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‫ُ‬ ‫ﺣﺪﻳﺚ‬ ‫ﺍﻟﻀﺪ ﺑﻦ ﺍﻟﱪﺍءﺓ..‬ ‫א‬ ‫-٢-‬
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﻤﻜﺎﺸﻔﺎﺕ... )ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ(.......................................................................................... - ٦ -‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻷﻭل ﺤﺩﻴﺙ ﺍﻟﻀﺩ ﺒﻥ ﺍﻟﺒﺭﺍﺀﺓ.. .............................................................................. - ٨١ -‬ ‫ﻨﻔﻭﻨﻲ ﺼﻐﻴﺭﺍ.. .................................................................................................... - ٠٢ -‬ ‫ﹰ‬ ‫ﻫﻲ ﻗﻁﺭﺓ ُ ﻀﻭﺀ ِ .................................................................................................. - ٢٢ -‬ ‫ﺃﻨﺎ ﻓﻴﻪ.. ﺃ ُﻨﺎﺩﻴﻪ.. ................................................................................................... - ٤٢ -‬ ‫ﺃﺤﻴﺎﻨﺎ.. ﺃﺸﻌﺭ ﺫﺍﻜﺭﺘﻲ ﻜﻬﻭﺍﺀ ........................................................................................ - ٦٢ -‬ ‫‪‬‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺜﺎﻨﻲ ﺤﺩﻴﺙ ﺍﻟﺒﺭﺍﺀﺓ ِ ﻟﻠﻀﺩ.. ................................................................................ - ٨٢ -‬ ‫ﹸ‬ ‫)١( ................................................................................................................ - ٩٢ -‬ ‫)٢( ................................................................................................................ - ٠٣ -‬ ‫)٣( ................................................................................................................ - ١٣ -‬ ‫)٤( ................................................................................................................ - ٢٣ -‬ ‫)٥( ................................................................................................................ - ٣٣ -‬ ‫)٦( ................................................................................................................ - ٤٣ -‬ ‫)٧( ................................................................................................................ - ٥٣ -‬ ‫)٨( ................................................................................................................ - ٧٣ -‬ ‫)٩( ................................................................................................................ - ٨٣ -‬ ‫)٠١( .............................................................................................................. - ٩٣ -‬ ‫)١١( .............................................................................................................. - ٠٤ -‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺜﺎﻟﺙ ﻫﻭﺍﻤﺵ ﺒﻴﻥ ﺍﻟﻀ ِ؛ ﻭﺍﻟﺒﺭﺍﺀﺓ.. ......................................................................... - ١٤ -‬ ‫ِ‬ ‫ﺩ‬ ‫)١( ................................................................................................................ - ٢٤ -‬ ‫)٢( ................................................................................................................ - ٣٤ -‬ ‫)٣( ................................................................................................................ - ٤٤ -‬ ‫)٤( ................................................................................................................ - ٥٤ -‬ ‫)٥( ................................................................................................................ - ٦٤ -‬ ‫)٦( ................................................................................................................ - ٧٤ -‬ ‫)٧( ................................................................................................................ - ٨٤ -‬ ‫)٨( ................................................................................................................ - ٩٤ -‬ ‫ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ )ﺍﻟﻤﺨﺘﻠﻑ( ............................................................................................. - ١٥ -‬ ‫‪‬‬ ‫ﻤﺩﺨـل ............................................................................................................ - ٢٥ -‬ ‫ﺇﻀﺎﺀﺓ.............................................................................................................. - ٣٥ -‬ ‫ﺘﺄﺴﻴﺱ ............................................................................................................. - ٤٥ -‬ ‫ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ ........................................................................................................ - ٦٥ -‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ..................................................................................................... - ٧٥ -‬ ‫‪‬‬ ‫ﻭﺃﺸﻬﺩ.. ﻴﺎ ﺸﻬﺭﻴﺎﺫ ................................................................................................. - ٢٦ -‬ ‫-٣-‬
‫ﻭﻟﻴﺱ ﺴﻭﻱ ﺍﻟﺼﻤﺕ.. .............................................................................................. - ٣٦ -‬ ‫ِ‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ....................................................................................................... - ٥٦ -‬ ‫ﻓﺘﻨﺔ ﻨﺎﺌﻤﺔ........................................................................................................... - ٧٦ -‬ ‫ﹲ‬ ‫ﻗﻠﻤﻲ ﺘﺎﺌﻪ ﻋﻥ ﺒﺩﺍﻴﺘﻪ ................................................................................................ - ٩٦ -‬ ‫ِ‬ ‫‪‬‬ ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ﻤﺎ ﺩﻓﻨﺕ ............................................................................................... - ٠٧ -‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻫﻭﺍﻤﺵ... ﻋﻠﻲ ﺨﺎﺭﻁﺔ ﺍﻟﻁﺭﻴﻕ .................................................................................... - ٢٧ -‬ ‫ﺃﺤـﻭﺍل ............................................................................................................ - ٠٨ -‬ ‫ﺍﻨﺘﺒﻬﻭﺍ.............................................................................................................. - ٢٨ -‬ ‫ﺍﻟﺸـﺎﻫﺩ ............................................................................................................ - ٤٨ -‬ ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ ................................................................................................... - ٦٨ -‬ ‫ﺃﺭﻗﺏ ﺍﻟﺤ ‪ ،‬ﻭﺍﻟﻤﻭﺕ ............................................................................................... - ٧٨ -‬ ‫‪‬ﺏ‬ ‫ﺍﻟﻴﻘﻅـﺔ ............................................................................................................ - ٨٨ -‬ ‫ﻤﺭﺜﻴﺔ.. ﻟﺼﺎﺤﺏ ﻤﻘﺘل ﺍﻟﻘﻤﺭ ﺇﻟﻲ/ ﺃﻤل ﺩﻨﻘل ......................................................................... - ٠٩ -‬ ‫)ﺃﺒﺤﺙ ﻋﻨﻪ ﺒﻴﻥ ﺍﻷﺤﻴﺎﺀ ﺍﻟﻤﻭﺘﻰ ﻭﺍﻟﻤﻭﺘﻰ ﺍﻷﺤﻴﺎﺀ( .................................................................... - ٢٩ -‬ ‫ﺍﻟﺭﻤﺎﺩﻱ ﺇﻟﻲ ﻤﺤﻤﻭﺩ ﺇﺩﺭﻴﺱ ......................................................................................... - ٤٩ -‬ ‫ﻋﻠﻲ ﺠﻨﺒﺎﺕ ﺍﻟﻁﺭﻴﻕ ﺍﻟﻭﻟﻴﺩ.. ........................................................................................ - ٥٩ -‬ ‫ﺘﻬﻴﺌﺔ ﺇﻟﻲ/ ﺃﺤﻤﺩ ﺤﺴﻥ ﺸﺎﻫﻴﻥ ....................................................................................... - ٧٩ -‬ ‫ﻫﻤﺱ ﺇﻟﻲ ﺍﻟﻀﺩ ﺍﻟﻤﺨﺘﻠﻑ ........................................................................................... - ٩٩ -‬ ‫ﺘﺠﻠﻴﺎﺕ ﺃﻟﻑ ﺍﻟﺫﺍﺕ.. .............................................................................................. - ٠٠١ -‬ ‫ﹸ‬ ‫ﻴﻭﻡ، ﺒﻴﻭﻡ... ﻭﻻ ﻴﺒﻐﻴﺎﻥ ........................................................................................... - ٢٠١ -‬ ‫ﺤﺩﻴﺙ ﺨﺎﺹ ﻤﻊ ﺍﻟﺼﻤﺕ ......................................................................................... - ٤٠١ -‬ ‫ﺘﺠﻠﻴﺎﺕ ﻁﺎﺌﺭ ﺍﻷﻟﻑ ............................................................................................... - ٦٠١ -‬ ‫ﻟﻭﻥ ﺍﻟﺨﻴﻁ ﺍﻷﺒﻴﺽ ﻤﻥ ﻟﻭﻥ ﺍﻟﺨﻴﻁ ﺍﻷﺴﻭﺩ ﻤﻥ ﻟﻭﻥ ﺍﻟﺩﻡ ............................................................ - ٥١١ -‬ ‫ﻤﻥ ﺃﻗﻭﺍل ﺍﻷﻟﻑ ﺍﻟﻤﺄﺜﻭﺭﺓ .......................................................................................... - ٦١١ -‬ ‫ﺘﻘﻠﺒﺎﺕ ﺍﻷﻟﻑ ..................................................................................................... - ٧١١ -‬ ‫ﻴﺤﻤل ﺭﻴﺸﺘﻪ ﻤﻥ ﻗﺎﻉ ﺍﻟﻁﻴﻥ.. ..................................................................................... - ٩١١ -‬ ‫ﻋﻨﺎﻗﻴﺩﺍ ﻟﻠﺒﺴﻁﺎﺀ.. ................................................................................................. - ١٢١ -‬ ‫ﹰ‬ ‫ﻤﻥ ﺃﻗﺼﻲ ﺍﻟﺸﺭﻕ ﺍﻟﻭﺍﺭﻑ ........................................................................................ - ٢٢١ -‬ ‫ﺃﻟﻑ ﺨﺎﺹ ﺠﺩﺍ ................................................................................................... - ٥٢١ -‬ ‫ﹰ‬ ‫ﹲ‬ ‫ﺨﺭﻭﺝ ........................................................................................................... - ٦٢١ -‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ.. ﻻ ﻤﺯﻴﺩ ﺇﻫــﺩﺍﺀ ..................................................................................... - ٧٢١ -‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﻐﻭﻟﺔ.. ................................................................................................. - ٨٢١ -‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ ﺘﻤﺴﻙ ﺍﻟﻤﻭﺠﺔ َﺍﻟﺴﺎﺤﻠﻴﺔ َ ﻓﻲ ﻤﻨﺘﻬﺎﻫﺎ .................................................................... - ٠٣١ -‬ ‫ﺃﻨﺎ ﻨﻭﺭﺱ.. ...................................................................................................... - ٢٣١ -‬ ‫‪‬‬ ‫ﻓ ‪‬ﻠﺕ ﺍﻷﺤﻼﻡ ﺸﺭﺍﻋﺎ ............................................................................................ - ٥٣١ -‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺼ ﹸ‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َﺍﻟﺒﺤﺭ .................................................................................................... - ٦٣١ -‬ ‫ِ‬ ‫-٤-‬
‫ﺍﻟﺤﻠﻡ.. ﺼﺎﺭ ﺤﺩﻴﻘﺔ ............................................................................................... - ٨٣١ -‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻜﺎﻨﺕ ﻜﻤﺎ ﻋ ‪‬ﺍﻓﺔ .................................................................................................. - ١٤١ -‬ ‫ﺭ ٍ‬ ‫ﻜﺎﻨﺕ ﻜ ‪‬ﻠﺔ ﻤﺎﺭﺩ.................................................................................................. - ٣٤١ -‬ ‫ٍ‬ ‫ﺤ‬ ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻱ.. ....................................................................................... - ٤٤١ -‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ.. ....................................................................................... - ٦٤١ -‬ ‫ِ‬ ‫‪‬‬ ‫ِ‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ﻓﻲ ﺍﻟﻘﻠﺏ... ............................................................................................... - ٨٤١ -‬ ‫ِ‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ﻨﺩﺍﻫﺔ... .................................................................................................. - ٠٥١ -‬ ‫ﺁﻩ.. ﻴﺎ ﻋﺎﺠﻴﺔ َﺍﻷﺤﺯﺍﻥ ............................................................................................ - ٣٥١ -‬ ‫ِ‬ ‫ِ‬ ‫ﻟﻠﺭﻗﺹ ِ ﺍﻟﻤﻐﺎﻴﺭ .................................................................................................. - ٥٥١ -‬ ‫ِ‬ ‫ﻤﻠﻙ ُ.. ﻭﻤﻤﻠﻜﺘﻲ ﺍﻟﻐﻨﺎﺀ... ........................................................................................ - ٨٥١ -‬ ‫‪ ِ‬‬ ‫ﺍﻟﻴﻭﺩ ﻏﻁﻲ ﺇﺴﻜﻨﺩﺭﻴﺔ.. ........................................................................................... - ٠٦١ -‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﺍﻨﺘﺤﺭ ﺍﻟﺒﻜﺎﺀ ..................................................................................................... - ٣٦١ -‬ ‫‪‬‬ ‫ﺴﺄﻤﺭ ﻭﺤﺩﻱ...................................................................................................... - ٧٦١ -‬ ‫‪‬‬ ‫-٥-‬
‫ﻤﻜﺎﺸﻔﺎﺕ... )ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ(‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻴﺘﻨﻔﺱ ﺠﻴل ُ ﻤﻥ ﺍﻟﻜﺩﺡ ِ؛‬ ‫ُ‬ ‫ﻋﺒﺭ ﺍﻟﻐﻨﺎﺀ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﻴﺤﻴل ﺍﻟﻔﺭﺍﻍ َ ﺍﻟﺫﻱ ﻓﻲ ﺍﻟﻘﻠﻭﺏ ِ‬ ‫ﺤﺭﻴﻘﺎ ً؛ ﻭﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻴﻠﻭﻙ ﺍﻟﺭﺤﻴل َ..‬ ‫ﻭﻴﻁﻔﺊ ﺒﺎﻟﻜﻠﻤﺎﺕ ِ ﺍﻟﻨﺩﻴﺔ ِ؛‬ ‫ﺠﻤﺭ َ ﺍﻟﻌﻨﺎﺀ.‬ ‫‪‬‬ ‫ﻫﻜﺫﺍ..؛ ﻴﺼﻁﻔﻴﻨﻲ ﺍﻟﻜﻼﻡ ُ؛..‬ ‫ﻴﺯ ‪‬ﺞ ﺒﻲ ﺤﺎﺠﺏ َ ﺍﻟﺤﻠﻡ ِ؛ ﻭﺍﻟﻭﻫﻡ ِ؛..‬ ‫ﺠ‬ ‫ﺍﻟﺤ ‪ُ ‬ﻤﻤﻠﻜﺘﻲ؛ ﻭﺍﻟﺠﻨﻭﻥ ُ..‬ ‫‪‬ﺏ‬ ‫ﻭﻤﻌﺭﻜﺘﻲ.. ﻜل ﻫﺫﺍ ﺍﻟﻐﺜﺎﺀ.‬ ‫‪‬‬ ‫ُ‬ ‫.........................................‬ ‫ﺁﻴﺘﻲ..‬ ‫ﺃﻨﻨﻲ ﻤﺸﻜﻠﺔ ْ.‬ ‫ﻭﺩﻤﻲ ﺃﺴﺌﻠﺔ ْ.‬ ‫ﻓﺎﺴﺄﻟﻭﺍ ﺍﻟﻘﺎﺒﻠﺔ ْ.‬ ‫ﺤﻴﻥ ﻓﺎﺠﺄ ﺃﻤﻲ ﺍﻟﻤﺨﺎﺽ‬ ‫‪‬‬ ‫ﺘﻠﻘﺕ ﻭﻟﻴﺩﺍ ً؛ ﺘﺭﻱ..؟‬ ‫ﹾ‬ ‫ﺃﻡ ﺘﺭﻱ ﻗﻨﺒﻠﺔ ْ؟!!‬ ‫.........................................‬ ‫ﺁﻴﺔ ُ ُ..‬ ‫ﺃﻥ ﻴﻜﻭﻥ ﺍﻟﻨﻬﺎﺭ؛ ﻭﻟﻴﺩ ﺍﻟﺤﻠﻙ.‬ ‫‪‬‬ ‫‪‬‬ ‫-٦-‬
‫ﺁﻴﺔ ُ ُ..‬ ‫ﺃﻥ ﻴﻤﺭ ﻋﻠﻴﻙ َ ﺃﺨﻭﻙ ِ‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺘﻔﺘﺵ ﻋﻨﻪ؛ ﻜﺄﻥ ﻟﻡ ﻴﺭﻙ.‬ ‫‪‬‬ ‫ﺁﻴﺔ ُ ُ..‬ ‫ﻜل ﻨﻔﺱ ٍ ﻟﻬﺎ ﻫ ‪‬ﻬﺎ...‬ ‫ﻤ‬ ‫ُ‬ ‫ﻭﻫﻡ ُ ﺍﻟﺤﻘﻴﻘﺔ ِ – ﻴﺎ ﺴﻴﺩﻱ – ﻤﺸﺘﺭﻙ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﻴﺩﻱ..‬ ‫ﻴﺎ ﺍﻟﺫﻱ ﻓﻲ ﻜﻴﺎﻨﻲ ﻫﻨﺎ ﻫﻴﻜﻠﻙ ْ.‬ ‫ﺴﻴﺩ ُ؛ ﺃﻡ ‪‬ﻠﻙ‪‬؟‬ ‫ﻤ‬ ‫‪‬‬ ‫ﺃﻡ ﻷﻨﻙ َ ﺴﻤﻴﺕ َ ﻜل َ ﺍﻷﻤﺎﻨﻲ.. ﺃﻤﺎﻨﻲ.‬ ‫ﻭﺒﻌﺽ َ ﺍﻷﻏﺎﻨﻲ.. ﺃﻏﺎﻨﻲ.‬ ‫ﻭﻨﺼﻑ َ ﺍﻟﺫﻱ ﻴﺒﺩﻋﻭﻥ.. ﺸﺭﻙ.‬ ‫ﹶ‪ ‬‬ ‫.........................................‬ ‫)ﻫﻭ(‬ ‫ﺭﺠل ُ ﺘﻌﻁﺭ ﺒﺎﻟﺘﺭﺍﺙ ِ‬ ‫ﹼ‪‬‬ ‫ُ‬ ‫ﻭﺃﻤﻁﺭﺕ ﻤ ﹼﺎ ً ﻋﻠﻴﻪ ِ‬ ‫ﹾ ‪‬ﻨ‬ ‫ﻓﺄﻴﻨﻌﺕ ﺤﻠﻘﺎ ﹸﻪ؛‬ ‫ﺘ‪‬‬ ‫ﹾ‬ ‫ﻭﺘﺄﻟﻕ ﺍﻟﻨﻐﻡ ﺍﻟﻐﻼﻡ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺤﺩﺙ ﺍﻟﻭﺍﺸﻭﻥ ﻋﻨﻪ‬ ‫‪ ‬‬ ‫‪ ‬ﹶ‬ ‫ﻓﻤﺎ ﺍﺩﻋﻲ ﺒ ‪‬ﺍ ً؛ ﻭﻻ ﺘﻤﺭﺍ ً‬ ‫‪‬ﺭ‬ ‫ﻜﺫﺍ.. ﺭﺠل ُ ﺇﺫﺍ..‬ ‫ُ‬ ‫ﻤﺎ ﺃﻴﻨﻌﺕ ﻓﻴﻙ ﺍﻟﺤﺼﻭﺒﺔ ُ‬ ‫ﹾ ‪‬‬ ‫ﺃﻴﻨﻌﺕ ﻓﻴﻪ ﺍﻟﺨﺼﻭﺒﺔ ُ..‬ ‫ﹾ‬ ‫ﺇ ﹼﻪ؛ ﺭﺠل ُ ﻴﺤﻥ ُ‬ ‫ُ ِ‪‬‬ ‫ﻨ‪‬‬ ‫ﻭﺭ ‪‬ﻤﺎ... ﺭﺠل ُ ﻴﺌﻥ ُ‬ ‫ُ‬ ‫ﺒ‬ ‫ﻭﺭ ‪‬ﻤﺎ.. ﺭﺠل ُ ﻭﻁﻥ.‬ ‫ُ ‪‬ﹶ‪‬‬ ‫ﺒ‬ ‫-٧-‬
‫.........................................‬ ‫)ﻫﻲ(‬ ‫ﺍﻤﺭﺃﺓ ُ ُ؛ ﻤﻥ ﻋﺒﻴﺭ ﺍﻟﻁﻔﻭﻟﺔ ِ - ﻴﺎ ﺴﻴﺩﻱ -‬ ‫ِ‬ ‫ﻋﺸﻘﺘﻬﺎ ﺍﻟﻨﻭﺍﺭﺱ ﺤﻴﻨﺎ ً ﻤﻥ ﺍﻟﺩﻫﺭ ِ؛‬ ‫‪‬‬ ‫ﺠﺎﺩ ﻟﻬﺎ ﺍﻟﺒﺤﺭ ﺃﺴﺭﺍﺭﻩ؛ ﻭﺍﻟﻼﻟﺊ..‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﺤﻴﻥ ﻗﺎﺒﻠﺘﻬﺎ ﻓﻲ ﺍﻨﻔﻼﺘﺔ ِ ‪‬ﻠﻡ ٍ‬ ‫ﺤ‬ ‫ﺭﻤﺕ ﺒﺸﺒﺎﻙ ِ ﺍﻟﻐﺭﺍﻡ ِ ﻋﻠﻲ َ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺍﻟﻐﺭﺍﻡ؛ ﻤﺸﻲ ﻓﻲ ﺍﻟﻌﺭﻭﻕ ِ؛ ﺍﺤﺘﻘﻨﺕ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺍﻨﻔﻠﺕ ﺇﻟﻲ ﺸﺎﻁﺊ ٍ ﺴﻨﺩﺴﻲ ٍ؛‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﻫﻴﺄﺕ ﺸﻭﻗﺎ ً؛‬ ‫ﹸ‬ ‫ﻭﻋ ‪‬ﺩﺕ ُ ﻓﻲ ﻤﻔﺭﻕ ِ ﺍﻟﻐﻴﺏ ِ ﺩﺭﺒﺎ ً؛‬ ‫ﺒ‬ ‫ﻭﻗﻠﺕ: ﺘﺠﺊ ﻤﻊ ﺍﻟﻠﻴل ِ‬ ‫ُ‬ ‫ﹸ‬ ‫ﺃﺴﺭﻱ ﺒﻬﺎ ﻟﻠﺫﻱ ﻻ ﻴﺠﻭﺩ ِﻪ ِ ﺍﻟﺩﻫﺭ‬ ‫‪‬‬ ‫‪‬ﺒ‬ ‫ﺇﻻ َ ﻟﻤﺜﻠﻲ..‬ ‫ﹼ‬ ‫ﻭﻜﺎﻥ ﻟﻬﺎ ﻤﺎ ﺘﺸﺎﺀ‬ ‫‪‬‬ ‫ﺍﻟﻨﻭﺍﺭﺱ.. ﻏﻴﻡ ُ ﻤﻥ ﺍﻟﺭﻓﺭﻓﺎﺕ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻥ ﺍﻟﺼﻭﺼﻭﺍﺕ ِ‬ ‫ﻟﻬﺎ ﺍﻟﺒﺤﺭ..‬ ‫‪‬‬ ‫ﺃﺴﺭﺍﺭﻩ؛ ﻭﺍﻟﻶﻟﺊ..‬ ‫‪‬‬ ‫ﻭﻟﻡ ﻴﺒﻕ ﻋﻨﺩﻱ‬ ‫ﺴﻭﻱ ﺒﻌﺽ ﺸﻴﺏ ٍ؛‬ ‫ِ‬ ‫ﻭﺒﻌﺽ ِ ﺭﻤﺎﺩ.‬ ‫‪‬‬ ‫.........................................‬ ‫-٨-‬
‫)ﻫﻡ(‬ ‫ﻜﻬﻭﺍﺀ ٍ ﻴﻨﻅﺭ ﻓﻲ ﺍﻟﻤﺭﺁﺓ ْ.‬ ‫ﻜﺤﺭﻭﻑ ٍ ﹸﻜﺘﺏ ﺒﺎﻟﻤﻤﺤﺎﺓ ْ.‬ ‫ﺘ ‪‬‬ ‫ﻜﺎﻟﻤﺎﺀ ِ ﺍﻟﻭﺍﻗﻑ ِ ﺒﻴﻥ ﻤﻴﺎﻩ ْ.‬ ‫ﻗﺎﻟﻭﺍ: ﻨﺤﻴﺎﻫﺎ!!‬ ‫ﺃﻱ ُ ﺤﻴﺎﺓ ْ؟!‬ ‫‪‬‬ ‫ﻴﺎ ﻤﺤﺽ ﺸﻴﺎﻩ ْ.‬ ‫‪‬‬ ‫‪‬ﺼﺭﺨﻜﻡ ﻴﻨﻜﺭ ﻤﻥ ﻭﺍﻻﻩ ْ.‬ ‫‪ ‬‬ ‫ﻤ‬ ‫ﻭﺍﻟﺼﻤﺩ؛ ﺍﻟﻭﺍﺤﺩ ﺠل ‪‬ﻼﻩ.‬ ‫ﻋ ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻻ ﺭﺏ َ ﺴﻭﺍﻩ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻨﻅﺭﺕ ﻷﻁﻔﺎﻟﻲ ﺍﻟﺠﻭﻋﻲ..‬ ‫ﹸ‬ ‫ﻭﺤﻤﺩﺕ ﺍﷲ ْ.‬ ‫ﹸ‬ ‫.........................................‬ ‫)ﻫﻭ(‬ ‫ﻭﻟﺩﺘﻪ ﺍﻤﺭﺃﺓ ْ‬ ‫ﻤﺜل ﺒﺎﻗﻲ ﺍﻟﻨﺴﺎﺀ..‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ ﻟﻡ ﻴﺠﺊ ْ ﺫﻜﺭﻩ ﻓﻲ ﺍﻟﺭﺴﺎﻻﺕ ِ‬ ‫‪‬‬ ‫ﺒ‬ ‫ﺃﻭ ﻟﻡ ‪‬ﺤ ‪‬ﺙ ْ ﺒﻪ ﺍﻷﻨﺒﻴﺎﺀ ْ.‬ ‫ﻴ ﺩ ِِ‬ ‫ﻓﻘﻁ ﻜﺎﻥ ﻴﻬﻤﺱ ﻟﻠﻨﺎﺱ ِ ﺴ ‪‬ﺍ ً:‬ ‫ِﺭ‬ ‫ﺇﺫﺍ ﻋﺎﻤﻠﺕ ْ ﺯﻭﺠﺘﻲ ﺨﺎﺘﻤﻲ ﺒﺩﻭﻥ ِ ﺍﻋﺘﻨﺎﺀ ْ‬ ‫ﺘﻔﺭﻕ ﺒﻴﻥ ﺃﺼﺎﺒﻊ ِ ﻜل ِ ﺍﻟﻨﺴﺎﺀ ْ.‬ ‫‪‬ﹶ‬ ‫ﺭ ‪‬ﻤﺎ ﻻ ﻴﻜﻭﻥ ﻤﻬﻤﺎ ً‬ ‫ﺒ‬ ‫ﻟﻨﻌﺭﻑ ﺃﻴﻥ ﺍﺨﺘﻔﻲ..‬ ‫ﹶ‬ ‫ﻭﻤﻥ ﺃﻴﻥ ﺠﺎﺀ ْ..!!‬ ‫ﻓﻘﻁ ﻜﺎﻥ ﻴﺨﻠﻁ ﺨﺒﺯﺍ ً ﺒﺠﻭﻉ ٍ؛‬ ‫ﻭﺤﺯﻨﺎ ً ﺒﺄﻏﻨﻴﺔ ٍ..‬ ‫-٩-‬
‫ﻭﻜ ﹼﺎ ﻟﻪ ﺃﻭﻓﻴﺎﺀ.‬ ‫‪‬‬ ‫ﻨ ‪‬‬ ‫.........................................‬ ‫)ﻫﻲ(‬ ‫ﺩﻗﺕ ﺍﻟﻘﻠﺏ؛ ﻭﺍﺴﺘﺄﺫﻨﺕ..‬ ‫ﹾ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺩﺨﻠﺕ ْ..‬ ‫ﻓﺘﺸﺕ ﺒﺭﻫﺔ ً ﻓﻲ ﺍﻟﺩﻤﺎ ﺍﻟﺨﺎﻤﻠﺔ ْ.‬ ‫ﹾ‬ ‫ﻗﻁﻔﺕ ﻭﺭﺩﺓ ً ﺫﺍﺒﻠﺔ ْ.‬ ‫ﹾ‬ ‫ﻫﻴﺌﺕ ﻨﻔﺴ ‪‬ﺎ ﻟﻠﺴﺒﺎﺤﺔ ِ ﻋﺒﺭ ﺍﻟﺸﺭﺍﻴﻴﻥ ِ‬ ‫‪‬‬ ‫ﹾ ‪‬ﻬ‬ ‫ﻭﺼﻠﺕ ﻟﻠﻌﻘل ِ..‬ ‫ﹾ‬ ‫ﻗﹼﺒﺕ ْ ﺃﻭﺭﺍﻗﻪ ﺍﻟﻤﻬﻤﻠﺔ ْ..‬ ‫ﹶ‪‬‬ ‫ﻠ‬ ‫ﺸﺎﻏﺒﺕ ْ ﻓﻜﺭﺓ ً ﻋﺎﻁﻠﺔ ْ..‬ ‫ﻓﺘﺤﺕ ‪‬ﻠﺒﺔ َ ﺍﻹﻨﻔﻌﺎﻻﺕ ِ‬ ‫ﻋ‬ ‫ﺃﺨﺭﺠﺕ ﻭﺍﺤﺩﺍ ً.. ﺃﺸﻌﻠﺘﻪ‬ ‫‪‬‬ ‫ﺸﺒﺕ ْ ﺍﻟﻨﺎﺭ ﻓﻲ ﺍﻟﻤﺴﺄﻟﺔ ْ..‬ ‫‪‬‬ ‫ﻫﺎﺩﺌﺔ ً..‬ ‫ﻋﺎﺩﺕ ﺇﻟﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﺃﻏﻠﻘﺕ ﺨﻠﻔﻬﺎ ﺍﻟﺒﺎﺏ َ‬ ‫ﻭﺍﺴﺘﺴﻠﻤﺕ ْ ﺫﺍﻫﻠﺔ ْ.!!!‬ ‫.........................................‬ ‫)ﻫﻡ(‬ ‫ﻗﺎﻟﻭﺍ: ﻤﻥ ﻋﺎﺯ َ ﻓﻘﺩ ﻻﺫ َ!!‬ ‫‪‬‬ ‫ﻤﻥ ﺃﻭﻋﺯ ﻫﺫﺍ ﺍﻹﻴﻌﺎﺯﺍ؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻥ ﺠﺎﺯ َ‬ ‫ﻓﻘﺩ ﺃﻨﺠﺯ ﻫﺫﺍ‬ ‫ﻓﻲ ﺫل ِ ﺍﻟﻌ ‪‬ﺓ َ ﺇﻨﺠﺎﺯﺍ..‬ ‫ﺯ‬ ‫- ٠١ -‬
‫ﻟﻜﻥ ﻤﺎﺫﺍ‬ ‫ﻟﻭ ﺤﺎﺯ ﺍﻟﻤﺠﺭﻡ ﻤﺎ ﺤﺎﺯﺍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﻜﺒﺭ ﻓﻲ ﺍﻷﺭﺽ ِ؛ ﻭﻓﺎﺯﺍ‬ ‫‪‬‬ ‫ﺃﺘﻔﻴﺩ ﺇﺫﺍ؛ ﻭﻟﺫﺍ؛ ﻭﻜﺫﺍ؟‬ ‫ﺍﻟﻌﺎﺌﺯ ﻻ ﻴﻘﻭﻱ ﺃﺒﺩﺍ ً‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺴﺄل ﻤﻌﻁﻴﻪ ِ ﻟﻤﺎﺫﺍ!!!!‬ ‫‪‬‬ ‫.........................................‬ ‫ﻫﻭ ﺍﻟ ‪‬ﻤﺭ ﻓﻲ ﻟﺤﻅﺔ ٍ ﻴﺴﺘﻁﻴﺏ ﺍﻟﺤﻴﺎﺓ َ‬ ‫‪‬‬ ‫ﻌ ‪‬‬ ‫ﻭﺃﺨﺭﻱ ﻴﻀﻴﻕ ﺒﻬﺎ..‬ ‫ﻭﺍﻟﻤﺴﺎﻓﺔ ُ ﻤﺎ ﺒﻴﻥ ﺤ ‪ٍ ‬؛ ﻭﻀﻴﻕ ٍ‬ ‫‪‬ﺏ‬ ‫ﺘﺭﻭﺡ؛ ﻭﺘﻐﺩﻭ‬ ‫‪‬‬ ‫ﺘﻠﻭﻥ ﺩﻨﻴﺎﻱ ﻓﻲ ﺍﻟﻠﺤﻅﺘﻴﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻏﺩﻭ – ﺃﻴﺎ ﺴﻴﺩﻱ – ﺒﻴﻥ ﺒﻴﻥ‬ ‫ﻭﺃﺩﻋﻭﻙ: ﻫﺒﻨﻲ ﺭﻀﺎﻙ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻜﻥ ﻟﻲ ﺠﻨﺎﺤﺎ ً؛ ﻭﻋﻴﻥ..‬ ‫‪‬‬ ‫ﻓﻘﺩ ﺃﺘﻌﺒﺘﻨﻲ ﺍﻟﻤﺴﺎﻓﺔ ُ‬ ‫ﻓﻲ ﺍﻟﺤﺎﻟﺘﻴﻥ.‬ ‫‪‬‬ ‫.........................................‬ ‫ﻴﺩﻭﺭ ﺍﻟ ‪‬ﻤﺭ ﺩﻭﺭﺘﻪ..‬ ‫‪‬‬ ‫‪ ‬ﻌ ‪‬‬ ‫ﻓﻨﺭﻨﻭ ﺫﺍﻫﻠﻴﻥ ﻟﺤﻠﻤﻨﺎ ﺍﻷﺭﻀﻲ ِ..‬ ‫‪‬‬ ‫ﺘﻤﺭ ُ ﺃﻤﺎﻤﻨﺎ ﺍﻷﻴﺎﻡ ‪‬ﺴﺭﻋﺔ ً‬ ‫‪‬ﻤ‬ ‫‪‬‬ ‫ﻭﻨﺠﺜﻭ ﺒﺎﻨﺘﻅﺎﺭ ِ ﺍﻟﻤﻭﺕ َ؛‬ ‫ﺘﺭﻋﺒﻨﺎ ﹸﻁﻲ ﺍﻷﻴﺎﻡ ِ؛‬ ‫ﺨ‬ ‫ﻭﻫﻲ ﺘﻤﺭ ُﻓﻭﻕ ﺴﺭﺍﺒﻨﺎ ﺍﻟﻔﻀﻲ ِ ﺃﺴﺭﺍﺒﺎ ً‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻟﻲ ﺍﻟﻼﺸﺊ؛ ﻭﺍﻟﺫﻜﺭﻱ..‬ ‫- ١١ -‬
‫ﻭﻟﻴﺱ ﻫﻨﺎﻙ َ ﻏﻴﺭ ﺍﻟﻭﺤﺸﺔﺍﻟﻜﺒﺭﻱ..‬ ‫ﻴﻐﻠﻔﻬﺎ ﻏﺜﺎﺀ ﺍﻟﻤﻭﺝ ِ؛‬ ‫‪‬‬ ‫ﻴﻐﻤﺭﻫﺎ ﻨﺩﻴﻑ ﺍﻟﺜﻠﺞ ِ؛‬ ‫ﹸ‬ ‫ﻴﻐﺩﻭ ﻜل ﺸﺊ ٍ ﻋﺎﺒﺭﺍ ً؛‬ ‫ُ‬ ‫ﻴﺒﺩﻭ ﻜﻌﺼﻔﻭﺭ ٍ ﻏﺭﻴﻕ ٍ ﻓﻲ ﺍﻟﻤﺩﻱ..‬ ‫ﺍﻵﻥ ﺃﻭﻗﻥ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻥ ﻤﺎ ﻜﺴﺒﺕ ﻴﺩﺍﻱ ﻤﻥ ﺍﻟﻤﺘﺎﻉ ِ‬ ‫‪‬‬ ‫ﹾ‬ ‫- ﻤﺘﺎﻉ ﺍﻷﺭﺽ ِ ﻓﻲ ﺍﻟﺩﻨﻴﺎ -‬ ‫‪‬ﺩﻱ.‬ ‫ﺴ‬ ‫.........................................‬ ‫ﻜﺎﻥ ﻴﺤﻤل ﺃﺤﻼﻤﻪ ﻓﻲ ﺩﻭﺭﻕ ِ ﺍﻟﺼﺩﺭ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﺜﹼﺔ ً ﻤﻥ ﺯﻫﻭﺭ.‬ ‫‪‬‬ ‫ﹸﻠ‬ ‫ﺜﻡ ﻴﻤﻀﻲ ﺠﻤﻴﻼ ً - ﻜﻤﺎ ﺨﻴل ﺍﻟﻭﻫﻡ ﻟﻪ -‬ ‫‪‬‬ ‫‪َ‬‬ ‫ﺒﻴﻥ ﺘﻠﻙ ﺍﻟﻘﺒﻭﺭ.‬ ‫‪‬‬ ‫ﻜﺎﻥ ﻴﻨﺜﺭ ُﺃﺤﻼﻤﻪ ﻟﻬﻭﻱ ﺍﻟﻌﺎﺸﻘﻴﻥ ْ.‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺤﻴﻥ ٍ؛ ﻭﺤﻴﻥ.‬ ‫‪‬‬ ‫ﺜﻡ ﻻ ﻴﺭﻋﻭﻱ ﺃﻥ ‪‬ﻘﺴﻡ ﺃﺤﻼﻤﻪ‬ ‫‪‬‬ ‫ﻴ ‪‬‬ ‫ﺒﻴﻥ ﻜل ﺍﻟﺫﻴﻥ ﺃﺤﺒﻬﻡ..‬ ‫‪‬‬ ‫ﺃﻭ ﻴﻘﺴﻡ ﻗﻠ ‪‬ﻪ ﺍﻟﻤﺴﺘﻜﻴﻥ.‬ ‫‪‬‬ ‫‪ ‬ﺒ‬ ‫ﻜﺎﻥ ﻴﺩﺭﻙ..‬ ‫‪‬‬ ‫ﺃﻥ ﺍﻟﺫﻱ ﻓﻴﻪ ﻴﻜﻤﻥ‬ ‫‪‬‬ ‫ﺃﺭﺤﺏ ﻤﻥ ﻜل ﻫﺫﺍ ﺍﻟﻤﺠﺎل..‬ ‫ْ‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ ﻤﻁﺭﺍ ﻨﺎﺯﻓﺎ ً؛‬ ‫ﹰ‬ ‫ﺒ‬ ‫ﺃﻭ ﺒﺭﻴﻕ ﺍﺤﺘﺭﺍﻕ ٍ؛ ﻭﻨﺒﻊ ﺍﺸﺘﻌﺎل.!!‬ ‫ْ‬ ‫ﹶ‬ ‫ﺭ ‪‬ﻤﺎ ﺠ ﹼﺔ ً.. ﺃﻭ ِﻼل ْ.‬ ‫ﻅ‬ ‫ﺒ ‪‬ﻨ‬ ‫ﺇ ﹼﻪ ﻴﻌﺭﻑ ﺍﻵﻥ:‬ ‫ﹸ ‪‬‬ ‫ﻨ‪‬‬ ‫- ٢١ -‬
‫ﺯﻫﺭﺍﺘﻪ ﺘﺤﻤل ﺍﻟﺭﻭﺡ ﻗﻨﺩﻴل ﻨﻭﺭ.‬ ‫َ ‪‬‬ ‫‪‬‬ ‫ﹸ‪‬‬ ‫ﻭﻫﻲ ﺼﻭﺕ ُ؛ ﻭﻟﻴﺱ ﻟﺩﻨﻴﺎﻜﻡ ُ‬ ‫ﹸ‬ ‫ﺇ ﹼﻤﺎ ﻟﻠﻨﺸﻭﺭ.‬ ‫‪‬‬ ‫ﻨ‬ ‫.........................................‬ ‫ﻫﻴﺄﺘﻨﻲ ﺍﻟﻤﺭﻭﺀﺓ ُ‬ ‫ﻫﺎﺀﺕ.. ﻭﻫﺎﺘﺕ..‬ ‫ﹾ‬ ‫ﹾ‬ ‫ﻭﻜﻨﺕ ﺍﺭﺘﺩﻴﺕ؛ ﺍﺭﺘﺩﺩﺕ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺃﺭﺩﻴﺕ؛ ﺜﻡ ﺍﺴﺘﻘﻤﺕ..‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺼﻭﺒﺕ ﻁﺎﺵ؛‬ ‫ﹶ‬ ‫ﹸ‬ ‫ﻭ ‪‬ﻭﺒ ﹸ ﻁﺸﺕ..‬ ‫ﹸ‬ ‫ﺼ ﺕ‬ ‫ﻭﻋﺎﺸﺕ؛ ﻭ ِﺸﺕ..‬ ‫ﹾ ﻋ ﹸ‬ ‫ﻭﺜﻡ ﺍﻨﺘﻌﺸﺕ..‬ ‫ﹸ‬ ‫ﻨﻘﺸﺕ ﻨﻘﻭﺸﻲ؛ ﻓﺸﺎﻟﺕ؛ ﻭﺤﻁﺕ‬ ‫ﹼ ﹾ‬ ‫ﹾ‬ ‫ﹸ‬ ‫ﻓﺸﺎل ﻋﻠﻲ ﺍﻟﺠﻤﻴﻊ؛ ﻭﺤﻁﻭﺍ..‬ ‫‪‬‬ ‫َ ‪‬‬ ‫ﻭﻜﻨﺕ ﺃﺤ ﹼ ُ.. ﺃﺤﻁ ُ ﺒﻤﺎ ﻟﻡ ﻴ ِﻁ ﺒﻪ ﻏﻴﺭﻱ‬ ‫‪‬ﺤ‬ ‫ﹸ ُ ِﻁ َ ‪ ‬ﹼ‬ ‫ﻭﺸﻁ َ ﺍﻟﻤﺯﺍﺭ‬ ‫‪‬‬ ‫ﹼ‬ ‫ﻭﻟ ‪‬ﺎ ﻴﻜﻥ ﻓﻲ ﺨﻀﻤﻲ ﺸﻁ ُ..‬ ‫‪ ‬ﹶﹼ‬ ‫ﻤ‬ ‫ﻭﻟﻜﻨﻨﻲ؛ ﻟﻡ ﺃﺯﺤﺯﺡ ﻤﻜﺎﻨﻲ‬ ‫ﺒﻘﻠﺏ ِ ﺍﻟﻤﻠﻴﻜﺔ ِ ﻗﻁ ُ‬ ‫ﹶﹼ‬ ‫ﻭﻻ ﻏﻴﺭﺘﻨﻲ ﺍﻟﻔﻭﺍﺩﺡ ﻗﻁ ُ..‬ ‫‪ ‬ﹼ‬ ‫ﻭﻻ ﻏﻴﺭ ﺤ ‪ َ ‬ﺍﻟﻤﺭﻭﺓ ِ‬ ‫‪ ‬ﺏ‬ ‫ﻋﻤﺭﻱ ﺍﻟﺘﻘﻁ ُ..!!‬ ‫ﹼ‬ ‫.........................................‬ ‫ﻁﺎﺌﺭ ُ ﻓﻲ ﻗﻔﺹ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺃﺤﻠﻲ ﺍﻟﻘﺼﺹ.‬ ‫‪‬‬ ‫ﻗﻠﺕ: ﻴﺎ ﺴﻴﺩﻱ‬ ‫ﹸ‬ ‫- ٣١ -‬
‫ﺇﻨﻬﺎ ﻗﺼﺔ ُ ُ‬ ‫ﺤﻴﻨﻤﺎ ﻗﺼﻘﺼﺕ‬ ‫ﹾ‬ ‫ﺭﻴﺸﻬﺎ ﺤﺼﺤﺼﺕ..‬ ‫ﹾ‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﺍﻟﻜﻼﻡ ﺇﺫﺍ ﺯﺍﺩ ﻋﻥ ﺤﺩ ِﻩ ِ ‪‬ﻨﺘﻘﺹ.‬ ‫‪‬‬ ‫‪ ‬ﻴ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻜﻠﻨﺎ ﺴﻴﺩﻱ‬ ‫ﻁﺎﺌﺭ ُ ﻓﻲ ﻗﻔﺹ.‬ ‫‪‬‬ ‫‪‬‬ ‫.........................................‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﻟﺩﺘﻨﻲ ﺍﻟﺤﺭﻭﻑ‬ ‫ﹸ‬ ‫ﻓﺄﺜﻘﻠﺘﻬﺎ ﺒﺎﻟﺼﺩﻱ..‬ ‫ﻭﺍﻟﺴﺅﺍل ِ ﺍﻟﻤﺩﻱ..‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﺍﻟﺭﻴﺎﺡ ﺍﻟﺘﻲ ﻓﻲ ﺩﻤﻲ ﻟﻠﻨﺩﻱ..‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺘﻌﺭﻑ ﺇﻻ ﺍﻟﺠﻠﻭﺱ ﺇﻟﻲ ﻗﺎﻤﺘﻲ‬ ‫‪‬‬ ‫ﹸ ﹼ‬ ‫ﻫل ﻭﻟﺩﺕ ‪‬ﺩﻱ؟!!!!!‬ ‫ﹸﺴ‬ ‫.........................................‬ ‫ﻻ ﺘﻁﻠﺏ ﻤﻨﻲ ﺘﺭﻙ ﺩﻤﻲ‬ ‫ﻗﺎﺏ ﺍﻟﻘﻭﺴﻴﻥ ِ ﺍﻟﻤﻌﺭﻭﻓﻴﻥ ِ‬ ‫ﻤﻥ ﺍﻟﻨﻐﻡ ِ‬ ‫ﺃﻭ ﺘﺤﺕ ﺭﺒﻴﻊ ِ ﺍﻟﺸﻔﺔ ِ ﺍﻟﺴﻔﻠﻲ‬ ‫ﹶ‬ ‫ﻤﻥ ﺃﻟﻤﻲ‬ ‫ﻓﺤﻨﻴﻨﻲ..‬ ‫ﻗﺎﻓﻠﺔ ُ ﻤﻥ ﻓﻀﺢ ٍ؛‬ ‫ﹸ‬ ‫ﻤﻥ ﺤﻤﻡ ِ‬ ‫- ٤١ -‬
‫ﻭﺤﺭﻭﻓﻲ ﻴﺤﺘﺸﺩﻭﻥ ﻟﻘﺹ ِ ﺸﺭﻴﻁ َ ﺍﻟﻴﻘﻅﺔ ِ‬ ‫ﺃﻭ ﺘﺘﻭﻴﺞ ﺍﻟﺤﻠﻡ َ ﺍﻟﺼﺎﻋﺩ ﻤﻥ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﻠﻤﻲ‬ ‫ﻟﻔﻤﻲ..‬ ‫ﻭﺃﻨﺎ....‬ ‫ﻟﻬﻨﺎﻙ َ‬ ‫ﻫﻨﺎ.‬ ‫.........................................‬ ‫ﻟﻸﺴﻑ..‬ ‫ﹾ‬ ‫ﻟﻡ ﻴﻜﻥ ﻤﻥ ﻗﺒﻴل ﺍﻟﺼﺩﻑ.‬ ‫ﹾ‬ ‫ﺃﻥ ﻫﺫﺍ ﺍﻟﺫﻱ‬ ‫ﻗﺩ ﺘﻜﺴﺭ ﺒﻴﻥ ﻴﺩﻴﻙ ِ ﻜﻴﺎﻨﻲ‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺁﻨﻴﺔ ً ﻤﻥ ﺨﺯﻑ..!!‬ ‫ﹾ‬ ‫ﻟﻸﺴﻑ.‬ ‫ﹾ‬ ‫.........................................‬ ‫ﺒﻠﻲ.....‬ ‫ﻭﺍﻟﺒﻼﻴﺎ؛ ﺘﺒ ّ ُ ﺍﻟﺫﻱ ﻴﺒﺘﻠﻲ‬ ‫‪‬ل‬ ‫ﻓﻴﺒﻠﻲ..‬ ‫ﻭﻗﺩ ﻴﺒل ﻓﻴﻬﺎ ﺒﻼﺀ ً‬ ‫‪ُ ‬‬ ‫ﻴﻐﻴﻅ ﺍﻟﺫﻱ ﻗﺩ ﺴﻠﻲ؛ ﺃﻭ ﻗﻠﻲ‬ ‫ﻓﺈﻥ ﺍﻟﺒﻼﺀ ﺍﻨﺘﻤﺎﺀ ُ؛ ﻭﺩﺍﺀ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﻨﺫ ﺍﺒﺘﻠﻴﺕ ﺒﺤ ِﻙ ِ؛‬ ‫ﹸ ﺒ‬ ‫ﻭﺍﻟﻔﺽ ِ ﻓﻴﻙ ِ..‬ ‫ﺭﺠﻭﺘﻙ ِ ﻟﻲ ﻤﻭﺌﻼ..‬ ‫ﻭﺭﺍﻭﺩﺕ‬ ‫ﹸ‬ ‫- ٥١ -‬
‫ﻜﻼ؛‬ ‫ﻭﻻ..‬ ‫.........................................‬ ‫ﺇﻨﻬﺎ ﺍﻟﻭﺭﻁﺔ ُ ﺍﻷﺯﻟﻴﺔ ْ.‬ ‫ﺃﻥ ﻨﺼﻌﺩ ﺴﻠﻡ ﺍﻟﻤﻭﺕ ِ‬ ‫‪ ‬ﹼ ‪‬‬ ‫ﺇﻟﻲ ﺭﺩﻫﺔ ِ ﺍﻷﺒﺩﻴﺔ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﺴﻭﻑ ﻴﻨﺤﺴﺭ ﺍﻟﻅل‬ ‫ُ‬ ‫ِ‪‬‬ ‫ﻓﻲ ﺃﻁﻠﺱ ِ ﺍﻟ ‪‬ﻤﺭ ِ‬ ‫ﻌ‬ ‫ﺇﻟﻲ ﻨﻘﻁﺔ ٍ ﻋﻠﻲ ﻫﺎﻤﺵ ِ ﺍﻷﺒﺠﺩﻴﺔ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﺴﻭﻑ ﻴﻤﺘﺩ ُ؛‬ ‫‪‬‬ ‫ﻴﻭﻏل؛‬ ‫ُ‬ ‫ﻴﻨﺴﺎﺡ‬ ‫‪‬‬ ‫ﻓﻲ ﺒﺅﺒﺅ ِ ﺍﻟﻌﺩﻤﻴﺔ ْ.‬ ‫.........................................‬ ‫ﻭﺤﻴﻨﻤﺎ ﺘﻔﺘﺤﺕ ْ ﻨﻭﺍﻓﺫ ﺍﻟﺴﻤﺎﺀ ِ..‬ ‫ﹸ‬ ‫ﺭ ﹼﻠﺕ ْ ﺤﻨﺎﺠﺭ ﺍﻟﻐﻴﻭﺏ ِ ﻓﺎﺼﻼ ً‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻤﻥ ﺍﻟﺩﻋﺎﺀ ِ؛ ﻭﺍﻟﻐﻨﺎﺀ ِ..‬ ‫ﻓﺎﺴﺘﺠﺎﺏ ﻁﺎﺌﺭ ﺍﻟﻌﻨﻕ..‬ ‫ﹾ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻨﺴل َ ﻤﻥ ﺸﺭﺍﻨﻕ ِ ﺍﻹﻟﺯﺍﻡ ِ‬ ‫ّ‬ ‫ﻭﺍﻨﻌﺘﻕ ْ.‬ ‫ﻤﻭ ‪‬ﻋﺎ ً ﻤﺤﻁﺔ َ ﺍﻟﺭﺤﻴل ِ‬ ‫ﺩ‬ ‫ﺼﻭﺏ ِﺩﺭﺓ ِ ﺍﻟﻠﻘﺎﺀ ْ.‬ ‫‪‬ﺴ‬ ‫.........................................‬ ‫- ٦١ -‬
‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل‬ ‫ُ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﻟﻭﺤﺔ ِ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫ﹶ‬ ‫ﺴﺘﺨﺘﻔﻲ ﺃﻟﻭﺍﻨﻪ‬ ‫ﹸ‪‬‬ ‫ﻓﻲ ﻜﺒﻭﺓ ِ ﺍﻟﻔﺭﺸﺎﺓ ْ.‬ ‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل ﺼﺎﺭ ﺃﺒﻴﻀﺎ‬ ‫‪‬‬ ‫ُ‬ ‫‪‬‬ ‫ﻜﺄﻨﻤﺎ ﻟﻡ ﻴﻌﺭﻑ ﺍﻷﻟﻭﺍﻥ.‬ ‫ﻭﺼﺎﺭ ﺒﺎﺭﺩﺍ‬ ‫ﻜﻬﻤﺴﺔ ِ ﺍﻟﻌﻁﻭﺭ ِ‬ ‫ﻓﻭﻕ ﻟﻤﺴﺔ ِ ﺍﻟﺯﺠﺎﺝ ِ‬ ‫ﺼﺎﺭ ﻜﺎﻟﺭﺨﺎﻡ ْ.‬ ‫.........................................‬ ‫ﺍﻟﺩﻨﻴﺎ ﺃﺨﺫﺕ ْ ﺯﻴﻨ ﹶﻬﺎ؛‬ ‫ﺘ‬ ‫ﻭﻗﺎﻟﺕ ْ: ﻫﻴﺕ ﻟﻙ ْ.‬ ‫ﹶ‬ ‫ﻜل ﻤﻥ ﺯﺍﺭ‬ ‫ﹸُ ‪ ‬‬ ‫ﻫﻠﻙ ْ.‬ ‫.........................................‬ ‫- ٧١ -‬
‫ﺍﻟﻜﺘﺎﺏ ﺍﻷﻭل‬ ‫ﺤﺩﻴﺙ ﺍﻟﻀﺩ ﺒﻥ ﺍﻟﺒﺭﺍﺀﺓ..‬ ‫ﻤﻥ ﺃﻭﺠﺩ ﻫﺫﻱ ﺍﻟﻔﺠﻭﺍﺕ..‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﺒﺭﺍﺀﺓ ِ ﺼﻤﺘﻲ‬ ‫ﻭﻀﺠﻴﺞ ِ ﺤﻴﺎﺘﻲ..؟!!‬ ‫.........................................‬ ‫ﺠﺎﻟﺴﺘﻨﻲ ﺍﻟﺒﺩﻴﻬﺔ ُ ﺤﻴﻨﺎ ً؛ ﻭﻗﺎﻟﺕ ْ:‬ ‫ﺴﺘﻭﻟﺩ ﻋﻨﺩ ﺍﻨﻜﺴﺎﺭ ِ ﺍﻟﻨﻤﻭﺫﺝ ِ..‬ ‫ﺘﺨﺭﺝ ﻜﺎﻟﻁﻴﺭ ِ‬ ‫ﻭﻗﺕ َ ﺍﻟﺘﻘﺎﺀ ﺍﻟﻤﻭﺍﺴﻡ ﺒﺎﻟﻤﺎﺀ ِ.‬ ‫ﺘﺠﻠﺱ ﺒﻴﻥ ﻴﺩﻴﻙ َ ﺍﻟﺼﻔﺎﺕ ُ؛ ﺍﻟﻔﺭﺍﺕ ُ‬ ‫ﺘﺤ ‪‬ﻕ ﻓﻴﻙ َ ﺍﻟﻨﻴﺎﺯﻙ ُ؛ ﺫﺍﻫﻠﺔ ً..‬ ‫ﺩ‬ ‫ﻭﺘﺒﻭﺱ ﹸﻁﺎﻙ َ ﺍﻟﺼﺨﻭﺭ ُ..؛‬ ‫ﺨ‬ ‫ﺘﺯﺍﻭﺝ ﺒﻴﻥ ﺍﻟﻘﺭﻱ؛ ﻭﺍﻟﻔﻴﺎﻓﻲ..‬ ‫ﻭﺘﻌﻠﻥ ﻭﻗﺘﺎ ً ﻟﻁﻬﻭ ِ ﺍﻟﻤﺩﺍﺌﻥ َ ﺒﺎﻟ ‪‬ﺏ ّ ِ‬ ‫ﺤ‬ ‫ﺤﻴﻥ ﺘﺘﺭﺠﻡ ﺼﻤﺘﺎ ً ﺨﺠﻭﻻ ً ﺒﺜﻐﺭ ِ ﺍﻟﺒﻨﺎﺕ ِ‬ ‫‪‬‬ ‫ﺴﺘﻬﺩﺃ ُ.. ﻋﻨﺩ ﺼﻬﻴل ﺍﻟﺜﻭﺍﻨﻲ ﺍﻟﻐﺒﻴﺔ؛‬ ‫ﺘﺼﻬل ُ.. ﻋﻨﺩ ﺠﻤﻭﺩ ﺍﻟﺭﻤﻭﺯ ﺍﻟﺤﻘﺏ ْ.‬ ‫ﻓﻘﻠﺕ ُ: ﺴﻼﻤﺎ ً‬ ‫ﻋﻠﻲ ﺍﻟﻔﻁﺭﺓ ِ ﺍﻟﻤﺸﺘﻬﺎﺓ ِ ﺒﻘﻠﺒﻲ‬ ‫ﻭﻗﻠﺏ ِ ﺍﻟﻘﻁﻴﻊ ِ؛ ﺍﻟﺒﺩﻴﻊ ِ.‬ ‫.........................................‬ ‫ﻗﺒﻠﺘﻨﻲ ﺍﻟﺒﺩﻴﻬﺔ ُ ﺴﺭ َﺍ ً..‬ ‫ِ‪‬‬ ‫ﻓﻘﺒﻠﺘﻬﺎ ﻓﻲ ﻓﺭﺍﻍ ِ ﺍﻟﻤﻨﺼﺔ ِ..‬ ‫- ٨١ -‬
‫ﺤﻴﻥ ﻤﺤﻭﺕ ﺍﻟﻐﺭﺍﺒﺔ َ ﻋﻥ ﻋﺘﺒﺎﺕ ِ ﺍﻟﺨﻴﺎل ِ‬ ‫ﺘﺴ ‪‬ﺏ َ ﻤﻨﻲ ﺍﻟﺴﺅﺍل ُ:‬ ‫ﺭ‬ ‫ﻫل ﺍﻟﻔﻭﺯ ﻟﻠﻨﻔﺱ ِ..‬ ‫‪‬‬ ‫ﺃﻡ ﻟﻠﺠﻤﻴﻊ ِ؟!!‬ ‫ﺘﻭﻫﺞ ﻗﻨﺩﻴل ﻋﻤﺭﻱ..‬ ‫ُ‬ ‫ﺭﺃﻴﺕ ﺍﻟﺫﻱ ﻤﻥ ﺩﻤﻲ ﻴﻘﺘﺭﺏ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺴﺄﻟﺕ ﺍﻟﺴﺅﺍل؛‬ ‫َ‬ ‫ﹸ‬ ‫ﻭﺭﺍﺡ ﻴﻤﺩ ﺨﻁﺎﻩ ﺍﻟﺘﻌﺏ.‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻗﻠﺕ: ﺴﻼﻤﺎ ً‬ ‫ﹸ‬ ‫ﻋﻠﻲ ِل ِ ﺭﻭﺤﻲ؛‬ ‫ﻅ‬ ‫ﻭﺭﻭﺡ ِ ﺍﻟﻘﻁﻴﻊ ِ ﺍﻟﺒﺩﻴﻊ ِ.‬ ‫.........................................‬ ‫ﻭﻓﻲ ﻟﺤﻅﺔ ٍ ﻟﻠﺘﺸﻜﻙ‬ ‫ِ‬ ‫ﺸﻤ ‪ ‬ﻤﺭﻱ ﻋﻥ ﺍﻟﺠﻤﻠﺘﻴﻥ ِ ﺍﻟﻤﻌﺎﻨﺩﺘﻴﻥ؛‬ ‫ﹶ ‪‬ﺭ ﻋ‬ ‫ﻭﻜﺎﻥ ﺍﻟﺼﺩﻱ ﺠﺎﻤﺤﺎ ً ﻴﺘﻔ ‪‬ﺩ ُ..‬ ‫ﺼ‬ ‫‪‬‬ ‫ﻗﺩ ﻫﺩﻫﺩﺘﻪ ﺍﻟﺒﺩﻴﻬﺔ ُ..‬ ‫‪‬‬ ‫ﺃﺭﻀﻌ ﹸﻪ ُ ﺒﺤﻠﻴﺏ ِ ﺍﻟﺤﺭﻭﻑ ِ ﺍﻟﺨﺼﻴﺒﺔ ِ؛‬ ‫ﺘ‬ ‫ﺩﺜﺭﺘﻪ ُ ﺒﺎﻟﺒﺭﺍﺀﺓ ِ..‬ ‫ﹸ‬ ‫ﻗﻴل: ‪‬ﺤﺎ ُ..‬ ‫َ ﻤ ل‬ ‫ﻭﻗﺎل ﺍﻟﺴﺅﺍل:‬ ‫ُ‬ ‫َ‬ ‫ﻭﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﺴﻭﻑ ﻴﺭﻫﻥ ﻏﻴﺒﺎ ً ﻟﻌﻠﻡ ٍ؟‬ ‫‪‬‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﻫل ﻓﻲ ﺍﻟﺤﺭﺍ ﻡ ِ ﺤﻼل؟!!‬ ‫ُ‬ ‫.........................................‬ ‫- ٩١ -‬
‫ﻨﻔﻭﻨﻲ ﺼﻐﻴﺭﺍ..‬ ‫ﹰ‬ ‫ﻓﺭﺤﺕ ﺃﺼ ‪ ُ ‬ﺍﻟﻁﻔﻭﻟﺔ َ ﻓﻲ ﻜﺎﺌﻨﺎﺘﻲ ﺍﻟﻜﺒﻴﺭﺓ ِ؛‬ ‫ﹸ ‪‬ﺏ‬ ‫ﺃﻤﻨﺢ ﻜل ﺍﻟﺤﺭﻭﻑ ِ ﺤﻭﺍﻓﺭ..‬ ‫ِ‪‬‬ ‫َ‬ ‫ﻜﻴﻤﺎ ﺘﺴﺎﺒﻕ ﺭﻴﺢ ﺍﻟﻠﻐﺎﺕ ِ ﺍﻟﺠﻨﺎﺓ ِ..‬ ‫ﹸ ‪‬‬ ‫ﺘﻔ ‪‬ﺭ ﻋﻤﻕ ﺍﻟﻌﻼﻗﺔ ِ ﺒﻴﻥ ﺍﻟﺭﻴﺎﺡ ِ ﺍﻟﺘﻲ ﻻ ﺘﺠﺊ‬ ‫ُ‬ ‫ﹶ‬ ‫ﺴ‪‬‬ ‫ﻭﺒﻴﻥ ﺼﻼﺓ ِ ﺍﻟ ‪‬ﻀﺏ.‬ ‫ﻌ ‪‬‬ ‫.........................................‬ ‫ﺴﺎﺌﺭ ُ ُ.. ﻭﺍﻟﺤﺩﺍﺌﻕ ﻭﻋﺩ ُ..‬ ‫ﹸ ‪‬‬ ‫ﻴﻨ ﱢﻡ ﺃﻓﻜﺎﺭﻫﺎ:‬ ‫ﻐ‪‬‬ ‫ﺯﻫﺭﺓ ً؛ ‪‬ﻌﻔﺔ ً‬ ‫ﺴ‬ ‫ﺘﺤﺎﺫﺭ ﻤﻨﻪ ﺍﻟﻅﻨﻭﻥ..‬ ‫‪‬‬ ‫ﻭﻴﻀﺤﻙ ﻓﻴﻪ ﺍﻟﺠﻨﻭﻥ..‬ ‫‪‬‬ ‫ﻴﺸﺩ ﺫﺭﺍﻉ ﺍﻟﻁﺭﻴﻕ ِ؛‬ ‫‪‬‬ ‫ﻓﺘﺠﺜﻭ ﻟﺩﻴﻪ ﺍﻟﻁﺭﻴﻘﺔ ُ..‬ ‫ﺘﺒﺩﻭ ﺍﻟﻁﻼﺴﻡ ﻓﻲ ﻜ ﱢﻪ ِ ﻜﺎﻟﻨﻤﺎل ِ‬ ‫ﻔ‬ ‫‪‬‬ ‫ﻴﻬﺯ ﺠﺫﻭﻉ ﺍﻟﺴﺅﺍل ِ.. ﺍﻟ ‪‬ﺤﺎل ِ‬ ‫ﻤ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﺘﺜﻤﺭ ﻓﻴﻪ ﺜﻤﺎﺭ ﺍﻟﻨﻜﺩ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﺎﺌﺭ ُ ُ..‬ ‫ﻫل ﺘﺭﻱ ﺴﺎﺌﺭ ُ ﻟﻸﺒﺩ‪‬؟!!‬ ‫‪‬‬ ‫.........................................‬ ‫ﺭﺃﻴﺕ ﺍﻟﺸﻙ َ ﺸﻴﺨﺎ ً ﻤﺎﺭﻗﺎ ً‬ ‫ﹸ‬ ‫ﻤﻥ ﺠﺎﻨﺏ ِ ﺍﻟﺒﻠﻭﻱ..‬ ‫ﺭﺃﻴﺕ ﺍﻟﺤ ‪ َ ‬ﻁﻔﻼ ً ﺠﺎﻟﺴﺎ ً‬ ‫ﹸ ‪‬ﺏ‬ ‫ﻓﻲ ﺴﺎﺤل ِ ﺍﻟﺴﻠﻭﻱ..‬ ‫ﺭﺃﻴﺕ ﺍﻟﻨﺎﺀ ﺠ ‪‬ﺍﻻ ً ﻴﻐﻨﻲ..‬ ‫ﹸ ‪ ‬ﻭ‬ ‫ﺭﺃﻴﺕ ﺍﻟﻨﺎﺱ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺤﻴﻥ ﺭﺃﻴﺕ ﻭﻫﺠﺎ؛ ﻴﺤﺏ ﻓﺭﺍﺸﺔ َ ﺍﻟﻠﻴل ِ..‬ ‫ﹰ‬ ‫ﹸ‬ ‫- ٠٢ -‬
‫ﻗﻠﺕ ﻟﻘﺎﺘﻠﻲ: ﻋﻔﻭﺍ ً؛‬ ‫ﹸ‬ ‫ﻓﻘﺩ ﺼﻴﺭﺘﻨﻲ ‪‬ﻠﻤﺎ ً؛ ﻴﺭﺍﻩ ﺍﻟﻁﻴﺒﻭﻥ.‬ ‫‪‬‬ ‫ﺤ‬ ‫.........................................‬ ‫ﻤﻭﺝ ﹸﻁﺎﻙ َ..‬ ‫‪‬ﺨ‬ ‫ﻟﻜﻲ ﻻ ﺘﻤﻭﺕ ﻋﻠﻲ ﺍﻟﺒﺎﺭﺤﺔ ْ.‬ ‫ﹶ‬ ‫ﻭﺒﻴﻥ ﻴﺩﻴﻙ َ ﺍﻟﺭﺅﻱ ﻨﺎﺌﺤﺔ ْ.‬ ‫.........................................‬ ‫ﺒﻴﺩ ﺃﻨﻲ..‬ ‫ﻜﻨﺕ ﻓﻲ ﻅﻨﻲ ﺃﺠﻭﺏ ﺍﻷﺴﺌﻠﺔ ْ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻋﺎﻤﺩﺍ ً..‬ ‫ﺃﺘﻌﻤﺩ ﺍﻟﻔﻌل َ ﺍﻟﺫﻱ ﻴﻨﺩﺍﺡ ﻤﺜل ﺍﻷﻓﻕ‬ ‫‪‬‬ ‫ﻤﺜل ﺍﻟﻀﻭﺀ‬ ‫ﺼ ‪‬ﺍﺡ ُ ﺒﺄﺤﻼﻡ ِ ﺍﻟﻨﻭﺍﺭﺱ ِ؛‬ ‫ﺩ ‪‬‬ ‫ﻭﺍﺸﺘﻴﺎﻕ ِ ﺍﻟﻘﺎﺒﻠﺔ ْ.‬ ‫ﻜﻨﺕ ﻤﺴﺘﻠﻕ ٍ ﻋﻠﻲ ﻗﻤﺭﻱ ﺍﻟﺫﻱ ﻻ ﻴﻨﻁﻔﺊ؛‬ ‫ﹸ‬ ‫ﺃﺴﺘﻘﺭﺉ ُ ﺍﻷﺤﻼﻡ َﻓﻲ ﻋﻴﻥ ﺍﻟﻁﻴﻭﺭ ِ ﺍﻟﻤﻘﺒﻠﺔ ْ.‬ ‫ﻜﻨﺕ ﻜﺎﻟﺩﺏ ﺍﻟﺴﻤﺎﻭﻱ ﺍﻟﺠﻤﻴل..‬ ‫ﹸ‬ ‫ﻓﻲ ﺩﻤﻲ؛ ﻴﺨﻀﺭ ُ ﻟﻭﻥ ﺍﻟﺴﺎﺒﻠﺔ ْ.‬ ‫‪‬‬ ‫.........................................‬ ‫- ١٢ -‬
‫ﻫﻲ ﻗﻁﺭﺓ ُ ﻀﻭﺀ ِ‬ ‫ﻤﻥ ﻏﺭﺒﺔ ِ ﺭﻭﺡ ﺍﻟﺤﺏ ّ ِ‬ ‫ﺃﻟﻤﻠﻤﻬﺎ؛‬ ‫ﺤﺭﻓﺎ ً؛ ﺤﺭﻓﺎ ً..‬ ‫ﻜﻲ ﺃﻋﺭﻑ َ ﻜﻴﻑ ﺃﺭﻤﻡ ُ‬ ‫ﺠﺭﺤﺎ ً‬ ‫ﻓﻲ ﻏﺭﺒﺔ ِ ﺭﻭﺤﻲ.!!‬ ‫.........................................‬ ‫ﻜل ﺼﺒﺎﺡ ٍ..‬ ‫ﺃﺨﻠﻊ ﺃﺤﻼﻡ ﺍﻟﻨﻭﻡ ِ؛‬ ‫‪‬‬ ‫ﻭﺃﻟﺒﺱ ﺃﺤﻼﻡ َ ﺍﻟﻴﻘﻅﺔ ِ.‬ ‫ﺃﻤﺸﻲ ﻤﻔﺘﻭﺡ ﺍﻟﻌﻴﻨﻴﻥ ﺍﻟﺯﺍﺌﻐﺘﻴﻥ؛‬ ‫ﺃﺸﺭﺏ ﻜﻭﺒﺎ ً ﻤﻥ ﻋﺴل ﺍﻹﺸﺭﺍﻕ ِ ﺍﻟﻨﺎﻀﺞ ِ‬ ‫ِ‬ ‫ﻤﻥ ﻭﺠﻪ ﺍﻟﻤﻨﺘﺸﺭﻴﻥ ﻋﻠﻲ ﺃﺭﺼﻔﺔ ِ ﺍﻟﺼﺒﺢ ِ؛‬ ‫ُﺒﻠل ﺭﻴﺸﻲ ﺒﺼﺒﺎﺡ ِ ﺍﻟﺨﻴﺭ ِ؛‬ ‫ﺃ ُ‬ ‫ُﻏ ‪‬ﺭ ﺭﻴﻘﻲ ﺒﺩﻋﺎﺀ ٍ ﻨﺒﻭﻱ ّ ٍ؛‬ ‫ﺃ ﻴ‪‬‬ ‫ﻭﺃﺤﺎﻭل ُ ﺃﻻ َ ﺘﻔﻠﺕ ﻤﻨﻲ ﻤﻨﺴﺄﺓ ُ ﺍﻟﻁﺎﻋﺔ ِ..‬ ‫ﹼ‬ ‫ﻟﻜﻨﻲ..‬ ‫ﺤﻴﻥ ﺘﺤﺎﺼﺭ ﺠﻠﺩﻱ ﺃﺯﻤﻨﺔ ُ ﺍﻟﻌﹼﺔ ِ‬ ‫ﻠ‬ ‫ﺃﺘﻤﻌﺩﻥ..‬ ‫‪‬‬ ‫ﺘﺼﺩﺃ ﺩﺍﺨل ﻨﻔﺴﻲ ﺃﺤﻼﻡ ﺍﻟﻴﻘﻅﺔ ِ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﻭﻡ ْ.‬ ‫.........................................‬ ‫ﻴﻅل ﺍﻟﻘﺎﺩﻡ ﺍﻟﺭﻴﻔﻲ ﻤﻘﺭﻭﺭﺍ ً؛ ﻭﻤﻜﺩﻭﺩﺍ ً‬ ‫‪‬‬ ‫ﻴﻔﺘﺵ ﻓﻲ ﺼﻘﻴﻊ ِ ﺍﻟﺭﻭﺡ ِ ﻋﻥ ﺩﻑﺀ ٍ ﺭﺒﻴﻌﻲ ٍ‬ ‫‪‬‬ ‫ﻭﻋﻥ ﻭﻫﺞ ٍ ﺴﻤﺎﻭﻱ ٍ..‬ ‫‪‬‬ ‫- ٢٢ -‬
‫ﻓﺘﻠﻌﺏ ﻓﻲ ﻤﻔﺎﺼﻠﻪ ﺍﻟﻅﻨﻭﻥ؛‬ ‫‪‬‬ ‫ِ‬ ‫ﺘﻨﻬﺎﻩ ﺍﻟﺒﻴﻭ ﹸ؛‬ ‫ﺕ‬ ‫ﻴﻤﻭﺀ ﺩﺍﺨﻠﻬﺎ؛ ﻭﻴﺸﻜﻭ..‬ ‫‪‬‬ ‫ﺃﻱ َ ﻤﺎ ﺠﻬﺔ ٍ ﻴﻁﺭﺯﻫﺎ ﺍﻟﺒﻜﺎﺀ ﻟﻪ؟!‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻭﺨﺯ ُ؛ ﻭﺍﺨﺯ ُ ﻓﻲ ﺍﻟﻘﺎﺩﻡ ِ ﺍﻟﻘﺭﻭﻱ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻨﺠﺩل ُ ﻤﻥ ﺍﻵﺘﻲ..‬ ‫ُ‬ ‫ﺇﻟﻲ ﺍﻟﻤﺎﻀﻲ..‬ ‫ﻓﻬل ﺁﺕ ٍ ﻴﺭﻑ ّ ُ ﻋﻠﻴﻪ؟!‬ ‫.........................................‬ ‫ﻋﻔﻭﺍ ً؛ ﻓﺠﺫﻋﻲ ﺠﺎﺫﻉ ُ ُ‬ ‫ﺭﺃﺴﻲ ﺤﻨﻴﻥ ُ ﺭﺍﺌﻊ ُ ُ..‬ ‫‪‬‬ ‫ﻗل: ﺯﺍﺌﻎ ُ ﺼﻭﺘﻲ..‬ ‫ﹸ‬ ‫ﹸْ‬ ‫ﻭﺼﻴﺘﻲ ﺫﺍﺌﻊ ُ..‬ ‫‪‬‬ ‫ﻻ ﻗﺭﻴﺘﻲ ﺃﻜﻠﺕ ﺴﻭﻱ ﺃﻁﻔﺎﻟﻬﺎ – ﺃﺤﻼﻤﻬﺎ –‬ ‫ﹾ‬ ‫ﻻ ﺯﻫﺭﺘﻲ ﻅﻬﺭﺕ؛‬ ‫ﹾ‬ ‫ﻭﻁﺎﺭﺕ؛‬ ‫ﹾ‬ ‫ﺜﻡ ﺤﻁﺕ ﻓﻲ ﺭﺤﻴﻕ ِ ﺍﻟﻔﻌل ِ..‬ ‫ﹼ ﹾ‬ ‫ﺘﻠﻙ ﺴﺫﺍﺠﺔ ُ ﺍﻟﺒﺴﻁﺎﺀ ِ؛ ﺘﺴﺄﻟﻨﻲ:‬ ‫ﻟﻤﺎﺫﺍ ﺴﻴﺩﻱ؛ ﻴﺘﻜ ‪‬ﺭ ﺍﻟﺘﺎﺭﻴﺦ؟‬ ‫ﹸ‬ ‫ﻭ‪‬‬ ‫ﻗﻠﺕ ُ ﻟﻬﺎ: ﻋﻔﻭﺍ ً‬ ‫ﻓﺈﻥ ﻵﻟﺊ ﺍﻟﺘﺎﺭﻴﺦ ِ‬ ‫ﺘﻨﺘﻅﺭ ﺍﻟﺫﻱ ﻴﺼﻁﺎﺩ ﺃﺠﻤﹶﻬﺎ.‬ ‫‪‬ﻠ‬ ‫.........................................‬ ‫- ٣٢ -‬
‫ﺃﻨﺎ ﻓﻴﻪ.. ﺃ ُﻨﺎﺩﻴﻪ..‬ ‫ﻭﺃﻓﻀﺤﻪ.. ﺃﻋﺭﻴﻪ..‬ ‫‪‬‬ ‫ﻭﺃﻨﺸﺭﻩ.. ﻭﺃﻁﻭﻴﻪ..‬ ‫ﻟﻪ ﻭﺠﻬﺎﻥ ِ؛ ﻓﻲ ﻭﺠﻬﻲ..‬ ‫ﻟﻪ ﻗﻠﺒﺎﻥ ِ؛ ﻓﻲ ﻗﻠﺒﻲ..‬ ‫ﻭﻤﻥ ﺘﻴﻪ ٍ؛ ﺇﻟﻲ ﺘﻴﻪ ِ..‬ ‫ﺃﺤﺎﻭل ﺃﻥ ﺃﺨﺒﺌﻪ.. ﻭﺃﺨﻔﻴﻪ..‬ ‫ُ‬ ‫.........................................‬ ‫ﺃﻨﺎﺩﻴﻪ ﺇﻟﻲ ﺍﻟﺩﺭﺱ ِ..‬ ‫ﻴﻨﺎﺩﻴﻨﻲ ﺇﻟﻲ ﺍﻟﻐﺭﺱ ِ..‬ ‫ﺃﺭﻱ ﻨﻔﺴﻲ..‬ ‫ﺃﻨﺎ؛ ﻭﺍﻟﺤﺏ ُ ﻤﺜل ﺍﻟﻠﻭﻥ ِ؛ ﻭﺍﻟﺤﺱ ِ‬ ‫ِ ‪‬‬ ‫‪‬‬ ‫.........................................‬ ‫ﺃﺭﺍﻩ ﺍﻵﻥ ﺒﺭﻜﺎﻨﺎ..‬ ‫‪‬‬ ‫ﻴﺭﺍﻨﻲ ﺍﻵﻥ ﻨﺸﻭﺍﻨﺎ..‬ ‫‪‬‬ ‫ﻫﻨﺎ ﻓﻲ ﺩﺍﺨﻠﻲ ﻜﺎﻥ َ..‬ ‫ﻭﺃﺼﺒﺤﻨﺎ؛ ﻜﻤﺜل ِ ﺍﻟﻨﺩ ِ ﻟﻠﻨﺩ ِ..‬ ‫ﻭﻤﺎ ﺯﻟﻨﺎ..‬ ‫ﺃﻨﺎ ﻓﻴﻪ؛ ﺃﻨﺎﺩﻴﻪ....‬ ‫.........................................‬ ‫ﻓﻲ ﻋﻴﻨﻴﻪ ﺸﻭﺍﻁﺊ ﺤﻠﻤﻲ..‬ ‫ُ‬ ‫ﻓﻲ ﻋﻴﻨﻴﻪ ﺃﻨﺴﻲ ﺃﻨﻲ..‬ ‫ﻴﺎﻟﻲ ﻤﻨﻪ..‬ ‫ﻭﻴﺎﻟﻲ ﻤﻨﻲ..‬ ‫.........................................‬ ‫ﻴﺎ ﻟﻠﻭﻁﻥ..!!!!!!!!!‬ ‫.........................................‬ ‫- ٤٢ -‬
‫ﻭﻤﺤﻤﻭﺩ؛ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻤﺎﺯﺍل ﻴﺭﺠﻭ ﺍﻟﺒﺤﺭ ﻓﻲ ﺍﻟﻔﻨﺠﺎﻥ ِ..‬ ‫‪‬‬ ‫َ‬ ‫ﻭﺍﻋﺩﻨﻲ..‬ ‫ﻟﻴﺭﻓﻊ َ ﺤﻠﻤﻨﺎ ﻟﻸﻓﻕ ِ ﺤﻴﻥ ﻨﺠﺊ ُ..‬ ‫ﻟﻜﻨﻲ..‬ ‫ﺃﻨﺎ؛ ﻭﺍﻷﻓﻕ ﻻ ﻨﺄﺘﻲ!!‬ ‫ﻭﻤﺤﻤﻭﺩ ﺍﻟﺫﻱ‬ ‫ﻤﺎﺯﺍل ﻴﻭﻗﻅ ﺤﻠﻤﻪ ﺒﺎﻟﻨﺎﺭ ِ..‬ ‫‪‬‬ ‫َ‬ ‫ﻴﻭﺠﻌﻨﻲ..‬ ‫ﻭﻤﺤﻤﻭﺩ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﺃﻫﻭﺍﻩ؛ ﻟﻜﻨﻲ ﺃﺨﺎﻑ ﻋﻠﻴﻪ..‬ ‫‪‬‬ ‫ﻗﺎﺒﻠﻨﻲ..‬ ‫ﺃﻨﺎ ﻭﺍﻷﻓﻕ ﺫﺍﺕ ﻤﺴﺎﺀ ْ.‬ ‫ﹶ‬ ‫ﹸﻌﺭﻱ ﺴﻭﺀﺓ َ ﺍﻟﺼﺤﺭﺍﺀ.‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺨﺎﺼﻤﻨﻲ!!!!!‬ ‫- ٥٢ -‬
‫ﺃﺤﻴﺎﻨﺎ.. ﺃﺸﻌﺭ ﺫﺍﻜﺭﺘﻲ ﻜﻬﻭﺍﺀ‬ ‫‪‬‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺃﺤﻴﺎﻨﺎ ﺃﺨﺭﻱ ﻤﺜل ﺤﺫﺍﺀ.‬ ‫‪‬‬ ‫ﻟﻜﻨﻲ؛..‬ ‫ﺤﻴﻥ ﺃﻁﺎﻟﻊ ﺫﺍﻜﺭﺘﻲ..‬ ‫ﻴﻨﺒﺠﺱ ﺍﻟﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻭﺃﺘل ُ ﺍﻟﺠﺒﻬﺔ َ؛ ﻟﻜﻨﻲ‬ ‫ّ‬ ‫ﻻ ﺃﺠﺩ ِﺩﺍﺀ.‬ ‫‪‬ﻓ ‪‬‬ ‫.........................................‬ ‫ﺭﺃﻴﺕ ﺍﻟﻐﻴﻤﺔ ِ ﺍﻷﻨﺜﻲ‬ ‫ﺇﺫﺍ ﺒﺭﻕ ُ ﻴﻀﺎﺠﻌﻬﺎ‬ ‫ﹸ‬ ‫ﻴﻜﻭﻥ ﺍﻟﺤﺩ ُ ﺃﻤﻁﺎﺭﺍ..‬ ‫‪‬‬ ‫ﺃﻨﺎ ﺭﻭﺤﻲ ﻜﻨﺎﻓﺫﺓ ٍ ﺘﺤﺏ ﺍﻟﻀﻭﺀ؛ ﻭﺍﻟﻤﻁﺭﺍ..‬ ‫‪‬‬ ‫ﻓﻤﺎﺫﺍ ﻗﺩ ﻴﻜﻭﻥ ﺍﻟﺤﺩ ُ‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﻀﺎﺠﻊ ﺍﻹﺜﻨﻴﻥ؛ ﻨﺎﻓﺫﺘﻲ؟‬ ‫.........................................‬ ‫ﺃﻨﺕ ﺍﻟﻔﺎﺌﺽ ﻤﻥ ﻨﻴﺭﺍﻥ ﺍﻟﻭﻋﺩ ِ..‬ ‫ﹶ‬ ‫ﻓﻔﺽ ﺒﻲ..‬ ‫ﺃﻨﺕ ﺍﻟﺨﺎﺌﺽ ﻓﻲ ﺃﻤﻭﺍﺝ ِ ﺍﻟﺭﻭﺡ ِ..‬ ‫ﹶ‬ ‫ﻓﺨﺽ ﺒﻲ..‬ ‫ﻫﻴﺎ ﺍﻓﻀﺤﻨﻲ..‬ ‫ﺤ ‪‬ﻙ ﺴﻴﻑ ﺍﻟﻤﻤﻜﻥ ِ..‬ ‫ﹶ‬ ‫ﺭ‬ ‫ﺭﺍﻓﻕ ﻭﻋﺩﻱ..‬ ‫ﺃﻭ ﻨﻭﺭﺴﻨﻲ ﻓﻭﻕ ﺍﻟﻜﻭﺜﺭ ِ..‬ ‫ﹶ‬ ‫ﺤ ‪‬ﻙ ﺴﻴﻑ ﺍﻟﻔﺭﺤﺔ ِ ﻀﺩﻱ..‬ ‫ﹶ‬ ‫ﺭ‬ ‫ﺯﻫﺩﺕ ﻓﻲ ﺃﺴﻁﺒل ِ ﺍﻟﻜﻠﻤﺔ ِ‬ ‫ﻟﻐﺘﻲ.‬ ‫- ٦٢ -‬
‫ﺃﺠﻤل ﻤﻨﻲ ﺘﻭﻗﻲ ﻟﻠﻤﺠﻬﻭل..‬ ‫ﺃﺠﻤل ﻤﻨﻙ ﻴﻘﻴﻨﻙ ﺒﺎﻟﻤﺄﻤﻭل..‬ ‫‪‬‬ ‫ﻫﻴﺎ ﻨﺨﻠﻊ ﺠﻠﺩ ﺍﻟﻴﺎﺒﺱ؛‬ ‫‪‬‬ ‫ﻨﻠﺒﺱ ﺠﻠﺩ ﺍﻟﻤﺎﺀ؛‬ ‫ِ‬ ‫ﻭﻨﻤﺸﻲ ﻓﻲ ﺍﻟﻤﺄﻫﻭل..‬ ‫.........................................‬ ‫- ٧٢ -‬
‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺜﺎﻨﻲ‬ ‫ﺤﺩﻴﺙ ﺍﻟﺒﺭﺍﺀﺓ ِ ﻟﻠﻀﺩ..‬ ‫ﹸ‬ ‫ﻗﺩ ﻴﺒﺩﺃ ﺍﻟﺸﻼل ﻤﻥ ﺸﺠﺭ ِ ﺍﻟﺘﺭﺍﺌﺏ ِ‬ ‫ُ‬ ‫ﺒﻴﻥ ﺃﺼﻼﺏ ِ ﺍﻟﺤﻠﻭل ِ..‬ ‫ﺴﻨﻘﺘﻔﻲ ﺃﺜﺭ ﺍﻟﺘﻭﻏل ِ؛‬ ‫‪‬‬ ‫ﻭﺍﺸﺘﻬﺎﺀﺍﺕ ﺍﻟﻔﺼﻭل ِ؛‬ ‫ﻟﻨﻨﺘﻬﻲ ﻨﺼﻔﻴﻥ؛‬ ‫ﻨﺼﻑ ُ ﻻﻨﺤﺩﺍﺭ ﺍﻟﻤﺎﺀ ِ؛‬ ‫ﹸ‬ ‫ﻨﺼﻑ ُ ﻟﻠﻭﺼﻭل.‬ ‫ْ‬ ‫ﹸ‬ ‫- ٨٢ -‬
‫)١ (‬ ‫ﻟﻴﻜﻥ ْ..‬ ‫ﺴﺘﻌﺭﻑ ﺤﻴﻥ ﺘﻜﺘﺸﻑ ﺍﻨﺤﺭﺍﻓﺎﺕ ﺍﻟﺴﻨﺎﺒﻙ ﻋﻥ ﻤﺭﺍﺘﻌﻬﺎ؛.. ﻭﺘﺄﻤﺭﻙ ﺍﻟﺴﻭﺍﻗﻲ ﺍﻟﺸﺎﻜﻴﺎﺕ ﺼﺭﻴﺭﻫﺎ ﺍﻟﺭﺨـﻭﻱ..‬ ‫‪‬‬ ‫ﺃﻨﻙ ﻨﺒﺕ ﺼ ‪‬ﺎﺭ ٍ‬ ‫ﺒ‬ ‫‪‬‬ ‫ﻴﻐﺫﻱ ﻓﻲ ﺍﻟﻤﺩﻱ ﺠﺒﻼ ً ﺃﺼ ‪‬ﺎ..‬ ‫ﻤ‬ ‫ﺇ ﹼﻪ ﻫﺫﺍ ﺍﻟﻔﻀﺎﺀ؛ ﻏﺸﺎﺅﻙ َ ﺍﻟﺒﻜﺭﻱ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻨ‪‬‬ ‫ﺃﻭ ﻤﺯﻤﻭﺭﻙ َ ﺍﻟﺴﺤﺭﻱ ُ..‬ ‫‪‬‬ ‫ﻓﺈﻥ ﻴﻜﻥ ﺩﺭﺒﺎ ً ﻤﻥ ﺍﻟﺘﺄﻭﻴل ِ؛‬ ‫ﻜﺎﻥ ﺘﻔﺎﺅل ﺍﻟﻭﻤﻀﺎﺕ ِ ﻓﻲ ﻅل ﺍﻨﺤﺴﺎﺭ ﺍﻟﻀﻭﺀ‬ ‫ﻤﺸﺭﻭﻋﺎ ً ﻟﺭﺘﻕ ﺍﻟﺒﺤﺭ َ........‬ ‫ﻜل ﺠﺯﻴﺭﺓ ٍ ﺘﺴﻌﻲ ﺇﻟﻲ ﺃﺨﺭﻱ ﺘﻨﺎﺩﻤﻬﺎ ﺍﻟﺤﻴﺎﺓ َ‬ ‫ُ‬ ‫ﻭﻟﻭﺤﻙ َ ﺍﻟﻤﺤﻔﻭﻅ ُ ﻟﻡ ﻴﺒﺭﺡ ْ..‬ ‫ﻓﺭﺩﺩ ﻤﺎ ﺘﺸﺎﺀ؛ ﻟﻤﻥ ﺘﺸﺎﺀ..‬ ‫‪‬‬ ‫ﻋﺼﻴﺭ ﺃﺴﻔﻠﺕ ﺍﻟﻌﻘﻭل ِ؛‬ ‫‪‬‬ ‫ﺴﻴﻨﺘﻬﻲ ﺸﻴﺌﺎ ً ﻤﻥ ﺍﻷﻓﻴﻭﻥ ِ‬ ‫ﻭﺇﻨﻬﺎ..‬ ‫ﻫﻲ ﻭﺭﺩﺓ ُ ﺍﻟﺤﺏ ﺍﻟﺘﻲ ﺯﺭﻋﺕ ﺒﺤﻘل ِ‬ ‫ﹾ‬ ‫"ﻟﻭ ﺍﺴﺘﻁﻌﺘﻡ ﻓﺎﻨﻔﺫﻭﺍ "‬ ‫ﻟﺒﺴﺕ ﺤﺠﺎﺏ ﺍﻟﺸﻙ ِ؛ ﻭﺍﻨﺘﺼﺭ ﺍﻟﺭﺼﺎﺹ.!!‬ ‫‪‬‬ ‫‪‬‬ ‫- ٩٢ -‬
‫)٢ (‬ ‫ﺴﺘﻤﺭ ُ ﻋﻠﻴﻬﻡ ﻤﻨﺸﻐﻠﻴﻥ؛ ‪‬ﻜﺎﺭﻱ‬ ‫ﺴ‬ ‫‪‬‬ ‫ﺘﺨﻠﻊ ﺃﺒﻭﺍﺏ ﻤﺴﺎﻓﺎﺕ ٍ‬ ‫‪‬‬ ‫ﻭﺘﻌﻨﻘﺩ ﻤﺎ ﺘﺭﻜﻭﻩ ﻋﻠﻲ ﺼﻔﺤﺎﺕ ِ ﺯﻨﻭﺩ ٍ ﻤﻥ ﻭﺠﻊ ٍ ﻤﻨﺼﺭﻡ ٍ ﻓﻲ ﺘﺭﺘﻴل ِ ﺍﻵﻴﺎﺕ ِ ﺍﻟﻤﺎﺌﻴﺔ ِ..‬ ‫ﻭﺍﺴﻤﻙ ﺘﻨﺴﺎﻩ ﺴﺭﻴﺩﺍ ً‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺒﻴﻭﺕ ِ ﺍﻟﻀﻭﺀ ِ؛‬ ‫ﻭﺠ ‪ ِ ‬ﺍﻷﺤﻭﺍل ِ ﺍﻟﺯﻤﻨﻴﺔ ِ؛‬ ‫‪‬ﺏ‬ ‫ﻴﻬﺘﻑ: ﺃﻨﺕ ﺴﺤﺎﺒﺘﻲ ﺍﻷﺯﻟﻴﺔ َ؛‬ ‫‪‬‬ ‫ﹶ‬ ‫ﹸ‬ ‫ﺨﻀﺭﺍﺀ؛ ﻭﻤﻠﻜﻴﺔ َ..‬ ‫ﻻ ﺘﺘﻘﻭﻗﻊ ﻓﻲ ﻋﺯﻟﺘﻙ َ؛‬ ‫ﻓﻠﻭﻨﻙ ﻴﺤﺘﻤل ﺍﻟﺘﻔﺠﻴﺭ؛‬ ‫‪‬‬ ‫ﻭﺼﻭﺘﻙ َ ﻴﻭﻗﻅ ﺃﺸﺠﺎﺭ ﺍﻟﺘﻐﻴﻴﺭ؛‬ ‫‪‬‬ ‫ﻭﺇﻥ ﻴﻨﺘﺒﻬﻭﺍ ﻟﻤﺩﺍﻙ َ.. ﺠﻬﺎﺘﻙ ﻤﻨﺘﺼﺭﺍﺕ ُ‬ ‫ﹸ‬ ‫ﺃﻨﺕ ﺒﺩﺍﻴﺎﺕ ﺍﻟﻁﺭﻗﺎﺕ ﺍﻟﻨﺨﻼﺕ؛‬ ‫ﹶ‬ ‫ﻭﺃ ‪‬ل ﻤﻥ ﻓﺠ ‪‬ﻨﺒﻊ ﺍﻟﻤﺎﺀ ِ ﺍﻟﻌﺫﺏ ِ؛‬ ‫ﻭ ُ ‪  ‬ﺭ ‪‬‬ ‫ﻭﺭ ‪‬ﺽ َ ﺨﻴﻠﻬﻡ ﺍﻟﻌﺭﺒﻴﺔ ِ.. ﺃﻨﺕ َ!!‬ ‫ﻭ‬ ‫ﺴﺘﻤﺭ ُ ﻏﻀﻭﺒﺎ ً؛ ‪‬ﺴﺘ ِﺭﺍ..‬ ‫ﻤ ﻌ ﹰ‬ ‫‪‬‬ ‫ﻭﺘﻤﺭ ُ؛ ﺘﻤﺭ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻗﺩ ﺘﺭﺠﻊ؛ ﺃﻭ ﻻ ﺘﺭﺠﻊ.‬ ‫‪‬‬ ‫- ٠٣ -‬
‫)٣ (‬ ‫ﻟﻴﺩﻴﻙ ﺸﻜل ﺍﻟﻜﺩﺡ ِ..‬ ‫ُ‬ ‫‪‬‬ ‫ﺸﻜل ﺍﻟﺠﺭﺡ ِ..‬ ‫ُ‬ ‫ﺸﻜل ﺴﺫﺍﺠﺔ ﺍﻟﺠﻭﻉ ﺍﻟﻤﻘ ‪‬ﺩ ِ ﻓﻲ ﻋﻨﺎﻗﻴﺩ ﺍﻟﺒﺴﺎﻁﺔ ِ؛ ﻭﺍﻟﺘﺠﻭل ﻋﺒﺭ ﺤﺎﺭﺍﺕ ِ ﺍﻟﻤﺩﻴﻨﺔ ِ ﻓﻲ ﺍﻟﺸﺘﺎﺀ.‬ ‫‪‬‬ ‫ﺩ‬ ‫ُ‬ ‫ﻟﻴﺩﻴﻙ ﺸﻜل ﺍﻟﺘﻭﺘﻴﺎﺀ.‬ ‫‪‬‬ ‫ُ‬ ‫‪‬‬ ‫ﻟﻡ ﻴﺨﻠﻕ ﺍﷲ ﺍﻟﺭﺠﺎل ﻤﻥ ﺍﻷﺜﻴﺭ ِ؛ ﺃﻭ ﺍﻟﻬﻭﺍﺀ.‬ ‫‪‬‬ ‫َ‬ ‫ُ‬ ‫ﺴﺘﻅل ﻭﺤﺩﻙ ﺩﻭﻨﻤﺎ ﻋﺭﺵ ٍ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻻ ﺘﺎﺝ ٍ؛ ﻭﻻ ﺸﺊ ٍ ﺴﻭﺍﻙ.‬ ‫‪‬‬ ‫ﹸﺫ ﻤﺎ ﺘﺸﺎﺀ ﻟﻤﻥ ﺘﺸﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺨ‬ ‫ﺃﻭ ﻟﺨﺹ ﺍﻟﺩﻨﻴﺎ ﻓﺘﻲ؛ ﻭﺒﻨﻴﺔ ً‬ ‫‪‬‬ ‫ﻟﻠﺒﺤﺭ ِ ﻴﻨﻁﻠﻘﺎﻥ......‬ ‫ﺒﻔﻀﺎﻙ ﺍﻨﺘﺸﺭﺕ ﻋﺼﺎﻓﻴﺭ ﺍﻟﻀﻴﺎﺀ ِ؛‬ ‫‪‬‬ ‫ﹼ‪‬‬ ‫ﻭﺸﻘﺸﻘﺕ ﺯﻏﺏ ﺍﻟﺤﻭﺍﺼل ِ..‬ ‫‪‬‬ ‫ﻜل ﺫﻱ ﺫﻴل ٍ؛ ﻭﺫﻱ ﺫﻨﺏ ٍ‬ ‫ُ‬ ‫ﺴﻌﺕ ﺘﺭﺠﻭﻙ؛ ﻭﺍﻨﻜﺸﻑ ﺍﻟﻐﻁﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ ﻤﺎﺭﺴﺕ ﺍﻟﺭﺅﻱ ﺯﻤﻨﺎ ً‬ ‫ﹶ‬ ‫ﻭﺃﻭﻟﺕ ﺍﻟﺤﻴﺎﺓ..‬ ‫ﹶ‬ ‫ﻓﺼﺭﺕ ﻭﺤﺩﻙ ﺩﺍﺌﻤﺎ ً ﻤﻠﻜﺎ ً..‬ ‫‪‬‬ ‫ﺒﻼ ﺘﺎﺝ ٍ؛ ﻭﻻ ﻋﺭﺵ ٍ؛‬ ‫ﻭﻻ ﺸﺊ ٍ ﺴﻭﺍﻙ.‬ ‫‪‬‬ ‫- ١٣ -‬
‫)٤ (‬ ‫ﺘﺘﻌﺎﻨﻕ ﺍﻟﺴﻨﻭﺍﺕ ﻓﻲ ﻟﻭﺤﻲ..‬ ‫ﹸ‬ ‫ﻭﺃﻗﺴﻡ ﺒﺎﻨﻔﺭﺍﺝ ﺘﻜﺘﻤﻲ..‬ ‫ﻭﺍﻷﺭﺽ ﺘﺨﺘﺒﺭ ﺍﺨﺘﻤﺎﺭ ﺍﻟﻭﻗﺕ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻭ ﻨﺘﺴﻠﻕ ﺍﻟﺼﺎﺭﻱ ﺴﻭﻴﺎ ً؛‬ ‫ﻨﻔﺘﺢ ﺍﻟﺒﺎﺏ ﺍﻟﻤﺅﺩﻱ ﻻﺠﺘﻴﺎﺡ ﺍﻟﻐﻴﻡ..‬ ‫‪‬‬ ‫ﺩﻭﻥ ﺘﺸﻜﻠﻲ‬ ‫ﻴﺘﺭﺍﻜﻡ ﺍﻟﺼﺩﺃ ﺍﻟﻤﻭ ﹼﻲ.‬ ‫ﺸ‬ ‫ُ‬ ‫ﺩﻭﻥ ﻤﻭﻟﺩ ﻜﻨﺯﻱ ﺍﻟﻘﺩﺭﻱ‬ ‫ﺘﺴﻘﻁ ﻟﺤﻴﺔ ﺍﻟﺘﺎﺭﻴﺦ ِﻓﻲ ﻨﺎﺭ ِ ﺍﻟﺘﻐ ‪‬ﺏ ِ..‬ ‫ﺭ‬ ‫ﹸ‬ ‫ﺁﻥ ﻟﻲ‬ ‫ﺃﻥ ﺃﺠﺫﺏ ﺍﻟﺘﺎﺭﻴﺦ ﻤﻥ ﻋﺭﻨﻴﻨﻪ ﺤﻴﻨﺎ ً‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﻴﺭﺠﻭﻨﻲ ﺍﻟﺤﻨﻴﻥ ْ.‬ ‫- ٢٣ -‬
‫)٥ (‬ ‫)ﻋﺎﻫﺩﺕ ﻨﻔﺴﻲ‬ ‫ﺃﻥ ﺃﻜﺩ ﻟﺘﻨﻌﻤﻲ...(‬ ‫ﺜﻡ ﺍﺴﺘﺭﺤﺕ ﺇﻟﻲ ﺠﺩﺍﺭ ٍ‬ ‫ﹸ‬ ‫ﻓﻲ ﻀﻤﻴﺭﻙ ِ..‬ ‫ﻓﺎﻨﻬﺩﻡ.‬ ‫‪‬‬ ‫- ٣٣ -‬
‫)٦ (‬ ‫ﻭﻜﻨﺕ ﻗﺩ..‬ ‫ﹸ‬ ‫)ﺃﻗﺴﻤﺕ ﺒﺎﺴﻤﻙ ِ ﻴﺎ ﺒﻼﺩﻱ؛‬ ‫ﻓﺎﺸﻬﺩﻱ(‬ ‫ﺃﻨﻲ ﺍﻨﺘﻬﻴﺕ ﺇﻟﻴﻙ ِ ﺴﻬﻤﺎ ً..‬ ‫ﺃﻱ ﻗﻭﺱ ٍ ﻗﺩ ﺭﻤﻲ؟!!‬ ‫ﻜﺸﻔﺕ ﺴﺘﺭ ﻗﺼﻴﺩﺓ ٍ‬ ‫ﹸ‬ ‫ﻏﻁﺕ ﻤﻼﻤﺤﻬﺎ ﺒﻌﻨﻑ ٍ ﻭﺍﻫﻥ ٍ؛‬ ‫ﻭﻜﺘﺎﺒﺔ ٍ ﺼﻔﺭﺍﺀ....‬ ‫ﻜﻴﻑ ﺍﻵﻥ ﺒﻴﻥ ﻴﺩﻴﻙ ِ ﺃﻫﺘﻑ‬ ‫ﹸ‬ ‫ﺃﻭ ﺃﻤ ‪‬ﺩ ﻨﺸﻭﺓ ً ﺘﻘﺘﺎﺕ ﻤﻥ ﻋﺭﺽ ﺍﻟﺒﻼﻏﺔ ِ؛‬ ‫ﺠ‪‬‬ ‫ﻭﺍﻨﻜﺸﺎﻑ ﺤﻔﻴﻅﺔ ﺍﻟﺸﻌﺭﺍﺀ ِ؛‬ ‫ﻭﺍﻟﻠﻐﺔ ﺍﻟﻁﺭﻭﺏ‪‬؟!!!!‬ ‫- ٤٣ -‬
‫)٧ (‬ ‫ﻟﻴﺩﻴﻙ ﻴﺎ ﻤﺤﻤﻭﺩ ﻋﺸﺭ ﻤﺂﺫﻥ ٍ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺘﻘﺎﺒل ﺍﻷﺸﺠﺎﺭ ﻓﻴﻬﺎ‬ ‫‪‬‬ ‫ﺜﻡ ﺘﻁﻠﺏ ﺤﻘﻬﺎ ﻓﻲ ﺍﻟﻤﺎﺀ ِ..‬ ‫ﻴﻨﻤﻭ ﻜﺒﺭﻴﺎﺀ ﺍﻟﺴﺨﻁ ِ..‬ ‫‪‬‬ ‫ﻭﻭﺭﺩﺓ ﺍﻟﻜﺩﺡ ِ ﺍﻟﻤﻠﻴﻜﺔ ْ.‬ ‫ﹸ‬ ‫ﺠﺒل ُ.. ﻴﺘﻌﺘﻊ ﺼﺨﺭﺓ َ ﺍﻟﻤﺄﻭﻱ‬ ‫ُ‬ ‫ﻟﻴﺨﺭﺝ ﻤﻥ ﺠﺒﻴﻥ ﺍﻟﺒﺤﺭ ِ ﻤﺩﻟﻭﻻ ً ﺠﺩﻴﺩﺍ ً ﻟﻠﺴﺤﺎﺏ ِ؛ ﻭﻟﻠﺤﻴﺎﺓ.‬ ‫ﹾ‬ ‫ﻟﻴﺩﻴﻙ ﻤﺎﺌﺩﺓ ُ ُ..‬ ‫‪‬‬ ‫ﻭﻨﻬﺭ ُ ﻀﺎﻤﺭ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﻸﻷ ﺍﻷﻁﻔﺎل ﻓﻲ ﺃﺤﻼﻤﻬﻡ..‬ ‫ُ‬ ‫ﻟﻴﺩﻴﻙ ﺃﺠﻨﺎﺩ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺭﺍﻴﺎﺕ ُ ﻤﺩﻻﺓ ُ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﻨﺨل ُ ﺩﻭﻨﻪ ﺜﻤﺭ ُ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻁﻘﺱ ُ ﻤﺎﻟﺢ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻴﺩﻴﻙ ﺼﻭﺕ ُ؛‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺭﺒﻤﺎ ﺘﻌﺸﻭﺸﺏ ﺍﻟﻜﻠﻤﺎﺕ ﻗﻴﻪ‬ ‫ﹸ‬ ‫ﺇﺫﺍ ﺒﺩﺍ ﻓﻲ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻤﺩﻟﻭل ُ ﺠﺩﻴﺩ ُ ﻟﻠﺴﺤﺎﺏ ِ؛ ﻭﻟﻠﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫ُ‬ ‫ﻟﻴﺩﻴﻙ ﺃﺭﺤﺎﻡ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﺠﻨﺘﻬﺎ ﻤﻼﺌﻜﺔ ُ ِﺩﺍﺩ ُ‬ ‫ﹸ ﺸ ‪‬‬ ‫ﺃﻨﺕ ﻴﺎ ﻤﺤﻤﻭﺩ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﺃﻭل ﻨﻁﻔﺔ ٍ ﻗﺭﺃـْ ﺘﻬﻭﺭ ‪‬ﻠﺒﻬﺎ؛‬ ‫‪‬ﺼ‬ ‫ﻭﺘﺭﺍﺌﺏ ﺍﻟﻁﺭﻗﺎﺕ ِ..‬ ‫ﺘﺒﺘﻜﺭ ﺍﻟﺘﺤﺎﻤﺎ ً ﻤﻠﺤﻤﻠﻴﺎ ً ﻟﻠﺴﻼﻟﺔ ِ‬ ‫ﻟﻡ ﺘﻜﻥ ﻤﻭﺘﺎ ً‬ ‫ﻟﺘﻘﻔﺯ ﺨﺎﺭﺝ ﺍﻟﻤﻠﻜﻭﺕ ِ ﺩﻭﻥ ﻫﻭﻴﺔ ٍ..‬ ‫‪‬‬ ‫- ٥٣ -‬
‫ﺒل ﻜﻨﺕ ﻤﺩﻟﻭﻻ ً ﺠﺩﻴﺩﺍ ً‬ ‫ﻓﻲ ﺩﻻﻟﺔ ِ ﺼﻤﺘﻨﺎ ﺍﻟﺨﺸﺒﻲ..‬ ‫ﺃﻭل ﺭﻋﺸﺔ ٍ ﻟﻠﻨﻬﺭ ِ ﺘﻔﻬﻤﻬﺎ ﺍﻟﺒﺤﺎﺭ..‬ ‫‪‬‬ ‫ﻜﺄﻨﻙ ﺨﺎﺭﺝ ُ ﻤﻥ ﺸﺭﺨﻨﺎ ﺍﻷﺯﻟﻲ ﺘﺭﺘﻘﻨﺎ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﻌﻠﻥ: ﺇﻥ ﺃﻏﺼﺎﻥ ﺍﻟﺠﻤﻴﻊ ٍ ﻤﻥ ﺍﻟﺯﺠﺎﺝ ِ‬ ‫‪‬‬ ‫ﻭﻏﺼﻨﻨﺎ ﻨﻬﺭ..‬ ‫‪‬‬ ‫ﻜﺄﻨﻙ ﺭﺅﻴﺔ ُ ُ ﻨﺒﻭﻴﺔ ُ ُ ﻟﻠﻴﺄﺱ ِ ﻜﺎﺸﻔﺔ ُ ُ؛ ﻭﻓﺎﻀﺤﺔ ُ ُ؛ ﻭﻀﺎﺤﻜﺔ ُ ُ ﻤﻥ ﺤﺯﻨﻨﺎ....‬ ‫‪‬‬ ‫ﺃﻭ ﺸﻬﻭﺓ ُ ُ ﻤﻭﺼﻭﻟﺔ ُ ُ ﺒﺎﻟﻤﺎﺀ ِ..‬ ‫ﺫﺒﺫﺒﺔ ﺍﻟﺒﻠﻭﻍ.‬ ‫ﹾ‬ ‫ﻜﺄﻥ ﺠﻴﻼ ً ﻁﺎﻟﻌﺎ ً ﻤﻥ ﺨﻴﻤﺔ ِ ﺍﻷﻋﺸﺎﺏ ِ‬ ‫ﻴﺒﻠﻊ ‪‬ﻔﺭﺓ َ ﺍﻟﺼﺤﺭﺍﺀ ِ‬ ‫ﺼ‬ ‫ﻴﻌﺩﻭ؛ ﺼﻭﺏ ﺴﺎﻗﻴﺔ ِ ﺍﻟﻤﻨﺎﺒﻊ ِ‬ ‫‪‬‬ ‫ﺘﺴﺘﺤﻡ ﺇﻟﻲ ﺍﻷﺒﺩ..‬ ‫‪‬‬ ‫ﺃﺒﺩ ُ.. ﺃﺒﺩ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻫﻼ ﺃﻨﺕ ﻴﺎ ﻤﺤﻤﻭﺩ ﻓﺭﺤﺘﻨﺎ؟!!!!‬ ‫ﹶ‬ ‫- ٦٣ -‬
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  • 1.
  • 2. ‫ُ‬ ‫ﺣﺪﻳﺚ‬ ‫ﺍﻟﻀﺪ ﺑﻦ ﺍﻟﱪﺍءﺓ..‬ ‫א‬ ‫-٢-‬
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﻤﻜﺎﺸﻔﺎﺕ... )ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ(.......................................................................................... - ٦ -‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻷﻭل ﺤﺩﻴﺙ ﺍﻟﻀﺩ ﺒﻥ ﺍﻟﺒﺭﺍﺀﺓ.. .............................................................................. - ٨١ -‬ ‫ﻨﻔﻭﻨﻲ ﺼﻐﻴﺭﺍ.. .................................................................................................... - ٠٢ -‬ ‫ﹰ‬ ‫ﻫﻲ ﻗﻁﺭﺓ ُ ﻀﻭﺀ ِ .................................................................................................. - ٢٢ -‬ ‫ﺃﻨﺎ ﻓﻴﻪ.. ﺃ ُﻨﺎﺩﻴﻪ.. ................................................................................................... - ٤٢ -‬ ‫ﺃﺤﻴﺎﻨﺎ.. ﺃﺸﻌﺭ ﺫﺍﻜﺭﺘﻲ ﻜﻬﻭﺍﺀ ........................................................................................ - ٦٢ -‬ ‫‪‬‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺜﺎﻨﻲ ﺤﺩﻴﺙ ﺍﻟﺒﺭﺍﺀﺓ ِ ﻟﻠﻀﺩ.. ................................................................................ - ٨٢ -‬ ‫ﹸ‬ ‫)١( ................................................................................................................ - ٩٢ -‬ ‫)٢( ................................................................................................................ - ٠٣ -‬ ‫)٣( ................................................................................................................ - ١٣ -‬ ‫)٤( ................................................................................................................ - ٢٣ -‬ ‫)٥( ................................................................................................................ - ٣٣ -‬ ‫)٦( ................................................................................................................ - ٤٣ -‬ ‫)٧( ................................................................................................................ - ٥٣ -‬ ‫)٨( ................................................................................................................ - ٧٣ -‬ ‫)٩( ................................................................................................................ - ٨٣ -‬ ‫)٠١( .............................................................................................................. - ٩٣ -‬ ‫)١١( .............................................................................................................. - ٠٤ -‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺜﺎﻟﺙ ﻫﻭﺍﻤﺵ ﺒﻴﻥ ﺍﻟﻀ ِ؛ ﻭﺍﻟﺒﺭﺍﺀﺓ.. ......................................................................... - ١٤ -‬ ‫ِ‬ ‫ﺩ‬ ‫)١( ................................................................................................................ - ٢٤ -‬ ‫)٢( ................................................................................................................ - ٣٤ -‬ ‫)٣( ................................................................................................................ - ٤٤ -‬ ‫)٤( ................................................................................................................ - ٥٤ -‬ ‫)٥( ................................................................................................................ - ٦٤ -‬ ‫)٦( ................................................................................................................ - ٧٤ -‬ ‫)٧( ................................................................................................................ - ٨٤ -‬ ‫)٨( ................................................................................................................ - ٩٤ -‬ ‫ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ )ﺍﻟﻤﺨﺘﻠﻑ( ............................................................................................. - ١٥ -‬ ‫‪‬‬ ‫ﻤﺩﺨـل ............................................................................................................ - ٢٥ -‬ ‫ﺇﻀﺎﺀﺓ.............................................................................................................. - ٣٥ -‬ ‫ﺘﺄﺴﻴﺱ ............................................................................................................. - ٤٥ -‬ ‫ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ ........................................................................................................ - ٦٥ -‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ..................................................................................................... - ٧٥ -‬ ‫‪‬‬ ‫ﻭﺃﺸﻬﺩ.. ﻴﺎ ﺸﻬﺭﻴﺎﺫ ................................................................................................. - ٢٦ -‬ ‫-٣-‬
  • 5. ‫ﻭﻟﻴﺱ ﺴﻭﻱ ﺍﻟﺼﻤﺕ.. .............................................................................................. - ٣٦ -‬ ‫ِ‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ....................................................................................................... - ٥٦ -‬ ‫ﻓﺘﻨﺔ ﻨﺎﺌﻤﺔ........................................................................................................... - ٧٦ -‬ ‫ﹲ‬ ‫ﻗﻠﻤﻲ ﺘﺎﺌﻪ ﻋﻥ ﺒﺩﺍﻴﺘﻪ ................................................................................................ - ٩٦ -‬ ‫ِ‬ ‫‪‬‬ ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ﻤﺎ ﺩﻓﻨﺕ ............................................................................................... - ٠٧ -‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻫﻭﺍﻤﺵ... ﻋﻠﻲ ﺨﺎﺭﻁﺔ ﺍﻟﻁﺭﻴﻕ .................................................................................... - ٢٧ -‬ ‫ﺃﺤـﻭﺍل ............................................................................................................ - ٠٨ -‬ ‫ﺍﻨﺘﺒﻬﻭﺍ.............................................................................................................. - ٢٨ -‬ ‫ﺍﻟﺸـﺎﻫﺩ ............................................................................................................ - ٤٨ -‬ ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ ................................................................................................... - ٦٨ -‬ ‫ﺃﺭﻗﺏ ﺍﻟﺤ ‪ ،‬ﻭﺍﻟﻤﻭﺕ ............................................................................................... - ٧٨ -‬ ‫‪‬ﺏ‬ ‫ﺍﻟﻴﻘﻅـﺔ ............................................................................................................ - ٨٨ -‬ ‫ﻤﺭﺜﻴﺔ.. ﻟﺼﺎﺤﺏ ﻤﻘﺘل ﺍﻟﻘﻤﺭ ﺇﻟﻲ/ ﺃﻤل ﺩﻨﻘل ......................................................................... - ٠٩ -‬ ‫)ﺃﺒﺤﺙ ﻋﻨﻪ ﺒﻴﻥ ﺍﻷﺤﻴﺎﺀ ﺍﻟﻤﻭﺘﻰ ﻭﺍﻟﻤﻭﺘﻰ ﺍﻷﺤﻴﺎﺀ( .................................................................... - ٢٩ -‬ ‫ﺍﻟﺭﻤﺎﺩﻱ ﺇﻟﻲ ﻤﺤﻤﻭﺩ ﺇﺩﺭﻴﺱ ......................................................................................... - ٤٩ -‬ ‫ﻋﻠﻲ ﺠﻨﺒﺎﺕ ﺍﻟﻁﺭﻴﻕ ﺍﻟﻭﻟﻴﺩ.. ........................................................................................ - ٥٩ -‬ ‫ﺘﻬﻴﺌﺔ ﺇﻟﻲ/ ﺃﺤﻤﺩ ﺤﺴﻥ ﺸﺎﻫﻴﻥ ....................................................................................... - ٧٩ -‬ ‫ﻫﻤﺱ ﺇﻟﻲ ﺍﻟﻀﺩ ﺍﻟﻤﺨﺘﻠﻑ ........................................................................................... - ٩٩ -‬ ‫ﺘﺠﻠﻴﺎﺕ ﺃﻟﻑ ﺍﻟﺫﺍﺕ.. .............................................................................................. - ٠٠١ -‬ ‫ﹸ‬ ‫ﻴﻭﻡ، ﺒﻴﻭﻡ... ﻭﻻ ﻴﺒﻐﻴﺎﻥ ........................................................................................... - ٢٠١ -‬ ‫ﺤﺩﻴﺙ ﺨﺎﺹ ﻤﻊ ﺍﻟﺼﻤﺕ ......................................................................................... - ٤٠١ -‬ ‫ﺘﺠﻠﻴﺎﺕ ﻁﺎﺌﺭ ﺍﻷﻟﻑ ............................................................................................... - ٦٠١ -‬ ‫ﻟﻭﻥ ﺍﻟﺨﻴﻁ ﺍﻷﺒﻴﺽ ﻤﻥ ﻟﻭﻥ ﺍﻟﺨﻴﻁ ﺍﻷﺴﻭﺩ ﻤﻥ ﻟﻭﻥ ﺍﻟﺩﻡ ............................................................ - ٥١١ -‬ ‫ﻤﻥ ﺃﻗﻭﺍل ﺍﻷﻟﻑ ﺍﻟﻤﺄﺜﻭﺭﺓ .......................................................................................... - ٦١١ -‬ ‫ﺘﻘﻠﺒﺎﺕ ﺍﻷﻟﻑ ..................................................................................................... - ٧١١ -‬ ‫ﻴﺤﻤل ﺭﻴﺸﺘﻪ ﻤﻥ ﻗﺎﻉ ﺍﻟﻁﻴﻥ.. ..................................................................................... - ٩١١ -‬ ‫ﻋﻨﺎﻗﻴﺩﺍ ﻟﻠﺒﺴﻁﺎﺀ.. ................................................................................................. - ١٢١ -‬ ‫ﹰ‬ ‫ﻤﻥ ﺃﻗﺼﻲ ﺍﻟﺸﺭﻕ ﺍﻟﻭﺍﺭﻑ ........................................................................................ - ٢٢١ -‬ ‫ﺃﻟﻑ ﺨﺎﺹ ﺠﺩﺍ ................................................................................................... - ٥٢١ -‬ ‫ﹰ‬ ‫ﹲ‬ ‫ﺨﺭﻭﺝ ........................................................................................................... - ٦٢١ -‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ.. ﻻ ﻤﺯﻴﺩ ﺇﻫــﺩﺍﺀ ..................................................................................... - ٧٢١ -‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﻐﻭﻟﺔ.. ................................................................................................. - ٨٢١ -‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ ﺘﻤﺴﻙ ﺍﻟﻤﻭﺠﺔ َﺍﻟﺴﺎﺤﻠﻴﺔ َ ﻓﻲ ﻤﻨﺘﻬﺎﻫﺎ .................................................................... - ٠٣١ -‬ ‫ﺃﻨﺎ ﻨﻭﺭﺱ.. ...................................................................................................... - ٢٣١ -‬ ‫‪‬‬ ‫ﻓ ‪‬ﻠﺕ ﺍﻷﺤﻼﻡ ﺸﺭﺍﻋﺎ ............................................................................................ - ٥٣١ -‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺼ ﹸ‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َﺍﻟﺒﺤﺭ .................................................................................................... - ٦٣١ -‬ ‫ِ‬ ‫-٤-‬
  • 6. ‫ﺍﻟﺤﻠﻡ.. ﺼﺎﺭ ﺤﺩﻴﻘﺔ ............................................................................................... - ٨٣١ -‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻜﺎﻨﺕ ﻜﻤﺎ ﻋ ‪‬ﺍﻓﺔ .................................................................................................. - ١٤١ -‬ ‫ﺭ ٍ‬ ‫ﻜﺎﻨﺕ ﻜ ‪‬ﻠﺔ ﻤﺎﺭﺩ.................................................................................................. - ٣٤١ -‬ ‫ٍ‬ ‫ﺤ‬ ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻱ.. ....................................................................................... - ٤٤١ -‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ.. ....................................................................................... - ٦٤١ -‬ ‫ِ‬ ‫‪‬‬ ‫ِ‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ﻓﻲ ﺍﻟﻘﻠﺏ... ............................................................................................... - ٨٤١ -‬ ‫ِ‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ﻨﺩﺍﻫﺔ... .................................................................................................. - ٠٥١ -‬ ‫ﺁﻩ.. ﻴﺎ ﻋﺎﺠﻴﺔ َﺍﻷﺤﺯﺍﻥ ............................................................................................ - ٣٥١ -‬ ‫ِ‬ ‫ِ‬ ‫ﻟﻠﺭﻗﺹ ِ ﺍﻟﻤﻐﺎﻴﺭ .................................................................................................. - ٥٥١ -‬ ‫ِ‬ ‫ﻤﻠﻙ ُ.. ﻭﻤﻤﻠﻜﺘﻲ ﺍﻟﻐﻨﺎﺀ... ........................................................................................ - ٨٥١ -‬ ‫‪ ِ‬‬ ‫ﺍﻟﻴﻭﺩ ﻏﻁﻲ ﺇﺴﻜﻨﺩﺭﻴﺔ.. ........................................................................................... - ٠٦١ -‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﺍﻨﺘﺤﺭ ﺍﻟﺒﻜﺎﺀ ..................................................................................................... - ٣٦١ -‬ ‫‪‬‬ ‫ﺴﺄﻤﺭ ﻭﺤﺩﻱ...................................................................................................... - ٧٦١ -‬ ‫‪‬‬ ‫-٥-‬
  • 7. ‫ﻤﻜﺎﺸﻔﺎﺕ... )ﻗﺼﺎﺌﺩ ﺒﺼﻴﺭﺓ(‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻴﺘﻨﻔﺱ ﺠﻴل ُ ﻤﻥ ﺍﻟﻜﺩﺡ ِ؛‬ ‫ُ‬ ‫ﻋﺒﺭ ﺍﻟﻐﻨﺎﺀ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﻴﺤﻴل ﺍﻟﻔﺭﺍﻍ َ ﺍﻟﺫﻱ ﻓﻲ ﺍﻟﻘﻠﻭﺏ ِ‬ ‫ﺤﺭﻴﻘﺎ ً؛ ﻭﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻴﻠﻭﻙ ﺍﻟﺭﺤﻴل َ..‬ ‫ﻭﻴﻁﻔﺊ ﺒﺎﻟﻜﻠﻤﺎﺕ ِ ﺍﻟﻨﺩﻴﺔ ِ؛‬ ‫ﺠﻤﺭ َ ﺍﻟﻌﻨﺎﺀ.‬ ‫‪‬‬ ‫ﻫﻜﺫﺍ..؛ ﻴﺼﻁﻔﻴﻨﻲ ﺍﻟﻜﻼﻡ ُ؛..‬ ‫ﻴﺯ ‪‬ﺞ ﺒﻲ ﺤﺎﺠﺏ َ ﺍﻟﺤﻠﻡ ِ؛ ﻭﺍﻟﻭﻫﻡ ِ؛..‬ ‫ﺠ‬ ‫ﺍﻟﺤ ‪ُ ‬ﻤﻤﻠﻜﺘﻲ؛ ﻭﺍﻟﺠﻨﻭﻥ ُ..‬ ‫‪‬ﺏ‬ ‫ﻭﻤﻌﺭﻜﺘﻲ.. ﻜل ﻫﺫﺍ ﺍﻟﻐﺜﺎﺀ.‬ ‫‪‬‬ ‫ُ‬ ‫.........................................‬ ‫ﺁﻴﺘﻲ..‬ ‫ﺃﻨﻨﻲ ﻤﺸﻜﻠﺔ ْ.‬ ‫ﻭﺩﻤﻲ ﺃﺴﺌﻠﺔ ْ.‬ ‫ﻓﺎﺴﺄﻟﻭﺍ ﺍﻟﻘﺎﺒﻠﺔ ْ.‬ ‫ﺤﻴﻥ ﻓﺎﺠﺄ ﺃﻤﻲ ﺍﻟﻤﺨﺎﺽ‬ ‫‪‬‬ ‫ﺘﻠﻘﺕ ﻭﻟﻴﺩﺍ ً؛ ﺘﺭﻱ..؟‬ ‫ﹾ‬ ‫ﺃﻡ ﺘﺭﻱ ﻗﻨﺒﻠﺔ ْ؟!!‬ ‫.........................................‬ ‫ﺁﻴﺔ ُ ُ..‬ ‫ﺃﻥ ﻴﻜﻭﻥ ﺍﻟﻨﻬﺎﺭ؛ ﻭﻟﻴﺩ ﺍﻟﺤﻠﻙ.‬ ‫‪‬‬ ‫‪‬‬ ‫-٦-‬
  • 8. ‫ﺁﻴﺔ ُ ُ..‬ ‫ﺃﻥ ﻴﻤﺭ ﻋﻠﻴﻙ َ ﺃﺨﻭﻙ ِ‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ َ ﺘﻔﺘﺵ ﻋﻨﻪ؛ ﻜﺄﻥ ﻟﻡ ﻴﺭﻙ.‬ ‫‪‬‬ ‫ﺁﻴﺔ ُ ُ..‬ ‫ﻜل ﻨﻔﺱ ٍ ﻟﻬﺎ ﻫ ‪‬ﻬﺎ...‬ ‫ﻤ‬ ‫ُ‬ ‫ﻭﻫﻡ ُ ﺍﻟﺤﻘﻴﻘﺔ ِ – ﻴﺎ ﺴﻴﺩﻱ – ﻤﺸﺘﺭﻙ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﻴﺩﻱ..‬ ‫ﻴﺎ ﺍﻟﺫﻱ ﻓﻲ ﻜﻴﺎﻨﻲ ﻫﻨﺎ ﻫﻴﻜﻠﻙ ْ.‬ ‫ﺴﻴﺩ ُ؛ ﺃﻡ ‪‬ﻠﻙ‪‬؟‬ ‫ﻤ‬ ‫‪‬‬ ‫ﺃﻡ ﻷﻨﻙ َ ﺴﻤﻴﺕ َ ﻜل َ ﺍﻷﻤﺎﻨﻲ.. ﺃﻤﺎﻨﻲ.‬ ‫ﻭﺒﻌﺽ َ ﺍﻷﻏﺎﻨﻲ.. ﺃﻏﺎﻨﻲ.‬ ‫ﻭﻨﺼﻑ َ ﺍﻟﺫﻱ ﻴﺒﺩﻋﻭﻥ.. ﺸﺭﻙ.‬ ‫ﹶ‪ ‬‬ ‫.........................................‬ ‫)ﻫﻭ(‬ ‫ﺭﺠل ُ ﺘﻌﻁﺭ ﺒﺎﻟﺘﺭﺍﺙ ِ‬ ‫ﹼ‪‬‬ ‫ُ‬ ‫ﻭﺃﻤﻁﺭﺕ ﻤ ﹼﺎ ً ﻋﻠﻴﻪ ِ‬ ‫ﹾ ‪‬ﻨ‬ ‫ﻓﺄﻴﻨﻌﺕ ﺤﻠﻘﺎ ﹸﻪ؛‬ ‫ﺘ‪‬‬ ‫ﹾ‬ ‫ﻭﺘﺄﻟﻕ ﺍﻟﻨﻐﻡ ﺍﻟﻐﻼﻡ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺤﺩﺙ ﺍﻟﻭﺍﺸﻭﻥ ﻋﻨﻪ‬ ‫‪ ‬‬ ‫‪ ‬ﹶ‬ ‫ﻓﻤﺎ ﺍﺩﻋﻲ ﺒ ‪‬ﺍ ً؛ ﻭﻻ ﺘﻤﺭﺍ ً‬ ‫‪‬ﺭ‬ ‫ﻜﺫﺍ.. ﺭﺠل ُ ﺇﺫﺍ..‬ ‫ُ‬ ‫ﻤﺎ ﺃﻴﻨﻌﺕ ﻓﻴﻙ ﺍﻟﺤﺼﻭﺒﺔ ُ‬ ‫ﹾ ‪‬‬ ‫ﺃﻴﻨﻌﺕ ﻓﻴﻪ ﺍﻟﺨﺼﻭﺒﺔ ُ..‬ ‫ﹾ‬ ‫ﺇ ﹼﻪ؛ ﺭﺠل ُ ﻴﺤﻥ ُ‬ ‫ُ ِ‪‬‬ ‫ﻨ‪‬‬ ‫ﻭﺭ ‪‬ﻤﺎ... ﺭﺠل ُ ﻴﺌﻥ ُ‬ ‫ُ‬ ‫ﺒ‬ ‫ﻭﺭ ‪‬ﻤﺎ.. ﺭﺠل ُ ﻭﻁﻥ.‬ ‫ُ ‪‬ﹶ‪‬‬ ‫ﺒ‬ ‫-٧-‬
  • 9. ‫.........................................‬ ‫)ﻫﻲ(‬ ‫ﺍﻤﺭﺃﺓ ُ ُ؛ ﻤﻥ ﻋﺒﻴﺭ ﺍﻟﻁﻔﻭﻟﺔ ِ - ﻴﺎ ﺴﻴﺩﻱ -‬ ‫ِ‬ ‫ﻋﺸﻘﺘﻬﺎ ﺍﻟﻨﻭﺍﺭﺱ ﺤﻴﻨﺎ ً ﻤﻥ ﺍﻟﺩﻫﺭ ِ؛‬ ‫‪‬‬ ‫ﺠﺎﺩ ﻟﻬﺎ ﺍﻟﺒﺤﺭ ﺃﺴﺭﺍﺭﻩ؛ ﻭﺍﻟﻼﻟﺊ..‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﺤﻴﻥ ﻗﺎﺒﻠﺘﻬﺎ ﻓﻲ ﺍﻨﻔﻼﺘﺔ ِ ‪‬ﻠﻡ ٍ‬ ‫ﺤ‬ ‫ﺭﻤﺕ ﺒﺸﺒﺎﻙ ِ ﺍﻟﻐﺭﺍﻡ ِ ﻋﻠﻲ َ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺍﻟﻐﺭﺍﻡ؛ ﻤﺸﻲ ﻓﻲ ﺍﻟﻌﺭﻭﻕ ِ؛ ﺍﺤﺘﻘﻨﺕ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺍﻨﻔﻠﺕ ﺇﻟﻲ ﺸﺎﻁﺊ ٍ ﺴﻨﺩﺴﻲ ٍ؛‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﻫﻴﺄﺕ ﺸﻭﻗﺎ ً؛‬ ‫ﹸ‬ ‫ﻭﻋ ‪‬ﺩﺕ ُ ﻓﻲ ﻤﻔﺭﻕ ِ ﺍﻟﻐﻴﺏ ِ ﺩﺭﺒﺎ ً؛‬ ‫ﺒ‬ ‫ﻭﻗﻠﺕ: ﺘﺠﺊ ﻤﻊ ﺍﻟﻠﻴل ِ‬ ‫ُ‬ ‫ﹸ‬ ‫ﺃﺴﺭﻱ ﺒﻬﺎ ﻟﻠﺫﻱ ﻻ ﻴﺠﻭﺩ ِﻪ ِ ﺍﻟﺩﻫﺭ‬ ‫‪‬‬ ‫‪‬ﺒ‬ ‫ﺇﻻ َ ﻟﻤﺜﻠﻲ..‬ ‫ﹼ‬ ‫ﻭﻜﺎﻥ ﻟﻬﺎ ﻤﺎ ﺘﺸﺎﺀ‬ ‫‪‬‬ ‫ﺍﻟﻨﻭﺍﺭﺱ.. ﻏﻴﻡ ُ ﻤﻥ ﺍﻟﺭﻓﺭﻓﺎﺕ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻥ ﺍﻟﺼﻭﺼﻭﺍﺕ ِ‬ ‫ﻟﻬﺎ ﺍﻟﺒﺤﺭ..‬ ‫‪‬‬ ‫ﺃﺴﺭﺍﺭﻩ؛ ﻭﺍﻟﻶﻟﺊ..‬ ‫‪‬‬ ‫ﻭﻟﻡ ﻴﺒﻕ ﻋﻨﺩﻱ‬ ‫ﺴﻭﻱ ﺒﻌﺽ ﺸﻴﺏ ٍ؛‬ ‫ِ‬ ‫ﻭﺒﻌﺽ ِ ﺭﻤﺎﺩ.‬ ‫‪‬‬ ‫.........................................‬ ‫-٨-‬
  • 10. ‫)ﻫﻡ(‬ ‫ﻜﻬﻭﺍﺀ ٍ ﻴﻨﻅﺭ ﻓﻲ ﺍﻟﻤﺭﺁﺓ ْ.‬ ‫ﻜﺤﺭﻭﻑ ٍ ﹸﻜﺘﺏ ﺒﺎﻟﻤﻤﺤﺎﺓ ْ.‬ ‫ﺘ ‪‬‬ ‫ﻜﺎﻟﻤﺎﺀ ِ ﺍﻟﻭﺍﻗﻑ ِ ﺒﻴﻥ ﻤﻴﺎﻩ ْ.‬ ‫ﻗﺎﻟﻭﺍ: ﻨﺤﻴﺎﻫﺎ!!‬ ‫ﺃﻱ ُ ﺤﻴﺎﺓ ْ؟!‬ ‫‪‬‬ ‫ﻴﺎ ﻤﺤﺽ ﺸﻴﺎﻩ ْ.‬ ‫‪‬‬ ‫‪‬ﺼﺭﺨﻜﻡ ﻴﻨﻜﺭ ﻤﻥ ﻭﺍﻻﻩ ْ.‬ ‫‪ ‬‬ ‫ﻤ‬ ‫ﻭﺍﻟﺼﻤﺩ؛ ﺍﻟﻭﺍﺤﺩ ﺠل ‪‬ﻼﻩ.‬ ‫ﻋ ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻻ ﺭﺏ َ ﺴﻭﺍﻩ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻨﻅﺭﺕ ﻷﻁﻔﺎﻟﻲ ﺍﻟﺠﻭﻋﻲ..‬ ‫ﹸ‬ ‫ﻭﺤﻤﺩﺕ ﺍﷲ ْ.‬ ‫ﹸ‬ ‫.........................................‬ ‫)ﻫﻭ(‬ ‫ﻭﻟﺩﺘﻪ ﺍﻤﺭﺃﺓ ْ‬ ‫ﻤﺜل ﺒﺎﻗﻲ ﺍﻟﻨﺴﺎﺀ..‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ ﻟﻡ ﻴﺠﺊ ْ ﺫﻜﺭﻩ ﻓﻲ ﺍﻟﺭﺴﺎﻻﺕ ِ‬ ‫‪‬‬ ‫ﺒ‬ ‫ﺃﻭ ﻟﻡ ‪‬ﺤ ‪‬ﺙ ْ ﺒﻪ ﺍﻷﻨﺒﻴﺎﺀ ْ.‬ ‫ﻴ ﺩ ِِ‬ ‫ﻓﻘﻁ ﻜﺎﻥ ﻴﻬﻤﺱ ﻟﻠﻨﺎﺱ ِ ﺴ ‪‬ﺍ ً:‬ ‫ِﺭ‬ ‫ﺇﺫﺍ ﻋﺎﻤﻠﺕ ْ ﺯﻭﺠﺘﻲ ﺨﺎﺘﻤﻲ ﺒﺩﻭﻥ ِ ﺍﻋﺘﻨﺎﺀ ْ‬ ‫ﺘﻔﺭﻕ ﺒﻴﻥ ﺃﺼﺎﺒﻊ ِ ﻜل ِ ﺍﻟﻨﺴﺎﺀ ْ.‬ ‫‪‬ﹶ‬ ‫ﺭ ‪‬ﻤﺎ ﻻ ﻴﻜﻭﻥ ﻤﻬﻤﺎ ً‬ ‫ﺒ‬ ‫ﻟﻨﻌﺭﻑ ﺃﻴﻥ ﺍﺨﺘﻔﻲ..‬ ‫ﹶ‬ ‫ﻭﻤﻥ ﺃﻴﻥ ﺠﺎﺀ ْ..!!‬ ‫ﻓﻘﻁ ﻜﺎﻥ ﻴﺨﻠﻁ ﺨﺒﺯﺍ ً ﺒﺠﻭﻉ ٍ؛‬ ‫ﻭﺤﺯﻨﺎ ً ﺒﺄﻏﻨﻴﺔ ٍ..‬ ‫-٩-‬
  • 11. ‫ﻭﻜ ﹼﺎ ﻟﻪ ﺃﻭﻓﻴﺎﺀ.‬ ‫‪‬‬ ‫ﻨ ‪‬‬ ‫.........................................‬ ‫)ﻫﻲ(‬ ‫ﺩﻗﺕ ﺍﻟﻘﻠﺏ؛ ﻭﺍﺴﺘﺄﺫﻨﺕ..‬ ‫ﹾ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺩﺨﻠﺕ ْ..‬ ‫ﻓﺘﺸﺕ ﺒﺭﻫﺔ ً ﻓﻲ ﺍﻟﺩﻤﺎ ﺍﻟﺨﺎﻤﻠﺔ ْ.‬ ‫ﹾ‬ ‫ﻗﻁﻔﺕ ﻭﺭﺩﺓ ً ﺫﺍﺒﻠﺔ ْ.‬ ‫ﹾ‬ ‫ﻫﻴﺌﺕ ﻨﻔﺴ ‪‬ﺎ ﻟﻠﺴﺒﺎﺤﺔ ِ ﻋﺒﺭ ﺍﻟﺸﺭﺍﻴﻴﻥ ِ‬ ‫‪‬‬ ‫ﹾ ‪‬ﻬ‬ ‫ﻭﺼﻠﺕ ﻟﻠﻌﻘل ِ..‬ ‫ﹾ‬ ‫ﻗﹼﺒﺕ ْ ﺃﻭﺭﺍﻗﻪ ﺍﻟﻤﻬﻤﻠﺔ ْ..‬ ‫ﹶ‪‬‬ ‫ﻠ‬ ‫ﺸﺎﻏﺒﺕ ْ ﻓﻜﺭﺓ ً ﻋﺎﻁﻠﺔ ْ..‬ ‫ﻓﺘﺤﺕ ‪‬ﻠﺒﺔ َ ﺍﻹﻨﻔﻌﺎﻻﺕ ِ‬ ‫ﻋ‬ ‫ﺃﺨﺭﺠﺕ ﻭﺍﺤﺩﺍ ً.. ﺃﺸﻌﻠﺘﻪ‬ ‫‪‬‬ ‫ﺸﺒﺕ ْ ﺍﻟﻨﺎﺭ ﻓﻲ ﺍﻟﻤﺴﺄﻟﺔ ْ..‬ ‫‪‬‬ ‫ﻫﺎﺩﺌﺔ ً..‬ ‫ﻋﺎﺩﺕ ﺇﻟﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﺃﻏﻠﻘﺕ ﺨﻠﻔﻬﺎ ﺍﻟﺒﺎﺏ َ‬ ‫ﻭﺍﺴﺘﺴﻠﻤﺕ ْ ﺫﺍﻫﻠﺔ ْ.!!!‬ ‫.........................................‬ ‫)ﻫﻡ(‬ ‫ﻗﺎﻟﻭﺍ: ﻤﻥ ﻋﺎﺯ َ ﻓﻘﺩ ﻻﺫ َ!!‬ ‫‪‬‬ ‫ﻤﻥ ﺃﻭﻋﺯ ﻫﺫﺍ ﺍﻹﻴﻌﺎﺯﺍ؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻥ ﺠﺎﺯ َ‬ ‫ﻓﻘﺩ ﺃﻨﺠﺯ ﻫﺫﺍ‬ ‫ﻓﻲ ﺫل ِ ﺍﻟﻌ ‪‬ﺓ َ ﺇﻨﺠﺎﺯﺍ..‬ ‫ﺯ‬ ‫- ٠١ -‬
  • 12. ‫ﻟﻜﻥ ﻤﺎﺫﺍ‬ ‫ﻟﻭ ﺤﺎﺯ ﺍﻟﻤﺠﺭﻡ ﻤﺎ ﺤﺎﺯﺍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﻜﺒﺭ ﻓﻲ ﺍﻷﺭﺽ ِ؛ ﻭﻓﺎﺯﺍ‬ ‫‪‬‬ ‫ﺃﺘﻔﻴﺩ ﺇﺫﺍ؛ ﻭﻟﺫﺍ؛ ﻭﻜﺫﺍ؟‬ ‫ﺍﻟﻌﺎﺌﺯ ﻻ ﻴﻘﻭﻱ ﺃﺒﺩﺍ ً‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺴﺄل ﻤﻌﻁﻴﻪ ِ ﻟﻤﺎﺫﺍ!!!!‬ ‫‪‬‬ ‫.........................................‬ ‫ﻫﻭ ﺍﻟ ‪‬ﻤﺭ ﻓﻲ ﻟﺤﻅﺔ ٍ ﻴﺴﺘﻁﻴﺏ ﺍﻟﺤﻴﺎﺓ َ‬ ‫‪‬‬ ‫ﻌ ‪‬‬ ‫ﻭﺃﺨﺭﻱ ﻴﻀﻴﻕ ﺒﻬﺎ..‬ ‫ﻭﺍﻟﻤﺴﺎﻓﺔ ُ ﻤﺎ ﺒﻴﻥ ﺤ ‪ٍ ‬؛ ﻭﻀﻴﻕ ٍ‬ ‫‪‬ﺏ‬ ‫ﺘﺭﻭﺡ؛ ﻭﺘﻐﺩﻭ‬ ‫‪‬‬ ‫ﺘﻠﻭﻥ ﺩﻨﻴﺎﻱ ﻓﻲ ﺍﻟﻠﺤﻅﺘﻴﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻏﺩﻭ – ﺃﻴﺎ ﺴﻴﺩﻱ – ﺒﻴﻥ ﺒﻴﻥ‬ ‫ﻭﺃﺩﻋﻭﻙ: ﻫﺒﻨﻲ ﺭﻀﺎﻙ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻜﻥ ﻟﻲ ﺠﻨﺎﺤﺎ ً؛ ﻭﻋﻴﻥ..‬ ‫‪‬‬ ‫ﻓﻘﺩ ﺃﺘﻌﺒﺘﻨﻲ ﺍﻟﻤﺴﺎﻓﺔ ُ‬ ‫ﻓﻲ ﺍﻟﺤﺎﻟﺘﻴﻥ.‬ ‫‪‬‬ ‫.........................................‬ ‫ﻴﺩﻭﺭ ﺍﻟ ‪‬ﻤﺭ ﺩﻭﺭﺘﻪ..‬ ‫‪‬‬ ‫‪ ‬ﻌ ‪‬‬ ‫ﻓﻨﺭﻨﻭ ﺫﺍﻫﻠﻴﻥ ﻟﺤﻠﻤﻨﺎ ﺍﻷﺭﻀﻲ ِ..‬ ‫‪‬‬ ‫ﺘﻤﺭ ُ ﺃﻤﺎﻤﻨﺎ ﺍﻷﻴﺎﻡ ‪‬ﺴﺭﻋﺔ ً‬ ‫‪‬ﻤ‬ ‫‪‬‬ ‫ﻭﻨﺠﺜﻭ ﺒﺎﻨﺘﻅﺎﺭ ِ ﺍﻟﻤﻭﺕ َ؛‬ ‫ﺘﺭﻋﺒﻨﺎ ﹸﻁﻲ ﺍﻷﻴﺎﻡ ِ؛‬ ‫ﺨ‬ ‫ﻭﻫﻲ ﺘﻤﺭ ُﻓﻭﻕ ﺴﺭﺍﺒﻨﺎ ﺍﻟﻔﻀﻲ ِ ﺃﺴﺭﺍﺒﺎ ً‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻟﻲ ﺍﻟﻼﺸﺊ؛ ﻭﺍﻟﺫﻜﺭﻱ..‬ ‫- ١١ -‬
  • 13. ‫ﻭﻟﻴﺱ ﻫﻨﺎﻙ َ ﻏﻴﺭ ﺍﻟﻭﺤﺸﺔﺍﻟﻜﺒﺭﻱ..‬ ‫ﻴﻐﻠﻔﻬﺎ ﻏﺜﺎﺀ ﺍﻟﻤﻭﺝ ِ؛‬ ‫‪‬‬ ‫ﻴﻐﻤﺭﻫﺎ ﻨﺩﻴﻑ ﺍﻟﺜﻠﺞ ِ؛‬ ‫ﹸ‬ ‫ﻴﻐﺩﻭ ﻜل ﺸﺊ ٍ ﻋﺎﺒﺭﺍ ً؛‬ ‫ُ‬ ‫ﻴﺒﺩﻭ ﻜﻌﺼﻔﻭﺭ ٍ ﻏﺭﻴﻕ ٍ ﻓﻲ ﺍﻟﻤﺩﻱ..‬ ‫ﺍﻵﻥ ﺃﻭﻗﻥ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻥ ﻤﺎ ﻜﺴﺒﺕ ﻴﺩﺍﻱ ﻤﻥ ﺍﻟﻤﺘﺎﻉ ِ‬ ‫‪‬‬ ‫ﹾ‬ ‫- ﻤﺘﺎﻉ ﺍﻷﺭﺽ ِ ﻓﻲ ﺍﻟﺩﻨﻴﺎ -‬ ‫‪‬ﺩﻱ.‬ ‫ﺴ‬ ‫.........................................‬ ‫ﻜﺎﻥ ﻴﺤﻤل ﺃﺤﻼﻤﻪ ﻓﻲ ﺩﻭﺭﻕ ِ ﺍﻟﺼﺩﺭ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﺜﹼﺔ ً ﻤﻥ ﺯﻫﻭﺭ.‬ ‫‪‬‬ ‫ﹸﻠ‬ ‫ﺜﻡ ﻴﻤﻀﻲ ﺠﻤﻴﻼ ً - ﻜﻤﺎ ﺨﻴل ﺍﻟﻭﻫﻡ ﻟﻪ -‬ ‫‪‬‬ ‫‪َ‬‬ ‫ﺒﻴﻥ ﺘﻠﻙ ﺍﻟﻘﺒﻭﺭ.‬ ‫‪‬‬ ‫ﻜﺎﻥ ﻴﻨﺜﺭ ُﺃﺤﻼﻤﻪ ﻟﻬﻭﻱ ﺍﻟﻌﺎﺸﻘﻴﻥ ْ.‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺤﻴﻥ ٍ؛ ﻭﺤﻴﻥ.‬ ‫‪‬‬ ‫ﺜﻡ ﻻ ﻴﺭﻋﻭﻱ ﺃﻥ ‪‬ﻘﺴﻡ ﺃﺤﻼﻤﻪ‬ ‫‪‬‬ ‫ﻴ ‪‬‬ ‫ﺒﻴﻥ ﻜل ﺍﻟﺫﻴﻥ ﺃﺤﺒﻬﻡ..‬ ‫‪‬‬ ‫ﺃﻭ ﻴﻘﺴﻡ ﻗﻠ ‪‬ﻪ ﺍﻟﻤﺴﺘﻜﻴﻥ.‬ ‫‪‬‬ ‫‪ ‬ﺒ‬ ‫ﻜﺎﻥ ﻴﺩﺭﻙ..‬ ‫‪‬‬ ‫ﺃﻥ ﺍﻟﺫﻱ ﻓﻴﻪ ﻴﻜﻤﻥ‬ ‫‪‬‬ ‫ﺃﺭﺤﺏ ﻤﻥ ﻜل ﻫﺫﺍ ﺍﻟﻤﺠﺎل..‬ ‫ْ‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ ﻤﻁﺭﺍ ﻨﺎﺯﻓﺎ ً؛‬ ‫ﹰ‬ ‫ﺒ‬ ‫ﺃﻭ ﺒﺭﻴﻕ ﺍﺤﺘﺭﺍﻕ ٍ؛ ﻭﻨﺒﻊ ﺍﺸﺘﻌﺎل.!!‬ ‫ْ‬ ‫ﹶ‬ ‫ﺭ ‪‬ﻤﺎ ﺠ ﹼﺔ ً.. ﺃﻭ ِﻼل ْ.‬ ‫ﻅ‬ ‫ﺒ ‪‬ﻨ‬ ‫ﺇ ﹼﻪ ﻴﻌﺭﻑ ﺍﻵﻥ:‬ ‫ﹸ ‪‬‬ ‫ﻨ‪‬‬ ‫- ٢١ -‬
  • 14. ‫ﺯﻫﺭﺍﺘﻪ ﺘﺤﻤل ﺍﻟﺭﻭﺡ ﻗﻨﺩﻴل ﻨﻭﺭ.‬ ‫َ ‪‬‬ ‫‪‬‬ ‫ﹸ‪‬‬ ‫ﻭﻫﻲ ﺼﻭﺕ ُ؛ ﻭﻟﻴﺱ ﻟﺩﻨﻴﺎﻜﻡ ُ‬ ‫ﹸ‬ ‫ﺇ ﹼﻤﺎ ﻟﻠﻨﺸﻭﺭ.‬ ‫‪‬‬ ‫ﻨ‬ ‫.........................................‬ ‫ﻫﻴﺄﺘﻨﻲ ﺍﻟﻤﺭﻭﺀﺓ ُ‬ ‫ﻫﺎﺀﺕ.. ﻭﻫﺎﺘﺕ..‬ ‫ﹾ‬ ‫ﹾ‬ ‫ﻭﻜﻨﺕ ﺍﺭﺘﺩﻴﺕ؛ ﺍﺭﺘﺩﺩﺕ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺃﺭﺩﻴﺕ؛ ﺜﻡ ﺍﺴﺘﻘﻤﺕ..‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺼﻭﺒﺕ ﻁﺎﺵ؛‬ ‫ﹶ‬ ‫ﹸ‬ ‫ﻭ ‪‬ﻭﺒ ﹸ ﻁﺸﺕ..‬ ‫ﹸ‬ ‫ﺼ ﺕ‬ ‫ﻭﻋﺎﺸﺕ؛ ﻭ ِﺸﺕ..‬ ‫ﹾ ﻋ ﹸ‬ ‫ﻭﺜﻡ ﺍﻨﺘﻌﺸﺕ..‬ ‫ﹸ‬ ‫ﻨﻘﺸﺕ ﻨﻘﻭﺸﻲ؛ ﻓﺸﺎﻟﺕ؛ ﻭﺤﻁﺕ‬ ‫ﹼ ﹾ‬ ‫ﹾ‬ ‫ﹸ‬ ‫ﻓﺸﺎل ﻋﻠﻲ ﺍﻟﺠﻤﻴﻊ؛ ﻭﺤﻁﻭﺍ..‬ ‫‪‬‬ ‫َ ‪‬‬ ‫ﻭﻜﻨﺕ ﺃﺤ ﹼ ُ.. ﺃﺤﻁ ُ ﺒﻤﺎ ﻟﻡ ﻴ ِﻁ ﺒﻪ ﻏﻴﺭﻱ‬ ‫‪‬ﺤ‬ ‫ﹸ ُ ِﻁ َ ‪ ‬ﹼ‬ ‫ﻭﺸﻁ َ ﺍﻟﻤﺯﺍﺭ‬ ‫‪‬‬ ‫ﹼ‬ ‫ﻭﻟ ‪‬ﺎ ﻴﻜﻥ ﻓﻲ ﺨﻀﻤﻲ ﺸﻁ ُ..‬ ‫‪ ‬ﹶﹼ‬ ‫ﻤ‬ ‫ﻭﻟﻜﻨﻨﻲ؛ ﻟﻡ ﺃﺯﺤﺯﺡ ﻤﻜﺎﻨﻲ‬ ‫ﺒﻘﻠﺏ ِ ﺍﻟﻤﻠﻴﻜﺔ ِ ﻗﻁ ُ‬ ‫ﹶﹼ‬ ‫ﻭﻻ ﻏﻴﺭﺘﻨﻲ ﺍﻟﻔﻭﺍﺩﺡ ﻗﻁ ُ..‬ ‫‪ ‬ﹼ‬ ‫ﻭﻻ ﻏﻴﺭ ﺤ ‪ َ ‬ﺍﻟﻤﺭﻭﺓ ِ‬ ‫‪ ‬ﺏ‬ ‫ﻋﻤﺭﻱ ﺍﻟﺘﻘﻁ ُ..!!‬ ‫ﹼ‬ ‫.........................................‬ ‫ﻁﺎﺌﺭ ُ ﻓﻲ ﻗﻔﺹ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺃﺤﻠﻲ ﺍﻟﻘﺼﺹ.‬ ‫‪‬‬ ‫ﻗﻠﺕ: ﻴﺎ ﺴﻴﺩﻱ‬ ‫ﹸ‬ ‫- ٣١ -‬
  • 15. ‫ﺇﻨﻬﺎ ﻗﺼﺔ ُ ُ‬ ‫ﺤﻴﻨﻤﺎ ﻗﺼﻘﺼﺕ‬ ‫ﹾ‬ ‫ﺭﻴﺸﻬﺎ ﺤﺼﺤﺼﺕ..‬ ‫ﹾ‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﺍﻟﻜﻼﻡ ﺇﺫﺍ ﺯﺍﺩ ﻋﻥ ﺤﺩ ِﻩ ِ ‪‬ﻨﺘﻘﺹ.‬ ‫‪‬‬ ‫‪ ‬ﻴ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻜﻠﻨﺎ ﺴﻴﺩﻱ‬ ‫ﻁﺎﺌﺭ ُ ﻓﻲ ﻗﻔﺹ.‬ ‫‪‬‬ ‫‪‬‬ ‫.........................................‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﻟﺩﺘﻨﻲ ﺍﻟﺤﺭﻭﻑ‬ ‫ﹸ‬ ‫ﻓﺄﺜﻘﻠﺘﻬﺎ ﺒﺎﻟﺼﺩﻱ..‬ ‫ﻭﺍﻟﺴﺅﺍل ِ ﺍﻟﻤﺩﻱ..‬ ‫ﻫﻜﺫﺍ..‬ ‫ﻭﺍﻟﺭﻴﺎﺡ ﺍﻟﺘﻲ ﻓﻲ ﺩﻤﻲ ﻟﻠﻨﺩﻱ..‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺘﻌﺭﻑ ﺇﻻ ﺍﻟﺠﻠﻭﺱ ﺇﻟﻲ ﻗﺎﻤﺘﻲ‬ ‫‪‬‬ ‫ﹸ ﹼ‬ ‫ﻫل ﻭﻟﺩﺕ ‪‬ﺩﻱ؟!!!!!‬ ‫ﹸﺴ‬ ‫.........................................‬ ‫ﻻ ﺘﻁﻠﺏ ﻤﻨﻲ ﺘﺭﻙ ﺩﻤﻲ‬ ‫ﻗﺎﺏ ﺍﻟﻘﻭﺴﻴﻥ ِ ﺍﻟﻤﻌﺭﻭﻓﻴﻥ ِ‬ ‫ﻤﻥ ﺍﻟﻨﻐﻡ ِ‬ ‫ﺃﻭ ﺘﺤﺕ ﺭﺒﻴﻊ ِ ﺍﻟﺸﻔﺔ ِ ﺍﻟﺴﻔﻠﻲ‬ ‫ﹶ‬ ‫ﻤﻥ ﺃﻟﻤﻲ‬ ‫ﻓﺤﻨﻴﻨﻲ..‬ ‫ﻗﺎﻓﻠﺔ ُ ﻤﻥ ﻓﻀﺢ ٍ؛‬ ‫ﹸ‬ ‫ﻤﻥ ﺤﻤﻡ ِ‬ ‫- ٤١ -‬
  • 16. ‫ﻭﺤﺭﻭﻓﻲ ﻴﺤﺘﺸﺩﻭﻥ ﻟﻘﺹ ِ ﺸﺭﻴﻁ َ ﺍﻟﻴﻘﻅﺔ ِ‬ ‫ﺃﻭ ﺘﺘﻭﻴﺞ ﺍﻟﺤﻠﻡ َ ﺍﻟﺼﺎﻋﺩ ﻤﻥ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﻠﻤﻲ‬ ‫ﻟﻔﻤﻲ..‬ ‫ﻭﺃﻨﺎ....‬ ‫ﻟﻬﻨﺎﻙ َ‬ ‫ﻫﻨﺎ.‬ ‫.........................................‬ ‫ﻟﻸﺴﻑ..‬ ‫ﹾ‬ ‫ﻟﻡ ﻴﻜﻥ ﻤﻥ ﻗﺒﻴل ﺍﻟﺼﺩﻑ.‬ ‫ﹾ‬ ‫ﺃﻥ ﻫﺫﺍ ﺍﻟﺫﻱ‬ ‫ﻗﺩ ﺘﻜﺴﺭ ﺒﻴﻥ ﻴﺩﻴﻙ ِ ﻜﻴﺎﻨﻲ‬ ‫‪‬‬ ‫ﻟﻴﺱ ﺁﻨﻴﺔ ً ﻤﻥ ﺨﺯﻑ..!!‬ ‫ﹾ‬ ‫ﻟﻸﺴﻑ.‬ ‫ﹾ‬ ‫.........................................‬ ‫ﺒﻠﻲ.....‬ ‫ﻭﺍﻟﺒﻼﻴﺎ؛ ﺘﺒ ّ ُ ﺍﻟﺫﻱ ﻴﺒﺘﻠﻲ‬ ‫‪‬ل‬ ‫ﻓﻴﺒﻠﻲ..‬ ‫ﻭﻗﺩ ﻴﺒل ﻓﻴﻬﺎ ﺒﻼﺀ ً‬ ‫‪ُ ‬‬ ‫ﻴﻐﻴﻅ ﺍﻟﺫﻱ ﻗﺩ ﺴﻠﻲ؛ ﺃﻭ ﻗﻠﻲ‬ ‫ﻓﺈﻥ ﺍﻟﺒﻼﺀ ﺍﻨﺘﻤﺎﺀ ُ؛ ﻭﺩﺍﺀ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﻨﺫ ﺍﺒﺘﻠﻴﺕ ﺒﺤ ِﻙ ِ؛‬ ‫ﹸ ﺒ‬ ‫ﻭﺍﻟﻔﺽ ِ ﻓﻴﻙ ِ..‬ ‫ﺭﺠﻭﺘﻙ ِ ﻟﻲ ﻤﻭﺌﻼ..‬ ‫ﻭﺭﺍﻭﺩﺕ‬ ‫ﹸ‬ ‫- ٥١ -‬
  • 17. ‫ﻜﻼ؛‬ ‫ﻭﻻ..‬ ‫.........................................‬ ‫ﺇﻨﻬﺎ ﺍﻟﻭﺭﻁﺔ ُ ﺍﻷﺯﻟﻴﺔ ْ.‬ ‫ﺃﻥ ﻨﺼﻌﺩ ﺴﻠﻡ ﺍﻟﻤﻭﺕ ِ‬ ‫‪ ‬ﹼ ‪‬‬ ‫ﺇﻟﻲ ﺭﺩﻫﺔ ِ ﺍﻷﺒﺩﻴﺔ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﺴﻭﻑ ﻴﻨﺤﺴﺭ ﺍﻟﻅل‬ ‫ُ‬ ‫ِ‪‬‬ ‫ﻓﻲ ﺃﻁﻠﺱ ِ ﺍﻟ ‪‬ﻤﺭ ِ‬ ‫ﻌ‬ ‫ﺇﻟﻲ ﻨﻘﻁﺔ ٍ ﻋﻠﻲ ﻫﺎﻤﺵ ِ ﺍﻷﺒﺠﺩﻴﺔ ْ.‬ ‫ﻫﻜﺫﺍ..‬ ‫ﺴﻭﻑ ﻴﻤﺘﺩ ُ؛‬ ‫‪‬‬ ‫ﻴﻭﻏل؛‬ ‫ُ‬ ‫ﻴﻨﺴﺎﺡ‬ ‫‪‬‬ ‫ﻓﻲ ﺒﺅﺒﺅ ِ ﺍﻟﻌﺩﻤﻴﺔ ْ.‬ ‫.........................................‬ ‫ﻭﺤﻴﻨﻤﺎ ﺘﻔﺘﺤﺕ ْ ﻨﻭﺍﻓﺫ ﺍﻟﺴﻤﺎﺀ ِ..‬ ‫ﹸ‬ ‫ﺭ ﹼﻠﺕ ْ ﺤﻨﺎﺠﺭ ﺍﻟﻐﻴﻭﺏ ِ ﻓﺎﺼﻼ ً‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻤﻥ ﺍﻟﺩﻋﺎﺀ ِ؛ ﻭﺍﻟﻐﻨﺎﺀ ِ..‬ ‫ﻓﺎﺴﺘﺠﺎﺏ ﻁﺎﺌﺭ ﺍﻟﻌﻨﻕ..‬ ‫ﹾ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻨﺴل َ ﻤﻥ ﺸﺭﺍﻨﻕ ِ ﺍﻹﻟﺯﺍﻡ ِ‬ ‫ّ‬ ‫ﻭﺍﻨﻌﺘﻕ ْ.‬ ‫ﻤﻭ ‪‬ﻋﺎ ً ﻤﺤﻁﺔ َ ﺍﻟﺭﺤﻴل ِ‬ ‫ﺩ‬ ‫ﺼﻭﺏ ِﺩﺭﺓ ِ ﺍﻟﻠﻘﺎﺀ ْ.‬ ‫‪‬ﺴ‬ ‫.........................................‬ ‫- ٦١ -‬
  • 18. ‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل‬ ‫ُ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﻟﻭﺤﺔ ِ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫ﹶ‬ ‫ﺴﺘﺨﺘﻔﻲ ﺃﻟﻭﺍﻨﻪ‬ ‫ﹸ‪‬‬ ‫ﻓﻲ ﻜﺒﻭﺓ ِ ﺍﻟﻔﺭﺸﺎﺓ ْ.‬ ‫ﺍﻟﻬﺩﻫﺩ ﺍﻟﺠﻤﻴل ﺼﺎﺭ ﺃﺒﻴﻀﺎ‬ ‫‪‬‬ ‫ُ‬ ‫‪‬‬ ‫ﻜﺄﻨﻤﺎ ﻟﻡ ﻴﻌﺭﻑ ﺍﻷﻟﻭﺍﻥ.‬ ‫ﻭﺼﺎﺭ ﺒﺎﺭﺩﺍ‬ ‫ﻜﻬﻤﺴﺔ ِ ﺍﻟﻌﻁﻭﺭ ِ‬ ‫ﻓﻭﻕ ﻟﻤﺴﺔ ِ ﺍﻟﺯﺠﺎﺝ ِ‬ ‫ﺼﺎﺭ ﻜﺎﻟﺭﺨﺎﻡ ْ.‬ ‫.........................................‬ ‫ﺍﻟﺩﻨﻴﺎ ﺃﺨﺫﺕ ْ ﺯﻴﻨ ﹶﻬﺎ؛‬ ‫ﺘ‬ ‫ﻭﻗﺎﻟﺕ ْ: ﻫﻴﺕ ﻟﻙ ْ.‬ ‫ﹶ‬ ‫ﻜل ﻤﻥ ﺯﺍﺭ‬ ‫ﹸُ ‪ ‬‬ ‫ﻫﻠﻙ ْ.‬ ‫.........................................‬ ‫- ٧١ -‬
  • 19. ‫ﺍﻟﻜﺘﺎﺏ ﺍﻷﻭل‬ ‫ﺤﺩﻴﺙ ﺍﻟﻀﺩ ﺒﻥ ﺍﻟﺒﺭﺍﺀﺓ..‬ ‫ﻤﻥ ﺃﻭﺠﺩ ﻫﺫﻱ ﺍﻟﻔﺠﻭﺍﺕ..‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﺒﺭﺍﺀﺓ ِ ﺼﻤﺘﻲ‬ ‫ﻭﻀﺠﻴﺞ ِ ﺤﻴﺎﺘﻲ..؟!!‬ ‫.........................................‬ ‫ﺠﺎﻟﺴﺘﻨﻲ ﺍﻟﺒﺩﻴﻬﺔ ُ ﺤﻴﻨﺎ ً؛ ﻭﻗﺎﻟﺕ ْ:‬ ‫ﺴﺘﻭﻟﺩ ﻋﻨﺩ ﺍﻨﻜﺴﺎﺭ ِ ﺍﻟﻨﻤﻭﺫﺝ ِ..‬ ‫ﺘﺨﺭﺝ ﻜﺎﻟﻁﻴﺭ ِ‬ ‫ﻭﻗﺕ َ ﺍﻟﺘﻘﺎﺀ ﺍﻟﻤﻭﺍﺴﻡ ﺒﺎﻟﻤﺎﺀ ِ.‬ ‫ﺘﺠﻠﺱ ﺒﻴﻥ ﻴﺩﻴﻙ َ ﺍﻟﺼﻔﺎﺕ ُ؛ ﺍﻟﻔﺭﺍﺕ ُ‬ ‫ﺘﺤ ‪‬ﻕ ﻓﻴﻙ َ ﺍﻟﻨﻴﺎﺯﻙ ُ؛ ﺫﺍﻫﻠﺔ ً..‬ ‫ﺩ‬ ‫ﻭﺘﺒﻭﺱ ﹸﻁﺎﻙ َ ﺍﻟﺼﺨﻭﺭ ُ..؛‬ ‫ﺨ‬ ‫ﺘﺯﺍﻭﺝ ﺒﻴﻥ ﺍﻟﻘﺭﻱ؛ ﻭﺍﻟﻔﻴﺎﻓﻲ..‬ ‫ﻭﺘﻌﻠﻥ ﻭﻗﺘﺎ ً ﻟﻁﻬﻭ ِ ﺍﻟﻤﺩﺍﺌﻥ َ ﺒﺎﻟ ‪‬ﺏ ّ ِ‬ ‫ﺤ‬ ‫ﺤﻴﻥ ﺘﺘﺭﺠﻡ ﺼﻤﺘﺎ ً ﺨﺠﻭﻻ ً ﺒﺜﻐﺭ ِ ﺍﻟﺒﻨﺎﺕ ِ‬ ‫‪‬‬ ‫ﺴﺘﻬﺩﺃ ُ.. ﻋﻨﺩ ﺼﻬﻴل ﺍﻟﺜﻭﺍﻨﻲ ﺍﻟﻐﺒﻴﺔ؛‬ ‫ﺘﺼﻬل ُ.. ﻋﻨﺩ ﺠﻤﻭﺩ ﺍﻟﺭﻤﻭﺯ ﺍﻟﺤﻘﺏ ْ.‬ ‫ﻓﻘﻠﺕ ُ: ﺴﻼﻤﺎ ً‬ ‫ﻋﻠﻲ ﺍﻟﻔﻁﺭﺓ ِ ﺍﻟﻤﺸﺘﻬﺎﺓ ِ ﺒﻘﻠﺒﻲ‬ ‫ﻭﻗﻠﺏ ِ ﺍﻟﻘﻁﻴﻊ ِ؛ ﺍﻟﺒﺩﻴﻊ ِ.‬ ‫.........................................‬ ‫ﻗﺒﻠﺘﻨﻲ ﺍﻟﺒﺩﻴﻬﺔ ُ ﺴﺭ َﺍ ً..‬ ‫ِ‪‬‬ ‫ﻓﻘﺒﻠﺘﻬﺎ ﻓﻲ ﻓﺭﺍﻍ ِ ﺍﻟﻤﻨﺼﺔ ِ..‬ ‫- ٨١ -‬
  • 20. ‫ﺤﻴﻥ ﻤﺤﻭﺕ ﺍﻟﻐﺭﺍﺒﺔ َ ﻋﻥ ﻋﺘﺒﺎﺕ ِ ﺍﻟﺨﻴﺎل ِ‬ ‫ﺘﺴ ‪‬ﺏ َ ﻤﻨﻲ ﺍﻟﺴﺅﺍل ُ:‬ ‫ﺭ‬ ‫ﻫل ﺍﻟﻔﻭﺯ ﻟﻠﻨﻔﺱ ِ..‬ ‫‪‬‬ ‫ﺃﻡ ﻟﻠﺠﻤﻴﻊ ِ؟!!‬ ‫ﺘﻭﻫﺞ ﻗﻨﺩﻴل ﻋﻤﺭﻱ..‬ ‫ُ‬ ‫ﺭﺃﻴﺕ ﺍﻟﺫﻱ ﻤﻥ ﺩﻤﻲ ﻴﻘﺘﺭﺏ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺴﺄﻟﺕ ﺍﻟﺴﺅﺍل؛‬ ‫َ‬ ‫ﹸ‬ ‫ﻭﺭﺍﺡ ﻴﻤﺩ ﺨﻁﺎﻩ ﺍﻟﺘﻌﺏ.‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻗﻠﺕ: ﺴﻼﻤﺎ ً‬ ‫ﹸ‬ ‫ﻋﻠﻲ ِل ِ ﺭﻭﺤﻲ؛‬ ‫ﻅ‬ ‫ﻭﺭﻭﺡ ِ ﺍﻟﻘﻁﻴﻊ ِ ﺍﻟﺒﺩﻴﻊ ِ.‬ ‫.........................................‬ ‫ﻭﻓﻲ ﻟﺤﻅﺔ ٍ ﻟﻠﺘﺸﻜﻙ‬ ‫ِ‬ ‫ﺸﻤ ‪ ‬ﻤﺭﻱ ﻋﻥ ﺍﻟﺠﻤﻠﺘﻴﻥ ِ ﺍﻟﻤﻌﺎﻨﺩﺘﻴﻥ؛‬ ‫ﹶ ‪‬ﺭ ﻋ‬ ‫ﻭﻜﺎﻥ ﺍﻟﺼﺩﻱ ﺠﺎﻤﺤﺎ ً ﻴﺘﻔ ‪‬ﺩ ُ..‬ ‫ﺼ‬ ‫‪‬‬ ‫ﻗﺩ ﻫﺩﻫﺩﺘﻪ ﺍﻟﺒﺩﻴﻬﺔ ُ..‬ ‫‪‬‬ ‫ﺃﺭﻀﻌ ﹸﻪ ُ ﺒﺤﻠﻴﺏ ِ ﺍﻟﺤﺭﻭﻑ ِ ﺍﻟﺨﺼﻴﺒﺔ ِ؛‬ ‫ﺘ‬ ‫ﺩﺜﺭﺘﻪ ُ ﺒﺎﻟﺒﺭﺍﺀﺓ ِ..‬ ‫ﹸ‬ ‫ﻗﻴل: ‪‬ﺤﺎ ُ..‬ ‫َ ﻤ ل‬ ‫ﻭﻗﺎل ﺍﻟﺴﺅﺍل:‬ ‫ُ‬ ‫َ‬ ‫ﻭﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﺴﻭﻑ ﻴﺭﻫﻥ ﻏﻴﺒﺎ ً ﻟﻌﻠﻡ ٍ؟‬ ‫‪‬‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﻫل ﻓﻲ ﺍﻟﺤﺭﺍ ﻡ ِ ﺤﻼل؟!!‬ ‫ُ‬ ‫.........................................‬ ‫- ٩١ -‬
  • 21. ‫ﻨﻔﻭﻨﻲ ﺼﻐﻴﺭﺍ..‬ ‫ﹰ‬ ‫ﻓﺭﺤﺕ ﺃﺼ ‪ ُ ‬ﺍﻟﻁﻔﻭﻟﺔ َ ﻓﻲ ﻜﺎﺌﻨﺎﺘﻲ ﺍﻟﻜﺒﻴﺭﺓ ِ؛‬ ‫ﹸ ‪‬ﺏ‬ ‫ﺃﻤﻨﺢ ﻜل ﺍﻟﺤﺭﻭﻑ ِ ﺤﻭﺍﻓﺭ..‬ ‫ِ‪‬‬ ‫َ‬ ‫ﻜﻴﻤﺎ ﺘﺴﺎﺒﻕ ﺭﻴﺢ ﺍﻟﻠﻐﺎﺕ ِ ﺍﻟﺠﻨﺎﺓ ِ..‬ ‫ﹸ ‪‬‬ ‫ﺘﻔ ‪‬ﺭ ﻋﻤﻕ ﺍﻟﻌﻼﻗﺔ ِ ﺒﻴﻥ ﺍﻟﺭﻴﺎﺡ ِ ﺍﻟﺘﻲ ﻻ ﺘﺠﺊ‬ ‫ُ‬ ‫ﹶ‬ ‫ﺴ‪‬‬ ‫ﻭﺒﻴﻥ ﺼﻼﺓ ِ ﺍﻟ ‪‬ﻀﺏ.‬ ‫ﻌ ‪‬‬ ‫.........................................‬ ‫ﺴﺎﺌﺭ ُ ُ.. ﻭﺍﻟﺤﺩﺍﺌﻕ ﻭﻋﺩ ُ..‬ ‫ﹸ ‪‬‬ ‫ﻴﻨ ﱢﻡ ﺃﻓﻜﺎﺭﻫﺎ:‬ ‫ﻐ‪‬‬ ‫ﺯﻫﺭﺓ ً؛ ‪‬ﻌﻔﺔ ً‬ ‫ﺴ‬ ‫ﺘﺤﺎﺫﺭ ﻤﻨﻪ ﺍﻟﻅﻨﻭﻥ..‬ ‫‪‬‬ ‫ﻭﻴﻀﺤﻙ ﻓﻴﻪ ﺍﻟﺠﻨﻭﻥ..‬ ‫‪‬‬ ‫ﻴﺸﺩ ﺫﺭﺍﻉ ﺍﻟﻁﺭﻴﻕ ِ؛‬ ‫‪‬‬ ‫ﻓﺘﺠﺜﻭ ﻟﺩﻴﻪ ﺍﻟﻁﺭﻴﻘﺔ ُ..‬ ‫ﺘﺒﺩﻭ ﺍﻟﻁﻼﺴﻡ ﻓﻲ ﻜ ﱢﻪ ِ ﻜﺎﻟﻨﻤﺎل ِ‬ ‫ﻔ‬ ‫‪‬‬ ‫ﻴﻬﺯ ﺠﺫﻭﻉ ﺍﻟﺴﺅﺍل ِ.. ﺍﻟ ‪‬ﺤﺎل ِ‬ ‫ﻤ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﺘﺜﻤﺭ ﻓﻴﻪ ﺜﻤﺎﺭ ﺍﻟﻨﻜﺩ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﺎﺌﺭ ُ ُ..‬ ‫ﻫل ﺘﺭﻱ ﺴﺎﺌﺭ ُ ﻟﻸﺒﺩ‪‬؟!!‬ ‫‪‬‬ ‫.........................................‬ ‫ﺭﺃﻴﺕ ﺍﻟﺸﻙ َ ﺸﻴﺨﺎ ً ﻤﺎﺭﻗﺎ ً‬ ‫ﹸ‬ ‫ﻤﻥ ﺠﺎﻨﺏ ِ ﺍﻟﺒﻠﻭﻱ..‬ ‫ﺭﺃﻴﺕ ﺍﻟﺤ ‪ َ ‬ﻁﻔﻼ ً ﺠﺎﻟﺴﺎ ً‬ ‫ﹸ ‪‬ﺏ‬ ‫ﻓﻲ ﺴﺎﺤل ِ ﺍﻟﺴﻠﻭﻱ..‬ ‫ﺭﺃﻴﺕ ﺍﻟﻨﺎﺀ ﺠ ‪‬ﺍﻻ ً ﻴﻐﻨﻲ..‬ ‫ﹸ ‪ ‬ﻭ‬ ‫ﺭﺃﻴﺕ ﺍﻟﻨﺎﺱ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺤﻴﻥ ﺭﺃﻴﺕ ﻭﻫﺠﺎ؛ ﻴﺤﺏ ﻓﺭﺍﺸﺔ َ ﺍﻟﻠﻴل ِ..‬ ‫ﹰ‬ ‫ﹸ‬ ‫- ٠٢ -‬
  • 22. ‫ﻗﻠﺕ ﻟﻘﺎﺘﻠﻲ: ﻋﻔﻭﺍ ً؛‬ ‫ﹸ‬ ‫ﻓﻘﺩ ﺼﻴﺭﺘﻨﻲ ‪‬ﻠﻤﺎ ً؛ ﻴﺭﺍﻩ ﺍﻟﻁﻴﺒﻭﻥ.‬ ‫‪‬‬ ‫ﺤ‬ ‫.........................................‬ ‫ﻤﻭﺝ ﹸﻁﺎﻙ َ..‬ ‫‪‬ﺨ‬ ‫ﻟﻜﻲ ﻻ ﺘﻤﻭﺕ ﻋﻠﻲ ﺍﻟﺒﺎﺭﺤﺔ ْ.‬ ‫ﹶ‬ ‫ﻭﺒﻴﻥ ﻴﺩﻴﻙ َ ﺍﻟﺭﺅﻱ ﻨﺎﺌﺤﺔ ْ.‬ ‫.........................................‬ ‫ﺒﻴﺩ ﺃﻨﻲ..‬ ‫ﻜﻨﺕ ﻓﻲ ﻅﻨﻲ ﺃﺠﻭﺏ ﺍﻷﺴﺌﻠﺔ ْ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻋﺎﻤﺩﺍ ً..‬ ‫ﺃﺘﻌﻤﺩ ﺍﻟﻔﻌل َ ﺍﻟﺫﻱ ﻴﻨﺩﺍﺡ ﻤﺜل ﺍﻷﻓﻕ‬ ‫‪‬‬ ‫ﻤﺜل ﺍﻟﻀﻭﺀ‬ ‫ﺼ ‪‬ﺍﺡ ُ ﺒﺄﺤﻼﻡ ِ ﺍﻟﻨﻭﺍﺭﺱ ِ؛‬ ‫ﺩ ‪‬‬ ‫ﻭﺍﺸﺘﻴﺎﻕ ِ ﺍﻟﻘﺎﺒﻠﺔ ْ.‬ ‫ﻜﻨﺕ ﻤﺴﺘﻠﻕ ٍ ﻋﻠﻲ ﻗﻤﺭﻱ ﺍﻟﺫﻱ ﻻ ﻴﻨﻁﻔﺊ؛‬ ‫ﹸ‬ ‫ﺃﺴﺘﻘﺭﺉ ُ ﺍﻷﺤﻼﻡ َﻓﻲ ﻋﻴﻥ ﺍﻟﻁﻴﻭﺭ ِ ﺍﻟﻤﻘﺒﻠﺔ ْ.‬ ‫ﻜﻨﺕ ﻜﺎﻟﺩﺏ ﺍﻟﺴﻤﺎﻭﻱ ﺍﻟﺠﻤﻴل..‬ ‫ﹸ‬ ‫ﻓﻲ ﺩﻤﻲ؛ ﻴﺨﻀﺭ ُ ﻟﻭﻥ ﺍﻟﺴﺎﺒﻠﺔ ْ.‬ ‫‪‬‬ ‫.........................................‬ ‫- ١٢ -‬
  • 23. ‫ﻫﻲ ﻗﻁﺭﺓ ُ ﻀﻭﺀ ِ‬ ‫ﻤﻥ ﻏﺭﺒﺔ ِ ﺭﻭﺡ ﺍﻟﺤﺏ ّ ِ‬ ‫ﺃﻟﻤﻠﻤﻬﺎ؛‬ ‫ﺤﺭﻓﺎ ً؛ ﺤﺭﻓﺎ ً..‬ ‫ﻜﻲ ﺃﻋﺭﻑ َ ﻜﻴﻑ ﺃﺭﻤﻡ ُ‬ ‫ﺠﺭﺤﺎ ً‬ ‫ﻓﻲ ﻏﺭﺒﺔ ِ ﺭﻭﺤﻲ.!!‬ ‫.........................................‬ ‫ﻜل ﺼﺒﺎﺡ ٍ..‬ ‫ﺃﺨﻠﻊ ﺃﺤﻼﻡ ﺍﻟﻨﻭﻡ ِ؛‬ ‫‪‬‬ ‫ﻭﺃﻟﺒﺱ ﺃﺤﻼﻡ َ ﺍﻟﻴﻘﻅﺔ ِ.‬ ‫ﺃﻤﺸﻲ ﻤﻔﺘﻭﺡ ﺍﻟﻌﻴﻨﻴﻥ ﺍﻟﺯﺍﺌﻐﺘﻴﻥ؛‬ ‫ﺃﺸﺭﺏ ﻜﻭﺒﺎ ً ﻤﻥ ﻋﺴل ﺍﻹﺸﺭﺍﻕ ِ ﺍﻟﻨﺎﻀﺞ ِ‬ ‫ِ‬ ‫ﻤﻥ ﻭﺠﻪ ﺍﻟﻤﻨﺘﺸﺭﻴﻥ ﻋﻠﻲ ﺃﺭﺼﻔﺔ ِ ﺍﻟﺼﺒﺢ ِ؛‬ ‫ُﺒﻠل ﺭﻴﺸﻲ ﺒﺼﺒﺎﺡ ِ ﺍﻟﺨﻴﺭ ِ؛‬ ‫ﺃ ُ‬ ‫ُﻏ ‪‬ﺭ ﺭﻴﻘﻲ ﺒﺩﻋﺎﺀ ٍ ﻨﺒﻭﻱ ّ ٍ؛‬ ‫ﺃ ﻴ‪‬‬ ‫ﻭﺃﺤﺎﻭل ُ ﺃﻻ َ ﺘﻔﻠﺕ ﻤﻨﻲ ﻤﻨﺴﺄﺓ ُ ﺍﻟﻁﺎﻋﺔ ِ..‬ ‫ﹼ‬ ‫ﻟﻜﻨﻲ..‬ ‫ﺤﻴﻥ ﺘﺤﺎﺼﺭ ﺠﻠﺩﻱ ﺃﺯﻤﻨﺔ ُ ﺍﻟﻌﹼﺔ ِ‬ ‫ﻠ‬ ‫ﺃﺘﻤﻌﺩﻥ..‬ ‫‪‬‬ ‫ﺘﺼﺩﺃ ﺩﺍﺨل ﻨﻔﺴﻲ ﺃﺤﻼﻡ ﺍﻟﻴﻘﻅﺔ ِ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﻭﻡ ْ.‬ ‫.........................................‬ ‫ﻴﻅل ﺍﻟﻘﺎﺩﻡ ﺍﻟﺭﻴﻔﻲ ﻤﻘﺭﻭﺭﺍ ً؛ ﻭﻤﻜﺩﻭﺩﺍ ً‬ ‫‪‬‬ ‫ﻴﻔﺘﺵ ﻓﻲ ﺼﻘﻴﻊ ِ ﺍﻟﺭﻭﺡ ِ ﻋﻥ ﺩﻑﺀ ٍ ﺭﺒﻴﻌﻲ ٍ‬ ‫‪‬‬ ‫ﻭﻋﻥ ﻭﻫﺞ ٍ ﺴﻤﺎﻭﻱ ٍ..‬ ‫‪‬‬ ‫- ٢٢ -‬
  • 24. ‫ﻓﺘﻠﻌﺏ ﻓﻲ ﻤﻔﺎﺼﻠﻪ ﺍﻟﻅﻨﻭﻥ؛‬ ‫‪‬‬ ‫ِ‬ ‫ﺘﻨﻬﺎﻩ ﺍﻟﺒﻴﻭ ﹸ؛‬ ‫ﺕ‬ ‫ﻴﻤﻭﺀ ﺩﺍﺨﻠﻬﺎ؛ ﻭﻴﺸﻜﻭ..‬ ‫‪‬‬ ‫ﺃﻱ َ ﻤﺎ ﺠﻬﺔ ٍ ﻴﻁﺭﺯﻫﺎ ﺍﻟﺒﻜﺎﺀ ﻟﻪ؟!‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻭﺨﺯ ُ؛ ﻭﺍﺨﺯ ُ ﻓﻲ ﺍﻟﻘﺎﺩﻡ ِ ﺍﻟﻘﺭﻭﻱ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻨﺠﺩل ُ ﻤﻥ ﺍﻵﺘﻲ..‬ ‫ُ‬ ‫ﺇﻟﻲ ﺍﻟﻤﺎﻀﻲ..‬ ‫ﻓﻬل ﺁﺕ ٍ ﻴﺭﻑ ّ ُ ﻋﻠﻴﻪ؟!‬ ‫.........................................‬ ‫ﻋﻔﻭﺍ ً؛ ﻓﺠﺫﻋﻲ ﺠﺎﺫﻉ ُ ُ‬ ‫ﺭﺃﺴﻲ ﺤﻨﻴﻥ ُ ﺭﺍﺌﻊ ُ ُ..‬ ‫‪‬‬ ‫ﻗل: ﺯﺍﺌﻎ ُ ﺼﻭﺘﻲ..‬ ‫ﹸ‬ ‫ﹸْ‬ ‫ﻭﺼﻴﺘﻲ ﺫﺍﺌﻊ ُ..‬ ‫‪‬‬ ‫ﻻ ﻗﺭﻴﺘﻲ ﺃﻜﻠﺕ ﺴﻭﻱ ﺃﻁﻔﺎﻟﻬﺎ – ﺃﺤﻼﻤﻬﺎ –‬ ‫ﹾ‬ ‫ﻻ ﺯﻫﺭﺘﻲ ﻅﻬﺭﺕ؛‬ ‫ﹾ‬ ‫ﻭﻁﺎﺭﺕ؛‬ ‫ﹾ‬ ‫ﺜﻡ ﺤﻁﺕ ﻓﻲ ﺭﺤﻴﻕ ِ ﺍﻟﻔﻌل ِ..‬ ‫ﹼ ﹾ‬ ‫ﺘﻠﻙ ﺴﺫﺍﺠﺔ ُ ﺍﻟﺒﺴﻁﺎﺀ ِ؛ ﺘﺴﺄﻟﻨﻲ:‬ ‫ﻟﻤﺎﺫﺍ ﺴﻴﺩﻱ؛ ﻴﺘﻜ ‪‬ﺭ ﺍﻟﺘﺎﺭﻴﺦ؟‬ ‫ﹸ‬ ‫ﻭ‪‬‬ ‫ﻗﻠﺕ ُ ﻟﻬﺎ: ﻋﻔﻭﺍ ً‬ ‫ﻓﺈﻥ ﻵﻟﺊ ﺍﻟﺘﺎﺭﻴﺦ ِ‬ ‫ﺘﻨﺘﻅﺭ ﺍﻟﺫﻱ ﻴﺼﻁﺎﺩ ﺃﺠﻤﹶﻬﺎ.‬ ‫‪‬ﻠ‬ ‫.........................................‬ ‫- ٣٢ -‬
  • 25. ‫ﺃﻨﺎ ﻓﻴﻪ.. ﺃ ُﻨﺎﺩﻴﻪ..‬ ‫ﻭﺃﻓﻀﺤﻪ.. ﺃﻋﺭﻴﻪ..‬ ‫‪‬‬ ‫ﻭﺃﻨﺸﺭﻩ.. ﻭﺃﻁﻭﻴﻪ..‬ ‫ﻟﻪ ﻭﺠﻬﺎﻥ ِ؛ ﻓﻲ ﻭﺠﻬﻲ..‬ ‫ﻟﻪ ﻗﻠﺒﺎﻥ ِ؛ ﻓﻲ ﻗﻠﺒﻲ..‬ ‫ﻭﻤﻥ ﺘﻴﻪ ٍ؛ ﺇﻟﻲ ﺘﻴﻪ ِ..‬ ‫ﺃﺤﺎﻭل ﺃﻥ ﺃﺨﺒﺌﻪ.. ﻭﺃﺨﻔﻴﻪ..‬ ‫ُ‬ ‫.........................................‬ ‫ﺃﻨﺎﺩﻴﻪ ﺇﻟﻲ ﺍﻟﺩﺭﺱ ِ..‬ ‫ﻴﻨﺎﺩﻴﻨﻲ ﺇﻟﻲ ﺍﻟﻐﺭﺱ ِ..‬ ‫ﺃﺭﻱ ﻨﻔﺴﻲ..‬ ‫ﺃﻨﺎ؛ ﻭﺍﻟﺤﺏ ُ ﻤﺜل ﺍﻟﻠﻭﻥ ِ؛ ﻭﺍﻟﺤﺱ ِ‬ ‫ِ ‪‬‬ ‫‪‬‬ ‫.........................................‬ ‫ﺃﺭﺍﻩ ﺍﻵﻥ ﺒﺭﻜﺎﻨﺎ..‬ ‫‪‬‬ ‫ﻴﺭﺍﻨﻲ ﺍﻵﻥ ﻨﺸﻭﺍﻨﺎ..‬ ‫‪‬‬ ‫ﻫﻨﺎ ﻓﻲ ﺩﺍﺨﻠﻲ ﻜﺎﻥ َ..‬ ‫ﻭﺃﺼﺒﺤﻨﺎ؛ ﻜﻤﺜل ِ ﺍﻟﻨﺩ ِ ﻟﻠﻨﺩ ِ..‬ ‫ﻭﻤﺎ ﺯﻟﻨﺎ..‬ ‫ﺃﻨﺎ ﻓﻴﻪ؛ ﺃﻨﺎﺩﻴﻪ....‬ ‫.........................................‬ ‫ﻓﻲ ﻋﻴﻨﻴﻪ ﺸﻭﺍﻁﺊ ﺤﻠﻤﻲ..‬ ‫ُ‬ ‫ﻓﻲ ﻋﻴﻨﻴﻪ ﺃﻨﺴﻲ ﺃﻨﻲ..‬ ‫ﻴﺎﻟﻲ ﻤﻨﻪ..‬ ‫ﻭﻴﺎﻟﻲ ﻤﻨﻲ..‬ ‫.........................................‬ ‫ﻴﺎ ﻟﻠﻭﻁﻥ..!!!!!!!!!‬ ‫.........................................‬ ‫- ٤٢ -‬
  • 26. ‫ﻭﻤﺤﻤﻭﺩ؛ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻤﺎﺯﺍل ﻴﺭﺠﻭ ﺍﻟﺒﺤﺭ ﻓﻲ ﺍﻟﻔﻨﺠﺎﻥ ِ..‬ ‫‪‬‬ ‫َ‬ ‫ﻭﺍﻋﺩﻨﻲ..‬ ‫ﻟﻴﺭﻓﻊ َ ﺤﻠﻤﻨﺎ ﻟﻸﻓﻕ ِ ﺤﻴﻥ ﻨﺠﺊ ُ..‬ ‫ﻟﻜﻨﻲ..‬ ‫ﺃﻨﺎ؛ ﻭﺍﻷﻓﻕ ﻻ ﻨﺄﺘﻲ!!‬ ‫ﻭﻤﺤﻤﻭﺩ ﺍﻟﺫﻱ‬ ‫ﻤﺎﺯﺍل ﻴﻭﻗﻅ ﺤﻠﻤﻪ ﺒﺎﻟﻨﺎﺭ ِ..‬ ‫‪‬‬ ‫َ‬ ‫ﻴﻭﺠﻌﻨﻲ..‬ ‫ﻭﻤﺤﻤﻭﺩ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﺃﻫﻭﺍﻩ؛ ﻟﻜﻨﻲ ﺃﺨﺎﻑ ﻋﻠﻴﻪ..‬ ‫‪‬‬ ‫ﻗﺎﺒﻠﻨﻲ..‬ ‫ﺃﻨﺎ ﻭﺍﻷﻓﻕ ﺫﺍﺕ ﻤﺴﺎﺀ ْ.‬ ‫ﹶ‬ ‫ﹸﻌﺭﻱ ﺴﻭﺀﺓ َ ﺍﻟﺼﺤﺭﺍﺀ.‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺨﺎﺼﻤﻨﻲ!!!!!‬ ‫- ٥٢ -‬
  • 27. ‫ﺃﺤﻴﺎﻨﺎ.. ﺃﺸﻌﺭ ﺫﺍﻜﺭﺘﻲ ﻜﻬﻭﺍﺀ‬ ‫‪‬‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺃﺤﻴﺎﻨﺎ ﺃﺨﺭﻱ ﻤﺜل ﺤﺫﺍﺀ.‬ ‫‪‬‬ ‫ﻟﻜﻨﻲ؛..‬ ‫ﺤﻴﻥ ﺃﻁﺎﻟﻊ ﺫﺍﻜﺭﺘﻲ..‬ ‫ﻴﻨﺒﺠﺱ ﺍﻟﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻭﺃﺘل ُ ﺍﻟﺠﺒﻬﺔ َ؛ ﻟﻜﻨﻲ‬ ‫ّ‬ ‫ﻻ ﺃﺠﺩ ِﺩﺍﺀ.‬ ‫‪‬ﻓ ‪‬‬ ‫.........................................‬ ‫ﺭﺃﻴﺕ ﺍﻟﻐﻴﻤﺔ ِ ﺍﻷﻨﺜﻲ‬ ‫ﺇﺫﺍ ﺒﺭﻕ ُ ﻴﻀﺎﺠﻌﻬﺎ‬ ‫ﹸ‬ ‫ﻴﻜﻭﻥ ﺍﻟﺤﺩ ُ ﺃﻤﻁﺎﺭﺍ..‬ ‫‪‬‬ ‫ﺃﻨﺎ ﺭﻭﺤﻲ ﻜﻨﺎﻓﺫﺓ ٍ ﺘﺤﺏ ﺍﻟﻀﻭﺀ؛ ﻭﺍﻟﻤﻁﺭﺍ..‬ ‫‪‬‬ ‫ﻓﻤﺎﺫﺍ ﻗﺩ ﻴﻜﻭﻥ ﺍﻟﺤﺩ ُ‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﻀﺎﺠﻊ ﺍﻹﺜﻨﻴﻥ؛ ﻨﺎﻓﺫﺘﻲ؟‬ ‫.........................................‬ ‫ﺃﻨﺕ ﺍﻟﻔﺎﺌﺽ ﻤﻥ ﻨﻴﺭﺍﻥ ﺍﻟﻭﻋﺩ ِ..‬ ‫ﹶ‬ ‫ﻓﻔﺽ ﺒﻲ..‬ ‫ﺃﻨﺕ ﺍﻟﺨﺎﺌﺽ ﻓﻲ ﺃﻤﻭﺍﺝ ِ ﺍﻟﺭﻭﺡ ِ..‬ ‫ﹶ‬ ‫ﻓﺨﺽ ﺒﻲ..‬ ‫ﻫﻴﺎ ﺍﻓﻀﺤﻨﻲ..‬ ‫ﺤ ‪‬ﻙ ﺴﻴﻑ ﺍﻟﻤﻤﻜﻥ ِ..‬ ‫ﹶ‬ ‫ﺭ‬ ‫ﺭﺍﻓﻕ ﻭﻋﺩﻱ..‬ ‫ﺃﻭ ﻨﻭﺭﺴﻨﻲ ﻓﻭﻕ ﺍﻟﻜﻭﺜﺭ ِ..‬ ‫ﹶ‬ ‫ﺤ ‪‬ﻙ ﺴﻴﻑ ﺍﻟﻔﺭﺤﺔ ِ ﻀﺩﻱ..‬ ‫ﹶ‬ ‫ﺭ‬ ‫ﺯﻫﺩﺕ ﻓﻲ ﺃﺴﻁﺒل ِ ﺍﻟﻜﻠﻤﺔ ِ‬ ‫ﻟﻐﺘﻲ.‬ ‫- ٦٢ -‬
  • 28. ‫ﺃﺠﻤل ﻤﻨﻲ ﺘﻭﻗﻲ ﻟﻠﻤﺠﻬﻭل..‬ ‫ﺃﺠﻤل ﻤﻨﻙ ﻴﻘﻴﻨﻙ ﺒﺎﻟﻤﺄﻤﻭل..‬ ‫‪‬‬ ‫ﻫﻴﺎ ﻨﺨﻠﻊ ﺠﻠﺩ ﺍﻟﻴﺎﺒﺱ؛‬ ‫‪‬‬ ‫ﻨﻠﺒﺱ ﺠﻠﺩ ﺍﻟﻤﺎﺀ؛‬ ‫ِ‬ ‫ﻭﻨﻤﺸﻲ ﻓﻲ ﺍﻟﻤﺄﻫﻭل..‬ ‫.........................................‬ ‫- ٧٢ -‬
  • 29. ‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺜﺎﻨﻲ‬ ‫ﺤﺩﻴﺙ ﺍﻟﺒﺭﺍﺀﺓ ِ ﻟﻠﻀﺩ..‬ ‫ﹸ‬ ‫ﻗﺩ ﻴﺒﺩﺃ ﺍﻟﺸﻼل ﻤﻥ ﺸﺠﺭ ِ ﺍﻟﺘﺭﺍﺌﺏ ِ‬ ‫ُ‬ ‫ﺒﻴﻥ ﺃﺼﻼﺏ ِ ﺍﻟﺤﻠﻭل ِ..‬ ‫ﺴﻨﻘﺘﻔﻲ ﺃﺜﺭ ﺍﻟﺘﻭﻏل ِ؛‬ ‫‪‬‬ ‫ﻭﺍﺸﺘﻬﺎﺀﺍﺕ ﺍﻟﻔﺼﻭل ِ؛‬ ‫ﻟﻨﻨﺘﻬﻲ ﻨﺼﻔﻴﻥ؛‬ ‫ﻨﺼﻑ ُ ﻻﻨﺤﺩﺍﺭ ﺍﻟﻤﺎﺀ ِ؛‬ ‫ﹸ‬ ‫ﻨﺼﻑ ُ ﻟﻠﻭﺼﻭل.‬ ‫ْ‬ ‫ﹸ‬ ‫- ٨٢ -‬
  • 30. ‫)١ (‬ ‫ﻟﻴﻜﻥ ْ..‬ ‫ﺴﺘﻌﺭﻑ ﺤﻴﻥ ﺘﻜﺘﺸﻑ ﺍﻨﺤﺭﺍﻓﺎﺕ ﺍﻟﺴﻨﺎﺒﻙ ﻋﻥ ﻤﺭﺍﺘﻌﻬﺎ؛.. ﻭﺘﺄﻤﺭﻙ ﺍﻟﺴﻭﺍﻗﻲ ﺍﻟﺸﺎﻜﻴﺎﺕ ﺼﺭﻴﺭﻫﺎ ﺍﻟﺭﺨـﻭﻱ..‬ ‫‪‬‬ ‫ﺃﻨﻙ ﻨﺒﺕ ﺼ ‪‬ﺎﺭ ٍ‬ ‫ﺒ‬ ‫‪‬‬ ‫ﻴﻐﺫﻱ ﻓﻲ ﺍﻟﻤﺩﻱ ﺠﺒﻼ ً ﺃﺼ ‪‬ﺎ..‬ ‫ﻤ‬ ‫ﺇ ﹼﻪ ﻫﺫﺍ ﺍﻟﻔﻀﺎﺀ؛ ﻏﺸﺎﺅﻙ َ ﺍﻟﺒﻜﺭﻱ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻨ‪‬‬ ‫ﺃﻭ ﻤﺯﻤﻭﺭﻙ َ ﺍﻟﺴﺤﺭﻱ ُ..‬ ‫‪‬‬ ‫ﻓﺈﻥ ﻴﻜﻥ ﺩﺭﺒﺎ ً ﻤﻥ ﺍﻟﺘﺄﻭﻴل ِ؛‬ ‫ﻜﺎﻥ ﺘﻔﺎﺅل ﺍﻟﻭﻤﻀﺎﺕ ِ ﻓﻲ ﻅل ﺍﻨﺤﺴﺎﺭ ﺍﻟﻀﻭﺀ‬ ‫ﻤﺸﺭﻭﻋﺎ ً ﻟﺭﺘﻕ ﺍﻟﺒﺤﺭ َ........‬ ‫ﻜل ﺠﺯﻴﺭﺓ ٍ ﺘﺴﻌﻲ ﺇﻟﻲ ﺃﺨﺭﻱ ﺘﻨﺎﺩﻤﻬﺎ ﺍﻟﺤﻴﺎﺓ َ‬ ‫ُ‬ ‫ﻭﻟﻭﺤﻙ َ ﺍﻟﻤﺤﻔﻭﻅ ُ ﻟﻡ ﻴﺒﺭﺡ ْ..‬ ‫ﻓﺭﺩﺩ ﻤﺎ ﺘﺸﺎﺀ؛ ﻟﻤﻥ ﺘﺸﺎﺀ..‬ ‫‪‬‬ ‫ﻋﺼﻴﺭ ﺃﺴﻔﻠﺕ ﺍﻟﻌﻘﻭل ِ؛‬ ‫‪‬‬ ‫ﺴﻴﻨﺘﻬﻲ ﺸﻴﺌﺎ ً ﻤﻥ ﺍﻷﻓﻴﻭﻥ ِ‬ ‫ﻭﺇﻨﻬﺎ..‬ ‫ﻫﻲ ﻭﺭﺩﺓ ُ ﺍﻟﺤﺏ ﺍﻟﺘﻲ ﺯﺭﻋﺕ ﺒﺤﻘل ِ‬ ‫ﹾ‬ ‫"ﻟﻭ ﺍﺴﺘﻁﻌﺘﻡ ﻓﺎﻨﻔﺫﻭﺍ "‬ ‫ﻟﺒﺴﺕ ﺤﺠﺎﺏ ﺍﻟﺸﻙ ِ؛ ﻭﺍﻨﺘﺼﺭ ﺍﻟﺭﺼﺎﺹ.!!‬ ‫‪‬‬ ‫‪‬‬ ‫- ٩٢ -‬
  • 31. ‫)٢ (‬ ‫ﺴﺘﻤﺭ ُ ﻋﻠﻴﻬﻡ ﻤﻨﺸﻐﻠﻴﻥ؛ ‪‬ﻜﺎﺭﻱ‬ ‫ﺴ‬ ‫‪‬‬ ‫ﺘﺨﻠﻊ ﺃﺒﻭﺍﺏ ﻤﺴﺎﻓﺎﺕ ٍ‬ ‫‪‬‬ ‫ﻭﺘﻌﻨﻘﺩ ﻤﺎ ﺘﺭﻜﻭﻩ ﻋﻠﻲ ﺼﻔﺤﺎﺕ ِ ﺯﻨﻭﺩ ٍ ﻤﻥ ﻭﺠﻊ ٍ ﻤﻨﺼﺭﻡ ٍ ﻓﻲ ﺘﺭﺘﻴل ِ ﺍﻵﻴﺎﺕ ِ ﺍﻟﻤﺎﺌﻴﺔ ِ..‬ ‫ﻭﺍﺴﻤﻙ ﺘﻨﺴﺎﻩ ﺴﺭﻴﺩﺍ ً‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺒﻴﻭﺕ ِ ﺍﻟﻀﻭﺀ ِ؛‬ ‫ﻭﺠ ‪ ِ ‬ﺍﻷﺤﻭﺍل ِ ﺍﻟﺯﻤﻨﻴﺔ ِ؛‬ ‫‪‬ﺏ‬ ‫ﻴﻬﺘﻑ: ﺃﻨﺕ ﺴﺤﺎﺒﺘﻲ ﺍﻷﺯﻟﻴﺔ َ؛‬ ‫‪‬‬ ‫ﹶ‬ ‫ﹸ‬ ‫ﺨﻀﺭﺍﺀ؛ ﻭﻤﻠﻜﻴﺔ َ..‬ ‫ﻻ ﺘﺘﻘﻭﻗﻊ ﻓﻲ ﻋﺯﻟﺘﻙ َ؛‬ ‫ﻓﻠﻭﻨﻙ ﻴﺤﺘﻤل ﺍﻟﺘﻔﺠﻴﺭ؛‬ ‫‪‬‬ ‫ﻭﺼﻭﺘﻙ َ ﻴﻭﻗﻅ ﺃﺸﺠﺎﺭ ﺍﻟﺘﻐﻴﻴﺭ؛‬ ‫‪‬‬ ‫ﻭﺇﻥ ﻴﻨﺘﺒﻬﻭﺍ ﻟﻤﺩﺍﻙ َ.. ﺠﻬﺎﺘﻙ ﻤﻨﺘﺼﺭﺍﺕ ُ‬ ‫ﹸ‬ ‫ﺃﻨﺕ ﺒﺩﺍﻴﺎﺕ ﺍﻟﻁﺭﻗﺎﺕ ﺍﻟﻨﺨﻼﺕ؛‬ ‫ﹶ‬ ‫ﻭﺃ ‪‬ل ﻤﻥ ﻓﺠ ‪‬ﻨﺒﻊ ﺍﻟﻤﺎﺀ ِ ﺍﻟﻌﺫﺏ ِ؛‬ ‫ﻭ ُ ‪  ‬ﺭ ‪‬‬ ‫ﻭﺭ ‪‬ﺽ َ ﺨﻴﻠﻬﻡ ﺍﻟﻌﺭﺒﻴﺔ ِ.. ﺃﻨﺕ َ!!‬ ‫ﻭ‬ ‫ﺴﺘﻤﺭ ُ ﻏﻀﻭﺒﺎ ً؛ ‪‬ﺴﺘ ِﺭﺍ..‬ ‫ﻤ ﻌ ﹰ‬ ‫‪‬‬ ‫ﻭﺘﻤﺭ ُ؛ ﺘﻤﺭ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻗﺩ ﺘﺭﺠﻊ؛ ﺃﻭ ﻻ ﺘﺭﺠﻊ.‬ ‫‪‬‬ ‫- ٠٣ -‬
  • 32. ‫)٣ (‬ ‫ﻟﻴﺩﻴﻙ ﺸﻜل ﺍﻟﻜﺩﺡ ِ..‬ ‫ُ‬ ‫‪‬‬ ‫ﺸﻜل ﺍﻟﺠﺭﺡ ِ..‬ ‫ُ‬ ‫ﺸﻜل ﺴﺫﺍﺠﺔ ﺍﻟﺠﻭﻉ ﺍﻟﻤﻘ ‪‬ﺩ ِ ﻓﻲ ﻋﻨﺎﻗﻴﺩ ﺍﻟﺒﺴﺎﻁﺔ ِ؛ ﻭﺍﻟﺘﺠﻭل ﻋﺒﺭ ﺤﺎﺭﺍﺕ ِ ﺍﻟﻤﺩﻴﻨﺔ ِ ﻓﻲ ﺍﻟﺸﺘﺎﺀ.‬ ‫‪‬‬ ‫ﺩ‬ ‫ُ‬ ‫ﻟﻴﺩﻴﻙ ﺸﻜل ﺍﻟﺘﻭﺘﻴﺎﺀ.‬ ‫‪‬‬ ‫ُ‬ ‫‪‬‬ ‫ﻟﻡ ﻴﺨﻠﻕ ﺍﷲ ﺍﻟﺭﺠﺎل ﻤﻥ ﺍﻷﺜﻴﺭ ِ؛ ﺃﻭ ﺍﻟﻬﻭﺍﺀ.‬ ‫‪‬‬ ‫َ‬ ‫ُ‬ ‫ﺴﺘﻅل ﻭﺤﺩﻙ ﺩﻭﻨﻤﺎ ﻋﺭﺵ ٍ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻻ ﺘﺎﺝ ٍ؛ ﻭﻻ ﺸﺊ ٍ ﺴﻭﺍﻙ.‬ ‫‪‬‬ ‫ﹸﺫ ﻤﺎ ﺘﺸﺎﺀ ﻟﻤﻥ ﺘﺸﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺨ‬ ‫ﺃﻭ ﻟﺨﺹ ﺍﻟﺩﻨﻴﺎ ﻓﺘﻲ؛ ﻭﺒﻨﻴﺔ ً‬ ‫‪‬‬ ‫ﻟﻠﺒﺤﺭ ِ ﻴﻨﻁﻠﻘﺎﻥ......‬ ‫ﺒﻔﻀﺎﻙ ﺍﻨﺘﺸﺭﺕ ﻋﺼﺎﻓﻴﺭ ﺍﻟﻀﻴﺎﺀ ِ؛‬ ‫‪‬‬ ‫ﹼ‪‬‬ ‫ﻭﺸﻘﺸﻘﺕ ﺯﻏﺏ ﺍﻟﺤﻭﺍﺼل ِ..‬ ‫‪‬‬ ‫ﻜل ﺫﻱ ﺫﻴل ٍ؛ ﻭﺫﻱ ﺫﻨﺏ ٍ‬ ‫ُ‬ ‫ﺴﻌﺕ ﺘﺭﺠﻭﻙ؛ ﻭﺍﻨﻜﺸﻑ ﺍﻟﻐﻁﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻨﺕ ﻤﺎﺭﺴﺕ ﺍﻟﺭﺅﻱ ﺯﻤﻨﺎ ً‬ ‫ﹶ‬ ‫ﻭﺃﻭﻟﺕ ﺍﻟﺤﻴﺎﺓ..‬ ‫ﹶ‬ ‫ﻓﺼﺭﺕ ﻭﺤﺩﻙ ﺩﺍﺌﻤﺎ ً ﻤﻠﻜﺎ ً..‬ ‫‪‬‬ ‫ﺒﻼ ﺘﺎﺝ ٍ؛ ﻭﻻ ﻋﺭﺵ ٍ؛‬ ‫ﻭﻻ ﺸﺊ ٍ ﺴﻭﺍﻙ.‬ ‫‪‬‬ ‫- ١٣ -‬
  • 33. ‫)٤ (‬ ‫ﺘﺘﻌﺎﻨﻕ ﺍﻟﺴﻨﻭﺍﺕ ﻓﻲ ﻟﻭﺤﻲ..‬ ‫ﹸ‬ ‫ﻭﺃﻗﺴﻡ ﺒﺎﻨﻔﺭﺍﺝ ﺘﻜﺘﻤﻲ..‬ ‫ﻭﺍﻷﺭﺽ ﺘﺨﺘﺒﺭ ﺍﺨﺘﻤﺎﺭ ﺍﻟﻭﻗﺕ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻭ ﻨﺘﺴﻠﻕ ﺍﻟﺼﺎﺭﻱ ﺴﻭﻴﺎ ً؛‬ ‫ﻨﻔﺘﺢ ﺍﻟﺒﺎﺏ ﺍﻟﻤﺅﺩﻱ ﻻﺠﺘﻴﺎﺡ ﺍﻟﻐﻴﻡ..‬ ‫‪‬‬ ‫ﺩﻭﻥ ﺘﺸﻜﻠﻲ‬ ‫ﻴﺘﺭﺍﻜﻡ ﺍﻟﺼﺩﺃ ﺍﻟﻤﻭ ﹼﻲ.‬ ‫ﺸ‬ ‫ُ‬ ‫ﺩﻭﻥ ﻤﻭﻟﺩ ﻜﻨﺯﻱ ﺍﻟﻘﺩﺭﻱ‬ ‫ﺘﺴﻘﻁ ﻟﺤﻴﺔ ﺍﻟﺘﺎﺭﻴﺦ ِﻓﻲ ﻨﺎﺭ ِ ﺍﻟﺘﻐ ‪‬ﺏ ِ..‬ ‫ﺭ‬ ‫ﹸ‬ ‫ﺁﻥ ﻟﻲ‬ ‫ﺃﻥ ﺃﺠﺫﺏ ﺍﻟﺘﺎﺭﻴﺦ ﻤﻥ ﻋﺭﻨﻴﻨﻪ ﺤﻴﻨﺎ ً‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﻴﺭﺠﻭﻨﻲ ﺍﻟﺤﻨﻴﻥ ْ.‬ ‫- ٢٣ -‬
  • 34. ‫)٥ (‬ ‫)ﻋﺎﻫﺩﺕ ﻨﻔﺴﻲ‬ ‫ﺃﻥ ﺃﻜﺩ ﻟﺘﻨﻌﻤﻲ...(‬ ‫ﺜﻡ ﺍﺴﺘﺭﺤﺕ ﺇﻟﻲ ﺠﺩﺍﺭ ٍ‬ ‫ﹸ‬ ‫ﻓﻲ ﻀﻤﻴﺭﻙ ِ..‬ ‫ﻓﺎﻨﻬﺩﻡ.‬ ‫‪‬‬ ‫- ٣٣ -‬
  • 35. ‫)٦ (‬ ‫ﻭﻜﻨﺕ ﻗﺩ..‬ ‫ﹸ‬ ‫)ﺃﻗﺴﻤﺕ ﺒﺎﺴﻤﻙ ِ ﻴﺎ ﺒﻼﺩﻱ؛‬ ‫ﻓﺎﺸﻬﺩﻱ(‬ ‫ﺃﻨﻲ ﺍﻨﺘﻬﻴﺕ ﺇﻟﻴﻙ ِ ﺴﻬﻤﺎ ً..‬ ‫ﺃﻱ ﻗﻭﺱ ٍ ﻗﺩ ﺭﻤﻲ؟!!‬ ‫ﻜﺸﻔﺕ ﺴﺘﺭ ﻗﺼﻴﺩﺓ ٍ‬ ‫ﹸ‬ ‫ﻏﻁﺕ ﻤﻼﻤﺤﻬﺎ ﺒﻌﻨﻑ ٍ ﻭﺍﻫﻥ ٍ؛‬ ‫ﻭﻜﺘﺎﺒﺔ ٍ ﺼﻔﺭﺍﺀ....‬ ‫ﻜﻴﻑ ﺍﻵﻥ ﺒﻴﻥ ﻴﺩﻴﻙ ِ ﺃﻫﺘﻑ‬ ‫ﹸ‬ ‫ﺃﻭ ﺃﻤ ‪‬ﺩ ﻨﺸﻭﺓ ً ﺘﻘﺘﺎﺕ ﻤﻥ ﻋﺭﺽ ﺍﻟﺒﻼﻏﺔ ِ؛‬ ‫ﺠ‪‬‬ ‫ﻭﺍﻨﻜﺸﺎﻑ ﺤﻔﻴﻅﺔ ﺍﻟﺸﻌﺭﺍﺀ ِ؛‬ ‫ﻭﺍﻟﻠﻐﺔ ﺍﻟﻁﺭﻭﺏ‪‬؟!!!!‬ ‫- ٤٣ -‬
  • 36. ‫)٧ (‬ ‫ﻟﻴﺩﻴﻙ ﻴﺎ ﻤﺤﻤﻭﺩ ﻋﺸﺭ ﻤﺂﺫﻥ ٍ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺘﻘﺎﺒل ﺍﻷﺸﺠﺎﺭ ﻓﻴﻬﺎ‬ ‫‪‬‬ ‫ﺜﻡ ﺘﻁﻠﺏ ﺤﻘﻬﺎ ﻓﻲ ﺍﻟﻤﺎﺀ ِ..‬ ‫ﻴﻨﻤﻭ ﻜﺒﺭﻴﺎﺀ ﺍﻟﺴﺨﻁ ِ..‬ ‫‪‬‬ ‫ﻭﻭﺭﺩﺓ ﺍﻟﻜﺩﺡ ِ ﺍﻟﻤﻠﻴﻜﺔ ْ.‬ ‫ﹸ‬ ‫ﺠﺒل ُ.. ﻴﺘﻌﺘﻊ ﺼﺨﺭﺓ َ ﺍﻟﻤﺄﻭﻱ‬ ‫ُ‬ ‫ﻟﻴﺨﺭﺝ ﻤﻥ ﺠﺒﻴﻥ ﺍﻟﺒﺤﺭ ِ ﻤﺩﻟﻭﻻ ً ﺠﺩﻴﺩﺍ ً ﻟﻠﺴﺤﺎﺏ ِ؛ ﻭﻟﻠﺤﻴﺎﺓ.‬ ‫ﹾ‬ ‫ﻟﻴﺩﻴﻙ ﻤﺎﺌﺩﺓ ُ ُ..‬ ‫‪‬‬ ‫ﻭﻨﻬﺭ ُ ﻀﺎﻤﺭ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﻸﻷ ﺍﻷﻁﻔﺎل ﻓﻲ ﺃﺤﻼﻤﻬﻡ..‬ ‫ُ‬ ‫ﻟﻴﺩﻴﻙ ﺃﺠﻨﺎﺩ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺭﺍﻴﺎﺕ ُ ﻤﺩﻻﺓ ُ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﻨﺨل ُ ﺩﻭﻨﻪ ﺜﻤﺭ ُ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻁﻘﺱ ُ ﻤﺎﻟﺢ ُ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻴﺩﻴﻙ ﺼﻭﺕ ُ؛‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺭﺒﻤﺎ ﺘﻌﺸﻭﺸﺏ ﺍﻟﻜﻠﻤﺎﺕ ﻗﻴﻪ‬ ‫ﹸ‬ ‫ﺇﺫﺍ ﺒﺩﺍ ﻓﻲ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻤﺩﻟﻭل ُ ﺠﺩﻴﺩ ُ ﻟﻠﺴﺤﺎﺏ ِ؛ ﻭﻟﻠﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫ُ‬ ‫ﻟﻴﺩﻴﻙ ﺃﺭﺤﺎﻡ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﺠﻨﺘﻬﺎ ﻤﻼﺌﻜﺔ ُ ِﺩﺍﺩ ُ‬ ‫ﹸ ﺸ ‪‬‬ ‫ﺃﻨﺕ ﻴﺎ ﻤﺤﻤﻭﺩ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﺃﻭل ﻨﻁﻔﺔ ٍ ﻗﺭﺃـْ ﺘﻬﻭﺭ ‪‬ﻠﺒﻬﺎ؛‬ ‫‪‬ﺼ‬ ‫ﻭﺘﺭﺍﺌﺏ ﺍﻟﻁﺭﻗﺎﺕ ِ..‬ ‫ﺘﺒﺘﻜﺭ ﺍﻟﺘﺤﺎﻤﺎ ً ﻤﻠﺤﻤﻠﻴﺎ ً ﻟﻠﺴﻼﻟﺔ ِ‬ ‫ﻟﻡ ﺘﻜﻥ ﻤﻭﺘﺎ ً‬ ‫ﻟﺘﻘﻔﺯ ﺨﺎﺭﺝ ﺍﻟﻤﻠﻜﻭﺕ ِ ﺩﻭﻥ ﻫﻭﻴﺔ ٍ..‬ ‫‪‬‬ ‫- ٥٣ -‬
  • 37. ‫ﺒل ﻜﻨﺕ ﻤﺩﻟﻭﻻ ً ﺠﺩﻴﺩﺍ ً‬ ‫ﻓﻲ ﺩﻻﻟﺔ ِ ﺼﻤﺘﻨﺎ ﺍﻟﺨﺸﺒﻲ..‬ ‫ﺃﻭل ﺭﻋﺸﺔ ٍ ﻟﻠﻨﻬﺭ ِ ﺘﻔﻬﻤﻬﺎ ﺍﻟﺒﺤﺎﺭ..‬ ‫‪‬‬ ‫ﻜﺄﻨﻙ ﺨﺎﺭﺝ ُ ﻤﻥ ﺸﺭﺨﻨﺎ ﺍﻷﺯﻟﻲ ﺘﺭﺘﻘﻨﺎ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﻌﻠﻥ: ﺇﻥ ﺃﻏﺼﺎﻥ ﺍﻟﺠﻤﻴﻊ ٍ ﻤﻥ ﺍﻟﺯﺠﺎﺝ ِ‬ ‫‪‬‬ ‫ﻭﻏﺼﻨﻨﺎ ﻨﻬﺭ..‬ ‫‪‬‬ ‫ﻜﺄﻨﻙ ﺭﺅﻴﺔ ُ ُ ﻨﺒﻭﻴﺔ ُ ُ ﻟﻠﻴﺄﺱ ِ ﻜﺎﺸﻔﺔ ُ ُ؛ ﻭﻓﺎﻀﺤﺔ ُ ُ؛ ﻭﻀﺎﺤﻜﺔ ُ ُ ﻤﻥ ﺤﺯﻨﻨﺎ....‬ ‫‪‬‬ ‫ﺃﻭ ﺸﻬﻭﺓ ُ ُ ﻤﻭﺼﻭﻟﺔ ُ ُ ﺒﺎﻟﻤﺎﺀ ِ..‬ ‫ﺫﺒﺫﺒﺔ ﺍﻟﺒﻠﻭﻍ.‬ ‫ﹾ‬ ‫ﻜﺄﻥ ﺠﻴﻼ ً ﻁﺎﻟﻌﺎ ً ﻤﻥ ﺨﻴﻤﺔ ِ ﺍﻷﻋﺸﺎﺏ ِ‬ ‫ﻴﺒﻠﻊ ‪‬ﻔﺭﺓ َ ﺍﻟﺼﺤﺭﺍﺀ ِ‬ ‫ﺼ‬ ‫ﻴﻌﺩﻭ؛ ﺼﻭﺏ ﺴﺎﻗﻴﺔ ِ ﺍﻟﻤﻨﺎﺒﻊ ِ‬ ‫‪‬‬ ‫ﺘﺴﺘﺤﻡ ﺇﻟﻲ ﺍﻷﺒﺩ..‬ ‫‪‬‬ ‫ﺃﺒﺩ ُ.. ﺃﺒﺩ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻫﻼ ﺃﻨﺕ ﻴﺎ ﻤﺤﻤﻭﺩ ﻓﺭﺤﺘﻨﺎ؟!!!!‬ ‫ﹶ‬ ‫- ٦٣ -‬