2. +
What is Advertising ?
“Any paid form of non-personal presentation and promotion of
ideas, goods or services” Kotler (1999, pg 793)
“Advertising is paid non-personal communication from an
identified sponsor using mass media to persuade of influence
an audience” Wells et al (1992, pg 10)
“communication via a recognisable advertisement placed in a
definable advertising medium, guaranteeing delivery of an
unmodified message to a specified audience in return for an
agreed rate for the space or time used” Crossier (1999, pg 266)
Definitions cited by Picton & Broderick (2005, pg 594)
3. + Truong & Simmons (2010, p.240) 3
“Harker (2008, p. 296) defines online or Internet advertising as,
‘any form of commercial content available on the internet,
delivered by any channel, in any form, designed to inform
customers about a product or service at any degree of depth’.
Jensen (2008) states that internet advertising consists of three
primary constituents: display advertising – which includes
banners, pop-ups and interstitials; search engine optimization
(SEO) and search engine marketing (SEM) – including paid
and unpaid SEO and SEM (e.g. Google Adwords); and, affiliate
programs, where a marketer’s link (e.g. Amazon) is provided
on a host’s website. A further constituent is email, paid for
advertising in that most firms utilize email marketing
hardware/software, and customer lists that are bought in
(Merisavo & Raulas, 2004).”
Tom Chapman 2011
4. +
Definitions of Advertising
Points to consider
What about the Media?
What is Mass Media?
Define “non-personal”
Can delivery be guaranteed?
How do you define, specify and target an audience through
mass messaging and communication?
5. +
Benefits and Role of Advertising
Mass audience / Large coverage
Targeting
Low unit / Marginal Costs
Useful for Brand maintenance
Useful for raising awareness
Balance of adverting spend can be related to maturity of
product of market
6. +
Advertising - Purpose
“It has generally been accepted for a long time that consumers
are rarely loyal to a single brand. They tend to have a ‘portfolio’
of brands (also know as a repertoire or consideration set) to
which they are loyal, switching between them as they desire.
This applies even to brand leaders. Under these
circumstances, the task of advertising becomes more one of
maintaining a brand’s position within consumers’ consideration
sets.” Pickton & Broderick (2005, pg 602)
7. +
How Advertising Works
Vakratsas and Ambler (1999)
“For most products, and especially the frequently purchased
packaged goods in which much research is interested, the
consumer’s mind is not a blank sheet awaiting advertising but
rather already contains conscious and unconscious memories of
product purchasing and usage.” Vakratsas and Ambler (1999, pg
27)
Does advertising persuade people to buy? Strong Theory
A process of: cognition – affect – behaviour
Product Trial or Experience – Weak Thoery
Advertising raises awareness
8. +
Advertising Models
Vakratsas and Ambler (1999)
Market Response Models
Typically relate advertising, price, and promotion measures
directly to purchasing behaviour measures such as sales and
market share.
Cognitive Information Models
assumes that consumer preferences are not changed by
advertising and that consumer decisions are only rational.
Pure Affect Models
focus on affective responses, the familiarity and feelings
advertisements may evoke
9. +
Advertising Models
Vakratsas and Ambler (1999)
Persuasive Hierarchy Models
introduced the concept of a hierarchy of effects, that is, an order in
which things happen, with the implication that the earlier effects,
being necessary preconditions, are more important
Low Involvement Hierarchy Models
The main alternative to the persuasive approach is cognition ~
experience ~ affect (CEA), though "cognition" may mean no more
than passing awareness in categories in which the consumer has low
involvement.
Integrative Models
different hierarchies of C, A, and E are assumed, depending on the
context in which advertising operates.
Hierarchy Free Models
generally presents a more person-centered view of advertising, which
can be thought of as an extension of a basic reinforcement model
10. +
Media Types
“A marketing communications medium is anything
that is capable of transmitting a marketing
communications message to one or more people.”
Pickton & Broderick (2005, pg 104)
The identification of
media is probably only as
limited as our
imaginations allow.
11. +
Media Selection
GAS
Goals
Developer Goals
User Goals
Audience
Scope
Physical Context
User / Sender / Receiver Context
12. +
Goals
These are the “why” of the whole project
Developers have to define these goals so that the system
developed meets these needs – for example a training
system has a totally different set of goals from a system
which is advertising a product or an interactive game
13. +
Developer Goals
Branding
Increasing traffic to a site
Real advertising
Accompanying service
Entertainment
Mixing it up
14. +
User Goals
Getting entertainment
Physically getting something
Getting information
Communicating
15. +
Audience
Who is your audience – works in the same way as
segmentation.. A very different approach is needed
depending upon the characteristics of the audience e/g
young versus senior citizens
Define user group needs
What is the technological experience of the target audience?
16. +
Scope
What is the subject?
Setting boundaries smaller
Setting boundaries larger
Choosing a topic
Communicating the topic to the user
17. +
The physical context
Public areas
Other information sources
Environment
Audio content
18. +
The users context
Cultural context
The user group context
Different levels of experience
Different user groups
Users with accessibility problems
Existing users
20. + Internet Ad Terms
Ad Clicks Aggregate number of user clicks on a banner ad.
Ad Views (Impressions) Number of times a banner ad is downloaded to a user’s browser and presumably looked at.
Click-Through Percentage of ad views that are clicked upon; also called “Ad Click Rate.”
CPC Formula used to calculate what an advertiser will pay to an Internet publisher based on
(Cost-per-click) number of click-throughs that a banner generates.
Cost per thousand impressions of a banner ad. A publisher that charges £10,000 per banner
CPM
and guarantees 500,000 impressions has a CPM of £20 (£10,000 divided by 500).
Measurement recorded in server log files that represents each file downloaded to a browser.
Hit Since page design can include multiple files, hits are not a good guide for measuring traffic at a
website.
Number of individuals who visit a website in a specified period of time. Requires the use of
Unique Users
registration or cookies to verify and identify unique users.
A series of requests made by an individual at one site. If no information is requested for a
Visits certain period of time, a “time-out” occurs and the next request made counts as a new visit.
A 30 minute time-out is now standard.
21. + Six Steps of the Communication
Process
Step 1 Identify Target Audience
Step 2 Determine
Communication Objective
Step 3 Develop Media Plan
Step 4 Create the Message
Step 5 Execute the Campaign
Evaluate the Effectiveness
Step 6 of the Campaign
22. + Segmentation and Prioritization
E-Music Segmentation Example Actionable Variables
18–29 30–44 45 and Older
Male Female Male Female <50K 50K+
Top 40 Segment A Segment E
Listener
High Priority
Meaningful
Classic Seg-
Variables Segment ment
Segment Segment Segment
Rock
B G I J K Medium
Listener
Seg- Priority
Segment
ment
C F Low
Rap Seg- Segment Priority
Segment
Listener ment
L
D H
Does not
exist
23. + A Process for Defining Media
Choice and Mix
Tie Back To
Communication Media Choose Allocate
Overall
Criteria Criteria Media Mix Spending
Plan
Behavioral Ability to further Direct mail, Allocation of Come back 360 and tie
objectives behavioral objectives Internet, broadcast, spending across media plan back to
print, point-of-sale, media mix elements communications plan
Available spending CPM
etc. and time periods (e.g., will this media plan
Customer Ability to reach target based on relative drive the trial or
segments segments priority awareness required to
deliver your bottom
line)
24. + Media Scheduling Patterns
Ads may run through-out Year
the year or at selected
times:
Constant
Periodic
Within an ad period,
different media schedules
may be used:
Continuous, same
intensity
Continuous, varying intensity
Intermittent, same intensity
Intermittent, varying intensity
Advertising period
25. + Exploring the Levers Across the
Relationship Stages
Exploratory /
Awareness Commitment Dissolution
Expansion
Television, iTV Television, iTV Terminate marketing
Magazines and newspapers Magazines and newspapers
Radio Radio
Yellow pages
Billboards / outdoor
Rich media ads and dynamic ad
placement
Banner ads Website
Search engines
Website
Listings
Personalized pages
Classifieds
E-mail
E-mail Permission e-mail
Direct mail Direct mail Permission direct mail
Telemarketing Telemarketing
Public relations
Customer service Customer service
Sales force Sales force Sales force
26. + 26
UK Digital Media Mix (IAB)
Tom Chapman 2011
28. Adspend by country forecast at current prices, 2011
year-on-year % change
otes: Local currency, current prices
ource: Warc
xtracted from International Ad Forecast 2011/12 (July). Media forecasts
o click through to article, use Slide Show view
29. Adspend Forecast by Main Media: 2010 vs 2009
Year-on-year change (%), top 5 markets
Source: Warc
Extracted from Adstats: Adspend in 2010. Media forecasts
To click through to article, use Slide Show view
30. Consensus Forecast: Internet Advertising Expenditure
Current prices, y/y % change
2010 2011
Australia 13.3 12.0
Brazil 23.4 20.2
Canada 18.3 17.7
China 28.6 39.9
France 9.7 9.9
Germany 9.3 10.0
India 28.6 18.1
Italy 12.7 15.9
Japan 6.5 8.1
Russia 22.1 23.4
Spain 11.5 13.4
UK 6.6 5.6
US 10.2 13.5
Source: Warc
xtracted from Consensus Adspend Forecast – May 2010. Media forecasts
o click through to article, use Slide Show view
31. Predicted US online ad spend by format, 2015
% share
Source: eMarketer, April 2011
Extracted from Adstats: Online video. Media forecasts
To click through to article, use Slide Show view