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..    ‫א‬ -٢-
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﺘﺄﺴﻴﺱ ﺃ ‪‬ل ........................................................................................................... - ٤ -‬ ‫ﻭ‬ ‫ﺘﺄﺴﻴﺱ ﺜﺎﻥ ........................................................................................................... - ٥ -‬ ‫ﺇ ﹼﻪ ﺍﻟﺴ ‪‬ﺩ ﺍﻟﻤﺴﺘﺤﻴل.. ................................................................................................. - ٦ -‬ ‫ُ‬ ‫ﻨ ‪ ‬ﻴ‪‬‬ ‫ﻤﻥ ﺃﻗﻭﺍل ِ ﺍﻟﺴ ‪‬ﺩ ِ ﺍﻟﻤﺴﺘﺤﻴل ......................................................................................... - ٣١ -‬ ‫ﻴ‬ ‫ﻤﻥ ﺃﻗﻭﺍل ﺍﻟﻜﻨﺎﻨﺔ.. .................................................................................................. - ٨١ -‬ ‫ﺤﺩﻴﺙ ُﻋﺎﺒﺭ.. ﺇﻟﻲ ﺸﺎﻋﺭ ِﺴﺒﻴل ...................................................................................... - ٢٢ -‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺫﻗﺕ ﻟﺒﺎﺱ ﺍﻟﻤﺘﺎﻫﺔ .................................................................................................. - ٤٢ -‬ ‫ِ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻫل ﻴﻌﻴﺩ ‪‬ﻤﻴﺩﺓ ﻫﺫﺍ ................................................................................................. - ٥٢ -‬ ‫ﺤ ﹸ‬ ‫ﺴـﺎﻓﺭﺕ.. ......................................................................................................... - ٦٢ -‬ ‫ﹶ‬ ‫ﻋﺸﺕ ﺍﺤﺘﺠﺎﺠﺎ ..................................................................................................... - ٨٢ -‬ ‫ﹰ‬ ‫ﹶ‬ ‫ﻻ ﺒﺄﺱ.. ........................................................................................................... - ٠٣ -‬ ‫‪‬‬ ‫ﻜﻨﺕ ﺘﺼﻠﻲ ......................................................................................................... - ٢٣ -‬ ‫ﹶ‬ ‫ﻭﻓﻲ ﺠﺴﺩ ﺍﻟ ِﻌﺭ .................................................................................................... - ٣٣ -‬ ‫ِ ﺸ ِ‬ ‫ﺘﺼﺎﻟﺤﺕ ﻭﺍﻟﺼﻤﺕ ................................................................................................. - ٦٣ -‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﺃﻨﺕ ﺃﻨﻁﻘﺕ ﺠﻴ ًَ ﻤﻥ ﺍﻟﺼﻤﺕ ....................................................................................... - ٧٣ -‬ ‫ِ‬ ‫ﻼ‬ ‫َﹶ ﹰ‬ ‫ﻏﺩﺍ ﻤﻥ ﺭﻤﺎﺩﻙ ..................................................................................................... - ٨٣ -‬ ‫ﹰ‬ ‫ً‬ ‫ﻫﻭﺍﻤﺵ............................................................................................................. - ٩٣ -‬ ‫-٣-‬
‫ﺘﺄﺴﻴﺱ ﺃﻭل‬ ‫ﱠ‬ ‫ﺇﺫﻥ..‬ ‫ْ‬ ‫ﻓﻲ ﻴﺩﻴﻪ ﻫﻭﻱ ﺍﻟﺜﻘﻠﻴﻥ.‬ ‫ْ‬ ‫ﻭﻜﻴﻑ.. ﻭﺃﻴﻥ.‬ ‫ْ‬ ‫ﹶ‬ ‫ﻭﻓﻲ ﺍﻟﺒﻴﻥ ﺒﻴﻥ.‬ ‫ْ‬ ‫ﻭﻴﻨﻘل ﻋﺭﺸﺎ‬ ‫ﹰ‬ ‫ﺒﻁﺭﻓﺔ ِ ﻋﻴﻥ.‬ ‫ْ‬ ‫............................‬ ‫-٤-‬
‫ﺘﺄﺴﻴﺱ ﺜﺎﻥ‬ ‫ﺇﻨﻬﺎ ﻏﺭﻓﺔ ُ.. ﻗﻴل:‬ ‫َ‬ ‫ﹸ‬ ‫ﺃﻭ ِﺩﺭﺓ ُ ﺘﺤﺕ ﻋﺭﺵ ﺍﻷﻟﻭﻫﺔ ِ.‬ ‫ﺴ ﹸ‬ ‫ﺃﺠﺩﺍﺙ ﺃﺠﺩﺍﺩﻨﺎ ﺘﺸﺭﺃﺏ؛‬ ‫ﹸ‬ ‫ﻭﺘﺅﺘﻲ ﻁﻼﺴﻤﻬﺎ ﻜل ﺤﻴﻥ ٍ؛‬ ‫ﻭﺘﻨﻔﺙ ﻓﻴﻨﺎ ﺭﻴﺎﺤﺎ ﻟﻘﺎﺤﺎ ً؛‬ ‫ﹰ‬ ‫ﻭﻫﺫﻱ ﺍﻟﻨﻘﻭﺵ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﺴﺭ ﺍﻷﺴﺎﻁﻴﺭ ِ‬ ‫ِ‪‬‬ ‫ﻤﻔﺘﺎﺡ ﹶﻨﺯ ِ ﺍﻟﻌﻠﻭﻡ ِ ﺍﻟﻤﺅﺠل ِ،‬ ‫‪‬ﻜ‬ ‫ﻟ ‪‬ﺎ ﺘﺯل ﺠﻤﺭﺓ ً ﻓﻲ ﺍﻟﺭﻤﺎﺩ ِ...‬ ‫ْ‬ ‫ﻤ‬ ‫ﺇﻟﻲ ﻜﻡ ﻤﻥ ﺍﻟﺩﻫﺭ ِ ﻨﺫﻫل..‬ ‫ُ‬ ‫ﻨﺴﺄل ﺼﻤﺕ ﺍﻟﻁﻼﺴﻡ ِ‬ ‫ُ‬ ‫ﻋﻥ ﹸﻨﻪ ﺃﺴﺭﺍﺭﻨﺎ؟‬ ‫ﻜ‬ ‫............................‬ ‫-٥-‬
‫ﺇ ﹼﻪ ﺍﻟﺴ ‪‬ﺩ ﺍﻟﻤﺴﺘﺤﻴل..‬ ‫ُ‬ ‫ﻨ ‪ ‬ﻴ‪‬‬ ‫ﺍﻟﺒﺴﻴﻁ؛ ﺍﻟﺠﻤﻴل..‬ ‫ُ‬ ‫ﹸ‬ ‫ﺍﻟﺫﻱ ﻗﻴل.. ﻗﺎل :‬ ‫َ‬ ‫َ‬ ‫ﺃﻨﺎ ﺒﺎﺩﺉ ﺍﻷﺒﺩﻴﺔ ْ.‬ ‫ﻟﻲ ﻋﺴل ُ ﻨﺎﻁﻕ ُ ﻓﻲ ﺤﻨﺎﻥ ِ ﺍﻟﺼ ‪‬ﻴﺔ ْ.‬ ‫ﺒ‬ ‫ﹸ‬ ‫ُ‬ ‫ﻭﻟﻲ ﻤﻥ ﻤﻼﻤﺢ ﺸﻌﺒﻲ ﺍﻟﻬﻭﻴﺔ ْ.‬ ‫ُﺤﺭﻙ ﺠﻴﺵ ﺍﻟﺴﻨﺎﺒل ِ؛‬ ‫ﹶ‬ ‫ﺃ ِ‪‬‬ ‫ﻏﻴﺙ ﺍﻟﻘﻨﺎﺒل ِ؛‬ ‫ﹶ‬ ‫ﻭﺍﻷﺴﺌﻠﺔ ْ.‬ ‫ﻭﻟﻲ ﻋﻨﺩ ﻜل ﺭﻜﻭﺩ ٍ‬ ‫ﻴﺩ ُ ﻓﺎﻋﻠﺔ ْ.‬ ‫‪‬‬ ‫ﻭﻟﻲ ﻤﻭﺠﺔ ُ ُ ﻗﺎﺒﻠﺔ ْ.‬ ‫............................‬ ‫ﺇ ﹼﻪ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل..‬ ‫ُ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺍﻟﺼﺩﻭﻕ؛ ﺍﻷﻤﻴﻥ..‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻟﻡ ﻴﺯل ﻴﺤﺘﺴﻲ ﺨﻤﺭﺓ ً‬ ‫ﻤﻥ ﻋﺼﻴﺭ ﺍﻟﻤﻨ ‪‬ﺔ ْ.‬ ‫ﻴ‬ ‫ﻗﻴل: ﻜﺎﻥ َ ﻗﺩﻴﻤﺎ ً ﺇﻟﻬﺎ ً..‬ ‫َ‬ ‫ﻭﻴﺼﻨﻊ ﻤﻥ ﻗﺭﺹ ِ ﺸﻤﺱ ﺍﻟﻨﻬﺎﺭ ِ ﺇﻟﻬﺎ ً..‬ ‫ﻭﻤﻥ ﻨﻘﻁﺔ ِ ﺍﻟﻤﺎﺀ ِ ﺫﺍﺕ ﺍﻹﻟﻪ ْ.‬ ‫ﹶ‬ ‫ﻋﻠﻲ ﺼﻔﺤﺔ ِ ﺍﻟﻤﺎﺀ ِ‬ ‫ﻴﺤﻤل ﻟﻸﺭﺽ ِ ﻨﺒﺽ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫ﻭﻓﻜﺭ..‬ ‫ﱠ‪‬‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﻓﻲ ﺍﻟﻤﻭﺍﺕ ِ / ﺍﻟﺤﻴﺎﺓ ْ..‬ ‫ﺒ‬ ‫............................‬ ‫-٦-‬
‫ﻓﺘﺤﻨﺎ ﻟﻪ ﺨﻨﺩﻗﺎ ً..‬ ‫ﻭﺒﺴﻁﻨﺎ ﻟﻪ ﺒﺭﺯﺨﺎ ً..‬ ‫ﺜﻡ ﻤﺭ..‬ ‫‪‬‬ ‫ﻭﺨﱠﻑ َ ﺁﻴﺎ ِﻪ ِ ﻓﻲ ﺍﻟﻨﺨﻴل ِ؛‬ ‫ﺘ‬ ‫ﻠ‬ ‫ﻭﻓﻲ ﺍﻟﺒﺤﺭ ِ..‬ ‫ﻤﺭ..‬ ‫‪‬‬ ‫ﻭﺨﱠﻑ َ ﻓﻴﻨﺎ ﺼﻼﺓ ً‬ ‫ﻠ‬ ‫ﻭﺨﻤﺭﺍ ً‬ ‫ﻭﺩﻡ..‬ ‫ﻭﻜﺎﻥ ﻟﻪ ﻋﻨﺩ ﻜل ِ ﺍﻨﺤﻨﺎﺀﺓ ِ ﺤﺭﻑ ُ‬ ‫ﹸ‬ ‫ﻭﺘﻌﻭﻴﺫﺓ ُ ُ‬ ‫ﻭﻭﺼﺎﻴﺎ؛ ﺒﻬﺎ ﻴﺴﺘﻤﺭ ْ.‬ ‫............................‬ ‫ﻗﻴل.. ﻗﺎل : ﻭﻟﻲ ﻭﺭﻗﺔ ُ ُ؛ ﻭﻗﻠﻡ.‬ ‫ْ‬ ‫َ‬ ‫َ‬ ‫ﻭﻟﻲ ﺒﻬﺠﺔ ُ ُ؛ ﻭﺃﻟﻡ.‬ ‫ْ‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ﺍﻟﺫﻱ ﻋﻨﺩﻩ‬ ‫‪‬‬ ‫ﻴﺴﺘﻔﻴﻕ ﺍﻟﻌﺩﻡ.‬ ‫ْ‬ ‫............................‬ ‫ﻗﻴل : ﻴﺒﺩﺃ ُ ﻤﻥ ﺼﺨﺭﺓ ً‬ ‫َ‬ ‫ﺘﺤﺕ ﻋﺭﺵ ِ ﺍﻷﻟﻭﻫﺔ ِ؛‬ ‫ﻻﺒﺴﺎ ً ﻤﻥ ﺤﺭﻴﺭ ِ ﺍﺤﺘﻤﺎﻻ ِﻪ ِ ﻜﻭﻜﺒﺎ ً..‬ ‫ﺘ‬ ‫ﻭﻴﺒﺴﻁ ﺴﺠﺎﺩﺓ ً ﻤﻥ ﻁﻴﻭﺭ ٍ ﻋﻠﻲ ﻜﺘﻔﻴﻪ ِ؛‬ ‫ﻭﻴﺒﺴﻁ ﺴﺠﺎﺩﺓ ً ﻤﻥ ﺤﻴﺎﺓ ٍ؛‬ ‫ﻭﻻ ﻴﺴﺘﻘﺭ ْ.‬ ‫ﻓﺎﺴﺘﻌﻴﻨﻭﺍ ِﻪ ِ‬ ‫ﺒ‬ ‫ﻭﻟﻪ‬ ‫‪‬‬ ‫ﺇ ﹼﻪ‬ ‫ﻨ‪‬‬ ‫-٧-‬
‫ﺴﺎﺒﻕ ُ ُ ﻅﱠﻪ ُ‬ ‫ِﻠ‬ ‫ﺭ ‪‬ﻤﺎ ﻋﺎﺒﺭ ُ ﻤﻭ ﹶﻪ ُ..‬ ‫‪ ‬ﺘ‬ ‫ﺒ‬ ‫............................‬ ‫ﺴﻴﺄﺘﻴﻙ َ ﻓﻲ ﺍﻟﺴﺭ؛‬ ‫ِ‪‬‬ ‫ﻤﻥ ﺯﻋﻔﺭﺍﻥ ِ ﺍﻟﻤﺭﺍﺭﺓ ِ‬ ‫ﺃﻭ ﻤﻥ ﺤﺭﻴﺭ ﺍﻨﻔﻌﺎﻻ ِﻪ ِ..‬ ‫ﺘ‬ ‫ﻭﻴﻤﻨﺤﻙ َ ﻴﺎ ﺭ ‪‬ﻤﺎ ﻭﺭﺩﺓ ً ﻟﻠﺨﺭﻭﺝ ِ ﺍﻟﺠﻤﻴل ِ؛‬ ‫ﺒ‬ ‫ﻭﻴﺩﻓﻌﻙ َ ﻟﻠﻔﻬﻡ ِ؛ ﻭﺍﻟﻔﻌل ِ..‬ ‫ﻴﺩﻓﻌﻙ َ ﻋﻥ ﻨﻔ ِﻪ ِ..‬ ‫ﺴ‬ ‫............................‬ ‫ﻗﺩ ﺘﺭﻱ ﻅﱠﻪ ُ ﻓﻲ ﺍﻟﻨﺨﻴل ِ‬ ‫ِﻠ‬ ‫ﻭﻓﻲ ﺍﻟﺒﺤﺭ ِ..‬ ‫ﻟﻜﻨﻪ ﻻ ﻴﺒﻴﻊ ﺍﻟﺘﺭﺍﺙ َ ﺍﻟﻤﻭﺸﻲ‬ ‫ﺒﺤﻜﻤﺔ ِ ﻤﻥ ﻗﺩ ﻤﻀﻭﺍ‬ ‫‪ْ‬‬ ‫ﺒﺨﺼﻭﺭ ِ ﺍﻟﻨﺴﺎﺀ ِ..‬ ‫ﻭﺒﻌﺽ ﺍﻟﻐﻨﺎﺀ ِ..‬ ‫............................‬ ‫ﺇ ﱠﻪ ُ ﺍﻟﺴ ‪‬ﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ ﺍﻟﺫﻱ‬ ‫ﻴ‪‬‬ ‫ﻨ‬ ‫ﻗﺩ ْ ﺘﺒﻨﻲ ﺍﻟﺘﺭﺍﺏ َ؛‬ ‫ﻭﺯ ﹼﺎﻩ ُ..‬ ‫ﻜ‬ ‫ﻟﻪ ُ ﺨﺠل ُ ُ ﻜﺎﻟﺤﻴﺎﺓ ِ..‬ ‫ﻭﺭﻓﺽ ُ ﺒﻌﺭﺽ ِ ﺍﻷﻓﻕ ْ.‬ ‫‪‬‬ ‫............................‬ ‫ﻟﻪ َ ‪‬ﺭﻭﺓ ُ ﺍﻟﻭﻤﺽ ِ‬ ‫ﻋ‬ ‫ﺴﻁﻭﺓ ُ ﺍﻟﺭﻓﺽ ِ‬ ‫ﻭﺍﻟﺭﻋﺏ ُ ﻓﻲ ﺍﻷﺭﺽ ِ‬ ‫............................‬ ‫-٨-‬
‫ﺭ ‪‬ﻤﺎ ﻴﻌﺒﺭ ُ ﺍﻟﺸﺎﺭﻉ َ ﺍﻟﻌﺭﺒﻲ‬ ‫‪‬‬ ‫ﺒ‬ ‫ﻻﺒﺴﺎ ً ﺠ ‪‬ﺔ ً ﻤﻥ ﺤﺭﻴﺭ ِ ﺍﻟﺘﻔﺎﻋﻴل ِ‬ ‫‪‬ﺒ‬ ‫ﻤﻨﺴﻭﺠﺔ ً ﺒﻴﺩ ِ ﺍﻟﺠﻭﻉ ِ؛ ﻭﺍﻟﻘﺘل ِ‬ ‫ﺃﻭ ﺒﺎﻟﺘﻬﺠﺩ ِ ﺒﺎﻟﻠﻴل ِ‬ ‫ﻭﺍﻷﺭﺽ ﺘﻬﺫﻱ‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺠﺎﺀﻫﺎ ﻏﺎﻀﺒﺎ ً...‬ ‫ﻭﺘﻬﺭﻉ ﻟﻠﻤﺎﺀ ِ‬ ‫ﻜﻲ ﺘﻜﺘﺴﻲ ﺤﱠﺔ ً ﻤﻥ ﺤﻴﺎﺓ ٍ..‬ ‫‪‬ﻠ‬ ‫ﺘﺼﻠﻲ ﺍﻟﺼﻼﺓ َ ﺍﻷﺨﻴﺭﺓ َ ﺒﻴﻥ ﻴﺩﻴﻪ ِ.‬ ‫............................‬ ‫ﻨﻌﻡ ْ..‬ ‫ﺇ ﱠﻪ ُ ﺴﻁﻭﺓ ُ ُ..‬ ‫ﻨ‬ ‫ﻭﻟﻜﻨﻪ ُ ﻤﺜل ﻗﻭل ِ ﺍﻟﻨﺒﻴﻴﻥ‬ ‫ُ‬ ‫ﻟﻴﺱ ﻟﻪ ﺼﻭﻟﺠﺎﻥ ْ.‬ ‫............................‬ ‫ﻗﺩ ﻴﻘﺎل ﺍﺤﺘﻤﺎل ُ؛ ﻤﺭﻴﺽ ُ؛‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻴﻨﺴﺎﺏ؛ ﻴﺴﺭﺡ ﻓﻲ ﺍﻟﺨﻠﻕ ِ؛‬ ‫ﻴﺴﺨﺭ ﻤﻥ ﻤﻨﻁﻕ ِ ﺍﻟﻔﺭﺽ ِ؛ ﻭﺍﻟ ِﺭﺽ ِ؛‬ ‫ﻌ‬ ‫ﻭﺍﻟﻜﻠﻤﺎﺕ ﺍﺤﺘﻔﺎل ُ ﻟﻪ..‬ ‫ُ‬ ‫ﹸ‬ ‫ﺇ ﹼﻪ ُ ﺸﺎﻋﺭ ُ؛ ﺭﺍﻓﺽ ُ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺜﺎﺌﺭ ُ؛ ﻭﺒﺭﺉ ُ..‬ ‫ُ‬ ‫‪‬‬ ‫ﻭﻴﺭﻀﺦ ﻓﻲ ﺁﺨﺭ ِ ﺍﻷﻤﺭ ِ ﻟﻠﻜﺒﺕ ِ؛‬ ‫ﺃﺴﺭﺍﺭﻩ ﻓﻲ ﺍﻟﺒﻨﺎﺕ ِ ﺍﻟﻠﻭﺍﺘﻲ‬ ‫‪‬‬ ‫ﺍﺸﺘﻌﻠﻥ ﺍﺸﺘﻴﺎﻗﺎ ً‬ ‫ﻭﺃﻁﻔﺌﻥ ﻓﻲ ﺍﻟﻤﺎﺀ ِ ﹶﻀﺎ ً؛‬ ‫ﻏ‬ ‫ﻨﻌﻡ...‬ ‫ﺇ ﹼﻪ ﻴﺭﺘﺩﻱ ﺼﻤ ﹶﻪ ُ ﺍﻟﻤﺴﺘﻔﺯ..‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻨ‪‬‬ ‫-٩-‬
‫ﻴﻤﺘﻁﻲ ﺼﻬﻭﺓ َ ﺍﻟﺤﻠﻡ ِ؛ ﻭﺍﻟﻠﻴل؛‬ ‫ﻓﺎﻟﺤﻠﻡ ُ ﻭﺍﻟﻠﻴل ُ ﺃﺴﺭﻱ ﻟﺩﻴﻪ.!‬ ‫............................‬ ‫ﻟﻪ ﻓﻲ ﺍﻟﻘﻤﻴﺹ ِ؛‬ ‫ﻭﻓﻲ ﺍﻟﺤﻠﻡ ِ؛‬ ‫ﻭﺍﻟﺠﺏ ﺃﺴﻁﻭﺭﺓ ُ ُ..‬ ‫‪ ‬‬ ‫ﺇ ﱠﻪ ُ ﺍﻟﺴﻴﺩ؛ ﺍﻟﻤﺴﺘﺤﻴل ُ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺁﻤﻨﺎ ً ﻅل ﻓﻲ ﺴﺠ ِﻪ ِ..‬ ‫ﻨ‬ ‫ﻤﺴﺘﺤﻴﻼ ً؛ ﻭﻤﺴﺘﻌﺼﻴﺎ ً..‬ ‫ﻜﻴﻑ َ ﻴﺼﺒﺢ ‪‬ﺴﺘﻨﻔﺭﺍ ً ﻓﻲ ﺍﻨﺘﻅﺎﺭ ﺍﻟﻬﺯﻴﻤﺔ ِ؟‬ ‫ﻤ‬ ‫ﺃﻭ ﻜﺎﻟﻔﺭﻴﺴﺔ ِ‬ ‫ﺃﻭ ﻜﺎﻟﺠﺭﻴﻤﺔ ِ‬ ‫ﺃﻁﺭﺍ ﹸﻪ ُ ﻴﻨﻘﺼﻭﻥ؛ ﻭﺃﻋﻀﺎﺅﻩ ﻴﻀﻤﺭﻭﻥ..‬ ‫ﻓ‬ ‫ﻜﻴﻑ ﻴﻨﺘﺎﺒﻪ ﺍﻟﺭﻋﺏ؟‬ ‫‪‬‬ ‫ﻴﻬﺘﺎﺝ ﻤﺴﺘﻨﺠﺩﺍ ً ﻤﻥ ﻏﺩ ٍ؟!‬ ‫ﺃﻴﻥ ﻤﻨﻪ ﺍﻟﺫﺭﺍﻉ ﺍﻟﺘﻲ ﺤﻴﻥ ﺘﻤﺘﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﻁﻭﻱ ﺍﻟﻭﺸﺎﺡ ﺍﻟﻤﻁﺭﺯ ﺒﺎﻟﺠﻭﻉ ْ.؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻴﻥ ﺍﻟﺩﻤﺎﺀ ﺍﻟﺘﻲ‬ ‫ﺃﻨﺒﺘﺕ ﻓﻲ ﺍﻟﺭﻤﺎﺩ ِ ﺍﻟﺩﻤﻭﻉْ؟‬ ‫ﹾ‬ ‫ﻗﻴل : ﻜﺎﻥ ﻗﺩﻴﻤﺎ ً ﻟﻪ ﺨﺎﺘﻡ ُ‬ ‫‪ ‬‬ ‫َ‬ ‫ﺤﻴﻥ ﻴﺩﻋﻜﻪ‬ ‫ﻓﺎﻟﻜﻨﺎﻨﺔ ُ ﺒﻴﻥ ﻴﺩﻴﻪ ‪‬ﻁ ‪‬ﺯﺓ‬ ‫ﻤ ﺭ‬ ‫ﺒﺎﻟﺭﺠﺎل ﺍﻟﺩﺭﻭﻉ ْ.‬ ‫ِ‬ ‫............................‬ ‫ﺍﻟﻜﻨﺎﻨﺔ ُ؛ ﺘﺸﺤﺫ ﺘﺎﺭﻴﺨﻬﺎ‬ ‫ﻭﺘﺒﺩﺃ ُ ﻤﻥ ﺭﻗﺼﺔ ِ ﺍﻟﻁﻤﻲ؛‬ ‫ﻤﻥ ﺴﺠﺩﺓ ٍ ﺘﺤﺕ ﻋﺭﺵ ٍ‬ ‫- ٠١ -‬
‫ﻭﺘﻐﺴل ﻓﺴﺘﺎﻨﻬﺎ ﻤﻥ ﺭﻤﺎﺩ ِ ﺍﻷﺴﺎﻁﻴﺭ ِ‬ ‫ﺘﺭﻗﺹ..‬ ‫ﺘﻠﻙ ﺇﺫﻥ ﺭﻗﺼﺔ ُ ُ ﻤﺸﺘﻬﺎﺓ ُ ُ‬ ‫ْ‬ ‫ﻭﻤﻜﺘﻅﺔ ُ ُ ﺒﺎﻟﻭﺼﺎﻴﺎ‬ ‫– ﻋﺼﻴﺭ ﺍﻟﻤﻨﺎﻴﺎ –‬ ‫ﻭﻨﺨل ﺍﻟﻜﻨﺎﻨﺔ ِ ﻤﺴﺘﻨﻔﺭ ُ ُ؛ ﻨﺎﻓﺭ ُ ُ..‬ ‫ُ‬ ‫ﻭﺍﻟﻜﻨﺎﻨﺔ ُ؛ ﺒﻭﺍﺒﺔ ُ ُ ﻤﺸﺘﻬﺎﺓ ُ ُ ﻟﻜل ِ ﺼﻬﻴل ٍ؛‬ ‫ُ‬ ‫ﻭﻓﺴﻘﻴﺔ ُ ُ ﻤﻥ ﺩﻤﺎﺀ ﺯﻻل ٍ..‬ ‫ٍ‬ ‫ﻭﻤﺎﺀ ٍ ﻗﺭﺍﺡ.‬ ‫ْ‬ ‫ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ‬ ‫‪‬‬ ‫ﺃﺩﺭ..‬ ‫ْ‬ ‫ﻭﺍﺴﺘﺩﺭ..‬ ‫ْ‬ ‫ﻭﺍﺴﻘﻨﺎ..‬ ‫ﻭﺍﺭﻭ ﻋ ﹼﺎ..‬ ‫ﻨ‬ ‫ﻭﺜﻡ ﺍﺭﻭﻨﺎ..‬ ‫ﻭﺍﺭﻭ ﻜل ﻨﺨﻴل ِ ﺍﻟﺠﺯﻴﺭﺓ ِ‬ ‫َ‬ ‫ﺘﺤﺕ ﺴﻤﺎﺀ ِ ﺍﻟﺨﻠﻴﺞ ِ..‬ ‫ﻭ ‪‬ﺏ ْ ﺒﺎﻟﻨﺸﻴﺞ ِ؛‬ ‫ﺠ‬ ‫ﻭﺠﺩ ﺒﺎﻟﻔﺭﺍﺕ ْ.!!‬ ‫‪ْ‬‬ ‫............................‬ ‫ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻴﻨﺘﻤﻲ ﻟﻠﺒﺭﺍﺀﺓ ِ؛ ﻭﺍﻟﻀﺩ ِ..‬ ‫ﻫل ﺘﺤﺘﺴﻲ ﺨﻤﺭﺓ ً‬ ‫ﻤﻥ ﻜﺌﻭﻭﺱ ﺍﻟﻔﺠﻴﻌﺔ ِ؟‬ ‫ﺃﻡ ﺘﻜﺘﺴﻲ ﺤﱠﺔ ً‬ ‫‪‬ﻠ‬ ‫ﻤﻥ ﺜﻴﺎﺏ ِ ﺍﻟﺸﺭﻴﻌﺔ ِ؟‬ ‫ﻟﻴﺱ ﻟﻨﺎ ﻓﻲ ﺍﻟﻴﺴﺎﺭ ِ؛‬ ‫- ١١ -‬
‫ﻭﻻ ﻓﻲ ﺍﻟﻴﻤﻴﻥ ِ؛‬ ‫ﻭﻻ ﻓﻲ ﺍﻟﻭﻗﻴﻌﺔ ِ؛‬ ‫ﺃﻭ ﻓﻲ ﺍﻟ ِﺭﺍﻙ ِ ﺍﻟﻭﻀﻴﻌﺔ ِ؛‬ ‫ﺸ‬ ‫ﺴﻤﻭﻙ َ ﻤﺎﺀ َ ﺍﻟﺤﻴﺎﺓ ِ؛‬ ‫ﻭﻜﻨﻭﻙ َ ﻨﻬﺭ ﺍﻟﻐﻀﺏ.‬ ‫ْ‬ ‫‪‬‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﺎﺩﺏ ُ؛ ﺍﻟﻤﻨﺘﺩﺏ‬ ‫ْ‬ ‫ﺒﻠﺴﺎﻥ ِ ﺍﻟﻌﺭﺏ ْ.‬ ‫- ٢١ -‬
‫ﻤﻥ ﺃﻗﻭﺍل ِ ﺍﻟﺴ ‪‬ﺩ ِ ﺍﻟﻤﺴﺘﺤﻴل‬ ‫ﻴ‬ ‫)١(‬ ‫ﻤﺎﺜل ُ ُ؛ ﻓﻭﻕ ﻗﻴﻅ ِ ﺍﻟﺠﻨﻭﻥ ِ‬ ‫ﹶ‬ ‫- ﺠﻨﻭﻥ ِ ﺍﻟﺒﺭﺍﻴﺎ –‬ ‫ﻴﺩﻱ ﻓﻭﻕ َ ﻨﺒﻀﻲ؛‬ ‫ﺃﺩﺍﻋﺏ ﺠﻤﺭﺓ َ ﺭﻭﺤﻲ؛‬ ‫ﺃﻭ ﱢﻊ ﻟﻼﻨﺘﻔﺎﻀﺔ ِ ﻟﺤ ﱠﺎ ً..‬ ‫ﻨ‬ ‫ﻗ‬ ‫ﻭﺃﺸﺭﺏ ﻨﺨﺒﺎ ً ﹸﺭﺍﺘﺎ ً..‬ ‫ﻓ‬ ‫ﻭﺃﺸﻌل ﻓﻲ ﻤﻠﻜﻭﺕ ِ ﻴﺩﻱ ﱠ ﻭﺭﻴﺩﺍ ً..‬ ‫ﺃﻤ ‪..‬‬ ‫‪‬ﺭ‬ ‫ﻭﻤﻥ ﺒﻴﻥ ِ ﻫﺫﻱ ﺍﻟﺒﺴﻴﻁﺔ ِ ﺃﻫﻤﻲ‬ ‫ﻓﺘﺭﺘﺞ ﺘﺤﺘﻲ..‬ ‫ﹼ‪‬‬ ‫ﻭﺃﻁﺭﻕ ﻓﻴﻬﺎ ﺍﻟﻐﻭﺍﺌل َ‬ ‫ﺤﺘﻰ ﺘﺼﻴﺭ ﻓﺭﺍﺩﻴﺱ‬ ‫‪‬‬ ‫ﺒﺎﻷﻤﺭ ِ..‬ ‫ﻴﺫﻋﻥ ﺠﻭﻉ ُ؛ ﻭﻴﻤﻀﻲ ﺃﻟﻴﻔﺎ..‬ ‫‪‬‬ ‫ﻭﻴﺒﺼﺭ ﺒﻌﺽ ﺍﻟﻨﺨﻴل ِ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻜﺎﻥ ﻴﻭﻤﺎ ً ﻜﻔﻴﻔﺎ..‬ ‫ﻭﻋﻤﺩﺍ ً..‬ ‫ﺃﺩﺍﻫﻡ ﺒﻴﺩﺍ ً..‬ ‫ﻭﻤﻥ ﺨﻠﻑ ِ ﺴﺩﺭﺓ ِ ﻗﻴﻅ ِ ﺍﻟﺠﻨﻭﻥ ِ‬ ‫ﺃ ُﺴ ‪‬ﺏ ﺼﺒﺤﺎ ً..‬ ‫ﺭ‬ ‫ﻭﺃﻨﻔﺦ ﻓﻲ ﻗﺎﻤﺔ ِ ﺍﻟﺼﺒﺢ ِ ﻁﻼ ً..‬ ‫َﹶ ‪‬‬ ‫ﺃﻤ ‪..ُ ‬‬ ‫‪‬ﺭ‬ ‫ﻭﻤﻥ ﺒﻴﻥ ﻫﺫﻱ ﺍﻟﺒﺴﻴﻁﺔ ِ؛ ﺃﻫﻤﻲ‬ ‫ﻭﻻ ﺸﺊ َ ﻓﻲ َ ﺴﻭﺍﻫﺎ..‬ ‫‪‬‬ ‫ﻭﻻ ﺸﺊ َ ﻓﻴﻬﺎ ﺴﻭﺍﻱ َ.‬ ‫- ٣١ -‬
‫)٢(‬ ‫ﺒﺎﺤﺙ ُ ُ ﻋﻨﻙ ِ ﻓﻴﻙ ِ‬ ‫ﻭﻋﻨﻲ ﻟﺩﻴﻙ ِ‬ ‫ﻓﺈ ‪‬ﺎ ﻨﺘﻭﺭﺩ ﻨﺒﻊ ُ ُ‬ ‫ﻤ‬ ‫ﻓﻤﻥ ﻤﻠﻜﻭﺕ ِ ﻴﺩﻴﻙ ِ‬ ‫ﺇﻟﻲ ﻤﻠﻜﻭﺕ ِ ﻴﺩﻴﻙ ِ‬ ‫ﻓﺄﻨﺕ ِ ﺍﻟﺘﻲ ﺼﻬﻠﺔ ُ ُ ﻜﺎﻟﺴﺅﺍل ِ‬ ‫ﻭﺃﻨﺕ ِ ﺍﻟﺘﻲ ﺸﻬﻘﺔ ُ ُ ﻜﺎﻟﻤﺤﺎل ِ‬ ‫ﻭﻓ ‪‬ﺍﻋﺔ ُ ُ؛ ﺃﺤﺭﻗﺕ ﻨﻔﺴﻬﺎ‬ ‫ﹾ‬ ‫ﺯ‬ ‫ﻟﺘﻤﺭ ﺍﻟﻁﻴﻭﺭ ُ ﺇﻟﻲ ﺍﻟﻀﻔﺔ ِ ﺍﻟﻤﺸﺘﻬﺎﺓ ِ‬ ‫‪‬‬ ‫ﻓﻜﻴﻑ ﺘﻐﻴﺒﻴﻥ ﻓﻲ ﺭﻫﺒﻭﻁ ِ ﺍﻟﻤﺭﺍﻴﺎ؟‬ ‫ﻭﻟﻴﺴﺕ ﺨﻁﺎﻴﺎﻙ ِ ﻤﺜل ﺍﻟﺨﻁﺎﻴﺎ !!‬ ‫ﹾ‬ ‫ﺭ ‪‬ﻤﺎ ﺘﻨﺜﻨﻴﻥ ﻗﻠﻴﻼ ً‬ ‫ﺒ‬ ‫ﻟﻜﻴﻤﺎ ﺘﻤﺭ ّ ُ ﺍﻟﺭﻴﺎﺡ ُ؛‬ ‫ﻭﺘﻨﺴﻲ ﺍﻟﺴﻤﺎﺀ ُ ﺃﺒﺎﺒﻴﻠﻬﺎ‬ ‫ﺇﻨﻬﺎ..‬ ‫ﻗﺎﻴﻀﺘﻨﻲ ﺍﻟﺼﻘﻴﻊ َ ﺒﺩﻤﻌﺔ ِ ﻏﻴﻡ ٍ‬ ‫ﻭﻫﺫﺍ ﺩﻤﻲ ِﺩﺭﺓ ُ ُ ﻓﻲ ﺍﻟﺠﻨﻭﺏ ِ‬ ‫ﺴ‬ ‫ﻭﻤﻨﻔﺎﻱ َ..‬ ‫ﻫﺫﺍ ﺍﻟﺒﺭﺍﺡ ُ؛ ﺍﻟ ‪‬ﺘﺎﺡ ْ.‬ ‫ﻤ‬ ‫............................‬ ‫)٣(‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ..‬ ‫‪‬‬ ‫ﺍﻟﺒﺴﻴﻁ ُ؛ ﺍﻟﺠﻤﻴل ُ..‬ ‫ﺍﻟﺫﻱ ﺤﻴﻥ ﻴﻐﺸﻲ ﺍﻟﺴﻼﻡ ُ ﺍﻟﺴﻼﻡ ُ..‬ ‫ﺃﻟﻤﻠﻡ ﻀﻌﻔﻙ ِ ﻤﻥ ﺼﺎﻓﻨﺎﺕ ِ ﺍﻟﻐﻴﻭﻡ ِ‬ ‫ﻭﺁﺘﻴﻙ ِ ﺸﻬﺩﺍ..‬ ‫- ٤١ -‬
‫ﺴﻼﻤﺎ ً؛ ﻭﺒﺭﺩﺍ..‬ ‫ﻭﺃﻨﺕ ِ ﺘﻘﻭﻤﻴﻥ َ ﻤﻥ ﻤﻬﺠﺘﻲ‬ ‫ﻨﺒﻀﺔ ُ ُ؛ ﻭﻤﻀﺔ ُ ُ‬ ‫ﻭﻤﻀﺔ ُ ُ؛ ﻨﺒﻀﺔ ُ ُ..‬ ‫ﻓﻬل ﺘﺭﻜﻨﻴﻥ َ ﻟﻁﻘﺱ ِ ﺍﻟﺒﻜﺎﺀ ْ؟ !‬ ‫............................‬ ‫)٤(‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ..‬ ‫‪‬‬ ‫ﺍﻟﻜﺜﻴﺭ ُ؛ ﺍﻟﻘﻠﻴل ُ..‬ ‫ﺘﻭﺴﺩﺕ ﺼﺩﺭ َ ﺍﻟﺘﻲ ﺃ ُﺭﻀﻌﺕ ْ‬ ‫ﻤﻥ ﻨﻤﻴﺭ ِ ﺍﻟﺯﻤﺎﻥ ِ ﺍﻟﺒﺭﺉ ِ‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﻓﻲ ﺍﻟﺯﻤﺎﻥ ِ ﻁﻘﻭﺱ ُ ُ؛‬ ‫ﻭﺤﻠﻡ ُ ُ؛‬ ‫ﻭﻭﻫﻡ ُ ُ؛‬ ‫ﻭﺘﻬﻭﻴﻤﺔ ُ ُ؛‬ ‫ﻭﺃﻓﺭﺍﺡ ﻁﻔل ٍ ﺘﻭﺍﻟﺕ..‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺘﻭﻟﺕ ْ..‬ ‫ﺘﺩﺍﻋﺕ ْ..‬ ‫ﺘﺨﻠﺕ ْ..‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﻤﻭﺴﻡ ُ ُ ﻟﻐﻨﺎﺀ ِ ﺍﻟﺒﻜﺎﺀ ِ‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﻤﻭﺴﻡ ُ ُ ﻟﺒﻜﺎﺀ ِ ﺍﻟﻐﻨﺎﺀ ِ‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﺠﺫﻭﺓ ُ ُ ﻟﻠﺩﻓﺎﺀﺓ ِ‬ ‫ﺃﻭ ﹸﻌﻠﺔ ُ ُ ﻟﻺﻀﺎﺀﺓ ِ‬ ‫ﺸ‬ ‫ﺃﻭ ﻓﺭﺼﺔ ُ ُ ﻻﺨﺘﻴﺎﺭ ِ ﺍﻟﻤﻭﺍﻗﻴﺕ ﻜﻴﻑ ﻨﺸﺎﺀ ُ..‬ ‫ﻭﺃﺒﺫﺭ ﺒﻴﻥ ﻴﺩﻴﻙ ِ ﺍﻟﺴﻌﺎﺩﺓ َ‬ ‫ﺃﻨﻘﺵ ﻀﺤﻙ َ ﺍﻟﻁﻔﻭﻟﺔ ِ‬ ‫ﺃﺤﻠﺏ ﹸﻬﺭﺍ ً‬ ‫ﻁ‬ ‫- ٥١ -‬
‫ﻭﻋﻁﺭﺍ ً ﻴﺠﻠﺠل ﻓﻲ ﻤﻨﻜﺒﻴﻙ ِ..؛‬ ‫ﻭﻜﻨﺕ ِ ﺘﺼﺒﻴﻥ ﻟﻭﻥ َ ﺍﻟﺒﺭﺍﺀﺓ ِ ﻓﻲ ﺸﻘﻭﺘﻲ..‬ ‫ﺘﻘﻭﻟﻴﻥ : ﻫﺏ ﻟﻲ ِﺭﺍﻋﺎ ً‬ ‫ﺸ‬ ‫ﻟﻜﻲ ﻴﺭﻋﻭﻱ ﻓﻭﻕ ﺼﺩﺭﻱ ﺍﻟﺠﻤﻭﺡ..‬ ‫ﻭﻫﺏ ﻟﻲ ﻨﺩﺍﺀ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﺘﺭﺘﻭﻱ ﺯﻨﺒﻘﺎﺕ ﺍﻟﻴﻘﻴﻥ ِ..‬ ‫ﹸ‬ ‫ﺘﻘﻭﻟﻴﻥ : ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ‬ ‫‪ْ‬‬ ‫ﻗﺩ ﻴﻘﻴﺩ ﺼﺤﻭﻱ؟!‬ ‫ﻭﻤﻥ ﺫﺍ ﺍﻟﺫﻱ‬ ‫‪ْ‬‬ ‫ﻗﺩ ﻴﻘﺭﺭ ﻤﻭﺘﻲ؟!‬ ‫ﻭﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻗﺩ ﻴﻔ ‪‬ﺭ ﻓﺠﺭﺍ ً ﺒﺯﻨﺩﻱ؟!‬ ‫ﺠ‬ ‫‪ْ‬‬ ‫ﺃﻗﻭل :‬ ‫ُ‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ﺍﻟﺫﻱ‬ ‫ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺩﻤﻲ ﻟﻔﻤﻲ ﺒﺭﺯﺥ ُ ُ ﻴﺼﻁﻔﻴﻙ ِ‬ ‫ﻭﻴﻤﺘﺩ ﺨﺼ ‪‬ﻙ ِ ﻤﻥ ﺩﺍﺨﻠﻲ..‬ ‫ﺒ‬ ‫ﺃﻨﺎ ﺠﺫ ‪‬ﻙ ِ..‬ ‫ﺭ‬ ‫ﻤﻥ ﺩﻤﻲ؛ ﻟﻔﻤﻲ؛‬ ‫ﺘﺩﺭﻋﺕ ﺒﺎﻟﺼﺤﻭ ِ..‬ ‫ﻟﻲ ﻗﺎﻤﺔ ُ ُ ﻁﻔﻠﺔ ُ ُ‬ ‫ﻭﻟﻲ ﻫﺎﺠﺱ ُ ُ ﻜﺎﻟﺴﺤﺎﺏ ِ ﺍﻟﻤﻌﺘﻕ ِ..‬ ‫ﺭﻋﺩ ُ..‬ ‫‪‬‬ ‫ﻴﻤ ‪ ‬ﻋﻠﻲ ﻏﺎﺒﺔ ِ ﺍﻟﺼﺎﻤﺘﻴﻥ‬ ‫‪‬ﺭ‬ ‫ﻭﺒﺭﻕ ُ ﻋﻠﻲ ﺸﻔﺔ ِ ﺍﻟﻘﺎﺩﻤﻴﻥ..‬ ‫ﹸ‬ ‫ﺃﻨﺎ ﺠﺫﻭﺓ ُ ﺍﻟﻔﺠﺭ ِ ﻓﻲ ﻟﻴﻠﻙ ﺍﻟﻠﻴﻠﻜﻲ..‬ ‫ﺤﺭﺍﻡ ُ ﻋﻠﻲ ﺍﻟﻜل ﻓﻴﻙ ِ ﺍﻗﺘﺭﺍﻑ ﺍﻟﻜﻼﻡ ِ‬ ‫‪‬‬ ‫ﻭﻟﻴﺱ ﺤﺭﺍﻡ ُ ﻋﻠﻲ...‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﺤﺎﻜﻴﻙ ِ ﺒﺎﻟﺭﻭﺡ ِ‬ ‫- ٦١ -‬
‫- ﺁﺨﺭ ﻤﺎ ﻗﺩ ﺃﻟﻭﺫ ﺒﻪ –‬ ‫ﻭﺃﻁﺭﺡ ﺃﺘﺭﺍﺤﻨﺎ ﻓﻲ ﺍﻟﺯﻤﺎﻥ ﺍﻟﺼﻤﻭﺕ‬ ‫ﻭﺃﺴﺭﻱ ﺇﻟﻲ ﺒﺅﺭﺓ ِ ﺍﻟﻤﻠﻜﻭﺕ ِ‬ ‫ﻫﻨﺎﻟﻙ ﻓﻲ ﺍﻷﻓﻕ ﺍﻟﺴﺭﻤﺩﻱ..‬ ‫ُﻀ ‪‬ﺩ ﺃﺸﻼﺀ ﻭﻗﺘﻙ ِ‬ ‫ﺃ ﻤ‬ ‫ﺃﻫﺩﻴﻙ ِ ﻗﻠﺏ ‪‬ﻼﻙ ٍ‬ ‫‪‬ﻤ‬ ‫ﺒﺼﺩﺭ ِ ﻨﺒﻲ.‬ ‫............................‬ ‫)٥(‬ ‫ﺇ ﹼﻪ ﺍﻟﻔﺠﺭ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻨ‪‬‬ ‫ﻗﺩ ﺘﺭﺠل ﻓﻴﻪ ﺍﻟﻨﺩﻱ؛‬ ‫‪َ‬‬ ‫ﻭﺘﺨ ‪‬ﺏ ﻓﻴﻪ ﺍﻟﻜﻼﻡ؛ ﺒﺸﺩﻭ ﺍﻟﻌﺼﺎﻓﻴﺭ ِ..‬ ‫ِ‬ ‫‪‬‬ ‫ﺼ‬ ‫ﻭﺍﺨﻀﺭ ﺼﻤﺕ ﺍﻟﺭﻏﺎﺌﺏ ِ ﺒﺎﻟﻔﻌل ِ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻗﻭﻤﻲ ﺇﺫﻥ..‬ ‫ْ‬ ‫ﻨﻨﺘﺨﺏ ﻤﻭﺴﻤﺎ ً ﻟﻠﺒﺩﺍﻴﺔ ِ‬ ‫ﻤﻥ ﺁﺨﺭ ﺍﻟﺠﺭﺡ..‬ ‫ﻤﻥ ﻗﺎﻉ ِ ﺃﻭﺠﺎﻋﻨﺎ‬ ‫ﺇﻟﻲ ﺃﻭل ِ ﺍﻟﻔﺭﺡ ِ..‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﺘﺴﺘﻔﻴﻕ ﺍﻟﺒﻼﺩ ﺍﻟﺘﻲ ﻀﺎﺠﻌﺕ ﻗﺎﺘﻠﻴﻬﺎ..‬ ‫‪‬‬ ‫ﺒ‬ ‫ﻭﺘﺼﺤﻭ ﺍﻟﻔﻴﺎﻓﻲ؛ ﺘﻔﺘﺵ ﺃﻁﺭﺍﻓﻬﺎ‬ ‫ﻭﺘﻨﻔﺽ ﻋﻨﻬﺎ ﻤﻊ ﺍﻟﻔﺠﺭ ِ‬ ‫ﻫﺫﺍ ﺍﻟﺴﺭﺍﺏ ْ.‬ ‫............................‬ ‫- ٧١ -‬
‫ﻤﻥ ﺃﻗﻭﺍل ﺍﻟﻜﻨﺎﻨﺔ..‬ ‫)١(‬ ‫ﺇﺫﻥ..‬ ‫ْ‬ ‫ﺃﻨﺕ ﻓﻲ ﺤﻀﺭﺓ ِ ﺍﻟ ِﻌﺭ..‬ ‫ﺸ‬ ‫ﹶ‬ ‫ﺘﺤﺕ ﻓﻀﺎﺀ ﺍﻟﺒﻼﻏﺔ ِ؛‬ ‫ﻓﻲ ﺒﺅﺒﺅ ِ ﺍﻟﺩﻫﺸﺔ ِ ﺍﻟﻤﺸﺭﺌﺒﺔ ِ؛‬ ‫ﻫ ‪‬ﺎ ﺘﻜﻠﻡ.‬ ‫ْ‬ ‫ﻴ‬ ‫ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺘﻭﺯﻉ ﺒﻴﻥ ﺍﻟﻌﺼﻭﺭ ِ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻤﺜﻘل ُ ﺒﺎﻟﺨ ‪‬ﺎﺭ ِ؛‬ ‫ﹶﻀ‬ ‫ُ‬ ‫ﻭﺒﺎﻟﺩﻡ ِ...‬ ‫ﻓﻲ ﺍﻟﻘﻠﺏ ِ ﺒﻌﺽ ﹸﺒﺎﺭ ٍ ﻤﻥ ﺍﻟﺤﺯﻥ ِ‬ ‫‪‬ﻏ‬ ‫ﺇﻥ ﺍﻟﻭﺠﻭﻩ ﺍﻟﺼﺩﻴﻘﺔ‬ ‫ﺇﺫ ﺘﺘﺒﺎﻋﺩ‬ ‫ﻜﻴﻑ ﺴﺄﺭﺘﺎﺩ ﻤﻘﻬﻲ ﺍﻷﺤﺒﺔ ِ؟‬ ‫ﺃﺴﺄل ﻋﻥ ﺃﺼﺩﻗﺎﺌﻲ ﺍﻟﺒﺴﺎﺘﻴﻥ؟‬ ‫ﺃﻨﺕ َ ﻜﺘﺎﺏ ﺍﻟﻤﺴﻴﺭﺓ ِ؛‬ ‫‪‬‬ ‫ﺘﺭﺘﺠل ﺍﻟﻤﺩﻥ َ ﺍﻟﻤﺼﻁﻔﺎﺓ؛‬ ‫ﻭﺘﺠﺘﺎﺯ ﺼﻤﺕ َ ﺍﻟﺼﺤﺎﺭﻱ؛‬ ‫ﻭﺘﻨﻁﻕ ﻗﻤﺤﺎ ً..‬ ‫ﻓﻬﻼ ّ ﻋﺒﺭﺕ ﺍﻟﻁﺭﻴﻕ َ‬ ‫ﻤﻥ ﺍﻟﺤﺭﺏ ِ؛‬ ‫ﻟﻠﺤﺏ ِ؛‬ ‫ﻟﻸﻏﻨﻴﺎﺕ ِ ﺍﻟﺠﻤﻴﻠﺔ؟‬ ‫ﻫﻼ ﻗﺼﺼﺕ ﺍﻟﺸﺭﻴﻁ‬ ‫ﹶ‬ ‫ﹼ‬ ‫ﻟﻤﻭﺴﻡ ﺃﻓﺭﺍﺤﻨﺎ ﺍﻟﻤﺘﻭﻗﻊ؟‬ ‫ﺃﻨﺕ َ ﺍﻟﺫﻱ ﺒﺎﺨﻊ ُ ﻨﻔﺴﻙ َ ﺍﻟﻤﺴﺘﺭﻴﺒﺔ َ‬ ‫‪‬‬ ‫- ٨١ -‬
‫ﺒﺎﻟﺭﺍﺤﻠﻴﻥ؛ ﻭﺒﺎﻟﺠﺎﺜﻤﻴﻥ‬ ‫ﻓﻼ ﺘﻌﺩ ﻋﻴﻨﺎﻙ َ ﻋﻨﻬﻡ‬ ‫‪‬‬ ‫ﻭﻻ ﺘﺼﺩﻉ ﺍﻵﻥ ﻟﻠﺼﻤﺕ ِ‬ ‫ﻓﺎﻟﺼﻤﺕ ﻤ ّ ُ..‬ ‫ﹸ ‪‬‬ ‫ﺭ‬ ‫ﺴﻴﺸﺘﻌل ﺍﻟﻌﺸﺏ ﺸﻴﺒﺎ ً‬ ‫‪‬‬ ‫ﻭﺘﻨﺴﻲ ﺍﻟﺠﺭﻭﻑ ﺍﺒﺘﺴﺎﻤﺎﺘﻬﺎ‬ ‫ﹸ‬ ‫ﻭﻟﻨﺎ ‪‬ﻤﺭﺓ ُ ُ‬ ‫ﺴ‬ ‫ﻓﻲ ﻋﻴﻭﻥ ﺍﻟﺒﻨﺎﺕ ﺍﻟﻭﻀﻴﺌﺎﺕ ِ‬ ‫ﻟﻨﺎ ‪‬ﻤﺭﺓ ُ ُ‬ ‫ﺴ‬ ‫ﻓﻭﻕ ﺠﻠﺩ ﺍﻟﺸﺒﺎﺏ ﺍﻟﻔﺘﻭﺓ..‬ ‫ﻻ ﺘﺘﺭﻙ ﺍﻟﻌﺸﺏ..‬ ‫‪‬‬ ‫ﻴﻨﺴﻲ ﺍﺒﺘﺴﺎﻤﺔ ِ ﻟﻬﻭ ﺍﻟﻁﻔﻭﻟﺔ..‬ ‫ﺇﻨﻙ َ ﺇﻥ ﺘﺼﺩﻉ ﺍﻵﻥ ﻟﻠﺼﻤﺕ ِ‬ ‫ﻓﺎﻟﺼﻤﺕ ُ ‪‬ﺭ ّ ُ..‬ ‫ﻤ‬ ‫ﻭﻫﺫﻱ ﻜﻨﺎﻨﺔ ﻗﻠﺒﻙ َ‬ ‫ﻤﺜل ﺍﻟﻐﺯﺍﻟﺔ؛ ﺘﺭﻗﺹ‬ ‫‪‬‬ ‫ﺃﻭ ﺘﺘﻘﺎﻓﺯ ﺒﻴﻥ ﻴﺩﻴﻙ َ..‬ ‫ﻟﻬﺎ ﹸﻀﺭﺓ ُ ُ؛ ﺤ ‪‬ﺓ ُ ُ؛‬ ‫‪‬ﺭ‬ ‫ﺨ‬ ‫ﻭﻤﺜﻘﻠﺔ ُ ُ ﺒﺎﻟﻜﻼﻡ ِ ﺍﻟﺜﻘﻴل ِ..‬ ‫ﻭﻫﺫﻱ ﻋﺸﻴﺭﺘﻬﺎ ﺍﻷﻗﺭﺒﻭﻥ؛ ﻴﻀﻴﻌﻭﻥ‬ ‫- ﺇﻻ ﻗﻠﻴﻼ –‬ ‫ﹼ‬ ‫ﻭﻻﻴﻘﺭﺅﻭﻨﻙ َ؛ ﺃﻭ ﻴﻜﺘﺒﻭﻨﻙ َ‬ ‫‪‬‬ ‫- ﺇﻻ ﻗﻠﻴﻼ –‬ ‫ﹼ‬ ‫ﺘﻜﻠﻡ ﺇﺫﻥ..‬ ‫ْ ْ‬ ‫ﻓﺎﻟﺠﻭﺍﺭﺡ.. ﺘﺭﻨﻭ ﻟﻬﺫﺍ ﺍﻟﺤﻤﺎﻡ ﺍﻟﻤﻁ ‪‬ﻕ‬ ‫ﻭ‬ ‫‪‬‬ ‫ﺒﺎﻟﺨﺎﺘﻡ ِ ﺍﻟﻌﺎﺌﻠﻲ ﺍﻟﻘﺩﻴﻡ ِ..‬ ‫ﺘﻜﻠﻡ..‬ ‫ﹼْ‬ ‫- ٩١ -‬
‫ﻜﻔﻲ ﺍﷲ ﻴﺸﻬﺩ‬ ‫ُ‬ ‫ﺃﻨﻙ َ ﺘﺼﺒﺭ ﺼﺒﺭﺍ ً ﺠﻤﻴﻼ..‬ ‫............................‬ ‫)٢(‬ ‫ﺒﻴﻥ ﻭﺠﻬﻲ؛ ﻭﻭﺠﻬﻙ‬ ‫‪‬‬ ‫ﺒﻌﺽ ﺍﻟﺘﺒﺎﺭﻴﺢ ِ؛‬ ‫‪‬‬ ‫ﺒﻌﺽ ﺍﻟﺘﺼﺎﺭﻴﺢ ِ..‬ ‫‪‬‬ ‫ﺃﻨﺕ َ ﺍﻟﺫﻱ ﺴﺎﺩﺭ ُ ﻓﻲ ﺸﺭﺍﻴﻴﻥ ﻗﻠﺒﻲ ﻭﺤﻴﺩﺍ ً..‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻨﺒﻌﺎﺜﺎﺕ ﺤﻠﻤﻲ‬ ‫ﹸ‬ ‫ﻭﺃﻨﺕ َ ﺍﺤﺘﺩﺍﻡ ﺍﻟﻘﻭﺍﻓﻲ ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫‪‬‬ ‫ﺃﻨﺕ َ ﺍﻟﻜﻼﻡ ﺍﻟﺒﺼﻴﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻨﺘﺼﺎﺭ ﺍﻹﺠﺎﺒﺎﺕ ﻓﻲ ﺴﺎﺤﺔ ِ ﺍﻷﺴﺌﻠﺔ‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﻓﻲ ﺴﻭﺍﺩ ﺍﻟﻠﻴﺎﻟﻲ ﺸﻤﻭﻋﻲ‬ ‫ﻭﺘﺴﺘل ﺠﻭﻋﻲ..‬ ‫ﺘﻌﻴﺩ ﺇﻟﻲ ﺍﻟﻭﻗﺕ ﺃﻋﺭﺍ ‪‬ﻪ ُ..‬ ‫ﺴ‬ ‫ﻭﻜل ﺍﻟﻁﻴﻭﺭ ِ ﺘﻔﺭ ُ‬ ‫ِ‪‬‬ ‫ُ‬ ‫ﺇﺫﺍ ﻤﺎ ﺘﻁﺎﻭل ﺠﺩ ‪‬ﻙ َ ﻓﻲ ﺸﺭﻓﺎﺘﻲ‬ ‫ﺒ‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﺘﺸﺭﻉ ﺍﻟﻘﻠﺏ ﺒﻭﺍﺒﺔ ً‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﻭﺍﻓﺫ ﺃﻟﻑ ﺴﻤﺎﺀ ٍ..‬ ‫ﹶ‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﺴﺎﻫﻡ ُ ﻓﻲ ﺨﻴﺎﻟﻲ..‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﺫﺍﻫل ُ ُ ﻻ ﻴﺒﺎﻟﻲ..‬ ‫ﻭﺃﻨﺕ ﺍﻟﺫﻱ ﺘﻠﺘﻘﻴﻨﻲ؛ ﺇﺫﺍ ﺘﻘﺘﻔﻴﻨﻲ‬ ‫ﹶ‬ ‫ﻭﺃﻟﻘﺎﻙ َ ﺒﻭﺤﺎ ً ﺒﺒﻭﺡ ٍ‬ ‫ﻭﺼﻤﺘﺎ ً؛ ﺒﺼﻤﺕ ٍ..‬ ‫ﺘﻜﻴل ﻟﻌﻴﻨﻲ ﺒﻌﺽ َ ﺍﻟﺸﺭﻭﺩ ِ‬ ‫‪‬‬ ‫ﺃﻜﻴل ﻟﻌﻴﻨﻴﻙ َ‬ ‫ﻜل ﺍﻋﺘﻴﺎﺩﻱ ﻋﻠﻴﻙ َ..‬ ‫َ‬ ‫- ٠٢ -‬
‫ﻭﺃﻫﺩﻴﻙ َ ﻓﻲ ﺍﻟﺼﺤﻭ ﻓﺭﺤﻲ؛‬ ‫ﻭﺃﻫﺩﻴﻙ َ ﻓﻲ ﺍﻟﻨﻭﻡ ِ ﻏﻴﺒﻭﺒﺘﻲ.‬ ‫............................‬ ‫)٣(‬ ‫ﻴﺎ ﺃﻨﺕ َ..‬ ‫ﺴﺭﻭﺓ ُ ﻋﺸﻘﻨﺎ‬ ‫ﻭﻴﺩﺍﻙ َ ﻤﻥ ﻗﻤﺢ ٍ؛‬ ‫ﻭﻤﻥ ﻁﻠﺢ ٍ‬ ‫ﻭﺘﺠﻬﺵ ﺒﺎﻟﺤﺼﺎﺩ.‬ ‫ﺘﺠﺊ ﻤﻥ ﻓﺭﺡ ﺍﻟﺘﺭﺍﺏ ِ‬ ‫ﻭﻨﺤﻥ ﺤﻭﻟﻙ َ ﻁﻴﺒﻭﻥ؛‬ ‫ﻭﺴﺎﻤﻘﻭﻥ..‬ ‫ﺍﺨﻔﺽ ﺤﻨﺎﺡ ﺍﻟﺤ ‪ِ ‬‬ ‫‪ ‬ﺏ‬ ‫ﺘﺸﺘﻌل ﺍﻟﺒﻼﺩ ﻗﺼﺎﺌﺩﺍ ﺨﻀﺭﺍﺀ َ‬ ‫ﹰ‬ ‫ً‬ ‫‪‬‬ ‫ﺘﺨﻀﺭ ُ ﺍﻟﺒﻁﻭﻥ.‬ ‫ْ‬ ‫‪‬‬ ‫............................‬ ‫- ١٢ -‬
‫ﺤﺩﻴﺙ ُﻋﺎﺒﺭ.. ﺇﻟﻲ ﺸﺎﻋﺭ ِﺴﺒﻴل‬ ‫ٌ‬ ‫ﹸ‬ ‫ﻤﺤﻤﻭﺩ..‬ ‫‪‬‬ ‫ﺘﺒﺤﺙ ﻓﻲ ﻜ ‪‬ﺓ ِ ﺍﻟﺼﻤﺕ‬ ‫ِ‬ ‫ﻭ‬ ‫- ﻫﺫﺍ ﺍﻟﺴﻜﻭﻥ ﺍﻟﺴﺩﻴﺩ‬ ‫ﺍﻟﺫﻱ ﻴﻐﺴل ﺍﻟﻘﻠﺏ -‬ ‫‪‬‬ ‫ﻋﻥ ﻟﻐﺔ ٍ ‪‬ﺤﺜﺭﺕ * ﻗﺎﺏ ﺼﺒﺭﻴﻥ..‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺒ‬ ‫ﻭﺘﺒﺤﺙ ﻓﻲ ﺘﹼﺔ ِ ﺍﻟﺭﻤل ِ‬ ‫ﻠ‬ ‫ﻋﻥ ﹸﺘﺏ ٍ ‪‬ﻠﻠﺕ ﻤﻨﺫ ﺩﻫﺭﻴﻥ..‬ ‫ﻀ ﹾ‬ ‫ﻜ‬ ‫ﺒﻴﻥ ﺍﻟﻜﺘﺎﺘﻴﺏ ِ‬ ‫- ﻓﻲ ﻗﺎﻉ ِ ﺘﻠﻙ ﺍﻟﻘﺭﻯ‬ ‫ِ‬ ‫ﻤﻥ ﺠﻨﻭﺏ ﺍﻟﺠﻨﻭﺏ ِ-..‬ ‫ﻭﺒﻴﻥ ﺍﻟﺘﻭﺍﺒﻴﺕ؛‬ ‫ِ‬ ‫ﺒﻴﻥ ﺍﻟﺘﺼﺎﻭﻴﺭ؛‬ ‫ِ‬ ‫ﺘﺒﺤﺙ‬ ‫ﹸ‬ ‫ﻴﺎ ﺭ ‪ ‬ﺒﺭﺩﻴﺔ ٍ ﺃﻓﻠﺘﺕ‬ ‫ﹾ‬ ‫‪‬ﺏ‬ ‫ﻤﻥ ﻗﻭﺍﺭﺽ ِ ﺠﻴﺵ ﺍﻟﺴﻨﻴﻥ / ﺍﻟﻤﻭﺍﻀﻎ /..‬ ‫ﻫل ﺘﺘﺴﻠﻲ ﻗﻠﻴﻼ ً‬ ‫ﺒﺘﺭﺘﻴﺏ ﺒﻌﺽ ﺍﻟﺤﻜﺎﻴﺎ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﺘﺤﺕ ﻅﻼل ﺍﻷﺤﺎﺠﻲ؟‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﺠﻌل ﺍﻟﺼﻤﺕ ﺒﺎﻟﻭﻨﺔ ً‬ ‫ﹶ‬ ‫ﺜﻡ ﺘﻨﻔﺙ ِﻌﺭ ﺍﻟ ‪‬ﻨﺨل؛‬ ‫ﻤ‬ ‫ﺸ‬ ‫ﻭﺍﺒﻥ ﺍﻟﻤﻠ ‪‬ﺡ..‬ ‫ﻭ‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﺴﺤﻨﺔ ُ ُ ﻗﺩ ﺘﻌﺭﺕ ﻤﻥ ﺍﻟﻜﺫﺏ ِ‬ ‫ﹾ‬ ‫ﺒ‬ ‫- ﺼﺎﺩﻓﺘﻬﺎ ﺨﺒﻁ ﻋﺸﻭﺍﺀ –‬ ‫ﺃﻭ ﺩﺍﻫﻤﺘﻙ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ﹸ‬ ‫- ﻀﻤﻥ ﻤﻼﻤﺢ ﻁﻔل ٍ ﺤﻘﻴﻘﻴﺔ ٍ؛‬ ‫ﺃﻓﻠﺘﺕ ﻤﻥ ِﺼﺎﺭ ِ ﺍﻟ ِﻼﻭﻴﺯ *‬ ‫ﺠ‬ ‫ﺤ‬ ‫ﹾ‬ ‫- ٢٢ -‬
‫ﺘﻠﻬﻭ ﺒﻘﺎﺭﻭﺭﺓ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺜﻡ ﺘﺤ ‪‬ﺭ ﺠ ﹼﺎ ً ﻤﻥ ﺍﻷﺴﺭ ِ..‬ ‫ﺭ ِﻨ‬ ‫ﺘﺒﺤﺙ ﻓﻲ ﺼﻭﺩﻴﻭﻡ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻋﻥ ﺴﻜﺭ ٍ؛‬ ‫ﻭﻷﻟﺊ ﻤﺨﺒﻭﺀﺓ ٍ‬ ‫ﻓﻲ ﺯﺭﻗﺔ ِ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫ﻋﻥ ﺠﺯﺭ ٍ ﻓﻲ ﺴﻤﺎﺀ ٍ‬ ‫ﻟﻬﺎ ﺃﻟﻑ ﻏﻴﻡ ٍ‬ ‫ﹸ‬ ‫- ﻏﻴﺎﻫﺏ ﻏﻲ ٍ –‬ ‫‪‬‬ ‫ﻭﺒﺎﺏ ُ ﻭﺤﻴﺩ ُ ﺇﻟﻲ ﺍﻟﺠﻨﺔ ِ ﺍﻟﻤﺸﺘﻬﺎﺓ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺎﺏ ُ ﻭﺤﻴﺩ ُ ﺇﻟﻲ ﺍﷲ ِ.‬ ‫‪‬‬ ‫‪‬‬ ‫............................‬ ‫- ٣٢ -‬
‫ﺫﻗﺕ ﻟﺒﺎﺱ ﺍﻟﻤﺘﺎﻫﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻓﻲ ﺍﻟﺤﺭ؛ ﻭﺍﻟﻘﺭ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﻠﺕ : ﻫﻭ ﺍﻟ ِﻌﺭ ﺯﻫﺭﺓ ُ ﻤﻠﺢ ٍ‬ ‫ﺸ ‪‬‬ ‫ﹶ‬ ‫ﻭﻟﻴﻼﻩ ﺯﻫﺭﺓ ُ ﻋ ‪‬ﺎﺩ ِ ﺸﻤﺱ ٍ..‬ ‫ﺒ‬ ‫‪‬‬ ‫ﻭﻓﻲ ﺍﻟﺒﺤﺙ ِ‬ ‫ﻅل ﺍﻤﺭﺉ ﺍﻟﻘﻴﺱ؛‬ ‫ﻭﺍﻟﻤﺘﻨﺒﻲ؛‬ ‫ﻭﺴﻴﻑ ﺍﺒﻥ ﺸﺩﺍﺩ‬ ‫ﻤﺤﺽ ﺍﺸﺘﻬﺎﺀ ْ.‬ ‫‪‬‬ ‫............................‬ ‫** ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﺤﺴﻨﻲ ﺒﻥ ﻤﻨﺼﻭﺭ ﻴﺸﺩﻭ ﻟﻔﻴﺭﻭﺯ؛ ﻗﺎل ‪‬ﻤﻴﺩ ُ :‬ ‫ﺤ‬ ‫" ﻤﺎﻴﺎ ﺘﺤﺏ ﺍﻟﻐﻨﺎﺀ.‬ ‫ْ‬ ‫ﺘﺤﺏ ﻤﻌﺎﺒﺩ ﺃﺠﺩﺍﺩﻫﺎ؛ ﻭﺘﺤﺏ ﺍﻟﻤﺴﺎﺠﺩ"‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﺎل :‬ ‫َ‬ ‫" ﻫﻨﺎ ﺼﺨﺭﺓ ُ ُ ﻴﺎ ﺍﻷﺒﺩﻴﺔ ِ؛‬ ‫ﺘﺴﻜﻥ ﻓﻴﻬﺎ ﺍﻷﺴﺎﻁﻴﺭ؛ ﻭﺁﻟﻬﺔ ُ ُ‬ ‫‪‬‬ ‫ﻻ ﺘﻌﻴﺵ ﺒﻐﻴﺭ ﺩﻤﺎﻨﺎ..‬ ‫ﻫﻨﺎ ﺼﺨﺭﺓ ُ ُ ﻴﺎ ﺤﺒﻴﺒﻲ‬ ‫ﻭﻟﻴﺱ ﺒﻬﺎ ﻋﻴﻥ ﻤﺎﺀ. " *‬ ‫‪ْ ‬‬ ‫- ٤٢ -‬
‫ﻫل ﻴﻌﻴﺩ ‪‬ﻤﻴﺩﺓ ﻫﺫﺍ‬ ‫ﺤ ﹸ‬ ‫ﺼﻴﺎﻏﺔ َ ﺃﻓﻜﺎﺭﻨﺎ‬ ‫ﻓﻭﻕ ﺒﻘﻌﺔ ِ ﻀﻭﺀ ٍ ﻫﻼﻤﻴﺔ ٍ؟‬ ‫ﺃﻡ ﺴﻴﺸﻌل ﻨﺎﺭﺍ‬ ‫ﺒﺒﺌﺭ ِ ﺍﻟﻐﻨﺎﺀ ﺍﻟﻘﺩﻴﻡ ِ‬ ‫ﻟﻜﻲ ﻴﻭﻗﺩ ﺍﻟﺠﺭﺡ ﻓﻲ ﺍﻟﺼﺒﺢ ِ؛‬ ‫‪‬‬ ‫ﻗﺒل ﺴﻘﻭﻁ ﺍﻟﻨﺠﻭﻡ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟﺭﻤل ِ؟‬ ‫ﻫل ﺴﻴﻠﻤﻠﻡ ﺒﻌﺽ ﺍﻟﺜﻤﺎﺭ ِ‬ ‫ﺍﻟﺘﻲ ﺘﺘﺴﺎﻗﻁ ﻤﻥ ﺸﺠﺭ ِ ﺍﻟ ِﻌﺭ ِ؛‬ ‫ﺸ‬ ‫ﻗﺒل ﻭﻓﺎﺓ ِ ﺍﻟﺘﻔﺎﻋﻴل ِ ﻓﻭﻕ ﺭﻓﻭﻑ ﺍﻟﺴﻨﻴﻥ ﺍﻟﻌﺠﺎﻑ ِ ﻤﻥ ﺍﻟﻨﺜﺭ ِ؟‬ ‫............................‬ ‫- ٥٢ -‬
‫ﺴـﺎﻓﺭﺕ..‬ ‫ﹶ‬ ‫ﺒﻴﻥ ﺘﺠﺎﻋﻴﺩ ﻭﺠﻪ ﺍﻟﻘﺒﺎﺌل؛‬ ‫ﻭﺍﻟﻘ ‪‬ﺭﺍﺕ ِ؛‬ ‫ﺒ‬ ‫ﺍﻟﻘﺒﻭﺭ ِ؛‬ ‫ﺍﻟﻘﻭﺍﺒل ِ..‬ ‫ﺨﺒﺄﺕ َ ﺨﺎﺘﻭﻥ َ *‬ ‫ﺃﻭ ﺨﺒﺄﺘﻙ ﺍﻟﺨﻭﺍﺘﻴﻥ؛‬ ‫‪‬‬ ‫ﺭﺤﺕ َ ﺘﻔﺘﺵ ﻓﻲ ﺒﺭﻜﺔ ِ ﺍﻟﺩﻡ‬ ‫‪‬‬ ‫- ﺘﺤﺕ ﺍﻟﺒﺴﻭﺱ ِ ﻋﻥ ﺍﻟﺨﻴﻁ‬ ‫/ ﺨﻴﻁ ﺍﻟﺩﻻﻟﺔ /..!‬ ‫ﻨﺎﻗﺸﺕ َ ﺯﻭﺠﺔ َ ﻨﻭﺡ ٍ؛‬ ‫ﻭﺯﻭﺠﺔ َ ﻟﻭﻁ ٍ؛‬ ‫ﻭﺯﻭﺠﺔ َ ﻓﺭﻋﻭﻥ ﻤﻭﺴﻲ..‬ ‫ﻭﻓﻜﺭﺕ َ ﻓﻲ ﺩﻋﻭﺓ ٍ ﻟﺯﻟﻴﺨﺔ َ‬ ‫/ ﻟﻭﻻ ﺍﻟﺼﺩﻴﻕ ﺍﻟﺼﺩﻭﻕ /..‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﻗﻠﺕ َ :‬ ‫ﺃﻨﺎ ﻁﺎﺌﺭ ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺯﺭﺍﺯﻴﺭ ﻫﺫﻱ ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ﺃﻗﺘﺴﻡ ﺍﻟﺤﺏ؛ ﻭﺍﻟﻘﻀﺏ َ‬ ‫‪ ‬‬ ‫ﺒﻴﻥ ﺍﻟﺼﺤﺎﺏ ِ..‬ ‫ﻭﺃﺴﻠﺦ ﺠﻠﺩ ﺍﻟﺜﻌﺎﺒﻴﻥ ِ‬ ‫‪‬‬ ‫ﺃﺩﺒﻎ ﺠﻠﺩ ﺍﻟﺜﻌﺎﻟﺏ ِ..‬ ‫ﺤﻴﻥ ﺘﺄ ‪‬ﻁ َ ‪‬ﺯﻨﻙ َ؛‬ ‫ﺒ ﺤ‬ ‫ﻗﻴل :‬ ‫َ‬ ‫ﺘﺄﺒﻁ ﺸﺭﺍ ً؟‬ ‫ﺃﻡ ﺍﻟﻌﻴﺩ ﺃﺠل ﻓﺭﺤﺘﻪ ﺍﻟﻤﻭﺴﻤﻴﺔ ﺒﺎﻟﻜﻌﻙ ِ؟‬ ‫ﹶ‬ ‫ﹶ‪‬‬ ‫‪َ ‬‬ ‫- ٦٢ -‬
‫ﺤﻴﻥ ﻫﺯﺯﺕ َ ﻨﺨﻴل َ ﺍﻟﺤﻘﻴﻘﻴﺔ ِ‬ ‫ﺭﺍﺤﺕ ﺘﻤﺎﺜﻴﻠﻬﻡ ﺘﺘﺴﺎﻗﻁ ﻓﻲ ﺍﻟﻭﺤل ِ ﺤﻭﻟﻙ‬ ‫ﹾ‬ ‫............................‬ ‫ﻗﻠﺕ َ :‬ ‫ﺍﻷﻭﺍﻨﺱ ﺠﺌﻥ ﺇﻟﻲ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫‪‬‬ ‫ﻜﻲ ﻴﺠﺘﺭﺌﻥ ﻋﻠﻲ ﺍﻟﻨﺤﻭ ِ؛ ﻭﺍﻟﺼﺭﻑ ِ..‬ ‫ﻴﺒﺩﻴﻥ ﻤﺎ ﻻ ﻴﺤﺏ ﺍﻟﺨﻠﻴل ﺒﻥ ﺃﺤﻤﺩ‬ ‫ﺘﻠﻙ ﺍﻟﻘﺼﻴﺩﺓ ﺘﻠﺒﺱ ﺒﺎﺭﻭﻜﺔ ً؛‬ ‫ﺜﻡ ﺘﺩﻋﻭﻙ َ ﻟﻠﻨﺯﻑ ِ..‬ ‫ﻫل ﺴﺘﻔﺠﺭ ﻓﻴﻬﺎ ﺭﺼﺎﺹ َ ﻤﺴﺩﺴﻙ ﺍﻟﺭﺅﻴﻭﻱ؟ !‬ ‫ﻗﻠﺕ َ :‬ ‫ﺍﻟﺸﻭﺍﻋﺭ ﻟﻴﺱ ﺒﻬﻥ ﺠﻤﻴﻼﺕ‬ ‫‪‬‬ ‫– ﺇﻻ ﻗﻠﻴﻼ –‬ ‫ﹼ‬ ‫ﺃﻜﺎﻨﺕ ﻤﺩﺍﻋﺒﺔ ً ﻤﻨﻙ َ؟‬ ‫ﻻ ﺒﺄﺱ.‬ ‫‪‬‬ ‫............................‬ ‫- ٧٢ -‬
‫ﻋﺸﺕ ﺍﺤﺘﺠﺎﺠﺎ‬ ‫ﹰ‬ ‫ﹶ‬ ‫ﻴﻁﺎﺭﺩﻙ ﺍﻟﻁﻴﺒﻭﻥ ﺍﻟﺫﻴﻥ ﺘﻌﺎﻁﻭﺍ ﺍﻟﺜﻘﺎﻓﺔ َ؛ ﻭﺍﻟ ِﻌﺭ َ / ﻤﺜل ﺍﻟﺒﻬﺎﻟﻴل /..‬ ‫ﺸ‬ ‫ﺨﺎﻀﻭﺍ ﺩﺭﻭﺏ ﺍﻟﻤﺠﺎﺯﺍﺕ ِ‬ ‫ﻤﺎ ﺃﻭﺠﺯﻭﺍ؛‬ ‫ﺃﻭ ﺃﺠﺎﺯﻭﺍ....‬ ‫ﺘﺠﺎﻭﺯﺕ َ.‬ ‫ﻗﻠﺕ َ : ﺍﻟﺼﺤﺎﺭﻱ ﻤﺠﺎﺯﺭ ﻟﻠﺒﺩﻭ ِ‬ ‫‪‬‬ ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﻫﺫﻱ " ﺍﻨﺘﻜﺎﺴﺔ ُ ﺃﺠﺩﺍﺩﻨﺎ ﻓﻲ ﺍﻨﺘﻤﺎﺀ ﺍﻟﻨﺨﻴل ﺇﻟﻲ ﺍﻟﺭﻤل ِ ﻴﺎ ﺼﺎﺤﺒﻲ..‬ ‫ﻫﺫﻩ ﺸﻤﺱ ﺃﺴﻼﻓﻨﺎ‬ ‫‪‬‬ ‫ﺘﺴﻘﻁ ﺍﻵﻥ ﻓﻲ ﺍﻟﺠ ‪ِ ‬‬ ‫‪‬ﺏ‬ ‫ﻤﻥ ﺤﺎﺌﻁ ٍ‬ ‫ﻓﻲ ﺍﻟﻨﺸﻴﺩ ِ ﺍﻟﻘﺩﻴﻡ ِ"*‬ ‫ﺘﺴﺎﺌل ﻨﺎﺠﻲ :‬ ‫ﺃﺒﺎﺭﻴﻕ ﺃﺭﻭﺍﺤﻨﺎ ﺍﻤﺘﻸﺕ ﺒﺎﻟﺤﺸﺎﺌﺵ ِ؟‬ ‫ﹾ‬ ‫ﹸ‬ ‫ﺃﻡ ﺃﻥ ﺭﻴﺤﺎ ً ﻤﻥ ﺍﻟﺸﺭﻕ ِ؛ ﻭﺍﻟﻐﺭﺏ ِ‬ ‫ﻗﺩ ﺤﺭﻜﺕ ﺠ ‪‬ﺓ َ ﺍﻟﻠﻴل ِ؛‬ ‫ﹾ ﺭ‬ ‫ﻓﺎﻨﺩﻟﻕ ﺍﻟﻠﻴل ﻓﻭﻕ ﻤﻼﻤﺤﻨﺎ؟‬ ‫ُ‬ ‫ﻭﺍﺴﺘﻭﺕ ﻫﺫﻩ ﺍﻟﻌﻨﻜﺒﻭﺕ ﻋﻠﻲ ﻋﺭﺸﻬﺎ ﺍﻟﺒﺎﺒﻭﻱ؛‬ ‫ﹸ‬ ‫ﹾ‬ ‫ﻭﺃﺨﺭﺠﺕ ﺍﻷﺭﺽ‬ ‫‪‬‬ ‫ﹾ‬ ‫ِﺭﺒﺎﺌﻬﺎ؟.."*‬ ‫ﺤ‬ ‫............................‬ ‫ﻗﻠﺕ َ : ﺍﻟﻤﻠﻭﻙ ﺘﻤﺎﺜﻴل‬ ‫ُ‬ ‫ﺇﻥ ﺍﻟﺘﻤﺎﺜﻴل َ ﺇﺫﺍ ﺘﻨﺤﻨﻲ ﺘﺘﻜ ‪‬ﺭ..‬ ‫ﺴ‪‬‬ ‫" ﺇﻥ ﺍﻟﻤﻠﻭﻙ ﺇﺫﺍ ﺩﺨﻠﻭﺍ ﻗﺭﻴﺔ ً‬ ‫‪‬‬ ‫ﺃﻓﺴﺩﻭﻫﺎ " *‬ ‫- ٨٢ -‬
‫ﻗﻠﺕ َ :‬ ‫ﻜﻤﺎ ﻗﺎل ﻏﻴﺭﻙ‬ ‫َ‬ ‫ﻓﻲ ﹸﺘﺏ ِ ﺍﻷﻭﻟﻴﻥ :‬ ‫ﻜ‬ ‫ﺍﻟﺨﻼﻓﺔ ُ ﺸﻭﺭﻱ..‬ ‫ﺘﺸﻭﻓﺕ َ؛‬ ‫ﻟﻡ ﺘﺘﺸﻭﺱ؛‬ ‫ْ‬ ‫ﻭﻟﻡ ﺘﺘﺸﻭﺵ *‬ ‫ﹾ‬ ‫ﻭﺤ ‪‬ﻀﺕ َ ﻀﺩ ﺍﻟﻭﻻﻴﺔ ﻟﻼﺒﻥ‬ ‫ﺭ‬ ‫- ﺇﻥ ﻟﻡ ﻴﻜﻥ ﺼﺎﻟﺤﺎ ً –‬ ‫ﻭﻁﺎﻟﺒﺕ َ ﺃﻥ ﺘﺘﻨﻔﺱ ﻜل ﺍﻟﺭﻋﻴﺔ ِ‬ ‫‪‬‬ ‫ﻤﺤﺽ ﻫﻭﺍﺀ ٍ ﻨﻅﻴﻑ ٍ‬ ‫/ ﺒﺩﻭﻥ ﻤﻌﺎﺭﻀﺔ ﺍﻟﻘﺼﺭ /..‬ ‫ﻤﺎﺫﺍ ﻋﻠﻴﻙ َ ﺇﺫﻥ؛‬ ‫ﻟﻭ ﻴﻘﻭل ﺍﺒﻥ ﺩﻨﻘل :‬ ‫ﻭﻗﻔﺕ ﻀﺩ ﺴﻴﻔﻙ ﻜل ﺍﻟﺸﻴﻭﺥ.‬ ‫ﹾ‬ ‫ﹾ‬ ‫ﻭﺍﻟﺭﺠﺎل)ﺍﻟﺘﻲ(‬ ‫ُ‬ ‫ﻤﻠﺌﺘﻬﺎ ﺍﻟﺸﺭﻭﺥ.‬ ‫ﹾ‬ ‫ﻫﺅﻻﺀ ﺍﻟﺫﻴﻥ ﻴﺤﺒﻭﻥ ﻁﻌﻡ ﺍﻟﺜﺭﻴﺩ‬ ‫ْ‬ ‫‪‬‬ ‫ﻭﺍﻤﺘﻁﺎﺀ ﺍﻟﻌﺒﻴﺩ.‬ ‫ْ‬ ‫ﻫﺅﻻﺀ ﺍﻟﺫﻴﻥ ﺘﺩﻟﺕ ﻋﻤﺎﺌﻤﻬﻡ‬ ‫ﹾ‬ ‫ﻭﺴﻴﻭﻓﻬﻡ ﺍﻟﻌﺭﺒﻴﺔ ﻗﺩ ﻨﺴﻴﺕ‬ ‫ﹾ‬ ‫ﺴﻨﻭﺍﺕ ﺍﻟﺸﻤﻭﺥ.‬ ‫ﹾ‬ ‫ﻟﻴﺱ ﺴﻭﻱ ﺃﻥ ﺘﺭﻴﺩ‬ ‫ْ‬ ‫ﺃﻨﺕ ﻓﺎﺭﺱ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ﺍﻟﻭﺤﻴﺩ‬ ‫ْ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﺴﻭﺍﻙ ﺍﻟﻤﺴﻭﺥ." *‬ ‫ﹾ‬ ‫............................‬ ‫- ٩٢ -‬
‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﺇﻥ ﺍﻟﻘﻭﺍﻨﻴﻥ ﺘﻁﺭﺃ ُ‬ ‫‪‬‬ ‫ﻤﺜل ﺍﻟﺼﻭﺍﻋﻕ‬ ‫ﺘﻤﻨﻊ ﻋﻨﻙ ﺍﻟﺴﺅﺍل؛‬ ‫َ‬ ‫‪‬‬ ‫ﻜﻤﺎ ﺘﻤﻨﻊ ﺍﻟﺨﺒﺯ؛ ﻭﺍﻟﻤﺎﺀ‬ ‫‪‬‬ ‫‪‬‬ ‫- ﺇﻥ ﻟﺯﻡ ﺍﻷﻤﺭ –‬ ‫‪‬‬ ‫ﻓﻲ ﺤﻘل ِ ﺤﻅﺭ ﺍﻟﺘﺠﻭل؛ ﻭﺍﻟﺴﻌﻲ ﻟﻠﺭﺯﻕ‬ ‫ﻗﻠﺕ : ﺇﺫﺍ ﻟﻡ ﻨﻜﻥ ﻓﻲ ﻋﻨﺎﻕ ﺍﻟﻌﺫﺍﺏ ِ ﻤﻌﺎ ً‬ ‫ﹶ‬ ‫ﻓﻜﻴﻑ ﻨﻜﻭﻥ ﻤﻌﺎ ً ﻓﻲ ﻋﻨﺎﻕ ﺍﻟﺘﺸﻬﻲ؟‬ ‫............................‬ ‫ﻜﻨﺕ ﺘﺨﻁﻭ ﻋﻠﻲ ﺍﻟﺠﺭﺡ ِ..‬ ‫ﹶ‬ ‫ﺘﻔﺘﺢ ﻜل ﺍﻷﺯﻗﺔ ِ ﺃﺒﻭﺍﺒﻬﺎ؛‬ ‫ُ‬ ‫ﺘﺭﺘﺩﻴﻙ َ؛‬ ‫ﻓﺘﻐﺯل ﻤﻨﻬﺎ ﺨﻴﻭﻁ ﺍﻟﺒﺭﺍﺀﺓ ِ؛ ﻭﺍﻟﻀﺩ ِ..‬ ‫ﹶ‬ ‫ﻗﻠﺕ : ﻟﻤﺎﺫﺍ ﺘﺠﺎﻋﻴﺩ ﻜل ﺍﻷﺯﻗﺔ ﻤﺨﺘﻭﻤﺔ ﺒﺎﻟﻤﺭﺍﺭﺓ ِ؛ ﻭﺍﻟﺤﺯﻥ ِ؟‬ ‫ﹶ‬ ‫ﺒﻴﻨﺎ ﻗﺼﻭﺭ ﺍﻟﻀﻴﺎﻓﺔ ِ ﻤﺩﻫﻭﻨﺔ ُ ُ ﺒﺎﻟﻨﺒﻴﺫ ِ؛‬ ‫ﻤﺭ ‪‬ﻌﺔ ُ ُ ﺒﺎﻟﻨﺴﺎﺀ ِ؛‬ ‫ﺼ‬ ‫ﻭﺘﻠﻌﺏ ﻓﻴﻬﺎ ﺍﻷﻴﺎﺩﻱ ﺍﻟﻐﺭﻴﺒﺔ ُ‬ ‫ﺃﻨﻲ ﺘﺸﺎﺀ ُ !!‬ ‫ﻭﻜﻴﻑ ﻴﺨﺎﺒﺭ ﺒﺎﻟﺭﻤﺯ ِ ﻋﻨﻲ ﺍﻟﺼﺩﻴﻕ؟‬ ‫ﹸ‬ ‫ﻭﻜﻴﻑ ﺩﻤﻭﻉ ﺒﻼﺩﻱ؛‬ ‫ﻭﺸﻁﺂﻨﻬﺎ؛ ﻭﺍﻟﻘﺭﻯ‬ ‫ﺃﺼﺒﺤﺕ ﻓﻲ ﻴﺩﻱ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺤﺭﻭﻓﺎ ً ﺸﺭﻴﺩﺓ ْ؟‬ ‫ﻜﻴﻑ ﺃﻜﺘﺏ ﺒﺎﷲ ِ ﻫﺫﻱ ﺍﻟﻘﺼﻴﺩﺓﹾ؟‬ ‫ﺃﻨﺎ ﺍﻟﻌﻨﻔﻭﺍﻥ ﺍﻟﻤﺴﺎﻓﺭ ﻓﻲ ﺍﻟﻨﺎﺭ ِ‬ ‫ﻜﻴﻑ ﺩﻤﻲ ﻴﺘﺨﺜﺭ؟‬ ‫‪‬‬ ‫- ٠٣ -‬
‫ﻜﻴﻑ ﺃﺯﻑ ﺍﻟﻔﺭﺍﺸﺎﺕ ِ ﻟﻠﻤﻭﺕ ﻓﻭﻕ ﺩﻤﻲ؟‬ ‫ﻜﻴﻑ ﺒﺎﷲ ﺃﻜﺘﺏ..‬ ‫‪‬‬ ‫ﻗﻭﻟﻭﺍ.. ﻟﻬﺫﻱ ﺍﻟﻘﺼﻴﺩﺓ ْ؟‬ ‫............................‬ ‫ﻗﻠﺕ : ﺃﺤﺏ ﺒﻼﺩﻱ..‬ ‫ﹶ‬ ‫ﻭﺃﺒﺴﻁ ﻗﻠﺒﻲ ﻟﻬﺎ ﻨﺎﻋﻤﺎ ً‬ ‫ﻜ ِﺭﺍﺵ ﺍﻟﺴﻼﻁﻴﻥ ِ؛‬ ‫ﻔ‬ ‫ﺃﺠﻌل ﺠﺴﻤﻲ ﻭﺴﺎﺩﺓ َ ﺤﻠﻡ ٍ ﻁﺭﻱ ٍ؛ ﻭ ِﻌﺭﻱ ﻫﺩﻴل ﺤﻤﺎﻡ ٍ..‬ ‫‪ ‬ﺸ‬ ‫ُﺤﺏ ﺴﻤﺎﺡ؛ ﻭﻤﺭﻭﺓ َ‬ ‫‪‬‬ ‫ﺃ‬ ‫ﻓﻲ ﺍﻟﻌﻴﺩ ِ؛ ﻭﺍﻟﺤﺯﻥ ِ....‬ ‫ﺘﻤﻨﻴﺕ ﻟﻭ ﺃﻥ ﺴﺎﻤﺢ‬ ‫ﻴﺤﻜﻡ ﻤﺼﺭ؛‬ ‫‪‬‬ ‫ﻴﻀﻡ ﻟﻪ ‪‬ﻠﻙ ﻜﺴﺭﻱ؛‬ ‫ﻤ‬ ‫ﻭﻗﻴﺼﺭ..‬ ‫ﻟﻭ ﺃﻥ ﺃﺤﻤﺩ ﻴﻤﻠﻙ‬ ‫– ﻤﺜل ﺴﻠﻴﻤﺎﻥ –‬ ‫ﻤﺎ ﻻ ﻴﺠﻭﺯ ﻟﻐﻴﺭﻩ *‬ ‫ﻭﻫﺫﺍ ﻜﻼﻡ ُ ﺒﺴﻴﻁ ُ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻜﺘﺎﺭﻴﺦ ﻫﺫﻱ ﺍﻟﺒﻼﺩ‬ ‫ﺍﻟﻤﺒﻘﻊ ﺒﺎﻟﺩﻡ ِ؛ ﻭﺍﻟﻌﻁﺭ ِ‬ ‫‪‬‬ ‫............................‬ ‫- ١٣ -‬
‫ﻜﻨﺕ ﺘﺼﻠﻲ‬ ‫ﹶ‬ ‫ﻭﺘﺴﺠﺩ ﷲ ِ ﺸﻜﺭﺍ؛‬ ‫ﹰ‬ ‫ﻭﺘﺴﺄﻟﻪ ﺍﻟﺭﺯﻕ؛ ﻭﺍﻟﺴﺘﺭ َ..‬ ‫ﹶ‬ ‫ﺘﻜﺘﺏ ِﻌﺭﺍ ﻜﻐﻴﺭﻙ؛‬ ‫ﺸ ﹰ‬ ‫ﻏﻴﺭ ﺨﺼﻭﺼﻴﺔ ٍ ﺘﺴﺘﺒﻴﻙ َ :‬ ‫ﺇﺫﺍ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ﺩﻤﻲ‬ ‫ﹰ‬ ‫ﺃﺴﺘﺤﻴل ﺃﻨﺎ ﻜﺭﻤﺔ ً‬ ‫ﺴﻭﻑ ﺘﺄﻭﻱ ﺇﻟﻴﻬﺎ ﺍﻟﻁﻴﻭﺭ.‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ً ﺩﻤﻲ‬ ‫ﺴﺄﺭﻗﺹ ﻜﺎﻟﻁﻔل ِ‬ ‫ﺃﻀﺤﻙ ﺤﺘﻲ ﺍﻟﺩﻤﺎﺀ..‬ ‫ﺇﺫﺍ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ً ﺩﻤﻲ‬ ‫ﺴﺄﺭﺴﻡ ﻭﺠﻬﻲ‬ ‫ﻋﻠﻲ ﻗﺴﻤﺎﺕ ﺍﻟﻨﻬﺎﺭ..‬ ‫ﻭﺃﻨﻔﺙ ﻤﻥ ﺭﺌﺘﻲ ﺍﻟﻘﺼﺎﺌﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﺜل ﻫﻭﺍﺀ ِ ﺍﻟﺯﻓﻴﺭ..‬ ‫ﻭﺃﺤﻠﻡ..‬ ‫ﻴﻜﻔﻴﻙ ِ ﺃﻨﻲ ﺴﺄﺤﻠﻡ‬ ‫‪‬‬ ‫ﺇﻥ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ً ﺩﻤﻲ !!‬ ‫............................‬ ‫- ٢٣ -‬
‫ﻭﻓﻲ ﺠﺴﺩ ﺍﻟ ِﻌﺭ‬ ‫ِ ﺸ ِ‬ ‫ﺜ ‪‬ﺕ َ ﺭﺃﺴﺎ ً؛ ﻭﻋﻴﻨﻴﻥ..‬ ‫ﺒ‬ ‫ﻜﺎﻥ ﺍﻟﻬﻭﺍﺀ ﺩﺨﺎﻨﺎ ً‬ ‫‪‬‬ ‫ﻭﻟﻜﻥ ﺼﻭﺘﻙ َ‬ ‫ﺭﺍﺡ ﻴﺸﻕ ﺍﻟﺭﻤﺎﺩ‬ ‫‪‬‬ ‫ﻭﻴﻭﻟﺩ ﻁﻔل ُﻤﻥ ﺍﻟﻀﺩ ِ؛‬ ‫ُ‬ ‫ﺃﻋﻀﺎﺅﻩ ﻓﻲ ﺍﻤﺘﺩﺍﺩ ﺍﻟﻤﺩﻱ....‬ ‫ﻟﻤﺎﺫﺍ ﻴﻐﱠﻑ ﻭﺠﻪ ﺍﻟﻘﺼﻴﺩﺓ ِ ﺒﺎﻟﺜﻠﺞ ِ؛ ﻭﺍﻟﺸﻤﻊ ِ؛‬ ‫ﻠ ﹸ‬ ‫ﻭﺍﻟﺼﻤﺕ ِ؟‬ ‫ﻜﻴﻑ ﻴﺒﻴﻌﻭﻥ ﻓﻲ ﺍﻟﻨﺩﻭﺍﺕ ِ ﺍﻟﻤﻘﺎﻤﺔ ِ ﻟﻠﻔﻥ ﻭﺍﻟﻔﻜﺭ ِ ﻭﻫﻤﺎ ً؟‬ ‫ﻭﻜﻴﻑ ﻟﻨﺎ‬ ‫ﺃﻥ ﻨﻐﻴﺭ ﻫﺫﻱ ﺍﻟﻤﻨﺎﺨﺎﺕ ِ؟‬ ‫‪‬‬ ‫ﻜﻴﻑ ﻨﻌﻴﺩ ﺍﻟﺜﻘﺎﻓﺔ َ ﻤﻥ ﺸﻤﻊ ِ ﺇﺒﺩﺍﻋﻬﺎ ﺍﻟﻴﻌﺭﺒﻲ ِ ﺇﻟﻲ ﺍﻟﻨﺎﺭ ِ؟‬ ‫‪‬‬ ‫ﻨﺴﻠﺦ ﻋﻥ ﺠﻠﺩﻫﺎ‬ ‫ﻗﺸﺭﺓ َ ﺍﻹﻨﺘﻤﺎﺀ ﺍﻟﻤﻜﻠﺱ ِ؛‬ ‫ﻭﺍﻹﺨﺘﺒﺎﺀ ِ ﺍﻟﻤﻜﺩﺱ ِ ﺒﺎﻟﺨﻭﻑ ِ؟‬ ‫ﻜﻴﻑ؟‬ ‫............................‬ ‫ﺴﺎﺀﻟﺕ َ : ﻫل ﻜل ﻨﺒﻀﺔ ﺤ ‪ٍ ‬‬ ‫‪‬ﺏ‬ ‫ﺴﺘﻭﻟﺩ ﻓﻲ ﺍﻟﻘﻠﺏ ِ ﻤﺴﺠﻭﻨﺔ ُ ُ؟‬ ‫ﻟﻤﺎﺫﺍ ﺘﺸﻴﺦ ﺍﻷﺠﻨﺔ ُ؟‬ ‫ﻭﺍﻷﻤﻬﺎﺕ ﺃﺭﺍﻤل؟‬ ‫ُ‬ ‫ﹸ‬ ‫ﻴﺼﻔﻌﻙ َ ﺍﻟﻭﻗﺕ ﻓﻭﻕ ﻗﻔﺎﻙ؛‬ ‫ﹸ ﹶ ‪‬‬ ‫ﻓﺘﺭﻓﻊ ﺭﺃﺴﻙ‬ ‫‪‬‬ ‫ﺘﺩﺨل ﺩﻭﻥ ﺤﻀﻭﺭ ٍ؛‬ ‫ﻭﺩﻭﻥ ﺸﻬﻭﺩ ٍ؛‬ ‫- ٣٣ -‬
‫ﻭﺘﻀﺤﻙ..‬ ‫‪‬‬ ‫ﻤﺎ ﺯﻟﺕ ﺘﻀﺤﻙ..‬ ‫‪‬‬ ‫ﺘﻠﻘﻲ ﻋﻠﻴﻙ َ ﺍﻟﺒﻴﺎﻨﺎﺕ ُ ﺒﺎﺴﻡ ِ ﺍﻟﺼﺩﺍﻗﺔ ِ..‬ ‫ﺘﻀﺤﻙ ُ..‬ ‫ﹸﻘﺭﺍ ﻻﺌﺤﺔ ﺍﻟﺘﻬﻡ ِ ﺍﻟﻌﻨﺠﻬﻴﺔ :‬ ‫ﹸ‬ ‫ﺘ ﹸ‬ ‫ﺍﻟﺤﺏ ﻭﺍﻟﻨﻬﺭ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﻔﻘﺭ ﻭﺍﻟﻀﺩ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻜﺩﺡ ﻭﺍﻟﻔﻜﺭ..‬ ‫ﻭﺍﻷﺨﺫ ﻭﺍﻟﺭﺩ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ..‬ ‫ﻴﺼﺩﺭ ﺤﻜﻡ ﺍﻟﻤﻤﺎﻟﻴﻙ ﻓﻲ ﺍﻟﺴﺭ ِ ﻀﺩﻙ َ..‬ ‫‪‬‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ..‬ ‫ﺘﻔﻘﺩ ﻜل ﺍﻷﺤﺎﺩﻴﺙ ِ ﺭﻭﻨﻘﻬﺎ؛‬ ‫ُ‬ ‫ﻭﻴﺸﺘﻌل ﺍﻟ ِﻌﺭ ﺸﻴﺒﺎ.‬ ‫ﺸ ‪‬‬ ‫ﻤﺤﻤﻭﺩ..‬ ‫ﺃﻨﺕ َ ﺍﺴﺘﺤﻠﺕ َ‬ ‫ﺇﻟﻲ ﺁﻴﺔ ٍ ﻟﻠﺘﺤﺩﻱ؛‬ ‫ﻭﻓ ‪‬ﺭﺕ َ ﺤﺱ ﺍﻟﻘﻴﺎﻤﺔ ِ..‬ ‫ِ ‪‬‬ ‫ﺠ‬ ‫ﻗﻠﺕ َ : ﺍﻟﺴﻤﺎﺀ ‪‬ﺩﻱ‬ ‫‪‬ﻤ‬ ‫ﻭﺍﻟﺭﺩﻱ ﻤﻭﻋﺩ ُ...‬ ‫‪‬‬ ‫ﻭﺍﻟﻠﻘﺎﺀ ﻨﻘﺎﺀ.‬ ‫‪ ‬‬ ‫ﺘﻭ ‪‬ﺩﺕ َ ﺒﺎﻟﺤﺏ ِ‬ ‫ﺤ‬ ‫ﻻ ﺘﺭﺘﺩﻴﻪ ﻨﻌﺎﻻ ً؛‬ ‫- ٤٣ -‬
‫ﻭﻻ ﻴﺭﺘﺩﻴﻙ َ ﺜﻴﺎﺒﺎ ً..‬ ‫ﺘﻭ ‪‬ﺩﺕ َ..‬ ‫ﺤ‬ ‫ﻻ ﺤﺎﺠﺯ ُ ﺒﻴﻥ ﻗﻠﺒﻙ َ؛ ﻭﺍﻟﻔﻌل ِ..‬ ‫‪‬‬ ‫ﻫﻡ ﻴﺩﻋﻭﻥ ﺇﺫﻥ :‬ ‫ﺇﻨﻬﻡ ﺃﺨﺫﻭﻙ َ ﻋﻠﻲ ﻏ ‪‬ﺓ ٍ؛‬ ‫ِﺭ‬ ‫ﻓﻜﻴﻑ َ؟‬ ‫ﻭﻓﻲ ﺸﻔﺘﻴﻙ َ ﺍﻟﺤﺭﻴﻕ..‬ ‫ﹸ‬ ‫ﻭﻓﻲ ﻗﻠﺒﻙ َ ﺍﻟﺤﻲ ِ ﻨﺒﺽ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﻤﻌﻲ ﻤﺜل ﻭﺠﻬﻲ؛‬ ‫ُ‬ ‫ﻭﻤﺜل ﺸﻬﻴﻘﻲ؛‬ ‫ﻭﻤﺎ ﺯﻟﺕ َ ﺒﻌﺩ ﺸﻬﻲ ﺍﻟﻌﺫﺍﺏ ِ !!‬ ‫‪‬‬ ‫ﻋﻠﻲ ﻀﻭﺀ ِ ﺼﻭﺘﻙ ﺒﺎﻨﺕ ﺴﻌﺎﺩ؛‬ ‫‪‬‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺘﻌﺭﺕ..‬ ‫‪ ‬ﹾ‬ ‫ﻓﻜﺎﻨﺕ ﻜﻤﺎ ﺍﻟﻤﺎﺀ ِ ﻴﻐﺴل ﻜل ﺍﻟﺩﺭﻥ !‬ ‫ْ‬ ‫َ‬ ‫ﹾ‬ ‫............................‬ ‫ﺃﻨﺕ َ ﺘﻘﺭﺍ ُ ﻓﻲ ﻟﻐﺔ ِ ﺍﻟﺼﻤﺕ ِ ﺁﻻﻤﻬﻡ‬ ‫ﻟﻴﺱ ﺴ ‪‬ﺍ ً ﺇﺫﻥ‬ ‫ِﺭ‬ ‫ﺇﺫﺍ ﻗﻠﺕ َ :‬ ‫ﻫﺫﻱ ﺍﻟﺯﻨﺎﺯﻥ ﺃﺠﺴﺎﺩﻫﻡ..‬ ‫ﻫل ﺘﺼﻴﺭ َ ﻟﻬﻡ ﻤﺘﺤﻔﺎ ً؟‬ ‫ﺃﻡ ﺤﺭﻴﻘﺔ ْ؟‬ ‫ﻟﻴﺱ ﺇﻻ ﺍﻟﺤﻘﻴﻘﺔ..‬ ‫ﹼ‬ ‫ﻓﻜﻴﻑ ﺘﺤﻭﻟﻬﺎ ﻤﻬﺭﺠﺎﻥْ؟‬ ‫............................‬ ‫- ٥٣ -‬
‫ﺘﺼﺎﻟﺤﺕ ﻭﺍﻟﺼﻤﺕ‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﻻ ﺘﺘﺨﺫﻩ ِﻁﺎﺀ ٍ‬ ‫ﻏ‬ ‫ﻭﻻ ﻴﺘﺨﺫﻙ َ ﺠﻭﺍﺩﺍ ً؛‬ ‫ﻭﺤﺎﻭﺭﺕ َ ﺇﺴﻤﻙ َ :‬ ‫ﻤﻴﻡ :‬ ‫ﻤﺭﻭﺭ ﺍﻟﻜﺭﺍﻡ ِ ﻤﺭﺭﺕ ﻋﻠﻲ ﺍﻟﺩﺭﺏ ِ‬ ‫ﹶ‬ ‫ﺃﻨﻔﺕ َ ﺒﻌﻀﺎ ً ﻤﻥ ﺍﻟﺤﺏ ّ ِ؛‬ ‫ﻓﺎﺽ؛ ﻭﺃﻏﺭﻗﻬﻡ‬ ‫ﺇﻨﻬﻡ ‪‬ﻐﺭﻗﻭﻥ ْ.‬ ‫ﻤ‬ ‫ﺤﺎﺀ :‬ ‫ﺤﺎﺭﺒﺕ َ ﺒﺎﻟﺤﺭﻑ ِ؛ ﻭﺍﻟﺤﺏ ِ‬ ‫‪‬‬ ‫ﺤﺘﻲ ﺍﺤﺘﻭﻴﺕ َ ﺍﻟﺠﻤﻴﻊ َ‬ ‫ﻭﻟﻜﻨﻬﻡ ﺤﺎﺌﺭﻭﻥ.‬ ‫ْ‬ ‫ﻤﻴﻡ :‬ ‫ﻤﻼﻤﺢ ﻭﺠﻪ ﺍﻟﻌﺭﻭﺒﺔ ِ ﺘﺩﻋﻭﻙ َ ﻟﻠﺼﺒﺭ ِ‬ ‫‪‬‬ ‫ﻓﺎﺼﺒﺭ‬ ‫ْ‬ ‫ﻭﺇﻥ ﻀﻴﻌﻭﻙ َ ﻓﺼﺒﺭ ُ ﺠﻤﻴل ُ ُ‬ ‫‪‬‬ ‫ﺇﻨﻬﻡ ﻴﺠﻬﻠﻭﻥ.‬ ‫ْ‬ ‫ﻭﺍﻭ :‬ ‫ﻭﻻﺌﻙ َ ﻜﻨﺯ ُ ُ‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﻗﺩ ﻤﻨﺤﺕ َ ﻜﺜﻴﺭﺍ ً‬ ‫ﻓﻼ ﺘﺒﺨل ﺍﻵﻥ – ﻴﺎ ﺴﻴﺩﻱ –‬ ‫ﺇﻨﻬﻡ ﻤﻐﺭﻤﻭﻥ.‬ ‫ْ‬ ‫ﺩﺍل :‬ ‫ﺩﻟﻴﻠﻙ ﻤﺎ ﺯﺍل ﻓﻴﻬﻡ ﺩﻟﻴﻼ ً‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﻬﻼل ﺍﻟﺫﻱ ﻴﻁﻠﺒﻭﻥ.‬ ‫ْ‬ ‫............................‬ ‫- ٦٣ -‬
‫ﺃﻨﺕ ﺃﻨﻁﻘﺕ ﺠﻴ ً ﻤﻥ ﺍﻟﺼﻤﺕ‬ ‫ِ‬ ‫ﻼ‬ ‫َﹶ ﹰ‬ ‫َ‬ ‫ﺠﻴﻠﻴﻥ..‬ ‫ﺜﻡ ﺼﻌﺩﺕ َ ﺇﻟﻲ ﻗﻤﺔ ٍ ﻓﻲ ﻓﻴﺎﻓﻲ ﺍﻟﺘﻭﺍﺭﻴﺦ‬ ‫ﺃﻋﻠﻨﺕ َ :‬ ‫ﺇﻥ ﺍﻟﻤﻌﺎﻨﺎﺓ َ ﻤﺤﺽ ﺭﻏﻴﻔﻴﻥ‬ ‫‪‬‬ ‫– ﻴﺎ ﺭﺒﻤﺎ –‬ ‫ﺃﻭ ﻓﻁﻴﺭﺓ ﻋﺸﻕ ٍ..‬ ‫ﹸ‬ ‫ﻭﺼﻭﺕ ﺍﻹﻀﺎﺀﺓ ِ‬ ‫ﹸ‬ ‫ﻓﻲ ﻋﺘﻤﺔ ِ ﺍﻟﻜﻭﻥ ِ‬ ‫ﻗﺎﻓﻠﺔ ُ ﺍﻹﻨﺘﺸﺎﺭ.‬ ‫ْ‬ ‫ﻜﻨﺕ َ ﻟﻬﻡ ﻟﺒﻥ َ ﺍﻟﺼﺤﻭ‬ ‫ﺘﺄﺒﻭ ﺍﻟﻴﺘﻴﻡ َ..‬ ‫ﻭﻜﻨﺕ ﺃﺒﺎ ﺍﻟﻀﻴﻑ ِ..ﷲ ﺩﺭﻙ‬ ‫ﹶ‬ ‫ﻻ ﺃﺏ ﻟﻙ ْ.‬ ‫ﻜﻨﺕ ﺍﻟﺩﻤﺎﺀ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﺍﻟﺘﻲ ﻴﺘﺤﻭل ﻓﻴﻬﺎ ﺍﻟﺘﻭﺠﻪ‬ ‫ﺤﺒﻼ ً ﻤﻥ ﺍﻟﺸﻭﻕ ِ‬ ‫ﻴﻤﺘﺩ ﻓﻲ ﻗﺴﻤﺎﺕ ﺍﻟﻨﺩﻱ‬ ‫‪‬‬ ‫ﻭﺍﻟﺴﺅﺍل ﺍﻟﺫﻱ ﻴﺴﺘﺠﻭﺏ ﺍﻟﺒﻁﻥ‬ ‫‪‬‬ ‫ﻓﻲ ﺃﻭل ﺍﻟﻁﻠﻕ ِ..‬ ‫ﻴﻐﺴل ﺒﺎﻟﻌﺭﻱ ﻭﺠﻪ ﺍﻟﻔﺘﻲ؛ ﻭﺍﻟﺼﺒ ‪‬ﺔ.‬ ‫ﻴ‬ ‫............................‬ ‫ﻫﺫﻱ ﻭﺜﻴﻘﺔ ُ ﻨﻔﻴﻙ‬ ‫ﻓﻲ ﺫﻴﻠﻬﺎ ﺨﺘﻡ ﺍﻟﺠﻬل‬ ‫ُ‬ ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﺤﻴﻥ ﻴﻜﻭﻥ ﺃﻭﻟﻲ ﺍﻷﻤﺭ ﺨﺘﻤﺎ ً..‬ ‫ﻴﺼﻴﺭ ﺍﻟﺨﻠﻴﻔﺔ ُ ﺼ ﹼﺎ ً..‬ ‫ﻜ‬ ‫ﻓﻜﻴﻑ ﺘﺼﻴﺭ ﺍﻟﺒﻼﺩ؟..‬ ‫‪‬‬ ‫- ٧٣ -‬
‫ﻏﺩﺍ ﻤﻥ ﺭﻤﺎﺩﻙ‬ ‫ﹰ‬ ‫ً‬ ‫ﺴﻭﻑ ﻴﻔﻴﻀﻭﻥ‬ ‫ﺼﻠﻲ ﺇﺫﻥ ﺭﻜﻌﺘﻴﻥ‬ ‫ْ‬ ‫ﻓﻴﺎ ﺭ ‪‬ﻤﺎ ﻓﻲ ﻏﺩ ٍ‬ ‫ﺒ‬ ‫ﺘﺴﺘﺤﻴل ﺍﻟﺼﻼﺓ ُ ﺠﻨﻭﻥ.‬ ‫ْ‬ ‫............................‬ ‫ﻤﺤﻤﻭﺩ..‬ ‫ﺠﺌﺕ َ ﻟﺘﻤﺘﺩ..‬ ‫‪‬‬ ‫ﺒﺒﻌﺽ ِ ﺨﻼﻴﺎﻙ ﺜﻡ ﺍﻨﺸﻁﺎﺭ.‬ ‫ْ‬ ‫‪‬‬ ‫ﺒﺒﻌﺽ ﺭﺅﺍﻙ ﺍﻟﺘﻲ ﺘﺘﻤﺩﺩ ﺜﻡ ﺍﻨﺒﻬﺎﺭ.‬ ‫ْ‬ ‫‪‬‬ ‫ِ‬ ‫ﺒﺼﻤﺕ ِ ﺍﻟﻘﺼﺎﺌﺩ ِ؛ ﻗﻴل :‬ ‫ﺘﺨ ﹼﻲ؛ ﻭﻴﻨﻤﻭ ﺍﻨﻔﺠﺎﺭ.‬ ‫ْ‬ ‫ﻔ‬ ‫ﻴﺭﻴﺩﻭﻥ ﻗﺘﻠﻙ َ..‬ ‫ﻤﻥ ﻗﺎل؟‬ ‫‪َ ْ‬‬ ‫ﺘﻌﺭﻑ ﺃﻥ ﺍﻟﺫﻴﻥ ﻴﺭﻴﺩﻭﻥ ﻗﺘﻠﻙ‬ ‫ﺴﻭﻑ ﻴﻤﻭﺘﻭﻥ ﻏﻴﻅﺎ ً..‬ ‫ﻋﻠﻲ ﻜل ﺤﺎل ٍ؛‬ ‫ﻓﺈﻥ ﺍﻟﺠﻤﻴﻊ ﻴﻤﻭﺘﻭﻥ‬ ‫‪‬‬ ‫ﻭﺍﻟﺤﺏ ﻴﺒﻘﻲ..‬ ‫ﻭﻤﺎ ﻜﻨﺕ ﻭﺤﺩﻙ َ‬ ‫ﹶ‬ ‫"ﺇﻨﻙ ﺇﻥ ﻤﺕ ﻟﻠﺒﻴﺕ ِ ﺭﺏ ُ "‬ ‫‪‬‬ ‫ﱠ‬ ‫‪‬‬ ‫ﺩﻋﻬﻡ ﺇﺫﻥ‬ ‫ْ‬ ‫ﻴﺩﻗﻭﻥ ﻨﻌﺵ ﺍﻟﺨﻼﻓﺔ ِ ﺒﻌﺩﻙ َ‬ ‫ﹶ‬ ‫ﺩﻋﻬﻡ؛ ﻴﺩﻭﺭﻭﻥ ﻓﻲ ﺍﻟﺴﻭﻕ ِ‬ ‫ﻴﺘﻠﻭﻥ ﻨﻌ ‪‬ﻙ َ‬ ‫ﻴ‬ ‫ﺇﻨﻙ َ ﺃﻜﺒﺭ ﺒﺎﻟﺤﺏ؛ ﻭﺍﻟﺼﺩﻕ ِ‬ ‫ﻤﻥ ﺃﻥ ﺘﻤﻭﺕ.‬ ‫ﹾ‬ ‫- ٨٣ -‬
‫ﻫﻭﺍﻤﺵ‬ ‫١- ﺍﻟ ِﻼﻭﻴﺯ : ﺠﻤﻊ ِﻠﻭﺍﺯ؛ ﻭﻫﻭ ﺍﻟﺸﺭﻁﻲ...‬ ‫ﺠ‬ ‫ﺠ‬ ‫ﺒﺤﺜﺭ ﺍﻟﺸﺊ : ﻓ ‪‬ﻗﻪ؛ ﻭﺒﺩﺩﻩ.‬ ‫ﺭ‬ ‫-‬ ‫٢- ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ:‬ ‫ﻟﻠﺸﺎﻋﺭ / ﺤﻤﻴﺩﺓ ﻋﺒﺩ ﺍﷲ.‬ ‫-‬ ‫٢- ﺍﻟﺨﺎﺘﻭﻥ : ﺍﻟﻤﺭﺃﺓ ﺍﻟﺸﺭﻴﻔﺔ.‬ ‫٣- ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ ﻟﻠﺸﺎﻋﺭ / ﻋﺒﺩ ﺍﻟﻌﻅﻴﻡ ﻨﺎﺠﻲ.‬ ‫٤- ﺘﺸﻭﺵ : ﺍﺨﺘﻠﻁ ﻋﻠﻴﻪ ﺍﻷﻤﺭ..‬ ‫ﺘﺸﻭﺱ : ﺘﻜ ‪‬ﺭ.‬ ‫ﺒ‬ ‫-‬ ‫٢- ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ ﻟﻠﺸﺎﻋﺭ / ﺃﻤل ﺩﻨﻘل.‬ ‫٣- ﺴﺎﻤﺢ؛ ﻭﺴﻤﺎﺡ؛ ﻭﻤﺭﻭﺓ؛ ﻭﺃﺤﻤﺩ... ﺃﺒﻨﺎﺀ ﺍﻟﺸﺎﻋﺭ.‬ ‫- ٩٣ -‬

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6078

  • 1.
  • 2. ..    ‫א‬ -٢-
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﺘﺄﺴﻴﺱ ﺃ ‪‬ل ........................................................................................................... - ٤ -‬ ‫ﻭ‬ ‫ﺘﺄﺴﻴﺱ ﺜﺎﻥ ........................................................................................................... - ٥ -‬ ‫ﺇ ﹼﻪ ﺍﻟﺴ ‪‬ﺩ ﺍﻟﻤﺴﺘﺤﻴل.. ................................................................................................. - ٦ -‬ ‫ُ‬ ‫ﻨ ‪ ‬ﻴ‪‬‬ ‫ﻤﻥ ﺃﻗﻭﺍل ِ ﺍﻟﺴ ‪‬ﺩ ِ ﺍﻟﻤﺴﺘﺤﻴل ......................................................................................... - ٣١ -‬ ‫ﻴ‬ ‫ﻤﻥ ﺃﻗﻭﺍل ﺍﻟﻜﻨﺎﻨﺔ.. .................................................................................................. - ٨١ -‬ ‫ﺤﺩﻴﺙ ُﻋﺎﺒﺭ.. ﺇﻟﻲ ﺸﺎﻋﺭ ِﺴﺒﻴل ...................................................................................... - ٢٢ -‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺫﻗﺕ ﻟﺒﺎﺱ ﺍﻟﻤﺘﺎﻫﺔ .................................................................................................. - ٤٢ -‬ ‫ِ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻫل ﻴﻌﻴﺩ ‪‬ﻤﻴﺩﺓ ﻫﺫﺍ ................................................................................................. - ٥٢ -‬ ‫ﺤ ﹸ‬ ‫ﺴـﺎﻓﺭﺕ.. ......................................................................................................... - ٦٢ -‬ ‫ﹶ‬ ‫ﻋﺸﺕ ﺍﺤﺘﺠﺎﺠﺎ ..................................................................................................... - ٨٢ -‬ ‫ﹰ‬ ‫ﹶ‬ ‫ﻻ ﺒﺄﺱ.. ........................................................................................................... - ٠٣ -‬ ‫‪‬‬ ‫ﻜﻨﺕ ﺘﺼﻠﻲ ......................................................................................................... - ٢٣ -‬ ‫ﹶ‬ ‫ﻭﻓﻲ ﺠﺴﺩ ﺍﻟ ِﻌﺭ .................................................................................................... - ٣٣ -‬ ‫ِ ﺸ ِ‬ ‫ﺘﺼﺎﻟﺤﺕ ﻭﺍﻟﺼﻤﺕ ................................................................................................. - ٦٣ -‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﺃﻨﺕ ﺃﻨﻁﻘﺕ ﺠﻴ ًَ ﻤﻥ ﺍﻟﺼﻤﺕ ....................................................................................... - ٧٣ -‬ ‫ِ‬ ‫ﻼ‬ ‫َﹶ ﹰ‬ ‫ﻏﺩﺍ ﻤﻥ ﺭﻤﺎﺩﻙ ..................................................................................................... - ٨٣ -‬ ‫ﹰ‬ ‫ً‬ ‫ﻫﻭﺍﻤﺵ............................................................................................................. - ٩٣ -‬ ‫-٣-‬
  • 5. ‫ﺘﺄﺴﻴﺱ ﺃﻭل‬ ‫ﱠ‬ ‫ﺇﺫﻥ..‬ ‫ْ‬ ‫ﻓﻲ ﻴﺩﻴﻪ ﻫﻭﻱ ﺍﻟﺜﻘﻠﻴﻥ.‬ ‫ْ‬ ‫ﻭﻜﻴﻑ.. ﻭﺃﻴﻥ.‬ ‫ْ‬ ‫ﹶ‬ ‫ﻭﻓﻲ ﺍﻟﺒﻴﻥ ﺒﻴﻥ.‬ ‫ْ‬ ‫ﻭﻴﻨﻘل ﻋﺭﺸﺎ‬ ‫ﹰ‬ ‫ﺒﻁﺭﻓﺔ ِ ﻋﻴﻥ.‬ ‫ْ‬ ‫............................‬ ‫-٤-‬
  • 6. ‫ﺘﺄﺴﻴﺱ ﺜﺎﻥ‬ ‫ﺇﻨﻬﺎ ﻏﺭﻓﺔ ُ.. ﻗﻴل:‬ ‫َ‬ ‫ﹸ‬ ‫ﺃﻭ ِﺩﺭﺓ ُ ﺘﺤﺕ ﻋﺭﺵ ﺍﻷﻟﻭﻫﺔ ِ.‬ ‫ﺴ ﹸ‬ ‫ﺃﺠﺩﺍﺙ ﺃﺠﺩﺍﺩﻨﺎ ﺘﺸﺭﺃﺏ؛‬ ‫ﹸ‬ ‫ﻭﺘﺅﺘﻲ ﻁﻼﺴﻤﻬﺎ ﻜل ﺤﻴﻥ ٍ؛‬ ‫ﻭﺘﻨﻔﺙ ﻓﻴﻨﺎ ﺭﻴﺎﺤﺎ ﻟﻘﺎﺤﺎ ً؛‬ ‫ﹰ‬ ‫ﻭﻫﺫﻱ ﺍﻟﻨﻘﻭﺵ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﺴﺭ ﺍﻷﺴﺎﻁﻴﺭ ِ‬ ‫ِ‪‬‬ ‫ﻤﻔﺘﺎﺡ ﹶﻨﺯ ِ ﺍﻟﻌﻠﻭﻡ ِ ﺍﻟﻤﺅﺠل ِ،‬ ‫‪‬ﻜ‬ ‫ﻟ ‪‬ﺎ ﺘﺯل ﺠﻤﺭﺓ ً ﻓﻲ ﺍﻟﺭﻤﺎﺩ ِ...‬ ‫ْ‬ ‫ﻤ‬ ‫ﺇﻟﻲ ﻜﻡ ﻤﻥ ﺍﻟﺩﻫﺭ ِ ﻨﺫﻫل..‬ ‫ُ‬ ‫ﻨﺴﺄل ﺼﻤﺕ ﺍﻟﻁﻼﺴﻡ ِ‬ ‫ُ‬ ‫ﻋﻥ ﹸﻨﻪ ﺃﺴﺭﺍﺭﻨﺎ؟‬ ‫ﻜ‬ ‫............................‬ ‫-٥-‬
  • 7. ‫ﺇ ﹼﻪ ﺍﻟﺴ ‪‬ﺩ ﺍﻟﻤﺴﺘﺤﻴل..‬ ‫ُ‬ ‫ﻨ ‪ ‬ﻴ‪‬‬ ‫ﺍﻟﺒﺴﻴﻁ؛ ﺍﻟﺠﻤﻴل..‬ ‫ُ‬ ‫ﹸ‬ ‫ﺍﻟﺫﻱ ﻗﻴل.. ﻗﺎل :‬ ‫َ‬ ‫َ‬ ‫ﺃﻨﺎ ﺒﺎﺩﺉ ﺍﻷﺒﺩﻴﺔ ْ.‬ ‫ﻟﻲ ﻋﺴل ُ ﻨﺎﻁﻕ ُ ﻓﻲ ﺤﻨﺎﻥ ِ ﺍﻟﺼ ‪‬ﻴﺔ ْ.‬ ‫ﺒ‬ ‫ﹸ‬ ‫ُ‬ ‫ﻭﻟﻲ ﻤﻥ ﻤﻼﻤﺢ ﺸﻌﺒﻲ ﺍﻟﻬﻭﻴﺔ ْ.‬ ‫ُﺤﺭﻙ ﺠﻴﺵ ﺍﻟﺴﻨﺎﺒل ِ؛‬ ‫ﹶ‬ ‫ﺃ ِ‪‬‬ ‫ﻏﻴﺙ ﺍﻟﻘﻨﺎﺒل ِ؛‬ ‫ﹶ‬ ‫ﻭﺍﻷﺴﺌﻠﺔ ْ.‬ ‫ﻭﻟﻲ ﻋﻨﺩ ﻜل ﺭﻜﻭﺩ ٍ‬ ‫ﻴﺩ ُ ﻓﺎﻋﻠﺔ ْ.‬ ‫‪‬‬ ‫ﻭﻟﻲ ﻤﻭﺠﺔ ُ ُ ﻗﺎﺒﻠﺔ ْ.‬ ‫............................‬ ‫ﺇ ﹼﻪ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل..‬ ‫ُ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺍﻟﺼﺩﻭﻕ؛ ﺍﻷﻤﻴﻥ..‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻟﻡ ﻴﺯل ﻴﺤﺘﺴﻲ ﺨﻤﺭﺓ ً‬ ‫ﻤﻥ ﻋﺼﻴﺭ ﺍﻟﻤﻨ ‪‬ﺔ ْ.‬ ‫ﻴ‬ ‫ﻗﻴل: ﻜﺎﻥ َ ﻗﺩﻴﻤﺎ ً ﺇﻟﻬﺎ ً..‬ ‫َ‬ ‫ﻭﻴﺼﻨﻊ ﻤﻥ ﻗﺭﺹ ِ ﺸﻤﺱ ﺍﻟﻨﻬﺎﺭ ِ ﺇﻟﻬﺎ ً..‬ ‫ﻭﻤﻥ ﻨﻘﻁﺔ ِ ﺍﻟﻤﺎﺀ ِ ﺫﺍﺕ ﺍﻹﻟﻪ ْ.‬ ‫ﹶ‬ ‫ﻋﻠﻲ ﺼﻔﺤﺔ ِ ﺍﻟﻤﺎﺀ ِ‬ ‫ﻴﺤﻤل ﻟﻸﺭﺽ ِ ﻨﺒﺽ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫ﻭﻓﻜﺭ..‬ ‫ﱠ‪‬‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﻓﻲ ﺍﻟﻤﻭﺍﺕ ِ / ﺍﻟﺤﻴﺎﺓ ْ..‬ ‫ﺒ‬ ‫............................‬ ‫-٦-‬
  • 8. ‫ﻓﺘﺤﻨﺎ ﻟﻪ ﺨﻨﺩﻗﺎ ً..‬ ‫ﻭﺒﺴﻁﻨﺎ ﻟﻪ ﺒﺭﺯﺨﺎ ً..‬ ‫ﺜﻡ ﻤﺭ..‬ ‫‪‬‬ ‫ﻭﺨﱠﻑ َ ﺁﻴﺎ ِﻪ ِ ﻓﻲ ﺍﻟﻨﺨﻴل ِ؛‬ ‫ﺘ‬ ‫ﻠ‬ ‫ﻭﻓﻲ ﺍﻟﺒﺤﺭ ِ..‬ ‫ﻤﺭ..‬ ‫‪‬‬ ‫ﻭﺨﱠﻑ َ ﻓﻴﻨﺎ ﺼﻼﺓ ً‬ ‫ﻠ‬ ‫ﻭﺨﻤﺭﺍ ً‬ ‫ﻭﺩﻡ..‬ ‫ﻭﻜﺎﻥ ﻟﻪ ﻋﻨﺩ ﻜل ِ ﺍﻨﺤﻨﺎﺀﺓ ِ ﺤﺭﻑ ُ‬ ‫ﹸ‬ ‫ﻭﺘﻌﻭﻴﺫﺓ ُ ُ‬ ‫ﻭﻭﺼﺎﻴﺎ؛ ﺒﻬﺎ ﻴﺴﺘﻤﺭ ْ.‬ ‫............................‬ ‫ﻗﻴل.. ﻗﺎل : ﻭﻟﻲ ﻭﺭﻗﺔ ُ ُ؛ ﻭﻗﻠﻡ.‬ ‫ْ‬ ‫َ‬ ‫َ‬ ‫ﻭﻟﻲ ﺒﻬﺠﺔ ُ ُ؛ ﻭﺃﻟﻡ.‬ ‫ْ‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ﺍﻟﺫﻱ ﻋﻨﺩﻩ‬ ‫‪‬‬ ‫ﻴﺴﺘﻔﻴﻕ ﺍﻟﻌﺩﻡ.‬ ‫ْ‬ ‫............................‬ ‫ﻗﻴل : ﻴﺒﺩﺃ ُ ﻤﻥ ﺼﺨﺭﺓ ً‬ ‫َ‬ ‫ﺘﺤﺕ ﻋﺭﺵ ِ ﺍﻷﻟﻭﻫﺔ ِ؛‬ ‫ﻻﺒﺴﺎ ً ﻤﻥ ﺤﺭﻴﺭ ِ ﺍﺤﺘﻤﺎﻻ ِﻪ ِ ﻜﻭﻜﺒﺎ ً..‬ ‫ﺘ‬ ‫ﻭﻴﺒﺴﻁ ﺴﺠﺎﺩﺓ ً ﻤﻥ ﻁﻴﻭﺭ ٍ ﻋﻠﻲ ﻜﺘﻔﻴﻪ ِ؛‬ ‫ﻭﻴﺒﺴﻁ ﺴﺠﺎﺩﺓ ً ﻤﻥ ﺤﻴﺎﺓ ٍ؛‬ ‫ﻭﻻ ﻴﺴﺘﻘﺭ ْ.‬ ‫ﻓﺎﺴﺘﻌﻴﻨﻭﺍ ِﻪ ِ‬ ‫ﺒ‬ ‫ﻭﻟﻪ‬ ‫‪‬‬ ‫ﺇ ﹼﻪ‬ ‫ﻨ‪‬‬ ‫-٧-‬
  • 9. ‫ﺴﺎﺒﻕ ُ ُ ﻅﱠﻪ ُ‬ ‫ِﻠ‬ ‫ﺭ ‪‬ﻤﺎ ﻋﺎﺒﺭ ُ ﻤﻭ ﹶﻪ ُ..‬ ‫‪ ‬ﺘ‬ ‫ﺒ‬ ‫............................‬ ‫ﺴﻴﺄﺘﻴﻙ َ ﻓﻲ ﺍﻟﺴﺭ؛‬ ‫ِ‪‬‬ ‫ﻤﻥ ﺯﻋﻔﺭﺍﻥ ِ ﺍﻟﻤﺭﺍﺭﺓ ِ‬ ‫ﺃﻭ ﻤﻥ ﺤﺭﻴﺭ ﺍﻨﻔﻌﺎﻻ ِﻪ ِ..‬ ‫ﺘ‬ ‫ﻭﻴﻤﻨﺤﻙ َ ﻴﺎ ﺭ ‪‬ﻤﺎ ﻭﺭﺩﺓ ً ﻟﻠﺨﺭﻭﺝ ِ ﺍﻟﺠﻤﻴل ِ؛‬ ‫ﺒ‬ ‫ﻭﻴﺩﻓﻌﻙ َ ﻟﻠﻔﻬﻡ ِ؛ ﻭﺍﻟﻔﻌل ِ..‬ ‫ﻴﺩﻓﻌﻙ َ ﻋﻥ ﻨﻔ ِﻪ ِ..‬ ‫ﺴ‬ ‫............................‬ ‫ﻗﺩ ﺘﺭﻱ ﻅﱠﻪ ُ ﻓﻲ ﺍﻟﻨﺨﻴل ِ‬ ‫ِﻠ‬ ‫ﻭﻓﻲ ﺍﻟﺒﺤﺭ ِ..‬ ‫ﻟﻜﻨﻪ ﻻ ﻴﺒﻴﻊ ﺍﻟﺘﺭﺍﺙ َ ﺍﻟﻤﻭﺸﻲ‬ ‫ﺒﺤﻜﻤﺔ ِ ﻤﻥ ﻗﺩ ﻤﻀﻭﺍ‬ ‫‪ْ‬‬ ‫ﺒﺨﺼﻭﺭ ِ ﺍﻟﻨﺴﺎﺀ ِ..‬ ‫ﻭﺒﻌﺽ ﺍﻟﻐﻨﺎﺀ ِ..‬ ‫............................‬ ‫ﺇ ﱠﻪ ُ ﺍﻟﺴ ‪‬ﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ ﺍﻟﺫﻱ‬ ‫ﻴ‪‬‬ ‫ﻨ‬ ‫ﻗﺩ ْ ﺘﺒﻨﻲ ﺍﻟﺘﺭﺍﺏ َ؛‬ ‫ﻭﺯ ﹼﺎﻩ ُ..‬ ‫ﻜ‬ ‫ﻟﻪ ُ ﺨﺠل ُ ُ ﻜﺎﻟﺤﻴﺎﺓ ِ..‬ ‫ﻭﺭﻓﺽ ُ ﺒﻌﺭﺽ ِ ﺍﻷﻓﻕ ْ.‬ ‫‪‬‬ ‫............................‬ ‫ﻟﻪ َ ‪‬ﺭﻭﺓ ُ ﺍﻟﻭﻤﺽ ِ‬ ‫ﻋ‬ ‫ﺴﻁﻭﺓ ُ ﺍﻟﺭﻓﺽ ِ‬ ‫ﻭﺍﻟﺭﻋﺏ ُ ﻓﻲ ﺍﻷﺭﺽ ِ‬ ‫............................‬ ‫-٨-‬
  • 10. ‫ﺭ ‪‬ﻤﺎ ﻴﻌﺒﺭ ُ ﺍﻟﺸﺎﺭﻉ َ ﺍﻟﻌﺭﺒﻲ‬ ‫‪‬‬ ‫ﺒ‬ ‫ﻻﺒﺴﺎ ً ﺠ ‪‬ﺔ ً ﻤﻥ ﺤﺭﻴﺭ ِ ﺍﻟﺘﻔﺎﻋﻴل ِ‬ ‫‪‬ﺒ‬ ‫ﻤﻨﺴﻭﺠﺔ ً ﺒﻴﺩ ِ ﺍﻟﺠﻭﻉ ِ؛ ﻭﺍﻟﻘﺘل ِ‬ ‫ﺃﻭ ﺒﺎﻟﺘﻬﺠﺩ ِ ﺒﺎﻟﻠﻴل ِ‬ ‫ﻭﺍﻷﺭﺽ ﺘﻬﺫﻱ‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺠﺎﺀﻫﺎ ﻏﺎﻀﺒﺎ ً...‬ ‫ﻭﺘﻬﺭﻉ ﻟﻠﻤﺎﺀ ِ‬ ‫ﻜﻲ ﺘﻜﺘﺴﻲ ﺤﱠﺔ ً ﻤﻥ ﺤﻴﺎﺓ ٍ..‬ ‫‪‬ﻠ‬ ‫ﺘﺼﻠﻲ ﺍﻟﺼﻼﺓ َ ﺍﻷﺨﻴﺭﺓ َ ﺒﻴﻥ ﻴﺩﻴﻪ ِ.‬ ‫............................‬ ‫ﻨﻌﻡ ْ..‬ ‫ﺇ ﱠﻪ ُ ﺴﻁﻭﺓ ُ ُ..‬ ‫ﻨ‬ ‫ﻭﻟﻜﻨﻪ ُ ﻤﺜل ﻗﻭل ِ ﺍﻟﻨﺒﻴﻴﻥ‬ ‫ُ‬ ‫ﻟﻴﺱ ﻟﻪ ﺼﻭﻟﺠﺎﻥ ْ.‬ ‫............................‬ ‫ﻗﺩ ﻴﻘﺎل ﺍﺤﺘﻤﺎل ُ؛ ﻤﺭﻴﺽ ُ؛‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻴﻨﺴﺎﺏ؛ ﻴﺴﺭﺡ ﻓﻲ ﺍﻟﺨﻠﻕ ِ؛‬ ‫ﻴﺴﺨﺭ ﻤﻥ ﻤﻨﻁﻕ ِ ﺍﻟﻔﺭﺽ ِ؛ ﻭﺍﻟ ِﺭﺽ ِ؛‬ ‫ﻌ‬ ‫ﻭﺍﻟﻜﻠﻤﺎﺕ ﺍﺤﺘﻔﺎل ُ ﻟﻪ..‬ ‫ُ‬ ‫ﹸ‬ ‫ﺇ ﹼﻪ ُ ﺸﺎﻋﺭ ُ؛ ﺭﺍﻓﺽ ُ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺜﺎﺌﺭ ُ؛ ﻭﺒﺭﺉ ُ..‬ ‫ُ‬ ‫‪‬‬ ‫ﻭﻴﺭﻀﺦ ﻓﻲ ﺁﺨﺭ ِ ﺍﻷﻤﺭ ِ ﻟﻠﻜﺒﺕ ِ؛‬ ‫ﺃﺴﺭﺍﺭﻩ ﻓﻲ ﺍﻟﺒﻨﺎﺕ ِ ﺍﻟﻠﻭﺍﺘﻲ‬ ‫‪‬‬ ‫ﺍﺸﺘﻌﻠﻥ ﺍﺸﺘﻴﺎﻗﺎ ً‬ ‫ﻭﺃﻁﻔﺌﻥ ﻓﻲ ﺍﻟﻤﺎﺀ ِ ﹶﻀﺎ ً؛‬ ‫ﻏ‬ ‫ﻨﻌﻡ...‬ ‫ﺇ ﹼﻪ ﻴﺭﺘﺩﻱ ﺼﻤ ﹶﻪ ُ ﺍﻟﻤﺴﺘﻔﺯ..‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻨ‪‬‬ ‫-٩-‬
  • 11. ‫ﻴﻤﺘﻁﻲ ﺼﻬﻭﺓ َ ﺍﻟﺤﻠﻡ ِ؛ ﻭﺍﻟﻠﻴل؛‬ ‫ﻓﺎﻟﺤﻠﻡ ُ ﻭﺍﻟﻠﻴل ُ ﺃﺴﺭﻱ ﻟﺩﻴﻪ.!‬ ‫............................‬ ‫ﻟﻪ ﻓﻲ ﺍﻟﻘﻤﻴﺹ ِ؛‬ ‫ﻭﻓﻲ ﺍﻟﺤﻠﻡ ِ؛‬ ‫ﻭﺍﻟﺠﺏ ﺃﺴﻁﻭﺭﺓ ُ ُ..‬ ‫‪ ‬‬ ‫ﺇ ﱠﻪ ُ ﺍﻟﺴﻴﺩ؛ ﺍﻟﻤﺴﺘﺤﻴل ُ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺁﻤﻨﺎ ً ﻅل ﻓﻲ ﺴﺠ ِﻪ ِ..‬ ‫ﻨ‬ ‫ﻤﺴﺘﺤﻴﻼ ً؛ ﻭﻤﺴﺘﻌﺼﻴﺎ ً..‬ ‫ﻜﻴﻑ َ ﻴﺼﺒﺢ ‪‬ﺴﺘﻨﻔﺭﺍ ً ﻓﻲ ﺍﻨﺘﻅﺎﺭ ﺍﻟﻬﺯﻴﻤﺔ ِ؟‬ ‫ﻤ‬ ‫ﺃﻭ ﻜﺎﻟﻔﺭﻴﺴﺔ ِ‬ ‫ﺃﻭ ﻜﺎﻟﺠﺭﻴﻤﺔ ِ‬ ‫ﺃﻁﺭﺍ ﹸﻪ ُ ﻴﻨﻘﺼﻭﻥ؛ ﻭﺃﻋﻀﺎﺅﻩ ﻴﻀﻤﺭﻭﻥ..‬ ‫ﻓ‬ ‫ﻜﻴﻑ ﻴﻨﺘﺎﺒﻪ ﺍﻟﺭﻋﺏ؟‬ ‫‪‬‬ ‫ﻴﻬﺘﺎﺝ ﻤﺴﺘﻨﺠﺩﺍ ً ﻤﻥ ﻏﺩ ٍ؟!‬ ‫ﺃﻴﻥ ﻤﻨﻪ ﺍﻟﺫﺭﺍﻉ ﺍﻟﺘﻲ ﺤﻴﻥ ﺘﻤﺘﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﻁﻭﻱ ﺍﻟﻭﺸﺎﺡ ﺍﻟﻤﻁﺭﺯ ﺒﺎﻟﺠﻭﻉ ْ.؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻴﻥ ﺍﻟﺩﻤﺎﺀ ﺍﻟﺘﻲ‬ ‫ﺃﻨﺒﺘﺕ ﻓﻲ ﺍﻟﺭﻤﺎﺩ ِ ﺍﻟﺩﻤﻭﻉْ؟‬ ‫ﹾ‬ ‫ﻗﻴل : ﻜﺎﻥ ﻗﺩﻴﻤﺎ ً ﻟﻪ ﺨﺎﺘﻡ ُ‬ ‫‪ ‬‬ ‫َ‬ ‫ﺤﻴﻥ ﻴﺩﻋﻜﻪ‬ ‫ﻓﺎﻟﻜﻨﺎﻨﺔ ُ ﺒﻴﻥ ﻴﺩﻴﻪ ‪‬ﻁ ‪‬ﺯﺓ‬ ‫ﻤ ﺭ‬ ‫ﺒﺎﻟﺭﺠﺎل ﺍﻟﺩﺭﻭﻉ ْ.‬ ‫ِ‬ ‫............................‬ ‫ﺍﻟﻜﻨﺎﻨﺔ ُ؛ ﺘﺸﺤﺫ ﺘﺎﺭﻴﺨﻬﺎ‬ ‫ﻭﺘﺒﺩﺃ ُ ﻤﻥ ﺭﻗﺼﺔ ِ ﺍﻟﻁﻤﻲ؛‬ ‫ﻤﻥ ﺴﺠﺩﺓ ٍ ﺘﺤﺕ ﻋﺭﺵ ٍ‬ ‫- ٠١ -‬
  • 12. ‫ﻭﺘﻐﺴل ﻓﺴﺘﺎﻨﻬﺎ ﻤﻥ ﺭﻤﺎﺩ ِ ﺍﻷﺴﺎﻁﻴﺭ ِ‬ ‫ﺘﺭﻗﺹ..‬ ‫ﺘﻠﻙ ﺇﺫﻥ ﺭﻗﺼﺔ ُ ُ ﻤﺸﺘﻬﺎﺓ ُ ُ‬ ‫ْ‬ ‫ﻭﻤﻜﺘﻅﺔ ُ ُ ﺒﺎﻟﻭﺼﺎﻴﺎ‬ ‫– ﻋﺼﻴﺭ ﺍﻟﻤﻨﺎﻴﺎ –‬ ‫ﻭﻨﺨل ﺍﻟﻜﻨﺎﻨﺔ ِ ﻤﺴﺘﻨﻔﺭ ُ ُ؛ ﻨﺎﻓﺭ ُ ُ..‬ ‫ُ‬ ‫ﻭﺍﻟﻜﻨﺎﻨﺔ ُ؛ ﺒﻭﺍﺒﺔ ُ ُ ﻤﺸﺘﻬﺎﺓ ُ ُ ﻟﻜل ِ ﺼﻬﻴل ٍ؛‬ ‫ُ‬ ‫ﻭﻓﺴﻘﻴﺔ ُ ُ ﻤﻥ ﺩﻤﺎﺀ ﺯﻻل ٍ..‬ ‫ٍ‬ ‫ﻭﻤﺎﺀ ٍ ﻗﺭﺍﺡ.‬ ‫ْ‬ ‫ﻓﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ‬ ‫‪‬‬ ‫ﺃﺩﺭ..‬ ‫ْ‬ ‫ﻭﺍﺴﺘﺩﺭ..‬ ‫ْ‬ ‫ﻭﺍﺴﻘﻨﺎ..‬ ‫ﻭﺍﺭﻭ ﻋ ﹼﺎ..‬ ‫ﻨ‬ ‫ﻭﺜﻡ ﺍﺭﻭﻨﺎ..‬ ‫ﻭﺍﺭﻭ ﻜل ﻨﺨﻴل ِ ﺍﻟﺠﺯﻴﺭﺓ ِ‬ ‫َ‬ ‫ﺘﺤﺕ ﺴﻤﺎﺀ ِ ﺍﻟﺨﻠﻴﺞ ِ..‬ ‫ﻭ ‪‬ﺏ ْ ﺒﺎﻟﻨﺸﻴﺞ ِ؛‬ ‫ﺠ‬ ‫ﻭﺠﺩ ﺒﺎﻟﻔﺭﺍﺕ ْ.!!‬ ‫‪ْ‬‬ ‫............................‬ ‫ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻴﻨﺘﻤﻲ ﻟﻠﺒﺭﺍﺀﺓ ِ؛ ﻭﺍﻟﻀﺩ ِ..‬ ‫ﻫل ﺘﺤﺘﺴﻲ ﺨﻤﺭﺓ ً‬ ‫ﻤﻥ ﻜﺌﻭﻭﺱ ﺍﻟﻔﺠﻴﻌﺔ ِ؟‬ ‫ﺃﻡ ﺘﻜﺘﺴﻲ ﺤﱠﺔ ً‬ ‫‪‬ﻠ‬ ‫ﻤﻥ ﺜﻴﺎﺏ ِ ﺍﻟﺸﺭﻴﻌﺔ ِ؟‬ ‫ﻟﻴﺱ ﻟﻨﺎ ﻓﻲ ﺍﻟﻴﺴﺎﺭ ِ؛‬ ‫- ١١ -‬
  • 13. ‫ﻭﻻ ﻓﻲ ﺍﻟﻴﻤﻴﻥ ِ؛‬ ‫ﻭﻻ ﻓﻲ ﺍﻟﻭﻗﻴﻌﺔ ِ؛‬ ‫ﺃﻭ ﻓﻲ ﺍﻟ ِﺭﺍﻙ ِ ﺍﻟﻭﻀﻴﻌﺔ ِ؛‬ ‫ﺸ‬ ‫ﺴﻤﻭﻙ َ ﻤﺎﺀ َ ﺍﻟﺤﻴﺎﺓ ِ؛‬ ‫ﻭﻜﻨﻭﻙ َ ﻨﻬﺭ ﺍﻟﻐﻀﺏ.‬ ‫ْ‬ ‫‪‬‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﺎﺩﺏ ُ؛ ﺍﻟﻤﻨﺘﺩﺏ‬ ‫ْ‬ ‫ﺒﻠﺴﺎﻥ ِ ﺍﻟﻌﺭﺏ ْ.‬ ‫- ٢١ -‬
  • 14. ‫ﻤﻥ ﺃﻗﻭﺍل ِ ﺍﻟﺴ ‪‬ﺩ ِ ﺍﻟﻤﺴﺘﺤﻴل‬ ‫ﻴ‬ ‫)١(‬ ‫ﻤﺎﺜل ُ ُ؛ ﻓﻭﻕ ﻗﻴﻅ ِ ﺍﻟﺠﻨﻭﻥ ِ‬ ‫ﹶ‬ ‫- ﺠﻨﻭﻥ ِ ﺍﻟﺒﺭﺍﻴﺎ –‬ ‫ﻴﺩﻱ ﻓﻭﻕ َ ﻨﺒﻀﻲ؛‬ ‫ﺃﺩﺍﻋﺏ ﺠﻤﺭﺓ َ ﺭﻭﺤﻲ؛‬ ‫ﺃﻭ ﱢﻊ ﻟﻼﻨﺘﻔﺎﻀﺔ ِ ﻟﺤ ﱠﺎ ً..‬ ‫ﻨ‬ ‫ﻗ‬ ‫ﻭﺃﺸﺭﺏ ﻨﺨﺒﺎ ً ﹸﺭﺍﺘﺎ ً..‬ ‫ﻓ‬ ‫ﻭﺃﺸﻌل ﻓﻲ ﻤﻠﻜﻭﺕ ِ ﻴﺩﻱ ﱠ ﻭﺭﻴﺩﺍ ً..‬ ‫ﺃﻤ ‪..‬‬ ‫‪‬ﺭ‬ ‫ﻭﻤﻥ ﺒﻴﻥ ِ ﻫﺫﻱ ﺍﻟﺒﺴﻴﻁﺔ ِ ﺃﻫﻤﻲ‬ ‫ﻓﺘﺭﺘﺞ ﺘﺤﺘﻲ..‬ ‫ﹼ‪‬‬ ‫ﻭﺃﻁﺭﻕ ﻓﻴﻬﺎ ﺍﻟﻐﻭﺍﺌل َ‬ ‫ﺤﺘﻰ ﺘﺼﻴﺭ ﻓﺭﺍﺩﻴﺱ‬ ‫‪‬‬ ‫ﺒﺎﻷﻤﺭ ِ..‬ ‫ﻴﺫﻋﻥ ﺠﻭﻉ ُ؛ ﻭﻴﻤﻀﻲ ﺃﻟﻴﻔﺎ..‬ ‫‪‬‬ ‫ﻭﻴﺒﺼﺭ ﺒﻌﺽ ﺍﻟﻨﺨﻴل ِ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻜﺎﻥ ﻴﻭﻤﺎ ً ﻜﻔﻴﻔﺎ..‬ ‫ﻭﻋﻤﺩﺍ ً..‬ ‫ﺃﺩﺍﻫﻡ ﺒﻴﺩﺍ ً..‬ ‫ﻭﻤﻥ ﺨﻠﻑ ِ ﺴﺩﺭﺓ ِ ﻗﻴﻅ ِ ﺍﻟﺠﻨﻭﻥ ِ‬ ‫ﺃ ُﺴ ‪‬ﺏ ﺼﺒﺤﺎ ً..‬ ‫ﺭ‬ ‫ﻭﺃﻨﻔﺦ ﻓﻲ ﻗﺎﻤﺔ ِ ﺍﻟﺼﺒﺢ ِ ﻁﻼ ً..‬ ‫َﹶ ‪‬‬ ‫ﺃﻤ ‪..ُ ‬‬ ‫‪‬ﺭ‬ ‫ﻭﻤﻥ ﺒﻴﻥ ﻫﺫﻱ ﺍﻟﺒﺴﻴﻁﺔ ِ؛ ﺃﻫﻤﻲ‬ ‫ﻭﻻ ﺸﺊ َ ﻓﻲ َ ﺴﻭﺍﻫﺎ..‬ ‫‪‬‬ ‫ﻭﻻ ﺸﺊ َ ﻓﻴﻬﺎ ﺴﻭﺍﻱ َ.‬ ‫- ٣١ -‬
  • 15. ‫)٢(‬ ‫ﺒﺎﺤﺙ ُ ُ ﻋﻨﻙ ِ ﻓﻴﻙ ِ‬ ‫ﻭﻋﻨﻲ ﻟﺩﻴﻙ ِ‬ ‫ﻓﺈ ‪‬ﺎ ﻨﺘﻭﺭﺩ ﻨﺒﻊ ُ ُ‬ ‫ﻤ‬ ‫ﻓﻤﻥ ﻤﻠﻜﻭﺕ ِ ﻴﺩﻴﻙ ِ‬ ‫ﺇﻟﻲ ﻤﻠﻜﻭﺕ ِ ﻴﺩﻴﻙ ِ‬ ‫ﻓﺄﻨﺕ ِ ﺍﻟﺘﻲ ﺼﻬﻠﺔ ُ ُ ﻜﺎﻟﺴﺅﺍل ِ‬ ‫ﻭﺃﻨﺕ ِ ﺍﻟﺘﻲ ﺸﻬﻘﺔ ُ ُ ﻜﺎﻟﻤﺤﺎل ِ‬ ‫ﻭﻓ ‪‬ﺍﻋﺔ ُ ُ؛ ﺃﺤﺭﻗﺕ ﻨﻔﺴﻬﺎ‬ ‫ﹾ‬ ‫ﺯ‬ ‫ﻟﺘﻤﺭ ﺍﻟﻁﻴﻭﺭ ُ ﺇﻟﻲ ﺍﻟﻀﻔﺔ ِ ﺍﻟﻤﺸﺘﻬﺎﺓ ِ‬ ‫‪‬‬ ‫ﻓﻜﻴﻑ ﺘﻐﻴﺒﻴﻥ ﻓﻲ ﺭﻫﺒﻭﻁ ِ ﺍﻟﻤﺭﺍﻴﺎ؟‬ ‫ﻭﻟﻴﺴﺕ ﺨﻁﺎﻴﺎﻙ ِ ﻤﺜل ﺍﻟﺨﻁﺎﻴﺎ !!‬ ‫ﹾ‬ ‫ﺭ ‪‬ﻤﺎ ﺘﻨﺜﻨﻴﻥ ﻗﻠﻴﻼ ً‬ ‫ﺒ‬ ‫ﻟﻜﻴﻤﺎ ﺘﻤﺭ ّ ُ ﺍﻟﺭﻴﺎﺡ ُ؛‬ ‫ﻭﺘﻨﺴﻲ ﺍﻟﺴﻤﺎﺀ ُ ﺃﺒﺎﺒﻴﻠﻬﺎ‬ ‫ﺇﻨﻬﺎ..‬ ‫ﻗﺎﻴﻀﺘﻨﻲ ﺍﻟﺼﻘﻴﻊ َ ﺒﺩﻤﻌﺔ ِ ﻏﻴﻡ ٍ‬ ‫ﻭﻫﺫﺍ ﺩﻤﻲ ِﺩﺭﺓ ُ ُ ﻓﻲ ﺍﻟﺠﻨﻭﺏ ِ‬ ‫ﺴ‬ ‫ﻭﻤﻨﻔﺎﻱ َ..‬ ‫ﻫﺫﺍ ﺍﻟﺒﺭﺍﺡ ُ؛ ﺍﻟ ‪‬ﺘﺎﺡ ْ.‬ ‫ﻤ‬ ‫............................‬ ‫)٣(‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ..‬ ‫‪‬‬ ‫ﺍﻟﺒﺴﻴﻁ ُ؛ ﺍﻟﺠﻤﻴل ُ..‬ ‫ﺍﻟﺫﻱ ﺤﻴﻥ ﻴﻐﺸﻲ ﺍﻟﺴﻼﻡ ُ ﺍﻟﺴﻼﻡ ُ..‬ ‫ﺃﻟﻤﻠﻡ ﻀﻌﻔﻙ ِ ﻤﻥ ﺼﺎﻓﻨﺎﺕ ِ ﺍﻟﻐﻴﻭﻡ ِ‬ ‫ﻭﺁﺘﻴﻙ ِ ﺸﻬﺩﺍ..‬ ‫- ٤١ -‬
  • 16. ‫ﺴﻼﻤﺎ ً؛ ﻭﺒﺭﺩﺍ..‬ ‫ﻭﺃﻨﺕ ِ ﺘﻘﻭﻤﻴﻥ َ ﻤﻥ ﻤﻬﺠﺘﻲ‬ ‫ﻨﺒﻀﺔ ُ ُ؛ ﻭﻤﻀﺔ ُ ُ‬ ‫ﻭﻤﻀﺔ ُ ُ؛ ﻨﺒﻀﺔ ُ ُ..‬ ‫ﻓﻬل ﺘﺭﻜﻨﻴﻥ َ ﻟﻁﻘﺱ ِ ﺍﻟﺒﻜﺎﺀ ْ؟ !‬ ‫............................‬ ‫)٤(‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ُ..‬ ‫‪‬‬ ‫ﺍﻟﻜﺜﻴﺭ ُ؛ ﺍﻟﻘﻠﻴل ُ..‬ ‫ﺘﻭﺴﺩﺕ ﺼﺩﺭ َ ﺍﻟﺘﻲ ﺃ ُﺭﻀﻌﺕ ْ‬ ‫ﻤﻥ ﻨﻤﻴﺭ ِ ﺍﻟﺯﻤﺎﻥ ِ ﺍﻟﺒﺭﺉ ِ‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﻓﻲ ﺍﻟﺯﻤﺎﻥ ِ ﻁﻘﻭﺱ ُ ُ؛‬ ‫ﻭﺤﻠﻡ ُ ُ؛‬ ‫ﻭﻭﻫﻡ ُ ُ؛‬ ‫ﻭﺘﻬﻭﻴﻤﺔ ُ ُ؛‬ ‫ﻭﺃﻓﺭﺍﺡ ﻁﻔل ٍ ﺘﻭﺍﻟﺕ..‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺘﻭﻟﺕ ْ..‬ ‫ﺘﺩﺍﻋﺕ ْ..‬ ‫ﺘﺨﻠﺕ ْ..‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﻤﻭﺴﻡ ُ ُ ﻟﻐﻨﺎﺀ ِ ﺍﻟﺒﻜﺎﺀ ِ‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﻤﻭﺴﻡ ُ ُ ﻟﺒﻜﺎﺀ ِ ﺍﻟﻐﻨﺎﺀ ِ‬ ‫ﻭﻜﺎﻥ ﻟﻨﺎ ﺠﺫﻭﺓ ُ ُ ﻟﻠﺩﻓﺎﺀﺓ ِ‬ ‫ﺃﻭ ﹸﻌﻠﺔ ُ ُ ﻟﻺﻀﺎﺀﺓ ِ‬ ‫ﺸ‬ ‫ﺃﻭ ﻓﺭﺼﺔ ُ ُ ﻻﺨﺘﻴﺎﺭ ِ ﺍﻟﻤﻭﺍﻗﻴﺕ ﻜﻴﻑ ﻨﺸﺎﺀ ُ..‬ ‫ﻭﺃﺒﺫﺭ ﺒﻴﻥ ﻴﺩﻴﻙ ِ ﺍﻟﺴﻌﺎﺩﺓ َ‬ ‫ﺃﻨﻘﺵ ﻀﺤﻙ َ ﺍﻟﻁﻔﻭﻟﺔ ِ‬ ‫ﺃﺤﻠﺏ ﹸﻬﺭﺍ ً‬ ‫ﻁ‬ ‫- ٥١ -‬
  • 17. ‫ﻭﻋﻁﺭﺍ ً ﻴﺠﻠﺠل ﻓﻲ ﻤﻨﻜﺒﻴﻙ ِ..؛‬ ‫ﻭﻜﻨﺕ ِ ﺘﺼﺒﻴﻥ ﻟﻭﻥ َ ﺍﻟﺒﺭﺍﺀﺓ ِ ﻓﻲ ﺸﻘﻭﺘﻲ..‬ ‫ﺘﻘﻭﻟﻴﻥ : ﻫﺏ ﻟﻲ ِﺭﺍﻋﺎ ً‬ ‫ﺸ‬ ‫ﻟﻜﻲ ﻴﺭﻋﻭﻱ ﻓﻭﻕ ﺼﺩﺭﻱ ﺍﻟﺠﻤﻭﺡ..‬ ‫ﻭﻫﺏ ﻟﻲ ﻨﺩﺍﺀ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﺘﺭﺘﻭﻱ ﺯﻨﺒﻘﺎﺕ ﺍﻟﻴﻘﻴﻥ ِ..‬ ‫ﹸ‬ ‫ﺘﻘﻭﻟﻴﻥ : ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ‬ ‫‪ْ‬‬ ‫ﻗﺩ ﻴﻘﻴﺩ ﺼﺤﻭﻱ؟!‬ ‫ﻭﻤﻥ ﺫﺍ ﺍﻟﺫﻱ‬ ‫‪ْ‬‬ ‫ﻗﺩ ﻴﻘﺭﺭ ﻤﻭﺘﻲ؟!‬ ‫ﻭﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻗﺩ ﻴﻔ ‪‬ﺭ ﻓﺠﺭﺍ ً ﺒﺯﻨﺩﻱ؟!‬ ‫ﺠ‬ ‫‪ْ‬‬ ‫ﺃﻗﻭل :‬ ‫ُ‬ ‫ﺃﻨﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺴﺘﺤﻴل ﺍﻟﺫﻱ‬ ‫ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺩﻤﻲ ﻟﻔﻤﻲ ﺒﺭﺯﺥ ُ ُ ﻴﺼﻁﻔﻴﻙ ِ‬ ‫ﻭﻴﻤﺘﺩ ﺨﺼ ‪‬ﻙ ِ ﻤﻥ ﺩﺍﺨﻠﻲ..‬ ‫ﺒ‬ ‫ﺃﻨﺎ ﺠﺫ ‪‬ﻙ ِ..‬ ‫ﺭ‬ ‫ﻤﻥ ﺩﻤﻲ؛ ﻟﻔﻤﻲ؛‬ ‫ﺘﺩﺭﻋﺕ ﺒﺎﻟﺼﺤﻭ ِ..‬ ‫ﻟﻲ ﻗﺎﻤﺔ ُ ُ ﻁﻔﻠﺔ ُ ُ‬ ‫ﻭﻟﻲ ﻫﺎﺠﺱ ُ ُ ﻜﺎﻟﺴﺤﺎﺏ ِ ﺍﻟﻤﻌﺘﻕ ِ..‬ ‫ﺭﻋﺩ ُ..‬ ‫‪‬‬ ‫ﻴﻤ ‪ ‬ﻋﻠﻲ ﻏﺎﺒﺔ ِ ﺍﻟﺼﺎﻤﺘﻴﻥ‬ ‫‪‬ﺭ‬ ‫ﻭﺒﺭﻕ ُ ﻋﻠﻲ ﺸﻔﺔ ِ ﺍﻟﻘﺎﺩﻤﻴﻥ..‬ ‫ﹸ‬ ‫ﺃﻨﺎ ﺠﺫﻭﺓ ُ ﺍﻟﻔﺠﺭ ِ ﻓﻲ ﻟﻴﻠﻙ ﺍﻟﻠﻴﻠﻜﻲ..‬ ‫ﺤﺭﺍﻡ ُ ﻋﻠﻲ ﺍﻟﻜل ﻓﻴﻙ ِ ﺍﻗﺘﺭﺍﻑ ﺍﻟﻜﻼﻡ ِ‬ ‫‪‬‬ ‫ﻭﻟﻴﺱ ﺤﺭﺍﻡ ُ ﻋﻠﻲ...‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﺤﺎﻜﻴﻙ ِ ﺒﺎﻟﺭﻭﺡ ِ‬ ‫- ٦١ -‬
  • 18. ‫- ﺁﺨﺭ ﻤﺎ ﻗﺩ ﺃﻟﻭﺫ ﺒﻪ –‬ ‫ﻭﺃﻁﺭﺡ ﺃﺘﺭﺍﺤﻨﺎ ﻓﻲ ﺍﻟﺯﻤﺎﻥ ﺍﻟﺼﻤﻭﺕ‬ ‫ﻭﺃﺴﺭﻱ ﺇﻟﻲ ﺒﺅﺭﺓ ِ ﺍﻟﻤﻠﻜﻭﺕ ِ‬ ‫ﻫﻨﺎﻟﻙ ﻓﻲ ﺍﻷﻓﻕ ﺍﻟﺴﺭﻤﺩﻱ..‬ ‫ُﻀ ‪‬ﺩ ﺃﺸﻼﺀ ﻭﻗﺘﻙ ِ‬ ‫ﺃ ﻤ‬ ‫ﺃﻫﺩﻴﻙ ِ ﻗﻠﺏ ‪‬ﻼﻙ ٍ‬ ‫‪‬ﻤ‬ ‫ﺒﺼﺩﺭ ِ ﻨﺒﻲ.‬ ‫............................‬ ‫)٥(‬ ‫ﺇ ﹼﻪ ﺍﻟﻔﺠﺭ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻨ‪‬‬ ‫ﻗﺩ ﺘﺭﺠل ﻓﻴﻪ ﺍﻟﻨﺩﻱ؛‬ ‫‪َ‬‬ ‫ﻭﺘﺨ ‪‬ﺏ ﻓﻴﻪ ﺍﻟﻜﻼﻡ؛ ﺒﺸﺩﻭ ﺍﻟﻌﺼﺎﻓﻴﺭ ِ..‬ ‫ِ‬ ‫‪‬‬ ‫ﺼ‬ ‫ﻭﺍﺨﻀﺭ ﺼﻤﺕ ﺍﻟﺭﻏﺎﺌﺏ ِ ﺒﺎﻟﻔﻌل ِ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻗﻭﻤﻲ ﺇﺫﻥ..‬ ‫ْ‬ ‫ﻨﻨﺘﺨﺏ ﻤﻭﺴﻤﺎ ً ﻟﻠﺒﺩﺍﻴﺔ ِ‬ ‫ﻤﻥ ﺁﺨﺭ ﺍﻟﺠﺭﺡ..‬ ‫ﻤﻥ ﻗﺎﻉ ِ ﺃﻭﺠﺎﻋﻨﺎ‬ ‫ﺇﻟﻲ ﺃﻭل ِ ﺍﻟﻔﺭﺡ ِ..‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﺘﺴﺘﻔﻴﻕ ﺍﻟﺒﻼﺩ ﺍﻟﺘﻲ ﻀﺎﺠﻌﺕ ﻗﺎﺘﻠﻴﻬﺎ..‬ ‫‪‬‬ ‫ﺒ‬ ‫ﻭﺘﺼﺤﻭ ﺍﻟﻔﻴﺎﻓﻲ؛ ﺘﻔﺘﺵ ﺃﻁﺭﺍﻓﻬﺎ‬ ‫ﻭﺘﻨﻔﺽ ﻋﻨﻬﺎ ﻤﻊ ﺍﻟﻔﺠﺭ ِ‬ ‫ﻫﺫﺍ ﺍﻟﺴﺭﺍﺏ ْ.‬ ‫............................‬ ‫- ٧١ -‬
  • 19. ‫ﻤﻥ ﺃﻗﻭﺍل ﺍﻟﻜﻨﺎﻨﺔ..‬ ‫)١(‬ ‫ﺇﺫﻥ..‬ ‫ْ‬ ‫ﺃﻨﺕ ﻓﻲ ﺤﻀﺭﺓ ِ ﺍﻟ ِﻌﺭ..‬ ‫ﺸ‬ ‫ﹶ‬ ‫ﺘﺤﺕ ﻓﻀﺎﺀ ﺍﻟﺒﻼﻏﺔ ِ؛‬ ‫ﻓﻲ ﺒﺅﺒﺅ ِ ﺍﻟﺩﻫﺸﺔ ِ ﺍﻟﻤﺸﺭﺌﺒﺔ ِ؛‬ ‫ﻫ ‪‬ﺎ ﺘﻜﻠﻡ.‬ ‫ْ‬ ‫ﻴ‬ ‫ﺃﻴﻬﺎ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺘﻭﺯﻉ ﺒﻴﻥ ﺍﻟﻌﺼﻭﺭ ِ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻤﺜﻘل ُ ﺒﺎﻟﺨ ‪‬ﺎﺭ ِ؛‬ ‫ﹶﻀ‬ ‫ُ‬ ‫ﻭﺒﺎﻟﺩﻡ ِ...‬ ‫ﻓﻲ ﺍﻟﻘﻠﺏ ِ ﺒﻌﺽ ﹸﺒﺎﺭ ٍ ﻤﻥ ﺍﻟﺤﺯﻥ ِ‬ ‫‪‬ﻏ‬ ‫ﺇﻥ ﺍﻟﻭﺠﻭﻩ ﺍﻟﺼﺩﻴﻘﺔ‬ ‫ﺇﺫ ﺘﺘﺒﺎﻋﺩ‬ ‫ﻜﻴﻑ ﺴﺄﺭﺘﺎﺩ ﻤﻘﻬﻲ ﺍﻷﺤﺒﺔ ِ؟‬ ‫ﺃﺴﺄل ﻋﻥ ﺃﺼﺩﻗﺎﺌﻲ ﺍﻟﺒﺴﺎﺘﻴﻥ؟‬ ‫ﺃﻨﺕ َ ﻜﺘﺎﺏ ﺍﻟﻤﺴﻴﺭﺓ ِ؛‬ ‫‪‬‬ ‫ﺘﺭﺘﺠل ﺍﻟﻤﺩﻥ َ ﺍﻟﻤﺼﻁﻔﺎﺓ؛‬ ‫ﻭﺘﺠﺘﺎﺯ ﺼﻤﺕ َ ﺍﻟﺼﺤﺎﺭﻱ؛‬ ‫ﻭﺘﻨﻁﻕ ﻗﻤﺤﺎ ً..‬ ‫ﻓﻬﻼ ّ ﻋﺒﺭﺕ ﺍﻟﻁﺭﻴﻕ َ‬ ‫ﻤﻥ ﺍﻟﺤﺭﺏ ِ؛‬ ‫ﻟﻠﺤﺏ ِ؛‬ ‫ﻟﻸﻏﻨﻴﺎﺕ ِ ﺍﻟﺠﻤﻴﻠﺔ؟‬ ‫ﻫﻼ ﻗﺼﺼﺕ ﺍﻟﺸﺭﻴﻁ‬ ‫ﹶ‬ ‫ﹼ‬ ‫ﻟﻤﻭﺴﻡ ﺃﻓﺭﺍﺤﻨﺎ ﺍﻟﻤﺘﻭﻗﻊ؟‬ ‫ﺃﻨﺕ َ ﺍﻟﺫﻱ ﺒﺎﺨﻊ ُ ﻨﻔﺴﻙ َ ﺍﻟﻤﺴﺘﺭﻴﺒﺔ َ‬ ‫‪‬‬ ‫- ٨١ -‬
  • 20. ‫ﺒﺎﻟﺭﺍﺤﻠﻴﻥ؛ ﻭﺒﺎﻟﺠﺎﺜﻤﻴﻥ‬ ‫ﻓﻼ ﺘﻌﺩ ﻋﻴﻨﺎﻙ َ ﻋﻨﻬﻡ‬ ‫‪‬‬ ‫ﻭﻻ ﺘﺼﺩﻉ ﺍﻵﻥ ﻟﻠﺼﻤﺕ ِ‬ ‫ﻓﺎﻟﺼﻤﺕ ﻤ ّ ُ..‬ ‫ﹸ ‪‬‬ ‫ﺭ‬ ‫ﺴﻴﺸﺘﻌل ﺍﻟﻌﺸﺏ ﺸﻴﺒﺎ ً‬ ‫‪‬‬ ‫ﻭﺘﻨﺴﻲ ﺍﻟﺠﺭﻭﻑ ﺍﺒﺘﺴﺎﻤﺎﺘﻬﺎ‬ ‫ﹸ‬ ‫ﻭﻟﻨﺎ ‪‬ﻤﺭﺓ ُ ُ‬ ‫ﺴ‬ ‫ﻓﻲ ﻋﻴﻭﻥ ﺍﻟﺒﻨﺎﺕ ﺍﻟﻭﻀﻴﺌﺎﺕ ِ‬ ‫ﻟﻨﺎ ‪‬ﻤﺭﺓ ُ ُ‬ ‫ﺴ‬ ‫ﻓﻭﻕ ﺠﻠﺩ ﺍﻟﺸﺒﺎﺏ ﺍﻟﻔﺘﻭﺓ..‬ ‫ﻻ ﺘﺘﺭﻙ ﺍﻟﻌﺸﺏ..‬ ‫‪‬‬ ‫ﻴﻨﺴﻲ ﺍﺒﺘﺴﺎﻤﺔ ِ ﻟﻬﻭ ﺍﻟﻁﻔﻭﻟﺔ..‬ ‫ﺇﻨﻙ َ ﺇﻥ ﺘﺼﺩﻉ ﺍﻵﻥ ﻟﻠﺼﻤﺕ ِ‬ ‫ﻓﺎﻟﺼﻤﺕ ُ ‪‬ﺭ ّ ُ..‬ ‫ﻤ‬ ‫ﻭﻫﺫﻱ ﻜﻨﺎﻨﺔ ﻗﻠﺒﻙ َ‬ ‫ﻤﺜل ﺍﻟﻐﺯﺍﻟﺔ؛ ﺘﺭﻗﺹ‬ ‫‪‬‬ ‫ﺃﻭ ﺘﺘﻘﺎﻓﺯ ﺒﻴﻥ ﻴﺩﻴﻙ َ..‬ ‫ﻟﻬﺎ ﹸﻀﺭﺓ ُ ُ؛ ﺤ ‪‬ﺓ ُ ُ؛‬ ‫‪‬ﺭ‬ ‫ﺨ‬ ‫ﻭﻤﺜﻘﻠﺔ ُ ُ ﺒﺎﻟﻜﻼﻡ ِ ﺍﻟﺜﻘﻴل ِ..‬ ‫ﻭﻫﺫﻱ ﻋﺸﻴﺭﺘﻬﺎ ﺍﻷﻗﺭﺒﻭﻥ؛ ﻴﻀﻴﻌﻭﻥ‬ ‫- ﺇﻻ ﻗﻠﻴﻼ –‬ ‫ﹼ‬ ‫ﻭﻻﻴﻘﺭﺅﻭﻨﻙ َ؛ ﺃﻭ ﻴﻜﺘﺒﻭﻨﻙ َ‬ ‫‪‬‬ ‫- ﺇﻻ ﻗﻠﻴﻼ –‬ ‫ﹼ‬ ‫ﺘﻜﻠﻡ ﺇﺫﻥ..‬ ‫ْ ْ‬ ‫ﻓﺎﻟﺠﻭﺍﺭﺡ.. ﺘﺭﻨﻭ ﻟﻬﺫﺍ ﺍﻟﺤﻤﺎﻡ ﺍﻟﻤﻁ ‪‬ﻕ‬ ‫ﻭ‬ ‫‪‬‬ ‫ﺒﺎﻟﺨﺎﺘﻡ ِ ﺍﻟﻌﺎﺌﻠﻲ ﺍﻟﻘﺩﻴﻡ ِ..‬ ‫ﺘﻜﻠﻡ..‬ ‫ﹼْ‬ ‫- ٩١ -‬
  • 21. ‫ﻜﻔﻲ ﺍﷲ ﻴﺸﻬﺩ‬ ‫ُ‬ ‫ﺃﻨﻙ َ ﺘﺼﺒﺭ ﺼﺒﺭﺍ ً ﺠﻤﻴﻼ..‬ ‫............................‬ ‫)٢(‬ ‫ﺒﻴﻥ ﻭﺠﻬﻲ؛ ﻭﻭﺠﻬﻙ‬ ‫‪‬‬ ‫ﺒﻌﺽ ﺍﻟﺘﺒﺎﺭﻴﺢ ِ؛‬ ‫‪‬‬ ‫ﺒﻌﺽ ﺍﻟﺘﺼﺎﺭﻴﺢ ِ..‬ ‫‪‬‬ ‫ﺃﻨﺕ َ ﺍﻟﺫﻱ ﺴﺎﺩﺭ ُ ﻓﻲ ﺸﺭﺍﻴﻴﻥ ﻗﻠﺒﻲ ﻭﺤﻴﺩﺍ ً..‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻨﺒﻌﺎﺜﺎﺕ ﺤﻠﻤﻲ‬ ‫ﹸ‬ ‫ﻭﺃﻨﺕ َ ﺍﺤﺘﺩﺍﻡ ﺍﻟﻘﻭﺍﻓﻲ ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫‪‬‬ ‫ﺃﻨﺕ َ ﺍﻟﻜﻼﻡ ﺍﻟﺒﺼﻴﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻨﺘﺼﺎﺭ ﺍﻹﺠﺎﺒﺎﺕ ﻓﻲ ﺴﺎﺤﺔ ِ ﺍﻷﺴﺌﻠﺔ‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﻓﻲ ﺴﻭﺍﺩ ﺍﻟﻠﻴﺎﻟﻲ ﺸﻤﻭﻋﻲ‬ ‫ﻭﺘﺴﺘل ﺠﻭﻋﻲ..‬ ‫ﺘﻌﻴﺩ ﺇﻟﻲ ﺍﻟﻭﻗﺕ ﺃﻋﺭﺍ ‪‬ﻪ ُ..‬ ‫ﺴ‬ ‫ﻭﻜل ﺍﻟﻁﻴﻭﺭ ِ ﺘﻔﺭ ُ‬ ‫ِ‪‬‬ ‫ُ‬ ‫ﺇﺫﺍ ﻤﺎ ﺘﻁﺎﻭل ﺠﺩ ‪‬ﻙ َ ﻓﻲ ﺸﺭﻓﺎﺘﻲ‬ ‫ﺒ‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﺘﺸﺭﻉ ﺍﻟﻘﻠﺏ ﺒﻭﺍﺒﺔ ً‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﻭﺍﻓﺫ ﺃﻟﻑ ﺴﻤﺎﺀ ٍ..‬ ‫ﹶ‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﺴﺎﻫﻡ ُ ﻓﻲ ﺨﻴﺎﻟﻲ..‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﺫﺍﻫل ُ ُ ﻻ ﻴﺒﺎﻟﻲ..‬ ‫ﻭﺃﻨﺕ ﺍﻟﺫﻱ ﺘﻠﺘﻘﻴﻨﻲ؛ ﺇﺫﺍ ﺘﻘﺘﻔﻴﻨﻲ‬ ‫ﹶ‬ ‫ﻭﺃﻟﻘﺎﻙ َ ﺒﻭﺤﺎ ً ﺒﺒﻭﺡ ٍ‬ ‫ﻭﺼﻤﺘﺎ ً؛ ﺒﺼﻤﺕ ٍ..‬ ‫ﺘﻜﻴل ﻟﻌﻴﻨﻲ ﺒﻌﺽ َ ﺍﻟﺸﺭﻭﺩ ِ‬ ‫‪‬‬ ‫ﺃﻜﻴل ﻟﻌﻴﻨﻴﻙ َ‬ ‫ﻜل ﺍﻋﺘﻴﺎﺩﻱ ﻋﻠﻴﻙ َ..‬ ‫َ‬ ‫- ٠٢ -‬
  • 22. ‫ﻭﺃﻫﺩﻴﻙ َ ﻓﻲ ﺍﻟﺼﺤﻭ ﻓﺭﺤﻲ؛‬ ‫ﻭﺃﻫﺩﻴﻙ َ ﻓﻲ ﺍﻟﻨﻭﻡ ِ ﻏﻴﺒﻭﺒﺘﻲ.‬ ‫............................‬ ‫)٣(‬ ‫ﻴﺎ ﺃﻨﺕ َ..‬ ‫ﺴﺭﻭﺓ ُ ﻋﺸﻘﻨﺎ‬ ‫ﻭﻴﺩﺍﻙ َ ﻤﻥ ﻗﻤﺢ ٍ؛‬ ‫ﻭﻤﻥ ﻁﻠﺢ ٍ‬ ‫ﻭﺘﺠﻬﺵ ﺒﺎﻟﺤﺼﺎﺩ.‬ ‫ﺘﺠﺊ ﻤﻥ ﻓﺭﺡ ﺍﻟﺘﺭﺍﺏ ِ‬ ‫ﻭﻨﺤﻥ ﺤﻭﻟﻙ َ ﻁﻴﺒﻭﻥ؛‬ ‫ﻭﺴﺎﻤﻘﻭﻥ..‬ ‫ﺍﺨﻔﺽ ﺤﻨﺎﺡ ﺍﻟﺤ ‪ِ ‬‬ ‫‪ ‬ﺏ‬ ‫ﺘﺸﺘﻌل ﺍﻟﺒﻼﺩ ﻗﺼﺎﺌﺩﺍ ﺨﻀﺭﺍﺀ َ‬ ‫ﹰ‬ ‫ً‬ ‫‪‬‬ ‫ﺘﺨﻀﺭ ُ ﺍﻟﺒﻁﻭﻥ.‬ ‫ْ‬ ‫‪‬‬ ‫............................‬ ‫- ١٢ -‬
  • 23. ‫ﺤﺩﻴﺙ ُﻋﺎﺒﺭ.. ﺇﻟﻲ ﺸﺎﻋﺭ ِﺴﺒﻴل‬ ‫ٌ‬ ‫ﹸ‬ ‫ﻤﺤﻤﻭﺩ..‬ ‫‪‬‬ ‫ﺘﺒﺤﺙ ﻓﻲ ﻜ ‪‬ﺓ ِ ﺍﻟﺼﻤﺕ‬ ‫ِ‬ ‫ﻭ‬ ‫- ﻫﺫﺍ ﺍﻟﺴﻜﻭﻥ ﺍﻟﺴﺩﻴﺩ‬ ‫ﺍﻟﺫﻱ ﻴﻐﺴل ﺍﻟﻘﻠﺏ -‬ ‫‪‬‬ ‫ﻋﻥ ﻟﻐﺔ ٍ ‪‬ﺤﺜﺭﺕ * ﻗﺎﺏ ﺼﺒﺭﻴﻥ..‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺒ‬ ‫ﻭﺘﺒﺤﺙ ﻓﻲ ﺘﹼﺔ ِ ﺍﻟﺭﻤل ِ‬ ‫ﻠ‬ ‫ﻋﻥ ﹸﺘﺏ ٍ ‪‬ﻠﻠﺕ ﻤﻨﺫ ﺩﻫﺭﻴﻥ..‬ ‫ﻀ ﹾ‬ ‫ﻜ‬ ‫ﺒﻴﻥ ﺍﻟﻜﺘﺎﺘﻴﺏ ِ‬ ‫- ﻓﻲ ﻗﺎﻉ ِ ﺘﻠﻙ ﺍﻟﻘﺭﻯ‬ ‫ِ‬ ‫ﻤﻥ ﺠﻨﻭﺏ ﺍﻟﺠﻨﻭﺏ ِ-..‬ ‫ﻭﺒﻴﻥ ﺍﻟﺘﻭﺍﺒﻴﺕ؛‬ ‫ِ‬ ‫ﺒﻴﻥ ﺍﻟﺘﺼﺎﻭﻴﺭ؛‬ ‫ِ‬ ‫ﺘﺒﺤﺙ‬ ‫ﹸ‬ ‫ﻴﺎ ﺭ ‪ ‬ﺒﺭﺩﻴﺔ ٍ ﺃﻓﻠﺘﺕ‬ ‫ﹾ‬ ‫‪‬ﺏ‬ ‫ﻤﻥ ﻗﻭﺍﺭﺽ ِ ﺠﻴﺵ ﺍﻟﺴﻨﻴﻥ / ﺍﻟﻤﻭﺍﻀﻎ /..‬ ‫ﻫل ﺘﺘﺴﻠﻲ ﻗﻠﻴﻼ ً‬ ‫ﺒﺘﺭﺘﻴﺏ ﺒﻌﺽ ﺍﻟﺤﻜﺎﻴﺎ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﺘﺤﺕ ﻅﻼل ﺍﻷﺤﺎﺠﻲ؟‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﺠﻌل ﺍﻟﺼﻤﺕ ﺒﺎﻟﻭﻨﺔ ً‬ ‫ﹶ‬ ‫ﺜﻡ ﺘﻨﻔﺙ ِﻌﺭ ﺍﻟ ‪‬ﻨﺨل؛‬ ‫ﻤ‬ ‫ﺸ‬ ‫ﻭﺍﺒﻥ ﺍﻟﻤﻠ ‪‬ﺡ..‬ ‫ﻭ‬ ‫ﻴﺎ ﺭ ‪‬ﻤﺎ ﺴﺤﻨﺔ ُ ُ ﻗﺩ ﺘﻌﺭﺕ ﻤﻥ ﺍﻟﻜﺫﺏ ِ‬ ‫ﹾ‬ ‫ﺒ‬ ‫- ﺼﺎﺩﻓﺘﻬﺎ ﺨﺒﻁ ﻋﺸﻭﺍﺀ –‬ ‫ﺃﻭ ﺩﺍﻫﻤﺘﻙ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ﹸ‬ ‫- ﻀﻤﻥ ﻤﻼﻤﺢ ﻁﻔل ٍ ﺤﻘﻴﻘﻴﺔ ٍ؛‬ ‫ﺃﻓﻠﺘﺕ ﻤﻥ ِﺼﺎﺭ ِ ﺍﻟ ِﻼﻭﻴﺯ *‬ ‫ﺠ‬ ‫ﺤ‬ ‫ﹾ‬ ‫- ٢٢ -‬
  • 24. ‫ﺘﻠﻬﻭ ﺒﻘﺎﺭﻭﺭﺓ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺜﻡ ﺘﺤ ‪‬ﺭ ﺠ ﹼﺎ ً ﻤﻥ ﺍﻷﺴﺭ ِ..‬ ‫ﺭ ِﻨ‬ ‫ﺘﺒﺤﺙ ﻓﻲ ﺼﻭﺩﻴﻭﻡ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻋﻥ ﺴﻜﺭ ٍ؛‬ ‫ﻭﻷﻟﺊ ﻤﺨﺒﻭﺀﺓ ٍ‬ ‫ﻓﻲ ﺯﺭﻗﺔ ِ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫ﻋﻥ ﺠﺯﺭ ٍ ﻓﻲ ﺴﻤﺎﺀ ٍ‬ ‫ﻟﻬﺎ ﺃﻟﻑ ﻏﻴﻡ ٍ‬ ‫ﹸ‬ ‫- ﻏﻴﺎﻫﺏ ﻏﻲ ٍ –‬ ‫‪‬‬ ‫ﻭﺒﺎﺏ ُ ﻭﺤﻴﺩ ُ ﺇﻟﻲ ﺍﻟﺠﻨﺔ ِ ﺍﻟﻤﺸﺘﻬﺎﺓ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺎﺏ ُ ﻭﺤﻴﺩ ُ ﺇﻟﻲ ﺍﷲ ِ.‬ ‫‪‬‬ ‫‪‬‬ ‫............................‬ ‫- ٣٢ -‬
  • 25. ‫ﺫﻗﺕ ﻟﺒﺎﺱ ﺍﻟﻤﺘﺎﻫﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻓﻲ ﺍﻟﺤﺭ؛ ﻭﺍﻟﻘﺭ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﻠﺕ : ﻫﻭ ﺍﻟ ِﻌﺭ ﺯﻫﺭﺓ ُ ﻤﻠﺢ ٍ‬ ‫ﺸ ‪‬‬ ‫ﹶ‬ ‫ﻭﻟﻴﻼﻩ ﺯﻫﺭﺓ ُ ﻋ ‪‬ﺎﺩ ِ ﺸﻤﺱ ٍ..‬ ‫ﺒ‬ ‫‪‬‬ ‫ﻭﻓﻲ ﺍﻟﺒﺤﺙ ِ‬ ‫ﻅل ﺍﻤﺭﺉ ﺍﻟﻘﻴﺱ؛‬ ‫ﻭﺍﻟﻤﺘﻨﺒﻲ؛‬ ‫ﻭﺴﻴﻑ ﺍﺒﻥ ﺸﺩﺍﺩ‬ ‫ﻤﺤﺽ ﺍﺸﺘﻬﺎﺀ ْ.‬ ‫‪‬‬ ‫............................‬ ‫** ﺒﻴﻨﻤﺎ ﻜﺎﻥ ﺤﺴﻨﻲ ﺒﻥ ﻤﻨﺼﻭﺭ ﻴﺸﺩﻭ ﻟﻔﻴﺭﻭﺯ؛ ﻗﺎل ‪‬ﻤﻴﺩ ُ :‬ ‫ﺤ‬ ‫" ﻤﺎﻴﺎ ﺘﺤﺏ ﺍﻟﻐﻨﺎﺀ.‬ ‫ْ‬ ‫ﺘﺤﺏ ﻤﻌﺎﺒﺩ ﺃﺠﺩﺍﺩﻫﺎ؛ ﻭﺘﺤﺏ ﺍﻟﻤﺴﺎﺠﺩ"‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﺎل :‬ ‫َ‬ ‫" ﻫﻨﺎ ﺼﺨﺭﺓ ُ ُ ﻴﺎ ﺍﻷﺒﺩﻴﺔ ِ؛‬ ‫ﺘﺴﻜﻥ ﻓﻴﻬﺎ ﺍﻷﺴﺎﻁﻴﺭ؛ ﻭﺁﻟﻬﺔ ُ ُ‬ ‫‪‬‬ ‫ﻻ ﺘﻌﻴﺵ ﺒﻐﻴﺭ ﺩﻤﺎﻨﺎ..‬ ‫ﻫﻨﺎ ﺼﺨﺭﺓ ُ ُ ﻴﺎ ﺤﺒﻴﺒﻲ‬ ‫ﻭﻟﻴﺱ ﺒﻬﺎ ﻋﻴﻥ ﻤﺎﺀ. " *‬ ‫‪ْ ‬‬ ‫- ٤٢ -‬
  • 26. ‫ﻫل ﻴﻌﻴﺩ ‪‬ﻤﻴﺩﺓ ﻫﺫﺍ‬ ‫ﺤ ﹸ‬ ‫ﺼﻴﺎﻏﺔ َ ﺃﻓﻜﺎﺭﻨﺎ‬ ‫ﻓﻭﻕ ﺒﻘﻌﺔ ِ ﻀﻭﺀ ٍ ﻫﻼﻤﻴﺔ ٍ؟‬ ‫ﺃﻡ ﺴﻴﺸﻌل ﻨﺎﺭﺍ‬ ‫ﺒﺒﺌﺭ ِ ﺍﻟﻐﻨﺎﺀ ﺍﻟﻘﺩﻴﻡ ِ‬ ‫ﻟﻜﻲ ﻴﻭﻗﺩ ﺍﻟﺠﺭﺡ ﻓﻲ ﺍﻟﺼﺒﺢ ِ؛‬ ‫‪‬‬ ‫ﻗﺒل ﺴﻘﻭﻁ ﺍﻟﻨﺠﻭﻡ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟﺭﻤل ِ؟‬ ‫ﻫل ﺴﻴﻠﻤﻠﻡ ﺒﻌﺽ ﺍﻟﺜﻤﺎﺭ ِ‬ ‫ﺍﻟﺘﻲ ﺘﺘﺴﺎﻗﻁ ﻤﻥ ﺸﺠﺭ ِ ﺍﻟ ِﻌﺭ ِ؛‬ ‫ﺸ‬ ‫ﻗﺒل ﻭﻓﺎﺓ ِ ﺍﻟﺘﻔﺎﻋﻴل ِ ﻓﻭﻕ ﺭﻓﻭﻑ ﺍﻟﺴﻨﻴﻥ ﺍﻟﻌﺠﺎﻑ ِ ﻤﻥ ﺍﻟﻨﺜﺭ ِ؟‬ ‫............................‬ ‫- ٥٢ -‬
  • 27. ‫ﺴـﺎﻓﺭﺕ..‬ ‫ﹶ‬ ‫ﺒﻴﻥ ﺘﺠﺎﻋﻴﺩ ﻭﺠﻪ ﺍﻟﻘﺒﺎﺌل؛‬ ‫ﻭﺍﻟﻘ ‪‬ﺭﺍﺕ ِ؛‬ ‫ﺒ‬ ‫ﺍﻟﻘﺒﻭﺭ ِ؛‬ ‫ﺍﻟﻘﻭﺍﺒل ِ..‬ ‫ﺨﺒﺄﺕ َ ﺨﺎﺘﻭﻥ َ *‬ ‫ﺃﻭ ﺨﺒﺄﺘﻙ ﺍﻟﺨﻭﺍﺘﻴﻥ؛‬ ‫‪‬‬ ‫ﺭﺤﺕ َ ﺘﻔﺘﺵ ﻓﻲ ﺒﺭﻜﺔ ِ ﺍﻟﺩﻡ‬ ‫‪‬‬ ‫- ﺘﺤﺕ ﺍﻟﺒﺴﻭﺱ ِ ﻋﻥ ﺍﻟﺨﻴﻁ‬ ‫/ ﺨﻴﻁ ﺍﻟﺩﻻﻟﺔ /..!‬ ‫ﻨﺎﻗﺸﺕ َ ﺯﻭﺠﺔ َ ﻨﻭﺡ ٍ؛‬ ‫ﻭﺯﻭﺠﺔ َ ﻟﻭﻁ ٍ؛‬ ‫ﻭﺯﻭﺠﺔ َ ﻓﺭﻋﻭﻥ ﻤﻭﺴﻲ..‬ ‫ﻭﻓﻜﺭﺕ َ ﻓﻲ ﺩﻋﻭﺓ ٍ ﻟﺯﻟﻴﺨﺔ َ‬ ‫/ ﻟﻭﻻ ﺍﻟﺼﺩﻴﻕ ﺍﻟﺼﺩﻭﻕ /..‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﻗﻠﺕ َ :‬ ‫ﺃﻨﺎ ﻁﺎﺌﺭ ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺯﺭﺍﺯﻴﺭ ﻫﺫﻱ ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ﺃﻗﺘﺴﻡ ﺍﻟﺤﺏ؛ ﻭﺍﻟﻘﻀﺏ َ‬ ‫‪ ‬‬ ‫ﺒﻴﻥ ﺍﻟﺼﺤﺎﺏ ِ..‬ ‫ﻭﺃﺴﻠﺦ ﺠﻠﺩ ﺍﻟﺜﻌﺎﺒﻴﻥ ِ‬ ‫‪‬‬ ‫ﺃﺩﺒﻎ ﺠﻠﺩ ﺍﻟﺜﻌﺎﻟﺏ ِ..‬ ‫ﺤﻴﻥ ﺘﺄ ‪‬ﻁ َ ‪‬ﺯﻨﻙ َ؛‬ ‫ﺒ ﺤ‬ ‫ﻗﻴل :‬ ‫َ‬ ‫ﺘﺄﺒﻁ ﺸﺭﺍ ً؟‬ ‫ﺃﻡ ﺍﻟﻌﻴﺩ ﺃﺠل ﻓﺭﺤﺘﻪ ﺍﻟﻤﻭﺴﻤﻴﺔ ﺒﺎﻟﻜﻌﻙ ِ؟‬ ‫ﹶ‬ ‫ﹶ‪‬‬ ‫‪َ ‬‬ ‫- ٦٢ -‬
  • 28. ‫ﺤﻴﻥ ﻫﺯﺯﺕ َ ﻨﺨﻴل َ ﺍﻟﺤﻘﻴﻘﻴﺔ ِ‬ ‫ﺭﺍﺤﺕ ﺘﻤﺎﺜﻴﻠﻬﻡ ﺘﺘﺴﺎﻗﻁ ﻓﻲ ﺍﻟﻭﺤل ِ ﺤﻭﻟﻙ‬ ‫ﹾ‬ ‫............................‬ ‫ﻗﻠﺕ َ :‬ ‫ﺍﻷﻭﺍﻨﺱ ﺠﺌﻥ ﺇﻟﻲ ﺍﻟ ِﻌﺭ ِ‬ ‫ﺸ‬ ‫‪‬‬ ‫ﻜﻲ ﻴﺠﺘﺭﺌﻥ ﻋﻠﻲ ﺍﻟﻨﺤﻭ ِ؛ ﻭﺍﻟﺼﺭﻑ ِ..‬ ‫ﻴﺒﺩﻴﻥ ﻤﺎ ﻻ ﻴﺤﺏ ﺍﻟﺨﻠﻴل ﺒﻥ ﺃﺤﻤﺩ‬ ‫ﺘﻠﻙ ﺍﻟﻘﺼﻴﺩﺓ ﺘﻠﺒﺱ ﺒﺎﺭﻭﻜﺔ ً؛‬ ‫ﺜﻡ ﺘﺩﻋﻭﻙ َ ﻟﻠﻨﺯﻑ ِ..‬ ‫ﻫل ﺴﺘﻔﺠﺭ ﻓﻴﻬﺎ ﺭﺼﺎﺹ َ ﻤﺴﺩﺴﻙ ﺍﻟﺭﺅﻴﻭﻱ؟ !‬ ‫ﻗﻠﺕ َ :‬ ‫ﺍﻟﺸﻭﺍﻋﺭ ﻟﻴﺱ ﺒﻬﻥ ﺠﻤﻴﻼﺕ‬ ‫‪‬‬ ‫– ﺇﻻ ﻗﻠﻴﻼ –‬ ‫ﹼ‬ ‫ﺃﻜﺎﻨﺕ ﻤﺩﺍﻋﺒﺔ ً ﻤﻨﻙ َ؟‬ ‫ﻻ ﺒﺄﺱ.‬ ‫‪‬‬ ‫............................‬ ‫- ٧٢ -‬
  • 29. ‫ﻋﺸﺕ ﺍﺤﺘﺠﺎﺠﺎ‬ ‫ﹰ‬ ‫ﹶ‬ ‫ﻴﻁﺎﺭﺩﻙ ﺍﻟﻁﻴﺒﻭﻥ ﺍﻟﺫﻴﻥ ﺘﻌﺎﻁﻭﺍ ﺍﻟﺜﻘﺎﻓﺔ َ؛ ﻭﺍﻟ ِﻌﺭ َ / ﻤﺜل ﺍﻟﺒﻬﺎﻟﻴل /..‬ ‫ﺸ‬ ‫ﺨﺎﻀﻭﺍ ﺩﺭﻭﺏ ﺍﻟﻤﺠﺎﺯﺍﺕ ِ‬ ‫ﻤﺎ ﺃﻭﺠﺯﻭﺍ؛‬ ‫ﺃﻭ ﺃﺠﺎﺯﻭﺍ....‬ ‫ﺘﺠﺎﻭﺯﺕ َ.‬ ‫ﻗﻠﺕ َ : ﺍﻟﺼﺤﺎﺭﻱ ﻤﺠﺎﺯﺭ ﻟﻠﺒﺩﻭ ِ‬ ‫‪‬‬ ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﻫﺫﻱ " ﺍﻨﺘﻜﺎﺴﺔ ُ ﺃﺠﺩﺍﺩﻨﺎ ﻓﻲ ﺍﻨﺘﻤﺎﺀ ﺍﻟﻨﺨﻴل ﺇﻟﻲ ﺍﻟﺭﻤل ِ ﻴﺎ ﺼﺎﺤﺒﻲ..‬ ‫ﻫﺫﻩ ﺸﻤﺱ ﺃﺴﻼﻓﻨﺎ‬ ‫‪‬‬ ‫ﺘﺴﻘﻁ ﺍﻵﻥ ﻓﻲ ﺍﻟﺠ ‪ِ ‬‬ ‫‪‬ﺏ‬ ‫ﻤﻥ ﺤﺎﺌﻁ ٍ‬ ‫ﻓﻲ ﺍﻟﻨﺸﻴﺩ ِ ﺍﻟﻘﺩﻴﻡ ِ"*‬ ‫ﺘﺴﺎﺌل ﻨﺎﺠﻲ :‬ ‫ﺃﺒﺎﺭﻴﻕ ﺃﺭﻭﺍﺤﻨﺎ ﺍﻤﺘﻸﺕ ﺒﺎﻟﺤﺸﺎﺌﺵ ِ؟‬ ‫ﹾ‬ ‫ﹸ‬ ‫ﺃﻡ ﺃﻥ ﺭﻴﺤﺎ ً ﻤﻥ ﺍﻟﺸﺭﻕ ِ؛ ﻭﺍﻟﻐﺭﺏ ِ‬ ‫ﻗﺩ ﺤﺭﻜﺕ ﺠ ‪‬ﺓ َ ﺍﻟﻠﻴل ِ؛‬ ‫ﹾ ﺭ‬ ‫ﻓﺎﻨﺩﻟﻕ ﺍﻟﻠﻴل ﻓﻭﻕ ﻤﻼﻤﺤﻨﺎ؟‬ ‫ُ‬ ‫ﻭﺍﺴﺘﻭﺕ ﻫﺫﻩ ﺍﻟﻌﻨﻜﺒﻭﺕ ﻋﻠﻲ ﻋﺭﺸﻬﺎ ﺍﻟﺒﺎﺒﻭﻱ؛‬ ‫ﹸ‬ ‫ﹾ‬ ‫ﻭﺃﺨﺭﺠﺕ ﺍﻷﺭﺽ‬ ‫‪‬‬ ‫ﹾ‬ ‫ِﺭﺒﺎﺌﻬﺎ؟.."*‬ ‫ﺤ‬ ‫............................‬ ‫ﻗﻠﺕ َ : ﺍﻟﻤﻠﻭﻙ ﺘﻤﺎﺜﻴل‬ ‫ُ‬ ‫ﺇﻥ ﺍﻟﺘﻤﺎﺜﻴل َ ﺇﺫﺍ ﺘﻨﺤﻨﻲ ﺘﺘﻜ ‪‬ﺭ..‬ ‫ﺴ‪‬‬ ‫" ﺇﻥ ﺍﻟﻤﻠﻭﻙ ﺇﺫﺍ ﺩﺨﻠﻭﺍ ﻗﺭﻴﺔ ً‬ ‫‪‬‬ ‫ﺃﻓﺴﺩﻭﻫﺎ " *‬ ‫- ٨٢ -‬
  • 30. ‫ﻗﻠﺕ َ :‬ ‫ﻜﻤﺎ ﻗﺎل ﻏﻴﺭﻙ‬ ‫َ‬ ‫ﻓﻲ ﹸﺘﺏ ِ ﺍﻷﻭﻟﻴﻥ :‬ ‫ﻜ‬ ‫ﺍﻟﺨﻼﻓﺔ ُ ﺸﻭﺭﻱ..‬ ‫ﺘﺸﻭﻓﺕ َ؛‬ ‫ﻟﻡ ﺘﺘﺸﻭﺱ؛‬ ‫ْ‬ ‫ﻭﻟﻡ ﺘﺘﺸﻭﺵ *‬ ‫ﹾ‬ ‫ﻭﺤ ‪‬ﻀﺕ َ ﻀﺩ ﺍﻟﻭﻻﻴﺔ ﻟﻼﺒﻥ‬ ‫ﺭ‬ ‫- ﺇﻥ ﻟﻡ ﻴﻜﻥ ﺼﺎﻟﺤﺎ ً –‬ ‫ﻭﻁﺎﻟﺒﺕ َ ﺃﻥ ﺘﺘﻨﻔﺱ ﻜل ﺍﻟﺭﻋﻴﺔ ِ‬ ‫‪‬‬ ‫ﻤﺤﺽ ﻫﻭﺍﺀ ٍ ﻨﻅﻴﻑ ٍ‬ ‫/ ﺒﺩﻭﻥ ﻤﻌﺎﺭﻀﺔ ﺍﻟﻘﺼﺭ /..‬ ‫ﻤﺎﺫﺍ ﻋﻠﻴﻙ َ ﺇﺫﻥ؛‬ ‫ﻟﻭ ﻴﻘﻭل ﺍﺒﻥ ﺩﻨﻘل :‬ ‫ﻭﻗﻔﺕ ﻀﺩ ﺴﻴﻔﻙ ﻜل ﺍﻟﺸﻴﻭﺥ.‬ ‫ﹾ‬ ‫ﹾ‬ ‫ﻭﺍﻟﺭﺠﺎل)ﺍﻟﺘﻲ(‬ ‫ُ‬ ‫ﻤﻠﺌﺘﻬﺎ ﺍﻟﺸﺭﻭﺥ.‬ ‫ﹾ‬ ‫ﻫﺅﻻﺀ ﺍﻟﺫﻴﻥ ﻴﺤﺒﻭﻥ ﻁﻌﻡ ﺍﻟﺜﺭﻴﺩ‬ ‫ْ‬ ‫‪‬‬ ‫ﻭﺍﻤﺘﻁﺎﺀ ﺍﻟﻌﺒﻴﺩ.‬ ‫ْ‬ ‫ﻫﺅﻻﺀ ﺍﻟﺫﻴﻥ ﺘﺩﻟﺕ ﻋﻤﺎﺌﻤﻬﻡ‬ ‫ﹾ‬ ‫ﻭﺴﻴﻭﻓﻬﻡ ﺍﻟﻌﺭﺒﻴﺔ ﻗﺩ ﻨﺴﻴﺕ‬ ‫ﹾ‬ ‫ﺴﻨﻭﺍﺕ ﺍﻟﺸﻤﻭﺥ.‬ ‫ﹾ‬ ‫ﻟﻴﺱ ﺴﻭﻱ ﺃﻥ ﺘﺭﻴﺩ‬ ‫ْ‬ ‫ﺃﻨﺕ ﻓﺎﺭﺱ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ﺍﻟﻭﺤﻴﺩ‬ ‫ْ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﺴﻭﺍﻙ ﺍﻟﻤﺴﻭﺥ." *‬ ‫ﹾ‬ ‫............................‬ ‫- ٩٢ -‬
  • 31. ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﺇﻥ ﺍﻟﻘﻭﺍﻨﻴﻥ ﺘﻁﺭﺃ ُ‬ ‫‪‬‬ ‫ﻤﺜل ﺍﻟﺼﻭﺍﻋﻕ‬ ‫ﺘﻤﻨﻊ ﻋﻨﻙ ﺍﻟﺴﺅﺍل؛‬ ‫َ‬ ‫‪‬‬ ‫ﻜﻤﺎ ﺘﻤﻨﻊ ﺍﻟﺨﺒﺯ؛ ﻭﺍﻟﻤﺎﺀ‬ ‫‪‬‬ ‫‪‬‬ ‫- ﺇﻥ ﻟﺯﻡ ﺍﻷﻤﺭ –‬ ‫‪‬‬ ‫ﻓﻲ ﺤﻘل ِ ﺤﻅﺭ ﺍﻟﺘﺠﻭل؛ ﻭﺍﻟﺴﻌﻲ ﻟﻠﺭﺯﻕ‬ ‫ﻗﻠﺕ : ﺇﺫﺍ ﻟﻡ ﻨﻜﻥ ﻓﻲ ﻋﻨﺎﻕ ﺍﻟﻌﺫﺍﺏ ِ ﻤﻌﺎ ً‬ ‫ﹶ‬ ‫ﻓﻜﻴﻑ ﻨﻜﻭﻥ ﻤﻌﺎ ً ﻓﻲ ﻋﻨﺎﻕ ﺍﻟﺘﺸﻬﻲ؟‬ ‫............................‬ ‫ﻜﻨﺕ ﺘﺨﻁﻭ ﻋﻠﻲ ﺍﻟﺠﺭﺡ ِ..‬ ‫ﹶ‬ ‫ﺘﻔﺘﺢ ﻜل ﺍﻷﺯﻗﺔ ِ ﺃﺒﻭﺍﺒﻬﺎ؛‬ ‫ُ‬ ‫ﺘﺭﺘﺩﻴﻙ َ؛‬ ‫ﻓﺘﻐﺯل ﻤﻨﻬﺎ ﺨﻴﻭﻁ ﺍﻟﺒﺭﺍﺀﺓ ِ؛ ﻭﺍﻟﻀﺩ ِ..‬ ‫ﹶ‬ ‫ﻗﻠﺕ : ﻟﻤﺎﺫﺍ ﺘﺠﺎﻋﻴﺩ ﻜل ﺍﻷﺯﻗﺔ ﻤﺨﺘﻭﻤﺔ ﺒﺎﻟﻤﺭﺍﺭﺓ ِ؛ ﻭﺍﻟﺤﺯﻥ ِ؟‬ ‫ﹶ‬ ‫ﺒﻴﻨﺎ ﻗﺼﻭﺭ ﺍﻟﻀﻴﺎﻓﺔ ِ ﻤﺩﻫﻭﻨﺔ ُ ُ ﺒﺎﻟﻨﺒﻴﺫ ِ؛‬ ‫ﻤﺭ ‪‬ﻌﺔ ُ ُ ﺒﺎﻟﻨﺴﺎﺀ ِ؛‬ ‫ﺼ‬ ‫ﻭﺘﻠﻌﺏ ﻓﻴﻬﺎ ﺍﻷﻴﺎﺩﻱ ﺍﻟﻐﺭﻴﺒﺔ ُ‬ ‫ﺃﻨﻲ ﺘﺸﺎﺀ ُ !!‬ ‫ﻭﻜﻴﻑ ﻴﺨﺎﺒﺭ ﺒﺎﻟﺭﻤﺯ ِ ﻋﻨﻲ ﺍﻟﺼﺩﻴﻕ؟‬ ‫ﹸ‬ ‫ﻭﻜﻴﻑ ﺩﻤﻭﻉ ﺒﻼﺩﻱ؛‬ ‫ﻭﺸﻁﺂﻨﻬﺎ؛ ﻭﺍﻟﻘﺭﻯ‬ ‫ﺃﺼﺒﺤﺕ ﻓﻲ ﻴﺩﻱ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺤﺭﻭﻓﺎ ً ﺸﺭﻴﺩﺓ ْ؟‬ ‫ﻜﻴﻑ ﺃﻜﺘﺏ ﺒﺎﷲ ِ ﻫﺫﻱ ﺍﻟﻘﺼﻴﺩﺓﹾ؟‬ ‫ﺃﻨﺎ ﺍﻟﻌﻨﻔﻭﺍﻥ ﺍﻟﻤﺴﺎﻓﺭ ﻓﻲ ﺍﻟﻨﺎﺭ ِ‬ ‫ﻜﻴﻑ ﺩﻤﻲ ﻴﺘﺨﺜﺭ؟‬ ‫‪‬‬ ‫- ٠٣ -‬
  • 32. ‫ﻜﻴﻑ ﺃﺯﻑ ﺍﻟﻔﺭﺍﺸﺎﺕ ِ ﻟﻠﻤﻭﺕ ﻓﻭﻕ ﺩﻤﻲ؟‬ ‫ﻜﻴﻑ ﺒﺎﷲ ﺃﻜﺘﺏ..‬ ‫‪‬‬ ‫ﻗﻭﻟﻭﺍ.. ﻟﻬﺫﻱ ﺍﻟﻘﺼﻴﺩﺓ ْ؟‬ ‫............................‬ ‫ﻗﻠﺕ : ﺃﺤﺏ ﺒﻼﺩﻱ..‬ ‫ﹶ‬ ‫ﻭﺃﺒﺴﻁ ﻗﻠﺒﻲ ﻟﻬﺎ ﻨﺎﻋﻤﺎ ً‬ ‫ﻜ ِﺭﺍﺵ ﺍﻟﺴﻼﻁﻴﻥ ِ؛‬ ‫ﻔ‬ ‫ﺃﺠﻌل ﺠﺴﻤﻲ ﻭﺴﺎﺩﺓ َ ﺤﻠﻡ ٍ ﻁﺭﻱ ٍ؛ ﻭ ِﻌﺭﻱ ﻫﺩﻴل ﺤﻤﺎﻡ ٍ..‬ ‫‪ ‬ﺸ‬ ‫ُﺤﺏ ﺴﻤﺎﺡ؛ ﻭﻤﺭﻭﺓ َ‬ ‫‪‬‬ ‫ﺃ‬ ‫ﻓﻲ ﺍﻟﻌﻴﺩ ِ؛ ﻭﺍﻟﺤﺯﻥ ِ....‬ ‫ﺘﻤﻨﻴﺕ ﻟﻭ ﺃﻥ ﺴﺎﻤﺢ‬ ‫ﻴﺤﻜﻡ ﻤﺼﺭ؛‬ ‫‪‬‬ ‫ﻴﻀﻡ ﻟﻪ ‪‬ﻠﻙ ﻜﺴﺭﻱ؛‬ ‫ﻤ‬ ‫ﻭﻗﻴﺼﺭ..‬ ‫ﻟﻭ ﺃﻥ ﺃﺤﻤﺩ ﻴﻤﻠﻙ‬ ‫– ﻤﺜل ﺴﻠﻴﻤﺎﻥ –‬ ‫ﻤﺎ ﻻ ﻴﺠﻭﺯ ﻟﻐﻴﺭﻩ *‬ ‫ﻭﻫﺫﺍ ﻜﻼﻡ ُ ﺒﺴﻴﻁ ُ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻜﺘﺎﺭﻴﺦ ﻫﺫﻱ ﺍﻟﺒﻼﺩ‬ ‫ﺍﻟﻤﺒﻘﻊ ﺒﺎﻟﺩﻡ ِ؛ ﻭﺍﻟﻌﻁﺭ ِ‬ ‫‪‬‬ ‫............................‬ ‫- ١٣ -‬
  • 33. ‫ﻜﻨﺕ ﺘﺼﻠﻲ‬ ‫ﹶ‬ ‫ﻭﺘﺴﺠﺩ ﷲ ِ ﺸﻜﺭﺍ؛‬ ‫ﹰ‬ ‫ﻭﺘﺴﺄﻟﻪ ﺍﻟﺭﺯﻕ؛ ﻭﺍﻟﺴﺘﺭ َ..‬ ‫ﹶ‬ ‫ﺘﻜﺘﺏ ِﻌﺭﺍ ﻜﻐﻴﺭﻙ؛‬ ‫ﺸ ﹰ‬ ‫ﻏﻴﺭ ﺨﺼﻭﺼﻴﺔ ٍ ﺘﺴﺘﺒﻴﻙ َ :‬ ‫ﺇﺫﺍ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ﺩﻤﻲ‬ ‫ﹰ‬ ‫ﺃﺴﺘﺤﻴل ﺃﻨﺎ ﻜﺭﻤﺔ ً‬ ‫ﺴﻭﻑ ﺘﺄﻭﻱ ﺇﻟﻴﻬﺎ ﺍﻟﻁﻴﻭﺭ.‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ً ﺩﻤﻲ‬ ‫ﺴﺄﺭﻗﺹ ﻜﺎﻟﻁﻔل ِ‬ ‫ﺃﻀﺤﻙ ﺤﺘﻲ ﺍﻟﺩﻤﺎﺀ..‬ ‫ﺇﺫﺍ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ً ﺩﻤﻲ‬ ‫ﺴﺄﺭﺴﻡ ﻭﺠﻬﻲ‬ ‫ﻋﻠﻲ ﻗﺴﻤﺎﺕ ﺍﻟﻨﻬﺎﺭ..‬ ‫ﻭﺃﻨﻔﺙ ﻤﻥ ﺭﺌﺘﻲ ﺍﻟﻘﺼﺎﺌﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﺜل ﻫﻭﺍﺀ ِ ﺍﻟﺯﻓﻴﺭ..‬ ‫ﻭﺃﺤﻠﻡ..‬ ‫ﻴﻜﻔﻴﻙ ِ ﺃﻨﻲ ﺴﺄﺤﻠﻡ‬ ‫‪‬‬ ‫ﺇﻥ ﺼﺭﺕ ِ ﻴﻭﻤﺎ ً ﺩﻤﻲ !!‬ ‫............................‬ ‫- ٢٣ -‬
  • 34. ‫ﻭﻓﻲ ﺠﺴﺩ ﺍﻟ ِﻌﺭ‬ ‫ِ ﺸ ِ‬ ‫ﺜ ‪‬ﺕ َ ﺭﺃﺴﺎ ً؛ ﻭﻋﻴﻨﻴﻥ..‬ ‫ﺒ‬ ‫ﻜﺎﻥ ﺍﻟﻬﻭﺍﺀ ﺩﺨﺎﻨﺎ ً‬ ‫‪‬‬ ‫ﻭﻟﻜﻥ ﺼﻭﺘﻙ َ‬ ‫ﺭﺍﺡ ﻴﺸﻕ ﺍﻟﺭﻤﺎﺩ‬ ‫‪‬‬ ‫ﻭﻴﻭﻟﺩ ﻁﻔل ُﻤﻥ ﺍﻟﻀﺩ ِ؛‬ ‫ُ‬ ‫ﺃﻋﻀﺎﺅﻩ ﻓﻲ ﺍﻤﺘﺩﺍﺩ ﺍﻟﻤﺩﻱ....‬ ‫ﻟﻤﺎﺫﺍ ﻴﻐﱠﻑ ﻭﺠﻪ ﺍﻟﻘﺼﻴﺩﺓ ِ ﺒﺎﻟﺜﻠﺞ ِ؛ ﻭﺍﻟﺸﻤﻊ ِ؛‬ ‫ﻠ ﹸ‬ ‫ﻭﺍﻟﺼﻤﺕ ِ؟‬ ‫ﻜﻴﻑ ﻴﺒﻴﻌﻭﻥ ﻓﻲ ﺍﻟﻨﺩﻭﺍﺕ ِ ﺍﻟﻤﻘﺎﻤﺔ ِ ﻟﻠﻔﻥ ﻭﺍﻟﻔﻜﺭ ِ ﻭﻫﻤﺎ ً؟‬ ‫ﻭﻜﻴﻑ ﻟﻨﺎ‬ ‫ﺃﻥ ﻨﻐﻴﺭ ﻫﺫﻱ ﺍﻟﻤﻨﺎﺨﺎﺕ ِ؟‬ ‫‪‬‬ ‫ﻜﻴﻑ ﻨﻌﻴﺩ ﺍﻟﺜﻘﺎﻓﺔ َ ﻤﻥ ﺸﻤﻊ ِ ﺇﺒﺩﺍﻋﻬﺎ ﺍﻟﻴﻌﺭﺒﻲ ِ ﺇﻟﻲ ﺍﻟﻨﺎﺭ ِ؟‬ ‫‪‬‬ ‫ﻨﺴﻠﺦ ﻋﻥ ﺠﻠﺩﻫﺎ‬ ‫ﻗﺸﺭﺓ َ ﺍﻹﻨﺘﻤﺎﺀ ﺍﻟﻤﻜﻠﺱ ِ؛‬ ‫ﻭﺍﻹﺨﺘﺒﺎﺀ ِ ﺍﻟﻤﻜﺩﺱ ِ ﺒﺎﻟﺨﻭﻑ ِ؟‬ ‫ﻜﻴﻑ؟‬ ‫............................‬ ‫ﺴﺎﺀﻟﺕ َ : ﻫل ﻜل ﻨﺒﻀﺔ ﺤ ‪ٍ ‬‬ ‫‪‬ﺏ‬ ‫ﺴﺘﻭﻟﺩ ﻓﻲ ﺍﻟﻘﻠﺏ ِ ﻤﺴﺠﻭﻨﺔ ُ ُ؟‬ ‫ﻟﻤﺎﺫﺍ ﺘﺸﻴﺦ ﺍﻷﺠﻨﺔ ُ؟‬ ‫ﻭﺍﻷﻤﻬﺎﺕ ﺃﺭﺍﻤل؟‬ ‫ُ‬ ‫ﹸ‬ ‫ﻴﺼﻔﻌﻙ َ ﺍﻟﻭﻗﺕ ﻓﻭﻕ ﻗﻔﺎﻙ؛‬ ‫ﹸ ﹶ ‪‬‬ ‫ﻓﺘﺭﻓﻊ ﺭﺃﺴﻙ‬ ‫‪‬‬ ‫ﺘﺩﺨل ﺩﻭﻥ ﺤﻀﻭﺭ ٍ؛‬ ‫ﻭﺩﻭﻥ ﺸﻬﻭﺩ ٍ؛‬ ‫- ٣٣ -‬
  • 35. ‫ﻭﺘﻀﺤﻙ..‬ ‫‪‬‬ ‫ﻤﺎ ﺯﻟﺕ ﺘﻀﺤﻙ..‬ ‫‪‬‬ ‫ﺘﻠﻘﻲ ﻋﻠﻴﻙ َ ﺍﻟﺒﻴﺎﻨﺎﺕ ُ ﺒﺎﺴﻡ ِ ﺍﻟﺼﺩﺍﻗﺔ ِ..‬ ‫ﺘﻀﺤﻙ ُ..‬ ‫ﹸﻘﺭﺍ ﻻﺌﺤﺔ ﺍﻟﺘﻬﻡ ِ ﺍﻟﻌﻨﺠﻬﻴﺔ :‬ ‫ﹸ‬ ‫ﺘ ﹸ‬ ‫ﺍﻟﺤﺏ ﻭﺍﻟﻨﻬﺭ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﻔﻘﺭ ﻭﺍﻟﻀﺩ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻜﺩﺡ ﻭﺍﻟﻔﻜﺭ..‬ ‫ﻭﺍﻷﺨﺫ ﻭﺍﻟﺭﺩ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ..‬ ‫ﻴﺼﺩﺭ ﺤﻜﻡ ﺍﻟﻤﻤﺎﻟﻴﻙ ﻓﻲ ﺍﻟﺴﺭ ِ ﻀﺩﻙ َ..‬ ‫‪‬‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ؛‬ ‫ﺘﻀﺤﻙ ُ..‬ ‫ﺘﻔﻘﺩ ﻜل ﺍﻷﺤﺎﺩﻴﺙ ِ ﺭﻭﻨﻘﻬﺎ؛‬ ‫ُ‬ ‫ﻭﻴﺸﺘﻌل ﺍﻟ ِﻌﺭ ﺸﻴﺒﺎ.‬ ‫ﺸ ‪‬‬ ‫ﻤﺤﻤﻭﺩ..‬ ‫ﺃﻨﺕ َ ﺍﺴﺘﺤﻠﺕ َ‬ ‫ﺇﻟﻲ ﺁﻴﺔ ٍ ﻟﻠﺘﺤﺩﻱ؛‬ ‫ﻭﻓ ‪‬ﺭﺕ َ ﺤﺱ ﺍﻟﻘﻴﺎﻤﺔ ِ..‬ ‫ِ ‪‬‬ ‫ﺠ‬ ‫ﻗﻠﺕ َ : ﺍﻟﺴﻤﺎﺀ ‪‬ﺩﻱ‬ ‫‪‬ﻤ‬ ‫ﻭﺍﻟﺭﺩﻱ ﻤﻭﻋﺩ ُ...‬ ‫‪‬‬ ‫ﻭﺍﻟﻠﻘﺎﺀ ﻨﻘﺎﺀ.‬ ‫‪ ‬‬ ‫ﺘﻭ ‪‬ﺩﺕ َ ﺒﺎﻟﺤﺏ ِ‬ ‫ﺤ‬ ‫ﻻ ﺘﺭﺘﺩﻴﻪ ﻨﻌﺎﻻ ً؛‬ ‫- ٤٣ -‬
  • 36. ‫ﻭﻻ ﻴﺭﺘﺩﻴﻙ َ ﺜﻴﺎﺒﺎ ً..‬ ‫ﺘﻭ ‪‬ﺩﺕ َ..‬ ‫ﺤ‬ ‫ﻻ ﺤﺎﺠﺯ ُ ﺒﻴﻥ ﻗﻠﺒﻙ َ؛ ﻭﺍﻟﻔﻌل ِ..‬ ‫‪‬‬ ‫ﻫﻡ ﻴﺩﻋﻭﻥ ﺇﺫﻥ :‬ ‫ﺇﻨﻬﻡ ﺃﺨﺫﻭﻙ َ ﻋﻠﻲ ﻏ ‪‬ﺓ ٍ؛‬ ‫ِﺭ‬ ‫ﻓﻜﻴﻑ َ؟‬ ‫ﻭﻓﻲ ﺸﻔﺘﻴﻙ َ ﺍﻟﺤﺭﻴﻕ..‬ ‫ﹸ‬ ‫ﻭﻓﻲ ﻗﻠﺒﻙ َ ﺍﻟﺤﻲ ِ ﻨﺒﺽ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﻤﻌﻲ ﻤﺜل ﻭﺠﻬﻲ؛‬ ‫ُ‬ ‫ﻭﻤﺜل ﺸﻬﻴﻘﻲ؛‬ ‫ﻭﻤﺎ ﺯﻟﺕ َ ﺒﻌﺩ ﺸﻬﻲ ﺍﻟﻌﺫﺍﺏ ِ !!‬ ‫‪‬‬ ‫ﻋﻠﻲ ﻀﻭﺀ ِ ﺼﻭﺘﻙ ﺒﺎﻨﺕ ﺴﻌﺎﺩ؛‬ ‫‪‬‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺘﻌﺭﺕ..‬ ‫‪ ‬ﹾ‬ ‫ﻓﻜﺎﻨﺕ ﻜﻤﺎ ﺍﻟﻤﺎﺀ ِ ﻴﻐﺴل ﻜل ﺍﻟﺩﺭﻥ !‬ ‫ْ‬ ‫َ‬ ‫ﹾ‬ ‫............................‬ ‫ﺃﻨﺕ َ ﺘﻘﺭﺍ ُ ﻓﻲ ﻟﻐﺔ ِ ﺍﻟﺼﻤﺕ ِ ﺁﻻﻤﻬﻡ‬ ‫ﻟﻴﺱ ﺴ ‪‬ﺍ ً ﺇﺫﻥ‬ ‫ِﺭ‬ ‫ﺇﺫﺍ ﻗﻠﺕ َ :‬ ‫ﻫﺫﻱ ﺍﻟﺯﻨﺎﺯﻥ ﺃﺠﺴﺎﺩﻫﻡ..‬ ‫ﻫل ﺘﺼﻴﺭ َ ﻟﻬﻡ ﻤﺘﺤﻔﺎ ً؟‬ ‫ﺃﻡ ﺤﺭﻴﻘﺔ ْ؟‬ ‫ﻟﻴﺱ ﺇﻻ ﺍﻟﺤﻘﻴﻘﺔ..‬ ‫ﹼ‬ ‫ﻓﻜﻴﻑ ﺘﺤﻭﻟﻬﺎ ﻤﻬﺭﺠﺎﻥْ؟‬ ‫............................‬ ‫- ٥٣ -‬
  • 37. ‫ﺘﺼﺎﻟﺤﺕ ﻭﺍﻟﺼﻤﺕ‬ ‫ﹶ‬ ‫ﹶ‬ ‫ﻻ ﺘﺘﺨﺫﻩ ِﻁﺎﺀ ٍ‬ ‫ﻏ‬ ‫ﻭﻻ ﻴﺘﺨﺫﻙ َ ﺠﻭﺍﺩﺍ ً؛‬ ‫ﻭﺤﺎﻭﺭﺕ َ ﺇﺴﻤﻙ َ :‬ ‫ﻤﻴﻡ :‬ ‫ﻤﺭﻭﺭ ﺍﻟﻜﺭﺍﻡ ِ ﻤﺭﺭﺕ ﻋﻠﻲ ﺍﻟﺩﺭﺏ ِ‬ ‫ﹶ‬ ‫ﺃﻨﻔﺕ َ ﺒﻌﻀﺎ ً ﻤﻥ ﺍﻟﺤﺏ ّ ِ؛‬ ‫ﻓﺎﺽ؛ ﻭﺃﻏﺭﻗﻬﻡ‬ ‫ﺇﻨﻬﻡ ‪‬ﻐﺭﻗﻭﻥ ْ.‬ ‫ﻤ‬ ‫ﺤﺎﺀ :‬ ‫ﺤﺎﺭﺒﺕ َ ﺒﺎﻟﺤﺭﻑ ِ؛ ﻭﺍﻟﺤﺏ ِ‬ ‫‪‬‬ ‫ﺤﺘﻲ ﺍﺤﺘﻭﻴﺕ َ ﺍﻟﺠﻤﻴﻊ َ‬ ‫ﻭﻟﻜﻨﻬﻡ ﺤﺎﺌﺭﻭﻥ.‬ ‫ْ‬ ‫ﻤﻴﻡ :‬ ‫ﻤﻼﻤﺢ ﻭﺠﻪ ﺍﻟﻌﺭﻭﺒﺔ ِ ﺘﺩﻋﻭﻙ َ ﻟﻠﺼﺒﺭ ِ‬ ‫‪‬‬ ‫ﻓﺎﺼﺒﺭ‬ ‫ْ‬ ‫ﻭﺇﻥ ﻀﻴﻌﻭﻙ َ ﻓﺼﺒﺭ ُ ﺠﻤﻴل ُ ُ‬ ‫‪‬‬ ‫ﺇﻨﻬﻡ ﻴﺠﻬﻠﻭﻥ.‬ ‫ْ‬ ‫ﻭﺍﻭ :‬ ‫ﻭﻻﺌﻙ َ ﻜﻨﺯ ُ ُ‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﺫﻱ ﻗﺩ ﻤﻨﺤﺕ َ ﻜﺜﻴﺭﺍ ً‬ ‫ﻓﻼ ﺘﺒﺨل ﺍﻵﻥ – ﻴﺎ ﺴﻴﺩﻱ –‬ ‫ﺇﻨﻬﻡ ﻤﻐﺭﻤﻭﻥ.‬ ‫ْ‬ ‫ﺩﺍل :‬ ‫ﺩﻟﻴﻠﻙ ﻤﺎ ﺯﺍل ﻓﻴﻬﻡ ﺩﻟﻴﻼ ً‬ ‫ﻭﺃﻨﺕ َ ﺍﻟﻬﻼل ﺍﻟﺫﻱ ﻴﻁﻠﺒﻭﻥ.‬ ‫ْ‬ ‫............................‬ ‫- ٦٣ -‬
  • 38. ‫ﺃﻨﺕ ﺃﻨﻁﻘﺕ ﺠﻴ ً ﻤﻥ ﺍﻟﺼﻤﺕ‬ ‫ِ‬ ‫ﻼ‬ ‫َﹶ ﹰ‬ ‫َ‬ ‫ﺠﻴﻠﻴﻥ..‬ ‫ﺜﻡ ﺼﻌﺩﺕ َ ﺇﻟﻲ ﻗﻤﺔ ٍ ﻓﻲ ﻓﻴﺎﻓﻲ ﺍﻟﺘﻭﺍﺭﻴﺦ‬ ‫ﺃﻋﻠﻨﺕ َ :‬ ‫ﺇﻥ ﺍﻟﻤﻌﺎﻨﺎﺓ َ ﻤﺤﺽ ﺭﻏﻴﻔﻴﻥ‬ ‫‪‬‬ ‫– ﻴﺎ ﺭﺒﻤﺎ –‬ ‫ﺃﻭ ﻓﻁﻴﺭﺓ ﻋﺸﻕ ٍ..‬ ‫ﹸ‬ ‫ﻭﺼﻭﺕ ﺍﻹﻀﺎﺀﺓ ِ‬ ‫ﹸ‬ ‫ﻓﻲ ﻋﺘﻤﺔ ِ ﺍﻟﻜﻭﻥ ِ‬ ‫ﻗﺎﻓﻠﺔ ُ ﺍﻹﻨﺘﺸﺎﺭ.‬ ‫ْ‬ ‫ﻜﻨﺕ َ ﻟﻬﻡ ﻟﺒﻥ َ ﺍﻟﺼﺤﻭ‬ ‫ﺘﺄﺒﻭ ﺍﻟﻴﺘﻴﻡ َ..‬ ‫ﻭﻜﻨﺕ ﺃﺒﺎ ﺍﻟﻀﻴﻑ ِ..ﷲ ﺩﺭﻙ‬ ‫ﹶ‬ ‫ﻻ ﺃﺏ ﻟﻙ ْ.‬ ‫ﻜﻨﺕ ﺍﻟﺩﻤﺎﺀ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﺍﻟﺘﻲ ﻴﺘﺤﻭل ﻓﻴﻬﺎ ﺍﻟﺘﻭﺠﻪ‬ ‫ﺤﺒﻼ ً ﻤﻥ ﺍﻟﺸﻭﻕ ِ‬ ‫ﻴﻤﺘﺩ ﻓﻲ ﻗﺴﻤﺎﺕ ﺍﻟﻨﺩﻱ‬ ‫‪‬‬ ‫ﻭﺍﻟﺴﺅﺍل ﺍﻟﺫﻱ ﻴﺴﺘﺠﻭﺏ ﺍﻟﺒﻁﻥ‬ ‫‪‬‬ ‫ﻓﻲ ﺃﻭل ﺍﻟﻁﻠﻕ ِ..‬ ‫ﻴﻐﺴل ﺒﺎﻟﻌﺭﻱ ﻭﺠﻪ ﺍﻟﻔﺘﻲ؛ ﻭﺍﻟﺼﺒ ‪‬ﺔ.‬ ‫ﻴ‬ ‫............................‬ ‫ﻫﺫﻱ ﻭﺜﻴﻘﺔ ُ ﻨﻔﻴﻙ‬ ‫ﻓﻲ ﺫﻴﻠﻬﺎ ﺨﺘﻡ ﺍﻟﺠﻬل‬ ‫ُ‬ ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﺤﻴﻥ ﻴﻜﻭﻥ ﺃﻭﻟﻲ ﺍﻷﻤﺭ ﺨﺘﻤﺎ ً..‬ ‫ﻴﺼﻴﺭ ﺍﻟﺨﻠﻴﻔﺔ ُ ﺼ ﹼﺎ ً..‬ ‫ﻜ‬ ‫ﻓﻜﻴﻑ ﺘﺼﻴﺭ ﺍﻟﺒﻼﺩ؟..‬ ‫‪‬‬ ‫- ٧٣ -‬
  • 39. ‫ﻏﺩﺍ ﻤﻥ ﺭﻤﺎﺩﻙ‬ ‫ﹰ‬ ‫ً‬ ‫ﺴﻭﻑ ﻴﻔﻴﻀﻭﻥ‬ ‫ﺼﻠﻲ ﺇﺫﻥ ﺭﻜﻌﺘﻴﻥ‬ ‫ْ‬ ‫ﻓﻴﺎ ﺭ ‪‬ﻤﺎ ﻓﻲ ﻏﺩ ٍ‬ ‫ﺒ‬ ‫ﺘﺴﺘﺤﻴل ﺍﻟﺼﻼﺓ ُ ﺠﻨﻭﻥ.‬ ‫ْ‬ ‫............................‬ ‫ﻤﺤﻤﻭﺩ..‬ ‫ﺠﺌﺕ َ ﻟﺘﻤﺘﺩ..‬ ‫‪‬‬ ‫ﺒﺒﻌﺽ ِ ﺨﻼﻴﺎﻙ ﺜﻡ ﺍﻨﺸﻁﺎﺭ.‬ ‫ْ‬ ‫‪‬‬ ‫ﺒﺒﻌﺽ ﺭﺅﺍﻙ ﺍﻟﺘﻲ ﺘﺘﻤﺩﺩ ﺜﻡ ﺍﻨﺒﻬﺎﺭ.‬ ‫ْ‬ ‫‪‬‬ ‫ِ‬ ‫ﺒﺼﻤﺕ ِ ﺍﻟﻘﺼﺎﺌﺩ ِ؛ ﻗﻴل :‬ ‫ﺘﺨ ﹼﻲ؛ ﻭﻴﻨﻤﻭ ﺍﻨﻔﺠﺎﺭ.‬ ‫ْ‬ ‫ﻔ‬ ‫ﻴﺭﻴﺩﻭﻥ ﻗﺘﻠﻙ َ..‬ ‫ﻤﻥ ﻗﺎل؟‬ ‫‪َ ْ‬‬ ‫ﺘﻌﺭﻑ ﺃﻥ ﺍﻟﺫﻴﻥ ﻴﺭﻴﺩﻭﻥ ﻗﺘﻠﻙ‬ ‫ﺴﻭﻑ ﻴﻤﻭﺘﻭﻥ ﻏﻴﻅﺎ ً..‬ ‫ﻋﻠﻲ ﻜل ﺤﺎل ٍ؛‬ ‫ﻓﺈﻥ ﺍﻟﺠﻤﻴﻊ ﻴﻤﻭﺘﻭﻥ‬ ‫‪‬‬ ‫ﻭﺍﻟﺤﺏ ﻴﺒﻘﻲ..‬ ‫ﻭﻤﺎ ﻜﻨﺕ ﻭﺤﺩﻙ َ‬ ‫ﹶ‬ ‫"ﺇﻨﻙ ﺇﻥ ﻤﺕ ﻟﻠﺒﻴﺕ ِ ﺭﺏ ُ "‬ ‫‪‬‬ ‫ﱠ‬ ‫‪‬‬ ‫ﺩﻋﻬﻡ ﺇﺫﻥ‬ ‫ْ‬ ‫ﻴﺩﻗﻭﻥ ﻨﻌﺵ ﺍﻟﺨﻼﻓﺔ ِ ﺒﻌﺩﻙ َ‬ ‫ﹶ‬ ‫ﺩﻋﻬﻡ؛ ﻴﺩﻭﺭﻭﻥ ﻓﻲ ﺍﻟﺴﻭﻕ ِ‬ ‫ﻴﺘﻠﻭﻥ ﻨﻌ ‪‬ﻙ َ‬ ‫ﻴ‬ ‫ﺇﻨﻙ َ ﺃﻜﺒﺭ ﺒﺎﻟﺤﺏ؛ ﻭﺍﻟﺼﺩﻕ ِ‬ ‫ﻤﻥ ﺃﻥ ﺘﻤﻭﺕ.‬ ‫ﹾ‬ ‫- ٨٣ -‬
  • 40. ‫ﻫﻭﺍﻤﺵ‬ ‫١- ﺍﻟ ِﻼﻭﻴﺯ : ﺠﻤﻊ ِﻠﻭﺍﺯ؛ ﻭﻫﻭ ﺍﻟﺸﺭﻁﻲ...‬ ‫ﺠ‬ ‫ﺠ‬ ‫ﺒﺤﺜﺭ ﺍﻟﺸﺊ : ﻓ ‪‬ﻗﻪ؛ ﻭﺒﺩﺩﻩ.‬ ‫ﺭ‬ ‫-‬ ‫٢- ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ:‬ ‫ﻟﻠﺸﺎﻋﺭ / ﺤﻤﻴﺩﺓ ﻋﺒﺩ ﺍﷲ.‬ ‫-‬ ‫٢- ﺍﻟﺨﺎﺘﻭﻥ : ﺍﻟﻤﺭﺃﺓ ﺍﻟﺸﺭﻴﻔﺔ.‬ ‫٣- ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ ﻟﻠﺸﺎﻋﺭ / ﻋﺒﺩ ﺍﻟﻌﻅﻴﻡ ﻨﺎﺠﻲ.‬ ‫٤- ﺘﺸﻭﺵ : ﺍﺨﺘﻠﻁ ﻋﻠﻴﻪ ﺍﻷﻤﺭ..‬ ‫ﺘﺸﻭﺱ : ﺘﻜ ‪‬ﺭ.‬ ‫ﺒ‬ ‫-‬ ‫٢- ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ ﻟﻠﺸﺎﻋﺭ / ﺃﻤل ﺩﻨﻘل.‬ ‫٣- ﺴﺎﻤﺢ؛ ﻭﺴﻤﺎﺡ؛ ﻭﻤﺭﻭﺓ؛ ﻭﺃﺤﻤﺩ... ﺃﺒﻨﺎﺀ ﺍﻟﺸﺎﻋﺭ.‬ ‫- ٩٣ -‬