A2 Music Video Research
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This my first video research powerpoint presentation. It is about the video 'Moves Like Jagger', by Maroon 5 and Christina Aguilera.
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9 Shot Analysis: Fall Out Boy - This Ain't A Scene
This document provides a shot-by-shot analysis of a Fall Out Boy music video. It notes that the video establishes the band playing rock music with guitars, drums, and amplifiers. Throughout the video, close-ups of each band member are used to show they each have unique characteristics. Some shots challenge conventions by showing characters associated with rap music or settings like a bedroom that don't align with rock music stereotypes. The video subverts expectations of the rock genre through elements from other genres and iconic aspects of prior Fall Out Boy videos.
Blink 182 - All The Small Things
The document summarizes common conventions in pop punk band music videos, such as genre-related styles, close-ups of the vocalist, and references to other music videos. It then discusses how All Time Low's "Dear Maria, Count Me In" video parodies many of these boy band video conventions through humor, acting out the song's lyrics, while also including some typical scenes. The video provides a relationship between the visuals and lyrics of the song.
'All the small things' presentation
Blink 182's music video for "All The Small Things" parodies and mocks conventions of boy band music videos from the late 1990s, particularly The Backstreet Boys. Though the song's lyrics are about relationships, the video humorously portrays Blink 182 as a boy band through exaggerated costumes, poses, and settings that mimic other popular artists. While spoofing these genres, the video also uses techniques like close-ups and shots of adoring fans to promote Blink 182's own star image and popularity. Overall, the video lampoons boy band cliches in a way that still resonates with audiences today.
All the Small Things Music Video Analysis
The music video for Blink 182's "All the Small Things" both tells a story and shows the band performing. It parodies and references many popular 1990s artists like the Backstreet Boys, NSYNC, Britney Spears, and Christina Aguilera through recreating scenes from their music videos. Throughout the video, Blink 182 mocks the stereotypes of other bands and genres through quick cuts and references to make the scenes comedic. The band conveys that they are not a typical boy band through their unconventional style, music, and humor in their video.
Billie jean analysis
Michael Jackson's 1982 music video for "Billie Jean" is considered one of the best pop music videos ever made. The video depicts Jackson being stalked by a man trying to prove that Jackson is the father of Billie Jean's child, mirroring the song's lyrics. Through his innovative dancing, Jackson entertains viewers and influenced many later artists. The video is performance-based, with the camera focused solely on Jackson's moves, and tells a narrative story about a woman lying to try to get famous off of Jackson. Overall, the video emphasizes the pop and R&B genres through its upbeat sound and dancing, and creates a strong relationship between its lyrics and visuals.
Blink 182 All The Small Things Analysis
The music video for "All The Small Things" by Blink 182 challenges conventions of the alternative pop/rock genre in several ways. It features costume and location choices that mock other mainstream bands. Throughout the video, the band mimics the style of more conventional bands like Backstreet Boys to emphasize how they disregard genre norms. The use of bright colors and large audiences in the video also subvert expectations for an alternative band.
Music video narrative
This music video tells a narrative story through a combination of singing performance and visual storytelling. It follows the conventions of the heavy metal genre with its dark themes of nightmares and spooky lighting effects. The video depicts a young boy struggling with nightmares and his grandfather helping him overcome his fears, referencing the song's lyrics and films like The Time Bandits. Cutting frames and intense close-ups add to the unsettling atmosphere.
Task 1
The conventions of a music video include showing the artist or band through close ups, mid shots, and long shots. The mise-en-scene and outfits vary by music genre from crisp looks in R&B videos to all black clothing in metalcore videos. Music videos use techniques like jump cuts, dissolves, and parallel narratives. The purpose is to promote the artist's song and CD sales while sometimes helping audiences understand the song's meaning. There are three main types: concept-based videos around an idea, performance-based videos focused on the artist playing, and narrative-based videos that tell a story.
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9 Shot Analysis: Fall Out Boy - This Ain't A Scene
This document provides a shot-by-shot analysis of a Fall Out Boy music video. It notes that the video establishes the band playing rock music with guitars, drums, and amplifiers. Throughout the video, close-ups of each band member are used to show they each have unique characteristics. Some shots challenge conventions by showing characters associated with rap music or settings like a bedroom that don't align with rock music stereotypes. The video subverts expectations of the rock genre through elements from other genres and iconic aspects of prior Fall Out Boy videos.
Blink 182 - All The Small Things
The document summarizes common conventions in pop punk band music videos, such as genre-related styles, close-ups of the vocalist, and references to other music videos. It then discusses how All Time Low's "Dear Maria, Count Me In" video parodies many of these boy band video conventions through humor, acting out the song's lyrics, while also including some typical scenes. The video provides a relationship between the visuals and lyrics of the song.
'All the small things' presentation
Blink 182's music video for "All The Small Things" parodies and mocks conventions of boy band music videos from the late 1990s, particularly The Backstreet Boys. Though the song's lyrics are about relationships, the video humorously portrays Blink 182 as a boy band through exaggerated costumes, poses, and settings that mimic other popular artists. While spoofing these genres, the video also uses techniques like close-ups and shots of adoring fans to promote Blink 182's own star image and popularity. Overall, the video lampoons boy band cliches in a way that still resonates with audiences today.
All the Small Things Music Video Analysis
The music video for Blink 182's "All the Small Things" both tells a story and shows the band performing. It parodies and references many popular 1990s artists like the Backstreet Boys, NSYNC, Britney Spears, and Christina Aguilera through recreating scenes from their music videos. Throughout the video, Blink 182 mocks the stereotypes of other bands and genres through quick cuts and references to make the scenes comedic. The band conveys that they are not a typical boy band through their unconventional style, music, and humor in their video.
Billie jean analysis
Michael Jackson's 1982 music video for "Billie Jean" is considered one of the best pop music videos ever made. The video depicts Jackson being stalked by a man trying to prove that Jackson is the father of Billie Jean's child, mirroring the song's lyrics. Through his innovative dancing, Jackson entertains viewers and influenced many later artists. The video is performance-based, with the camera focused solely on Jackson's moves, and tells a narrative story about a woman lying to try to get famous off of Jackson. Overall, the video emphasizes the pop and R&B genres through its upbeat sound and dancing, and creates a strong relationship between its lyrics and visuals.
Blink 182 All The Small Things Analysis
The music video for "All The Small Things" by Blink 182 challenges conventions of the alternative pop/rock genre in several ways. It features costume and location choices that mock other mainstream bands. Throughout the video, the band mimics the style of more conventional bands like Backstreet Boys to emphasize how they disregard genre norms. The use of bright colors and large audiences in the video also subvert expectations for an alternative band.
Music video narrative
This music video tells a narrative story through a combination of singing performance and visual storytelling. It follows the conventions of the heavy metal genre with its dark themes of nightmares and spooky lighting effects. The video depicts a young boy struggling with nightmares and his grandfather helping him overcome his fears, referencing the song's lyrics and films like The Time Bandits. Cutting frames and intense close-ups add to the unsettling atmosphere.
Task 1
The conventions of a music video include showing the artist or band through close ups, mid shots, and long shots. The mise-en-scene and outfits vary by music genre from crisp looks in R&B videos to all black clothing in metalcore videos. Music videos use techniques like jump cuts, dissolves, and parallel narratives. The purpose is to promote the artist's song and CD sales while sometimes helping audiences understand the song's meaning. There are three main types: concept-based videos around an idea, performance-based videos focused on the artist playing, and narrative-based videos that tell a story.
Music video
This music video tells a narrative story through its visuals and lyrics. It follows the conventions of the heavy metal genre with its dark themes of nightmares and spooky lighting effects. The video depicts a young boy struggling with nightmares and his grandfather helping him overcome his fears, relating the visual storytelling to the song's lyrics. Editing techniques like flashing lights, close-ups, and missing frames create an intense and confusing atmosphere, characteristic of the genre.
Genre
The song "Come Closer" by Miles Kane focuses on the lead singer wanting a girl to stop seeing other men and come closer to him. In the video, the lead singer gives an intense look to the girl as he passes her in a corridor, though she seems interested in a deal with other men. The song has an up-tempo indie rock sound with electric guitar, bass and drums. The video shows the band performing live with dark lighting and fast cuts between the lead singer and the tempting girl he wants to be with.
Last of the real ones
The music video concept is about a boy learning to skateboard to impress a girl. He struggles at first but improves over time. Influences for the video include other Fall Out Boy music videos which use dark colors and lighting. The lyrics and visuals will be linked, showing him meeting the girl and protecting her from other boys. Close-ups, dark tones, and developing the band members' styles will help portray the pop punk/emo genre conventions.
Amo Muito BTS
The document provides information about the Korean pop group BTS, including the members' names and years of birth. BTS, also known as Bangtan Boys, debuted on June 13, 2013 and consists of 7 members: Jin, Suga, J-Hope, RM, Jimin, V, and Jungkook. The document also lists 22 of the group's most popular music videos.
Analysis of Panic! At The Disco's Nine In The Afternoon
The video for "Nine in the Afternoon" by Panic! At the Disco features each band member waking up in a differently colored bedroom before entering unrelated settings, such as being ambushed by women in old dresses. Though the video's events don't relate to the lyrics, clocks are set to 9 AM and it remains daytime, referencing the song's title. The video has a disjunctive, bizarre style that sells the album's unconventional title and reflects the upbeat, energetic music through happy imagery like a Beatles-inspired parade.
Kenny rogers
The video tells the story of a man known as "The Coward of the County" through animated visuals that illustrate the lyrics of Kenny Rogers' song. The genre is clearly country music, as characters wear stereotypical cowboy hats and other western attire. Close-ups are used to show the emotional responses of the characters to events in the narrative, rather than as a visual style. The video effectively conveys the story and message of the song through the relationship between the lyrics and illustrations.
Analysis of The 1975's Robbers
The 1975 - Robbers music video uses handheld camera shots and natural lighting to give it a realistic, indie rock style. It features the lead singer Matt Healy with a female protagonist in various outdoor settings as their relationship becomes increasingly reckless. While the narrative gets dramatic, the slow editing and pace suits the slow song. The video emphasizes Healy's star image as the frontman through its focus on him, but also appeals to a wider audience with its inclusion of a romantic narrative.
Tom fifoot presentation
This document analyzes and compares two music videos. It summarizes that both videos primarily feature mid-shots and close-ups of the band members during performances to show their expressions. For the first video by Bullet For My Valentine, the opening performance shots foreshadow the narrative that follows. The second Foo Fighters video differs in that it focuses almost entirely on performance shots of the band, using side-angle midshots so as not to break the 180-degree rule when cutting to narrative scenes in the same setting.
Media presentation
The video for "Moves Like Jagger" by Maroon 5 demonstrates several characteristics of the pop/rock genre through its portrayal of a standard band performance. It represents the lyrics visually by showing preparations for the performance when the song's title is mentioned and depicting Mick Jagger bowing at the end. The retro, grainy filming style matches the upbeat tone of the music. The video frequently references Mick Jagger and the 1960s through the use of archive footage and costumes, as the performers aim to emulate Jagger's signature moves and on-stage presence.
Inspiration
This document discusses various music videos and films that have inspired the author's own music video concept. It describes aspects taken from videos such as the use of handheld camera in "R U Mine?" by Arctic Monkeys, the incorporation of band members in "Basket Case" by Green Day, and the black and white filter and one continuous shot in "Control". Films mentioned include the comic book theme and zoomed shots in Scott Pilgrim vs. The World and the black and white filter and dreamlike shot of the main character in Control. The author aims to incorporate opening sequences, subtitled names, close-up instrument shots, and the idea of the music not starting until a key action from these inspirational works.
Change in a Star
Christina Aguilera is an American recording artist who first gained fame as a contestant on Star Search at age 10 and later as part of the cast of The Mickey Mouse Club. She has since released eight albums featuring many chart-topping singles. Her image and style have evolved over her career from revealing clothing in line with her early R&B music to 1940s glam to match her more recent jazz and soul material. Her music videos have also changed, from provocative concepts in "Dirrty" to focus more on her performance abilities in a video like "Hurt."
Laura mul..
Laura Mulvey created the theory of the male gaze, which says that music videos must be viewed from the perspective of a heterosexual male. Videos that attract the male gaze usually feature female artists portrayed in seductive ways to attract male attention. However, this reduces women to objects and influences how girls see themselves. Mulvey also notes that women can be portrayed as innocent in some music videos. The document discusses applying these theories to analyze portrayals of gender in music videos.
Britney spears toxic
The Britney Spears music video for "Toxic" tells a narrative story through her transformations from an innocent air hostess to an action figure character portraying the song's toxic theme. It uses both diegetic sounds like birds at the end and non-diegetic sounds like the song itself. Britney wears costumes fitting each scene - an air hostess outfit, a provocative second outfit, and an action-inspired motorbike outfit. The camera uses establishing shots, close-ups emphasizing Britney's actions, and wide shots with her as the focus. Special effects are used for an explosive scene to duplicate her action figure persona and create a futuristic feel.
Foo fighters – Times Like These
The music video for "Times Like These" by Foo Fighters shows the band performing under a bridge as people throw items off the bridge. Towards the end, a house is dropped on the band but falls apart, revealing them unharmed. The video was directed by Marc Klasfeld and filmed in Victorville, California. It effectively conveys the genre of rock music through the band's black clothing, guitar music, and lip syncing to Dave Grohl's vocals. Its unconventional narrative and unique visual ideas contributed to its commercial success.
Powerpoint
Rock music typically centers around electric guitar, bass guitar, and drums in a band format. Rock songs usually have a 4/4 time signature and verse-chorus form, though rock has become diverse and characteristics are hard to define. Lyrics often address social or political themes. The author's music video production meets the forms and conventions of rock by including instruments like bass guitar and drums in performances. Shots of band members emphasize lyrics and focus on playing instruments during intensifying parts of songs to excite audiences, showing adherence to typical rock genre conventions.
Conventions of a music video
The document discusses several techniques used in music videos including various camera shots, camera movements, mise-en-scene, editing, transitions, lighting, sound, props, costumes, and colors. It provides the example of Miley Cyrus' "Wrecking Ball" music video to illustrate how mise-en-scene and props can reflect the song's themes of loneliness, anger, and entrapment. Jump cuts and fades/dissolves are commonly used transitions in music videos to allow abrupt or blended scene changes.
Character research
This document analyzes the image and style of several popular young female artists, including Rachel Platten, Jess Glynne, Demi Lovato, and Little Mix. For each artist, it describes elements of their appearance in music videos like clothing, hair, makeup, and accessories. It notes trends like casual, fashionable styles for Platten and urban/hip-hop influences for Glynne. The document recommends choosing a laidback, unique yet fashionable style for a new artist, emphasizing natural hair and makeup with one bold accessory.
Character research
The document discusses analyzing the image and style of popular female artists like Rachel Platten, Jess Glynne, Demi Lovato, and Little Mix based on their music videos. It notes that Platten and Glynne have natural, casual styles with accessories that make them seem relatable. Lovato has a rock/punk style with tattoos, heavy makeup, and revealing outfits. Little Mix shows each member having their own style that coordinates as a group. The document recommends giving the discussed artist a unique yet natural style with statement pieces like bold makeup or jewelry to seem fashionable but unusual.
Codes and conventions of a music video, media studies
The document discusses the purposes and conventions of music videos. It explains that music videos are created to entertain audiences, promote songs and bands, explain lyrics and narratives, and continue artists' brand identities. It then analyzes several music videos, noting techniques like close-ups, dance routines, lighting, locations, and narrative elements. Overall, the document provides an overview of why music videos are made and what production elements and styles are commonly used.
biffy clyro analysis
The video for Biffy Clyro's "Many of Horror" consists mainly of camera movements circling the lead singer as he sings directly to the camera. It begins with the singer in darkness so his face cannot be seen, setting a sad and heartbroken mood. As the song progresses, the lighting increases in brightness and pace along with the song. This emphasizes the singer as the dominant figure of the band and keeps the audience engaged through post-production effects, despite a lack of narrative.
Media summer assignment 2017
The document outlines Goodwin's Rules for analyzing music videos. It states that music videos typically demonstrate genre characteristics through elements like dance routines or stage performances. It also notes there should be a relationship between the lyrics, music, and visuals whether illustrative, amplifying, or contradicting. Additionally, it says record labels want close-ups of artists and artists may develop recurring motifs. It mentions music videos often reference looking and treat the female body in a voyeuristic way and contain intertextual references to other media.
Planning and Research Goodwin's Theory
Goodwin's theory states that music videos demonstrate genre characteristics through elements like lyrics matching visuals, music syncing with visuals, close-ups of artists, and sometimes intertextual references or voyeurism. The document analyzes two music videos - one for the punk rock band Polar Bear Club showing genre traits like close-ups of the singer but little lyrics-visuals connection, and Michael Jackson's "Thriller" exemplifying pop music video conventions through its storyline, dancing, and strong lyrics-visuals synchronization without voyeurism.
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Music video
This music video tells a narrative story through its visuals and lyrics. It follows the conventions of the heavy metal genre with its dark themes of nightmares and spooky lighting effects. The video depicts a young boy struggling with nightmares and his grandfather helping him overcome his fears, relating the visual storytelling to the song's lyrics. Editing techniques like flashing lights, close-ups, and missing frames create an intense and confusing atmosphere, characteristic of the genre.
Genre
The song "Come Closer" by Miles Kane focuses on the lead singer wanting a girl to stop seeing other men and come closer to him. In the video, the lead singer gives an intense look to the girl as he passes her in a corridor, though she seems interested in a deal with other men. The song has an up-tempo indie rock sound with electric guitar, bass and drums. The video shows the band performing live with dark lighting and fast cuts between the lead singer and the tempting girl he wants to be with.
Last of the real ones
The music video concept is about a boy learning to skateboard to impress a girl. He struggles at first but improves over time. Influences for the video include other Fall Out Boy music videos which use dark colors and lighting. The lyrics and visuals will be linked, showing him meeting the girl and protecting her from other boys. Close-ups, dark tones, and developing the band members' styles will help portray the pop punk/emo genre conventions.
Amo Muito BTS
The document provides information about the Korean pop group BTS, including the members' names and years of birth. BTS, also known as Bangtan Boys, debuted on June 13, 2013 and consists of 7 members: Jin, Suga, J-Hope, RM, Jimin, V, and Jungkook. The document also lists 22 of the group's most popular music videos.
Analysis of Panic! At The Disco's Nine In The Afternoon
The video for "Nine in the Afternoon" by Panic! At the Disco features each band member waking up in a differently colored bedroom before entering unrelated settings, such as being ambushed by women in old dresses. Though the video's events don't relate to the lyrics, clocks are set to 9 AM and it remains daytime, referencing the song's title. The video has a disjunctive, bizarre style that sells the album's unconventional title and reflects the upbeat, energetic music through happy imagery like a Beatles-inspired parade.
Kenny rogers
The video tells the story of a man known as "The Coward of the County" through animated visuals that illustrate the lyrics of Kenny Rogers' song. The genre is clearly country music, as characters wear stereotypical cowboy hats and other western attire. Close-ups are used to show the emotional responses of the characters to events in the narrative, rather than as a visual style. The video effectively conveys the story and message of the song through the relationship between the lyrics and illustrations.
Analysis of The 1975's Robbers
The 1975 - Robbers music video uses handheld camera shots and natural lighting to give it a realistic, indie rock style. It features the lead singer Matt Healy with a female protagonist in various outdoor settings as their relationship becomes increasingly reckless. While the narrative gets dramatic, the slow editing and pace suits the slow song. The video emphasizes Healy's star image as the frontman through its focus on him, but also appeals to a wider audience with its inclusion of a romantic narrative.
Tom fifoot presentation
This document analyzes and compares two music videos. It summarizes that both videos primarily feature mid-shots and close-ups of the band members during performances to show their expressions. For the first video by Bullet For My Valentine, the opening performance shots foreshadow the narrative that follows. The second Foo Fighters video differs in that it focuses almost entirely on performance shots of the band, using side-angle midshots so as not to break the 180-degree rule when cutting to narrative scenes in the same setting.
Media presentation
The video for "Moves Like Jagger" by Maroon 5 demonstrates several characteristics of the pop/rock genre through its portrayal of a standard band performance. It represents the lyrics visually by showing preparations for the performance when the song's title is mentioned and depicting Mick Jagger bowing at the end. The retro, grainy filming style matches the upbeat tone of the music. The video frequently references Mick Jagger and the 1960s through the use of archive footage and costumes, as the performers aim to emulate Jagger's signature moves and on-stage presence.
Inspiration
This document discusses various music videos and films that have inspired the author's own music video concept. It describes aspects taken from videos such as the use of handheld camera in "R U Mine?" by Arctic Monkeys, the incorporation of band members in "Basket Case" by Green Day, and the black and white filter and one continuous shot in "Control". Films mentioned include the comic book theme and zoomed shots in Scott Pilgrim vs. The World and the black and white filter and dreamlike shot of the main character in Control. The author aims to incorporate opening sequences, subtitled names, close-up instrument shots, and the idea of the music not starting until a key action from these inspirational works.
Change in a Star
Christina Aguilera is an American recording artist who first gained fame as a contestant on Star Search at age 10 and later as part of the cast of The Mickey Mouse Club. She has since released eight albums featuring many chart-topping singles. Her image and style have evolved over her career from revealing clothing in line with her early R&B music to 1940s glam to match her more recent jazz and soul material. Her music videos have also changed, from provocative concepts in "Dirrty" to focus more on her performance abilities in a video like "Hurt."
Laura mul..
Laura Mulvey created the theory of the male gaze, which says that music videos must be viewed from the perspective of a heterosexual male. Videos that attract the male gaze usually feature female artists portrayed in seductive ways to attract male attention. However, this reduces women to objects and influences how girls see themselves. Mulvey also notes that women can be portrayed as innocent in some music videos. The document discusses applying these theories to analyze portrayals of gender in music videos.
Britney spears toxic
The Britney Spears music video for "Toxic" tells a narrative story through her transformations from an innocent air hostess to an action figure character portraying the song's toxic theme. It uses both diegetic sounds like birds at the end and non-diegetic sounds like the song itself. Britney wears costumes fitting each scene - an air hostess outfit, a provocative second outfit, and an action-inspired motorbike outfit. The camera uses establishing shots, close-ups emphasizing Britney's actions, and wide shots with her as the focus. Special effects are used for an explosive scene to duplicate her action figure persona and create a futuristic feel.
Foo fighters – Times Like These
The music video for "Times Like These" by Foo Fighters shows the band performing under a bridge as people throw items off the bridge. Towards the end, a house is dropped on the band but falls apart, revealing them unharmed. The video was directed by Marc Klasfeld and filmed in Victorville, California. It effectively conveys the genre of rock music through the band's black clothing, guitar music, and lip syncing to Dave Grohl's vocals. Its unconventional narrative and unique visual ideas contributed to its commercial success.
Powerpoint
Rock music typically centers around electric guitar, bass guitar, and drums in a band format. Rock songs usually have a 4/4 time signature and verse-chorus form, though rock has become diverse and characteristics are hard to define. Lyrics often address social or political themes. The author's music video production meets the forms and conventions of rock by including instruments like bass guitar and drums in performances. Shots of band members emphasize lyrics and focus on playing instruments during intensifying parts of songs to excite audiences, showing adherence to typical rock genre conventions.
Conventions of a music video
The document discusses several techniques used in music videos including various camera shots, camera movements, mise-en-scene, editing, transitions, lighting, sound, props, costumes, and colors. It provides the example of Miley Cyrus' "Wrecking Ball" music video to illustrate how mise-en-scene and props can reflect the song's themes of loneliness, anger, and entrapment. Jump cuts and fades/dissolves are commonly used transitions in music videos to allow abrupt or blended scene changes.
Character research
This document analyzes the image and style of several popular young female artists, including Rachel Platten, Jess Glynne, Demi Lovato, and Little Mix. For each artist, it describes elements of their appearance in music videos like clothing, hair, makeup, and accessories. It notes trends like casual, fashionable styles for Platten and urban/hip-hop influences for Glynne. The document recommends choosing a laidback, unique yet fashionable style for a new artist, emphasizing natural hair and makeup with one bold accessory.
Character research
The document discusses analyzing the image and style of popular female artists like Rachel Platten, Jess Glynne, Demi Lovato, and Little Mix based on their music videos. It notes that Platten and Glynne have natural, casual styles with accessories that make them seem relatable. Lovato has a rock/punk style with tattoos, heavy makeup, and revealing outfits. Little Mix shows each member having their own style that coordinates as a group. The document recommends giving the discussed artist a unique yet natural style with statement pieces like bold makeup or jewelry to seem fashionable but unusual.
Codes and conventions of a music video, media studies
The document discusses the purposes and conventions of music videos. It explains that music videos are created to entertain audiences, promote songs and bands, explain lyrics and narratives, and continue artists' brand identities. It then analyzes several music videos, noting techniques like close-ups, dance routines, lighting, locations, and narrative elements. Overall, the document provides an overview of why music videos are made and what production elements and styles are commonly used.
biffy clyro analysis
The video for Biffy Clyro's "Many of Horror" consists mainly of camera movements circling the lead singer as he sings directly to the camera. It begins with the singer in darkness so his face cannot be seen, setting a sad and heartbroken mood. As the song progresses, the lighting increases in brightness and pace along with the song. This emphasizes the singer as the dominant figure of the band and keeps the audience engaged through post-production effects, despite a lack of narrative.
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Analysis of Panic! At The Disco's Nine In The Afternoon
Analysis of Panic! At The Disco's Nine In The Afternoon
Codes and conventions of a music video, media studies
Codes and conventions of a music video, media studies
Similar to A2 Music Video Research
Media summer assignment 2017
The document outlines Goodwin's Rules for analyzing music videos. It states that music videos typically demonstrate genre characteristics through elements like dance routines or stage performances. It also notes there should be a relationship between the lyrics, music, and visuals whether illustrative, amplifying, or contradicting. Additionally, it says record labels want close-ups of artists and artists may develop recurring motifs. It mentions music videos often reference looking and treat the female body in a voyeuristic way and contain intertextual references to other media.
Planning and Research Goodwin's Theory
Goodwin's theory states that music videos demonstrate genre characteristics through elements like lyrics matching visuals, music syncing with visuals, close-ups of artists, and sometimes intertextual references or voyeurism. The document analyzes two music videos - one for the punk rock band Polar Bear Club showing genre traits like close-ups of the singer but little lyrics-visuals connection, and Michael Jackson's "Thriller" exemplifying pop music video conventions through its storyline, dancing, and strong lyrics-visuals synchronization without voyeurism.
Post 4 - External Group Music Video Analysis
The document provides an analysis of the music video "We The Wild - You Lost My Mind" in 3 paragraphs. It summarizes that the video begins with a record being played, featuring small animated lines that represent the music. Throughout the video, these illustrations link to the lyrics being sung. The video primarily features the two male band members and creates a female gaze on them, with few other elements to make it interesting. It lacks live footage of the band that could make it more engaging.
Andrew Goodwin’s Rules – Music Video Analysis
The document discusses several characteristics of music videos based on Andrew Goodwin's rules for different music video genres. It provides examples from the music video for Nicki Minaj's "Super Bass" to illustrate the characteristics of an image genre video, such as a focus on the artist's appearance and inclusion of choreographed dance routines. It also analyzes relationships between the song's lyrics, music, and visual elements of the video.
Music anaylsis 1
This music video is for Justin Bieber's song "Sorry". It features a group of female dancers performing an upbeat dance routine. The video was directed by Parris Goebel and choreographed to match the tropical house style of the song. It uses bright lighting and colorful costumes to create an energetic atmosphere for the dancing. Through continuity editing, the video syncs the dance moves to the rhythm and lyrics of the song. However, unlike many artist videos, it does not feature close-ups of Bieber himself.
Post 4 - External Group Music Video Analysis
1. The video analyzes three different music videos: We The Wild - You Lost My Mind, The Kooks - Forgive & Forget, and Sam Smith - I'm Not The Only One.
2. For the first video, it notes the indie theme and use of animation synced to the music. Shots of the singer are used to depict him "losing his mind".
3. For the second video, it discusses the tongue-in-cheek nature of the lyrics and use of identical female dancers and voyeurism. Live shots of the band performing are a main focus.
4. For the third video, it provides details on the story of a married couple dealing with infidelity
Goodwin common occurences
The document discusses Goodwin's theory of common occurrences in music videos and analyzes how two music videos conform to the theory. It examines six common occurrences: 1) demonstrating genre characteristics 2) relationship between lyrics and visuals 3) relationship between music and visuals 4) role of the artist 5) intertextual references 6) voyeuristic treatment of female bodies. It finds that "When You Love Someone" conforms to most principles while "The A-Team" conforms to some but not others due to its low budget. Relating lyrics to visuals is identified as an important principle for an effective music video.
Music video analysis
The document analyzes a music video based on 5 criteria:
1. The relationship between the beats of the song and the structure of the music video. While the visuals tell a different love story than the lyrics.
2. The narrative and performance of the artists in the video. The story is not fully explained and requires interpretation from the audience.
3. How the artists are presented as the "stars" of the video, with one doing most of the lip syncing to tell the love story.
4. The relationship of the visuals to the genre of indie rock, through elements like black and white footage and guitar playing. Key meanings of the song are represented even if the story is not.
Detailed research
The document provides details about the music video for Tich's song "Breathe in Breathe Out" including the key people involved in making the video such as the director, editor, and producer. It also discusses how the video establishes the pop genre through its simple style and lack of special effects. While the video keeps viewers' attention through its performance-focused style, the document writer would want to include more varied camera shots and angles in their own video.
Media Video Analysis
The document provides summaries of three music videos:
1) Michael Jackson's "Thriller" from 1984, known for its 14-minute horror-themed video considered one of the greatest of all time.
2) Christina Aguilera's "Dirrty" from 2002, which featured sexually suggestive content and changed her image from "girl next door."
3) Beyonce's "Listen" from 2006 for the film Dreamgirls, a emotional ballad emphasizing the relationship between the sad lyrics and Beyonce's facial expressions.
Media Video Analysis
The document summarizes and analyzes three music videos:
1) Michael Jackson's "Thriller" from 1984, noting its 14-minute runtime and relationship between lyrics and visuals depicting horror themes.
2) Christina Aguilera's "Dirrty" from 2002, which featured sexually suggestive content and changed her image from "girl next door."
3) Beyonce's "Listen" from 2006 for the film Dreamgirls, showing her emotional performance and use of scenes from the film intercut with her choreography.
Analysing a Music Video
The music video being analyzed is "Innuendo" by Queen. It draws from conventions of rock music videos but also adds surreal elements that make it confusing yet interesting. The video features the band performing along with animated toys in the audience to portray the singer Freddie Mercury as an entertainer. Though the narrative is unclear, the various clips come together to represent Mercury and his star image in the months before his death.
Andrew Goodwin theory
The document discusses key components of music videos according to Andrew Goodwin. It lists 7 key ideas: 1) Music videos demonstrate genre characteristics through elements like performances. 2) There is a relationship between the lyrics and visuals. 3) A relationship also exists between the music and visuals. 4) Record labels influence close-ups of artists and developing motifs. 5) Videos often reference voyeurism and treating the female body. 6) Intertextual references to other works are common. 7) Videos are either primarily performance, narrative, or concept-based. It then analyzes the music videos for "Side to Side" by Ariana Grande and "Work From Home" by Fifth Harmony based on these components.
Media
The document discusses several aspects of music videos, including how they demonstrate genre characteristics. It provides examples of how One Direction displays traits common to the boy band genre through their appearance and video shots. Additionally, it outlines five key aspects of music videos according to Andrew Goodwin: the relationship between lyrics and visuals, the narrative and song performance, technical aspects, and the protagonist. Specific techniques are described, such as using visuals that correlate to the music or portray lyrics in a literal sense.
6 features of music videos
1) Andrew Goodwin identified 6 key features of music videos: the relationship between lyrics and video imagery, synchronization of edits/shots with lyrics, genre characteristics, close-ups of the artist, location/setting, and narrative elements.
2) The document provides examples of how lyrics can be illustrated, amplified, or contradicted visually in a music video. It also gives an example of edits syncing with lyrics from the music video for "50 Grand" by Devlin feat. Skepta.
3) Genre conventions are discussed, with examples showing similarities between grime music videos by Skepta and Stormzy; other genres' conventions are also mentioned.
4) Goodwin noted that a key feature
Shannon media
This music video by My Chemical Romance uses Andrew Goodwin's theory of music video analysis. It reflects some characteristics of rock music videos through its inclusion of band performance elements that contribute to the narrative. However, the video is mostly narrative-based, set in 1940s America during the war against Japan. It contrasts scenes of the band performing at a dance with scenes from a violent battlefield. The music and editing pace reflect the mood and tone of the song. It focuses on the lead singer and bassist to tell the story of the bond between two brothers.
Conventions of a music video
This document discusses the conventions and techniques used in music videos. It explains that music videos can feature artists lip syncing and performing, narratives acting out the song's meaning, or mixtures of both. Editing must sync the audio and video accurately. Parody videos humorously change original songs' lyrics and sometimes reference the original's video. Weird Al Yankovic is famous for parody songs and sometimes references original videos. Other parody artists on YouTube use acting, animation, and performance to match changed lyrics.
Powerpoint pitch
The document provides information about creating a music video for the song "To Anyone" by the indie rock band Crystal Whites. It discusses comparing the song to similar music videos to determine themes. It also analyzes lyrics and discusses using band members in the video to make it feel realistic. Location ideas and influences from other young bands' videos are presented. Elements of the rock/indie music video genre like focusing on performance over narrative and using natural low-budget settings are also covered.
Music Video Analysis
The document analyzes a music video based on 5 criteria:
1) The relationship between the beats of the song and the structure of the music video. While the visuals tell a different love story than the lyrics.
2) The narrative and performance of the artists in the video. The story is not fully explained and requires interpretation from the audience.
3) How the main artist serves as the "star" through lip syncing and being part of the love story, while the group of artists tell the overall narrative.
4) The visuals illustrate the indie rock genre through images of playing guitar and being in black and white, and amplify through repeated shots while not ignoring the key meanings of the song
Shannon media
This music video for "The Ghost of You" by My Chemical Romance uses several techniques from Andrew Goodwin's music video theory. It draws on conventions of the rock genre but subverts expectations by being narrative-driven rather than focused on performance. The video is set in 1940s-era America during war time and contrasts scenes of dancing with scenes of battle. It establishes characters and relationships through costumes, lyrics, and music tempo that link to the narrative. Close-ups of the band members also help develop their iconic styles.
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This is my second powerpoint presentation analysing a chosen album cover. I have chosen Katy Perry's album 'One Of The Boys'.
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This is a powerpoint presentation showing the first album cover I have chosen to analyse. It is Bruno Mars' album.
A2 music video research 3
The music video for "Too Close" by Alex Clare features two masked people fighting throughout and only briefly shows the artist singing. There is little relationship between the lyrics, which describe a romantic relationship, and the fighting images. The music complements but does not directly relate to the fighting scenes. There are no references to other media and the main features are the fighting, singing, and consistent locations. The only repeating element is the song title.
A2 Music Video Research 2
The document summarizes and analyzes the music video for "We Are Young" by Fun. and Janelle Monae. It notes that the band is presented in older fashioned attire in a modern club setting. While there is some relationship between the images and lyrics around a teenage girl experiencing the party scene, the author feels they do not coincide strongly enough. Common features of the video include the band's suits, a teenage girl dancing and getting into trouble, and slow motion effects. The main tagline and catchphrase referenced is the song's title "We Are Young."
Evaluation
The document discusses a student's media studies magazine project. It covers the layout, design choices, target audience, and technologies used. Specifically, it mentions using unconventional fonts, colors, and photo techniques. The target audience is described as teenage fans of rock music. Distribution options discussed include digital formats, free copies in stores, and online/social media promotion. The student learned new skills in blogging, photo editing, and magazine conventions through completing the project.
Images For My Music Magazine
The document contains descriptions of various photos that could be used in a music magazine, including band images, logos, shots of musicians playing instruments, close-ups, and group shots. The photos are described based on composition, such as over-the-shoulder shots, medium and close-ups, and angles like high and low. Most of the photos are labeled as medium close-ups of band members and instruments.
Construction Of My Magazine Double Page Spread
The document outlines the construction of a double page magazine spread. It includes an interview with the band "Friends and Allies" about their new single, upcoming album, and hopes to headline gigs. They state they are excited to start performing live and have wanted to since starting the band. The new single "Being loved by you" shows the emotion of love. Their new album includes both cover songs and original songs. They hope the album does well but are grateful for the fans they currently have and look forward to performing live for them.
Construction Of My Magazine Content Page
This document outlines the construction of a magazine contents page in 3 steps. The contents page lists the sections to be included in the magazine such as the album chart, top 40 singles, an interview, a question segment, music news, and a music trivia section along with the corresponding page numbers.
Construction Of My Magazine Content Page
This document outlines the construction of a magazine contents page in 3 steps. The contents page lists the sections to be included in the magazine such as the album chart, top 40 singles, an interview, a question segment, music news, and a music trivia section along with the corresponding page numbers.
Construction Of My magazine front cover
The document outlines the construction of a magazine front cover in 4 steps. It includes images of Vicky and lists content sections such as top 40 songs, upcoming gigs, top albums, friends and allies. The final step rearranges the content sections and adds additional details about free vouchers and issue information.
Images For My Music Magazine
This document contains images that could be used in a music magazine, including a band's cover image featuring pandas, the band's logo to be used on the front cover and article covers, and several photos of Rob playing piano or with other band members that may be used in the magazine.
Construction Of My Magazine Double Page Spread
The document describes the construction process for a double-page magazine spread about the band "Friends and Allies". It discusses their new single "Being Loved by You", their upcoming album featuring both covers and original songs, and their excitement to start gigging and perform live for their fans. Over the course of seven steps, the document shows different layout options for the spread before selecting the second construction as the most interesting design.
Construction of my magazine content page
This is the construction of my music magazine contents page. It shows where everything is going to go on my contents page. However, this isn't how it will be finally set out,
Construction of my magazine content page
This document outlines the contents page for a music magazine. It lists several article titles under three headings: Album Chart Top 40 Singles, Upcoming Gigs, and Interview With 'Friends And Allies'. It also lists additional articles on question time with Stephanie B, latest music news on debt from music obsession, and a music trivia section called Music fact or fiction. The contents are repeated three times to demonstrate the format of the contents page.
Fonts for masthead
The document discusses different font options for a magazine masthead. The author evaluates several fonts, liking one that is unique but may not stand out, and another that suits the title name and will be effective. Their favorite font looks like a computer sound bar and suits the magazine genre and title. Some fonts are rejected as too jazzy, not suitable, or difficult to read.
Analysing Existing Music Magazines
I have analysed 3 front covers, 3 contents pages and 3 double page spreads. I have said what is good and bad about them, and the things that i like and dislike about them.
Analysing Existing Music Magazines
This document analyzes and summarizes the design elements of various music magazine covers and contents pages. Key design elements discussed include use of color, fonts, placement of images and text, and overall layout. Across the magazines analyzed, common effective design techniques identified are using bold colors and fonts to make titles and headlines stand out, arranging text and images to complement and relate to each other, and maintaining consistent color schemes and fonts to create cohesion. However, some magazine pages are criticized for being too bland with excessive white space or uninteresting images.
Analysing existing music magazines
The document analyzes the design elements of various existing music magazines. It discusses things like font styles, colors, placement of images and text, and how these elements are used to make certain content stand out. Specific techniques mentioned include using bright colors for titles, consistent fonts and placement of images in the center with text wrapped around them as borders. The goal of these design choices is to effectively draw the reader's eye to key information and content.
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定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
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◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
University of Western Sydney degree offer diploma Transcript
澳洲UWS毕业证书制作西悉尼大学假文凭定制Q微168899991做UWS留信网教留服认证海牙认证改UWS成绩单GPA做UWS假学位证假文凭高仿毕业证申请西悉尼大学University of Western Sydney degree offer diploma Transcript
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Enigmatic Portrait, In the heart of a sleepy town
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一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
办国外奥克兰理工大学奥克兰理工大学毕业证文凭证书教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
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国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
Sunny and Rishi 3 Written by Basak Serin
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legacies
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
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Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
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校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
From Teacher to OnlyFans: Brianna Coppage's Story at 28
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
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如果您处于以下几种情况：
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◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Anasuya Sengupta Cannes 2024 Award Winner
Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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A2 Music Video Research
- 1. A2 Music Video Research Lauren Maskrey
- 2. Music Video 1: Maroon 5 & Christina Aguilera- Moves Like The Jagger.
- 3. How’re the band/artist represented? Is this similar across the videos?: The music video ‘Moves Like Jagger’ is based on Mick Jagger so therefore, he is presented in the video through Maroon 5 and Christina Aguilera. Throughout the video the main singer of Maroon 5, Adam Levine, is presented as a modern day Mick Jagger. The video is shown as old fashioned at the beginning, showing Mick Jagger performing, and then it gradually gets more modern, right up to when Christina Aguilera starts to sing. Maroon 5 and Christina, are seen to be performing at a talent contest to celebrate Mick Jagger’s dancing and singing, and they are both the main performers in the video. This is different to both Maroon 5’s other videos and Christina Aguilera’s videos too.
- 4. What relationships exist between images and lyrics in the chosen video?: There is some relationship between the images in the video and the lyrics of the song. ‘Moves Like Jagger’ is the main theme in the video, this means it is based on Mick Jagger. In the lyrics, he is mentioned a lot and in the video, there are black and white clips of Mick Jagger dancing and then the main singer of Maroon 5 imitates him. The images in the video don’t really represent the lyrics, only when Mick Jagger is dancing. On a separate post on ‘Blogger’, I will post the lyrics of this song so you can see how the video and the lyrics coincide.
- 5. What relationship exists between the music and the images?: The music in the video is a typical Maroon 5 tune. The music and the images work well together as they up beat music, goes well with the fast, and intense dancing. The music also makes it feel like the situation the characters in the video, are in. The instruments in the video that are in the song, make the video feel very British, which is what they are trying to get across in the video with the use of Mick Jagger. The music compliments the images, and vice-versa.
- 6. Are there any inter-textual references to other media forms? If so who/what?: Yes, Mick Jagger is mentioned a lot in the song, and also he is shown in a black and white video, performing, which pops up every now and again in the video itself. Maroon 5 are the main artists in the video, but Christina Aguilera also does some of the vocals. She is in around half the song, but isn’t seen or mentioned as much as Maroon 5.
- 7. Is it possible to see any common features in the music video?: There are some recurring features in the music videos. These are: Mick Jagger- He is seen on old video clips and the music video and song are based on him. British- The British flag is in the background throughout the video, so this could mean they are trying to give us a message through the video, about being proud to be British. Dancing- All throughout the video everyone shown is dancing and singing, and this is the main theme for the video. The video itself is set out in quite an old fashioned way and this is probably how choreographers wanted it to look. The old fashioned clothes and people set the scene also.
- 8. What taglines or catchphrases are present?: ‘Moves Like Jagger’, the name of the song, the theme of the song, and the vocals are all based on this phrase and well known saying. This makes sure that the video has a theme and people already know the saying, so can therefore relate with it.