Adam's Jewellery & Watches Auction September 19th 2017

Tuesday September 19th
2017
Fine Jewellery & Watches

2
Tuesday 19th September 2017
DUBLIN
CORK
LIMERICK
GALWAY
brownthomas.com
Alaïa Balenciaga Céline Chanel Chloé
Christian Louboutin Dolce & Gabbana
Erdem Fendi Givenchy Gucci Hermès
LouisVuitton Prada SaintLaurentParis
Tom Ford Valentino Victoria Beckham

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AUCTION
Tuesday 19th September 2017 at 6pm
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green, Dublin D02 X665,
Ireland
SALE VIEWING SEPTEMBER 16th
- 19TH
At Adam’s, 26 St. Stephen’s Green Dublin D02 X665

Saturday 16th
September 1:00pm - 5 :00pm
Sunday 17th
September 1:00pm - 5 :00pm
Monday 18th
September 10:00am - 5:00pm
Tuesday 19thth
September 10:00am - 4:00pm
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
Private Viewing by appointment only

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IMPORTANT INFORMATION FOR PURCHASERS
1. ESTIMATES AND RESERVES
These are shown below each lot in this sale.All amounts shown are in Euro. The figures shown are provided merely as a guide to prospective
purchasers.They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher
than the lower estimate.
2. PADDLE BIDDING
All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recom-
mended to register on viewing days.
3. PAYMENT, DELIVERY AND PURCHASERS PREMIUM
Wednesday 20th September 2017. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases
must be paid for and removed from the premises not later thanWednesday 20th September 2017 at the purchaser’s risk and expense.After this
time all uncollected lots will be removed to commercial storage and additional charges will apply.
Auctioneers commission on purchases is charged at the rate of 20% (exclusive ofVAT). Terms: Strictly cash, bankers draft or cheque drawn on
an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our satisfaction prior to
the sale, or you have a previous cheque payment history withAdam’s. Purchasers wishing to pay by credit card (Visa & MasterCard) may do so,
however, it should be noted that such payments will be subject to an administrative fee of 1.5% on the invoice total. American Express is subject
to a charge of 3.65% on the invoice total. Debit cards including laser card payments are not subject to a surcharge, there are however daily limits
on Laser card payments. BankTransfer details on request. Please ensure all bank charges are paid in addition to the invoice total, in order to avoid
delays in the release of items.
Goods will only be released upon clearance through the bank of all monies due.
4. VAT REGULATIONS
All lots are sold within the auctioneersVAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate
which is inclusive ofVAT. This is not recoverable by anyVAT registered buyer.
5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot.Whilst we make certain observations on the lot,
which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only and should be
evaluated by personal inspection by the bidder or a knowledgeable representative.The absence of such a reference does not imply that an item is
free from defects or restoration, nor does a reference to particular defects imply the absence of any others.The condition report is an expression of
opinion only and must not be treated as a statement of fact.
Please ensure that condition report requests are submitted before 12 noon onTuesday 19th September as we cannot guarantee that they will be
dealt with after this time.
6. ABSENTEE BIDS
We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone.
However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone
bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this time and cannot be guaranteed after
the auction as commenced.
Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot be guaran-
teed.
7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS CATALOGUE AND
ON DISPLAY IN THE SALEROOMS.

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Katie McGale BComm Intl, MPhil
FINE ART DEPARTMENT
katie@adams.ie
Amy McNamara BA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Claire-Laurence Mestrallet G.G
HEAD OF JEWELLERY
claire@adams.ie
CONTACTS AT ADAMS FOR THIS AUCTION
Helena Carlyle BA
ADMINISTRATOR
h.carlyle@adams.ie
Niamh Corcoran BA
ADMINISTRATOR
niamh@adams.ie

Shelly Corkery is the Fashion Director of the Brown Thomas Group. Originally from Cork,
Shelly has been working in fashion since leaving school in the mid-eighties. After spending a year in
Paris, Shelly caught the fashion bug. She got to know the brands, watched the shows and realised that
this was what she wanted to do. Returning to Ireland, she took up a position at the Design Centre in
Dublin and stayed there for ten years. It was a role that saw her working closely with Irish designers,
then rising stars who are now heralded as being at the top of their game today.
Shelly started with Brown Thomas seventeen years ago, and knows every part of the business, from
what’s happening on the shop floor to working closely with all departments across the business.
Shelly lives in Dublin with her partner and daughter, constantly travelling all over the world to the top
fashion houses like Dior, Prada and Gucci to bring home the latest collections to Brown Thomas.
47

Lot 59: This piece just jumped out at me. I love to have fun with fashion and jewellery and this ring is WOW! A
beautiful colour - the gorgeous aquamarine shade reminds me of happy memories from holidays! I would wear
this on my fore finger for day or night!
Lot 173: I love these earrings! They are the perfect alternative to diamond studs for an evening look. Light and delicate
but with a superb sparkle - these are a must-have for any jewellery lover!
Lot 57: This is such a stunning ring, beautifully mounted, the ring is so chic and has a real art deco feel.The fantastic
craftsmanship is evident in this enduringly timeless piece.
Lot 123: It’s the colour that I adore about this statement necklace. Green is a huge trend for the season ahead and worn
over a fine knit or on bare skin this beautiful neck piece would look equally good.The beads have a beautiful
lustre and compliment the diamonds perfectly.
Lot 47: I was instantly drawn to this beautiful bracelet. I adore the belt buckle detail and the intricate dexterity of the
piece. It has a real vintage feel but with a distinct fashion edge. It would be perfect worn alone with a simple
black cocktail dress or even with jeans and a t-shirt – a real statement piece!
57
123
173
59

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3A
A MALACHITE AND GOLD BEAD NECKLACE
The small round-shaped malachite beads, each interspersed
by gold elements of Etruscan revival design with fine rope and
beaded details, to further larger gold beads of similar design,
mounted in gold,approximately 72cm (no clasp)
€ 2,300 – 3,300
3
AN EARLY 20TH CENTURY DIAMOND SINGLE-
STONE RING, CIRCA 1910
The old cushion-shaped diamond, weighing approximately 1.90cts,
in an eight-claw setting, within a openwork gallery and millegrain
mount detail, mounted in platinum,ring size N
€ 3,500 - 4,500
2
A LATE 19TH CENTURY DIAMOND AND PEARL
CRESCENT BROOCH
Set throughout with old brilliant and rose-cut diamonds, highlight-
ed at the centre with a shamrock set with a pearl and similarly-cut
diamonds, mounted in silver and gold,diamonds approximately 1.90cts
total,length 3.5cm
€ 1,000 - 1,500
1
A LATE VICTORIAN SEED PEARL AND DIAMOND
NECKLACE, CIRCA 1880
The seed pearl-set necklace composed of a front section set with
graduated clusters highlighted with old brilliant-cut diamonds, to
knife-edge bar fringes, mounted in 14K gold,with safety chain,within
velvet fitted case,length 40.5cm
€ 1,800 - 2,800
3A

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4
AN EARLY 19TH CENTURY YELLOW TOPAZ AND
TURQUOISE NECKLACE, CIRCA 1825
Composed of graduating cushion-shaped foiled yellow topaz links,
each within a frame of gold cannetille, interspersed with floral
motifs and highlighted with round-shaped cabochon turquoises,
gemstones in closed-back settings, mounted in gold,length 38cm
€ 3,000 - 4,000
Napoleonic classicism came to an end in 1820, bringing forth im-
mense changes in style of both fashion and jewellery.A more natural
style and silhouette came into vogue that year with the lowering of
the waistline. Motifs of leaves and flowers which had been stylised
in the Napoleonic era flourished and became more organic and
representational.
After a decade of European war, precious metals and stone were
scarce and highly expensive.This period saw the rise in economical
jewellery, employing less expensive gemstones and delicate, often
elaborate, cannetille work to give an expensive and luxurious effect.
The gemstones, originating mainly from Brazil of amethyst, topaz,
aquamarine and chrysoberyl were mounted in clusters and closed
foil settings to compliment and match in colour.The ornate gold
work, formed of wire, granulation, tendrils and scrolls was comple-
mented with small leaves and shells in different coloured gold.
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A DIAMOND RING
The round brilliant-cut diamond, within a four-claw setting,
to an Etruscan revival mount of openwork scrolling design and
beaded detail, mounted in 14K gold,ring size N½
€ 200 - 400
5A
A VICTORIAN ENAMEL AND DIAMOND BANGLE
The oval blue enamel slightly bombé plaque with a centrally-set
brilliant and single-cut diamond star motif, within a trifurcated
bangle and single-cut diamond shoulders, mounted in 14K gold,
inner diameter 5.3cm
€ 600 - 800
6
A LATE 19TH CENTURY CITRINE CAMEO BROOCH
The cushion-shaped light yellow citrine carved to depict the profile
of a Greek goddess, the frame decorated with rope-work details,
mounted in 18K gold,French assay mark,length 4cm
€ 1,800 - 2,200
7
A LATE 19TH CENTURY TURQUOISE AND GOLD
BANGLE, CIRCA 1870
The bangle set with a trio of domed cluster cabochon turquoises,
with ropetwist detailing throughout, mounted in 15K gold,with safety
chain,inner diameter 5.8cm
€ 600 - 800
Bangles rose to prominence in the 1870’s, becoming the most fash-
ionable arm ornaments.The typical design featured a wide golden
band with a circular gem-set at its centre, or enamelled decorative
motifs.These motifs were often detachable or entirely studded with
cabochon or faceted stones. During the 1860’s gold bangles were
often stylised on ancient Greek andAssyrian motifs.
5A

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8
A CULTURED PEARL NECKLACE WITH DIAMOND
CLASP
Composed of a single strand of graduated cultured pearls of white/
cream tint, measuring 9.14mm-5.81mm, to a clasp set with a
cluster of old brilliant and rose-cut diamonds, mounted in 18K gold,
diamonds approximately 0.50ct total,length 73cm
€ 800 - 1,200
9
AN ANTIQUE MINIATURE PORTRAIT AND
DIAMOND PENDANT/BROOCH, CIRCA 1880
Set with two heart-shaped miniatures, each of a girl, within an
openwork surround of rose-cut diamonds and suspending a small
pearl, mounted in silver and gold,inscribed on the reverse‘Victoire née le
18 décembre 1888’&‘Marie née le 18 décembre 1888’,length 4.7cm,
width 4.3cm
€ 1,200 - 1,800
10
A DIAMOND PENDANT/BROOCH, CIRCA 1860
Of openwork design, set throughout with rose-cut diamonds,
mounted in silver and gold,with case from J.R Gaunt & Son Ltd,LondonW1,
length 4.5cm
€ 1,200 - 1,800
11
A PAIR OF LATE 19TH CENTURY SEED PEARL AND
DIAMOND EARRINGS
Set to the centre with an old brilliant-cut diamond, within a double
seed pearl border, suspending from a similarly-cut diamond sur-
mount, length 2.4cm
€ 200 - 400
12
A PAIR OF LATE 19TH CENTURY DIAMOND
PENDENT EARRINGS
Each collet-set rose-cut diamond flowerhead cluster, suspending a
similarly-set and design drops, length 5.5cm,in fitted case
€ 1,000 - 1,500
13
A 19TH CENTURY COLOURED STONE AND
DIAMOND RING
The round-shaped green stone in a foiled closed back setting, within
a border of old single-stone diamonds, to a bifurcated band with
scrolling design, mounted in silver and gold,ring size J
€ 800 - 1,200
Miniatures by the nature of their size, objects held within the palm of the hand, were originally created as personal mementos of important
occasions such as marriage, births or deaths.Their value resided in the ability for the individual to carry the miniature with them at all times.
As a result they were mainly designed as objects of wearable art, items of jewellery, such as bracelets or necklaces for women, or alternative-
ly for men, the miniature could be set in a pocket watch, or into the lid of a snuff box.The portraits were frequently adorned with diamonds,
pearls or other precious stones as a show of wealth and status. Long periods of separation due to travel or warfare led to loved ones often
having a lock of hair in the reverse side as a token of their affection.
Collecting miniatures was popularised at French court during the reign of Francois I before spreading to the court of HenryVIII in England,
where they were often presented as gifts to favourable courtiers during public ceremony.Their small size required the artist to exercise in-
credibly controlled brushwork to capture the features of the sitter. Portrait miniatures remained highly popular, for rendering the likeness of
a beloved, until the advent of daguerreotypes and early photography in the mid-19th century. However, alongside this development in other
mediums of portraiture, the style of miniatures in the 19th century, shifted and developed, with the artist wanting to show off their skill by
including details such as clothes and background settings.

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14
A GOLD, DIAMOND AND SEED PEARL TIE PIN
The pear-shaped openwork terminal with an old brilliant-cut
diamond at the centre and a small seed pearl underneath, mounted in
gold,length 7cm
€ 150 - 200
15
A PEARL AND DIAMOND PENDANT NECKLACE,
CIRCA 1860
Set to the centre with an oval blister pearl, framed by rose-cut dia-
monds and bead details, within an openwork of floral and scrolling
design, suspending three small pearls, to a trace-link chain,
mounted in 18K gold,French assay marks,pendant length (including bale)
7.4cm,chain length 69.5cm
€ 4,000 - 5,000
16
A GOLD CHAIN NECKLACE, CIRCA 1900
The chain of flattened gold links with rope-work foliate detail,
mounted in 18K gold,French assay mark,length 82cm,gross weight 31g
€ 700 - 900
17
A PAIR OF NATURAL AND DIAMOND PENDANT
EARRINGS
Each natural pearl drop to an old brilliant-cut diamond cap, sus-
pended from a three brilliant-cut diamond surmount, mounted in
14K gold,length 3cm,with fitted box byT & J.Ganter Ltd,261 Finchley
Rd,N.W
€ 3,000 - 4,000
Accompanied by a report from GCS laboratory in London, stating
that both pearls are Natural, Saltwater, with no indications of
treatment. Report number 5775-1430, dated 23rd February
18
AN EMERALD AND DIAMOND MALTESE CROSS
PENDANT/BROOCH, CIRCA 1880
The openwork plaque set throughout with rose-cut diamonds and
circular-cut emerald highlights, mounted in silver and gold,cased by
D.& J.Wellby,Ltd,Garrick St.London,length 2.5cm
€ 1,400 - 1,800
19
A 19TH CENTURY DIAMOND AND BLACK
ENAMEL MOURNING RING
The rose-cut diamond cross at the centre, to a black enamel
mount, the shank composed of openwork scrolling design with
further black enamel, mounted in 18K gold,Hallmarks partly rubbed
out,ring size L
€ 150 - 200

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20
AN ENAMEL AND SEED PEARL
PENDANT, CIRCA
1890
The shield-shaped pendant, depicting an angel playing with vines,
within a royal blue enamel background and a light blue enamel frame,
mounted in 18K gold,length 3.2cm
€ 300 - 400
21
A VICTORIAN GOLD AND PASTE
RING, 1870
The cushion-shaped paste coloured gemstones, to a gallery of
scrolling motifs and hoop, mounted in 15K gold, maker’s mark,
English hallmarks‘Birmingham 1870’,ring size Q
€ 250 - 300
26
AN EARLY 20TH CENTURY GOLD AND SAPPHIRE
EVENING BAG
The finely woven mesh-link purse with a calibré-cut sapphire frame
and cabochon sapphire clasp, to a cable-link chain handle, mounted in
18K gold,maker’s mark,French assay marks,gross weight 265g,approximate-
ly 14cm x 14cm
€ 5,000 - 7,000
22
A CULTURED PEARL NECKLACE WITH ANTIQUE
DIAMOND CLASP
The four rows of graduating cultured pearls of cream tint, measuring
7.28 - 4.23mm, to an openwork rectangular pierced clasp set with
old cushion, single and rose-cut diamonds, mounted in silver and gold,
diamonds approximately 1.20cts total,shortest row 36cm
€ 1,800 - 2,800
23
AN ONYX AND GOLD INTAGLIO SWIVEL PENDANT
Carved to depict Julius Cesar in profile, to a plain openwork
mount, engraved‘Agrippa Cesar’, mounted in gold,length including
bale 3.7cm
€ 200 - 400
24
A CONTINENTAL GOLD, ONYX AND RUBY WATCH
CHAIN
The two strand curb chain with two onyx and ruby links and fob,
with matching winding key, mounted in 18K gold,French assay mark,
length 35.5cm (one small ruby deficient)
€ 800 - 1,200
25
A DIAMOND AND PEARL CLOVER BROOCH, CIRCA
1890
The trio of leaves each centrally set with a pearl, within a surround
of old brilliant-cut diamonds, the bar brooch issuing further simi-
larly-cut diamonds, mounted in silver and gold,with fitted case,length
3.5cm
€ 500 - 700
20
21
25

18
28
AN ART DECO SAPPHIRE AND DIAMOND RING
The round-shaped sapphire, weighing approximately 1.50cts, within a hexagonal-shaped frame of
alternating baguette and single-cut diamonds, to similarly-cut diamond shoulders, diamonds approxi-
mately 0.60ct total,maker’s mark,numbered,ring size L½
€ 3,000 - 4,000
29
AN ART DECO DIAMOND AND ONYX BAR BROOCH,
BY JANESICH, CIRCA 1925
The central row of calibré-cut onyx within a millegrain rose-cut diamond surround, with three inter-
secting openwork circlets of either rose-cut diamonds or calibré-cut onyx, mounted in platinum,signed
Janesich Paris,French assay marks,length 6.8cm
€ 1,200 - 2,200
27
AN EARLY 20TH CENTURY DIAMOND AND ONYX DRESS SET
Comprising a pair of cuff-links and two shirt buttons, each designed as a circular onyx plaque within
a rose-cut diamond border, maker’s marks
€ 700 - 1,000
27
28
29
The fine jewellery House of Janesich was founded in 1835 by Leopoldo Janesich, inTrieste, where
they established an international clientele. For more than a century and a half the House of Janesich
has been the life and soul of prestigious goldsmith’s art activity, developed in many countries and
through generations.
Around 1913, the house opened up on Rue de la Paix betweenTiffany and Cartier in Paris and an-
other branch in Monte Carlo. Subsequent stores were opened in Biarritz, London, Monte Carlo and
Vichy drawing eminent clients as theArchduke ofAustria and King Nicholas of Montenegro.
After Leopold’s passing in 1880, his son Giovanni started trading gems and pearls with other jewel-
lery houses such as Bulgari,Vever, Boucheron and Chaumet. PostWW1, the Janesich style became
decidedlyArt Deco, in keeping with the great fashion of the 1920s and‘30s.At present the family
tradition is being continued by Francesco Janesich, the sixth heir to a jewellers family, inTrieste, Italy.

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31
A DIAMOND AND RUBY SEAHORSE BROOCH, CIRCA 1935
The body set with brilliant and single-cut diamonds, highlighted by a similarly-cut ruby eye, mounted in platinum,
diamonds approximately 3.00cts total,French import marks,length 3.6cm
€ 2,500 - 3,000
30
AN IMPORTANT SAPPHIRE AND DIAMOND RING, CIRCA 1920
The sugarloaf cabochon sapphire, weighing approximately 23.00cts, within a delicate single-cut diamond
mount within millegrain detail, ring size Q
€ 16,000 - 20,000
Accompanied by a report from GCS laboratory in London, stating that the sapphire weighing approximately
23.00cts is of Sri Lankan origin, with no indications of heating. Report no. 77116-62, dated 17thAugust 2017

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34
A DIAMOND AND SAPPHIRE BROOCH, CIRCA 1915
The openwork plaque, millegrain-set throughout with old brilliant and cush-
ion-shaped diamonds, the largest to the centre, highlighted with
calibré-cut sapphires, principal diamond approximately 0.90ct,
remaining diamonds 1.20cts total,length 4.5cm
€ 1,200 - 1,600
33
AN ART NOUVEAU DIAMOND DRESS RING, CIRCA 1900
Of entwined sinuous design, each end set with an old brilliant-cut diamond,
to rose-cut diamond highlights, mounted in 18K gold,diamonds approximately
0.50ct total,ring size S
€ 800 - 1,000
32
A PAIR OF OPAL AND DIAMOND PENDENT EARRINGS
Each pear-shaped cabochon opal, suspended from a tapering old brilliant-cut
diamond surmount, diamonds approximately 0.50ct, length 4.5cm
€ 2,000 - 3,000

21
37
AN EDWARDIAN PEARL AND DIAMOND BAR BROOCH, CIRCA 1910
The rose-cut diamond set uniform bar applied with a pearl at the centre and on each end,
within millegrain setting and scrolling motif gallery, mounted in platinum,length 7.2cm
€ 600 - 800
36
A PEARL AND DIAMOND CLUSTER RING
The round-shaped pearl, measuring 7.18mm, within an old brilliant-cut surround,
mounted in gold,diamonds approximately 1.50cts total,ring size L½
€ 1,000 - 1,500
** Please note that the pearl has not been tested
35
A RUBY AND DIAMOND RING
The cushion-shaped ruby, weighing 3.20cts, within a four-claw setting, between two
baguette-cut diamond shoulders, mounted in platinum and 18K gold,ring size L
€ 5,000 - 7,000
Accompanied by a report from GCS laboratory in London, stating that the ruby is of
Burmese origin, with no indications of heating. Report number 5776-5350, dated 26th
April 2016

22
42
A DIAMOND RING, CIRCA 1910
The openwork square-shaped plaque, set with old brilliant and
single-cut diamonds throughout, mounted in gold,ring size P
€ 700 - 900
41
AN ART DECO SAPPHIRE AND DIAMOND CLIP
BROOCH, CIRCA 1935
Of openwork geometric design, centrally-set with square-cut
sapphires within millegrain, within an old brilliant and sin-
gle-cut diamond surround, diamonds approximately 1.30cts total,
within fitted case by Garrard London,length 2.2cm
€ 1,000 - 1,500
40
A BELLE EPOQUE DIAMOND RING, CIRCA 1910
The finely pierced and slightly domed navette-shaped plaque,
centrally-set with a transitional round-shaped diamond, within a brilliant and single-cut
diamond surround, millegrain-set throughout, diamonds approximately 0.50ct total,ring size J
€ 1,000 - 1,400
39
AN ART DECO EMERALD AND DIAMOND
PENDANT/BROOCH, CIRCA 1920
Of openwork filigree design within millegrain setting through-
out, set with old brilliant-cut diamonds, centred with three larger
similarly-cut diamonds, highlighted with calibré-cut emeralds,
finished with an adjustable bail of similar design, principal diamond
approximately 0.90ct,remaining diamonds approximately 3.00cts total,
length 6.5cm
€ 2,500 - 3,500
38
A PAIR OF CORAL AND DIAMOND PENDENT
EARRINGS
Each red coral drop, suspended from a line of round brilliant-cut
diamonds to a similarly-cut diamond surmount, in millegrain
setting, diamonds approximately 0.80ct total,length 5.2cm
€ 1,200 - 1,800

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43
AN ART DECO EMERALD AND DIAMOND DRESS
CLIP, CIRCA 1930
Of openwork geometric design, set throughout with old round
brilliant and baguette-cut diamonds, enhanced at the centre by a
rectangular-cut emerald weighing approximately 1.00ct,diamonds ap-
proximately 4.00cts total,length 3.2cm
€ 3,000 - 4,000
44
A DIAMOND AND PEARL CROSS-OVER RING,
CIRCA 1910
Obliquely-set with a transitional brilliant-cut diamond weighing
approximately 1.10cts, and a button-shaped pearl measuring
approximately 7.83mm, between old brilliant and single-cut dia-
monds, mounted in 18K gold,remaining diamonds approximately 0.30ct,
ring size K½
€ 3,000 - 4,000
* Please note that the pearl has not been tested for origin

25
45
A SAPPHIRE AND DIAMOND CLUSTER RING,
CIRCA 1920
The cushion-shaped sapphire, weighing approximately 5.50cts,
within a transitional brilliant-cut diamond surround, between
shoulders highlighted with similarly-cut diamonds, mounted in 18K
gold,diamonds approximately 1.00ct total,French assay mark,ring size P
€ 6,000 - 8,000
Please note that the sapphire was verbally tested by GCS laboratory
in London on August 2017, and it has been confirmed that the sap-
phire is of Sri Lankan origin, with no indications of heating.
46
A DIAMOND CLUSTER RING, BY BOUCHERON
The round transitional-cut diamond, weighing approximately 1.30cts,
within a surround of old brilliant and cushion-cut diamonds, mounted
in platinum,remaining diamonds approximately 1.10cts,signed‘Monture
Boucheron’,French assay mark,ring size P
€ 3,500 - 5,500

26
48
A DIAMOND DRESS RING, CIRCA 1940
Of odeonesque design, set throughout with old brilliant and single-cut diamonds, mounted in platinum,central diamond
weighing approximately 0.85ct,remaining diamonds weighing approximately 0.58ct total,French assay marks,ring size H½
€ 1,800 - 2,200
47
A DIAMOND-SET JARRETIERE BRACELET, CIRCA 1945
The flexible body of the bracelet formed of hexagonal honeycomb-shaped links with a brilliant-cut diamond star-set
to each full link, to an arrow-shaped terminal of baguette and old brilliant-cut diamonds, completed by a similarly-cut
diamond bombé clasp,diamonds approximately 6.50cts total,length 18.3cm
€ 7,000 - 9,000

27
49
A FINE DIAMOND AND PLATINUM BIRD BROOCH, CIRCA 1950
Designed as a bird of paradise, set with old brilliant and single-cut diamonds, completed by a
circular-cut ruby eye, mounted in platinum,diamonds approximately 8.50cts total,French import marks,
length 8.3cm
€ 7,000 - 9,000
** Please note that the brooch converts into three smaller brooches, which can be worn together
or separately

28
50
The three round brilliant-cut diamonds, within a frame of single-cut
diamonds, within a polished reeded mount, mounted in platinum,
principal diamonds approximately 0.50ct,remaining diamonds approxi-
mately 0.70ct total,French assay mark,ring size L
€ 2,000 - 2,500
51
A LADY’S DIAMOND AND GOLD COCKTAIL
WATCH, BY LONGINES
The 17-jewel Cal-320 manual movement, silvered dial with applied
baton hour markers, circular case with round brilliant, single and
baguette-cut diamond bezel and lugs, integral textured bracelet, case
no. 00602, movement no. 11267189, mounted in 18K gold,diamonds
approximately 0.80ct total,case width (including crown) 1.6cm,length 16cm
€ 500 - 700

29
52
The transitional round-shaped diamond, within a four-claw setting,
between baguette-cut diamonds, to a baguette-cut diamond frame,
mounted in platinum,principal diamond approximately 1.10cts,remaining
diamonds approximately 2.40cts total,maker’s mark,French assay mark,
ring size L
€ 2,500 - 3,500
53
A DIAMOND NECKLACE, CIRCA 1960
Designed as a central spray of baguette and round brilliant-cut
diamonds, to a flat S-link chain, mounted in 18K gold,diamonds
approximately 3.00cts total,length 37cm
€ 1,500 - 2,000

30
55
AN EMERALD AND DIAMOND RING
Claw-set with three step-cut emeralds alternating with two old round brilliant-cut diamonds, to a
trifurcated plain hoop, mounted in 18K gold,maker’s mark,French assay mark,ring size R½
€ 700 - 1,000
54
AN EMERALD AND DIAMOND BRACELET
Set to the front with seven graduating rectangular-cut emeralds, each interspersed by two round
brilliant-cut diamonds, to an integral bark finish link bracelet, mounted in 18K gold,length 16.7cm
€ 2,500 - 3,500

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57
The central collet-set baguette-cut diamonds, within a scrolling frame of single-cut diamonds, mounted in 18K gold,
diamonds approximately 1.10cts,ring size M½
€ 1,200 - 1,800
56
AN IMPORTANT DIAMOND BRACELET/BROOCH COMBINATION, CIRCA 1950
Of geometric design, the frontispiece composed of a central old cushion-shaped diamond and a series of graduating brilliant and
baguette-cut diamonds, the centre piece convertible to a brooch, completed by an articulated brilliant, baguette and lozenge-cut
diamond strap, principal diamond weighing approximately 2.00cts,remaining diamonds weighing approximately 20.00cts total (one small
diamond deficient)
€ 8,000 - 10,000

32
BUCCELLATIThe world renowned Italian house of Buccellati is famous for its textural gold jewellery and exquisite silver
objects.The pieces are bold and instantly recognisable, with a style that references the great goldsmiths of the Renaissance.
The family firm was founded by Mario Buccellati (1891-1965) as the young jeweller was inspired by the forgotten antique tech-
niques of ancient Greece, the MiddleAges and the Renaissance. He sought to revive them using traditional tools and methods.
In 1919 he opened his first jewellery store in Milan, practicing these ancient traditions. Buccellati pieces are noted for their rich
textural quality achieved through the painstaking techniques.The signature rigato engraving effect completed by the process which
uses tiny hand-applied stripes to give gold surfaces the appearance of silk fabric. Other methods used include telato, obtained
by fine cross-hatched lines, and modellato, the most delicate engraving technique, which consists of reproducing several designs
chiselled in three dimensions, on a minuscule scale, mainly used for the decorations of the borders.These techniques are used to
create pieces which look and feel like silk, damask, tulle, lace, or linen.The juxtaposition of precious stones with texturized metals
is distinctly unique and synonymous with the Buccellati house.
Mario Buccellati’s unique abilities for drawing and creative mind led him to become one of Italy’s most celebrated jeweller’s.The
royal families of Europe, great cardinals of Rome and the Pope were amongst his clientele.
The expansion of business internationally began in 1951 to NewYork. After the passing of Mario Buccellati in 1965 he was suc-
ceeded by his sons, among them, Gianmaria took over the business. Gianmaria had apprenticed under his father at a young age,
embracing the antique techniques treasured by his father, designing every piece produced in the ateliers. In 1970, under Gianmaria
and his brother Luca, Buccellati has further expanded the business toAsia, establishing the first Italian Jewellers in Hong Kong.This
was swiftly followed by subsequent stores inTokyo, Osaka and Nagoya in the following years. Buccellati became the first Italian
jewellers to launch a boutique in the renowned PlaceVendôme of Paris in 1979. In accordance with tradition, Gianmaria after his
passing in 2015, was also succeeded by one of his children, his daughter Andrea, the current present and creative director of the
Buccellati group today.
Over the century the Buccellati group have widened their creations to silver objects, predominately unique, once off pieces,
marked with the typical characteristics of the house. Recently the group have expanded further creating a line of luxury watches,
both men and women’s pieces, and a line of engagement rings.
BUCCELLATI

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58
A DIAMOND PENDANT, BY MARIO BUCCELLATI, CIRCA 1930
The pierced plaque, set throughout with old brilliant, cushion and rose-cut diamonds, mounted in silver and gold,diamonds
approximately 8.55cts total,length 4.4cm
€ 4,000 - 6,000
Accompanied by a certificate of authenticity from Buccellati in Milan, stating that the unsigned pendant is attributable to
Mario Buccellati, dated July 21st 2017 and signed byAndrea Buccellati
59
AN AQUAMARINE AND DIAMOND DRESS RING, BY MARIO BUCCELLATI
The broad band set with a rectangular-cut aquamarine, weighing approximately 20.00cts, within a four-claw setting, to a
finely pierced and textured lattice shoulders and gallery decorated with round brilliant-cut diamonds, mounted in 18K gold,
diamonds approximately 1.80cts total,signed M.Buccellati,ring size M½
€ 5,000 - 7,000

34
60
AN EMERALD AND DIAMOND CLUSTER RING
The rectangular-cut emerald, weighing approximately 2.00cts,
within a surround of round brilliant-cut diamonds, mounted in 18K
gold,diamonds approximately 0.40ct total,maker’s mark,French assay
mark,ring size M¼
€ 1,200 - 1,800
61
A SAPPHIRE, EMERALD AND DIAMOND FLOWER
BROOCH, BY MAUBOUSSIN
Designed as a cluster of flowerheads, the stamens and petals set
throughout with circular-cut sapphires and emeralds and bril-
liant-cut diamonds, the mount decorated with beaded details,
mounted in 18K gold, signed Mauboussin Paris, French assay marks,
length 4.7cm
€ 3,000 - 5,000
62
A GOLD NOVELTY ‘DOG’ BROOCH
The standing poodle with textured fur and cabochon ruby eyes,
mounted in 18K gold,maker’s marks,length 3.5cm
€ 200 - 400
63
A PAIR OF DIAMOND BROOCHES, CIRCA 1950
Each stylised bow set throughout with brilliant, single and ba-
guette-cut diamonds, diamonds approximately 7.50cts total,length of
largest brooch 4.8cm
€ 2,500 - 3,500
64
A PAIR OF ENAMEL AND GOLD EARCLIPS
Each composed of three interlocking bombé links of blue, green
and yellow enamel, mounted in 18K gold,French import marks,length
2cm
€ 400 - 600
65
A RUBY AND DIAMOND CLUSTER RING
The oval-shaped ruby, weighing approximately 4.66cts, within a
surround of round brilliant-cut diamonds, mounted in 14K gold,
diamonds approximately 1.74cts total,ring size O
€ 2,000 - 3,000
Accompanied by a report fromThe Beverly Hills Gemmological
Laboratory, stating that the ruby weighing 4.66cts, is natural, with
some indications of filling treatment. Report ref JQL-R-4206,
dated July 25th 2012
65A
A PAIR OF DIAMOND PENDENT EARRINGS
Each pear-shaped hoop set with round brilliant-cut diamonds and
centring similarly-cut diamonds, suspending from a surmount of
similar design, mounted in gold,diamonds approximately 0.40ct total,
length 3.4cm
€ 400 - 600

36
66
A ‘HAPPY SPIRIT’ DIAMOND PENDANT NECKLACE,
BY CHOPARD
The annular pendant, set with round brilliant-cut diamonds, with
a glazed compartment to the centre containing a further circular
ring of brilliant-cut diamonds and a single collet-set diamond, to a
double flattened curb-link chain, mounted in 18K gold,pendant and
necklace signed Chopard,numbered‘7954223164534’,with maker’s box,
pendant length 2.2cm (including bale),chain 42.2cm
€ 1,500 - 2,500
67
A DIAMOND LINE BRACELET
The articulated row of graduating round brilliant-cut diamonds,
with a square-cut diamond clasp, diamonds approximately 8.00cts total,
length 17cm
€ 5,500 - 7,500
68
A DIAMOND DRESS RING
Of bombé style, pavé-set with round brilliant-cut diamonds to the
front, mounted in 18K gold,diamonds approximately 4.00cts total,ring
size M½
€ 1,400 - 1,800
69
A DIAMOND SINGLE-STONE RING, BY
TIFFANY & CO.
The round brilliant-cut diamond, weighing 0.25ct, within a six-claw
setting, mounted in platinum, signedTiffany & Co., numbered
23094347, with maker’s case & box, ring size L
€ 550 - 750
Accompanied with a certificate fromTiffany & Co. stating that the
diamond weighing 0.25ct, is H colour,VVS1 clarity
70
A PAIR OF CULTURED PEARL AND DIAMOND
PENDENT EARRINGS, BY TRIANON
Each button-shaped cultured pearl of white tint, measuring
approximately 10.58mm, suspending a round brilliant-cut diamond
and a drop-shaped cultured pearl of grey tint, measuring approx-
imately 9.80 x 8.51mm, mounted in 18K gold,maker’s marks,length
2.5cm
€ 1,200 - 1,800
71
A DIAMOND LONG CHAIN NECKLACE
The necklace composed of eighty round brilliant-cut diamonds
weighing approximately 4.50cts total, mounted in 18K gold,Italian
assay mark,length 130cm
€ 3,500 - 4,500

38
72
A STAINLESS STEEL QUARTZ CALENDAR
‘ROADSTER’ BRACELET WATCH, BY CARTIER,
CIRCA 2000
7-jewel Cal. 688 quartz movement, pink dial with Roman numer-
als, inner elliptical minute track, secret signature at 10 o’clock,
black luminous filled sword hands, magnified date aperture at 3
o’clock, polished steel tonneau case with back secured by 4 screws,
fitted Cartier polished steel bracelet with deployant clasp, case,dial
and movement signed,serial no.901161MX,ref no.2675,with Cartier box
and spare satin magnetic bracelet,case (including crown):3.6cm
€ 1,200 - 1,800
73
A DIAMOND AND RUBY RING
The rectangular step-cut diamond, weighing approximately 0.95ct,
within a four-claw setting, between two shield-cut rubies, mounted
in platinum,maker’s mark,ring size J½
€ 1,500 - 2,000
74
A GOLD BEAN BRACELET AND EARRINGS SUITE,
BY TIFFANY & CO.
The bracelet chain interspersed with five kidney beans, together
with a pair of earrings suite, mounted in 18K gold,SignedTiffany & Co.
and Elsa Perreti,bracelet length 18.3cm,earrings length 1cm
€ 800 - 1,000
75
A LADY’S STAINLESS STEEL AND GOLD BRACELET
‘OYSTER PERPETUAL DATEJUST’ WRISTWATCH,
BY ROLEX
29-jewel Cal. 2135 automatic self winding movement, circular
champagne dial with applied stepped baton markers accented by
luminous dots, luminous baton hands and centre seconds, date
aperture under magnifying lens, steel case with fluted gold bezel,
screw down back and Oyster crown, on fitted steel and gold Rolex
bracelet with folding clasp, case,dial and movement signed,serial no.
9076381,ref.no.69173,diameter (including crown):2.7cm
€ 1,200 - 2,200
76
The oval-shaped ruby, within a surround of round brilliant-cut dia-
monds, to a bifurcated hoop, mounted in 18K gold,ring size Q
€ 700 - 900
77
A COLOURED SAPPHIRE AND DIAMOND RING
The cushion mixed-cut yellow sapphire, weighing approximately
9.00cts, within a surround of rose and single-cut diamonds, mounted
in 18K blackened gold,diamonds approximately 2.00cts total,ring size M½
€ 2,000 - 3,000
Please note that the sapphire was verbally tested in July 2017, at
GCS laboratory in London, and was found to be natural, with indi-
cations of heating.

40
78
A DIAMOND SINGLE-STONE RING
The round brilliant-cut diamond, weighing 1.26cts, within an eight-claw setting, mounted in 18K gold,
French assay mark, ring size K½
€ 13,000 - 15,000
Accompanied by a report from Gem & Solid Phase laboratory in France, stating that the diamond is D
colour, IF clarity, with excellent cut and polish. Report dated 16th June 2017
79
A DIAMOND AND GOLD CHARM BRACELET, BY CARTIER
The cable-link bracelet suspending three detachable charms, comprising a brilliant-cut diamond-set‘dou-
ble C’ charm, a similarly-cut diamond-set‘Cross’ charm, and a similarly-cut diamond-set‘Love’ charm,
mounted in 18K gold,each charm signed Cartier,numbered,bracelet with maker’s mark and numbered,with maker’s
case,length 19.4cm
€ 3,000 - 3,500

42
80
AN EMERALD AND DIAMOND CLUSTER RING
The elongated rectangular-cut emerald, weighing approximately
1.30cts, within a surround of round brilliant and tapered ba-
guette-cut diamonds, mounted in 18K gold,diamonds approximately
1.40cts total,ring size L
€ 2,500 - 3,500
81
A SAPPHIRE AND DIAMOND CLUSTER RING
The oval-shaped sapphire, weighing approximately 3.30cts, within
a round brilliant-cut diamond surround, mounted in 18K gold,
diamonds approximately 0.50ct total,ring size M¾
€ 2,200 - 3,200
82
The oval-shaped sapphire, weighing approximately 3.20cts, within a
surround of brilliant and tapered baguette-cut diamonds, mounted in
18K gold,diamonds approximately 1.60cts total,ring size F (adjustable)
€ 2,500 - 3,500
83
The round-shaped ruby, weighing 1.69cts, within a surround of
round brilliant-cut diamonds, mounted in 18K gold,diamonds approxi-
mately 0.40ct total,ring size M¼
€ 1,800 - 2,200
84
The oval-shaped sapphire, weighing 5.01cts, within a round bril-
liant-cut diamond surround, mounted in 18K gold,diamonds approxi-
mately 1.00ct total,ring size L½
€ 4,500 - 5,500
that the sapphire weighing 5.01cts is of Sri Lankan origin, with no
indications of heating. Report number 77115-79 datedAugust 8th
2017
85
The oval-shaped ruby, weighing 2.05cts, within a round brilliant-cut
diamond surround, mounted in 18K gold,diamonds approximately
0.80ct total,ring size M½
€ 3,500 - 4,500
that the ruby weighing 2.05cts, is of Mozambique origin, with no
indications of heating. Report number 5777-9281, dated 9th March
2017
Accompanied by a report from Colombo laboratory in India, stating
that the ruby is natural,‘Pigeon’s Blood’ colour, with no indications
of heating. Report number CO-RBt-BM0074-001608, dated 1st
August 2016

44
87
A FINE DIAMOND LINE BRACELET
The articulated bracelet set with a row of 49 square-cut diamonds weighing approximately 15.00cts in total,
mounted in 18K gold,length 18cm
€ 15,000 - 18,000
86
A SAPPHIRE AND DIAMOND DRESS RING, CIRCA 1950
The collet-set oval-shaped sapphire weighing approximately 1.60cts, within a frame of old brilliant, cushion and
single-cut diamonds, to a polished reeded mount and openwork gallery, mounted in 18K gold,diamonds approximately
0.90ct total,ring size M½
€ 5,000 - 7,000
Accompanied by a report from GCS laboratory in London, stating that the sapphire weighing approximately 1.60cts
is of Burmese origin, with no indications of heating. Report no. 77116-60, dated 17thAugust 2017

46
89
A LEATHER ‘KELLY’ BRACELET & CHARM,
BY HERMES
The leather double-hoop bracelet, with a Kelly palladium-plated
clasp, signed Hermes,with maker’s pouch & box,length 37cm;
Together with a palladium-plated charm in the form of an elephant,
signed Hermes,with maker’s fitted box,length 4cm
€ 300 - 500
88
A LADY’S STAINLESS STEEL ‘CAPE COD’ QUARTZ
WATCH WITH DATE, BY HERMES
9-jewel Cal:256111 quartz movement, rectangular dial with
silveredArabic chapters, date aperture at 3 o’clock, polished lumi-
nous hands, within a conforming steel case with curved openwork
lugs, fitted maker’s red leather double strap with signed buckle, ref.
no:2287812,case,dial,movement signed,with original fitted display box &
certificate of origin,spare brown leather double strap
€ 1,000 - 1,500

48
92
A STAINLESS STEEL AND YELLOW GOLD ‘OYSTER PERPETUAL DATEJUST’ WATCH,
BY ROLEX
31-jewel Cal. 3135 self-winding movement adjusted to temperature and five positions, circular white enamel
dial, applied gold baton numerals, date aperture at 3 o’clock, gold luminous hands, screw back case, fluted
bezel, screw down crown, 18K gold and stainless steel bracelet with deployant clasp, case,dial and movement
signed,serial no.W520934,ref.no.16233,case diameter (including crown):3.7cm
€ 2,500 - 3,500
91
A PAIR OF GOLD AND CRYSTAL CUFFLINKS
Each crystal cylinder depicting a painted running hunting dog, to a t-bar terminal, mounted in 18K gold,diam-
eter 1.5cm
€ 850 - 1,150
90
A PAIR OF PERIDOT AND DIAMOND PENDENT EARRINGS,
BY MARGHERITA BURGENER
Each of chandelier design, set with pear-shaped peridots, each within a brilliant-cut diamond border and
spaced by rose-cut diamonds, mounted in 18K gold,diamonds weighing 2.18cts total,peridots weighing 36.10cts
total,signed and cased by Margherita Burgener,Italian assay marks,length 6cm
€ 5,000 - 7,000

50
93
CLASP
Composed of a single strand of graduated cultured pearls measuring
approximately 11.35mm-8.10mm, to a spherical clasp set with a
continuous line of round brilliant-cut diamonds, mounted in 18K
gold, length 45cm
€ 1,200 - 1,800
94
Each marquise-shaped element, set with a fancy-shaped diamond
within a surround of brilliant-cut diamond, suspended from similar-
ly-cut diamond surmounts, length 4.5cm
€ 1,000 - 1,500
95
A PAIR OF DIAMOND AND TSAVORITE GARNET
EARSTUDS
The collet-set round brilliant-cut diamond, within a border of
calibré-cut green tsavorite garnets, mounted in 18K gold,diamonds
approximately 0.50ct total,diameter 9mm
€ 600 - 800
96
AN ART DECO DIAMOND AND SAPPHIRE DRESS
RING
Of stylised scalloped form, set centrally with a transitional round
brilliant-cut diamond, weighing approximately 1.20cts, between
two similarly-cut diamonds, surrounded by a frame of calibré-cut
sapphires, further enhanced with brilliant-cut diamond shoulders,
within millegrain setting, mounted in platinum,remaining diamonds
approximately 1.30cts,ring size M
€ 3,000 - 4,000
Please note that the calibré-cut sapphires were verbally tested in
July 2017, by GCS laboratory in London, confirming that the sap-
phires are natural
96A
A DIAMOND SINGLE-STONE RING WITH A
DIAMOND WEDDING BAND
Set with a transitional brilliant-cut diamond between single-cut
diamond shoulders, mounted in 14K gold,ring size L;Together with a
ring set with a trio of round brilliant-cut diamonds, mounted in 14K
gold,ring size L
€ 600 -800
97
A DIAMOND LINE BRACELET
The highly articulated bracelet, set with a continuous row of round
brilliant-cut diamonds, each within a four-claw setting, mounted in
18K gold,diamonds approximately 3.50cts total,length 19.5cm
€ 1,400 - 1,800
95

52
98
A PAIR OF GOLD EARCLIPS, BY ALAN MARTIN GARD,
1979
Each designed as a cluster of textured gold petals, with bead work
detail, mounted in 18K gold,maker’s marks,London assay marks,cased by
Hooper Bolton,length 2.8cm
€ 1,000 - 1,500
Alan Gard was born in London.After he discovered his gift for
design, he served a seven-year apprenticeship with the jeweller Crom-
bies of Bond Street.After which, he worked with big names such as
Andrew Grima and Hooper Bolton and then went on to set up his own
business.
Alan is well established in the London hierarchy of top quality jewellers
and has acquired a flawless reputation through his unique creations and
exceptional pieces. He perpetuates original design: colour declension,
baroque collections and classical retro.
99

A DIAMOND COCKTAIL RING, BY BOUCHER,
CIRCA 1960
Designed as a stylised knot, set throughout with round bril-
liant-cut diamonds, decorated with beaded details, mounted in 14K
gold,diamonds approximately 0.90ct total,ring size N½
€ 800 - 1,200

53
Greek jeweller Ilias Lalalounis was born inAthens in 1920, the fourth generation of a family of goldsmiths and watchmakers
from Delphi.After studying economics and law at the University ofAthens, he joined his uncle’s jewellery firm, where, apprenticed
as a goldsmith, he learned the skills that were to determine his future as a master craftsman.
Prompted by a passion for history, he began studying the art of his ancestors. In the 1950’s he was inspired by Greek museum arte-
facts and transformed them into jewellery by reviving age-old techniques while also introducing the use of modern technology. His
creative aim was to convey the spiritual and symbolic link of an object to its historical past, the art of neglected techniques, such as
granulation, filigree, hand-weaving and hand-hammering.
Lalaounis founded the Greek Jeweller’sAssociation and exhibited his first collection in 1957, the archeological collection, inspired
by Classical, Hellenistic and Minoan-Mycenaean art, with modern jewels steeped in antiquity. In the 1960’s, after his uncle passed
away, Ilias Lalaounis started his own company. His collections, consisting of 18 and 22 karat gold pieces, were inspired by the art of
many different cultures and periods. His interest spanned from prehistoric to Minoan art, from Persian to Byzantine, from Chinese
art to the art of theTudors. In the 70’s, Lalaounis provoked a sensation with his collection‘BLOW UP,’ draping the human body in
gold jewellery. He followed this by redefining new means of expression, inspired by spheres such as nature and science, flowers and
biosymbols, the random movements of animal and plant cells, orbits and constellations
In 1986 Lalaounis became the first jeweller to be honoured with the prestigious induction to theAcademie des BeauxArts et des
Lettres of Paris.
100
A GOLD PIN BROOCH, BY LALAOUNIS
In the classical Greek tradition of a stylised torc with lion’s head
terminal and closed pin clasp, mounted in 18K gold,signed Lalaounis,
maker’s mark,French import mark,length 8.7cm
€ 1,200 - 1,800
101
A GOLD TORQUE NECKLACE, BY LALAOUNIS
Of brushed gold finish, hinged to the back, with axe-shaped
terminals, mounted in 18K gold,with maker’s mark,retailed and marked
‘Mecan’,inner diameter 11.4cm
€ 1,600 - 2,600

54

55
102

AN IMPORTANT MATCHED SUITE OF TURQUOISE, BLUE AGATE AND LAPIS LAZULI JEWELLERY,
‘LA BOUGAINVILLIER BLEUE’

COMMISSIONED FROM REPOSSI, 1992
Comprising three graduated brooches, each modelled as a bougainvillier flower, the bomwbé petals set with fancy-cut turquoises,
blue agates and lapis lazuli within collet and claw settings, mounted in 18K gold,each signed Repossi,French assay marks,copyrighted‘Créa-
tion Privée 626’,accompanied with Repossi study notes and drawings,largest brooch length:15.5cm
€ 7,000 - 9,000
PROPERTY OF A CONTINENTAL LADY
Repossi. Now a fourth generation family-run business with rich heritage and craftsmanship, the House of Repossi has become
synonymous with elegance and style.The House of Repossi was founded in 1920 inTurin, Italy. Repossi is renowned for its exquisite
jewellery incorporating exceptional stones into pieces that seamlessly blend contemporary designs with classical elements, famed for
its ornate, diamond-studded creations.
The brand was established by Constantino Repossi. Upon completing his studies in industrial design, Constantino took over his
father’s jewellery business and atelier in post-war Italy.The first Repossi store was opened in 1949 inTurin during Italy’s modernist
era.Art Deco andAvant-Garde styles prevailed in the first Repossi collections, which demonstrated Costantino’s ability to combine
both his technical and artist background.
Subsequently, Constantino’s son,Alberto, began designing pieces at the age of seventeen after learning the craftsmanship of the fam-
ily’s atelier. In 1974,Alberto took charge of the house founded by his grandfather, bringing the brand to International recognition.
UnderAlberto, the Repossi House saw the opening a flagship store in Monte Carlo in 1977, followed by the Paris store in the Place
Vendôme in 1986.
Repossi designs were famed for their elegance were celebrated by many influential people. Repossi became the official purveyor
to HRHThe Prince Rainier III of Monaco in 1994 which gave the house worldwide recognition. Repossi also became the official
supplier to the Saudi Royal family, followed by Qatar and Dubai. Repossi continues to work with royalty in many countries, and its
designs are enjoyed by socialites, jewellery connoisseurs and celebrities worldwide.Today, much of the work is still done in the same
workshops that were used in the 1920’s.
Following tradition,Alberto’s daughter Gaia Repossi is now leading the family business which is nearing its 100th anniversary is
more successful today than ever before.

56
108
A RUBY AND DIAMOND RING
The round-shaped ruby, within a eight-claw setting, between two
brilliant-cut diamond shoulders, to an openwork gallery and mul-
tifurcated hoop, mounted in gold,diamonds approximately 0.30ct total,
ring size O
€ 500 - 700
107
A ‘TRINITY’ RING, BY CARTIER
The three intertwined polished hoops of 18K white gold, signed
Cartier,numbered 7570T,French assay mark,size L
€ 500 - 700
106
A DIAMOND PENDANT NECKLACE
The drop-shaped pendant set throughout with graduating round
brilliant-cut diamond, within a frame of single-cut diamonds, to
a similarly-cut diamond bale and fine trace-link chain, mounted in
18K gold,diamonds approximately 1.20cts,pendant length 3.5cm,necklace
40.5cm
€ 1,000 - 1,500
105
Each marquise-shaped drop set throughout with graduating round
brilliant-cut diamonds within a frame of single-cut diamonds, sus-
pended from a similarly-cut diamond spacer and surmount, mounted
in 18K gold,diamonds approximately 2.00cts total,length 3.5cm
€ 1,500 - 2,000
104

A QUARTZ AND GOLD RING, BY MAUBOUSSIN
The colourless rock crystal bead at the centre, revealing a circu-
lar-cut colourless quartz, to a plain polished hoop, mounted in 18K
gold,signed Mauboussin Paris,numbered 0496,ring size M½
€ 350 - 450
103
A RED CORAL BEAD NECKLACE
The long necklace composed of graduated series of 25mm-
11.15mm cylindrical coral corallium rubrum beads, mounted in 14K
gold,length 100cm
€ 2,500 - 3,500
*This lot will be subject to USA Fish andWildlife regulations if it is
to be imported into the USA.
106

58
109
CLASP
The graduated round shaped cultured pearls of dark grey tint, mea-
suring 12.80mm-10.26mm, the clasp pavé-set with brilliant-cut
diamonds, mounted in 14K gold,length 47cm
€ 2,500 - 3,500
110
EARCLIPS
Each button-shaped cultured pearl, one of white tint measuring
approximately 14.18mm, the other of grey tint measuring approxi-
mately 14.60mm, set above a round brilliant-cut diamond, mounted
in 18K gold,diamonds approximately 1.60cts total,length 2cm
€ 2,000 - 3,000
111
A PAIR OF CULTURED PEARL, DIAMOND AND EBONY EARCLIPS,
BY L’ORÉE DU BOIS
Each designed as a flowering dome of round brilliant-cut diamond and ebony petals, surmounted by
a round cultured pearl of grey tint measuring approximately 14mm, mounted in 18K gold,diamonds
approximately 2.20cts total,signed l’Orée du bois,length 4.5cm
€ 1,800 - 2,800
112
A SAPPHIRE AND DIAMOND THREE-STONE RING
The bombé band centrally set with an oval-shaped sapphire, be-
tween two gypsy-set brilliant-cut diamonds, mounted in 14K gold,
diamonds approximately 0.40ct total, ring size P
€ 1,000 - 1,500
113
A PEARL AND DIAMOND PENDANT ON CHAIN
The round pearl caped with single-cut diamonds, to a fox tail-link
chain, the chain mounted in 18K gold,pendant length 1.8cm,chain 50cm
€ 500 - 700

60
115
A STAINLESS STEEL QUARTZ CALENDAR ‘SANTOS’
BRACELET WATCH, BY CARTIER
7-jewel Cal. 687 quartz movement, applied Roman numerals, black
inner minute track, date aperture at 6, blued steel sword hands,
centre seconds, brushed and polished rectangular case, back secured
by 8 screws, 8 decorative screws to the bezel, shouldered circular-cut
sapphire set crown, brushed with screw decoration bracelet with
signed folding clasp, case,dial and movement signed,ref.no 1564,serial no.
BB147317
€ 1,200 - 1,700
116
A DIAMOND ETERNITY RING
Composed of a continuous row of round brilliant-cut diamonds,
each within a four-claw setting, mounted in 18K gold,diamonds
approximately 0.50ct total,Italian assay mark,ring size M¾
€ 550 - 750
114
A DIAMOND NECKLACE
The snake-link necklace, set to the front with brilliant and baguette-cut
diamonds, mounted in 18K gold,diamonds approximately 1.70cts,inner diameter
12.7cm
€ 800 - 1,200

61
117
A DIAMOND AND TITANIUM RIBBON BROOCH,
The very light purplish-pink titanium crossover ribbon, accented to the front and back by round
brilliant-cut diamonds, mounted in titanium,diamonds weighing 0.62ct total,signed and cased Margherita
Burgener,‘Ribbon #1’,length 5.6cm
€ 1,200 - 2,200
All proceeds will be donated to the European Institute of Oncology based in Milan
Emanuela Burgener founded‘Ribbon for Hope’ in 2017 after her personal fight and recovery
from breast cancer.The inspiration of the project is the symbol of the ribbon universally under-
stood as the fight against cancer. Estée Lauder was the first to use the pink ribbon as the emblem of
the fight against cancer which, today is seen in many different colours representing many different
diseases.
Ribbon for Hope is a handmade titanium and diamond brooch, as many of Margherita Burgener jew-
els.Twwwhis piece also embodies many concepts. Firstly, the ribbon is a message of hope in the ad-
vances of research and technology for the treatment of cancer. Secondly, it is a symbol that represents
a large community of people in the fight against cancer including doctors, researchers, volunteers
and patients. Finally and above all else, Ribbon for Hope is an important fundraising means for pivot-
al research that should never stop.Therefore, all the proceeds of Ribbon for Hope sales are entirely
donated to the Institute of European Oncology Foundation based in Milan.
The European Institute of Oncology (IEO) provides patient-centred care and guarantees patients
access to innovative therapies and to early clinical trials.The SHARP research programme, a GPS in
metastatic breast cancer is an achievement of the strategic interest in early clinical trials. SHARP aims
to identify‘breakdowns’ (genetic mutations) and map the routes that cancer cells take to invade other
organs. Clinical data and biological samples from participating patients will allow experts to examine
the DNA using the latest molecular screening techniques and devise an appropriate cancer treatment
plan.
(www.ieo.it - Doctor Curigliano)
118
A PAIR OF DIAMOND AND TITANIUM EARRINGS,
Each titanium flowerhead centrally highlighted by a round brilliant-cut
diamond of brown tint, with similarly-cut diamond surrounds, mounted in
titanium and 18K gold,signed and cased by Margherita Burgener,Italian assay marks,
length 2.0cm
€ 1,800 - 2,200

62
119
A STAINLESS STEEL MANUAL WIND ‘SPEEDMASTER
PROFESSIONAL MARK II’ CHRONOGRAPH
BRACELET WATCH, BY OMEGA, CIRCA 1970
17-jewel Cal. 861, black dial with luminous baton hour markers,
white outer 1/5th second divisions, raised outer tachymetre,
subsidiary 30min and 12 hour recording at 3 and 6, white pointed
baton hands with luminous insterts, centre chronograph, subsidiary
seconds at 9, case brushed tonneau form, screw down back, crown
flanked by twin buttons, brushed Omega link bracelet with signed
folding clasp, case,dial and movement signed,ref.no.145014,diameter
(including crown):4.4cm
€ 800 - 1,000
120
A STAINLESS STEEL AND GOLD ‘OYSTER
PERPETUAL DATEJUST’ BRACELET WATCH,
BY ROLEX, 1974
26-jewel Cal.1570 automatic movement, white dial with black Roman
numerals, luminous dots, 5 minute divisions, sweep centre seconds,
date aperture, polished case with fluted bezel, screw down Oyster
crown and screw on back, stainless steel and 18K gold bracelet with
folding clasp, case,dial and movement signed,serial no.3859463,ref.1601,
case diameter (including crown):3.8cm
€ 1,200 - 1,800

63
121
A STAINLESS STEEL AND RUBBER
‘CHRONOSCAPH 21’ QUARTZ CALENDAR
CHRONOGRAPH BRACELET WATCH,
BY CARTIER, CIRCA 2009
22-jewel ETA Cal 372 quartz movement, white dial decorated with
repeated Cartier logo, luminous bullet hour markers, raised outer
minute divisions with blackArabic five minute markers, polished
sword hands with luminous inserts and lollipop centre chronograph
hand, engine turned subsidiary dials at 2, 6 and 10 for constant
seconds, magnified date aperture at 4, brushed and polished round
case with back secured by 8 screws, Roman chapter to bezel, white
cabochon rubber set crown flanked by twin chronograph buttons,
fitted white Cartier rubber and steel link bracelet with signed fold-
ing clasp, case,dial and movement signed,case 4.3cm (including crown),
with Cartier pouch
€ 800 - 1,200
122
A STAINLESS STEEL AND 18K GOLD ‘TANK
FRANCAISE’ BRACELET WATCH,
BY CARTIER
20-jewel ETA Cal. 2000-1 automatic movement, guilloché
engraved silvered dial with black Roman numerals, black inner
minute divisions with five minute markers, secret signature at
7 o’clock, blued steel sword hands and centre seconds, date ap-
erture at 6, brushed and polished square case with back secured
by 4 screws, cabochon sapphire crown, fitted brushed and
polished steel and gold link bracelet with signed double folding
clasp, ref no.2302,serial no.CC239630,case,dial and movement
signed,together with fitted Cartier box,papers,and service papers dated
May 2017
€ 2,500 - 3,000

64
125
A DIAMOND AND RUBY DRESS RING
Of undulating crossover design, one terminal set with graduating square calibré-cut rubies, the other half set
with similarly-cut diamonds, both in mystery settings and highlighted by single-cut diamonds, mounted in 18K
gold,maker’s mark,French assay mark,ring size O
€ 2,000 - 2,500
124
A DIAMOND ‘TUBOGAS SERPENTI’ RING, BY BULGARI
Composed of a bi-coloured sprung gas-pipe link hoop, terminating in a collet-set pear-shaped diamond
weighing 0.39ct, mounted in 18K gold,signed Bvlgari,maker’s mark,Italian assay mark,French import mark,ring size
‘adjustable’
€ 2,000 - 3,000
123
A TOURMALINE AND DIAMOND NECKLACE, BY MARGHERITA BURGENER
The green tourmaline graduating beads, strung as a multi-row necklace, centrally connected by two lines of
brilliant-cut diamonds, to a similarly-cut diamond clasp, suspending a tassel of green tourmalines, mounted
in 18K gold,diamonds weighing 1.09cts total,tourmalines weighing 621cts total,signed and cased by Margherita
Burgener,Italian assay marks
€ 4,200 - 5,200

66
126
A CITRINE AND GOLD DRESS RING
The rectangular-cut citrine, weighing approximately 42.00cts,
within a four-claw setting, mounted in 18K gold,French import mark,
ring size K
€ 400 - 600
127
A CITRINE COCKTAIL RING, CIRCA 1960
The rectangular-cut citrine, weighing approximately 28.00cts,
within a frame of openwork juxtaposed loop gallery, to a bifurcated
hoop, mounted in 18K gold,ring size K½
€ 600 - 800

67
128
A GEM-SET OWL BROOCH, BY J.C CHAMPAGNAT, FRENCH, CIRCA 1960
The large stylised owl perched on an onyx branch, the body set with circular-cut citrines, the head set with round bril-
liant-cut diamonds and round cabochon citrines, two round cabochon rubies for eyes, the engraved outspread wings
decorated with circular-cut citrines, mounted in 18K gold,signed JCC & numbered 87,maker’s mark,maker’s case,French assay mark,
length 5.00cm,width 6.5cm
€ 4,500 - 5,500
JEAN-CLAUDE CHAMPAGNAT (1923-1988), was a French jeweller between the 50’s & 70’s, who also designed pieces
for Christian Dior’s collections and Madame Gres.

68
129
A PAIR OF TANZANITE AND DIAMOND PENDENT
EARRINGS
Each pear-shaped tanzanite, within a four-claw setting, suspending from a round bril-
liant-cut diamond surmount, diamonds approximately 0.50ct total,length 1.8cm
€ 1,200 - 1,600
130
A TANZANITE AND DIAMOND PENDANT ON
CHAIN
The pear-shaped tanzanite within a four-claw setting and pear-shaped diamond sur-
mount, to a fine trace-link chain, mounted in 18K gold,pendant length 1.8cm,chain length
42cm
€ 1,000 - 1,500
131
The cushion-shaped diamond, weighing approximately 0.80ct, within a frame of round
brilliant-cut diamonds to further similarly-cut diamond shoulders, mounted in platinum,
remaining diamonds approximately 0.30ct total,ring size I½
€ 1,200 - 1,800

69
132
A LADY’S GOLD PLATED ‘TANK’ QUARTZ
WRISTWATCH, BY CARTIER, CIRCA 1980
The 4-jewel Cal-157 quartz movement, with black and dark grey dial, golden Roman
numerals and inner minute track, polished rectangular case, back secured by 4 screws,
cabochon sapphire crown, case,dial and movement signed,serial no.366001,ref.no.01587,
on leather strap,case 2.2cm
€ 300 - 500
133
TWO GOLD ‘WAVE’ RINGS, BY CARTIER
Each band of irregular wavy shape to fit each other, one ring mounted in 18K yellow gold,
the other mounted in 18K white gold,both signed Cartier,maker’s mark, numbered CW3250 &
CQ3285,ring size for both J½
€ 400 - 600
134
A LADY’S GOLD PLATED QUARTZ
WRISTWATCH, BY CARTIER, CIRCA 1980
7-jewel 690 quartz movement, golden dial, blue sword hands, polished round case
with back secured by 2 screws, hinged t-bar lugs, paired riders at 6 and 12, cabochon
sapphire set crown, maker’s mark, case,dial and movement signed,serial no.027851,ref:
590002,case 2.5cm
€ 300 - 500
132
134

70
135
AN AMETHYST AND DIAMOND DRESS RING
The oval-shaped amethyst cabochon, within a six-claw setting, in a surround
of single-cut diamonds and to a bifurcated hoop, mounted in 18K gold,diamonds
approximately 0.50ct total,ring size N
€ 400 - 600

136
A PAIR OF AMETHYST AND DIAMOND PENDENT
EARRINGS
Each briolette-shaped amethyst caped with single-cut diamonds, suspended from
a round brilliant-cut diamond line surmount, within millegrain setting, mounted
in platinum,diamonds approximately 0.70ct total,length 5.5cm
€ 800 - 1,400
137
A SAPPHIRE AND DIAMOND DRESS RING
The oval-shaped sapphire, within a four-claw setting, to a baguette-cut diamond
scalloped border, mounted in 18K gold,diamonds approximately 1.70cts total,ring size L
€ 1,500 - 2,000
** Please note that the sapphire was verbally tested at GCS laboratory in London,
stating that it is natural, heat treated

71
139
The round brilliant-cut diamond, weighing 1.00ct, within a six-claw setting and
between similarly-cut diamond shoulders, mounted in platinum, ring size L
€ 3,500 - 4,500
* Please note that the diamond was weighed loose by the jewellery department and
1.00ct is its precise carat weight.
140
A PAIR OF CULTURED PEARL AND DIAMOND EARCLIPS
Each round-shaped cultured pearl of cream tint, accented by a cluster of round bril-
liant and single-cut diamonds, mounted in 18K gold,diamonds approximately 0.40ct total,
French import marks,length 1.5cm
€ 1,000 - 1,500
138
A CULTURED PEARL NECKLACE WITH
DIAMOND CLASP
Composed of one row of white cultured pearls, each measuring
approximately 8.60mm, to a single-cut diamond clasp, with safety
chain,length 82.5cm
€ 900 - 1,200

72
143
A PAIR OF EMERALD AND DIAMOND EARCLIPS
Each collet-set cushion-shaped cabochon emerald, weighing approximately 8.00 & 8.50cts,
within a baguette-cut diamond frame, mounted in gold,diamonds approximately 1.50cts total,length
1.8cm
€ 6,000 - 7,000
142
TWO GOLD ‘WAVE’ RINGS, BY CARTIER
Each band of irregular wavy shape to fit each other, one ring mounted in 18K yellow gold,the other
mounted in 18K white gold,both signed Cartier,maker’s mark, numbered M87656 & M87656,ring size
for both M
€ 400 - 600
141
A DIAMOND PENDANT ON CHAIN, BY CARTIER
The collet-set round brilliant-cut diamond, within a polished reeded mount, to a fine trace-link
chain with a Cartier logo charm, mounted in 18K gold,diamond weighing approximately 0.10ct,signed
Cartier,numbered PD4385,maker’s mark,length 41cm
€ 800 - 1,200
141
142
143

73
146
The round brilliant-cut diamond, weighing approximately 0.50ct, between two
baguette-cut diamond shoulders, within collet setting, mounted in 18K gold,ring
size N½
€ 500 - 800
145
A RUBY DRESS RING
The collet-set oval-shaped cabochon ruby, weighing approximately 17.00cts, in
a reeded mount, mounted in 18K gold,ring size F½
€ 2,500 - 3,000
144
A PAIR OF GOLD AND DIAMOND EARRINGS,
CIRCA 1960
The stylised openwork flower design, set to the centre with a round bril-
liant-cut diamond, with similarly-cut diamond highlights, mounted in gold,
diamonds approximately 0.90ct total,length 2.8cm
€ 1,200 - 1,600

74
149
The central round brilliant diamond, weighing approximately 0.90ct, within
a four-claw setting, between a row of baguette-cut diamonds, to a further
double-row of single-cut diamonds, mounted in 18K gold,remaining diamonds
approximately 1.20cts total,ring size M
€ 1,500 - 2,500
148
A CHALCEDONY AND ROCK CRYSTAL ‘CAPRI’ NECKLACE WITH
MATCHING BRACELET, BY POMELLATO
Each fancy-shaped rock crystal on the obverse and chalcedony on the reverse, to a fancy-link
chain, together with a matching bracelet, both mounted in 18K gold,signed Pomellato,Italian assay
marks,necklace length 42.5cm,bracelet length 20cm
€ 1,200 - 1,800
** Please note that both pieces can be worn as one longer necklace
147
A DIAMOND BRACELET, BY CARTIER
The fancy-link chain, the links interspersed by round brilliant-cut diamonds, mounted in 18K
gold, diamonds approximately 0.50ct total, signed Cartier Paris, numbered 244529, French
assay mark, with Cartier box, length 18.5cm
€ 1,000 - 1,500
148
148

75
151
A DIAMOND CROSS PENDANT ON CHAIN
The cross pendant set throughout with rose-cut diamonds of
orangy-yellow tint in open-back settings to a bale set with a
baguette-cut diamond of similar tint, the trace-link chain set
throughout with briolette diamond beads of orange, yellow and
brown tint, mounted in 18K gold,diamonds approximately 15.50cts
total,maker’s mark,French assay mark,pendant length 2.7cm,necklace
length 56.5cm
€ 3,000 - 4,000
150
A PAIR OF GEM-SET CUFFLINKS,
BY SEAMAN SCHEPPS
Four bombé square cushion-shaped of either carved citrine or
amethysts, each centrally set with circular-cut amethyst or citrine,
mounted in 18K gold,signed Seaman Schepps,maker’s mark
€ 350 - 550
147

76
155
The collet-set round brilliant-cut diamond, weighing approximately
0.70ct, between similarly-cut diamond shoulders, mounted in 18K gold,
remaining diamonds approximately 0.20ct total,ring size O
€ 800 - 1,200
154
The square step-cut diamond, weighing approximately 1.10cts, between two
baguette-cut diamond shoulders, mounted in platinum,ring size K¼
€ 1,200 - 2,200
153
A MULTI-GEM ‘SORBET’ PENDANT ON CHAIN,
BY CARTIER
The long pendant composed of a sorbet of fancy-cut rose quartz, pink and yellow
sapphires, orange garnet and brilliant-cut diamonds, suspending from a trace-link
chain, mounted in 18K gold,signed Cartier,numbered OF9450,French assay marks,pendant
length 3.5cm,necklace length 40cm
€ 2,000 - 2,500
152
A GOLD, AMETHYST AND DIAMOND RING,
‘IMPERIALE LACE’ BY CHOPARD
The intricate openwork filigree band, set with four fancy-cut amethysts to the
centre, within a border of pavé-set diamonds, mounted in 18K gold,signed Chopard,
numbered 829564 3381895,Swiss assay mark,ring size N
€ 2,500 - 3,000
142
153

77
157
AN AQUAMARINE BEAD NECKLACE
Composed of three strands of graduating aquamarine briolette beads,
with larger aquamarine tumbled beads at the centre, combining both
polished and faceted beads in the design, to an 18K gold and single-cut
diamond clasp,aquamarines approximately 700cts total,length approximately
52cm
€ 1,500 - 2,500
156
A PAIR OF DIAMOND EARSTUDS
Each round brilliant-cut diamond, within a four-claw setting, mounted in gold,diamonds
approximately 1.00cts total
€ 900 - 1,200

78
158
A LADY’S GOLD AND DIAMOND ‘DE VILLE’
MANUAL WIND WRISTWATCH, BY OMEGA
17-jewel Cal-625 manual wind movement, the gold coloured dial
with baton quarters, round-shaped case set with 8 single-cut dia-
monds within rope detail on bezel, snap on case back, integral fine
textured bracelet, serial no.5117318,ref.no.1005,mounted in 18K
gold,case 2.5cm
€ 600 - 800
159
A DIAMOND HEART PENDANT, BY CARTIER
The bombé heart-shaped pendant, pavé-set with brilliant-cut di-
amonds, mounted in 18K gold,diamonds approximately 1.40cts,signed
Cartier,maker’s mark,numbered OQ6900,length 2cm (including bale)
€ 1,000 - 1,500
160
A DIAMOND AND GOLD BROOCH
Designed as stylised branches of coral, set throughout with brilliant
and single-cut diamonds, to further either textured or polished gold
tentacles, mounted in gold,diamonds approximately 3.5cts total,length
4.2cm
€ 1,200 - 1,800
161
A PAIR OF DIAMOND EARSTUDS, BY CARTIER
Each collet-set round brilliant-cut diamond, within a polished
reeded mount, mounted in 18K gold,diamonds approximately 0.26ct
total,signed Cartier,numbered PE7368,maker’s marks
€ 600 - 800
162
A ZIRCON AND COLOURED SAPPHIRE COCKTAIL
RING
The collet-set rectangular mixed-cut pinkish-orange zircon, within
a circular-cut pavé-set orange sapphire surround, mounted in 18K
gold,ring size M½
€ 1,500 - 2,000
163
A MULTI-COLOURED CULTURED PEARL
NECKLACE
The graduated 13.92mm-11.40mm cultured pearls, of pink,
cream and white tints, to a spherical 18K gold clasp,length 43cm
€ 400 - 700

80
164
A DIAMOND THREE-STONE RING
Set with round brilliant-cut diamonds, the largest to the centre and
single-cut diamond shoulders, mounted in 18K gold,diamonds approximately
1.74cts total,ring size N¼
€ 700 - 1,000
165
A LADY’S GOLD, SAPPHIRE AND DIAMOND
MANUAL WIND COCKTAIL WATCH, CIRCA 1965
The square dial with applied baton numerals, within a bezel set with
a row of brilliant-cut diamonds, framed by a row of marquise-shaped
sapphires, to integral textured bracelet strap, mounted in 18K gold,French
assay marks on bracelet and case,movement ref.FF5921,length 16.5cm
€ 1,000 - 1,500
166
A DIAMOND CRESCENT BROOCH
Set throughout with graduated round brilliant-cut diamonds, dia-
monds approximately 2.50cts total,with security chain,length 6.3cm
€ 1,200 - 1,600
167
AN OPAL AND DIAMOND RING
The cut-cornered cushion-shaped cabochon opal, within a double four-
claw setting, to a surround of round brilliant-cut diamonds in millegrain
setting, diamonds approximately 0.80ct total,ring size N
€ 500 - 800

81
168
A DOUBLE-STRAND CULTURED PEARL NECKLACE
WITH EMERALD AND DIAMOND CLASP
The two graduated rows 10.73mm-9.65mm cultured pearls of
white tint, to a rose-cut diamond and circular-cut emerald clasp,
mounted in 18K gold,length of shortest row 67cm,length of longest row
71cm (including clasp)
€ 1,500 - 2,500
169
A STAR SAPPHIRE AND DIAMOND THREE-STONE
RING, BY BIRKS
The round-shaped star sapphire weighing approximately 9.00cts, revealing a
six-rayed star, in a four-claw setting, between two old brilliant-cut diamond
shoulders, mounted in 18K gold,diamonds approximately 0.40ct total,signed Birks
(partly rubbed off),ring size K¼
€ 1,500 - 2,500

82
170
A GOLD CHARM, BY CARTIER
Modelled as two interlocking Cs for Cartier, mounted in 18K gold,signed Cartier,numbered
EM6920,maker’s mark,length (including bale) 2.4cm
€ 400 - 600
171
A LAPIS LAZULI AND DIAMOND BRACELET
The highly flexible bracelet, set with bombé-shaped links of lapis lazuli at the centre,
each within a line of round brilliant-cut diamonds, to further links on each side set with
similarly-cut diamonds, mounted in 18K gold,diamonds approximately 3.00cts total,Italian
assay marks,length 19.5cm
€ 1,500 - 2,000

83
172
A SAPPHIRE AND DIAMOND DRESS RING
The cushion-shaped sapphire, weighing approximate-
ly 6.50cts, within a four-claw setting, to a surround of
single-cut diamonds and similarly-cut diamond shoulders,
mounted in 18K gold,diamonds approximately 0.90ct total,mak-
er’s mark,ring size N
€ 5,500 - 6,500
173
Each composed of double graduated pear-shaped hoops set
throughout with round brilliant-cut diamonds, suspended
from a curved line of similarly-cut diamonds, mounted in 18K
gold,diamonds approximately 4.00cts total,length 4.8cm
€ 1,800 - 2,800

84
175
A SMOKY QUARTZ COCKTAIL RING
The large round-shaped smoky quartz, weighing approximately
36.00cts, within four polished and elongated claws, to a bifurcat-
ed mount, mounted in 18K gold,French assay mark,ring size O½ (size
adjustable)
€ 300 - 500
174
A PAIR OF GOLD EARCLIPS, BY GILBERT ALBERT
Of circular textured design, mounted in 18K gold, maker’s mark
for GilbertAlbert, length 2cm
€ 700 - 1,200
Gilbert Albert, a Swiss jeweller, studied jewellery and design at
L’Ecole desArts Industriels, Geneva.At 25 his talent was noticed by
Patek Philipe where he became a designer and head of the work-
shop. GilbertAlbert established his own jewellery house and atelier
in 1962 wherein he developed new methods that made it possible to
work with unusual materials.
In addition to classic designs,Albert combines mostly 18 karat gold
with roughly cut stones and natural materials such as fossils, feath-
ers, fur, minerals, petrifies organic forms and meteorites.
He was the first jeweller to set a meteorite in fine jewellery.
Albert’s designs strive to honour and preserve the spirit of the
materials used and exemplify his love of nature.

85
177
A DIAMOND AND TURQUOISE COCKTAIL
RING, CIRCA 1960
Designed as a bouquet of flowers, each flowerhead set with old
brilliant-cut diamonds, within a frame of turquoise cabochon
flowerheads, to a basket-weave gallery, mounted in gold,diamonds
approximately 0.90ct total,ring size J½
€ 1,000 - 1,500
176
A FANCY LINK GOLD BRACELET
Designed as a series of polished links, mounted in 18K gold,
maker’s mark‘LC’,length 18.7cm
€ 1,200 - 1,800

86
179
AN 18K GOLD, ENAMEL AND DIAMOND POCKET
WATCH, BY LEUBET & FILS’
The 15-jewel blue enamelled case set with rose-cut diamonds
depicting a dove holding Cupid’s arrow, the interior vary coloured
gold face set with second indicator and the reverse incribed ‘Leubet
& Fils’case no 6692,mounted in 18K gold
€ 1,000 - 1,500
178
A LATE 19TH CENTURY AMERICAN GOLD CASED
FULL HUNTER POCKET WATCH, BY A.W. CO.
WALTHAM
Surmounted with suspension loop and mulled winder, the case
with engine turned decoration surrounding a vacant crest reserve,
enclosing white enamel dial with seconds subsidiary, case no.453203,
serial no.3026199,mounted in 14K gold,engraved inside‘Rev.E.Gallen to
his brother Charles 1891’,width 5cm
€ 1,200 - 1,800

87
182
A DIAMOND AND ENAMEL REGIMENTAL SWEETHEART
BROOCH FOR THE ROYAL IRISH REGIMENT
In the form of the regimental insigna, the crown harp above an enamel scripted
band, length 3cm
€ 400 - 600
181
AN OVERSIZED GERMAN MILITARY ISSUE
STAINLESS STEEL MANUAL WIND
WRISTWATCH, BY A. LANGE & SOHNE, CIRCA
1942
Matte gilt jewelled manual wind movement, bi-metallic compensation balance
with gold compensation and balance screws, second pattern matte black dial with
outer 60 second divisions and Arabic five second markers, inner 12 hour chapter,
blued steel sword hands with luminous inserts, centre running white seconds with
counterweight, polished round case with snap on back engraved 214586, case
band engraved FL23883, fitted oversized black leather strap designed for outer
jacket wear, movement signed, case diameter (including crown): 6cm
€ 3,000 - 5,000
Luftwaffe watches
In 1940, the B-Uhr watch was commissioned by the German Air Force, or
Luftwaffe for their pilots from the leading German and Swiss watchmakers IWC,
Laco, Stowa,Wempe, and A. Lange & Sohne.The name B-Uhr is abbreviated from
Beobachtungs-uhrn translating to‘Observation’ watch.
These watches were produced to the specification designated by the Luftwaffe.The
required features included that all watches were to have mechanical movement
with centre seconds, cases measuring up 55mm to accommodate large hand-
wound movements, typically only used in pocket watches.The watches were to
have an oversized crown, allowing it to be operated with gloves on and extra-long
strap, as they were to be worn over the flight jackets.To correct time discrepan-
cies, the movements were capable of stopping the central seconds hand by pulling
the crown.The watch was to be anti-magnetic achieved by surrounded the move-
ment with an iron core.Two variations in dials included aTypeA model which had
a standard outer track and the laterType B included an outer minute track and a
small inner hour track.
Each watch case was engraved on the left side with “FL23883”, identifying it as an
aviators navigational watch.The back of the snap off case listed additional infor-
mation: type (Bauart), production number (Gerät-Nr.), movement (Werk-Bez.),
order number (Anforderz), and manufacturer (Hersteller)
180
A DIAMOND AND ENAMEL REGIMENTAL SWEETHEART
BROOCH FOR THE KING’S AFRICAN RIFLES
In the form of the regimental insigna, the crown above a ribbon tied and bejew-
elled powder horn, centred by the numeral four above an enamel scripted band,
mounted in silver Birmingham marks, length 3cm
€ 150 - 200

88
188
A COLOURED SAPPHIRE AND DIAMOND CROSS-
OVER RING
The oval-shaped pink and orange sapphires, to a brilliant-cut dia-
mond obliquely-set shoulders, mounted in 18K gold,diamonds approxi-
mately 0.30ct total,maker’s mark,French assay mark,ring size L
€ 1,200 - 1,800
187
A ‘B-ZERO’ RING, BY BULGARI
The polished segmented band, both sides of the ring engraved
‘BVLGARI, mounted in 18K gold,signed Bvlgari,Italian assay mark,
ring size J½
€ 500 - 800
186
A MOONSTONE AND GOLD BRACELET
Designed as a flat curb-link chain interspersed with oval-shaped
cabochon moonstones within collet-setting, mounted in 18K gold,
length 17.7cm
€ 1,200 - 1,800
185
A DIAMOND HEART PENDANT NECKLACE
Of stylised openwork design, set throughout with round bril-
liant-cut diamonds, suspended from a fancy-link chain, mounted in
18K gold,diamonds approximately 0.50cts,pendant length 2.7cm,chain
length 49cm
€ 700 - 1,000
184
A GEM-SET AND GOLD CROSS PENDANT ON
CHAIN, BY THEO FENNELL
The Christian cross set to the centre with a circular-cut pink sap-
phire and four similarly-cut blue sapphires on the cardinal points,
to a further small diamond highlight, the cross decorated with
scrolling details, mounted in 18K gold,maker’s mark,British hallmarks
for London,1992,length (including bale 7.2cm);Together with 9K gold
chain,length 64cm
€ 2,000 - 3,000
183
A TANZANITE AND DIAMOND RING
The collet-set oval-shaped tanzanite, weighing approximately
3.00cts, between brilliant-cut diamond shoulders, mounted in 18K
gold,maker’s mark,French assay mark,ring size M½
€ 600 - 800
187

90
189
A DIAMOND BRACELET
Each link of square and circular shape, set throughout with round
brilliant-cut diamonds, mounted in 18K gold,diamonds approximately
2.50cts total,length 18cm
€ 1,300 - 1,700
190
A PAIR OF RUBY AND DIAMOND EARSTUDS
Each oval-shaped ruby, within a four-claw setting, in a
surround of round brilliant-cut diamonds, mounted in 14K
gold,diamonds approximately 0.60ct total,length 1.2cm
€ 800 - 1,200
191
Of stylised crossover design, set throughout with baguette and
round brilliant-cut diamonds, to a plain hoop, mounted in 18K gold,
diamonds approximately 3.50cts,ring sizeW½
€ 1,200 - 1,800
192
A DIAMOND PENDANT ON CHAIN
Of openwork geometric design, set throughout with round
brilliant-cut diamonds, to a fox-tail chain, mounted in 18K
gold,diamonds approximately 0.70ct total,Italian marks,pendant
length 3.5cm,chain length 50cm
€ 500 - 700
193
PENDENT EARRINGS
Each drop-shaped cultured pearl of white tint, measuring approx-
imately 10.23mm, to an articulated row of round brilliant-cut
diamonds, suspended from a similarly-cut diamond surmount,
€ 1,000 - 1,500
194
A DIAMOND PENDANT ON CHAIN,
BY TIFFANY & CO.
The round brilliant-cut diamond, within a four-claw setting,
weighing approximately 0.20ct, to a fine trace-link chain,
mounted in platinum,signedTiffany & Co.,numbered 23587181,
with maker’s case and box,length 41cm,
€ 600 - 800

92
198
A PAIR OF EMERALD AND DIAMOND CLUSTER
EARRINGS
Each oval-shaped emerald, within a surround of round brilliant-cut
diamonds, mounted in gold,diamonds approximately 0.30ct total,length
2cm
€ 800 - 1,200
197
AN EMERALD AND DIAMOND RING
The rectangular-cut emerald, weighing approximately 4.50cts,
within a four-claw setting and between round brilliant-cut diamond
shoulders, mounted in 18K gold and platinum,diamonds approximately
1.00ct total,signedWest,ring size P½
€ 4,000 - 6,000
196
A SAPPHIRE LINE BRACELET
The articulated line of circular-cut sapphires, each within a four-
claw setting, mounted in 18K gold,French assay mark,length 20cm
€ 1,200 - 1,800
195
A SPINEL AND COLOURED SAPPHIRE RING
The cushion-shaped purplish-pink spinel, weighing approximately
3.70cts, between circular-cut blue, orange and pink sapphire shoul-
ders, mounted in 18K gold,maker’s mark,French assay mark,ring size L
€ 1,500 - 2,000

93
200
The emerald-cut diamonds, weighing 2.00cts, within a four-
claw setting, to tapered baguette-cut diamond shoulders,
mounted in 18K gold,ring size M
€ 9,000 - 12,000
Accompanied by a report from the HRD laboratory in
Antwerp, stating that the diamond, weighing 2.00cts, is I
colour,VVS2 clarity. Report number 14030743003, dated
29th November 2014.
199
A SAPPHIRE AND DIAMOND RING
The collet-set oval-shaped sapphire, weighing approximately
6.00cts, within baguette-cut diamond shoulders, mounted in
18K gold,diamonds approximately 0.80cts total,ring size K
€ 3,500 - 4,500

94
201
A PAIR OF GEM-SET PENDENT EARRINGS,
BY PERCOSSI PAPI
Of Renaissance revivalist design, each composed of aquamarines,
freshwater pearls, seed pearls and citrines, highlighted by blue
enamel and ropetwist detail, mounted in silver gilt,back fittings mount-
ed in 18K gold,signed Percossi Papi,length 5.8cm
€ 800 - 1,200
202
A DIAMOND RING, BY BULGARI
The transitional round-shaped diamond, weighing approxi-
mately 0.90ct, in reeded collet setting, mounted in 18K gold,
signed Bvlgari,French import mark, ring size I½
€ 1,200 - 1,800
203
A RUBY AND DIAMOND NECKLACE
The fine box-link chain, spectacle-set with alternating round shaped
diamonds and rubies, mounted in 14K gold,length 52.5cm
€ 600 - 800
204
A GOLD RING
Of polished plain bombé design, mounted in 18K gold,French
assay mark,ring size L
€ 300 - 500
205
A DIAMOND SINGLE-STONE RING TOGETHER
WITH A DIAMOND ETERNITY RING
The round brilliant-cut diamond, weighing approximately 0.60ct,
within collet setting, mounted in 18K gold,ring size L½;Together with
a half hoop channel-set round brilliant-cut diamonds, mounted in
18K gold,diamonds approximately 0.30ct total,ring size M
€ 700 - 1,000
206
A PAIR OF SAPPHIRE AND DIAMOND
EARRINGS
Each collet-set rectangular-cut sapphires, accented under-
neath by round brilliant-cut diamonds, mounted in 18K gold,
€ 2,000 - 2,500
Percossi Papi has been handcrafting exquisite jewellery in his Rome atelier since 1968.
Inspired by antiques and his Mediterranean heritage, the designer uses traditional techniques
and an array of precious stones to create jewellery in limited quantities.A number of his pieces
have been used on cinema sets such as ‘Elizabeth:The GoldenAge’ where Cate Blanchett
wears numerous pieces by Percossi Papi (see image)

96
207
A DIAMOND RING
The bombé band pavé-set to the centre with graduated round bril-
liant-cut diamonds, mounted in 18K rose gold,diamonds approximately
0.80ct total,ring size N
€ 500 - 700
208
A FIRE OPAL RING
The oval mixed-cut opal, weighing approximately 10.00cts,
within a four-claw setting, mounted in 18K gold,maker’s mark,
French assay mark,ring size H½
€ 1,500 - 2,000
209
A DIAMOND ETERNITY RING
The continuous row of round brilliant-cut diamonds, highlighted by
gold spacers, mounted in gold,diamonds approximately 1.30cts total,ring
size L¾
€ 700 - 1,000
210
A GOLD FANCY-LINK CHAIN NECKLACE
The fancy-link chain necklace, mounted in 18K gold,length 70cm,
gross weight 12.17g
€ 250 - 350
211
A PAIR OF DIAMOND EARSTUDS
Each of cushion shape, formed as a central grid of mystery-set prin-
cess-cut diamonds, surrounded by a frame of round brilliant-cut
diamonds, mounted in 18K gold,diamonds approximately 1.60cts total,
length 1.00cm
€ 1,200 - 1,800
212
A PAIR OF CORAL AND DIAMOND PENDENT
EARRINGS
Each elongated drop-shaped coral coralium rubrum, suspended
from a line of round brilliant-cut diamonds, mounted in 18K gold,
length 4cm
€ 300 - 500

98
213
A DIAMOND AND SILVER CUFF BANGLE,
BY DAVID YURMAN
The cuff bangle designed with a double twisted silver frame, with
two‘X’ motifs set with round brilliant-cut diamonds at the centre,
mounted in silver,maker’s mark D.Y
€ 300 - 500
214
A DIAMOND AND SILVER NECKLACE,
BY DAVID YURMAN
The fancy-link thick polished chain necklace, set to the front with
a cross-shaped element of round brilliant-cut diamonds, mounted in
925 silver,signed D.Yurman,with maker’s pouch and box,length 43cm
€ 800 - 1,200
215
A SAPPHIRE AND DIAMOND RING
The oval-shaped diamond, weighing approximately 2.50cts, within
a four-claw setting, between two half-moon diamonds, mounted in
platinum,diamonds approximately 0.30ct total,ring size M
€ 1,500 - 2,000
** Please note that the sapphire is natural, heat treated.
216
A PAIR OF LAPIS LAZULI, RUBY AND DIAMOND
FLOWER EARRINGS
Of flowerhead design, each lapis lazuli carved as petals with cir-
cular-cut diamonds and rubies at the centre, mounted in 18K gold,
French assay marks,diameter 1.7cm
€ 700 - 900
217
A DIAMOND CROSS PENDANT
The Latin cross set throughout with round brilliant-cut diamonds,
mounted in 9K gold,diamonds approximately 0.60ct total,pendant length
(including bale) 4cm
€ 400 - 600
218
A CULTURED PEARL AND DIAMOND NECKLACE,
BY DAMIANI
The double chain necklace spaced with cultured pearls of white
and grey tint, centred with a brilliant-cut diamond link, to a clasp
highlighted by two single-cut diamonds, mounted in 18K gold,signed
Damiani,Italian assay mark,length 44.2cm
€ 1,500 - 2,000
Damiani was founded in 1924 by Enrico Grassi Damiani,
inValenza Italy. Enrico’s designs were strongly influenced by the
Art Deco style and swiftly became renowned.The jewellery was
favoured by affluent and noble Italian families, eventually becoming
the entrusted jeweller of many influential families.
Enrico’s son, Damiano, succeeded him in the running of the family
business which is now in the hands of Silvia, the granddaughter
of Enrico. It was the first company to introduce‘Certificates of
Authenticity’ for Jewellery and the only international brand to have
won eighteen Diamond Internal Awards.

100
220
A YELLOW SAPPHIRE AND DIAMOND DRESS
RING
The collet-set cushion-shaped yellow sapphire, weighing
approximately 11.50cts, between two pear-shaped diamond
pavé-set elements, to a brushed bombé hoop, mounted in 18K
gold,maker’s mark,French assay mark,ring size I
€ 5,000 - 7,000
219
A COLOURED DIAMOND ETERNITY RING
Designed as a channel-set course of princess-cut diamonds of
yellow tint, mounted in 14K gold,diamonds approximately 1.50cts,ring
size N½
€ 1,000 - 1,500

101
221
A CULTURED PEARL NECKLACE WITH A PAIR OF EARRINGS AND RING SUITE
Comprising a row of graduated white South Sea cultured pearls of baroque and round shape, measuring approximately
13.85mm - 10.16mm, the clasp mounted in 18K gold,length 115cm;Together with a round-shaped South Sea cultured pearl
ring, the pearl measuring approximately 15.46mm mounted in 18K gold,ring size J½ and a pair of pendent earrings,each set with
a baroque-shaped South Sea cultured pearl measuring approximately 14.27mm & 14.72mm,mounted in 18K gold,length 3.4cm
€ 3,500 - 4,500

102

Adam's Jewellery & Watches Auction September 19th 2017

Adam's Jewellery & Watches Auction September 19th 2017

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Adam's Jewellery & Watches Auction September 19th 2017