Adams At Home Auction - February 26 th 2017

AT HOME | AUCTION
FEBRUARY 26TH, 2017

AUCTION
Sunday 26th February 2017 at 11.00am
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green,
Dublin, D02 X665,
Ireland
VIEWING
February 22ND
- February 25TH
Wednesday 22nd February 10.00am - 5.00pm
Thursday 23rd February 10.00am - 7.00pm
Friday 24th February 10.00am - 5.00pm
Saturday 25th February 11.00am - 5.00pm

ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie

26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261 www.adams.ie
IMPORTANT INFORMATION FOR PURCHASERS
1. ESTIMATES AND RESERVES
These are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to pro-
spective purchasers. They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will
not be any higher than the lower estimate.
2. PADDLE BIDDING
All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers
are recommended to register on viewing days.
3. PAYMENT, DELIVERY AND PURCHASERS PREMIUM
Monday 27th February 2017. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases
must be paid for and removed from the premises not later than Monday 27th February 2017 at the purchaser’s risk and expense. After
this time all uncollected lots will be removed to commercial storage and additional charges will apply.
Auctioneers commission on purchases is charged at the rate of 20% (exclusive of VAT). Terms: Strictly cash, bankers draft or cheque
drawn on an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our
satisfaction prior to the sale, or you have a previous cheque payment history with Adam’s. Purchasers wishing to pay by credit card (Visa
& MasterCard) may do so, however, it should be noted that such payments will be subject to an administrative fee of 1.5% on the invoice
total. American Express is subject to a charge of 3.65% on the invoice total. Debit cards including laser card payments are not subject to
a surcharge, there are however daily limits on Laser card payments. Bank Transfer details on request. Please ensure all bank charges are
paid in addition to the invoice total, in order to avoid delays in the release of items.
Goods will only be released upon clearance through the bank of all monies due. Artists Resale Rights (Droit de Suite) is NOT payable by
purchasers.
4. VAT REGULATIONS
All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a
rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.
5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. Whilst we make certain observations on
the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only
and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does
not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The
condition report is an expression of opinion only and must not be treated as a statement of fact.
Please ensure that condition report requests are submitted before 12 noon on Thursday 24th November as we cannot guarantee that
they will be dealt with after this time.
6. ABSENTEE BIDS
We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted
by telephone. However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for
absentee and telephone bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this
time and cannot be guaranteed after the auction has commenced.
Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot
be guaranteed.
7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS
CATALOGUE AND ON DISPLAY IN THE SALEROOMS.

CONTACTS
Brian Coyle FSCSI FRICS
CHAIRMAN
Nick Nicholson
CONSULTANT
n.nicholson@adams.ie
James O’Halloran BA FSCSI FRICS
MANAGING DIRECTOR
j.ohalloran@adams.ie
Stuart Cole MSCSI MRICS
DIRECTOR
s.cole@adams.ie
David Britton BBS ACA
DIRECTOR
d.britton@adams.ie
Amy McNamara BA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Eamon O’Connor BA
DIRECTOR
e.oconnor@adams.ie
Adam Pearson BA
FINE ART DEPARTMENT
a.pearson@adams.ie
Ronan Flanagan
FINE ART DEPARTMENT
r.flanagan@adams.ie
Claire-Laurence Mestrallet
HEAD OF JEWELLERY
claire@adams.ie

Visit Our Website For more photographs
and our High Resolution Zoom Feature
View from home without missing a single detail at www.adams.ie
How to zoom?
Simply place your cursor over an image, and the zoom box will open automatically
showing a fine detail of that section of image.

GENERAL TERMS & CONDITIONS OF BUSINESS
The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be
expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con-
ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers
are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.
DEFINITIONS
1. In these conditions the following words and expressions
shall have the following meanings:
Auctioneer - James Adam and Sons trading as Adam’s.
Auctioneer’s Commission - The commission payable to the
Auctioneer by the buyer and seller as specified in conditions
13 and 25.
Catalogue - Any advertisement, brochure, estimate, price or
other publication.
Forgery - A Lot which was made with the intention of
deceiving with regard to authorship, culture, source, origin,
date, age or period and which is not shown to be such in the
description therefore in the Catalogue and the market value
for which at the date of the auction was substantially less
than it would have been had the Lot been in accordance
with the Catalogue description.
Hammer Price - The price at which a Lot is knocked down by
the Auctioneer to the buyer.
Lot - Any item which is deposited with the Auctioneer with
a view to its sale at auction and, in particular, the item or
items described against any Lot number in any Catalogue.
Proceeds of Sale - The net amount due to the seller being
the Hammer Price of the Lot after deducting the Auction-
eer’s Commission thereon under condition 25 the seller’s
contribution towards insurance under condition 26, such
VAT as is chargeable and any other amounts due by the
seller to the Auctioneer in whatever capacity howsoever
arising.
Registration Form or Register - The registration form (or,
in the case of persons who have previously attended at
auctions held by the Auctioneer and completed registration
forms, the register maintained by the Auctioneer which
is compiled from such registration forms) to be complet-
ed and signed by each prospective buyer or, where the
Auctioneer has acknowledged pursuant to condition 12 that
a bidder is acting as agent on behalf of a named principal,
each such bidder prior to the commencement of an auction.
Sale Order Form - The sale order form to be completed and
signed by each seller prior to the commencement of an
auction.
Total Amount Due - The Hammer Price of the Lot sold, the
Auctioneer’s Commission due thereon under condition
13, such VAT as is chargeable and any additional interest,
expenses or charges due hereunder.
V.A.T. - Value Added Tax.
Cataloguing Practice & Catalogue Explanations
2. Terms used in Catalogues have the following meanings
and the Cataloguing Practice is as follows:
The first name or names and surname of the artist - In the
opinion of the Auctioneer a work by the artist.
The initials of the first name(s) and the surname of the artist
- In the opinion of the Auctioneer a work of the period of
the artist and which may be in whole or in part the work of
the artist.
The surname only of the artist - In the opinion of the Auc-
tioneer a work of the school or by one of the followers of
the artist or in his style.
The surname of the artist preceded by ‘after’ - In the opinion
of the Auctioneer a copy of the work of the artist.
Signed/Dated/Inscribed - In the opinion of tile Auctioneer
the work has been signed/dated/inscribed by the artist.
With Signature/With date/With inscription’- In the opinion of
the Auctioneer the work has been signed/dated/inscribed
by a person other than the artist.
Attributed to - In the opinion of the Auctioneer, probably a
work of the artist.
Studio of/Workshop of - In the opinion of the Auctioneer a
work executed in the studio of the artist and possibly under
his supervision.
Circle of - In the opinion of the Auctioneer a work of the
period of the artist and showing his influence.
Follower of - In the opinion of the Auctioneer a work execut-
ed in the artist’s style yet not necessarily by a pupil.
Manner of - in the opinion of the Auctioneer a work executed
in artist’s style but of a later date.
None of the terms above are appropriate but in the Auction-
eer’s opinion the work is a work by the artist named.
GENERAL CONDITIONS
Auctioneer Acting as Agent
3. The Auctioneer is selling as agent for the seller unless it is
specifically stated to the contrary. The Auctioneer as agent
for the seller is not responsible for any default by the seller
or the buyer. The auctioneer reserves the right to bid on
behalf of the seller.
Auctioneer Bidding on behalf of Buyer
4. It is suggested that the interests of prospective buyers are
best protected and served by the buyers attending at an auc-
tion. However, the Auctioneer will, if instructed, execute bids
on behalf of a prospective buyer. Neither the Auctioneer nor
its employees, servants or agents shall be responsible for any
neglect or default in executing bids or failing to execute bids.
Admission to Auctions
5. The Auctioneer shall have the right exercisable in its
absolute discretion to refuse admission to its premises or
attendance at its auctions by any person.
Acceptance of Bids
6. The Auctioneer shall have the right exercisable in its abso-
lute discretion to refuse any bids, advance the bidding in any
manner it may decide, withdraw or divide any Lot, combine
any two or more Lots and, in the case of a dispute, to put any
Lot up for auction again.
Indemnities
7. Any indemnity given under these conditions shall extend
to all actions, proceedings, claims, demands, costs and
expenses whatever and howsoever incurred or suffered by
the person entitled to the benefit of the indemnity and the
Auctioneer declares itself to be a trustee of the benefit of
every such indemnity for its employees, servants or agents
to the extent that such indemnity is expressed to be for their
benefit.
Representations in Catalogues
8. Representations or statements made by the Auctioneer in
any Catalogue as to contribution, authorship, genuineness,
source, origin, date, age, provenance, condition or estimated
selling price or value is a statement of opinion only. Neither
the Auctioneer nor its employees, servants or agents shall
be responsible for the accuracy of any such opinions. Every
person interested in a Lot must exercise and rely on their
own judgment and opinion as to such matters.
9. The headings of the conditions herein contained are insert-
ed for convenience of reference only and are not intended to
be part of, or to effect, the meaning or interpretation thereof.

Governing Law
10. These conditions shall be governed by and construed in
accordance with Irish Law.
Notices
11. Any notice or other communication required to be given
by the Auctioneer hereunder to a buyer or a seller shall,
where required, be in writing and shall be sufficiently given
if delivered by hand or sent by post to, in the case of the
buyer, the address of the buyer specified in the Registration
Form or Register, and in the case of the seller, the address of
the seller specified in the Sale Order Form or to such other
address as the buyer or seller (as appropriate) may notify the
Auctioneer in writing. Every notice or communication given in
accordance with this condition shall be deemed to have been
received if delivered by hand on the day and time of delivery
and if delivered by post three (3) business days after posting.
CONDITIONS WHICH MAINLY CONCERN THE BUYER
The Buyer
12. The buyer shall be the highest bidder acceptable to the
Auctioneer who buys at the Hammer Price. Any dispute
which may arise with regard to bidding or the acceptance of
bids shall be settled by the Auctioneer. Every bidder shall be
deemed to act as principal unless the Auctioneer has prior to
the auction, acknowledged in writing that a bidder is acting
as agent on behalf of a named principal.
The Commission
13. The buyer shall pay the Auctioneer a commission at the
rate of 20% of the Hammer Price, exclusive of VAT at the
applicable rate on all individual lots.
Payment
14. Unless credit terms have been agreed with the Auction-
eer before the auction the buyer of a Lot shall pay to the
Auctioneer within one (2) days from the date of the auction
the Total Amount Due. Notwithstanding this, the Auctioneer
may, in its sole discretion, require a buyer to pay a deposit
of 25% of the Total Amount Due at the conclusion of the
auction.
The Auctioneer may apply any payments received by a buyer
towards any sums owing from that buyer to the Auctioneer
on any account whatever regardless of any directions of the
buyer or his agent in that regard whether express or implied.
The Auctioneer shall only accept payment from successful
bidders in cash, draft in Euro or by the bidder’s own cheque
drawn on an Irish bank account vouched to the satisfaction
of the Auctioneer. Cheques drawn by third parties, whether
in the Auctioneer’s favour or requiring endorsement, shall
not be accepted. We also accept payment by credit card, Visa
& Mastercard subject to a administration charge of 2% of the
total amount due. American Expess 3.65% administration
charge. We also accept debit card payments by way of Laser,
with no surcharge, however the cardholder in person can
only make the payment.
Reservation of Title
15. Notwithstanding delivery or passing of risk to the buyer
the ownership of a Lot shall not pass to the buyer until he
has paid to the Auctioneer the Total Amount Due.
Collection of Purchases
16. The buyer shall at his own expense collect the Lot
purchased not later than seven (2) days after the date of the
auction but (unless credit terms have been agreed with the
Auctioneer pursuant to condition 14) not before payment to
the
Auctioneer of the Total Amount Due.
The buyer shall be responsible for any removal, storage and
insurance charges in respect of any Lot which is not taken
away within seven (2) days after the date of the auction.
The purchased Lot shall be at the buyer’s risk in all respects
from the earlier of the time of collection or the expiry of (2)
days from the date of the auction. Neither the Auctioneer
nor its employees, servants or agents shall thereafter be
liable for any loss or damage of any kind howsoever caused
while a purchased Lot remains in its custody or control after
such time
Packaging and Handling of Purchased Lots
17. Purchased Lots may be packed and handled by the
Auctioneer, its employees, servants or agents. Where this is
done it is undertaken solely as a courtesy to buyers and at
the discretion of the Auctioneer. Under no circumstances
shall the Auctioneer, its employees, servants or agents be
liable for damage of any kind and howsoever caused to glass
or frames nor shall the Auctioneer be liable for the errors or
omissions of, or for any damage caused by, any packers or
shippers which the Auctioneer has recommended.
Non-Payment or Failure to Collect Purchased Lots
18. If a buyer fails to pay for and/or collect any purchased Lot
by the dates herein specified for payment and collection the
Auctioneer shall, in its absolute discretion and without preju-
dice to any other rights or remedies it may have, be entitled
to exercise one or more of the following rights or remedies
without further notice to the buyer:
(a) To issue court proceedings for damages for breach of
contract;
(b) To rescind the sale of that Lot or any other Lots sold to
the buyer whether at that or at any other auction;
(c) To resell the Lot or cause it to be resold whether by public
auction or private sale. In the event that there is a deficiency
between the Total Amount Due by the buyer and the amount
received by the Auctioneer on such resale after deduction of
any necessary expenses the difference shall be paid to the
Auctioneer by the buyer. Any surplus arising shall belong to
the seller;
(d) To store (whether at the Auctioneer’s premises or else-
where) and insure the purchased Lot at the expense of the
buyer;
(e) To charge interest on the Total Amount Due at the rate of
2% over and above the base rate from time to time of Bank
of Ireland or if there be no such rate, the nearest equivalent
thereto as determined by the Auctioneer in its absolute
discretion from the date on which payment is due hereunder
to the date of actual payment;
(f) To retain that Lot or any other Lot purchased by the buyer
whether
at the same or any other auction and release same to the
buyer only after payment to the Auctioneer of the Total
Amount Due;
(g) To apply any sums which the Auctioneer received in
respect of Lots being sold by the buyer towards settlement
of the Total Amount Due.
(h) To exercise a lien on any property of the buyer in the
possession of the Auctioneer or whatever reason.
Liability of Auctioneer and Seller
19. Prior to auction ample opportunity is given for the in-
spection of the Lots on sale and each buyer by making a bid
acknowledges that he has, by exercising and relying on his
own judgment, satisfied himself as to the physical condition,
age and Catalogue description of each Lot (including but not
restricted to whether the Lot is damaged or has been repaired
or restored). All Lots are sold with all faults and imperfections
anderrorsofdescription.Noneoftheseller,theAuctioneernor
any of their employees, servants or agents shall be responsi-
ble for any error of description or for the condition or authen-
ticity of any Lot. No warranty whatsoever is given by the seller
or Auctioneer or by any of their employees, servants or agents
in respect of any Lot and any condition or warranty express, or
implied by statute or otherwise is hereby specifically excluded.

Forgeries
20. Any amount paid by a buyer in respect of a Lot which, if
it is proved within three (3) years of the date of the auction
at which it was purchased, to have been a Forgery shall
be refunded to the seller subject to the provisions hereof,
provided that:
(a) The Lot has been returned by the buyer to the Auctioneer
within three (3) years of the date of the auction in the same
condition in which it was at the time of the auction together
with evidence proving that it is a Forgery, the number of the
Lot and the date of the auction at which it was purchased;
(b) The Auctioneer is satisfied that the Lot is a Forgery and
that the buyer has and is able to transfer good and market-
able title to the Lot free from any third party claims;
FURTHER PROVIDED THAT the buyer shall have no rights
hereunder if:
(i) The description of the Lot in the Catalogue at the time of
the auction was in accordance with the then generally ac-
cepted opinion of scholars or experts or fairly indicated that
there was a conflict of such opinion;
(ii) The only method of establishing at the time of the auction
in question that the Lot was a Forgery would have been
by means of scientific processes which were not generally
accepted for use until after the date of the auction or which
were unreasonably expensive or impractical.
The buyer’s sole entitlement under this condition is to a
refund of the actual amount paid by him in respect of the
Lot. Under no circumstances shall the Auctioneer be liable
for any damage, loss (including consequential, indirect or
economic loss) or expense suffered or incurred by the buyer
by reason of the Lot being a Forgery.
The benefit of this condition shall be solely and exclusively
for the buyer and shall not be assignable. The buyer shall
for the purpose of this condition be the person to whom the
original invoice in respect of the sale of the Lot is made.
Photographs
21. The buyer authorises the Auctioneer at any time to make
use of any photographs or illustrations of the Lot purchased
by the buyer for such purposes as the Auctioneer may
require.
22. New VAT Regulations
22a) All lots are sold within the Auctioneer’s VAT margin
scheme. Revenue Regulations require that the buyers premi-
um must be invoiced at a rate which is inclusive of VAT. This
VAT is not recoverable by any VAT registered buyer.
CONDITIONS WHICH MAINLY CONCERN THE SELLER
Auctioneer’s Discretion
23. With regard to the sale of any Lot the Auctioneer shall
have the following powers exercisable solely in the discretion
of the Auctioneer:
(i) To decide whether to offer any Lot for sale or not;
(ii) To decide whether a particular Lot is suitable for sale by
the Auctioneer and, if so, to determine which auction, the
place and date of sale, the conditions of sale and the manner
in which such sale should be conducted;
(iii) To determine the description of any Lot in a Catalogue.
(iv) To decide whether the views of any expert shall be
obtained and to submit Lots for examination by any such
experts.
(v) To determine what illustration of a Lot (if any) is to be
included in the Catalogue.
Seller’s Warranty and Indemnity
24. The seller warrants to the Auctioneer and to the buyer
that he is the true owner of the Lot or is legally authorised
to sell the Lot on behalf of the true owner and can transfer
good and marketable title to the Lot free from any third
party claims. As regards Lots not held by the Auctioneer on
its premises or under its control the seller warrants and un-
dertakes to the Auctioneer and the buyer that the Lot will be
available and in a deliverable state on demand by the Auc-
tioneer or buyer. The seller shall indemnify the Auctioneer
and the buyer or any of their respective employees, servants
or agents against any loss or damage suffered by any of
them in consequence of any breach of the above warranties
or undertakings by the seller.
Reserves
25. Subject to the Auctioneer’s discretion, the seller shall be
entitled prior to the auction to place a reserve on any Lot. All
reserves must be agreed in advance by the Auctioneer and
entered on the Sale Order Form or subsequently be con-
firmed in writing to the Auctioneer prior to auction. This also
applies to changes in reserves. A reserve may not be placed
upon any Lots under €150 in value. The reserve shall be the
minimum Hammer Price at which the Lot may be sold by the
Auctioneer. A reserve once in place may only be changed
with the consent of the Auctioneer. A commission shall be
charged on the ‘knock-down’ bid for Lots which fail to reach
the reserve price. Such commission shall be 5% of the ‘knock-
down’ bid. This commission and any VAT payable thereon
must be paid before removal of the Lot after the auction. The
minimum commission hereunder shall be €50. The Auction-
eer may in its sole discretion sell a Lot at a Hammer Price
below the reserve thereon but in such case the Proceeds of
Sale to which the seller shall be entitled shall be the same
as they would have been had the sale been at the reverse.
Unless a reserve has been placed on a Lot in accordance
with the provisions set out above such Lot shall be put up
for sale without reserve. In the event that any reserve price
is not reached at auction then for so long as the Lot remains
with the Auctioneer and to the extent that the Lot has not
been re-entered in another auction pursuant to condition 31
the seller authorises the Auctioneer to sell the Lot by private
treaty at not less than the reserve price. The Auctioneer shall
ensure that in such a case those conditions herein which
concern mainly the buyer shall, with any necessary modifica-
tion, apply to such sale.
Commission
26. The Seller shall pay the Auctioneer commission at the
rate of 10% on the Hammer Price of all Lots sold on behalf
of the seller at Irish Art Sales and 17.5% on all other Sales
together with VAT thereon at the applicable rate. Mini-
mum charges are detailed below. The seller authorises the
Auctioneer to deduct from the Hammer Price paid by the
buyer the Auctioneer’s Commission under this condition; VAT
payable at the applicable rates and any other amounts due
by the seller to the Auctioneer in whatever capacity howsoev-
er arising. The seller agrees that the Auctioneer may also
receive commission from the buyer pursuant to condition 13.
Minimum Charges: Each individual lot is subject to a min-
imum fee of €3.00 plus VAT, with a minimum charge per
account of €50.00 plus VAT.
Insurance
27. Unless otherwise instructed by the seller, all Lots (with
the exception of motor vehicles) deposited with the Auction-
eer or put under its control for sale shall automatically be
insured by the Auctioneer under the Auctioneer’s own fine
arts policy for such sum as the Auctioneer shall from time
to time in its absolute discretion determine. The seller shall
pay the Auctioneer a contribution towards such insurance at
the rate of 1.5% of the Hammer Price plus VAT. If the seller
instructs the Auctioneer not to insure a Lot then the Lot shall
at all times remain at the risk of the seller who undertakes to
indemnify the Auctioneer and hold the Auctioneer harmless
against any and all claims made or proceedings brought
against the Auctioneer of whatever nature and howsoever
and wheresoever occurring for loss or damage to the Lot.
The sum for which a Lot is covered for insurance under this

condition shall not constitute and shall not be relied upon
by the seller as a representation, warranty or guarantee
as to the value of the Lot or that the Lot will, if sold by the
Auctioneer, be sold for such amount. Such insurance shall
subsist until such time as the Lot is paid for and collected
by the buyer or, in the case of Lots sold which are not paid
for or collected by the buyer by the due date hereunder for
payment or collection such due date or, in the case of Lots
which are not sold, on the expiry of seven (7) days from the
date on which the Auctioneer has notified the seller to collect
the Lots.
Illustration Charges:
27a. Catalogue illustrations are included at the discretion
of the Auctioneer. Illustration charges will be calculated on
the particular category of sale. These charges are subject to
change. Irish art sale illustrations: €150.00 full page, €100.00
half page, €50 all other sizes. Fine art illustrations: Scaled
fee €100.00 for lots sold for €3,000.00 hammer price & over,
€50.00 for lots sold under €3000.00 hammer price. Contem-
porary picture illustrations: €25.00 per illustration. All lots
illustrated and not sold are charged at €25.00 per illustration.
Recision of Sale
28. If before the Auctioneer has paid the Proceeds of Sale
to the seller the buyer proves to the satisfaction of the Auc-
tioneer that the Lot sold is a Forgery and the requirements
of condition 20 are satisfied the Auctioneer shall rescind
the sale and refund to the buyer any amount paid to the
Auctioneer by the buyer in respect of the Lot.
Payment of Proceeds of Sale
29. The Auctioneer shall remit the Proceeds of Sale to the
seller not later than thirty (30) days after the date of the auc-
tion, provided however that, if by that date, the Auctioneer
has not received the Total Amount Due from the buyer then
the Auctioneer shall remit the Proceeds of Sale within seven
(7) working days after the date on which the Total Amount
Due is received from the buyer. If credit terms have been
agreed between the Auctioneer and the buyer the Auction-
eer shall remit to the seller the Proceeds of Sale not later
than thirty (30) days after the date of the auction unless oth-
erwise agreed by the seller. If before the Total Amount Due is
paid by the buyer the Auctioneer pays the seller an amount
equal to the Proceeds of Sale then title to the Lot shall pass
to the Auctioneer. If the buyer fails to pay the Auctioneer the
Total Amount Due within fourteen (14) days after the date of
the auction, the Auctioneer shall endeavour to notify the sell-
er and take the seller’s instructions on the course of action
to be taken and, to the extent that it is in the sole opinion of
the Auctioneer feasible, shall endeavour to assist the seller
to recover the Total Amount Due from the buyer provided
that nothing herein shall oblige the Auctioneer to issue pro-
ceedings against the buyer in the Auctioneer’s own name. If
circumstances do not permit the Auctioneer to take instruc-
tions from the seller or, if after notifying the seller, it does
not receive instructions within seven (7) days, the Auctioneer
reserves the right, and is hereby authorised by the seller at
the seller’s expense, to agree special terms for payments of
the Total Amount Due, to remove, store and insure the Lot
sold, to settle claims made by or against the buyer on such
terms as the Auctioneer shall in its absolute discretion think
fit, to take such steps as are necessary to collect monies due
by the buyer to the seller and, if necessary, to rescind the
sale and refund money to the buyer.
Payment of Proceeds to Overseas Sellers
30. If the seller resides outside Ireland the Proceeds of Sale
shall be paid to such seller in Euro unless it was agreed
with the seller prior to the auction that the Proceeds of Sale
would be paid in a currency (other than Euro) specified by
the seller in which case the Proceeds of Sale shall be paid by
the Auctioneer to the seller in such specified currency (pro-
vided that that currency is legally available to the Auctioneer
in the amount required) calculated at the rate of exchange
quoted to the Auctioneer by its bankers on the date of pay-
ment. All payment instructions must be in writing.
Charges for Withdrawn Lots
31. Once catalogued. Lots withdrawn from sale before proof-
ing/publication of Catalogue will be subject to commission
of 5% of the Auctioneer’s latest estimate of the auction
price of the Lot withdrawn together with VAT thereon and
any expenses incurred by the Auctioneer in relation to the
Lot. If Lots are withdrawn after proofing or publication of
Catalogue they will be subject to a commission of 10% of
the Auctioneer’s latest estimate of the auction price of the
Lot withdrawn together with VAT thereon and any expenses
incurred by the Auctioneer in relation to the Lot. All commis-
sion hereunder must be paid for before Lots withdrawn may
be removed.
Unsold Lots
32. Where any Lot fails to sell at auction the Auctioneer shall
notify the seller accordingly and (in the absence of agree-
ment between the seller and the Auctioneer to the contrary)
such Lot may, in the absolute discretion of the Auctioneer,
be re-entered in the next suitable auction unless instruc-
tions are received from the seller to the contrary, otherwise
such Lots must be collected at the seller’s expense within
the period of thirty (30) days of such notification from the
Auctioneer. Upon the expiry of such period the Auctioneer
shall have the right to sell such Lots by public auction or
private sale and on such terms as the Auctioneer in its sole
discretion may think fit. The Auctioneer shall be entitled to
deduct from the price received for such Lots any sums owing
to the Auctioneer in respect of such Lots including without
limitation removal, storage and insurance expenses, any
commission and expenses due in respect of the prior auction
and commission and expenses in respect of the subsequent
auction together with all reasonable expenses before remit-
ting the balance to the seller. If the seller cannot be traced
the balance shall be placed in a bank account in the name of
the Auctioneer for the seller. Any deficit arising shall be due
from the seller to the Auctioneer. Any Lots returned at the
seller’s request shall be returned at the seller’s risk and ex-
pense and will not be insured in transit unless the Auctioneer
is so instructed by the seller.
Auctioneer’s Right to Photographs and Illustrations
33. The seller authorises the Auctioneer to photograph and
illustrate any Lot placed with if for sale and further authoris-
es the Auctioneer to use such photographs and illustrations
and any photographs and illustrations provided by the seller
at any time in its absolute discretion (whether or not in con-
nection with the auction).
VAT
34. It is presumed unless stated to the contrary, that the
items listed herein are auction scheme goods as defined in
the Finance Act 1995.
Artist’s Resale Rights (Droit de Suite)
35. Government Regulations (S.1. 312/2006), under this leg-
islation a royalty (Droit de Suite) is payable to living artists of
E.U. Nationality on all works resold for €3,000 or more, other
than sold by the artist or the artist’s agent.The resale royalty
payable is calculated as follows
From €3,000 to €50,000 4%
From €50,000.01 to €200,000 3%
From €200,000.01 to €350,000 1%
From €350,000.01 to €500,000 0.5%
Exceeding €500,000 0.25%
The total amount of royalty payable on any individual sale
shall not exceed €12,500. The seller is liable for payment
(paragraph 7.1 of Government Regulations (S.1. 312/2006) of
this royalty on completion of the sale. The artist may request
from the Auctioneer any information necessary to secure
payment. Unless otherwise directed by the vendor, the Auc-
tioneer will automatically deduct the amount due from the
proceeds of sale and will hold in trust for the artist or their
representative the said sum.

Sunday 26th February
13
1 A GEORGE III SILVER ENTREE DISH,
London 1814, maker’s mark of John Houle, of rectangular form, the
domed cover surmounted with leaf cast handle, engraved with crest,
fitted with inner liner, the base with band of scrolling foliage, on
acanthus capped scroll feet. (c.4043.5g)
€ 1,500 - 2,500

14
5 A SILVER PRESENTATION SALVER,
Sheffield 1958, mark of Viner’s Ltd, of shaped
circular form, with raised border, on three scroll feet,
the reserve inscribed ‘Presented to Mr J.H. Richardson
by the Directors and Staff of John Power & Son Ltd.,
in recognition of his outstanding service to the firm
1913 - 1959’, (c.497.7g). 26cm diameter

€ 200 - 300
4 A VICTORIAN SILVER STEM CUP,
London 1889, maker’s mark of William Hutton & Sons,
the cup with Wyvern fluting dividing panels of Rococo
Revival embossed foliate decoration to an orange
peel ground, the stem with beaded knop and
corresponding beaded spreading circular foot
inscribed “Presented by Matthew Flanagan For The
Best Registered Roscommon Ram At Roscommon
County Agricultural Shows 1901”, (c.311g). 24.5cm
high, 10cm diameter

€ 150 - 250
3 A REGENCY SILVER HOT WATER POT,
London 1816, maker’s mark of William Burwash,
of ovoid form, with ebon handle, the body partially
fluted, with gadroon border and stylised serpent
mounts, on waisted circular foot (c.870g)

€ 300 - 500
2 A GEORGIAN REVIVAL SILVER SALVER,
London 1892, maker’s mark of Thomas Bradbury &
Sons, of shaped circular form, with gadroon
rim and claw and ball feet (c.528.8g). 25.5cm
diameter

€ 250 - 350

15
6 A LARGE VICTORIAN SILVER PRESENTATION MONTEITH,
London 1899, maker’s mark of Charles Stuart Harris, the wavy raised cast figural rim sur
mounted at intervals by heads of putti within chased and engraved scrolling decoration, over
a beaded and ribbed bowl applied with central feathered cartouche and bold cast lion mask
ring handles to either side, raised on spreading gadrooned circular base, the cartouche
inscribed “Royal Dublin Society Sheep Show Challenge Cup For The Best Three Shearling
Rams In The Roscommon Classes Bred and Owned By An Exhibitor President in Ireland”, the
bowl also bearing inscriptions to the underside “Won By 1913 George R. Acheson”, “won By
1919 George R. Acheson”, “Won By 1920 George R. Acheson”, (c.2,301.6g). 24.5cm
high, 28cm diameter
€ 1,500 - 2,500

16
10 A COLLECTION OF SILVER ITEMS,
comprising
a pair of Georgian Revival sauce boats, Sheffield;
a pair of trencher salts, Sheffield, with foliate cast
borders; and a pair of George III silver salt cellars, of
circular form, London, on shell capped scroll supports
and pad feet (c.311g)
€ 300 - 500
9 A MODERN FOUR PIECE SILVER TEA SERVICE,
Birmingham 1937, maker’s mark of Elkington & Co.
Ltd, comprising tea pot, hot water pot, cream jug and
sugar bowl, each of octagonal form, with in-turned
canted corners, and engraved with
corresponding initials, the tea and hot water pots
each applied with domed hinged lid, ebon handle
and finial, (c.1679.5g all in). The teapot 9.5cm high,
26cm wide over handle and spout; together
with a silver plated serving tray in the Celtic Revival
taste, also engraved with corresponding initials and
dedication verso “From the Staff to Bob on the
occasion of his wedding, September 1937”. (5)
€ 400 - 600
8 A LARGE IRISH SILVER PRESENTATION SALVER,
Dublin 1926, mark of West & Son, of shaped circular
form, with raised shell and scroll border, raised on
four scroll feet, the reserve inscribed ‘To James
Richardson From his Friends at John’s Lane Distillery
on the Occasion of his Marriage 29th October 1927’
and further inscribed with signatures, (c.2,053g).
44.5cm diameter
€ 1,000 - 1,500
7 AN EDWARDIAN SILVER THREE HANDLE TROPHY
CUP, London 1904, maker’s mark of Josiah Williams
& Co., of plain design, inscribed “Royal Dublin Society
Sheep Show, For The Best Three Shearing Rams In
The Roscommon Classes bred and owned By an
Irish Exhibitor”, on spreading circular base, (c.964g).
22cm high, 21cm wide over handle
€ 500 - 700

17
11 A GEORGE III IRISH SILVER COFFEE POT,
Dublin 1795, maker’s mark of John Lloyd, of circular baluster form, the hinged dome lid with spiral finial and
gadroon rim, having timber handle and cast spout, engraved with a crest and motto ‘Fidus et Audax’, and raised on
spreading foot. 30.6cm high (c.1,057g including handle)
€ 800 - 1,200

18
12 A SET OF TEN GEORGE III STYLE IRISH BRIGHT
CUT SILVER TAPERING HANDLE FRUIT SPOONS,
Dublin 1907, retailed by Weir & Sons. (256g)
€ 100 - 200
13 A SET OF ELEVEN VICTORIAN SILVER FIDDLE
PATTERN TABLE SPOONS,
London 1817, maker’s mark of Josiah Williams & Co
(George Maudsley Jackson & David Landsborough
Fullerton) (c.750g)
€ 500 - 700
14 AN IRISH GEORGE III BRIGHT CUT SILVER
TEASPOON BY WILLIAM TEULON
c. 1795; together with a fiddle pattern teaspoon by
Carden Terry and Jane Williams and a bright cut
mustard spoon, possibly John Warner, Cork,
stamped sterling.
€ 100 - 200
15 A PAIR OF IRISH GEORGE III POINTED HANDLE
BRIGHT CUT SILVER DESSERT SPOONS
Limerick, c.1780, mark of by Patrick Connell (c.50g)
€ 300 - 400

19
16 A SET OF EIGHTEEN IRISH GEORGE III SILVER
POINTED HANDLE TABLESPOONS,
Dublin 1794, makers mark of John Dalrymple, with
bright cut tapering handles; together with a similar
example, Dublin 1790, maker’s mark of John Pittar
(c. 1,259.7g)

€ 1,000 - 1,500

20
17 A MATCHED SET OF TWELVE GEORGIAN IRISH
SILVER POINTED HANDLE FORKS,
of various dates and makers, with bright cut tapering
handles (c.653.2g)
€ 400 - 600
18 A SET OF TWELVE AMERICAN STERLING SILVER
TABLE FORKS,
1909, maker’s mark of Shreve & Co., in the Shreve &
Co. ‘Adam Pattern’, the handles terminating with
neoclassical decoration and cartouches, some vacant,
others with crests; together with a dessert fork
example (c. 777.6g) (13)
€ 300 - 500
19 A SET OF SIX AMERICAN STERLING SILVER
HANDLE TABLE KNIVES,
c.1909, the handles stamped ‘STERLING’ and
terminating in neo-classical decoration in relief, the
steel blades stamped ‘Streve & Co.’; together with two
dessert knives of the same pattern (c. 560g
including steel blades) (8)
€ 200 - 400
20 A MATCHED SET OF TWELVE IRISH GEORGIAN
SILVER POINTED HANDLE DESSERT FORKS,
the tapering handles decorated with bright cut
engraving (c. 388.8g)
€ 250 - 350

21
21 AN IRISH GEORGE III HOOK BACK SERVING
SPOON,
Dublin 1751, maker’s mark of John Pittar, the
plain tapering handle terminating in a crest; together
with a George III Old English silver serving spoon,
London 1811, maker’s mark of Alice & George
Burrows II (c.223.3g in all). 27.5 cm long & 30.5cm
long
€ 400 - 600

22 A RARE WILLIAM III BRITANNIA STANDARD
SILVER TREFID TABLE SPOON,
London 1698, maker’s mark of Benjamin Watts,
with rat tail bowl, the tapered handle terminating in a
boar crest (c. 60g). 19cm long
€ 400 - 600
21
22

22
23 A SET OF SIX AMERICAN STERLING SILVER TABLE
SPOONS,
1909, maker’s mark of Shreve & Co. and
stamped ‘Shreve & Co. Sterling’ in the ‘Adam pattern’,
the handle terminating with Neo-classical decoration
and cartouche containing crest; together with eight
American sterling silver gumbo spoons of the same
suite (c.544.3g) (14)

€ 300 - 400
24 A SET OF TWELVE IRISH GEORGE III SILVER
DESSERT KNIVES,
Dublin (lacking date mark), maker’s mark of Richard
Sawyer, each handle engraved with crest (c.653g
including blades)
€ 300 - 500
25 A MATCHED SET OF TWELVE GEORGE III IRISH
SILVER POINTED HANDLE DESSERT SPOONS,
of various dates and makers, the tapered handle
decorated with bright cut engraving (c.342g).
€ 300 - 500
26 A PAIR OF IRISH GEORGE III SILVER OLD ENGLISH
PATTERN TABLE SPOONS,
Dublin 1780, maker’s mark of John Pittar, the
tapering handle terminal crested (c.155.5g)
€ 200 - 300

23
27 AN IRISH GEORGE III SILVER HOOK BACK SOUP
LADLE,
Dublin 1763, maker’s mark of Joseph Cullen,
with scallop shell bowl, the tapering handle
terminating with crest (c. 217.7g). 33.5cm long
€ 200 - 400

28 A PAIR OF IRISH GEORGE III BRIGHT CUT SILVER
MUSTARD SPOONS,
Limerick, mark of Thomas Burke (c.14g)
€ 150 - 250
29 AN IRISH PROVINCIAL SILVER POINT HANDLE
DESSERT SPOON,
Cork c.1770, makers mark of John Nicholson the
plain tapered handle terminating with unicorn crest,
struck ‘IN’ and ‘STERLING’ to the reverse (c. 18cm long;
together with a pair of Queen’s pattern sauce ladles,
Sheffield 1957, maker’s mark of Walker & Hall;
another queen’s pattern sauce ladle, London 1834,
maker’s mark of John James Whiting (c.249g). (4)
€ 200 - 400
30 A PAIR OF IRISH GEORGE IV SILVER FIDDLE
PATTERN SERVING SPOONS,
Dublin 1829, makers mark probably that of
Richard Garde (marks rubbed), of simple form,
each with crested handle (c. 155.5g).
c.24cm long
€ 200 - 400
27
29
28
30

24
31 A PAIR OF IRISH GEORGE III STYLE BRIGHT CUT
SILVER SAUCE LADLES,
Dublin 1904, of taper handle design; together with
a collection of eight assorted silver spoons (c.217.7g).
(10)
€ 120 - 180

32 A SET OF SIX IRISH GEORGE III SILVER TAPER
HANDLE TABLE FORKS,
Dublin 1820, maker’s mark of John Osborne, (c.342g).
Each 20cm long. (6)
€ 200 - 300
33 A SET OF SIX IRISH SILVER FIDDLE PATTERN
TEASPOONS,
Dublin 1884, maker’s mark of John Smith,
each engraved with initials; together with a set of six
silver taper handle teaspoons, London 1896,
mark of Josiah Williams & Co., also engraved
with initials; and two silver fish knives, (c.280g all in).
(14)
€ 120 - 180
34 A SET OF TWELVE SILVER PISTOL HANDLE
DINNER KNIVES,
Sheffield 1905, maker’s mark of Harrison
Brothers & Hawson, with stainless steel blades
€ 300 - 500

25
35 A VICTORIAN FOUR PIECE SILVER TEA AND COFFEE SERVICE,
Sheffield 1864, maker’s mark of Martin Hall & Co., comprising coffee pot, tea pot, sugar
bowl and creamer, each of conforming design, chased and embossed with scrolling
foliate decoration surrounding cartouches, each piece with applied cast ‘c’ scroll handles,
and raised on circular foot with beaded rim, the tea and coffee pots with finials
i formed as flower heads, the cream jug and sugar bowl with gilded interior
(c.2,239.5g). (4)
€ 1,500 - 2,000

26
36 A SET OF THREE GERMAN SILVER SIDE PLATES,
c.1880, 800 standard, maker’s mark of Jacob
Leser Straubing, each with plain centre and floral
embossed borders. 21cm diameter;
together with a set of three circular bowls by the
same maker
(c.1,493g in all)
€ 300 - 400
37 A 19TH CENTURY RUSSIAN SILVER AND NIELLO
WORK OBLONG SNUFF BOX,
maker’s mark of Fyodor Ivanov of Moscow, 84 zolotnik
(0.875 standard), in the form of a pouch,
engraved with an architectural scene on one side,
the other with vacant cartouche, 9.3cm long, 5cm
wide, 2cm deep; together with a continental 19th
century silver snuff box, of oblong shape with canted
corners, decorated with engraved geometric,
gilt interior. 9cm long, 4cm wide, 2.5cm high (2)
€ 300 - 500

27
38 A SILVER THREE PIECE TEA AND COFFEE SERVICE,
Sheffield 1911, mark of John Henry Potter,
comprising tea pot, pear shaped coffee pot and
cream jug, each of corresponding oblong form
with demi-fluted bodies, the tea and coffee pots
each applied with ebon finial and handle,
(c.1,555g all in). The coffee pot 25cm high, the
tea pot 27.5cm wide over handle and spout. (3)
€ 600 - 800
39 A FRENCH SILVER GILT AND NIELLO DECORATED
OBLONG SNUFF BOX
19th Century, the cover worked with a depiction
of castle ruins and townscape with gilt interior, Paris,
9cm wide; together with another French niello work
box of similar shape, decorated all over with
repeated geometric design, 9cm wide; and another
floral decorated silver and niello decorated snuff box
7.5cm wide (c.295.5g) (3)
€ 300 - 500
38

28
40 A CASED MODERN IRISH SILVER LETTER OPENER,
Dublin 1979, mark of Irish Silver Ltd., applied with oval
pierced cast Celtic Revival style decoration, (c.62g).
20cm long
€ 40 - 60
41 A COLLECTION OF FINE IRISH GEORGIAN SILVER
TABLE SPOONS,
comprising:
- a pointed handle George III spoon, Dublin 1791,
maker’s mark of John Shields
- a George III bright-cut engraved spoon, Dublin
(lacking date mark), maker’s mark of Arthur Murphy
- and three fiddle pattern silver spoons of various
dates and makers
(c.295.5g in all) (5)
€ 150 - 250
42 A PROVINCIAL SCOTTISH TABLESPOON IN THE
OLD ENGLISH PATTERN,
Aberdeen c.1774, maker’s mark probably that of
James Law (c.62g). 21cm long
€ 200 - 400
43 A COLLECTION OF 19TH CENTURY FIDDLE
PATTERN SILVER TABLE FORKS,
comprising an assortment of Irish and English
examples, some crested, with various dates and
maker’s marks (c.1,461.8g). (21)
€ 400 - 600

29
44 A CASED SET OF TWELVE SILVER TEASPOONS,
with taper handles and cast and engraved finial,
inscribed 1935; together with a matching sugar nips,
Sheffield 1925/27, mark of Walker & Hall; and a cased
silver Christening set, comprising a gilded spoon
and fork within cast and pierced handles, London
1894/95. (3)
€ 150 - 250
45 TWO SILVER JUBILEE CELEBRATION MEDALLIONS
MADE BY WORBOYS OF DUBLIN AND DESIGNED
BY PAUL VINCZE (1907-1944),
bearing a profile head of Padraig H. Pearse
1879-1916, and each contained within fitted
presentation case, (c.155.5g all in). Each 5cm
diameter. (2)
€ 150 - 250
46 TWO HALF SOVEREIGN GOLD COINS, 1887,
QUEEN VICTORIA, 1915, KING GEORGE V,
Diameter 18mm.
€ 250 - 350
47 A CAMEO PENDANT/BROOCH
The cameo depicting the face of a lady, yellow metal
unmarked and untested, length 3.5cm
€ 100 - 150

30
50 A STAINED OAK RECTANGULAR CANTEEN TABLE,
in the form of a 17th Century lowboy, of rectangular
form, fitted twin drawers, accommodating a suite
of Walker & Hall silver plated cutlery, twelve place
setting, taper handle pattern
€ 400 - 600
51 A FRENCH WHITE METAL TORTOISESHELL AND
MOTHER OF PEARL INLAID SNUFF BOX,
19th century, unmarked, of rectangular form,
the cover decorated with winged trophy and
arabesques, within a feathered border.
8 x 5.5cm; together with an early 19th Century
tortoiseshell and silver mounted snuff box,
of circular form. 8.5cm diameter
€ 300 - 500
52 A NATURALISTIC SILVER PLATED CENTREPIECE
DEPICTING A STAG BY TWO ENTWINED PALM
TREES, PROBABLY BY ELKINGTON & CO.,
on associated mirrored stand raised on three shell
feet and decorated with fruiting vines. 50cm high,
44cm diameter
€ 400 - 600
53 AN ELKINGTON STYLE CORINTHIAN COLUMN
SILVER PLATED TABLE LAMP AND SHADE,
raised on weighted stepped base.
Column 50cm high
€ 200 - 400
54 A SMALL CORINTHIAN STYLE COLUMN SILVER
PLATED TABLE LAMP AND SHADE,
the square weighted base with gadroon border and
leaf decoration. Column 32cm high
€ 100 - 200
51

31
60 AN AUTOMATIC STEEL BRACELET-WATCH ‘CLUB’,
BY JAEGER-LE-COULTRE
The blue dial with baton hour and minute markers,
steel hands, day-date at 3’clock, dial signed, bracelet
later replacement in stainless steel
€ 300 - 500
61 A PAIR OF EAR STUDS
Each colourless round shaped stones, mounted in
silver
€ 50 - 100
62 A LADY’S WATCH, CASED BY
HOPKINS & HOPKINS
The 15-jewel manual wind, the dial with Arabic
numerals, blued steel hands, movement signed
“Swiss Made”, case stamped 9K gold, the reverse
inscribed “To Cella from Dad, 19th May 1939,
21 years”, the elastic bracelet with links stamped 9K,
cased by Hopkins & Hopkins, Dublin

€ 200 - 400
63 A PAIR OF DIAMOND EARRINGS
Set with single-cut diamonds, each stamped
14K gold, approx. 7g total, cased Paul Sullivan
€ 80 - 120
60
62
61
61
63

32
64 A PAIR OF GOLD PENDENT EARRINGS
Designed as interlocking links, each stamped 9K gold,
length 3cm, cased Weir & Sons Dublin
€ 50 - 100
65 A BANGLE BRACELET
The bangle with engraved motifs, stamped 9K gold,
(possibly gold plated)
€ 150 - 200
66 A BRACELET WITH CHARM
A bi-coloured bracelet chain and a Victorian Gold
Sovereign charm
€ 150 - 200
67 A GOLD BRACELET
The gold gate-link bracelet with a heart-shaped
padlock clasp and security chain, mounted in 9K gold,
approximately 6g
€ 50 - 100

33
68 A SAPPHIRE AND DIAMOND LADY’S QUARTZ
WATCH, BY ANNE KLEIN
Of quartz Swiss movement, the mother-of-pearl
dial with Roman numerals at 12 & 6 o’clock,
steel hands, the bracelet links interspersed with
marquise-shaped sapphires, bracelet and case
mounted in steel, dial signed, cased by Anne Klein,
accompanied with a “lifetime” warranty
€ 150 - 200
69 A GOLD PLATED WATCH, BY OMEGA
The golden dial with batton markers, blackened steel
hands, the dial and buckle signed Omega
€ 150 - 200
70 A MALACHITE BEAD NECKLACE
The graduated malachite beads, to a silver clasp,
length approx. 57cm
€ 600 - 800
71 AN AMETHYST BEAD NECKLACE
The spherical amethyst beads, to a silver clasp, length
approx. 45cm
€ 300 - 600

72 A CARNELIAN BEAD NECKLACE
The spherical faceted carnelian beads, to a
silver clasp, length approx. 53cm
€ 500 - 600
73 A GROUP OF NINE CHARMS
Five charms depicting horses each stamped 9K gold,
two green hard stone charms each in the shape
of a horse head, one circular disc depicting a horse
head (white metal, unmarked), and one charm in the
shape of a Canadian leaf stamped 14K gold
€ 300 - 500

35
74 A CERAMIC BEAD NECKLACE
The graduated and colourful ceramic beads,
interspersed with smaller plastic beads, length
approx. 92cm
€ 50 - 100
75 TWO BANGLE BRACELETS
One bangle mounted in yellow metal and
malachite, the other bangle mounted as a
colourless and green hardstone
€ 100 - 200

36
76 TWO RINGS
One ring set with three green stones at the centre,
stamped 18K gold, ring size N; The other ring set
with a brown semi precious stone, possibly garnet,
yellow metal unmarked and untested, ring size J

€ 100 - 200
77 A GOLD, PERIDOT AND PEARL BANGLE
The bangle set with a round-shaped peridot and
two seed pearls at the centre, stamped 9K gold
€ 150 - 200
78 A GOLD AND DIAMOND NECKLACE
The fancy-link necklace set with a round-shaped
diamond at the centre, clasp stamped 14K gold
€ 100 - 200
79 A GROUP OF JEWELLERY
Comprising of a ring set with 5 old cushion-shaped
diamonds weighing approx. 0.15ct total, ring size N;
a plain wedding band mounted in 18K gold, ring
size R; another plain wedding band mounted in 18K
gold, ring size M; a ring set with three old cushion-cut
diamonds and two similarly-cut sapphires, mounted
in 18K gold, ring size L 1/2; a ring set with three old
single-cut diamonds, mounted in 18K gold, ring size
M; a ring set with an oval-cut green stone, ring
size N; a chain suspending a star pendant set with
seed pearl and a cabochon turquoise at the centre
both stamped 9K gold
€ 650 - 850
76
78
77
79

37
80 A GOLD NECKLACE
The articulated necklace composed of a series of
yellow gold links, stamped 18K gold, length 41cm,
approx. 35g
€ 600 - 800
81 A SUITE OF PEARL AND GARNET JEWELLERY
Comprising of a pearl necklace suspending an
oval-shaped pendant locket set with garnet and seed
pearls, the clasp stamped 18K gold with
single-cut diamonds; a pair of pearl and garnet
earrings stamped 9K gold; and a brooch set with
garnet, in yellow unmarked metal.
* PLEASE NOTE THE PEARLS HAVE NOT
BEEN TESTED FOR NATURAL ORIGIN
€ 800 - 1,000
82 A LAPIS LAZULI AND GOLD BRACELET
The fancy-link bi-coloured chain interspersed with
round cabochon lapis lazuli, stamped 18K gold,
length 18cm, with case from Weir & Sons

€ 350 - 450
83 A PEARL NECKLACE
Composed of one strand of baroque-shaped pearls,
clasp stamped 9K gold, length 33.5cm
* PLEASE NOTE THE PEARLS HAVE NOT
BEEN TESTED FOR NATURAL ORIGIN
€ 200 - 400

38
90 A PAIR OF UNUSUAL 19TH CENTURY CAST IRON
GARDEN SEATS,
formed from naturalistic cast leaves and branch on
tripart leaf scroll legs.
€ 500 - 800
91 A VICTORIAN CAST IRON TWO SEAT
FERN PATTERN GARDEN
BENCH AFTER COALBROOKEDALE;
150cm wide; together with a matching tub back chair.
€ 800 - 1,200
92 A 19TH CENTURY CAST LEAD FIGURE OF A
YOUNG BOY PLAYING A FLUTE
56CM HIGH
€ 400 - 600
93 A CAST LEAD FIGURE OF A CHERUB HOLDING A
BOW
97CM HIGH
€ 400 - 600

39
94 SALLY ARNUP (1930-2015)
A Running Springer Spaniel
Bronze, on marble base, 81cm wide
€ 2,000 - 3,000

40
95 A PAIR OF CAST IRON GARDEN SEATS,
the pierced back and sides formed as fern leaves and
with slatted seats raised on side supports,
114cm wide
€ 1,000 - 1,500
96 A GREEN MARBLE CIRCULAR COLUMN,
the flared top raised above fluted section and
stepped octagonal base. 110cm high
€ 300 - 500
97 A NATURAL HISTORY CORAL SPECIMEN,
contained within Victorian glass dome case.
The case 49cm wide x 40cm high
€ 200 - 300

41
98 19TH CENTURY SCHOOL
Half length portrait of a young boy with long hair,
wearing a green jacket and red wrap
Oil on board, 60 x 44cm
€ 300 - 500
99 19TH CENTURY BRITISH SCHOOL
Setting Off, A family departing on horseback from a
cottage
Oil on canvas, 39 x 47cm
€ 400 - 600
100 H. MARTIN (A PSEUDONYM USED BY EUGENE
JOSEPH MCSWINEY, 19TH CENTURY)
‘Mother and child by a lakeside at evening’ and
‘Woman walking on a country path’
A pair, oil on canvas, 61 x 30cm
Signed
€ 1,000 - 1,500

98 99

42
102 A PAIR OF BRONZE URNS
with flanking putto and basket weave banding on
square marble bases. 32cm tall
€ 600 - 1,000
103 AN EDWARDIAN BRASS CASED CARRIAGE CLOCK,
of compact proportions, with French movement, the
face of delicately painted enamel inscribed
‘Sharman D. Neill Ltd., Belfast’. 12cm high
€ 150 - 200
104 A MARBLE AND LIMESTONE MODEL OF A
LIGHTHOUSE,
of circular tapering form, raised on a rocky outcrop
base, electrified as a table lamp. 43.5cm high
€ 100 - 200

43
105 AFTER GIAMBOLOGNA (19TH CENTURY)
A pair of bronze figures of Mercury and Fortuna,
each delicately balanced on one foot, Mercury
holding a caduceus, Fortuna with a trumpet, raised
on a Sienna marble base.
82cm and 79cm high
€ 2,000 - 3,000

44
106 A PAIR OF EDWARDIAN BRASS CORINTHIAN
COLUMN STANDING LAMPS,
with adjustable central rod, raised on platform
base and claw feet, with fringe shades.
Approx. 190cm
€ 200 - 400
107 A 19TH CENTURY MAHOGANY LONGCASE
CLOCK,
signed ‘William Polson Hampstead’,
the shaped domed hood surmounted with later
gothic features, above brass dial with foliate case
decoration, Roman numerals, the waisted body
with flame mahogany decoration, raised on a plat
form base. 226cm high
€ 400 - 600

45
108 A LATE 19TH CENTURY GILTWOOD AND GESSO
RECTANGULAR OVERMANTLE MIRROR,
with ropetwist edged corner, frieze with central
rosette and bellflower swags, above
tri-compartmented mirror plate,
flanked by Corinthian pilasters. 68 x 166cm
€ 300 - 500
109 A GEORGE IV STYLE SEMI ELLIPTICAL GILTWOOD
MARBLE TOP CONSOLE TABLE,
the white marble top with painted floral decoration,
above fluted frieze, mounted with rosettes above
turned fluted legs. 100 x 38.5cm
€ 300 - 500

46
110 A YOMUT RED GROUND WOOL RUG,
TURKOMEN C.1900,
the rectangular field woven into four panels each
filled with multiple octagon motifs and separated by
geometric divisions, with broad fringe border to each
end. 163 x 124cm
€ 300 - 500
111 A FLAT-WEAVE WOOL CARPET, 20TH CENTURY,
of rectangular form, with beige centre field woven
with three hooked lozenges surrounded by birds,
animals and figures, contained within three narrow
outer borders and barber pole side cords. 202 x
114cm
€ 300 - 500
110

47
112 STEPHEN CATTERSON SMITH RHA (1806-1872)
West of Ireland Landscape
Oil on canvas, 37 x 62.5cm
Signed and dated 1885
€ 500 - 700
113 A 19TH CENTURY EBONISED CREDENZA,
the plain top with thumb moulded and bead rim,
above shaped frieze with geometric floral decoration
and centre glazed door, with shelved interior, flanked
by covered drawers, each centred with brass mounts
framing porcelain plaques depicting figures in an
exterior, the base with brass beading, raised on
turned feet. 103 cm high x 82cm wide
€ 700 - 1,000

48
115 AN IRISH GEORGE IV MAHOGANY STRONG BOX,
DATED 1828,
with brass bracket side handles and hinged top inset
with brass plaque ‘’Corporation of Curriers, 1828’’.
97cm wide
*The interior set with three individual lock plates, each
requiring the respective key bearing members of the guild to
be present to enable the opening of the box*
€400 – 600
116 A PAIR OF ITALIAN GILT WOOD WALL MIRRORS
of cartouche form with oval mirror plates, 53 x 41cm
€ 500 - 800
117 A CAST BRASS STANDARD LAMP,
the column decorated with vertical bands of
trailing foliate motifs, raised on a circular base with
geometric pattern. 132cm high
€ 300 - 500

49
118 A LATE VICTORIAN ROYAL WORCESTER BLUSH
PORCELAIN LYRE CASED MANTLE CLOCK,
the gilded dial within a foliate wreath and raised on
an octagonal platform base, No.1385 inscribed
underneath. Listed in Henry Sandon (1973) as ‘Lyre
clock case, hexagon stand’, dated 1889, ‘rare’’.
46cm high
€ 400 - 600
119 TWO LATE VICTORIAN OVOID CHINA
DECORATIVE JUGS,
the pale ground decorated with polychrome foliate
sprays with gilt highlights. 23.6 x 19cm high;
together with a Chinese Qing porcelain baluster vase,
decorated with peonies and birds. 12.5cm high. (3)
€ 150 - 250
120 A PAIR OF LATE 19TH CENTURY MEISSEN PORCELAIN FIGURES,
modelled as a shepherd and shepherdess, After models by M.V. Acier and J.C. Schönheit, the shepherd leans in against a
tree stump while reaching for a sealed envelope around a pigeons neck, the shepherdess carries a bird cage containing a
song bird over her shoulder, both figures with a lamb at their feet, raised on circular bases, moulded with stylised Greek
Key, the entire hand painted, each incised with model number ‘F.73’ and crossed swords marks to underside. The
Shepherd 19.1cm high; the Shepherdess c.18.4cm high
€ 500 - 700

50
121 FREDERICO MAZZOTTA (1839-1897)
Children Feeding Fowl in a farm with their Mother
Oil on Canvas, 61 x 49cm
€ 1000 - 1500
122 A GEORGE III INLAID MAHOGANY COMPACT
SIDEBOARD
of bowfront form, central frieze drawer flanked by
cupboards, decorated satinwood banding, on
square tapering legs with plinth feet.
110cm wide, 55cm deep
€ 700 - 1000

51
123 CECIL KENNEDY (1905-1997)
Still Life with Wine Cooler and Flowers
Signed
Exhibited at Royal Academy 1955, No 155
Provenance: McConnell Mason, London
€ 6,000 - 10,000

52
124 A GEORGE III MAHOGANY GAINSBOROUGH
ARMCHAIR,
the back and splat upholstered in red patterned
damask, the armrests with acanthus carved supports,
raised on cabriole legs with paw feet. 70cm wide
€ 2000 - 4,000

53
125 A GEORGE II INLAID WALNUT FOLDING TOP
SECRETAIRE CHEST,
the fitted interior raised on a chest of four long
graduated drawers and bracket feet.
81cm high, 85cm wide, 41cm deep
€ 1,500 - 2,500

54
126 A GEORGE III MAHOGANY FRAME TUB BACK
TWO SEATER SOFA,
upholstered in pink damask, raised on square
fluted tapering legs with castors. 146cm wide
€ 800 - 1200
127 A GEORGE III MAHOGANY TALL BOY CHEST ON
CHEST,
the dentil moulded cornice above blind tracery and
a chest of two short and six long drawers, flanked by
fluted pilasters and bracket feet.
110cm wide, 198cm high, 98cm deep
€ 3,000 - 5,000

56
128 A 19TH CENTURY ITALIAN CARVED GILT WOOD
TABLE MIRROR
of shell form decorated with acanthus leaves on
carved paw feet.
36 x 38cm
€ 200 - 300
129 A REGENCY INLAID ROSEWOOD SIDE CABINET,
with brass arabesque panels with frieze drawing
and twin panel doors with fabric insets, raised on
scroll feet. 113cm wide, 33cm deep
€ 1500 -2000

57
129 A GEORGE III CARVED GILTWOOD OVAL MIRROR,
the beaded frame surmounted by a rosette
within a border of continuous trailing bellflowers
and fluted border. 97 x 73cm
€ 1,500 - 2,000

58
130 A GEORGE III BLACK AND GILT JAPANNED
TIMBER LONGCASE CLOCK,
c.1760, with arched top supported on twin pillars
enclosing a brass and steel dial, inscribed ‘John Dene,
London’, the entire profusely decorated in the
chinoiserie taste with figures and animals in
landscapes. 229cm high x 49cm wide
€ 2,000 - 3,000
131 A GEORGE II WALNUT AND PARCEL GILT WALL
MIRROR,
the stylised swan neck pediment centred by a carved
gilt eagle above gilt cornicing, the shaped
rectangular plate flanked by gilt trailing
foliage with a shaped apron base.
148cm tall, 73cm wide

€ 3,000 - 5,000

60
132 A PAIR OF GEORGE III INLAID SATINWOOD SIDE CABINETS,
the raised open shelves above single frieze drawer and two cup
board decorated with rosewood banding, and raised on splayed
feet. 78.8cm wide, 41cm deep, 112cm tall
€ 2,500 - 3,500

61
133 CECIL KENNEDY (1905-1997)
Still Life with Vase of Flowers (Glass)
Provenance: McConnell Mason, London
€ 5000 - 7000

62
134 JAMES MALTON (1761-1803)
A set of twenty-five views of Dublin in hand
coloured aquatints
‘’A Picturesque and Descriptive view of the City of
Dublin’’
Frames 30 x 42.5cm
€ 8,000 - 10,000
James Malton is thought to have lived in Dublin druing the 1780s with his father Thomas Malton, an architectural
draughtsman and teacher. According to the Publius source he was apprenticed to James Gandon, the famous
architect, at the age of 17 in 1781. Malton’s apprenticeship to Gandon was terminated after three years by mutual
consent, after which he moved to London, working from there with frequent visits back to Dublin. Malton engaged
on his grand project to produce his ‘’Picturesque Views of Dublin’’, on a scale hitherto unknown even in London.
Dublin pre-Act of Union in 1800 was of course an incredibly rich and vibrant city at the zenith of its financial and
cultural powers, and so to Malton it must have appeared ripe for acceptance of such a publication to celebrate its
status as the city second only to London. The book was published in six parts by subscription, as was the custom
starting in 1792. The painting itself was carried out in London The book proved in part to be too great an under-
taking for Malton, and he could not have foreseen the exodus which took place in the city after the Act of Union in
1800. He died in 1803 in London at the age of 38 of a brain fever, and undoubtedly did not reap the rewards of his
endeavour.

66
135 CONTINENTAL SCHOOL (20TH CENTURY)
‘View of Santa Maria della Salute, Venice, with
Gondoliers’
In a giltwood and gesso frame with trailing roses
€ 500 - 700
136 A PAIR OF GEORGE III STYLE WALNUT
ARMCHAIRS
upholstered in patterned damask on cabriole legs
with pad feet
€ 1000 - 1500

67
137 MELCHIOR D’HONDECOETER (1636-1695)
A Graphic of Fowl and Goat with Sleeping Spaniel
and Sheep
€ 1000 - 1500

138 A 19TH CENTURY MAHOGANY SERPENTINE SIDE
TABLE,
in the George III taste, the plain top raised above
three cockbeaded frieze drawers, the sides with faux
drawers, all with brass drop handles and raised on
two shaped column front supports. 179cm wide x
85cm deep
€ 500 - 1,000

68
139 HENRY BROCAS (C.1790-1846) AFTER SAMUEL FREDERICK BROCAS
Twelve Views of Dublin
Colour etchings, each approx. 27 x 42cm
€ 3,000 - 5,000

70
140 BASIL BRADLEY R.W.S (1842-1904)
White Goats on Cliff top
Watercolour, 45 x 72cm
Signed and dated 1870 in original frame
€ 400 - 600
141 STYLE OF HERMANUS KOEKKOEK JNR
Shipping off the Dutch Coast
Old label verso
€ 500 - 700

71
142 STUDIO OF GEORGE LANCE (1802-1864)
Still life of fruit
Signed and dated by pupil Stuart, 1853;
also signed by George Lance
€ 400 - 600
143 CONTINENTAL SCHOOL
‘View of Florence’ and ‘View of Rome’
A pair, oil on canvas, 28 x 38cm
€ 800 - 1,200
142
143

72
144 IRISH SCHOOL EARLY 19TH CENTURY
Portrait of a Gentleman in a Dark Blue Coat and
another example
Watercolour on Ivory, 8 x 7cm
Both in carved giltwood frames with labels verso,
R & W Clarke, Cork (2)
€ 150 - 250
145 IRISH SCHOOL EARLY 19TH CENTURY
Portrait of a Lady and a Young Gentleman,
Watercolour on ivory, a pair 4.5cm diameter
With initials C. R
Both in carved giltwood frames with labels verso R &
W Clarke, Grand Parade Cork
€ 150 - 250
144
145

73
146 ARCHIBALD THORBURN (1860-1935)
Grouse in a wood “Beaters Approaching”
Gouache, 17 x 17cm
Signed
€ 1000 - 1500
147 ARCHIBALD THORBURN (1860-1935)
Ducks in Reeds “Little Grebe”
Signed
Original Illustration for Lord Lifford’s ‘Colonel Figures
of the Birds of the British Isles’.
Provenance: The Tryon Gallery, London.
€ 1000 - 1500

74
148 NILS HANS CHRISTIANSEN (1866-1945)
A Wintry Tree Lined Road and Figures Waiting by a
River
A pair, signed
€ 1000 - 1500
149 A GEORGE III MAHOGANY FRAMED FOUR SEAT
CAMEL BACK SOFA,
upholstered in striped cream fabric, the outscrolling
arms carved with trailing flowers and scrolls, raised on
square chamfered legs with stretcher. 225cm wide,
100cm deep, 115cm high
€ 2,000 - 3,000
148

75
150 ENGLISH SCHOOL (18TH CENTURY)
Thomas Smith, Deputy Bailiff of Hallamshire
Inscribed verso
€ 500 - 700
151 A GEORGE IV MAHOGANY AND PARCEL GILT
CHAISE LONGUE,
c.1825, of classical design with raised scroll end
supports and loose oblong cushion, covered in a
cream striped upholstery, on fluted tapering legs, with
leaf cast mounts and castors. 220cm long
€ 3,000 - 5,000
150

76
152 A GEORGE IV MAHOGANY AND PARCEL-GILT
RECTANGULAR LIBRARY TABLE,
the moulded rim above two frieze drawers, raised
on leaf carved end supports with carved and
turned cross stretcher on reeded scroll feet.
135 x 68cm
€ 1,000 - 1,500

77
153 ANTOINE MONNOYER (1670-1747)
Still Life with Urn of Flowers
Provenance: Collection of Hon. Marquess of
Carishbrooke; McConnell Mason, London
€ 6,000 - 8,000

78
154 A PAIR OF VICTORIAN MAHOGANY HALL
CHAIRS,
the circular open backs with vacant shield, the
shoe carved with scrolls, above plain seat and apron,
raised on turned tapering legs.
89cm high (2)
€ 300 - 500
155 A 19TH CENTURY MAHOGANY RECTANGULAR
CHEST
of four long drawers with brass handles on bracket
feet. 83 x 47cm
€ 200 - 300
156 A VICTORIAN MAHOGANY RECTANGULAR
BEDSIDE TABLE
with single frieze drawer on square tapering legs with
under tier.
66 x 40cm
€ 100 - 200
157 A VICTORIAN MAHOGANY CHEST OF FOUR
LONG DRAWERS
with brass inlay on bracket feet.
92 x 47cm
€ 500 - 800

79
158 A 19TH CENTURY CARVED WASH STAND
with under-tier and fitted drawer. 60cm wide
€ 200 - 300
159 A GEORGE III MAHOGANY TAMBOUR TOP
WRITING DESK,
c.1800, the arched tambour side enclosing a fitted
interior with ratchet action adjustable writing panel,
candle slides and an arrangement of pigeon hole
compartments, over two short frieze drawers flanked
by pull-out slides to each side, on squared legs and
castors. 94cm wide x 74cm deep
€ 400 - 600
160 A GEORGE IV MAHOGANY BOWFRONT
COMMODE,
the tray top above twin panel drawer in a two drawer
pull out fascia pot drawer, on bracket feet.
60 x 50cm deep
€ 500 - 700
161 A GEORGE IV MAHOGANY RECTANGULAR
CELLARETTE,
with flat domed lid above a tapering fielded body,
raised on carved paw feet. 77 x 56 x 53cm high
€ 300 - 500

162 A LATE 19TH CENTURY BI-CENTENARY ALE
GLASS,
of conical form, engraved with King William on horse
back and commemorating the Battle of the
Boyne - 1st July 1690.
15.6cm high
€ 100 - 200
163 A COLLECTION OF TWENTY-TWO 19TH CENTURY
PLAIN AND ENGRAVED ALE AND LIQUEUR
GLASSES,
in the Georgian taste, some with air twist stems.
Ranging from 11cm to 17cm high. (22)

€ 400 - 600
164 A PAIR OF 19TH CENTURY ENGRAVED GLASS
VASES,
c.1880, of trumpet form, decorated with fern trails to
a flared rim, on domed circular foot.
37.5cm high
€ 200 - 300
165 A SET OF FOUR ENGLISH HAND PAINTED
CIRCULAR CHINA PLATES,
the off white ground decorated with hand painted fish
on riverbanks, within gilt border, signed H. Mitchell
€400-600
162
163
164

81
166 AN EARLY VICTORIAN MASON’S IRONSTONE
FOURTEEN PLACE SETTING DINNER SERVICE,
comprising fourteen each of soup dishes, side plates
and dessert plates; twenty-eight dinner plates; twin
handled soup tureen and cover; sauce tureen, cover
and stand; a pair of oval entree dishes, covers and
stands; and four graduated serving dishes - from
33cm to 52cm long; decorated in the traditional Imari
pattern in burnt orange, deep blue and gilt, retailed
by Higginbotham, Thomas & Co., Dublin.
(85 pieces)
€ 2,000 - 4,000
165

82
167 A JAPANESE BLUE AND WHITE CHARGER,
19th Century, painted with ducks and fish amongst
reeds, between cobalt blue bands, highlighted in gilt,
4 character mark. 34cm diameter.
€ 100 - 150
168 A JAPANESE KO-IMARI DISH, 18TH CENTURY,
of shallow circular form, with lobed rim and
painted with flower heads and reeds within twin
concentric bands, 26cm diameter;
together with another smaller example; and a
Japanese 19th Century bowl, 22cm diameter. (3)
€ 300 - 500
169 A LARGE CHINESE PORCELAIN BLUE AND WHITE
STORAGE JAR AND COVER,
in the Ming style, the baluster shaped body decorated
with dragons in flight above a band of rolling waves.
49cm tall
Provenance: Purchased in London in the 1950s by
the current vendor.
€ 500 - 700
170 A LARGE JAPANESE IMARI BOWL, 19TH
CENTURY,
decorated in blues and rusts, with birds and foliage
on a white ground, signed beneath. 40cm diameter
€ 300 - 500

83
171 A MID-VICTORIAN GEORGE JONES ENGLISH
MAJOLICA CHEESE DOME AND STAND,
in the ‘Rustic’ pattern, of cylindrical form moulded
as a staved barrel, decorated with meandering apple
blossom, the lid with twisted branch handle, on a
raised circular dish base. 21cm high overall, 30.5cm
diameter (dish)
Reference: Audrey Dudson, ‘Cheese Dishes’,
page 57, pl.28.
€ 250 - 400
172 A PAIR OF FRENCH CELADON, PORCELAIN AND
BRASS MOUNTED CANDLESTICKS,
20TH CENTURY,
of naturalistic design, each formed as a bird perched
on a knarled branch rising to a flower head socket,
supported on leaf cast circular base. 32.5cm high
€ 600 - 800

84
173 CARL REICHERT (1836-1918)
Children playing with Dog and puppies
Oil on panel, 32 x 41cm
Signed
€ 800 - 1,200
174 SWISS SCHOOL (19TH CENTURY)
A Mountain River Valley with Buildings and Figures,
the Tower Clock cut out to receive a time piece
Signed ‘G. Rosfelle 1840’
€ 500 - 1,000
175 ATTRIBUTED TO F.R. LEE (1798-1879) & T.S.
COOPER (1803-1902)
Cattle Watering under Trees
€ 800 - 1,200
176 LAJOS KUBANYI (HUNGARIAN SCHOOL, 1855-
1912)
Winter Scene, Travelling by Sleigh
(Unframed)
€ 1,000 - 1,500

85
177 C. BARMOLU AFTER TITIAN
‘Amor Sacro e Amor Profano’
Signed indiscreetly
€ 700 - 1,000
177 A FRUITWOOD FRAMED GENTLEMAN’S READING
CHAIR,
of tub back form, with reading stand, on cabriole legs
€800-1,200

86
179 A 19TH CENTURY CUT GLASS JUG,
with fluted rim and C-scroll handles cut with bold
pillar flutes. 21cm tall, 22cm wide over handle and
spout
€ 200 - 500
180 A 19TH CENTURY CUT GLASS JUG,
of baluster form with diamond fold banding, and
c-scroll handle. 17cm tall x 21cm wide over handle
and spout
€ 200 - 500
181 A 19TH CENTURY CUT GLASS URN SHAPED
HONEY POT AND COVER,
raised on circular lobed moulded foot, the entire with
flat-cut decoration.
17cm tall
€ 200 - 500
182 A 19TH CENTURY CUT GLASS BISCUIT BARREL
AND COVER,
of circular form with domed lid and facetted finial, the
fluted body decorated with a central band of
wheel-cut trailing bellflowers, with corresponding
decoration to the lid.
18.5cm
€ 200 - 400

87
183 ATTRIBUTED TO FRANCIS BARLOW (1626-1704)
Peregrine and Other Birds
Oil on canvas, 89.5 x 74.5cm
Provenance: With the Tyron Gallery, Dover Street,
London.
€ 2,000 - 4,000
184 AN IRISH GEORGE III MAHOGANY SHAPED
RECTANGULAR CARD TABLE,
the folding top with rounded corners, the baise lined
interior with candle stands and counter wells, above
a plain frieze and raised on cabriole legs and pad feet.
84cm wide x 42cm deep
€ 1,000 - 1,500

88
185 A FRENCH ORMOLU AND COBALT BLUE
TWO-HANDLE JARDINÈRE,
in Louis XVI taste, with raised leaf cast rim and reeded
masked side handles, encircled with ribbon tiedfloral
swags raised on a domed circular foot.
39cm high, 46cm across handles
€ 250 - 350
186 A FRENCH BRASS AND ROUGE MARBLE
TWO-TIERED JARDINÈRE STAND,
of squared upright form, with bound tubular supports
on out-turned scroll feet. 80cm high
€ 120 - 160
187 A FRENCH BOULLE THREE PIECE CLOCK
GARNITURE
€ 300 - 500
188 A VICTORIAN EBONISED BURR WALNUT AND
MARQUETRY SHAPED ÉTAGÈRE,
with metal gallery and mounts. 78 x 49cm
€ 250 - 400

89
189 A LOUIS XV SCARLET BOULLE-WORK AND
ORMOLU BRACKET CLOCK
the gilt dial set with individual enamel numerals, the
frame cast with leaf scrolls and beading. 75cm high
€ 600 - 1,000

90
190 A LATE GEORGE III MAHOGANY CANTERBURY,
of plain rectangular form, with four slatted
compartments above a single cockbeaded drawer
with brass knop handles and raised on
turned legs and brass castors. 49 x 35.5 x 52cm high
€ 300 - 500
191 A GEORGE IV INLAID MAHOGANY OCTAGONAL
LIFT TOP WORK BOX,
the crossbanded top above a dummy drawer and a
well fitted drawer, with brass knop handles and raised
on square tapering legs. 46 x 34 x 75.5cm
€ 300 - 500
192 A STAINED WOOD CHINOISERIE DISPLAY
CABINET,
Early 20th century, with an open pagoda top above
a drawer with a bevelled glazed, velvet lined vitreen
cabinet, on platform base, shaped and canted paw
feet. 61cm wide x 44cm deep x 150cm high
€ 600 - 800
193 A GEORGE III MAHOGANY SERPENTINE FOLDING
TOP TEA TABLE,
with moulded rim and outpointing corners, the
apron with inset cockbeaded drawer with brass drop
handle and raised on channelled square tapering
legs. 90 x 46 cm (closed) x 74cm high
€ 700 - 1,000

91
194 A VICTORIAN STYLE MAHOGANY FOUR POSTER
BED,
with fluted baluster columns above shaped moulded
headboard, inset with four panels and painted shell
decoration. 210cm wide, 250cm high, 230cm long.
€ 800 - 1,200

92
195 AN IRISH MAHOGANY AND MARBLE TOP SIDE TABLE,
in the Georgian manner, fitted with pale cream marble above a blind-fret
frieze carved with vitruvian scrolls and centred by opposing c-scrolls ,
acanthus leaves and rockwork, the legs boldly carved with lion mask legs
and scrolled paw feet,
214 wide x 86 deep x 91 cm high
€ 8,000 - 12,000

94
196 ITALIAN SCHOOL, 19TH CENTURY
An extensive sunset landscape with figure by a bridge
Oil on canvas, 63.5 x 76cm
€1,000 – 1,500

95
197 ATTRIBUTED TO ROBERT HUNTER (18TH
CENTURY)
Portrait of a gentleman, Standing Three Quarter
Length within a Caribbean landscape
Oil on canvas, 127 x 102cms
€ 1,000 - 1,500

96
198 A LARGE LATE 19TH CENTURY MAHOGANY
ELLIPTICAL DOUBLE DROP LEAF HUNTING
TABLE,
raised on square gate-leg supports. 336cm long
€ 5,000 - 8,000

97
199 A SET OF TWELVE GEORGE IV MAHOGANY
FRAMED DINING CHAIRS,
the curved rail back with foliate scroll carved crest
and terminals, pierced lower rail, concave fronted
drop-in seats and raised on beaded hexagonal
tapering legs
€ 3,000 - 5,000

98
201 AN IRISH GEORGE III MAHOGANY SHAPED
RECTANGULAR SILVER TABLE,
the disked top above a serpentine frieze centred by a
scallop shell, raised on cabriole legs. 72 x 54cm
€ 1,000 - 1,500
200 DUNCAN MACKELLAR RSW (1849-1908)
Puzzled, Two men playing draft in an interior

€ 1,500 - 2,500

99
203 A REGENCY ROSEWOOD RECTANGULAR
BREAKFRONT SIDE CABINET,
with white marble top above four brass wire grille
panel doors, flanked by parcel gilded pilasters with
bas relief carved capitals and stepped bases, raised
on platform base.
€ 4,000 - 6,000
202 FREDERICK JAMES ALDRIDGE
(1850-1933)
Square rigged ships moored at a
quayside
Oil on canvas, 76 x 63.5
Signed and dated (18)’98
€ 1,500 - 2,000

100
204 H. MERIUS (19TH CENTURY SCHOOL)
Evening, Waiting the Return
Signed and dated (c.)1851
Inscribed label with title verso
€ 700 - 1,000
205 A GEORGE III MAHOGANY FRAMED HUMP BACK
TWO SEAT SOFA,
with scroll arm supports, upholstered in green
pattern silk damask, raised on slender cabriole legs
and scroll feet. 155cm wide
€ 2,000 - 4,000

101
206 ABRAHAM HULK (1813 - 1897)
Fishermen and Ships at Sunset
Signed
Provenance: W. H Patterson, London
€ 3,000 - 5,000
207 A REGENCY ROSEWOOD RECTANGULAR SIDE
CABINET,
the white crossbanded rosso antico marble top
above a breakfront frieze and twin wire grille panel
door cupboards, flanked by parcel gilt leaf carved
pilasters with lion paw feet, on brass mounted
platform case. 88cm high, 136cm wide, 74cm deep
€ 3,000 - 5,000

102
208 AFTER JOHN SHIRLEY FOX
Travelling Salesman
Signed ‘J. S. Fox’
€ 600 - 800
209 A REGENCY INLAID AND ROSEWOOD DOUBLE
DROP LEAF SOFA TABLE,
decorated with brass stringing, twin frieze drawers
raised on a turned centre pillar with large lotus carved
collar raised on a platform with outswept quadruped
scroll legs with cast brass toe caps and casters.
147cm wide 69cm high
€ 2,000 - 4,000

103
210
A FINE GEORGE I WALNUT CABINET
SECRETAIRE CHEST,
the plain moulded cornice above twin mirrored
panel doors, enclosing an arrangement of sized
drawers, above a pull out slide and a chest of
four long graduated drawers with one fall front,
secretaire drawer with drawers and pigeon
holes, mounted with engraved brass handles
and lock plates, on bracket feet, 110cm wide x
195cm high
This cabinet is almost identical to an example
by William Old and John Ody , London c.1725,
sold in Christie’s New York, 18th October 2001,
lot 266. Bearing the printed maker’s paper label
inscribed ‘WILLIAM OLD AND JOHN ODY At the
Castle in St. Paul’s Church-Yard, (over-against
the South-Gate of ye Church) London. Makes
and Sells all sorts of Cane & Dutch Chairs, Chair
Frames for Stuffing and Cane-Sashes. And also
all sorts of the best Looking-Glass & Cabi
net-Work in Japan Walnut-Tree & Wainscot, at
Reasonable rates.’
€ 5,000 - 8,000

104
211 A WEST PERSIAN MAHAL CARPET C.1925/35,
of Herati design, the large central field woven with
interlinked vines and boteh ornaments, contained
within two narrow guard stripes of interlinked
rosettes. 361 x 323cm
Provenance: Formerly with Peter Linden

€ 1,000 - 1,500
212 AN OLD MAHAL WEST PERSIAN WOOL CARPET
C.1925/35,
the central field filled with flower heads palmettes and
rosettes, within a main border of large
arabesques, linked with vines and Boteh motifs within
narrow guard stripe borders. 404 x 358cm

€ 1,500 - 2,000
213 A SEMI-ANTIQUE TABRIZ WOOL CARPET NORTH
WEST PERSIA C.1920,
of all-over design, the central field filled with
arabesque scrolls and palmettes around a small
central medallion, contained within guard stripes and
flower head border.

€ 2,000 - 3,000
214 A SEMI-ANTIQUE BIBIKABAD WOOL CARPET,
WEST PERSIAN C.1930,
centred with a small geometric medallion and
all-over Herati design, inside a border of lotus vines
and twin guard stripes, natural dies.
340 x 264cm
€ 1,000 - 1,500

105
215 A LARGE DUN EMER WOOL CARPET,
in a stylised Celtic pattern, with central interlaced
medallion on a mocha ground within an off-white
border, the angles decorated within exotic
polychrome birds in reds, blues, purples and orange,
within a narrow band of guard stripes.
c.400 x 345cm
€ 2,000 - 4,000

106
216 IN THE STYLE OF EDWARD SEAGO (1912-1974)
English Coastal Scene
Oil on board, 18 x 39cm
Unsigned
€ 300 - 500
217 HENRY EARP SNR (1831-1914)
Cattle in pasture with church beyond
Signed

€ 250 - 350
218 20TH CENTURY SCHOOL
An Alchemist in his Study
A pair, oil on card, 20 x 24cm
€ 100 - 200
219 E.A. MCEWEN (20TH CENTURY)
Still Life with Apples
Signed
€ 60 - 80

107
220 HENRY JOHN YEEND KING (1855-1924)
The River Side
Watercolour and gouache, 45 x 32cm
Signed; the mount inscribed with title
€ 1,000 - 1,500
221 A 19TH CENTURY INLAID MAHOGANY
SHERATON STYLE SERVING TABLE,
of shaped rectangular form, the upper tier with
central inlaid conch shell, flanked by
twin satinwood sliding panels inlaid with
classical urn and bellflowers on geometric decoration,
above a second frieze of conforming decoration,
having concave fitted drawers to corners, raised on
six square tapering legs.
217cm wide x 116cm high x 74cm deep
€ 800 - 1,200

108
222 A DUTCH 19TH CENTURY EBONISED,
TORTOISESHELL AND BRASS MOUNTED WALL
MIRROR
surmounted with cast, pierced scroll and foliate top,
the bevelled plate within a repousse foliate swept
back border. 155 x 90cm
€ 750 - 1,000
223 A WHITE PAINTED TIMBER FRAMED
OVERMANTLE MIRROR,
of rectangular form, surmounted with a tongue and
dart cornice, and scroll cartouche above an arch top
plate within laurel and beaded borders. 182 x 165cm
€ 500 - 800
224 A WHITE PAINTED TIMBER FRAMED
OVERMANTLE MIRROR,
of rectangular form, surmounted with a tongue and
dart cornice, and scroll cartouche above an arch top
plate within laurel and beaded borders. 182 x 165cm
€ 500 - 800
225 A LARGE CAST BRASS BALUSTER TABLE LAMP;
together with an oriental porcelain, brass mounted
table lamp. (2)
€ 200 - 400
224 223
225

109
227 A VICTORIAN GILTWOOD MARBLE TOP CONSOLE
TABLE,
of serpentine form, the white marble top above
carved and pierced scrolling frieze decorated with
foliate sprays, the cabriole legs capped with c-scroll
cartouches on acanthus capped feet.
123cm wide x 92cm high
€ 700 - 1,000
226 A LATE 19TH CENTURY GILTWOOD AND GESSO
RECTANGULAR OVERMANTLE WALL MIRROR,
the central cartouche decorated with foliate sprays,
floral banding and all-over shaped scroll moulding,
the conforming pilasters wrapped with trailing floral
vines, the base fitted with stylised central shell.
210 x 130cm
€ 700 - 1,000

110
228 A GEORGE III SATINWOOD POLE SCREEN,
with oval needlework panel decorated with birds
in landscape and raised on a slender tapering pole on
baluster turned tripod supports with fine scroll feet.
138cm high, the panel 41 x 31cm
€ 250 - 350
229 A 19TH CENTURY CARVED GILTWOOD
COMPARTMENTED OVERMANTLE MIRROR,
of shaped rectangular form, the arched crest rail with
integrated shell and scrollwork, the frame in the form
of rusticated columns with leaf scroll decoration.
93 x 132cm
€ 500 - 800
230 A REGENCY ROSEWOOD SQUARE WHAT-NOT,
the three plain tiers supported on slender turned
baluster columns on turned tapering supports with
brass castors. 35 x 35.5 x 80cm high
€ 400 - 600
231 A VERY FINE SWISS TORTOISE SHELL AND
SILKWORK MUSIC BOX, (19TH CENTURY)
HENRI CAPT OF GENEVA
of rectangular form, with glazed cover inset with
an intricately worked silk panel depicting a harpist
in a woodland with cherubs at play, contained within
a foliate engraved yellow metal border, the interior
with single cylinder movement stamped twice
“H. CAPT”, with winder and contained within a fitted
red hide case (9cm wide)
€ 2,000 - 3,000

111
232 A PAIR OF 19TH CENTURY STYLE VERNIS MARTIN
INLAID AND PAINTED KINGWOOD VITRINE
CABINETS
of serpentine front form, with single glazed doors
and glazed quadrant panels painted with landscapes,
decorated with applied cast foliate scrolls and
banding raised on slender cabriole legs.
100cm wide, 190cm high
€ 2,000 - 3,000

112
233 A SET OF TWELVE GEORGE III STYLE MAHOGANY
FRAMED DINING CHAIRS,
the moulded rims with undulating crest rail above
a pierced vase splat, the padded seats covered
in morocco faux hide and raised on plain cabriole legs
and pad feet (10 single and 2 elbow chairs)
€ 1,000 - 1,500
234 A LARGE VICTORIAN MAHOGANY EXTENDING
DINING TABLE,
with thumb moulded rim, plain apron, raised
on heavy turned and fluted baluster legs and castors
(four additional leaves). 140cm wide,
376.5cm long (fully extended), 74cm high

€ 2,000 - 4,000

113
236 A REGENCY MAHOGANY CUMBERLAND-ACTION
DINING TABLE,
the centre double drop leaf section with
moulded rim raised on a four pillar conjoined splayed
support and with twin ‘D’ ends, raised on reeded
downswept tripods with brass toecaps and castors.
136cm wide x 283.5cm long
Cumberland-action tables are traditionally named
after Henry Frederick, Duke of Cumberland, 4th son
of Frederick, Prince of Wales and brother of George
IV, for whom a model of this table was thought to
have been made.
€ 2,000 - 4,000

237 A LARGE IRISH GEORGE III MAHOGANY BRASS BOUND
FUEL BUCKET,
of coopered construction with twin brass side handles. 76cm
high x 64.5cm diameter
The mahogany peat or fuel bucket was a ubiquitous fireside
companion in Irish country houses of the Georgian era. They
tended to be made to a fairly standard design, sometimes
reeded or spiral reeded, with brass braiding for stability and swing
handles for carrying. The vast majority are no more than ‘’16’’ high
and often are accompanied by a matching ‘plate bucket’, used
for ferrying warmed dinner plates from the downstairs kitchen to
the dining room.Cut turf and for that matter, logs are by their very
nature large and big quantities were needed to maintain day and
night-long fires. Standard buckets tended to accommodate
relatively small amounts of fuel so in more commodious houses
the turf buckets tended to be much larger, some as big as
three feet high. As they were too large for the ‘help’ to carry using
a swing handle, these buckets were carried using two applied
brass handles on the sides. The present lot, that has come from a
lovely Co. Wicklow country house, is one such original Georgian
bucket that displays the robust craftsmanship these
pieces required just to survive. Their elegance too is desired these
days by not just the inhabitants of the great old Irish houses but
also by owners of modern streamlined, light-filled apartments
where the minimalism of their design is appreciated.
€ 8,000 - 12,000
239 A FINE IRISH GEORGE IV GILTWOOD
CONSOLE TABLE,
in the manner of Del Vecchio, Dublin, of
rectangular form, the white marble top above
foliate frieze, flanked by twin eagle-head
monopodia on claw and ball feet, the mirror
back panel enclosed in anthemion wrapped
columns raised on a concave rosewood
platform base, with pierced brass banding.
€ 4,000 - 6,000
238 A LARGE VICTORIAN GILTWOOD
OVERMANTLE MIRROR,
in rococo taste, the carved foliate pediment
surmounted by an eagle, the rectangular mirror
plate enclosed by pierced scrolling and leaf
wrapped pilasters with scrolling terminals.
235 x 160cm
€ 1,000 - 1,500
114

115
238
239

116
240 AN IRISH REGENCY OCTAGONAL BRASS BANDED
WINE COOLER,
with original fitted metal interior, with cast brass
drop handles, on its stand with baluster turned
legs and brass castors, the stand with contemporary
paper label inscribed ‘Lock Side’. 63cm wide x 76cm
high
€ 1,000 - 1,500
241 A GEORGE IV ROSEWOOD AND BRASS INLAID
FOLD-OVER CARD TABLE
the rectangular top with rounded fore-corners, sup
ported on an octagonal centre column and platform
on outswept legs and brass castors.
91cm wide

€ 1,500 - 2,500

Adams At Home Auction - February 26 th 2017

Adams At Home Auction - February 26 th 2017

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Adams At Home Auction - February 26 th 2017