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ACTING IN THE INDUSTRY 
JACK WATERMAN 
PROJECT 
DATE CLIENT 25.09.14
ROUTES INTO 
ACTING 
There is no single route to becoming an actor. Experience is 
an important factor and it is also impossible to discount the 
importance of talent, determination, hard work and luck. It 
may be beneficial to join a local amateur dramatics group, 
undertake work experience at a theatre or on one of the BBC 
Careers work placement schemes in order to gain a wider 
understanding of how specific areas of the industry operate. 
A number of noted actors entered the industry through 
working as holiday camp entertainers or taking similar jobs 
with a tour operator or holiday resort. Others start by joining 
a local theatre group as a child and gaining small parts in 
television programmes or adverts. 
Although specific training may not be a formal requirement, a 
very large and increasing number of actors have undertaken 
formal training in acting or the performing arts. 
A degree or HND in these areas may help to improve your 
chances of following a career in acting, largely due to any 
practical course work involved, but acting is open to all and 
many successful actors do not have a drama degree. 
Students of other disciplines may gain acting experience 
through drama societies and actors often have links with 
other performing disciplines such as Music
ROLES AND 
RESPONSIBILI 
TIES OF AN 
ACTOR 
AN ACTOR IS OF COURSE 
EXPECTED TO ATTEND ALL 
REHEARSALS, BE 
CONSCIENTIOUS, PREPARED 
AND WORK CLOSELY WITH 
THE DIRECTOR AS TO TAKE 
ON BOARD THERE VISION 
AND AIMS FOR A PIECE. IF 
WORKING FOR A PRODUCING 
HOUSE OR A DEVISING 
THEATRE COMPANY AN 
ACTOR WOULD BE 
EXPECTED TO BRING IDEAS
OTHER 
DEPARTMENTS 
AND ROLES 
THAT AN 
ACTOR WORKS 
CLOSELY WITH 
AN ACTOR MUST WORK VERY CLOSELY WITH THE 
DIRECTOR IN ORDER TO TAKE ON BOARD THEIR 
VISION FOR THEIR ACTING AND WHAT THEY WANT 
TO GET ACROSS. THE ACTOR MUST BE OBEDIENT 
IN A SENSE TO THE DIRECTOR AND FOLLOW 
THERE PLAN OF HOW SCENES SHOULD RUN. 
AN ACTOR SOMETIMES WILL COMMUNICATE WITH 
WRITERS. IN DOING THIS THEY CAN GET A BETTER 
UNDERSTANDING OF THE WRITERS CHARACTERS 
AND THERE MOTIVATIONS. ALSO THE CONTEXT OF 
THE SCRIPT AND HOW THE WRITER INTENDED 
THERE PLAY TO BE PERFORMED. IN A SENSE 
ACTORS MUST ALSO WORK WITH THEIR AUDIENCE 
IN ORDER TO COMMUNICATE THE PLAY IN AN 
EFFECTIVE WAY. IT IS THE ACTORS ROLE TO 
INVOKE EMOTION IN THE AUDIENCE AND THEY
PROGRESSI 
ON ROUTES 
FROM 
ACTING 
MANY ACTORS GO ON INTO 
WRITING OR DIRECTING 
AFTER ACTING. THIS IS A 
SOUND CAREER PATH 
BECAUSE ACTING WOULD 
GIVE ONE AN 
UNDERSTANDING OF HOW 
THEATRE WORKS. MANY 
ACTORS MAY WANT TO 
PROFUSE THERE OWN 
PIECES AS OPPOSED TO 
BEING TOLD WHAT TO DO. 
SOME ACTORS MAY LOOK TO
ANY QUESTIONS?

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Acting ppt

  • 1. ACTING IN THE INDUSTRY JACK WATERMAN PROJECT DATE CLIENT 25.09.14
  • 2. ROUTES INTO ACTING There is no single route to becoming an actor. Experience is an important factor and it is also impossible to discount the importance of talent, determination, hard work and luck. It may be beneficial to join a local amateur dramatics group, undertake work experience at a theatre or on one of the BBC Careers work placement schemes in order to gain a wider understanding of how specific areas of the industry operate. A number of noted actors entered the industry through working as holiday camp entertainers or taking similar jobs with a tour operator or holiday resort. Others start by joining a local theatre group as a child and gaining small parts in television programmes or adverts. Although specific training may not be a formal requirement, a very large and increasing number of actors have undertaken formal training in acting or the performing arts. A degree or HND in these areas may help to improve your chances of following a career in acting, largely due to any practical course work involved, but acting is open to all and many successful actors do not have a drama degree. Students of other disciplines may gain acting experience through drama societies and actors often have links with other performing disciplines such as Music
  • 3. ROLES AND RESPONSIBILI TIES OF AN ACTOR AN ACTOR IS OF COURSE EXPECTED TO ATTEND ALL REHEARSALS, BE CONSCIENTIOUS, PREPARED AND WORK CLOSELY WITH THE DIRECTOR AS TO TAKE ON BOARD THERE VISION AND AIMS FOR A PIECE. IF WORKING FOR A PRODUCING HOUSE OR A DEVISING THEATRE COMPANY AN ACTOR WOULD BE EXPECTED TO BRING IDEAS
  • 4. OTHER DEPARTMENTS AND ROLES THAT AN ACTOR WORKS CLOSELY WITH AN ACTOR MUST WORK VERY CLOSELY WITH THE DIRECTOR IN ORDER TO TAKE ON BOARD THEIR VISION FOR THEIR ACTING AND WHAT THEY WANT TO GET ACROSS. THE ACTOR MUST BE OBEDIENT IN A SENSE TO THE DIRECTOR AND FOLLOW THERE PLAN OF HOW SCENES SHOULD RUN. AN ACTOR SOMETIMES WILL COMMUNICATE WITH WRITERS. IN DOING THIS THEY CAN GET A BETTER UNDERSTANDING OF THE WRITERS CHARACTERS AND THERE MOTIVATIONS. ALSO THE CONTEXT OF THE SCRIPT AND HOW THE WRITER INTENDED THERE PLAY TO BE PERFORMED. IN A SENSE ACTORS MUST ALSO WORK WITH THEIR AUDIENCE IN ORDER TO COMMUNICATE THE PLAY IN AN EFFECTIVE WAY. IT IS THE ACTORS ROLE TO INVOKE EMOTION IN THE AUDIENCE AND THEY
  • 5. PROGRESSI ON ROUTES FROM ACTING MANY ACTORS GO ON INTO WRITING OR DIRECTING AFTER ACTING. THIS IS A SOUND CAREER PATH BECAUSE ACTING WOULD GIVE ONE AN UNDERSTANDING OF HOW THEATRE WORKS. MANY ACTORS MAY WANT TO PROFUSE THERE OWN PIECES AS OPPOSED TO BEING TOLD WHAT TO DO. SOME ACTORS MAY LOOK TO