = f; tercja maïa = as; kwinta = c
B - H R - P 3- 3m
Aby uzyskaÊ akord molowy, naleĝy obniĝyÊ tercjÚ wielkÈ akordu durowego
o ½ tonu (1 próg), co pozwoli przeksztaïciÊ ten skïadnik w tercjÚ maïÈ.
f (min, m, –) *
pryma = f; tercja maïa = as; kwinta = c
B - H R - P 3- 3m
Aby uzyskaÊ akord molowy, naleĝy obniĝyÊ tercjÚ wielkÈ akordu durowego
o ½ tonu (1 próg), co pozwoli przeksztaïciÊ ten skïadnik w tercjÚ maïÈ.
<<s. 168>>
Poleć książkę
Kup książkę
22. 182 CzÚĂÊ VI: Akordy z rodziny F
F6
pryma = f; tercja wielka = a; kwinta = c;
seksta wielka = d
B - H R - P 3M 3w 6M 6w
Aby uzyskaÊ tÚ postaÊ durowego akordu sekstowego, obniĝyliĂmy o 1 i ½ tonu
(3 progi) prymÚ akordu durowego znajdujÈcÈ siÚ na strunie D, przeksztaïcajÈc
ten skïadnik w sekstÚ wielkÈ.
F6
pryma = f; tercja wielka = a; seksta wielka = d
B - H R - P 3M 3w 6M 6w
Aby uzyskaÊ tÚ postaÊ durowego akordu sekstowego, usunÚliĂmy z akordu durowego
kwintÚ, dziÚki czemu mogliĂmy dodaÊ sekstÚ wielkÈ.
<<s. 169>>
Poleć książkę
Kup książkę
23. CzÚĂÊ VI: Akordy z rodziny F 183
f6 (min6, m6, –6)
pryma = f; tercja maïa = as; kwinta = c;
seksta wielka = d
B - H R - P 3- 3m 6M 6w
Aby uzyskaÊ tÚ postaÊ molowego akordu sekstowego, obniĝyliĂmy o 1 i ½ tonu
(3 progi) prymÚ akordu molowego znajdujÈcÈ siÚ na strunie D, przeksztaïcajÈc ten
skïadnik w sekstÚ wielkÈ.
f6 (min6, m6, –6)
pryma = f; tercja maïa = as; kwinta = c;
seksta wielka = d
B - H R - P 3- 3m 6M 6w
Aby uzyskaÊ tÚ postaÊ molowego akordu sekstowego, obniĝyliĂmy o 1 i ½ tonu
(3 progi) prymÚ akordu molowego znajdujÈcÈ siÚ na strunie G, przeksztaïcajÈc ten
skïadnik w sekstÚ wielkÈ.
<<s. 170>>
Poleć książkę
Kup książkę
24. 184 CzÚĂÊ VI: Akordy z rodziny F
Fsus4
pryma = f; kwarta = b; kwinta = c
B - H R - P
Jeĝeli masz jakiekolwiek problemy ze zïapaniem tego akordu, moĝesz
pominÈÊ najniĝszÈ kwintÚ (znajdujÈcÈ siÚ na strunie A), gdyĝ ten sam
skïadnik powtarza siÚ teĝ na strunie H.
Fsus4
pryma = f; kwarta = b; kwinta = c
B - H R - P
Aby uzyskaÊ akord z zawieszonÈ kwartÈ, naleĝy podnieĂÊ o ½ tonu (1 próg) tercjÚ
wielkÈ akordu durowego, co pozwoli przeksztaïciÊ ten skïadnik w kwartÚ. Akord
sus4 nie zawiera tercji — nie jest zatem ani durowy, ani molowy.
<<s. 171>>
Poleć książkę
Kup książkę
25. CzÚĂÊ VI: Akordy z rodziny F 185
F5 *
pryma = f; kwinta = c
B - H R - P
Akordy „5” skïadajÈ siÚ wyïÈcznie z dwóch skïadników — prymy i kwinty.
Te wspóïbrzmienia (znane teĝ pod nazwÈ power chords) sÈ czÚsto uĝywane
w muzyce rockowej i w heavy metalu.
F5 *
pryma = f; kwinta = c
B - H R - P
Akordy „5” skïadajÈ siÚ wyïÈcznie z dwóch skïadników — prymy i kwinty.
Te wspóïbrzmienia (znane teĝ pod nazwÈ power chords) sÈ czÚsto uĝywane
w muzyce rockowej i w heavy metalu.
<<s. 172>>
Poleć książkę
Kup książkę
26. 186 CzÚĂÊ VI: Akordy z rodziny F
Fzw (aug, #5
, +, 5+
)
pryma = f; tercja wielka = a; kwinta zwiÚkszona = cis
B - H R - P 3M 3w 5# 5zw
Jeĝeli masz jakiekolwiek problemy ze zïapaniem tego akordu, moĝesz
zagraÊ tylko 4 górne děwiÚki (najniĝszy děwiÚk to w tym przypadku
pryma, którÈ moĝna pominÈÊ, gdyĝ i tak jest ona powtórzona oktawÚ
wyĝej).
Fzw (aug, #5
, +, 5+
)
pryma = f; tercja wielka = a; kwinta zwiÚkszona = cis
B - H R - P 3M 3w 5# 5zw
Akord zwiÚkszony to akord durowy, w którym kwinta zostaïa podwyĝszona
o ½ tonu (1 próg).
<<s. 173>>
Poleć książkę
Kup książkę
27. CzÚĂÊ VI: Akordy z rodziny F 187
Fzm (dim, O
)
pryma = f; tercja maïa = as; kwinta zmniejszona = ces (h)
B - H R - P 3- 3m 5ᅈ 5zm
Jeĝeli masz jakiekolwiek problemy ze zïapaniem tego akordu, moĝesz
zagraÊ tylko 3 górne děwiÚki (najniĝszy děwiÚk to w tym przypadku
pryma, którÈ moĝna pominÈÊ, gdyĝ i tak jest ona powtórzona oktawÚ
wyĝej).
Fzm (dim, O
)
pryma = f; tercja maïa = as; kwinta zmniejszona = ces (h)
B - H R - P 3- 3m 5ᅈ 5zm
Akord zmniejszony to akord durowy, w którym wszystkie skïadniki oprócz prymy
zostaïy obniĝone o ½ tonu (1 próg).
<<s. 174>>
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28. 188 CzÚĂÊ VI: Akordy z rodziny F
F7+ (M7
, 7M
, Maj7
, 7Maj
, ¨
) *
pryma = f; tercja wielka = a; kwinta = c;
septyma wielka = e
B - H R - P 3M 3w 7M 7w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7+, obniĝyliĂmy o ½ tonu (1 próg) prymÚ
akordu durowego znajdujÈcÈ siÚ na górnej strunie E, przeksztaïcajÈc ten skïadnik
w septymÚ wielkÈ.
F7+ (M7
, 7M
, Maj7
, 7Maj
, ¨
)
pryma = f; tercja wielka = a; kwinta = c; septyma
wielka = e
B - H R - P 3M 3w 7M 7w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7+, obniĝyliĂmy o ½ tonu (1 próg) prymÚ
akordu durowego znajdujÈcÈ siÚ na strunie D, przeksztaïcajÈc ten skïadnik w septymÚ
wielkÈ.
<<s. 175>>
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29. CzÚĂÊ VI: Akordy z rodziny F 189
F7+ (M7
, 7M
, Maj7
, 7Maj
, ¨
) *
pryma = f; tercja wielka = a; kwinta = c;
septyma wielka = e
B - H R - P 3M 3w 7M 7w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7+, obniĝyliĂmy o ½ tonu (1 próg)
prymÚ akordu durowego znajdujÈcÈ siÚ na strunie G, przeksztaïcajÈc ten skïadnik
w septymÚ wielkÈ.
<<s. 176>>
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30. 190 CzÚĂÊ VI: Akordy z rodziny F
F7
pryma = f; tercja wielka = a; kwinta = c;
septyma maïa = es
B - H R - P 3M 3w 7- 7m
Aby uzyskaÊ ten durowy akord septymowy, naleĝy obniĝyÊ o ½ tonu (1 próg)
septymÚ wielkÈ durowego akordu 7+, co pozwoli przeksztaïciÊ ten skïadnik
w septymÚ maïÈ.
F7 *
pryma = f; tercja wielka = a; septyma maïa = es
B - H R - P 3M 3w 7- 7m
Zauwaĝ, ĝe aby uzyskaÊ tÚ czÚsto wykorzystywanÈ postaÊ durowego akordu
septymowego, usunÚliĂmy z akordu durowego kwintÚ, dziÚki czemu mogliĂmy
dodaÊ septymÚ maïÈ.
<<s. 177>>
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31. CzÚĂÊ VI: Akordy z rodziny F 191
F7
pryma = f; tercja wielka = a; kwinta = c;
septyma maïa = es
B - H R - P 3M 3w 7- 7m
Aby uzyskaÊ ten durowy akord septymowy, naleĝy obniĝyÊ o ½ tonu (1 próg)
septymÚ wielkÈ durowego akordu 7+, co pozwoli przeksztaïciÊ ten skïadnik
w septymÚ maïÈ.
<<s. 178>>
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32. 192 CzÚĂÊ VI: Akordy z rodziny F
f7 (min7, m7, –7)
pryma = f; tercja maïa = as; kwinta = c;
septyma maïa = es
B - H R - P 3- 3m 7- 7m
Aby uzyskaÊ ten molowy akord septymowy, naleĝy obniĝyÊ o ½ tonu (1 próg)
tercjÚ wielkÈ durowego akordu septymowego, co pozwoli przeksztaïciÊ ten skïadnik
w tercjÚ maïÈ.
f7 (min7, m7, –7)
pryma = f; tercja maïa = as; kwinta = c;
septyma maïa = es
B - H R - P 3- 3m 7- 7m
Aby uzyskaÊ ten molowy akord septymowy, naleĝy obniĝyÊ o ½ tonu (1 próg)
tercjÚ wielkÈ durowego akordu septymowego, co pozwoli przeksztaïciÊ ten
skïadnik w tercjÚ maïÈ.
<<s. 179>>
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33. CzÚĂÊ VI: Akordy z rodziny F 193
f7/5zm
(min7ᅈ5
, m7ᅈ5
, –7ᅈ5
, Ø
)
pryma = f; tercja maïa = as; kwinta zmniejszona = ces
(h); septyma maïa = es
B - H R - P 3- 3m 7- 7m 5ᅈ 5zm
Aby uzyskaÊ akord 7/5zm, naleĝy obniĝyÊ o ½ tonu (1 próg) kwintÚ molowego
akordu septymowego, co pozwoli przeksztaïciÊ ten skïadnik w kwintÚ zmniejszonÈ.
f7/5zm
(min7ᅈ5
, m7ᅈ5
, –7ᅈ5
, Ø
)
pryma = f; tercja maïa = as; kwinta zmniejszona = ces (h);
septyma maïa = es
B - H R - P 3- 3m 7- 7m 5ᅈ 5zm
Aby uzyskaÊ akord 7/5zm, naleĝy obniĝyÊ o ½ tonu (1 próg) kwintÚ molowego
akordu septymowego, co pozwoli przeksztaïciÊ ten skïadnik w kwintÚ zmniejszonÈ.
<<s. 180>>
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34. 194 CzÚĂÊ VI: Akordy z rodziny F
F7sus4
pryma = f; kwarta = b; kwinta = c; septyma maïa = es
B - H R - P 7- 7m
Jeĝeli masz jakiekolwiek problemy ze zïapaniem tego akordu, moĝesz
pominÈÊ najniĝszÈ kwintÚ (znajdujÈcÈ siÚ na strunie A), gdyĝ ten sam
skïadnik powtarza siÚ teĝ na strunie H.
F7sus4
pryma = f; kwarta = b; kwinta = c; septyma maïa = es
B - H R - P 7- 7m
Aby uzyskaÊ akord septymowy z zawieszonÈ kwartÈ, naleĝy podnieĂÊ o ½ tonu
(1 próg) tercjÚ wielkÈ durowego akordu septymowego, co pozwoli przeksztaïciÊ
ten skïadnik w kwartÚ. Akord 7sus4 nie zawiera tercji — nie jest zatem ani durowy,
ani molowy.
<<s. 181>>
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35. CzÚĂÊ VI: Akordy z rodziny F 195
F7/5zw (aug7, 7#5
, +7)
pryma = f; tercja wielka = a; kwinta zwiÚkszona = cis;
septyma maïa = es
B - H R - P 7- 7m 3M 3w 5# 5zw
Akord zwiÚkszony z septymÈ to durowy akord septymowy, w którym kwinta zostaïa
podwyĝszona o ½ tonu (1 próg).
F7/5zw (aug7, 7#5
, +7)
pryma = f; tercja wielka = a; kwinta zwiÚkszona = cis;
septyma maïa = es
B - H R - P 7- 7m 3M 3w 5# 5zw
Akord zwiÚkszony z septymÈ to durowy akord septymowy, w którym kwinta zostaïa
podwyĝszona o ½ tonu (1 próg). ChoÊ górna struna E jest przyciskana do gryfu
(to chwyt barowy), nie naleĝy jej uĝywaÊ.
<<s. 182>>
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36. 196 CzÚĂÊ VI: Akordy z rodziny F
Fzm7 (dim7, O
7)
pryma = f; tercja maïa = as; kwinta zmniejszona = ces (h);
septyma zmniejszona = eses (d)
B - H R - P 7Dim 7zm 3- 3m 5ᅈ 5zm
CzteroděwiÚk zmniejszony to durowy akord septymowy, w którym wszystkie
skïadniki oprócz prymy zostaïy obniĝone o ½ tonu (1 próg).
Fzm7 (dim7, O
7)
pryma = f; tercja maïa = as; kwinta zmniejszona = ces (h);
septyma zmniejszona = eses (d)
B - H R - P 7Dim 7zm 3- 3m 5ᅈ 5zm
CzteroděwiÚk zmniejszony to durowy akord septymowy, w którym wszystkie
skïadniki oprócz prymy zostaïy obniĝone o ½ tonu (1 próg).
<<s. 183>>
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37. CzÚĂÊ VI: Akordy z rodziny F 197
f7+ (minM7
, –M7
, min¨
, –¨
)
pryma = f; tercja maïa = as; kwinta = c;
septyma wielka = e
B - H R - P 7M 7w 3- 3m
Aby uzyskaÊ molowy akord 7+, naleĝy podnieĂÊ o ½ tonu (1 próg) septymÚ maïÈ
molowego akordu septymowego, co pozwoli przeksztaïciÊ ten skïadnik w septymÚ
wielkÈ.
f7+ (minM7
, –M7
, min¨
, –¨
)
pryma = f; tercja maïa = as; kwinta = c;
septyma wielka = e
B - H R - P 7M 7w 3- 3m
Aby uzyskaÊ molowy akord 7+, naleĝy podnieĂÊ o ½ tonu (1 próg) septymÚ maïÈ
molowego akordu septymowego, co pozwoli przeksztaïciÊ ten skïadnik w septymÚ
wielkÈ.
<<s. 184>>
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38. 198 CzÚĂÊ VI: Akordy z rodziny F
Fsus9
pryma = f; kwinta = c; nona = g
B - H R - P 9 9w
Aby uzyskaÊ akord sus9, naleĝy obniĝyÊ o 1 caïy ton (2 progi) tercjÚ wielkÈ akordu
durowego, co pozwoli przeksztaïciÊ ten skïadnik w nonÚ. Akord sus9 nie zawiera
tercji — nie jest zatem ani durowy, ani molowy.
F9 (add9)
pryma = f; tercja wielka = a; kwinta = c; nona = g
B - H R - P 3M 3w 9 9w
Akord 9 to akord durowy, do którego dodano nonÚ.
<<s. 185>>
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39. CzÚĂÊ VI: Akordy z rodziny F 199
F7+/9 (M7 9
, Maj7 9
, ¨9
)
pryma = f; tercja wielka = a; septyma wielka = e;
nona = g
B - H R - P 3M 3w 7M 7w 9 9w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7+/9, usunÚliĂmy z durowego akordu 7+
kwintÚ znajdujÈcÈ siÚ na strunie D, dziÚki czemu mogliĂmy dodaÊ nonÚ.
F7/9 (7 9
)
pryma = f; tercja wielka = a; septyma maïa = es;
nona = g
B - H R - P 3M 3w 7- 7m 9 9w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7/9, usunÚliĂmy z durowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie D, dziÚki czemu mogliĂmy
dodaÊ nonÚ.
<<s. 186>>
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40. 200 CzÚĂÊ VI: Akordy z rodziny F
F7/9– (7ᅈ9
)
pryma = f; tercja wielka = a; septyma maïa = es;
nona maïa = ges
B - H R - P 3M 3w 7- 7m 9ᅈ 9m
Aby uzyskaÊ tÚ postaÊ durowego akordu 7/9–, usunÚliĂmy z durowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie D, dziÚki czemu mogliĂmy dodaÊ
nonÚ maïÈ.
F7/9zw (7#9
)
pryma = f; tercja wielka = a; septyma maïa = es;
nona zwiÚkszona = gis
B - H R - P 3M 3w 7- 7m 9# 9zw
Aby uzyskaÊ tÚ postaÊ akordu 7/9zw, usunÚliĂmy z durowego akordu septymowego
kwintÚ znajdujÈcÈ siÚ na strunie D, dziÚki czemu mogliĂmy dodaÊ nonÚ zwiÚkszonÈ.
<<s. 187>>
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41. CzÚĂÊ VI: Akordy z rodziny F 201
F7sus49
pryma = f; kwarta = b; kwinta = c; septyma maïa = es;
nona = g
B - H R - P 7- 7m 9 9w
Aby uzyskaÊ akord 7sus49
, naleĝy podnieĂÊ o ½ tonu (1 próg) tercjÚ wielkÈ durowego
akordu 7/9, co pozwoli przeksztaïciÊ ten skïadnik w kwartÚ. Akord 7sus49
nie zawiera
tercji — nie jest zatem ani durowy, ani molowy.
f7/9 (min79
, m79
, –79
)
pryma = f; tercja maïa = as; septyma maïa = es; nona = g
B - H R - P 7- 7m 3- 3m 9 9w
Aby uzyskaÊ tÚ postaÊ molowego akordu 7/9, usunÚliĂmy z molowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie D, dziÚki czemu mogliĂmy dodaÊ nonÚ.
<<s. 188>>
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42. 202 CzÚĂÊ VI: Akordy z rodziny F
F7+/11zw
(M7#11
, Maj7#11
, ¨#11
)
pryma = f; tercja wielka = a; septyma wielka = e;
undecyma zwiÚkszona = h
B - H R - P 3M 3w 7M 7w 11# 11zw
Aby uzyskaÊ tÚ postaÊ durowego akordu 7+/11zw, usunÚliĂmy z durowego akordu
7+ kwintÚ znajdujÈcÈ siÚ na strunie H, dziÚki czemu mogliĂmy dodaÊ undecymÚ
zwiÚkszonÈ.
F7/11zw (7#11
)
pryma = f; tercja wielka = a; septyma maïa = es;
undecyma zwiÚkszona = h
B - H R - P 3M 3w 7- 7m 11# 11zw
Aby uzyskaÊ tÚ postaÊ durowego akordu 7/11zw, usunÚliĂmy z durowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie H, dziÚki czemu mogliĂmy dodaÊ
undecymÚ zwiÚkszonÈ.
<<s. 189>>
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43. CzÚĂÊ VI: Akordy z rodziny F 203
f7/11 (min711
, m711
, –711
)
pryma = f; tercja maïa = as; septyma maïa = es;
undecyma = b
B - H R - P 3- 3m 7- 7m
Aby uzyskaÊ tÚ postaÊ molowego akordu 7/11, usunÚliĂmy z molowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie H, dziÚki czemu mogliĂmy dodaÊ
undecymÚ czystÈ.
<<s. 190>>
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44. 204 CzÚĂÊ VI: Akordy z rodziny F
F7+/13 (M7 13
, Maj7 13
, ¨ 13
)
pryma = f; tercja wielka = a; septyma wielka = e;
tercdecyma wielka = d
B - H R - P 3M 3w 7M 7w 13 13w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7+/13, usunÚliĂmy z durowego akordu 7+
kwintÚ znajdujÈcÈ siÚ na strunie H, dziÚki czemu mogliĂmy dodaÊ tercdecymÚ wielkÈ.
F7/13 (7 13
)
pryma = f; tercja wielka = a; septyma maïa = es;
tercdecyma wielka = d
B - H R - P 3M 3w 7- 7m 13 13w
Aby uzyskaÊ tÚ postaÊ durowego akordu 7/13, usunÚliĂmy z durowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie H, dziÚki czemu mogliĂmy dodaÊ
tercdecymÚ wielkÈ.
<<s. 191>>
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45. CzÚĂÊ VI: Akordy z rodziny F 205
F7/13– (7ᅈ13
)
pryma = f; tercja wielka = a; septyma maïa = es;
tercdecyma maïa = des
B - H R - P 3M 3w 7- 7m 13ᅈ 13m
Aby uzyskaÊ tÚ postaÊ durowego akordu 7/13–, usunÚliĂmy z durowego akordu
septymowego kwintÚ znajdujÈcÈ siÚ na strunie H, dziÚki czemu mogliĂmy dodaÊ
tercdecymÚ maïÈ.
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46. 206 CzÚĂÊ VI: Akordy z rodziny F
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