DeFord Bailey was one of the first African American country musicians, playing regularly on the Grand Ole Opry from the 1920s to 1940s. His harmonica playing was influential in the formation of the Opry. Charlie Pride went on to become one of the most successful country music artists of all time, selling over 70 million albums despite facing racism as one of the first black country singers. Darius Rucker and other contemporary African American country artists like Cowboy Troy and Rissi Palmer are helping to expand the genre and appeal to new audiences, though they remain relatively rare in the country music industry which is still predominantly white.
history of genre, leading/iconic artists, codes and conventions, iconography, record labels, target audience and any issues surrounding representation of the genre)
history of genre, leading/iconic artists, codes and conventions, iconography, record labels, target audience and any issues surrounding representation of the genre)
history of genre, leading/iconic artists, codes and conventions, iconography, record labels, target audience and any issues surrounding representation of the genre)
history of genre, leading/iconic artists, codes and conventions, iconography, record labels, target audience and any issues surrounding representation of the genre)
Lesson 1 QuestionsLesson 1 - Africa to Afro-American, Spiritual, G.docxssuser47f0be
Lesson 1 Questions
Lesson 1 - Africa to Afro-American, Spiritual, Gospel, Blues, Country, Rhythm and Blues, Elvis, and The U.S. in the 1950's.
Reading: Rock and Roll: A Social History, Chapters 1, 2, 3, and 4
Students are encouraged to repeat the listening examples (located in the Listening Links for Lesson 1 folder) as necessary. It would be counterproductive to listen to this great music only once.
You may want to open another tab or two to access the
Listening Links for Lesson 1
and the
Music Characteristics To Listen For
pages to have them available while you respond to the Lesson #1 Questions.
Lesson 1 Questions:
1. The roots of rock and roll are clearly African-American in origin. Much of the indigenous music from West African cultures features musical characteristics that are prevalent in rock and roll.
Listen for musical characteristics in the recording of Ba-Benjelle Pygmies from Central Sub-Saharan Africa
. The variety of timbres (tone quality or colors) present in many sub-Saharan African singing voices range from rounded, to guttural, without vibrato, raw, and grainy. Buzzing sounds (buzzing timbres) are prevalent in many of the instruments used in the countries and culture groups of sub-Saharan Africa.
Open the
Music Characteristics To Listen For
page
and list any of the musical characteristics you happen to hear in this incredible Pygmy selection.
Beyond a mere listing of the characteristics, describe and respond to what you are hearing.
2.
Listen, compare, and contrast the following two Spirituals below.
How are they different? What do they seem to have in common? List and describe any musical characteristics you notice in these recordings.
Shout All Over God's Heaven - The Fisk Jubilee Singers
Roll, Jordan Roll - The Fairfield Four
3. Click on the NPR (National Public Radio) video below to view, to listen, and to provide a music observational response to these two famous gospel quartets who are actually related to each other - The McCrary Sisters, and The Fairfield Four. Are there instruments accompanying these singers or is this performance "a cappella?" What patterns (rhythmic or song form structure) do you notice in this performance?
Rock My Soul - a spiritual song performed in a Gospel manner by The McCrary Sisters and The Fairfield Four
(Links to an external site.)
Links to an external site.
4.
Listen and respond to the W.C. Handy composition
St. Louis Blues
as performed by The Empress of the Blues, Bessie Smith.
On this recording of the Classic Blues style, Bessie is accompanied by Louis Armstrong on Cornet and Fred Longshaw on the Reed Organ. Describe this music--what mood is being conveyed here? As you listen, list and describe any musical characteristics you recognize.
5.
Compare and contrast St. Louis Blues from question #4 and Traveling Riverside Blues by Robert Johnson. How are they different? What do they seem to have in common? List and describe characteristics you notice in the m ...
‘वोटर्स विल मस्ट प्रीवेल’ (मतदाताओं को जीतना होगा) अभियान द्वारा जारी हेल्पलाइन नंबर, 4 जून को सुबह 7 बजे से दोपहर 12 बजे तक मतगणना प्रक्रिया में कहीं भी किसी भी तरह के उल्लंघन की रिपोर्ट करने के लिए खुला रहेगा।
01062024_First India Newspaper Jaipur.pdfFIRST INDIA
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31052024_First India Newspaper Jaipur.pdfFIRST INDIA
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हम आग्रह करते हैं कि जो भी सत्ता में आए, वह संविधान का पालन करे, उसकी रक्षा करे और उसे बनाए रखे।" प्रस्ताव में कुल तीन प्रमुख हस्तक्षेप और उनके तंत्र भी प्रस्तुत किए गए। पहला हस्तक्षेप स्वतंत्र मीडिया को प्रोत्साहित करके, वास्तविकता पर आधारित काउंटर नैरेटिव का निर्माण करके और सत्तारूढ़ सरकार द्वारा नियोजित मनोवैज्ञानिक हेरफेर की रणनीति का मुकाबला करके लोगों द्वारा निर्धारित कथा को बनाए रखना और उस पर कार्यकरना था।
role of women and girls in various terror groupssadiakorobi2
Women have three distinct types of involvement: direct involvement in terrorist acts; enabling of others to commit such acts; and facilitating the disengagement of others from violent or extremist groups.
In a May 9, 2024 paper, Juri Opitz from the University of Zurich, along with Shira Wein and Nathan Schneider form Georgetown University, discussed the importance of linguistic expertise in natural language processing (NLP) in an era dominated by large language models (LLMs).
The authors explained that while machine translation (MT) previously relied heavily on linguists, the landscape has shifted. “Linguistics is no longer front and center in the way we build NLP systems,” they said. With the emergence of LLMs, which can generate fluent text without the need for specialized modules to handle grammar or semantic coherence, the need for linguistic expertise in NLP is being questioned.
11. On His Own Throughout the Great Depression DeFord had to find new ways to support his family. After a couple business ventures DeFord needed more money. DeForddecided to go on tour. There was one problem. Other than possibly the black community not many knew he was a “colored man.”
12. Huge Hit Surprisingly audiences all over the South lovedDeFord on tour. Including white viewers. Socializing with white fans and associates was restricted due to the (segregation) laws of the time. But, they did not keep DeFord from musical equality with white artists.
13. Return to the Grand Ole Opry… Throughout the 30’s there was a shift in the style of music coming into the show. In the beginning of the 40’s the company was buckling down and increased professionalism. Controversies with copyright laws led to a boycott. Preceding the boycott musicians were expected to come up with new songs. DeFord did not. He had songs he was loved for and had been asked to play for years. He did not want to abandon them. In 1941 he was released from the show.
14. The End of an Inspiring Soul DeFord vowed to never work under anyone anymore and opened up a successful shoe shining shop, popular with his white and colored fans. DeFord Bailey was inducted into the Country Music Hall of Fame in 2005
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16. One of eleven kids in a family of poor sharecroppers Charley Pride was destined for something different.
24. “Don’t Think I Don’t Think About IT” Rucker’s first great hit, “Don’t Think I Don’t Think About IT,” hit #1 on October 4th,2008. Rucker was the first African American to have a #1 hit since Charley Pride’s in 1983. Like Pride, Darius was alone in the Country music industry.
25. Dig Deep for Those Roots and You’ll Find a Star Many outside genre artists had tried making a transition to country music but none had done so like Darius Rucker had. Country revolves around the roots. Darius came from a poverty stricken Southern musically inclined family, similar to many early country stars. At many points in his early life Rucker’s family consisting of his 2 aunts, maternal grandma, and 13 other kids lived in a 3 bedroom apartment.
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28. Cowboy Troy did not grow up with straight country in his cup. Troy has been influenced by a little bit more. Rap Country Rock ‘N Roll “Cowboy Troy”Lee Coleman III
29. http://www.youtube.com/watch?v=NUPK9z59yUc Hick Hop Cowboy Troy’s song, “I Play Chicken With the Train,” is symbolic for the change he is bringing to country. Troy is not afraid to go against the norm to spread his country spirit. To bring African Americans into the country music industry more artists need to grasp this concept. Troy is also bringing a style of music new generations of country lovers are wanting.
30. Rissi Palmer may be the least known African American Country artist in this group but again she is a country artist who is fighting the norm. Rissi’s situation is a little bit different than the others considering she is not only African American, but also a woman. Rissi Palmer
31. “No Air” Another symbolic song that could be emphasizing struggle trying to make it as an African American, female country artist.
32. The rise of African American Country musicians has been there from the beginning, starting from the influence of African/African American slave singing. At one point there was a break in genres to the blues for African Americans and country for whites. Country is predominantly white performed, but that possibly is changing.
33. Where is the African American support for country music? It seems that more and more young African Americans today enjoy rap, hip hop, and pop music. Reasons causing this? the lifestyles they are raised in Increasing demand in sexual driven image Demand in dancing music African American musicians dominate those other genres giving young African Americans role models they look up to. African American Fans
34. Upon further research I found the leader in hit singles is George Strait with 57 hit singles. Charley Pride was just over 20 off. Readily available music is a lot easier to come by today then it was back in Pride’s time. For his time Pride accomplished what most people could not even dream of and those few African American country artists today would find life as a country artist much harder if it was not for him. Impact
35. Yes the country music industry is dominated by white Americans but, that does not mean the African American country artists are not as talented or popular. There are not enough African American country artists to spread out styles. Cowboy Troy has the right idea in forming his own style that appeals to rising fans. If an artist wants to survive in the music industry he/she must play what the fans want to hear. African American artists are welcome in the country genre, in todays society. Skin color is not holding them back like it has in the past. What is holding them back is the amount of African Americans flowing in as artists and fans. In conclusion
37. Bibliography CMT“Charlie Pride Biography” 21 July,2011.Web http://www.cmt.com/artists/az/pride_charley/bio.jhtm Negro Leagues Baseball Museum. “Charley Pride”. Web.21 July,2011 http://coe.ksu.edu/nlbemuseum/history/players/pridec. Charley Pride. “About” Web.21 July,2011 http://www.charleypride.com/about/ DeFord Bailey: A Legend Lost.“Growing up in Smith County”.Web. July 21,2011 http://www.pbs.org/deford/biography/early.html Country Music Hall of Fame and Museum.”DeFordBailey”.Web. July 21,2011 http://countrymusichalloffame.org/full-list-of-inductees/view/deford-bailey AGLA.“History of American General Life and Accident Insurance Company”.Web. July 21,2011 http://www.americangeneral.com/lifeinternet2000/careerweb.nsf/contents/aboutus_history Bio:TrueStory.“Darius Rucker Biography”.Web. July 21,2011 http://www.biography.com/articles/Darius-Rucker-224910 About:Country Music. “Darius Rucker - Biography”Web. July 21,2011 http://countrymusic.about.com/od/maleartistsmz/a/DariusRuckerBiography2.htm CMT:Get Country.”Cowboy Troy - Artist Main”Web. July 21,2011 http://www.cmt.com/artists/az/cowboy_troy/artist.jhtml Rissi Palmer. “Bio”Web. July 21,2011 http://www.rissipalmer.com/