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  ..   ‫א‬ -٢-
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﺇﻫــﺩﺍﺀ ............................................................................................................. - ٤ -‬ ‫ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﻐﻭﻟﺔ.. ..................................................................................................... - ٥ -‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺃﻨﺎ ﻨﻭﺭﺱ.. .......................................................................................................... - ٩ -‬ ‫‪‬‬ ‫ﺘﻘـﻭﻤﻴﻥ... ........................................................................................................ - ٠١ -‬ ‫ﻴـﺎ ﺍﻤﺭﺃﺓ .......................................................................................................... - ١١ -‬ ‫ﹰ‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َ ﺍﻟﺒﺤﺭ ..................................................................................................... - ٤١ -‬ ‫ِ‬ ‫ﺍﻟﺤﻠﻡ.. ﺼﺎﺭ ﺤﺩﻴﻘﺔ ................................................................................................. - ٦١ -‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﻨﺩ ﻭﺍﻫﺒﺔ ﺍﻟﻐﻼل ................................................................................................... - ٩١ -‬ ‫ﻜﺎﻨﺕ ﻜﻤﺎ ﻋ ‪‬ﺍﻓﺔ .................................................................................................... - ٠٢ -‬ ‫ﺭ ٍ‬ ‫ﻜﺎﻨﺕ ﻜ ‪‬ﻠﺔ ﻤﺎﺭﺩ.................................................................................................... - ٢٢ -‬ ‫ٍ‬ ‫ﺤ‬ ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻯ.. ......................................................................................... - ٣٢ -‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ..، ........................................................................................ - ٥٢ -‬ ‫ِ‬ ‫‪‬‬ ‫ِ‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ﻓﻲ ﺍﻟﻘﻠﺏ.. .................................................................................................. - ٧٢ -‬ ‫ِ‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ﻨﺩﺍﻫﺔ.. ..................................................................................................... - ٩٢ -‬ ‫ﺁﻩ.. ﻴﺎ ﻋﺎﺠﻴﺔ َﺍﻷﺤﺯﺍﻥ .............................................................................................. - ٢٣ -‬ ‫ِ‬ ‫ِ‬ ‫ﻴﺎ ﺃﺒﻨﻭﺴﺔ َﺍﻷﺤﺯﺍﻥ.. ................................................................................................ - ٣٣ -‬ ‫ِ‬ ‫ﻟﻠﺭﻗﺹ ِ ﺍﻟﻤﻐﺎﻴﺭ .................................................................................................... - ٤٣ -‬ ‫ِ‬ ‫ﻭﺍﻟﺴﻔﻥ ﺍﻟﻘﺩﻴﻤﺔ ...................................................................................................... - ٦٣ -‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻤﻠﻙ.. ﻭﻤﻤﻠﻜﺘﻲ ﺍﻟﻐﻨﺎﺀ... ........................................................................................... - ٧٣ -‬ ‫‪ ِ‬‬ ‫ﺍﻟﻴﻭﺩ ﻏﻁﻲ ﺇﺴﻜﻨﺩﺭﻴﺔ.. ............................................................................................. - ٩٣ -‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺇﻥ ﺍﻟﺤﻴﺎﺓ ........................................................................................................... - ١٤ -‬ ‫ﻓﻸﺠل ﻤﻥ.. ........................................................................................................ - ٣٤ -‬ ‫‪‬‬ ‫ﻴﺨﺭﺝ ﻤﻥ ﻓﻤﻲ.. ................................................................................................... - ٤٤ -‬ ‫ﺴﺄﻤﺭ ﻭﺤﺩﻱ........................................................................................................ - ٦٤ -‬ ‫‪‬‬ ‫-٣-‬
‫ﺇﻫــﺩﺍﺀ‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ.....‬ ‫ﺤﻠﻡ ﻨﻭﺭﺴﺔ ٍ..‬ ‫‪‬‬ ‫ﻭﺨﻴﺎل ﻓﻨﺎﻥ ٍ..‬ ‫ُ‬ ‫ﻭﺒﻬﺠﺔ ُﻋﺎﺸﻕ ٍ..‬ ‫ﻭﻤﺤﺽ ﻭﻻﺩﺓ ٍ ﻟﻠﻜﻭﻥ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺜﻭﺏ ٍﺠﺩﻴﺩ.‬ ‫‪‬‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ.......‬ ‫ﻻ ﻤﺯﻴﺩ.‬ ‫‪‬‬ ‫-٤-‬
‫ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﻐﻭﻟﺔ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﻭﺍﻗﻊ ﻤﺴﻜﻭﻨﺔ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﻭﺍﻨﻊ ﺴﺠﺎﺩﺓ ُ ﺍﻟﻜﺒﺭﻴﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃﻤ ‪ – ‬ﻭﻟﻭ ‪‬ﺭﺓ ً –‬ ‫ﻤ‬ ‫‪‬ﺭ‬ ‫ﻷﻟﺒﻲ ﺍﻟﻨﺩﺍﺀ.‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃﺭ ّﻊ ﻋﺭﺵ ﺍﻟﻤﻠﻴﻜﺔ..،‬ ‫ِ‬ ‫ﹶ‬ ‫ﺼ‪‬‬ ‫ِ‬ ‫ﺇﻥ ﺍﻟﺸﻭﺍﺭﻉ َ ﺨﺒﺯ ﺍﻟﺼﺒﺎﺡ ِ،‬ ‫‪‬‬ ‫ﻭﺨﺒﺯ ﺍﻟﻌﺸﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫..................................‬ ‫ﺍﻟﺴﻔﺎﺌﻥ...‬ ‫‪‬‬ ‫ﺘﺯﺭﻉ ﻓﻲ ﺍﻟﺒﺤﺭ ﺃﺤﻼﻤ ‪‬ﺎ،‬ ‫‪‬ﻬ‬ ‫ِ‬ ‫ﺜﻡ ﺘﻘﻠﻊ..‬ ‫‪‬‬ ‫ﻫل ﻴﻌﺭﻑ ﺍﻟﺒﺤﺭ ﺴﺭ ﺍﻟﻤﻠﻴﻜﺔ ِ،‬ ‫‪ِ ‬‬ ‫ﻓﻲ ﺭﺩﻫﺎﺕ ِ ﺍﻟﺘﻭﻗﻊ ِ،‬ ‫ﻭﺍﻟﻤﺎﺀ ﻋﺭﺵ ﺍﻟﺴﻤﺎﺀ.؟‬ ‫‪‬‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃ ‪‬ﺭ – ﻭﻟﻭ ﻤﺭ ﺓ ً -..‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻓﺎﻟﺴﻤﺎﺀ ﺍﻟﻘﺭﻴﺒﺔ ُﻜﺎﻟﺭﻤﺵ ِ..‬ ‫‪‬‬ ‫ﺘﻌﺭﻑ ﻤﻌﻨﻲ ﺍﻟﻐﻨﺎﺀ ِ..‬ ‫ﹸ‬ ‫ﻭﻤﻌﻨﻲ ﺍﻟﺒﻜﺎﺀ.‬ ‫ﺍﻟﻁﺤﺎﻟﺏ ﺘﻨﻤﻭ..،‬ ‫‪‬‬ ‫ﺘﺤﺎﺼﺭ ﺃﻓﻜﺎ ‪‬ﻨﺎ ﻓﻲ ﺍﻟﺼﺒﺎﺡ ِ..‬ ‫ﺭ‬ ‫ﻭﺘﺴﺭﻕ ﺃﻓﻜﺎ ‪‬ﻨﺎ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ْ.‬ ‫ﺭ‬ ‫ﻭﺍﻟﺫﻱ ﺭﺍﻓﻘﺘﻪ ﺍﻟﻁﻴﻭﺭ..،‬ ‫‪‬‬ ‫ﻴﻭ ‪‬ﻊ ﻓﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﺴ‪‬‬ ‫ﻫﺫﺍ ﺍﻟﻔﻀﺎﺀ ﺍﻟ ‪‬ﻀﺎﺀ.‬ ‫‪ ‬ﻤ ‪‬‬ ‫ﻭﺍﻟﻤﻭﺍﻨﺊ ُ..‬ ‫-٥-‬
‫ﺘﺤﺒل ﺒﺎﻟﻨﺎﺱ ِ،‬ ‫ﻭﺍﻟﻜﺴﺘﻨﺎﺀ.‬ ‫‪‬‬ ‫ﻭﺤﻠﻡ ﺍﻟﺼﺒﺎﻴﺎ ﺍﻟﻤﺅ ‪‬ﺞ ﺒﺎﻟ ‪‬ﺭﺱ ِ..‬ ‫ﺠ‪ ‬ﻌ‬ ‫‪‬‬ ‫ﻨﺎﻓﺫﺓ ُ ُ..‬ ‫ﻭﺍﻟﻨﻬﺎﻴﺔ ُ..‬ ‫ﺒﻌﺽ ﺍﻟﺒﺩﺍﻴﺔ ِ..‬ ‫‪‬‬ ‫ﻭﺍﻟ ‪‬ﺩﺀ ُ..‬ ‫ﺒ‬ ‫ﺒﻌﺽ ﺍﻨﺘﻬﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃﻤ ‪‬‬ ‫‪‬ﺭ‬ ‫– ﻭﻟﻭ ﻤﺭ ﺓ ً –‬ ‫‪‬‬ ‫ﻓﻠﻠﻨﺎﺭ ﻨﺯﻑ ُ ُ ..‬ ‫ِ‬ ‫ﻭﻟﻠ ‪‬ﺭﺡ ِ ﻋﺯﻑ ُ ُ ..‬ ‫ﺠ‬ ‫ﻭﻟﻠ ِﻌﺭ ﻓﻲ ﺍﻟﻌﺸﻕ ِ..‬ ‫ﺸ‬ ‫ﺒﻌﺽ ﺍﺒﺘﻼﺀ ْ.‬ ‫‪‬‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ ،‬ ‫ﺘﻤﺴﻙ ﺍﻟﻤﻭﺠﺔ َﺍﻟﺴﺎﺤﻠﻴﺔ َ‬ ‫ﻓﻲ ﻤﻨﺘﻬﺎﻫﺎ.‬ ‫ﻟﻡ ﺘﻜﺩ ﺒﻌﺩ ﺘﻌﺭﻑ ﺇﺴﻡ ﻓﺘﺎﻫﺎ.‬ ‫‪‬‬ ‫ﺭﺒﻤﺎ ﺸﺭﺒﺕ ﻨﻔ ‪‬ﻬﺎ..‬ ‫ﹾ ﺴ‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ ﻏﺯﻟﺕ ﺸﺎﻁﺌﺎ ً..،‬ ‫ﹾ‬ ‫ﺒ‬ ‫ﺜﻡ ﺭﺍﺤﺕ ﺘﻤﺎﺭﺱ ﻓﻴﻪ‬ ‫ﹾ‬ ‫ﻁﻘﻭﺱ ﻫﻭﺍﻫﺎ.‬ ‫‪‬‬ ‫..................................‬ ‫ﺍﻟﻔﺘﺎﺓ ُ ﺍﻟﺘﻲ‬ ‫ﺤﻭﻟﺘﻨﺎ ﺍﻟﻲ ﺸﺠﺭ ٍ ﻅﺎﻤﺊ ٍ..،‬ ‫ﻭﺍﺭﺘﺩﺕ ﻏﻴﻤﺔ ً..‬ ‫ﹾ‬ ‫ﺃﻭ ﺴﺤﺎﺒﺔ ْ.‬ ‫-٦-‬
‫ﺤﻭﻟﺘﻨﺎ ﺍﻟﻲ ﻭﺘﺭ ﺤﺎﺌﺭ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻓﻲ ﺍﻟﺭﺒﺎﺒﺔ ْ.‬ ‫..................................‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ ﻴﺭﺘﺩﻴﻬﺎ ﺍﻟﻜﺘﺎﺏ..،‬ ‫‪‬‬ ‫ﻭﻨﻬﺭ ﺍﻟﺩﻤﺎﺀ ِ ﺍﻟﺫﻱ ﻓﻲ ﻋﺭﻭﻗﻲ ﺍﻟﻜﺘﺎﺒﺔ ْ.‬ ‫‪‬‬ ‫..................................‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ‬ ‫ﻓﻲ ﻀﻔﺎ ِﺭﻫﺎ ﺍﻷﻏﻨﻴﺎﺕ ﺍﻟﻌﺠﻴﺒﺔ ُ‬ ‫ﹸ‬ ‫ﺌ‬ ‫ﺸ ‪‬ﺎ..‬ ‫ﻤً‬ ‫ﻭﻫﻤﺴﺎ ً..‬ ‫ﻭﻟﻤﺱ ْ.‬ ‫ﻁﻔﻠﺔ ُ.. ُ ﻓﻲ ﺯﻭﺍﻴﺎ ﺍﻟﻀﻠﻭﻉ ِ،‬ ‫ﺘﻀﺊ ﺩﻤﻲ..‬ ‫ﻭﺘﻐﻨﻲ..‬ ‫ﻓﺘﻨﺒﺕ ﺘﻔﺎﺤﺔ ُﺍﻟﻨﻔﺱ ِ...‬ ‫ﺤﻔﻠﺔ ُ ‪‬ﺭﺱ ْ.‬ ‫ﻋ‬ ‫ﻁﻔﻠﺔ ُ ُ..‬ ‫ﺤﻴﻥ ﺘﺩﺨل ﺒﻴﻥ ﺩﻤﻲ، ﻭﺍﻟﻀﻠﻭﻉ ِ،‬ ‫ﺴﺘﻨﺒﺕ ﻤﻠﻴﻭﻥ ﺸﻤﺱ ٍ، ..‬ ‫‪‬‬ ‫ﻭﺸﻤﺱ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻤﺭ ﺓ ً ﺩﺍﻋﺒﺕ ﻁﻔﻠ ‪‬ﺎ ،‬ ‫ﹾ ﹶﻬ‬ ‫‪‬‬ ‫ﻋﻠﻤﺘﻪ ﺍﻟﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﻤﺭﺘﺎﻥ،‬ ‫ﻋﻠﻲ ﻤﻭﻋﺩ ٍ ﻭﺍﺤﺩ ٍ،‬ ‫ﻭﺍﻟﻐﻨﺎﺀ.‬ ‫‪‬‬ ‫ﻟ ‪‬ﻨﺕ ﺒﺎﻷﻨﻭﺜﺔ ِ، ﻜل ﺍﻟﺭﺅﻱ، ﻭﺍﻟﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻭ ﹾ‬ ‫-٧-‬
‫ﻟﻭﻨﺕ ﺒﺎﺸﺘﻬﺎﺀ.‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺃﻟﻴﺴﺕ ﻟﺤﻭﺍﺀ ﻤﻤﻠﻜﺔ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺘﻌﺘﻠﻲ ﻋﺭﺸﻬﺎ ،‬ ‫ﻭﺍﺒﺘﻼﺀ؟!‬ ‫‪‬‬ ‫..................................‬ ‫ﺃﻨﺎ ﻨﻭﺭﺱ ُ..‬ ‫‪‬‬ ‫ﺒﺎﺴﻁ ُ ُ ﺒﺎﻟﻭﺼﻴﺩ ِ ﺠﻨﺎﺤﻴﻪ..‬ ‫ﻟﻭ ﺤﺭﻀﺘﻨﻲ..‬ ‫ﺴﺄﺨﺭﺝ ﻤﻥ ﻁﻭﻕ ِ ﻫﺫﺍ ﺍﻟﺘﻔﺭﺱ ،.. ﻟﻺ ﻓﺘﺭﺍﺱ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻜل ﺍﻟﺫﻱ ﻟﻴﺱ ﻋﺸﻘﺎ ً...‬ ‫ﹸﻌﺎﺱ.‬ ‫ﻨ ‪‬‬ ‫ﻭﺍﻟﻤﺩﻯ ﻻ ‪‬ﻘﺎﺱ ْ.‬ ‫ﻴ‬ ‫-٨-‬
‫ﺃﻨﺎ ﻨﻭﺭﺱ..‬ ‫ٌ‬ ‫ﻭﺍﻟﻨﻭﺍﺭﺱ ،‬ ‫ﺘﻌﺭﻑ ﺇﻴﻘﺎ ‪‬ﻬﺎ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ْ.‬ ‫ﻋ‬ ‫ﺴﺄﻜﺴﺭ ﻤﺎ ﺤﻭل ﺭﻭﺤﻲ.. ،‬ ‫ﻭﻴﻨﻤﻭ ﻋﻠﻲ ﻜل ﻗﺎﻓﻴﺔ ٍ ﻓﻲ ﺍﻟﻐﻨﺎﺀ ِ..‬ ‫ﻓﻀﺎﺀ ْ.‬ ‫ﻓﻬﻼ ﺃﺴﻤﻴﻙ ِ،‬ ‫ﻴﺎ ﻁﻔﻠﺔ َﺍﻟﺭﻭﺡ ِ.......‬ ‫ﻤﺎﺀ ْ.؟!‬ ‫..................................‬ ‫ﻭﻋﻨﺩ ﺍﻨﺒﻼﺝ ﺍﻟﻬﻼل،‬ ‫ﺘﻘﻭﻤﻴﻥ ﻤﻥ ﺯﺭﻗﺔ ِ ﺍﻟﺒﺤﺭ‬ ‫ِ‬ ‫ﺴﺎﻤﻘﺔ ً ﻜﺎﻟﺨﻴﺎل ِ ﺍﻟ ‪‬ﺤﺎل.‬ ‫ﻤ ْ‬ ‫ﻭﻜﺎﻟ ِﺤﺭ،‬ ‫ﺴ ِ‬ ‫ﻓﻭﻕ ﺴﺭﻴﺭ ﺍﻟﺴﻭﺍﺤل ِ.‬ ‫ﹶ‬ ‫ﺘﺴﻌﻲ ﺇﻟﻴﻙ ِ ﺍﻟﺴﻔﺎﺌﻥ ،‬ ‫‪‬‬ ‫ﺴﺎﺤﺒﺔ ًﺤﻠ ‪‬ﻬﺎ‬ ‫ﻤ‬ ‫ﺒﺨﻴﻭﻁ ِ ﺍﻟﺼﺒﺎﺡ ِ‬ ‫ﺍﻟﻤﺼﺎﺤﺏ ﻟﻠ ‪‬ﺤﺏ ِ،..‬ ‫ﺼ‬ ‫ﻤﺜل ﺍﻟﻐﺯﺍﻟﺔ ِ.‬ ‫ﺇﺫ ﺘﻐﺯﻟﻴﻥ ﺍﻟﺒﺩﺍﻴﺔ َ..‬ ‫ﻏﺯﻟﻙ،‬ ‫ﻫﺫﺍ ﺍﻟﻤﻨﻤﻨﻡ ﺒﺎﻟﻔﻜﺭ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻴﺸﺭﻕ ﻤﺜل ﺍﻟﺼﺒﺎﺡ ِ‬ ‫ﻓﺘﺒﺩﻭ ﺍﻟﺭﻴﺎﺡ ﺠﻨﺎﺤﺎ ً ،‬ ‫‪‬‬ ‫ﻴﻭﺍﺼل ﻋﺯﻑ ﺍﻟﻨﺸﻴﺩ ﺍﻟ ‪‬ﺒﺎﺡ ْ.‬ ‫ﻤ‬ ‫ﹶ‬ ‫ﺠﻴﺎﺩﺍ ً،‬ ‫ﺘ ‪‬ﻠﻕ ﻓﻭﻕ ﺍﻟﺴﻬﻭل ِ ﺍﻟﻔﺴﺎﺡ ْ.‬ ‫ﹶ‬ ‫ﺤ‬ ‫-٩-‬
‫ﺘﻘـﻭﻤﻴﻥ...‬ ‫ﺘﺴﻌﻲ ﺍﻟﻨﺠﻭﻡ ﻋﻠﻰ ﺼﻬﻭﺓ ِﺍﻟﺒﺭﻕ ِ ﻟﻠﺸﺭﻕ ِ،‬ ‫‪‬‬ ‫ﻜﺎﻟ ‪‬ﻠﻡ ِ ..‬ ‫ﺤ‬ ‫ﻓﻲ ﺍﻻﺤﺘﻤﺎل ِ ﺍﻟ ‪‬ﺤﺎل..‬ ‫ﻤ ْ‬ ‫ﺘﻘﻭﻤﻴﻥ،..‬ ‫ﻜﺎﻥ ﺜﻘﻴﻼ ًﻋﻠﻴﻙ ِ‬ ‫ﻗﻤﻴﺹ ﺍﻟ ‪‬ﺒﺎﺕ ِ،‬ ‫‪ ‬ﺴ‬ ‫ﻭﻤﺎ ﺃﺠﻤل ﺍﻵﻥ ﺜﻭﺏ ﺍﻟﺴﻤﺎﺀ ِ‬ ‫َ ‪ ‬‬ ‫ﺒﻬﺫﺍ ﺍﻟﻤﺴﺎﺀ‬ ‫ِ‬ ‫ﻋﻅﻴﻡ ﺍﻟﺒﻬﺎﺀ ْ.‬ ‫ﺘﻘﻭﻤﻴﻥ،...‬ ‫ﻜﺎﻟﻘﻠﺏ ِ ﻴﻨﺒﺽ ﻋﻨﺩ ﺍﻟﻠﻘﺎﺀ ِ،‬ ‫‪‬‬ ‫ﻭﻜﺎﻟﻔﺠﺭ،‬ ‫ِ‬ ‫ﺃﻭ ﻜﺎﻟﻭﻻﺩﺓ ِ..‬ ‫ﻋﻁ ‪‬ﻙ ِ،‬ ‫ﺭ‬ ‫ﻴﻨﻁﻕ ﻤﻥ ﺒﻴﻥ ﻤﻠﺢ ِ ﺍﻟﺸﻁﻭﻁ ِ،‬ ‫ﹸ‬ ‫ﻭﺃﻫﺘﺯ ﺒﻴﻥ ﻴﺩﻴﻙ..‬ ‫‪‬‬ ‫ﺘﻀﺎﺀ ﺍﻟﻜﻬﻭﻑ ﺍﻟﺘﻲ ﻓﻲ ﺩﻤﺎﺌﻲ،‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﻴﻜﺸﻑ ﺴﺭﻱ ﺍﻟﺫﻱ‬ ‫ﻻ ‪‬ﺒﺎﺡ ﻟﻐﻴﺭ ﺍﻟﻤﻴﺎﻩ ِ‬ ‫ﻴ ‪ِ ‬‬ ‫ﻭﻋﻨﺩ ﺍﻨﺒﻼﺝ ﺍﻟﻬﻼل ،‬ ‫ﺘﻘﻭﻤﻴﻥ ﻤﻥ ‪‬ﺭﻗﺔ ِﺍﻟﺒﺤﺭ ،‬ ‫ِ‬ ‫ﺯ‬ ‫ﺴﺎﻤﻘﺔ ًﻜﺎﻟﺨﻴﺎل ﺍﻟ ‪‬ﺤﺎل.‬ ‫ﻤ ْ‬ ‫..................................‬ ‫- ٠١ -‬
‫ﻴـﺎ ﺍﻤﺭﺃﺓ‬ ‫ﹰ‬ ‫ﺘﺼل ﺍﻟﺸﺎﻁﺊ َ ﺒﺎﻟﺸﺎﻁﺊ ِ،‬ ‫ﻭﺘﺨﻴﻁ ﺍﻷﺯﺭﻕ ﺒﺎﻷﺯﺭﻕ ِ،‬ ‫ﹶ‬ ‫ﻭﺍﻟﻠﻴل ﺘﻠ ‪‬ﻨﻪ ﺒﺎﻟﻨﻭﺭ.‬ ‫‪‬‬ ‫ﻭ ‪‬‬ ‫ﻴﺎ ﺍﻤﺭﺃﺓ،‬ ‫ﻜﺎﻟﺤﻭﺭ..‬ ‫ِ‬ ‫ﺍﻟﺒﻠﻠﻭﺭ..‬ ‫ِ‬ ‫ﺘﺩﻭﺭ.‬ ‫‪‬‬ ‫ﺒﻐﻨﺎﺀ ِ ﺍﻟ ‪‬ﺭﺱ ِ ﺍﻟﻤﻨﺫﻭﺭ ،‬ ‫ﻌ‬ ‫ﺇﻟﻲ ﺍﻟﺒﺤﺭ ﺩﻫﻭﺭ.‬ ‫‪‬‬ ‫ِ‬ ‫ﻭﺃﻨﺎ ﺍﻟﻤﺠﻨﻭﻥ ﻫﻭﻱ ً..‬ ‫‪‬‬ ‫ﺍﻵﺴﺭ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺄﺴﻭﺭ.‬ ‫‪‬‬ ‫ﺒﻜﺘﺎﺏ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺍﻟﻤﺴﺘﻭﺭ ِ......‬ ‫ﺴﻁﻭﺭ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻓ ‪‬ﻠﺕ ﺍﻷﺤﻼﻡ ﺸﺭﺍﻋﺎ ً،‬ ‫‪‬‬ ‫ﺼ ﹸ‬ ‫ﻭﺸﻘﻘﺕ ﺍﻟﻤﻭﺝ ﺇﻟﻴﻙ ِ،‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻜﻤﺎ ﺸﻕ ﻨﺤﻭﺭ ﺍﻷﻋﺩﺍﺀ ِ ﺍﻟﺴﻴﻑ ْ.‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻻ ﺘﺴﺄل ﻜﻴﻑ !!!‬ ‫ﹾ‬ ‫ﻟﻭ ﺃ ﱠﺎ ﻨﻌﺭﻑ.. ﺴﺭ ﺍﻟﻁﻘﺱ ِ ،‬ ‫ِ‪‬‬ ‫ﻨ‬ ‫ﺇﺫﺍ ﻤﺎ ﻏﺎﺏ ﺍﻟﻔﺠﺭ !‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻭ ﺃ ﱠﺎ ﻨﻌﺭﻑ..‬ ‫ﻨ‬ ‫ﻜﻴﻑ ﻨﻘﻴﺱ ﺍﻟﻤﻭﺠﺔ َ ،‬ ‫ﻗﺒل ﻨﺯﻭل ﺍﻟﺒﺤﺭ !!‬ ‫‪‬‬ ‫- ١١ -‬
‫ﻟﻭ ﺃ ﱠﺎ...‬ ‫ﻨ‬ ‫ﻟﻭ........‬ ‫ﻤﺎ ﻜﺎﻥ ﺍﻟﻤﺩ ﻴﺨﺎﺼﻤﻨﺎ ،‬ ‫‪‬‬ ‫ﻭﻨﻌﻴﺵ ﺩﻫﻭﺭﺍ ً ،‬ ‫ﻁﻲ ﺍﻟﺠﺯﺭ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻴﺎ ﺍﻤﺭﺃﺘﻲ..‬ ‫ﻴﺎ ﺭﺌﺘﻲ..‬ ‫ﻴﺎ ﻟﺅﻟﺅﺘﻲ..‬ ‫ﺍﻟﺒﺤﺭ ﻋﻤﻴﻕ ُ،‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﺍﻷﻋﺸﺎﺏ ْ.‬ ‫ﻓﻲ ﺼﻤﺕ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺘﺴﺩ ﺍﻟﺒﺎﺏ.‬ ‫‪‬‬ ‫ﻭﺍﻟﻠﺤﻥ ﺍﻟﻌﺎﺼﻑ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻻ ﻴﺘﺠﻠﻰ‬ ‫ﺇﻻ ﻓﻲ ﺭﺩﻫﺎﺕ ِ ﺴﺤﺎﺏ ْ.‬ ‫ﱠ‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َﺍﻟﺒﺤﺭ.‬ ‫ِ‬ ‫ﺍﻟﺯﺒﺩ ﺍﻟﻁﺎﻓﺢ ُﻤﻥ ﺭﻗﺼﺎﺕ ِ ﺍﻟﻤﻭﺝ ِ ،‬ ‫‪‬‬ ‫ﻭﻓﻲ ﺭﻋﺸﺎﺕ ﺍﻟ ‪‬ﺸﺏ ِ،‬ ‫ِ ﻌ‬ ‫ﻭﻓﻭﻕ ﺍﻟﻘﻠﺏ ِ ،‬ ‫ﹶ‬ ‫ﻭﺘﺤﺕ ﺍﻟﻘﻠﺏ ِ،‬ ‫ﹶ‬ ‫ﻴﻬﺯ،‬ ‫‪‬‬ ‫ﻴﺯﻟﺯل ﺠﺫﻉ َﺍﻟﻜﻭﻥ ِ،‬ ‫ُ‬ ‫ﻴﻬﺯ،‬ ‫‪‬‬ ‫ﻴﺸﻭﺵ ﻟﻭﻥ ﺍﻟﻠﻭﻥ ِ،‬ ‫‪ ‬ﹸ ‪‬‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َﺍﻟﺒﺤﺭ،‬ ‫ِ‬ ‫ﺃﻨﺎ ،‬ ‫- ٢١ -‬
‫ﻭﺍﻟﻨﻭﺭﺱ ،‬ ‫‪‬‬ ‫ﻨﺤﻠﻡ ﺒﺎﻟﺼﺒﺢ ِﺍﻟﺭﺍﺒﺽ ِ ،‬ ‫ﻓﻲ ﺃﻋﻤﺎﻕ ِ ﺍﻟ ‪‬ﺭﺡ ِ،‬ ‫ﺠ‬ ‫ﺍﻟﺫﺍﺌﺏ ،‬ ‫‪‬‬ ‫ﻓﻲ ﺫﺭﺍﺕ ِ ﺍﻟﻤﻠﺢ ِ،‬ ‫ﺍﻟﻭﺍﻀﺢ،..‬ ‫‪‬‬ ‫ﻤﺜل ﺍﻟﺭﺅﻴﺔ ،‬ ‫ﻓﻭﻕ ﺴﺭﻴﺭ ﺍﻟﻤﻭﺝ ِ..‬ ‫ِ‬ ‫ﹶ‬ ‫- ٣١ -‬
‫ﺃﻴﺎ ﺴﻴﺩﺓ َ ﺍﻟﺒﺤﺭ‬ ‫ِ‬ ‫ﻭﺴﻴﺩﺘﻲ.‬ ‫..................................‬ ‫ﺍﻤﺭﺃﺓ ُ ُ..‬ ‫ﺨﻠﻌﺕ ﻤﻌﻁ ﹶﻬﺎ،‬ ‫ﻔ‬ ‫ﹾ‬ ‫ﻭﺍﻨﺴﻠﺨﺕ ْ ،‬ ‫ﻋﻥ ﺭﻴﺵ ﺍﻟﻌﺘﻤﺔ..،‬ ‫ِ‬ ‫ﻭﺘﺨﱠﺕ ْ..‬ ‫ﻠ‬ ‫ﻋﻥ ﻭﺭﻗﺔ ﺘﻭﺕ ٍ..‬ ‫ﻜﺎﻨﺕ ﺘﺤﺠﺒﻬﺎ ﻓﻲ ﺍﻟﻅل ِ..،‬ ‫ﺘﺨﻁﺕ ..‬ ‫ﹾ‬ ‫ﻜل ﺯﻭﺍﻴﺎ ﺍﻟﻔﻭﻀﻰ ﺍﻟﻤﻜﺘﻅﺔ‬ ‫ﱠ‬ ‫ﺒﺎﻟﺸﺒﻕ ِ ﺍﻟﺠ ‪‬ﺍل ِ،‬ ‫ﻭ‬ ‫ﻭﺃﺸﺒﺎﻩ ِﺍﻟﻀﻭﺀ ِﺍﻟﻨﺎﺭﻱ ﱢ‬ ‫ﺍﻟﻤﺘﺩﺍﻓﻊ ِ ﻨﺤﻭ ﺃﻨﻭﺜﺘﻬﺎ.‬ ‫ﻓﺘﺤﺕ ﻏﺭﻓﺘﻬﺎ،‬ ‫ﹾ‬ ‫ﺃﻟﻘﺕ ‪‬ﺭﻗﺘ ‪‬ﺎ..‬ ‫ﹾﺯ ﻬ‬ ‫ﻓﺎﺸﺘﻌل ﺍﻟﻭﻫﺞ ﺍﻟﻤﺘﺩﻓ ﹸ،‬ ‫ﻕ‬ ‫‪‬‬ ‫ﻭﺘﻭﺭﺩ ﻭﺠﻪ ﺍﻟﺴﺠﺎﺩﺓ ِ‬ ‫‪‬‬ ‫ﺒﻘﻭﺍﻓل ِ ﻏﻴﻡ ٍ‬ ‫ﺘﺴﺘﻨﻁﻕ ﺃﻨﻬﺎﺭ ﺍﻟﺤﻠﻡ ْ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻫﻲ ﺫﻱ ﺘﺭﺍﻨﻴﻡ ﺍﻟﺒﺩﺍﻴﺔ ِ،‬ ‫‪‬‬ ‫ﻓﻲ ﺍﻟﺯﻤﺎﻥ ِ ﺍﻟﻔﺫ ﱢ،‬ ‫ﻓﻲ ﺍﻟﻌﺼﺭ ِ ﺍﻟﺠﺩﻴﺩ ْ.‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫- ٤١ -‬
‫ﻓﻭﻕ ﺃﻨﻑ ِ ﺍﻟﺒﺤﺭ ﺼﺎﺭﻴﺔ ً،‬ ‫ِ‬ ‫ﹶ‬ ‫ﻭﺒﻴﺭﻗﻬﺎ ﻴﺭﻓﺭﻑ،‬ ‫ﹸ‬ ‫ﻤﺎ ﻋﻠﻴﻙ..‬ ‫‪‬‬ ‫ﺴﻭﻱ ﺍﻟﺼﻌﻭﺩ ﺍﻟﻔﺫ ﱢ‬ ‫ﻓﻲ ﺍﻟﺯﻤﻥ ِ ﺍﻟﻌﻨﻴﺩ.‬ ‫‪‬‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻻ ﻤﺯﻴﺩ .‬ ‫‪‬‬ ‫..................................‬ ‫- ٥١ -‬
‫ﺍﻟﺤﻠﻡ.. ﺼﺎﺭ ﺤﺩﻴﻘﺔ‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻜﺎﻨﺕ ﺘﺠﺎﺫﺒﻨﻲ ﺍﻟﺘﻭﺩﺩ،‬ ‫‪‬‬ ‫ﺃﻭ ﺘﻁﺎﺭﺤﻨﻲ ﺍﻟﺘﻬﺠﺩ،‬ ‫‪‬‬ ‫ﻓﻲ ﺴﻜﻭﻥ ِ ﺍﻟﻤﻭﺝ ِ،‬ ‫ﻨﺒﻨﻲ ﻜﻭﺨﻨﺎ ﺍﻟﺒﺤﺭﻱ،‬ ‫‪‬‬ ‫ﻟﻡ ﺃﺒﺭﺃ ْ ﻤﻥ ﺍﻟﻌﺸﻕ ِ ﺍﻟﻘﺩﻴﻡ ِ،‬ ‫ِ‬ ‫ﻭﻭﺸﻭﺸﺎﺕ ﺍﻟﺭﻤل ِ،‬ ‫ِ‬ ‫ﻭﺍِﺸﻌﺭ ﺍﻟﺤﺯﻴﻥ ِ.‬ ‫ﻟ ِ‬ ‫ﺤﺘﻲ ﻨﻔﺎﻴﺎﺕ ﺍﻟﻤﺭﺍﻜﺏ ِ‬ ‫ﻜﻨﺕ ﺃﺠﻤﻌﻬﺎ،..‬ ‫ﹸ‬ ‫ﻭﺃﺤﻅﻲ ﺒﺎﺒﺘﺴﺎﻤﺎﺕ ﺍﻟﻁﻔﻭﻟﺔ ِ‬ ‫ﻓﻲ ﻗﺼﻭﺭ ِ ﺍﻟﺭﻤل ِ.‬ ‫ﺃﺒﺘﻨﻲ ﻋ ﱠﺎ ً،‬ ‫‪‬ﺸ‬ ‫ﻟﻌﺼﻔﻭﺭﻴﻥ ﻤﺒﺘﻠﻴﻥ،‬ ‫ﻴﺩﻨﻭ ﺼﺎﺤﺒﻲ‬ ‫ﻤﻥ ﺼﺨﺭﺓ ِﺍﻟﻭﺼل ﺍﻟﺘﻲ..‬ ‫ِ‬ ‫ﻋﻨﺩ ﺍﻨﺸﺭﺍﺡ ﺍﻟﺒﻭﺡ،‬ ‫ﺃﻗﺭﺃ ﺴ ‪‬ﻩ ُ..،‬ ‫ِﺭ‬ ‫ﻓﻴﻀﻤﻨﻲ ﻜﻘﺼﻴﺩﺓ ٍ.‬ ‫ﻤﺜﻠﻲ...‬ ‫ﺘﺠﺎﺫﺒﻪ ﺍﻟﺘﻭﺩﺩ،‬ ‫‪‬‬ ‫ﺃﻭ ﺘﻁﺎﺭﺤﻪ ﺍﻟﺘﻬﺠﺩ،‬ ‫‪‬‬ ‫ﻨﻨﺘﻬﻲ ﻨﺼﻔﻴﻥ،‬ ‫ﺘﺭﺒﻁﻨﺎ ﺒﻤﺨﻠﺏ ِ ﺭﻭﺤﻬﺎ.‬ ‫..................................‬ ‫ﻜﺎﻨﺕ ﻜﻤﻴﺩﻭﺯﺍ،..‬ ‫- ٦١ -‬
‫ﺘﺤ ﱢﻁ ﻤلﺀ ﻋﻴﻨﻴﻬﺎ،‬ ‫‪‬‬ ‫ﻨ‬ ‫ﻭﻓﻲ ﺤﺩﻴﻘﺘﻬﺎ ﺍﻟﻔﻭﺍﺭﺱ،‬ ‫ﻜﺎﻟﺘﻤﺎﺜﻴل،‬ ‫ﺍﻟﻬﻴﺎﻜل،..‬ ‫ﻋﻨﺩ ﺒﺎﺏ ِ ﺍﻟﺒﺤﺭ،‬ ‫ِ‬ ‫ﻻ ﺘﺜﺏ ﺍﻟﻔﻭﺍﺭﺱ ﻟﻸﻤﺎﻡ ِ،‬ ‫‪‬‬ ‫ﺍﻟﺨﻭﻑ..‬ ‫ﹸ‬ ‫ﻤﺸﺩﻭﺩ ُ ﻋﻠﻰ ﺃﻗﺩﺍﻤﻬﺎ،‬ ‫‪‬‬ ‫ﻭﺍﻟﺸﻁ ،‬ ‫ﱡ‬ ‫ﻋﻨﻜﺒﻪ ﺍﻟﺯﻤﺎﻥ‬ ‫‪‬‬ ‫ﻫﻨﺎﻙ َ، ﺨﻠﻑ ﺍﻟﺫﻜﺭﺓ ْ.‬ ‫ﻗﺩ ﺃﺩﺭﻜﺘﻬﺎ ﻟﻌﻨﺔ ُ ﺍﻟﻜ ‪‬ﺎﻥ ِ‬ ‫ﹸﻬ‬ ‫ﻓﻲ ﺍﻟﺯﻤﻥ ِ ﺍﻟﻘﺩﻴﻡ.‬ ‫‪‬‬ ‫ﺩﺨﻠﺕ ﺤﺩﻴﻘﺔ َ ﺍﻷﻤﻭﺍﺕ..،‬ ‫ِ‬ ‫ﹸ‬ ‫ﻜﻲ ﺃﺭﻨﻭ ﺇﻟﻰ ﺍﻟﻤﺠﺩ ﺍﻟﺫﻱ،‬ ‫ِ‬ ‫ﻗﺩ ﺘﺎﻩ ﻓﻲ ﻋﺼﺭ ﺍﻷ ﻓﻭل ِ، ﺍﻟﺒﻌﺙ ِ،‬ ‫ِ‬ ‫ﻗﻠﺕ :‬ ‫ﺃﻓ ‪ ‬ﺍﻟﻐﻴﻤﺔ َ ﺍﻟﺠﻴﺭﻴﺔ ،‬ ‫ﹸﻙ‬ ‫ﺍﻟﺼﺨﺭ،‬ ‫ﺍﻟﺭﺨﺎﻡ،‬ ‫ﺍﻟﻤﺭﻤﺭ،‬ ‫ﺍﻟﻌﺎﺝ،ﺍﻟﻤﺤﻨﻁ ﻓﻭﻕ ﺸﻁ ﺍﻟ ِﺤﺭ..‬ ‫ﺴ ِ‬ ‫ﻋﻨﺩ ﺍﻟﺠﻔﻥ ِ،‬ ‫ﺘﺤﺕ ﺭﻤﻭ ِﻬﺎ ﺍﹸﺸ ‪‬ﺎﻙ ِ،‬ ‫ﺸ ﻟ ﺒ‬ ‫ﻭﺍﻟﺸ ‪‬ﻙ ِ،‬ ‫ﹶﺭ‬ ‫ﺍِﺸ ‪‬ﺎﻙ ِ،‬ ‫ﻟ ﺒ‬ ‫ﺠﻤﻴﻠﺔ ُ ُ ! !..‬ ‫- ٧١ -‬
‫ﻟﻜﻨﻬﻡ..‬ ‫ﻟﻡ ﻴﻔﻬﻤﻭﺍ ﺴﺭ ﺍﻟﺒﺴﺎﻁﺔ ِ،‬ ‫ِ‪‬‬ ‫ﻭﺍﻟﺘﻤﺭﺩ ﻓﻲ ﻁﺒﻴﻌﺘﻬﺎ ﺍﻷﻨﻴﻘﺔ..،‬ ‫ﻅ ﱠﻬﺎ ﺍﻟﻔﺭﺴﺎﻥ ﻏﺎﻨﻴﺔ ً،..‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺘﻌﺭﻱ ﺨﺼ ‪‬ﻫﺎ‬ ‫ِ ‪‬ﺭ‬ ‫ﻋﻨﺩ ﺍﻟﺸﻁﻭﻁ ﺍﻟﺒﻜﺭ،..‬ ‫ﺴﺎﺤﺭﺓ ً....،‬ ‫ﺭﺁﻫﺎ ﻤﻌﻅﻡ ﺍﻟﻜﻬﺎﻥ،‬ ‫‪‬‬ ‫ﺘﺯﺭﻉ ﻓﻲ ﺍﻟﺸﻁﻭﻁ ِ ﻁﻼﺴﻤﺎ ً،...‬ ‫ﻟﻡ ﻴﻔﻬﻤﻭﺍ ﺴﺭ ﺍﻷﻨﻭﺜﺔ ِ ،‬ ‫ِ‪‬‬ ‫- ٨١ -‬
‫ﻋﻨﺩ ﻭﺍﻫﺒﺔ ﺍﻟﻐﻼل‬ ‫ﺍﻟﺤ ‪ ،‬ﻜﺎﻥ ﺩﺜﺎ ‪‬ﻫﺎ..‬ ‫ﺭ‬ ‫‪‬ﺏ‬ ‫ﻟﻜﻨﻬﻡ ﺠﺎﺀﻭﺍ ﻴﺴﻭﻗﻭﻥ ﺍﻟﻤﻁﺎﻤﻊ،‬ ‫‪‬‬ ‫ﺠﻭﻋﻬﻡ ﺸﺒﻕ ُ،‬ ‫ﹸ‬ ‫ﻭﻤلﺀ ﺠﻨﻭﻨﻬﻡ ﻨﻬﻡ ُ ،‬ ‫‪‬‬ ‫ﻟﺨﻤﺭ ﺍﻟﺸﺭﻕ ِ ،ﻤﻥ ﺸﻔﺔ ِﺍﻟﻜﺭﻴﺯ،‬ ‫ِ‬ ‫ِ‬ ‫ﺍﻟﻨﺒﻕ ِ،‬ ‫ﻭﺍﻟﺘﻴﻥ ِ ﺍﻟﻤﻌ ﱠﻕ ِ ﻓﻲ ﻗﻭﺍﺭﻴﺭ ِ ﺍﻟﺴﻭﺍﺤل ِ، ﻤﻥ ﺯﻤﺎﻥ ِ ﺍﻟ ِﺤﺭ ِ..‬ ‫ﺴ‬ ‫ﺘ‬ ‫ﻅ ﱡﻭﻫﺎ ﻜﻤﺎ ﻜﺎﻨﺕ ﺠﻭﺍﺭﻴﻬﻡ.. ﺴﺘﺭﻗﺹ،‬ ‫ﻨ‬ ‫ﺜﻡ ﺘﺭﻗﺩ ﺘﺤﺕ ﺤﺩ ﺍﻟﺴﻴﻑ ِ،...‬ ‫‪‬‬ ‫ﻓﺎﻨﺘﺤﺭﻭﺍ.‬ ‫ﺘﺒﻨﺕ ﻤﻨﻬﻡ ﺍﻟﻨﺒﻬﺎﺀ،‬ ‫‪‬‬ ‫ﱠ ﹾ‬ ‫ﺃﻋﻁﺘﻬﻡ ﻤﻔﺎﺘﻴﺢ ﺍﻟﻌﻠﻭﻡ ِ ﺍﻟﺒﻜﺭ، ﻤﻌﺠﺯﺓ َ ﺍﻟﻌﻘﻭل ِ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﻓﻁﻨﺔ َ ﺍﻟﺒﻠﻐﺎﺀ ِ،‬ ‫ﻭﺍﻟﺤﻜﻤﺎﺀ ِ،‬ ‫ﺼﺎﺭﻭﺍ ﻓﺘﻨﺔ ً ﻟﻠﺨﻠﻕ ِ ،‬ ‫ﻭﺍﻨﺘﺸﺭﻭﺍ......‬ ‫ﺃﻀﺎﺀ ﺍﻟﻜﻭﻥ ﻤﻥ ﻗﻠﺏ ِ ﺍﻟﻤﻠﻴﻜﺔ...‬ ‫‪‬‬ ‫ﻜﻌﺒﺔ ِ ﺍﻟﻌﻠﻡ ﺍﻟﻘﺩﻴﻡ ْ.‬ ‫- ٩١ -‬
‫ﻜﺎﻨﺕ ﻜﻤﺎ ﻋ ‪‬ﺍﻓﺔ‬ ‫ﺭ ٍ‬ ‫ﻏﺠﺭ ‪‬ﺔ ٍ..،‬ ‫ﻴ‬ ‫ﻤﻠﻜﺕ ﻤﻔﺎﺘﻴﺢ ﺍﻟﺤﻀﺎﺭﺓ ِ،‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻭﺍﻟﻨﻀﺎﺭﺓ ِ..‬ ‫ﹸﺭﺠﻬﺎ ﺍﻟﻤﻤﻠﻭﺀ ﺒﺎﻷﺴﺭﺍﺭ ِ ،‬ ‫‪‬‬ ‫ﺨ‬ ‫ﻴﻨﺒﺊ ﺃﻨﻬﺎ ﺍﻤﺘﻠﻜﺕ ِﻤﺎﻡ ﺍﻟﻔﻥ ِ،..‬ ‫ﹾﺯ ‪‬‬ ‫ﻭﺍﻀﺠﻌﺕ ﻋﻠﻲ ﻋﺭﺵ ٍ ،‬ ‫ﹾ‬ ‫ﻤﻥ ﺍﻟﻤﻬﺞ ِﺍﻟﺘﻲ ﺫﺍﺒﺕ ﻏﺭﺍﻤﺎ ً...،‬ ‫ﻓﻲ ﺤﻘﻭل ﺍﻟﻤﻌﺠﺯﺍﺕ،..‬ ‫ِ‬ ‫ﺍﻟﻨﺎﺠﺯﺍﺕ..‬ ‫ﻟﻬﺎ ﺘﻘﺎﺯﻤﺕ ﺍﻟﻤﻠﻭﻙ ُ..‬ ‫ﹾ‬ ‫- ﺤﻜﺎﻴﺔ ُ ﺍﻟﻘﺭﻨﻴﻥ،‬ ‫ﻭﺍﻟﻤﻠﻙ ُ ﺍﻟﻤﺘ ‪‬ﺝ‬ ‫ﻭ‪‬‬ ‫ﻤﻥ ﺨﻼل ِ ﺍﻟﺭﺏ ﱢ،‬ ‫ﻭﺍﻟﺤﻠﻡ ﺍﻟﻤﻔ ‪‬ﻉ ﻓﻲ ِﺭﺍﺵ ِ‬ ‫‪ ‬ﺯ‪ ‬ﻓ‬ ‫ﻤﻠﻴﻜﺔ ﺍﻟﻤﻘﺩﻭﻥ.‬ ‫ﻤﺤﺽ ﺤﻜﺎﻴﺔ ٍ،‬ ‫‪‬‬ ‫ﺴﻬﺭﺕ ﻟﺘﺤﻜﻴﻬﺎ ﻤﺴﺎﺀ ﻻﺒﻨﻬﺎ..،‬ ‫‪‬‬ ‫ﻫﺫﺍ ﺍﻟﺫﻱ ﺃﻋﻁﺘﻪ ﻤﻥ ﺃﺴﻤﺎﺌﻬﺎ‬ ‫ﺍﺴﻤﺎ،‬ ‫ﹰ‬ ‫ﻟﻴﺼﺒﺢ ﺒﻌﺩﻩ ﻤﻠﻜﺎ ً‬ ‫‪‬‬ ‫ﻴﺴﻭﺱ ﺍﻟﻜﻭﻥ،‬ ‫‪‬‬ ‫ﺘﺜﺒﻴﺘﺎ ﻟﻤﺎ ﺍﺨﺘﺎﺭﺘﻪ ﻤﻥ ﺃﺴﻤﺎﺌﻬﺎ،‬ ‫ﻜﻴﻤﺎ ﹸﺭﻱ ﺃ ‪‬ﺎ ً‬ ‫ﻤ‬ ‫ﺘ‬ ‫ﻟﻜل ﺴﻭﺍﺤل ﺍﻷﺭﻀﻴﻥ..،‬ ‫ﻤﻭﺍﻻ ًﻴﻐﻨﻲ..‬ ‫- ٠٢ -‬
‫ﻜﻠﻤﺎ ﺫﻜﺭﺕ ﻤﻨﺎﺭﺘﻬﺎ ﺍﻟﺘﻲ‬ ‫ﻀﺎﺀ ﺕ ﺒﻌﻤﻕ ِ ﺍﻟﺠﻬل ِ‬ ‫ﺃﻓﻜﺎﺭ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫ﺒ ‪‬ﺭﺱ ٍ ،‬ ‫ﻌ‬ ‫ﻫﻲ ﺍﻟﺘﻲ ﺭﻗﺼﺕ ﻋﻠﻲ ﺃﻨﻐﺎﻡ ِ ﻏﻨﻭﺘﻬﺎ..‬ ‫ﹾ‬ ‫ﻅﻥ ﻜل ﻤﻠﻭﻙ ِﻫﺫﻱ ﺍﻷﺭﺽ‬ ‫‪ُ ‬‬ ‫ﺃﻨﻬﻡ ﺍﻟﻔﻭﺍﺭﺱ..‬ ‫‪‬‬ ‫ﺤﻨﻁﺘﻬﻡ ﻓﻲ ﺤﺩﻴﻘﺘﻬﺎ،..‬ ‫ﺘﻤﺎﺜﻴﻼ ً..‬ ‫ﻫﻴﺎﻜل..‬ ‫َ‬ ‫ﺫﺍﻙ ﺃﻥ ﺍﻟ ‪‬ﺭﺱ،..‬ ‫ﻌ ‪‬‬ ‫‪‬ﺭﺱ ﺍﻟﻨﻭﺭ..‬ ‫ِ‬ ‫ﻋ ‪‬‬ ‫ﻋﺭﺱ ُ ﻟﻠﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫..................................‬ ‫- ١٢ -‬
‫ﻜﺎﻨﺕ ﻜ ‪‬ﻠﺔ ﻤﺎﺭﺩ..‬ ‫ٍ‬ ‫ﺤ‬ ‫ﺼﺩﻓﻴﺔ ٍ..،‬ ‫ﺘﺘﺴﺭﺒل ﺍﻵﻤﺎل ﺩﻑﺀ ﻅﻨﻭﻨﻬﺎ..،‬ ‫‪‬‬ ‫ُ‬ ‫ﻜﺎﻨﺕ ﻋﻠﻲ ﺸﻁ ِ ﺍﻷﻤﺎﻥ ﻏﻼﻟﺔ ً..‬ ‫ﺃﻭ ﺸﻬﻘﺔ ً ﻤﻜﺒﻭﺘﺔ ً..‬ ‫ﺘﻁﻭﻱ ﺤﺩﻭﺩ ﺍﻷﻓﻕ ِ ﻓﻲ ﺠﻨﺒﺎﺘﻬﺎ.‬ ‫‪‬‬ ‫ﺍﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻤﺎ ﻟﻬﺎ ﺍﻨﺘﻔﻀﺕ..‬ ‫ﹾ‬ ‫ﻴﺨ ‪‬ﺒﻬﺎ ﺍﻟﺘﻭﻟﻪ ﻤﻥ ﺠﺩﻴﺩ ٍ..‬ ‫ﺼ‬ ‫ﺨ ‪‬ﺒﺕ ﺸﺠﺭ ﺍﻟﻐﻨﺎﺀ ِ،..‬ ‫‪‬‬ ‫ﺼ ﹾ‬ ‫ﺭﺃﺘﻪ ﻴﺤﺘﻤل ﺍﻟﻔﺼﻭل ﺠﻤﻴ ‪‬ﻬﺎ..‬ ‫َ ﻌ‬ ‫ﻭﺇﺫﻥ..‬ ‫‪‬‬ ‫ﺴﻴﻨﻘﺸﻊ ﺍﻟﻤﺩﻱ...،‬ ‫ﻭﺍﻟﺒﺤﺭ ﻴﻐﺩﻭ ﻋﺎﺸﻘﺎ ً،‬ ‫‪‬‬ ‫ﺃﻭ ﻓﺎﺭﺴﺎ ً،‬ ‫ﻴﺜﺏ ﺍﻟﺤﺼﺎﻥ ﻤﺠ ‪‬ﺩﺍ..‬ ‫‪ ‬ﺩﹰ‬ ‫ﻭﻴﻔﺽ ﺃﺴﺭﺍﺭ ﺍﻟﻤﺩﻱ..‬ ‫‪‬‬ ‫ﻓﺎﻟﻤﻨﺘﺩﻱ..‬ ‫‪‬ﺭﺱ ُ ُ..‬ ‫ﻋ‬ ‫ﻋﺭﻭﺱ ُﺍﻟﺒﺤﺭ ‪‬ﻓﺕ ْﻤﻥ ﺠﺩﻴﺩ‬ ‫ٍ‬ ‫ِﺯ‬ ‫ﻟﻠﺯﻤﺎﻥ ﻤﻠﻴﻜﺔ ً.....‬ ‫ﻫﻴﺎ ﺍﻗﺼﺩﻭﺍ ﻋﺭﺵ ﺍﻟﻤﻠﻴﻜﺔ ِ..‬ ‫ﹶ‬ ‫ﻗﻴﺩﻭﺍ ﺃﺴﻤﺎ َﻜﻡ ﺒﺴﻤﺎ ِﻬﺎ..‬ ‫ﺌ‬ ‫ﺌ ‪‬‬ ‫ﻓﺎﻟﺤﻠﻡ ُ..‬ ‫ﺼﺎﺭ..‬ ‫‪‬‬ ‫ﺤﺩﻴﻘﺔ.‬ ‫- ٢٢ -‬
‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻯ..‬ ‫ﻨﺎﻴﺎ ً‬ ‫ﺘﻌﺎﻨﻘﻪ ﺸﻔﺎﺓ ُ ﺍﻟﺒﻌﺙ ِ،‬ ‫ﻴﺭﻗﺹ ﺒﻴﻥ ﻋﻴﻨﻴﻙ ﺍﻟﺤﻨﻴﻥ‬ ‫‪‬‬ ‫ﺇﻟﻲ ﺍﻟﻤﻨﺎﺭﺓ ..‬ ‫- ﻗﻠﻌﺔ ﺍﻟﻌﻠﻡ ﺍﻟﻘﺩﻴﻡ –‬ ‫ﻭﻁﺎﻟﻤﺎ..‬ ‫ﻜﺎﻥ ﺍﻟﻔﺅﺍﺩ ﻴﻀﻤﻬﺎ..‬ ‫ﻭﺘﻀﻤﻪ‬ ‫ﻓﻲ ﻗﺒﻀﺔ ِﺍﻟﺯﻤﻥ ﺍﻟﻤﻠﻭل.‬ ‫ْ‬ ‫..................................‬ ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻱ..‬ ‫ﻭﺘﺭﺍ ً..‬ ‫ﺘﻬﺩﻫﺩﻩ ﺍﻷﻨﺎﻤل ‪‬ﺭﺓ ًﺃﺨﺭﻱ‬ ‫ُﻤ‬ ‫ﻋﻴﻭﻥ ﺍﻟﻌﺎﻟﻡ ِﺍﺘﺠﻬﺕ ﺍﻟﻴﻙ ِ،..‬ ‫‪‬‬ ‫ﺍﻟﺤﻠﻡ..‬ ‫‪‬‬ ‫ﺼﺎﺭ..‬ ‫‪‬‬ ‫ﺤﺩﻴﻘﺔ.‬ ‫ﹰ‬ ‫..................................‬ ‫ﻫﺎ ﺃﻨﺕ ِ ﻗﻤﺕ ﺍﻵﻥ َ،‬ ‫ﻓﺠﺭﺕ ِ ﺍﻟﺭﺅﻱ؛‬ ‫ﻭﺘﻔﺠﺭﺕ‬ ‫ﹾ‬ ‫ﻤﻥ ﺭ ِﻠﻙ ﺍﻟﺼﺩﻓﻲ ﺃﻨﻬﺎﺭ ُ .‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭﺘﺨﻀﺭ ﺍﻟﻤﻨﺎﻓﻲ..‬ ‫ﺤﻴﻥ ﻴﺩﻨﻭ ﺍﻟﻤﻭﺝ ﻤﻥ ﻗﺩﻤﻴﻙ ِ،‬ ‫‪‬‬ ‫ﺘﻨﺘﻔﻀﻴﻥ ﺸﻼﻻ ً‬ ‫ﻭﻓﻭﻕ ﹶﻌﺭ ﺍﻟﻠﻴل.‬ ‫ﺸ ِ‬ ‫ﻤﻥ ﺍﻟﺭﺅﻴﺎ ﻋﻠﻲ ﻜﺘﻑ ِ ﺍﻟﻨﻬﺎﺭ ِ ،‬ ‫- ٣٢ -‬
‫ﻴﺎ ﺜﻐﺭﺍ ﺘﺠﺎﺫﺒﻪ ﺍﻷﻤﺎﻨﻲ‬ ‫ﹰ‬ ‫ﺒﺎﻨﻌﺘﺎﻕ ﺍﻟﺭﻭﺡ ﻤﻥ ﺴﺠﻥ ﺍﻟﺭﺘﺎﺒﺔ..‬ ‫ﻗﺒﻠﺔ ً ﻟﻠﺒﻌﺙ ِ....‬ ‫ﺘﺼﺤﻭ ﺍﺴﻜﻨﺩﺭﻴﺔ ُ‬ ‫- ‪‬ﺭﺓ ﺃﺨﺭﻱ –‬ ‫ﻤ‬ ‫ﻟﺘﺠﻠﺱ ﻓﻭﻕ ﻋﺭﺵ ِ ﺍﻟﻤﺎﺀ‬ ‫‪ ‬ﹶ‬ ‫ﺴﻴﺩﺓ ً‬ ‫- ﻜﻤﺎ ﻜﺎﻨﺕ –‬ ‫ﻭﻴﺴﻌﻲ ﺤﻭﻟﻬﺎ ﺍﻟﻌﺸﺎﻕ ُ،‬ ‫ﻭﺍﻟﺸﻌﺭﺍﺀ ُﻫﺭﻭﻟﺔ..‬ ‫ً‬ ‫ﻭﻻ ﻴﺘﺸﻜﻜﻭﻥ.‬ ‫- ٤٢ -‬
‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ..،‬ ‫ِ‬ ‫‪‬‬ ‫ِ‬ ‫ﺘﺴﻌﻲ ﺍﻷﻨﺎﺸﻴﺩ ُ،‬ ‫ﺘﻨﻘﺵ ﺃﻨﻐﺎ ‪‬ﻬﺎ ﺒﺎﻟﻨﺩﻱ،‬ ‫ﻤ‬ ‫ﻭﺍﻟﺭﺫﺍﺫ ِ..،‬ ‫ﺃﺤﺒﻙ، ﻴﺎ ﺇﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﺃﺤﻤل ﺤﺒﻙ ﺒﻴﻥ ﻀﻠﻭﻋﻲ..‬ ‫ﻤﺄﺩﺒﺔ ﺩﺍﺌﻤﺔ ْ‬ ‫..................................‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ ِ..،‬ ‫‪‬‬ ‫ِ‬ ‫ﺼﻔﺤﺔ ُ ﺍﻟﻤﺎﺀ ِ ﺃﻓﻕ ُ ،‬ ‫ﹸ‬ ‫ﺃﻡ ﺍﻟﺒﺤﺭ ِﺴﺭ ُ ﺒﺤﺠﻡ ِ ﺍﻟﺭﺅﻯ،‬ ‫‪ ‬‬ ‫ﻭﺃﺘﺴﺎﻉ ﺍﻟﻤﺩﻯ !!‬ ‫ﻭﺍﻟﻨﺩﻯ..،‬ ‫ﺘﺒﺎﺭﻴﺢ ﺤﻠﻡ ﺍﻟﻁﻔﻭﻟﺔ ﻓﻲ ﺍﻟﻐﻴﺏ..؟‬ ‫ِ‬ ‫‪‬‬ ‫ﺼﻭﺕ ﺍﻟﻤﻠﻴﻜﺔ ،‬ ‫ﹸ‬ ‫ﻓﻲ ﺴﺭ ﻤﻤﻠﻜﺔ ﺍﻟﺒﺤﺭ،‬ ‫ِ‪‬‬ ‫ﻴﻤﻠﻲ ﻋﻠﻴﻨﺎ ﺍﻷﻨﺎﺸﻴﺩ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻭﻗﺕ ﻨﺭﺠﺴﺔ ُ ُ ..،‬ ‫ﹸ‬ ‫ﺴﻴﻜﻭﻥ ﻟﺩﻴﻨﺎ ﺍﻟﺒﺭﺍﻕ،..‬ ‫ﹸ‬ ‫ﻨﺠﻭﺏ ﺍﻟﻤﻤﺎﻟﻙ ﻓﻲ ﻟﺤﻅﺔ ٍ،‬ ‫‪‬‬ ‫ﻭﻨﺴﺒﺭ ﺃﻏﻭﺍ ‪‬ﻫﺎ ﺍﻟﻤﺒﻬﻤﺔ ْ.‬ ‫ﺭ‬ ‫ﺃﺤﺒﻙ ، ﻴﺎ ﺍﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﺴﻴﺩﺓ ﻟﻠﻤﻴﺎﻩ..‬ ‫ﻤﻭﺍﺠﻴﺩ ﻋﺸﻘﻙ ﻁﺎﻓﻴﺔ ً‬ ‫‪‬‬ ‫ﻓﻭﻕ ﻭﺠﻪ ِ ﺍﻟﺴﻤﺎﺀ ِ.‬ ‫ﹶ‬ ‫ﺃﻨﺎ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫- ٥٢ -‬
‫ﻤﻌﺠﺯﺓ ُ ﺍﻟﺨﻠﻕ ِ،‬ ‫ﺒﻁﻥ ﺍﻟﻭﻻﺩﺓ ِ،‬ ‫‪‬‬ ‫ﻭﺍﻵﻴﺔ ُ ﺍﻟﺨﺎﺘﻤﺔ ْ‬ ‫ﺃﻨﺎ ﺍﻟﺒﺤﺭ..‬ ‫‪‬‬ ‫ﺃﺼل ﺍﻟﻭﺠﻭﺩ ِ..‬ ‫ُ‬ ‫ﻭﻤﻌﻨﻰ ﺍﻟﻨﺸﻴﺩ ِ..‬ ‫ﻭﺒﺩﺀ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻤ ‪‬ﻤﺦ ﺒﺎِﺴﺭ،‬ ‫ﻟ ‪‬‬ ‫ﻀ‬ ‫‪‬‬ ‫ﺴﺠﺎﺩﺓ ُ ﺍﻟﻭﺼل ِ..‬ ‫ﻭﺍﻟﻤﺩ.. ﻭﺍﻟﺠﺯﺭ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺸﺭﻴﺎﻥ ﺒﻬﺠ ِﻙ ِ ﺍﻟﻤﺅﻟﻤﺔ ْ.‬ ‫‪ ‬ﺘ‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ُ ﻓﻲ ﺍﻟﻘﻠﺏ ِ..‬ ‫ﻭﺍﻟﻘﻠﺏ ُ ﻟﻠﺒﺤﺭ..‬ ‫ِ‬ ‫ﻭﺍﻟﺒﺤﺭ،..‬ ‫‪‬‬ ‫ﻴﻨﺸﻕ ﻋﻥ ﻤﺎﺭﺩ ٍ،‬ ‫ﺸ ﱠﻪ ﺍﻟﺘﻭﻕ ﻟﻠﺒﻌﺙ ِ،‬ ‫ﹸ‬ ‫ﻔ‬ ‫ﻭﺍﺴﻜﻨﺩﺭﻴﺔ ُ،..‬ ‫ﺘﺭﺘﺞ ُ..‬ ‫ﺘﺤﺘﺞ..‬ ‫‪‬‬ ‫ﻤﺜل ﻋﺠﻭﺯ ٍ ، ﺘﺠ ‪‬ﻊ ﻓﻭﻕ ﻋﺼﺎﻩ،..‬ ‫ﻤ‬ ‫ﺘﻜﺄﻜﺄ ﻓﻭﻕ ﺘﻐ ِﻨﻪ،‬ ‫ﻀ ِ‬ ‫ْ‬ ‫ﻭﺍﻟﻌﺼﺎ ﻭﺍﻗﻔﺔ.‬ ‫..................................‬ ‫- ٦٢ -‬
‫ﺍﻟﺤﺒﻴﺒﺔ ﻓﻲ ﺍﻟﻘﻠﺏ..‬ ‫ِ‬ ‫ﻭﺍﻟﻘﻠﺏ ﻟﻠﺒﺤﺭ،..‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤ ‪..،‬‬ ‫ﺭ‬ ‫ﻤﻨﺘﺼﺏ ُ ﻓﻲ ﺍﻟﻌﺭﻭﻕ ِ،‬ ‫‪‬‬ ‫ﻭﺼﻭﺕ ﺍﻟﻤﻴﺎﻩ‬ ‫ﹸ‬ ‫ﻴﻘﻌﻘﻊ ﻓﻲ ُﺼﻔﺭﺓ ِ ﺍﻟ ‪‬ﻤﺭ ِ،‬ ‫ﻌ‬ ‫ﻭﺍﻟﻌﻤﺭ،...‬ ‫‪‬‬ ‫ﻴﺭﻨﻭ ﺇﻟﻰ ﺍﻟﺴﻔﻥ ِ ﺍﻟﻭﺭﻗﻴﺔ ِ‬ ‫ﻓﻲ ﺍﻟﺭﻴﺢ ِ،ﻋﻨﺩ ﺍﻟﻐﺭﻭﺏ ِ،..‬ ‫ﻭﻗﺒل ﺍﻟﻠﻘﺎﺀ ِﺍﻟ ‪‬ﺜﻴﺭ،..‬ ‫ﻤ ِ‬ ‫َ‬ ‫ﻭﺘﺤﺕ ﺍﻟﺭﺅﻱ ﺍﻟﺨﺎﺌﻔﺔ ْ.‬ ‫ﹶ‬ ‫..................................‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ُ ﻓﻲ ﺍﻟﻘﻠﺏ ِ،..‬ ‫ﻭﺍﻟﻘﻠﺏ ﻟﻠﺒﺤﺭ،...‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ،..‬ ‫‪‬‬ ‫ﻴﺩﻓﻊ ﻤﺎﺀ ﺍﻟﺘﺭﺍﺌﺏ ِ ﻟﻠ ‪‬ﻠﺏ ِ،..‬ ‫ﺼ‬ ‫‪‬‬ ‫ﻴﺴﻜﺏ ﺃﺤﻼﻤﻪ ،‬ ‫ﻓﻭﻕ ﺃﻋﺫﺍﻕ ﺘﻠﻙ ﺍﻟﺯﻭﺍﺭﻕ‬ ‫ﻓﻲ ﺍﻟﻤﻭﺠﺔ ِ ﺍﻟﺭﺍﺠﻔﺔ ْ.‬ ‫..................................‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ُ ﻓﻲ ﺍﻟﻘﻠﺏ ِ،..‬ ‫ﻭﺍﻟﻘﻠﺏ ﻟﻠﺒﺤﺭ،...‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ،..‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﺸﻌﺸﻊ ﺃﺸﻭﺍﻗﻪ ﺍﻟﺴﺎﺤﻠﻴﺔ ُ..‬ ‫ﹸ‪‬‬ ‫ﺃﺤﻜﻲ ﻟﻪ..‬ ‫ﻋﻥ ﻗﺼﻭﺭ ﺍﻟﻁﻔﻭﻟﺔ ﻓﻲ ﺍﻟﺭﻤل ِ،‬ ‫ِ‬ ‫- ٧٢ -‬
‫ﻋﻥ ﺭﻗﺼﺔ ِ ﺍﻟﻤﻭﺝ ِ،‬ ‫ﻋﻥ ﻤﺎﺭﺩ ٍ ﺸ ﱠﻪ ﺍﻟﺘﻭﻕ ﻟﻠﺒﻌﺙ ِ‬ ‫ﹸ‬ ‫ﻔ‪‬‬ ‫ﺩﻗﺕ ﻋﻠﻰ ﺍﻟﻘﻠﺏ ِ ﺘﻐﺭﻴﺩﺓ ُ..‬ ‫ﹸ‬ ‫ﺜﻡ ﺫﺍﺒﺕ ﻤﻊ ﺍﻟﻤﻠﺢ ِ،‬ ‫ﹾ‬ ‫ﻓﻲ ﺍﻟﻁﺭﻕ ﺍﻟﻠﻭﻟﺒﻴﺔ،..‬ ‫ﻓﺎﻟﻘﻠﺏ ،‬ ‫ﺘﺸﻭﻴﻪ ﻨﺎﺭ ﺍﻟﻀﻴﺎﻉ.‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺎﺭﺩ ،‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻴﺘﻤﻁﻰ ﺒﺫﺍﻜﺭﺓ ِ ﺍﻟﺒﺤﺭ..‬ ‫ِ‬ ‫ﻤﺎﺫﺍ ﺘﺭﺠﻲ؟!‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ُ ﺒﺤﺎﺭﺓ ُ ُ..،‬ ‫ﻭﺍﻟﺴﻔﺎﺌﻥ ﺠﺎﻫﺯﺓ..،‬ ‫‪‬‬ ‫ﻭﺍﻟﺯﻤﺎﻥ ،‬ ‫‪‬‬ ‫ﺯﻤﺎﻥ ﺍﻟﺘﻔﺠﺭ ﻤﻥ ﻤﻭﺠﺔ ِﺍﻟﺒﻌﺙ ِ،‬ ‫‪‬‬ ‫ﺃﻭ ﺯﻓﺭﺍﺕ ﺍﻷﻓﻭل ِ..،‬ ‫ﻓﻬﻴﺎ ﺍﻨﻁﻠﻕ ْ.‬ ‫..................................‬ ‫- ٨٢ -‬
‫ﺍﻟﻤﺩﻴﻨﺔ ﻨﺩﺍﻫﺔ..‬ ‫ﺘﺴﺘﺩﻴﺭ ﻋﻠﻰ ﺼﻴﺩﻫﺎ ﻜل ﻴﻭﻡ..‬ ‫ﺃﺭﻱ ﻟﻤﺴﺔ ﺍﻟﻌﺸﻕ‬ ‫ﻤﻨﻘﻭﺸﺔ ﻓﻲ ﺍﻟﺤﻭﺍﺌﻁ..،‬ ‫ﺤﻭل ﺍﻟﺸﻁﻭﻁ..،‬ ‫ﻭﻓﻲ ﻓﺘﺤﺎﺕ ﺍﻟﻨﻭﺍﻓﺫ،..‬ ‫ﺃﺒﺨﺭﺓ ﺍﻟﻤﻭﺝ..،‬ ‫ﺃﺠﻨﺤﺔ ﺍﻟﻔﻠﻙ،..‬ ‫ﺃﻭ ﺭﺩﻫﺎﺕ ﺍﻟﺒﺭﺍﺡ ﺍﻟﻔﺴﻴﺢ‬ ‫ﻤﻊ ﺍﻟﻨﺴﻤﺔ ﺍﻟﺒﺎﺭﺩﺓ.‬ ‫..................................‬ ‫ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ﺘﻌﻠﻙ ﺨﻁﻭﺍﺘﻨﺎ ﻓﻲ ﺍﻟﺼﺒﺎﺡ..‬ ‫ﻓﻨﺴﻜﻥ ﺠﻠﺩ ﺍﻟﺸﻭﻁﺊ..،‬ ‫ﻨﻌﺼﺭ ﻴﻭﺩﺍ..،‬ ‫ﻭﻨﺸﺭﺏ ﻨﺨﺏ ﺍﻟﻤﺩﻱ ،‬ ‫ﺍﻷﺭﻤﺩﺍ..‬ ‫ﻓﻲ ﺼﺩﻯ ﺍﻟﻠﺤﻅﺔ ﺍﻟﺸﺎﺭﺩﺓ.‬ ‫..................................‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ُ ﻨ ‪‬ﺍﻫﺔ ُ ُ..‬ ‫ﺩ‬ ‫ﺇﻥ ﻁﻴﺭﻱ‬ ‫ﻴﺩﻭﺭ ﻤﻊ ﺍﻟﺭﻴﺢ ﺩﻭﺭﺘﻪ..،‬ ‫ﺒﺎﺤﺜﺎ ً ﻋﻥ ﻨﺠﻴﻤﺎﺕ ِﻋﺸﻕ ٍ ، ﻴﺨﺎﺼﺭﻫﺎ ﻓﻲ ﺍﻟﺼﺒﺎﺡ ِ؛‬ ‫ﻴﺭﺍﻗﺼﻬﺎ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ِ،‬ ‫ﻭﻴﻠﻘﻲ ﺒﺄﺘﺭﺍ ِﻪ ِ ﺤﻭﻟﻬﺎ ،‬ ‫ﺤ‬ ‫ﻤﺴﺘﻅﻼ ً ﺒﻸﻻﺌﻬﺎ،‬ ‫- ٩٢ -‬
‫ﻻﺌﺫﺍ ً ﺒﺎﻟﺭﻤﺎل ِ،‬ ‫ﻭﺭﺍﺌﺤﺔ ِﺍﻟﻴﻭﺩ ِ......؛‬ ‫ﻟﻜﻥ ﻗﻠﺒﻲ ﻴﻌﻭﺩ ﺒﺤﺯﻤﺔ ِ ‪‬ﺸﺏ ٍ،‬ ‫ﻋ‬ ‫ﺘﺼ ﱢﺭ ﻓﻴﻬﺎ ﺍﻟﺭﻴﺎﺡ ُ،‬ ‫ﻔ‪‬‬ ‫ﻭﺃﺘﺭﺒﺔ ٍ ﺍﻷﻋﺼﺭ ِ ﺍﻟﺒﺎﺌﺩﺓ ْ.‬ ‫ﺍ ﱠﻪ ﻴﺘﻤﻁﻲ ﻤﻊ ﺍﻟﻨﻭﺭﺴﺎﺕ ِ‬ ‫ﻨ‪‬‬ ‫ﻋﻠﻲ ﺼﻔﺤﺔ ِ ﺍﻟﻤﺎﺀ ِ ،‬ ‫ﻴﻐﻤﺱ ﻓﻴﻬﺎ ﻤﻨﺎﻗﻴﺭﻩ ﺍﻟﻬﺎﻤﺩﺓ ْ.‬ ‫‪‬‬ ‫ﻴﺘﻭﺍﺼل ﺒﺎﻟﺼﺨﺭ،‬ ‫ِ‬ ‫ﻭﺍﻟ ‪‬ﺸﺏ ِ..؛‬ ‫ﻌ‬ ‫ﻴﻠﻘﻲ ﺒﺄﺘﺭﺍﺤﻪ ﻋﻠﻲ ﺠﺒﻬﺔ ﺍﻟﺒﺤﺭ،‬ ‫ِ‬ ‫ِ‬ ‫ِِ‬ ‫ﻴﺸﺭﺏ ﻗﻁﺭﺓ ﻁل،‬ ‫ﻴﺩﺍﻋﺏ ﻗﻭﻗﻌﺔ ً،‬ ‫ﻴﺴﺘﻨﻁﻕ ﺍﻟﺼﺩﻓﺎﺕ ِ‬ ‫ﺍﻟﻤﻠﻴﺌﺔ َ ﺒﺎﻟﺒﻭﺡ،‬ ‫ِ‬ ‫ﻋﻥ ﻨﺠﻤﺔ ٍ...‬ ‫ﺘﺩﺍﻋﺏ ﻓﻲ ﺍﻷﻓﻕ ِ ﻨﺠﻤﺎ ً،‬ ‫ﻋﻠﻲ ﻤﻭﺠﺔ ِ ﺍﻟﻔﻁﻨﺔ ﺍﻟﻌﺎﺌﺩﺓ ْ.‬ ‫ِ‬ ‫..................................‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ُ ﻨ ‪‬ﺍﻫﺔ ُ ُ..‬ ‫ﺩ‬ ‫ﻭﺍﻟﺯﻤﺎﻥ..‬ ‫‪‬‬ ‫ﺯﻤﺎﻥ ﺍﻟﺘﻤﻨﻁﻕ ﺒﺎِﻌﻠﻡ ِ..؛‬ ‫ﻟ‬ ‫‪‬‬ ‫ﻭﺍﻟ ِﻠﻡ ُ..‬ ‫ﻌ‬ ‫ﻴﻨﻘﺵ ﻓﻲ ﺃﻋﻴﻥ ﺍﻟﻌﺎﺌﺩﻴﻥ ﺘﻌﺎﻭﻴﺫﻩ‬ ‫ﹶ‪‬‬ ‫ِ‬ ‫ﻴﺴﺘﺒﻴﻬﻡ ﺒﺄﺴﻁﻭﺭﺓ ٍ ﺨﺎﻟﺩﺓ ْ.‬ ‫ﺤﻔﺭﺘﻬﺎ ﺍﻟﻤﺩﻴﻨﺔ ُ‬ ‫ﻓﻲ ﺠﺒﻬﺔ ِﺍﻟﻌﺎﻟﻤﻴﻥ ،‬ ‫- ٠٣ -‬
‫ﻓﻅﻠﻭﺍ ﻴﻔﻜﻭﻥ ﺃﺴﺭﺍ ‪‬ﻫﺎ؛..‬ ‫ﺭ‬ ‫ﻴﻘﺭﺃ ﻭﻥ ﻜﺘﺎﺏ ﺍﻟﻤﻨﺎﺭﺓ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﻜ ‪‬ﺓ ﺍﻟﻀﻭﺀ ِ..‬ ‫ﻭ‬ ‫ﺤﺘﻲ ﺘﻌﻭﺩ ﺍﻷﺸﻌﺔ ُ ﻤﺜل ﺍﻟﺒﺴﺎﻁ ِ‬ ‫ﻷﻗﺩﺍﻤﻬﺎ ﺍﻟﺴﻴﺩﺓ ْ.‬ ‫..................................‬ ‫- ١٣ -‬
‫ﺁﻩ.. ﻴﺎ ﻋﺎﺠﻴﺔ َﺍﻷﺤﺯﺍﻥ‬ ‫ِ‬ ‫ِ‬ ‫‪‬ﺭ ‪‬ﻙ ِ ﻁﺎﻟﻊ ُ ﻜﺎﻟﻭﻫﺞ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋ ﺴ‬ ‫ﻫﺫﺍ ﻫﻭ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫ﻴﻌﺭﻑ ﺃﻨﻲ‬ ‫ﺴﺄﻁﻠﻊ ﻓﻲ ﻁﻤﻭﺡ ِ ﺍﻟﻤﺩ..........‬ ‫‪‬‬ ‫ﺃﻨﺕ ِ ﺠﻤﻴﻠﺔ ُ ُ ،‬ ‫ﻜﺎﻟﺒﺭﻋﻡ ِ ﺍﻟﻤﺸﺘﺩ ِ‬ ‫ﻭﻗﺕ ﺍﻟﺒﺭﺩ ِ.‬ ‫ﹶ‬ ‫ﺨﺎﺭﺠﺔ ًﻤﻥ ﺍﻹﺭﻫﺎﺹ ِ؛..‬ ‫ﻴﺠﺒﺭﻙ ﺍﻟﻤﻠﻭﻙ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺍﺭﺘﺩﺍﺀ ﺍﻟﺯﻫﻭ ،‬ ‫ِ‬ ‫ﻭﺍﻟﻠﻬﻭ ﺍﻟﻤﺠ ﱠﺢ ِ.‬ ‫ﻨ‬ ‫ِ‬ ‫ﺇﻥ ﻟﻲ ﻭﻗﺕ ﺍﻟﺘﺼﻌﻠﻕ ِ،‬ ‫ﹶ‬ ‫ﻭﺍﺭﺘﺩﺍﺀ ﺍﻟﻌﺸﻕ ِ..؛‬ ‫‪‬‬ ‫ﺼﺤﻭﺓ َ ﺸﺎﻋﺭ ٍ ﻴﻠﺘﺎﻉ ُ.‬ ‫ﺼﺩ ‪‬ﻙ ﻤﺎﺌﺞ ُ ..‬ ‫‪‬‬ ‫ﺭ‬ ‫ﻟﻜﻨﻨﻲ ﺍﻟﻘﺭﺼﺎﻥ‬ ‫‪‬‬ ‫ﺃﻋﺭﻓﻬﻡ..‬ ‫ﻭﺃﻋﺭﻑ ﻜﻴﻑ ﺃﺤﺒﺴﻬﻡ‬ ‫ﺇﺫﺍ ﺼﺎﺭﻭﺍ ﻜﺤﻴﺘﺎﻥ ٍ..‬ ‫ﻓﺸﺼﻲ ﺼﺎﺌﺩ ﺍﻟﺤﻴﺘﺎﻥ َ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻐﻴﻼﻥ ،‬ ‫‪‬‬ ‫- ٢٣ -‬
‫ﻴﺎ ﺃﺒﻨﻭﺴﺔ َﺍﻷﺤﺯﺍﻥ..‬ ‫ِ‬ ‫ﺒﻴﻨﻙ،‬ ‫ﻭﺍﻟﻨﺩﻱ،‬ ‫ﻭﺒﻴﺎﺽ ِ ﹶﻌﺭ ﺍِﺸﻌﺭ ،‬ ‫ﺸ ِ ﻟ ِ‬ ‫‪‬ﺭﺱ ُ ﺃﺴﻤﺭ ُ ...‬ ‫‪‬‬ ‫ﻋ ‪‬‬ ‫ﻫل ﺘﺴﻤﻌﻴﻥ ﺍﻟﻤﻭﺝ؟‬ ‫‪‬‬ ‫ﺼﺩﺭﻙ ﻤﺎﺌﺞ ُ ُ، ﻴﺭﺘﺞ ُ...‬ ‫‪‬‬ ‫ﺃﺴﻤﻌﻪ..‬ ‫ﻭﺃﺴﻤﻊ ﻤﺎ ﻭﺭﺍﺀ ﺍﻷﻓﻕ ِ‬ ‫‪‬‬ ‫‪‬ﺭ ‪‬ﻙ ِ ﻁﺎﻟﻊ ُ ﻜﺎﻟﻭﻫﺞ ِ...‬ ‫‪‬‬ ‫ﻋ ﺴ‬ ‫ﻓﺎﺒﺘﺴﻤﻲ.‬ ‫..................................‬ ‫- ٣٣ -‬
‫ﻟﻠﺭﻗﺹ ِ ﺍﻟﻤﻐﺎﻴﺭ‬ ‫ِ‬ ‫ﻓﻭﻕ ﻭﺠﻪ ﺍﻟﺭﻤل ِ،‬ ‫ﺘﺩﻋﻭﻨﻲ..،‬ ‫ﻓﺄﺭﻗﺹ..،‬ ‫‪‬‬ ‫ﻻﺯﺭﻗﺎﻕ ﺍﻟﺒﺤ ِ،‬ ‫ﺭ‬ ‫ﺃﺩﺨل..،‬ ‫ُ‬ ‫ﺠﺫ ‪‬ﻬﺎ ﺍﻟﻤﻤﺘﺩ ﻤﺜل ﺍﻷﻓﻕ ِ،‬ ‫‪‬‬ ‫ﻋ‬ ‫ﻴﻐﺭﻴﻨﻲ ﻓﺄﻏﻔﻭ..،‬ ‫ﺜﻡ ﺃﺼﺤﻭ..،‬ ‫ﺜﻡ ﺃﻫﻔﻭ..،‬ ‫ﻴﺎ ﺼﺒﺎﺡ ﺭﻭﺍﺌﺢ ِ ﺍﻟﺘﻔﺎﺡ ِ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺎﻨﺠﻭ..،‬ ‫ﻁﺒﻭل ﺍﻟﺼﻴﺩ ِ ﺘﻁﻠﺒﻨﻲ،..‬ ‫ُ‬ ‫ﻭﺒﺴﻤﺘﻙ ِ ﺍﻟﻌﺠﻴﺒﺔ ُ ﻓﻲ ﺍﻟﺸﺘﺎﺀ ِ ،‬ ‫ﺤﺩﻴﻘﺔ ُ ُ،‬ ‫ﻤﺯﻫﻭﺓ ُﻓﻲ ﻋﻁﺭﻫﺎ ﺍﻟﻤﺭﺠﺎﻥ..،‬ ‫ﺃﻱ ﺠﻤﻴﻠﺔ ٍ ﺃﻨﺕ ِ؟!!‬ ‫‪‬‬ ‫ﺫﺭﺍﻉ ﺍﻟﻨﻴل ِ ﺘﻤﺘﺩ،..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻋﻨﺩ ﺍﻟﻘﻠﺏ ِ ﺘﺤﺘ ‪..،‬‬ ‫ﺩ‬ ‫ﻓﺄﻱ ﻟﺫﻴﺫﺓ ﺃﻨﺕ ِ؟!!‬ ‫‪‬‬ ‫ﻫﺫﺍ ﺍﺸﺘﻬﺎﺌﻲ ﺠﺎﻤﺢ ٌ ﻜﻘﺼﻴﺩﺓ ٍ..،‬ ‫ﻭﻗﺼﻴﺩﺘﻲ ﺃﻨﺕ ِ!!‬ ‫ﻭﺃﺴﺄل ﻨﺠﻤﺔ ً ﻓﻲ ﺍﻟﻠﻴل ﻋﻨﻙ ِ،..‬ ‫ِ‬ ‫ﻭ ‪‬ﺸﺒﺔ ً ﻤﺸﺘﺎﻗﺔ ً‬ ‫ﻋ‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻋﻨﻙ..‬ ‫ِ ِ‬ ‫ﻭﻨﺴﻤﺔ ًﺼﻴﻔﻴﺔ ً،‬ ‫- ٤٣ -‬
‫ﻭﺍﻟ ِﻌﺭ ﺃﺴﺄ ُ،‬ ‫ﺸ ‪ ‬ل‬ ‫ﺇﻥ ﺼﻭﺕ َﺍﻟﺭﻴﺢ ِﻤﺤﺘﻘﻥ ُ..،‬ ‫‪‬‬ ‫ﻓﻬل ﺼﻭﺕ ُ‬ ‫ﹸ‬ ‫ﻟﺼﻭﺘﻲ؟!‬ ‫ﺃﻨﺕ ِ..‬ ‫ﻤﺎ ﺃﻨﺕ ِ..‬ ‫ﻭﻤﻥ ﺃﻨﺕ ِ؟!!‬ ‫‪‬‬ ‫ﺃﻻ ﺤﺠﺭ ُ ﻴﺠﺎﻭﺒﻨﻲ؟‬ ‫‪‬‬ ‫ﺃﻻ ﻤﻁﺭ ُ ؟...‬ ‫‪‬‬ ‫ﻭﻤﻥ ﺃﻱ ﺍﻟﺠﻬﺎﺕ ِ ُﻁل،‬ ‫ﺃ ﱡ‬ ‫ﻭﺃﻏﺯل ﺍﻟﺸﻁﺂﻥ..،‬ ‫‪‬‬ ‫ﻴﺎ ﺍﻤﺭﺃﺓ ً ‪‬ﺤﺎﺼﺭﺓ ً،..‬ ‫ﻤ‬ ‫ﺘﺸﻊ ﺍﻟﻨﻭﺭ‬ ‫‪‬‬ ‫ﺒﺎﻟﺩﻴﺠﻭﺭ‬ ‫ِ‬ ‫ﺒﻴﻨﻲ،‬ ‫ﻭﺍﻟﻨﺩﻯ ﺍﻟﺒﺤﺭﻱ ﺼﻭﺕ ُ ..‬ ‫ﹸ‬ ‫ﻤﻥ ﻟﺼﻭﺘﻲ؟!‬ ‫‪‬‬ ‫ﺭﺩﺩﺘﻪ ﺤﻤﺎﻤﺔ ُ ُ ﺒﻴﻀﺎﺀ،..‬ ‫‪‬‬ ‫- ٥٣ -‬
‫ﻭﺍﻟﺴﻔﻥ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻁﺎﺭﺩﺘﻙ ِﻏﺯﺍﻟﺔ ً.‬ ‫ﻫل ﺃﻨﺕ ِ ﻤﺎﺀ ُ ُ‬ ‫ﺩﺍﻓﻕ ُ ﻓﻲ ﺩﺍﺨﻠﻲ؟‬ ‫ﹸ‬ ‫ﻫل ﺘﺄﺨﺫﻴﻥ ﺍﻟﺸﻜل ﻤﻨﻲ؟‬ ‫َ‬ ‫ﺸﻜﻠﻙ ﺍﻟﺒﺤﺭﻱ..،‬ ‫‪‬‬ ‫ﺃﺭﺴﻤﻪ ﺨﻠﻴﺠﺎ ًﺨﺎﺭﺠﺎ ًﻜﺎﻟﺤ ‪،..‬‬ ‫‪‬ﺏ‬ ‫ﺒﻴﻨﻲ، ﻭﺒﻴﻨﻙ ِ،..‬ ‫ﻭﺍﻟﺒﻴﺎﺽ ِ ﺍﻟﺠﺎﻤﺢ ِ ،‬ ‫ﺍﻟﻤﻨﻘﺽ ِ ﺒﺎﻟﺭﻏﺒﺎﺕ ِ،‬ ‫ﻴﺼﻬل ﺒﺎﻷﻏﺎﻨﻲ..‬ ‫ُ‬ ‫ﻫل ﺴﺅﺍل ﺍﻟﺒﺤﺭ ﻴﻔﻬﻤﻪ‬ ‫ِ‬ ‫ُ‬ ‫ﺴﻭﻯ ‪‬ﻥ ْﻋﺎﺸﺭ ﺍﻟﺼﺩﻓﺎﺕ ِ، ﻭﺍﻷﺴﻤﺎﻙ َ؟‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭﺤﺩﻙ ِ،‬ ‫ﺘﻌﺭﻓﻴﻥ ﺘﺒﺭﻋﻤﻲ..‬ ‫ﻭﺘﻨﺎﻏﻤﻲ..‬ ‫ﻫل ﺩﺍﻓﺊ ُ ُ ﻤﺭﺠﺎﻥ ﻗﻠﺒﻙ..‬ ‫ِ‬ ‫‪‬‬ ‫ﺃﻡ ﺴﺭﺍﺏ ُ ﻜﺎﻟﺼﺩﻯ‬ ‫‪‬‬ ‫ﻓﻲ ﻤﻭﺴﻡ ﺍﻟﻬﺠﺭﺍﺕ..‬ ‫ﺃﻨﺕ ِ؟!!‬ ‫- ٦٣ -‬
‫ﻤﻠﻙ.. ﻭﻤﻤﻠﻜﺘﻲ ﺍﻟﻐﻨﺎﺀ...‬ ‫‪ٌ ِ‬‬ ‫ﺒﺎﺀ ُ ُ...،‬ ‫ﻟﺒﺎﺏ ِ ﺍﻟﺒﺭﺯﺥ ِﺍﻟ ‪‬ﻌﺘل ﻓﻲ‬ ‫ﻤ ﱢ‬ ‫.. )ﻻ ﻴﺒﻐﻴﺎﻥ(.‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ ﻜﺎﻥ ﺴﻔﻴﻨﺔ ًﻤﺎﻟﺕ.‬ ‫ﹾ‬ ‫‪‬‬ ‫ﻭﻋ ‪‬ﻟﻬﺎ ﻫﺒﻭﺏ ﺍِﺸﻌﺭ،.. ﻓﺎﻋﺘﺩﻟﺕ.‬ ‫ﹾ‬ ‫‪ ‬ﻟ ‪‬‬ ‫ﺩ‬ ‫ﻭﺃﻭﻏﻠﺕ ﺍﻟﻘﺼﺎﺌﺩ..،‬ ‫‪‬‬ ‫ﻨﺤﻭ ﺸﻁ ِ ﺍﻟﺘﻴﻪ ِ..،‬ ‫ﻓﻲ ﺍﻟ ‪‬ﻔﺭ ﺍﻟﺠﺒﺎﻥ.‬ ‫‪‬‬ ‫ﺴ ِ‬ ‫ﻭﺇﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻓﻬﺭﺴﺕ ﺒﺤﺭﺍ ً،‬ ‫ﹾ‬ ‫ﻭﺼﻴﺎﺩﻴﻥ..،‬ ‫ﺃﻜﺒﺭﻫﻡ..،‬ ‫ﺘﻼﺸﻰ ﻓﻲ ﺍﻟﺭﻏﺎﻡ ِ..،‬ ‫ﻭﻁﺄﻁﺄ ﺍﻟﺜﺎﻨﻲ..،‬ ‫ﻓﻬل ﻴﺄﺕ ﺍﻟﺫﻱ ﻨﺭﺠﻭﻩ،..‬ ‫ﺇﻥ ﺤﺎﻥ ﺍﻟﻁﻌﺎﻥ؟!‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﻤﺎﺀ ﻴﻁﻠﺒﻨﻲ،..‬ ‫‪‬‬ ‫ﻭﻻ ﺃﺠﺩ ﺍﻟﺴﻔﻴﻨﺔ َ..،‬ ‫ﻭﺍﻟﺠﺒﺎل ﺘﻘ ‪‬ﻀﺕ ْ،..‬ ‫ﻭ‬ ‫ﻭﺍِﺸﻌﺭ ﻴ ‪‬ﻭﺯﻩ ﺍﻷﻤﺎﻥ.‬ ‫‪‬‬ ‫ﻟ ‪ ‬ﻌ‬ ‫ﻻ..،‬ ‫ﻟﻴﺱ ﻟﻲ ﻤﻥ ﻤﻭﺝ ِﺃﻓﻜﺎﺭﻱ‬ ‫ﺼﺩﻱ ﻟﺤﻥ ٍ ،‬ ‫ﻭﻻ ﺤﻠﻡ ُ ﺒﺩﺍﺌﻲ ُ..،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﻠﺢ ﺍِﺸﻌﺭ،‬ ‫‪ ‬ﻟ ِ‬ ‫- ٧٣ -‬
‫ﻫل ﻴﻜﻔﻲ ﻟﻀﺒﻁ ﺍﻟﺒﺤﺭ‬ ‫ِ‬ ‫ﺍﻥ ﻏﺎﺏ ﺍﻹﻤﺎﻡ ْ؟.‬ ‫‪‬‬ ‫ﻓﻸﺠل ﻤﻥ‪‬؛‬ ‫‪‬‬ ‫ﻜﺎﻥ ﺍﻨﺤﺴﺎﺭ ﺍﻟﻭﻗﺕ ِ‬ ‫‪‬‬ ‫ﻋﻥ ﺸﺭﻕ ِ ﺍﻟﺴﻼﻡ‪‬؟!‬ ‫ﻭﻷﺠل ِ ﻤﻥ ،‬ ‫‪‬‬ ‫ﻤﺘﻔﺭﻗﺎ ً‬ ‫ﻀﺎﻉ َﺍﻟ ‪‬ﻤﺎﻡ ْ؟!‬ ‫ﺤ‬ ‫ﻤﻥ ﻴﺴﺘﺩل ﺒﺸﺎﻫﺩ ٍ ﺃﻋﻤﻲ،‬ ‫‪‬‬ ‫ﻭﻴﺭﺸﺩﻨﻲ..‬ ‫ﻷﻜﺘﺸﻑ ﺍﻟﻐﻤﺎﻡ؟!‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﻏﺩﺍ ً ﺘﺠﺊ ﻨﻭﺍﺭﺱ ُ؛‬ ‫‪‬‬ ‫ﻴﻘﺘﺎﺩﻫﺎ ﺒﺎﺯ ُ ُ ؛‬ ‫ﻟﻔﻙ ﺨﺭﺍﺌﻁ ﺍﻟﺸﻁﺂﻥ ِ.،‬ ‫ﹶ‬ ‫ﻟﻠﺴﻤﻙ ﺍﻟﻤﺸﺘﺕ ﻓﻲ ﺍﻟﺘﺫﻜﺭ ، ﻭﺍﻟﻨﺩﺍﺀ.‬ ‫‪‬‬ ‫ِ‬ ‫- ٨٣ -‬
‫ﺍﻟﻴﻭﺩ ﻏﻁﻲ ﺇﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺃﺭ ‪‬ﻬﺎ..‬ ‫ﻀ‬ ‫ﻭﺴﻤﺎ َﻬﺎ..‬ ‫ﺌ‬ ‫ﻭﻗﺼﻴﺩﺘﻲ ﺍﻏﺘﺼﺒﺕ ﺒﻬﺎ..‬ ‫ﻭﻤﻨﺼﺔ ُﺍﻟﺒﺤﺙ ِﺍﻟﻤﻘﺩﺱ ِ ،‬ ‫ﺨ ‪‬ﺠﺕ ْﺠﻴﻼ ً ﻤﻥ ﺍﻟ ‪‬ﻬﺎل ِ،‬ ‫ﺠ‬ ‫ﺭ‬ ‫ﺃﻋﻁﺘﻬﻡ ﻏﺩ ﺍﻷﺠﻴﺎل ِ‬ ‫‪‬‬ ‫ﻓﻲ ﻴﺩﻫﻡ ﻜﻤﺸﻨﻘﺔ..؛‬ ‫ﻭﺃﻨﻑ ﻗﺼﻴﺩﺘﻲ ﺍﻨﻜﺴﺭﺕ ْ..؛‬ ‫ﹸ‬ ‫ﻭﻟﻡ ﻴﺤﻥ ﺍﻷﻭﺍﻥ.‬ ‫‪‬‬ ‫..................................‬ ‫ﺃﻭﺍﻩ ﻴﺎ ﺃﺨﺕ َ ﺍﻟﻨﻭﺍﺭﺱ ِ..‬ ‫ﻭﺍﻟﺸﻁﻭﻁ ِﺍﻟﺯﺭﻕ ِ..‬ ‫ﻭﺍﻟﻠﻌﺏ ِ ﺍﻟﺒﺭﺉ .‬ ‫ﺍﻟﺼﻭﺕ ﺼﻭﺕ ُ ﻭﺍﺤﺩ ُ ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﻫﺩﻴﹸﻪ،‬ ‫ﻠ‪‬‬ ‫ﻻ ﻴﻜﻑ ﺤﺘﻲ ﺘﺭﻋﻭﻱ ،‬ ‫ﺘﻠﻙ ﺍﻟﻐﺭﺍﻨﻴﻕ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﻋﻥ ﺠﻨﺎﺡ ِ ﺍﻟﻔﻥ ِ..‬ ‫ﺘﻠﻙ ﺒﺭﺍﺌﺘﻲ..‬ ‫ﻭﺒﺭﺍﺀﺓ ﺍﻷﺠﻴﺎل ِ‬ ‫ﻭﺍﻫﻨﺔ ُ ُ،‬ ‫ﻭﺭﺒﻁ ُ ﺴﻤﺎ َﻬﺎ ﺒﺎﻷﺭﺽ ِ‬ ‫ﺌ‬ ‫ﻤﺤﺽ ﻗﻀﻴﺘﻲ..‬ ‫‪‬‬ ‫ﻭﺃﻗﻭل :‬ ‫ُ‬ ‫ﻤﺎﺫﺍ ﻟﻭ ﺒﻐﻲ ﻤﻠﺢ ُ‬ ‫‪‬‬ ‫- ٩٣ -‬
‫ﻋﻠﻲ ﻋﺫﺏ ٍ..‬ ‫ﺒﺒﺎﺏ ِ ﺍﻟﺒﺭﺯﺥ ﺍﹸﻤﻌﺘل ِ‬ ‫ﻟ‬ ‫ﻓﻲ)ﻻ ﻴﺒﻐﻴﺎﻥ(؟!!‬ ‫‪‬‬ ‫ﻭﺒﺄﻱ ﺁﻻﺀ ﺍﻟﺒﺭﺉ‬ ‫ﺘﻜﺫﺒﺎﻥ؟!!‬ ‫‪‬‬ ‫..................................‬ ‫- ٠٤ -‬
‫ﺇﻥ ﺍﻟﺤﻴﺎﺓ‬ ‫ﺠﺩﻴﺭﺓ ُ ُﺒﺭﻤﻭﺯﻫﺎ..‬ ‫ﺤﻕ ُ ..‬ ‫ﹸ‬ ‫ﻭﻟﻴﺱ ﺭﻤﻭﺯﻨﺎ ﻭﺜﻥ ُ ُ‬ ‫ﻤﻥ ﺍﻟﺼﻠﺼﺎل...‬ ‫ﺇﻨﻲ ﺃﻋﺘﺭﻑ.‬ ‫ﺠﺭﺒﺕ ﺃﻥ ﺃﻫﻭﻱ..‬ ‫ﻭﻟﻜﻨﻲ ﺍﺭﺘﻔﻌﺕ..‬ ‫ﹸ‬ ‫ﻭﻜﻠﻤﺎ ﺃﻭﻏﻠﺕ ﻨﺤﻭ ﺍﻟﻘﺎﻉ ِ،‬ ‫ﻴﺭﻓﻀﻨﻲ..‬ ‫ﻓﻤﺎ ﺫﻨﺒﻲ؟‬ ‫ﺇﺫﺍ ﻨﻔﺴﻲ ﺃﺒﺕ ﺍﻵﻱ؟!‬ ‫ﺇﻨﻲ ﺃﻋﺘﺭﻑ..‬ ‫ﹾ‬ ‫ﻓﺸل ﺍﻟﺠﻤﻴﻊ ُ،‬ ‫ﻭﻋﺎﻨﺩﻭﺍ،‬ ‫ﻤﺎ ﻏﻴﺭﻭﺍ ﺸﻤﺴﺎ ،‬ ‫ﻭﻻ ﻗﻤﺭﺍ ً..‬ ‫ﻓﻜﻴﻑ ﺃﺯﻭﻍ ﻤﻥ ﺩﺭﺏ ٍ‬ ‫ﺇﻟﻲ ﺍﻹﺸﺭﺍﻕ ﺘﺄﺨﺫﻨﻲ‬ ‫ﺇﻟﻲ ﻤﻭﺘﻲ؟!!‬ ‫ﻭﻟﻭ ﻜﺎﻨﺕ ﺘﺨﻭﻡ ﺴﻤﺎﺌﻬﻡ‬ ‫‪‬‬ ‫ﺘﺩﻨﻭ ﻗﻠﻴﻼ ً‬ ‫ﻤﻥ ﻋﺫﻭﺒﺔ ﺒﺌﺭﻨﺎ..؛‬ ‫ﻭﺍﻷﺼﺩﻗﺎﺀ ُ..‬ ‫ﺃﻗل ﺇﻫﻤﺎﻻ ﻗﻠﻴﻼ..؛‬ ‫ُ‬ ‫ﺭﺒﻤﺎ....‬ ‫- ١٤ -‬
‫ﺒﺎﺴﻤﻲ...‬ ‫ﺴﺘﻨﺠﺏ ﺠﻤﻠﺘﻲ ﺘﺄﻭﻴﻠ ‪‬ﺎ..‬ ‫ﻬ‬ ‫ﺒﺈﺸﺎﺭﺘﻲ..‬ ‫ﺴﻴﻘﻭﻡ ﺩﻴﻭﺍﻨﻲ،‬ ‫ﻭﻴﻔﺘﺢ ﻤﺎ ﻴﺸﺎﺀ ﻋﻠﻲ ﺍﻟﺴﻤﺎﺀ ْ.‬ ‫‪‬‬ ‫ﻁﺎل ﺍﻟﻤﻜﻭﺙ ﻋﻠﻲ ﺭﺼﻴﻑ ﺍﻟﻌﻤﺭ ،‬ ‫ﻭﺍﻨﺘﺤﺭ ﺍﻟﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﺤﻔﻅ ﺍﻟﺠﻤﻴﻊ ﺤﻜﺎﻴﺘﻲ..؛‬ ‫‪‬‬ ‫ﻭﺘﻨﺎﻓﺴﻭﺍ ﻓﻲ ﺍﻟﻘﻔﺯ ﻓﻭﻕ ﺍﻟﺭﻤﺯ..؛‬ ‫ِ‬ ‫ِ‬ ‫ﻭﺍﻟﺴﺠﻊ ِ ﺍﻟﻤﻭﺸﻲ ﺒﺎﻟﺘﺸﺭﺩ ِ، ﻭﺍﻟﻌﺫﺍﺏ ْ.‬ ‫ﻨﺴﺞ ﺍﻟﺠﻤﻴﻊ ﺤﻜﺎﻴﺘﻲ..‬ ‫‪‬‬ ‫ﻜﻔﻨﺎ ً‬ ‫ﻤﻥ ﺍﻟﺫﻫﺏ ِ ﺍﻟ ‪‬ﺫﺍﺏ.‬ ‫ﻤ ‪‬‬ ‫ﻨﻐﻤﺎ ً ﺨﺼﻭﺼﻴﺎ ً‬ ‫ﺘﻜﻠل ﺒﺎﻟﺴﺭﺍﺏ ْ.‬ ‫ﻻ..‬ ‫ﻟﻡ ﻴﺴﺎﻓﺭ ﻓﻲ ﺩﻤﻲ ﺃﺤﺩ ُ ،‬ ‫‪‬‬ ‫ﻟﻴﻌﺭﻑ ﺃﻨﻨﻲ‬ ‫ﹶ‬ ‫ﻤﻥ ﺭﻭﺽ ﺍﻟﺫﻜﺭﻱ..،‬ ‫‪  ‬‬ ‫ﻭﺤ ‪‬ﺙ ﻨﻔﺴﻪ..،‬ ‫‪‬‬ ‫ﺩ‬ ‫ﻭﺍﻵﻥ..‬ ‫‪‬‬ ‫ﺃﺨﺭﺝ ﻤﻥ ﻓﻤﻲ..‬ ‫ﻭﺃﺠﺊ ﻤﻌﺘﺫﺭﺍ ً ﻟﺸﺊ ﻟﻡ ﺃﻗﻠﻪ..‬ ‫ﻤﺭﺍﻗﺒﺎ ً ﺼﻔﺘﻲ..‬ ‫ﻭﻤﺒﺘﻜﺭﺍ ً ﻟﻤﻭﺘﻲ ﺸﻜﻠﻪ..‬ ‫ﹶ‪‬‬ ‫ﻭﻟﺼﺤﻭﺘﻲ ﻤﻭﺘﺎ ً..‬ ‫ﻓﺘﺨﺭﺝ ﺴﻴﻥ ﺃﻨﻔﺎﺴﻲ‬ ‫‪‬‬ ‫ﺇﻟﻲ ﻟﻐﺔ ِ ﺍﻟﻐﻴﺎﺏ.‬ ‫‪‬‬ ‫- ٢٤ -‬
‫ﻓﻸﺠل ﻤﻥ..‬ ‫‪ْ‬‬ ‫ﻨﺎﺩﻴﺕ ﻓﺎﺤﺘﺸﺩ ﺍﻟﻅﻼﻡ ْ؟!!‬ ‫ﻭﺍﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻋﻨﺩ ﺸﻁ ﺍﻟﺒﺤﺭ ِ ﺠﺎﻟﺴﺔ ً..‬ ‫ﺴﺘﻐﺴل ﺭﻜﺒﺘﻴﻬﺎ..‬ ‫ﺜﻡ ﺘﺴﻬﻭ،‬ ‫ﺃﻭ ﺘﻐﻴﻡ..‬ ‫‪‬‬ ‫ﻓﻤﺎ ﻟﻬﺎ ﺍﻷﺴﺭﺍﺏ‬ ‫‪‬‬ ‫ﺘﺨﺭﺝ ﻋﻥ ﺘﺸﻜﻠﻬﺎ !!‬ ‫ﻭﺍﻟﻤﺎﺀ ﻴﺼﺒﺢ ﺼﺨﺭﺓ !!‬ ‫‪‬‬ ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﻫﺫﺍ ﻤﺎ ﺭﺃﻴﺕ،‬ ‫ﹸ‬ ‫ﻭﺼﺩﻗﺕ ﺭﻭﺤﻲ،‬ ‫ﻏﺩﺍﺓ َﺠﺩﺩﺕ ﺍﻻﻗﺎﻤﺔ َ ﻓﻲ..‬ ‫‪‬‬ ‫ﻭﺍﺠﺘﻤﻊ ﺍﻟﺫﻴﻥ ﺘﺴﺎﺌﻠﻭﺍ‬ ‫ﻋﻥ ﻭﺍﺤﺩ ٍ ﻤﺘﻌﺩﺩ ٍ..‬ ‫ﻓﻨﺼﺤﺘﻬﻡ ﺒﺎﻟ ِﻌﺭ..‬ ‫ﺸ ِ‬ ‫ﻭﺍﺨﺘﺎﺭﻭﺍ ﺍﻟﺫﻫﻭل.!!‬ ‫ْ‬ ‫ﺍﻟﻤﻭﺝ ﺨﻴل ُ ..‬ ‫‪ُ ‬‬ ‫ﻫل ﺴﺘﺼﺤﻭ ﺍﺴﻜﻨﺩﺭﻴﺔ ُ‬ ‫ﺤﻴﻥ ﺘﻨﺘﺤﺭ ﺍﻟﺨﻴﻭل؟!!‬ ‫ْ‬ ‫ﺠﻴل ُﻤﻥ ﺍﻟ ‪‬ﺒﺎﺭ ِ‬ ‫ﺼ‬ ‫ُ‬ ‫- ٣٤ -‬
‫ﻴﺨﺭﺝ ﻤﻥ ﻓﻤﻲ..‬ ‫ﻭﻜﺄﻨﻪ..‬ ‫ﻭﻜﺄﻨﻨﻲ..........‬ ‫ﻭﺇﺴﻜﻨﺩﺭﻴﺔ. ُ.‬ ‫ﻓﻲ ﻟﻬﺎﺙ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺃﻏﻨﻴﺔ ُ ُﻋﻠﻲ ﻭﺘﺭ ٍ ﺠﺤﻭﺩ ْ.‬ ‫ﺍﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﻜﺎﺒﺘﺴﺎﻡ ﺍﻟﻨﻭﺭ‬ ‫ﻓﻲ ﺇﺒﻁ ﺍﻟﻐﻤﻭﺽ.‬ ‫‪‬‬ ‫ﺍﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻜﺎﺸﺘﻌﺎل ِ ﺍﻟﺒﻭﺡ ِ‬ ‫ﻓﻲ ﺴﻁﺢ ﺒﻌﻴﺩ ٍ‬ ‫ٍ‬ ‫ﻋﻥ ﻤﻨﺎﻗﻴﺭ ﺍﻟﻬﺩﻴل.‬ ‫ﻭﺃﻨﺎ.. ﻫﻨﺎ..‬ ‫ﺘﻨﻔﺽ ﻋﻨﻲ ﺃﺒﺠﺩﻴﺎﺕ ُﺍﻟﻔﺼﻭل ْ.‬ ‫ﻫﻲ ﺍﺭﺙ ُﻤﻥ ﺩﺨﻠﻭﺍ ،‬ ‫ﻭﺍﻨﻲ ﺨﺎﺭﺝ؛‬ ‫ﻤﻥ ﺠﻤﻠﺔ ٍ ﻗﺎﻤﺕ ﻋﻠﻲ ﻭﺠﻌﻲ..‬ ‫ﻭﺃﺯﻤﻨﺔ ٍ..‬ ‫ﻤﺼ ﱠﻌﺔ ٍ ﻋﻠﻲ ﻋﻴﻨﻲ..‬ ‫ﻨ‬ ‫ﺃﻨﺎ ﺍﺒﻥ ﺍﻵﻥ..‬ ‫ﻤﺎﺀ ُﺍﷲ ﻓﻲ ﺠﺫﺭﻱ..‬ ‫ﻭﺠﺫﻋﻲ ﻻ ﻴﻠﻴﻥ..‬ ‫ﺒﺎﺴﻤﻲ..‬ ‫ﺃﻗﻴﻡ ﺸﺭﻴﻌﺘﻲ..‬ ‫‪‬‬ ‫ﻭﺘﻘﻭﻡ ﻤﻴﻡ ﺍﻟﺤﻤﺩ ِ ﻓﻲ ﻤﻴﻡ ﺍﻟﻌﻤﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫- ٤٤ -‬
‫ﻓﻲ ﻜل ﺼﻭﺕ ٍ ﺘﺭﺘﻘﻲ،‬ ‫ﺃﻭ ﺘﻨﺤﻨﻲ ﻟﻐﺔ.‬ ‫ﹲ‬ ‫ﻭﻴﺒﻘﻲ ﺍﻟﺭﻤﺯ ﻓﻲ ﺃﻟﻕ ِ ﺍﻟﻀﻴﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺒﺈﺸﺎﺭﺘﻲ..‬ ‫ﺴﺘﻘﻭﻡ ﻤﺸﻜﻠﺔ ُ ُ،‬ ‫ﻟﺘﺒﺤﺙ َﻋﻥ ﺘﺄﻭﻴل ﺘﻤﺜﺎﻟﻴﻥ‬ ‫ﻤﻥ ﺸﻤﻊ ٍ.. ﻭﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻜل ﺍﻟﻤﻭﺍﺴﻡ ِ ﺘﻨﻜﺭ ﺍﻟﻤﻭﺘﻲ، ﻭﺘﺭﺤل..‬ ‫ُ‬ ‫ﻫل ﺴﻨﺫﺒل؟‬ ‫ﺃﻡ ﻴﻤﻭﺕ ﺍﻟﺒﺒﻐﺎﺀ ْ؟‬ ‫ﻫل ﻗﻭﺓ ُ ُ ﻟﻠﺤﻕ ِ؟‬ ‫ﺃﻡ ﺤﻕ ﺍﻟﻘﻭﻱ ﻫﻭ ﺍﻟﻌﺩﺍﻟﺔ ُ؟!!!!‬ ‫ﹸ‬ ‫ﻭﺇﺴﻜﻨﺩﺭﻴﺔ ُ ﺃﻋﻠﻨﺕ :‬ ‫ﹾ‬ ‫ﻟﻲ ﻜل ﻤﺎ ﺘﺤﺕ ﺍﻟﻘﺼﻴﺩﺓ ِ‬ ‫ُ‬ ‫ﻤﻥ ﻓﺘﻭﺤﺎﺕ،‬ ‫ٍ‬ ‫ﻭﻟﻲ ﻜل ﺍﻟﺩﻤﺎﺀ.‬ ‫‪‬‬ ‫- ٥٤ -‬
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  • 1.
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﺇﻫــﺩﺍﺀ ............................................................................................................. - ٤ -‬ ‫ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﻐﻭﻟﺔ.. ..................................................................................................... - ٥ -‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺃﻨﺎ ﻨﻭﺭﺱ.. .......................................................................................................... - ٩ -‬ ‫‪‬‬ ‫ﺘﻘـﻭﻤﻴﻥ... ........................................................................................................ - ٠١ -‬ ‫ﻴـﺎ ﺍﻤﺭﺃﺓ .......................................................................................................... - ١١ -‬ ‫ﹰ‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َ ﺍﻟﺒﺤﺭ ..................................................................................................... - ٤١ -‬ ‫ِ‬ ‫ﺍﻟﺤﻠﻡ.. ﺼﺎﺭ ﺤﺩﻴﻘﺔ ................................................................................................. - ٦١ -‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﻨﺩ ﻭﺍﻫﺒﺔ ﺍﻟﻐﻼل ................................................................................................... - ٩١ -‬ ‫ﻜﺎﻨﺕ ﻜﻤﺎ ﻋ ‪‬ﺍﻓﺔ .................................................................................................... - ٠٢ -‬ ‫ﺭ ٍ‬ ‫ﻜﺎﻨﺕ ﻜ ‪‬ﻠﺔ ﻤﺎﺭﺩ.................................................................................................... - ٢٢ -‬ ‫ٍ‬ ‫ﺤ‬ ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻯ.. ......................................................................................... - ٣٢ -‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ..، ........................................................................................ - ٥٢ -‬ ‫ِ‬ ‫‪‬‬ ‫ِ‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ﻓﻲ ﺍﻟﻘﻠﺏ.. .................................................................................................. - ٧٢ -‬ ‫ِ‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ﻨﺩﺍﻫﺔ.. ..................................................................................................... - ٩٢ -‬ ‫ﺁﻩ.. ﻴﺎ ﻋﺎﺠﻴﺔ َﺍﻷﺤﺯﺍﻥ .............................................................................................. - ٢٣ -‬ ‫ِ‬ ‫ِ‬ ‫ﻴﺎ ﺃﺒﻨﻭﺴﺔ َﺍﻷﺤﺯﺍﻥ.. ................................................................................................ - ٣٣ -‬ ‫ِ‬ ‫ﻟﻠﺭﻗﺹ ِ ﺍﻟﻤﻐﺎﻴﺭ .................................................................................................... - ٤٣ -‬ ‫ِ‬ ‫ﻭﺍﻟﺴﻔﻥ ﺍﻟﻘﺩﻴﻤﺔ ...................................................................................................... - ٦٣ -‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻤﻠﻙ.. ﻭﻤﻤﻠﻜﺘﻲ ﺍﻟﻐﻨﺎﺀ... ........................................................................................... - ٧٣ -‬ ‫‪ ِ‬‬ ‫ﺍﻟﻴﻭﺩ ﻏﻁﻲ ﺇﺴﻜﻨﺩﺭﻴﺔ.. ............................................................................................. - ٩٣ -‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺇﻥ ﺍﻟﺤﻴﺎﺓ ........................................................................................................... - ١٤ -‬ ‫ﻓﻸﺠل ﻤﻥ.. ........................................................................................................ - ٣٤ -‬ ‫‪‬‬ ‫ﻴﺨﺭﺝ ﻤﻥ ﻓﻤﻲ.. ................................................................................................... - ٤٤ -‬ ‫ﺴﺄﻤﺭ ﻭﺤﺩﻱ........................................................................................................ - ٦٤ -‬ ‫‪‬‬ ‫-٣-‬
  • 5. ‫ﺇﻫــﺩﺍﺀ‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ.....‬ ‫ﺤﻠﻡ ﻨﻭﺭﺴﺔ ٍ..‬ ‫‪‬‬ ‫ﻭﺨﻴﺎل ﻓﻨﺎﻥ ٍ..‬ ‫ُ‬ ‫ﻭﺒﻬﺠﺔ ُﻋﺎﺸﻕ ٍ..‬ ‫ﻭﻤﺤﺽ ﻭﻻﺩﺓ ٍ ﻟﻠﻜﻭﻥ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺜﻭﺏ ٍﺠﺩﻴﺩ.‬ ‫‪‬‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ.......‬ ‫ﻻ ﻤﺯﻴﺩ.‬ ‫‪‬‬ ‫-٤-‬
  • 6. ‫ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﻐﻭﻟﺔ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﻭﺍﻗﻊ ﻤﺴﻜﻭﻨﺔ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﻭﺍﻨﻊ ﺴﺠﺎﺩﺓ ُ ﺍﻟﻜﺒﺭﻴﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃﻤ ‪ – ‬ﻭﻟﻭ ‪‬ﺭﺓ ً –‬ ‫ﻤ‬ ‫‪‬ﺭ‬ ‫ﻷﻟﺒﻲ ﺍﻟﻨﺩﺍﺀ.‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃﺭ ّﻊ ﻋﺭﺵ ﺍﻟﻤﻠﻴﻜﺔ..،‬ ‫ِ‬ ‫ﹶ‬ ‫ﺼ‪‬‬ ‫ِ‬ ‫ﺇﻥ ﺍﻟﺸﻭﺍﺭﻉ َ ﺨﺒﺯ ﺍﻟﺼﺒﺎﺡ ِ،‬ ‫‪‬‬ ‫ﻭﺨﺒﺯ ﺍﻟﻌﺸﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫..................................‬ ‫ﺍﻟﺴﻔﺎﺌﻥ...‬ ‫‪‬‬ ‫ﺘﺯﺭﻉ ﻓﻲ ﺍﻟﺒﺤﺭ ﺃﺤﻼﻤ ‪‬ﺎ،‬ ‫‪‬ﻬ‬ ‫ِ‬ ‫ﺜﻡ ﺘﻘﻠﻊ..‬ ‫‪‬‬ ‫ﻫل ﻴﻌﺭﻑ ﺍﻟﺒﺤﺭ ﺴﺭ ﺍﻟﻤﻠﻴﻜﺔ ِ،‬ ‫‪ِ ‬‬ ‫ﻓﻲ ﺭﺩﻫﺎﺕ ِ ﺍﻟﺘﻭﻗﻊ ِ،‬ ‫ﻭﺍﻟﻤﺎﺀ ﻋﺭﺵ ﺍﻟﺴﻤﺎﺀ.؟‬ ‫‪‬‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃ ‪‬ﺭ – ﻭﻟﻭ ﻤﺭ ﺓ ً -..‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻓﺎﻟﺴﻤﺎﺀ ﺍﻟﻘﺭﻴﺒﺔ ُﻜﺎﻟﺭﻤﺵ ِ..‬ ‫‪‬‬ ‫ﺘﻌﺭﻑ ﻤﻌﻨﻲ ﺍﻟﻐﻨﺎﺀ ِ..‬ ‫ﹸ‬ ‫ﻭﻤﻌﻨﻲ ﺍﻟﺒﻜﺎﺀ.‬ ‫ﺍﻟﻁﺤﺎﻟﺏ ﺘﻨﻤﻭ..،‬ ‫‪‬‬ ‫ﺘﺤﺎﺼﺭ ﺃﻓﻜﺎ ‪‬ﻨﺎ ﻓﻲ ﺍﻟﺼﺒﺎﺡ ِ..‬ ‫ﺭ‬ ‫ﻭﺘﺴﺭﻕ ﺃﻓﻜﺎ ‪‬ﻨﺎ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ْ.‬ ‫ﺭ‬ ‫ﻭﺍﻟﺫﻱ ﺭﺍﻓﻘﺘﻪ ﺍﻟﻁﻴﻭﺭ..،‬ ‫‪‬‬ ‫ﻴﻭ ‪‬ﻊ ﻓﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﺴ‪‬‬ ‫ﻫﺫﺍ ﺍﻟﻔﻀﺎﺀ ﺍﻟ ‪‬ﻀﺎﺀ.‬ ‫‪ ‬ﻤ ‪‬‬ ‫ﻭﺍﻟﻤﻭﺍﻨﺊ ُ..‬ ‫-٥-‬
  • 7. ‫ﺘﺤﺒل ﺒﺎﻟﻨﺎﺱ ِ،‬ ‫ﻭﺍﻟﻜﺴﺘﻨﺎﺀ.‬ ‫‪‬‬ ‫ﻭﺤﻠﻡ ﺍﻟﺼﺒﺎﻴﺎ ﺍﻟﻤﺅ ‪‬ﺞ ﺒﺎﻟ ‪‬ﺭﺱ ِ..‬ ‫ﺠ‪ ‬ﻌ‬ ‫‪‬‬ ‫ﻨﺎﻓﺫﺓ ُ ُ..‬ ‫ﻭﺍﻟﻨﻬﺎﻴﺔ ُ..‬ ‫ﺒﻌﺽ ﺍﻟﺒﺩﺍﻴﺔ ِ..‬ ‫‪‬‬ ‫ﻭﺍﻟ ‪‬ﺩﺀ ُ..‬ ‫ﺒ‬ ‫ﺒﻌﺽ ﺍﻨﺘﻬﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺩﻋﻭﻨﻲ ﺃﻤ ‪‬‬ ‫‪‬ﺭ‬ ‫– ﻭﻟﻭ ﻤﺭ ﺓ ً –‬ ‫‪‬‬ ‫ﻓﻠﻠﻨﺎﺭ ﻨﺯﻑ ُ ُ ..‬ ‫ِ‬ ‫ﻭﻟﻠ ‪‬ﺭﺡ ِ ﻋﺯﻑ ُ ُ ..‬ ‫ﺠ‬ ‫ﻭﻟﻠ ِﻌﺭ ﻓﻲ ﺍﻟﻌﺸﻕ ِ..‬ ‫ﺸ‬ ‫ﺒﻌﺽ ﺍﺒﺘﻼﺀ ْ.‬ ‫‪‬‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ ،‬ ‫ﺘﻤﺴﻙ ﺍﻟﻤﻭﺠﺔ َﺍﻟﺴﺎﺤﻠﻴﺔ َ‬ ‫ﻓﻲ ﻤﻨﺘﻬﺎﻫﺎ.‬ ‫ﻟﻡ ﺘﻜﺩ ﺒﻌﺩ ﺘﻌﺭﻑ ﺇﺴﻡ ﻓﺘﺎﻫﺎ.‬ ‫‪‬‬ ‫ﺭﺒﻤﺎ ﺸﺭﺒﺕ ﻨﻔ ‪‬ﻬﺎ..‬ ‫ﹾ ﺴ‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ ﻏﺯﻟﺕ ﺸﺎﻁﺌﺎ ً..،‬ ‫ﹾ‬ ‫ﺒ‬ ‫ﺜﻡ ﺭﺍﺤﺕ ﺘﻤﺎﺭﺱ ﻓﻴﻪ‬ ‫ﹾ‬ ‫ﻁﻘﻭﺱ ﻫﻭﺍﻫﺎ.‬ ‫‪‬‬ ‫..................................‬ ‫ﺍﻟﻔﺘﺎﺓ ُ ﺍﻟﺘﻲ‬ ‫ﺤﻭﻟﺘﻨﺎ ﺍﻟﻲ ﺸﺠﺭ ٍ ﻅﺎﻤﺊ ٍ..،‬ ‫ﻭﺍﺭﺘﺩﺕ ﻏﻴﻤﺔ ً..‬ ‫ﹾ‬ ‫ﺃﻭ ﺴﺤﺎﺒﺔ ْ.‬ ‫-٦-‬
  • 8. ‫ﺤﻭﻟﺘﻨﺎ ﺍﻟﻲ ﻭﺘﺭ ﺤﺎﺌﺭ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻓﻲ ﺍﻟﺭﺒﺎﺒﺔ ْ.‬ ‫..................................‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ ﻴﺭﺘﺩﻴﻬﺎ ﺍﻟﻜﺘﺎﺏ..،‬ ‫‪‬‬ ‫ﻭﻨﻬﺭ ﺍﻟﺩﻤﺎﺀ ِ ﺍﻟﺫﻱ ﻓﻲ ﻋﺭﻭﻗﻲ ﺍﻟﻜﺘﺎﺒﺔ ْ.‬ ‫‪‬‬ ‫..................................‬ ‫ﺍﻟﻔﺘﺎﺓ ُﺍﻟﺘﻲ‬ ‫ﻓﻲ ﻀﻔﺎ ِﺭﻫﺎ ﺍﻷﻏﻨﻴﺎﺕ ﺍﻟﻌﺠﻴﺒﺔ ُ‬ ‫ﹸ‬ ‫ﺌ‬ ‫ﺸ ‪‬ﺎ..‬ ‫ﻤً‬ ‫ﻭﻫﻤﺴﺎ ً..‬ ‫ﻭﻟﻤﺱ ْ.‬ ‫ﻁﻔﻠﺔ ُ.. ُ ﻓﻲ ﺯﻭﺍﻴﺎ ﺍﻟﻀﻠﻭﻉ ِ،‬ ‫ﺘﻀﺊ ﺩﻤﻲ..‬ ‫ﻭﺘﻐﻨﻲ..‬ ‫ﻓﺘﻨﺒﺕ ﺘﻔﺎﺤﺔ ُﺍﻟﻨﻔﺱ ِ...‬ ‫ﺤﻔﻠﺔ ُ ‪‬ﺭﺱ ْ.‬ ‫ﻋ‬ ‫ﻁﻔﻠﺔ ُ ُ..‬ ‫ﺤﻴﻥ ﺘﺩﺨل ﺒﻴﻥ ﺩﻤﻲ، ﻭﺍﻟﻀﻠﻭﻉ ِ،‬ ‫ﺴﺘﻨﺒﺕ ﻤﻠﻴﻭﻥ ﺸﻤﺱ ٍ، ..‬ ‫‪‬‬ ‫ﻭﺸﻤﺱ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻤﺭ ﺓ ً ﺩﺍﻋﺒﺕ ﻁﻔﻠ ‪‬ﺎ ،‬ ‫ﹾ ﹶﻬ‬ ‫‪‬‬ ‫ﻋﻠﻤﺘﻪ ﺍﻟﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﻤﺭﺘﺎﻥ،‬ ‫ﻋﻠﻲ ﻤﻭﻋﺩ ٍ ﻭﺍﺤﺩ ٍ،‬ ‫ﻭﺍﻟﻐﻨﺎﺀ.‬ ‫‪‬‬ ‫ﻟ ‪‬ﻨﺕ ﺒﺎﻷﻨﻭﺜﺔ ِ، ﻜل ﺍﻟﺭﺅﻱ، ﻭﺍﻟﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻭ ﹾ‬ ‫-٧-‬
  • 9. ‫ﻟﻭﻨﺕ ﺒﺎﺸﺘﻬﺎﺀ.‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺃﻟﻴﺴﺕ ﻟﺤﻭﺍﺀ ﻤﻤﻠﻜﺔ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺘﻌﺘﻠﻲ ﻋﺭﺸﻬﺎ ،‬ ‫ﻭﺍﺒﺘﻼﺀ؟!‬ ‫‪‬‬ ‫..................................‬ ‫ﺃﻨﺎ ﻨﻭﺭﺱ ُ..‬ ‫‪‬‬ ‫ﺒﺎﺴﻁ ُ ُ ﺒﺎﻟﻭﺼﻴﺩ ِ ﺠﻨﺎﺤﻴﻪ..‬ ‫ﻟﻭ ﺤﺭﻀﺘﻨﻲ..‬ ‫ﺴﺄﺨﺭﺝ ﻤﻥ ﻁﻭﻕ ِ ﻫﺫﺍ ﺍﻟﺘﻔﺭﺱ ،.. ﻟﻺ ﻓﺘﺭﺍﺱ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻜل ﺍﻟﺫﻱ ﻟﻴﺱ ﻋﺸﻘﺎ ً...‬ ‫ﹸﻌﺎﺱ.‬ ‫ﻨ ‪‬‬ ‫ﻭﺍﻟﻤﺩﻯ ﻻ ‪‬ﻘﺎﺱ ْ.‬ ‫ﻴ‬ ‫-٨-‬
  • 10. ‫ﺃﻨﺎ ﻨﻭﺭﺱ..‬ ‫ٌ‬ ‫ﻭﺍﻟﻨﻭﺍﺭﺱ ،‬ ‫ﺘﻌﺭﻑ ﺇﻴﻘﺎ ‪‬ﻬﺎ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ْ.‬ ‫ﻋ‬ ‫ﺴﺄﻜﺴﺭ ﻤﺎ ﺤﻭل ﺭﻭﺤﻲ.. ،‬ ‫ﻭﻴﻨﻤﻭ ﻋﻠﻲ ﻜل ﻗﺎﻓﻴﺔ ٍ ﻓﻲ ﺍﻟﻐﻨﺎﺀ ِ..‬ ‫ﻓﻀﺎﺀ ْ.‬ ‫ﻓﻬﻼ ﺃﺴﻤﻴﻙ ِ،‬ ‫ﻴﺎ ﻁﻔﻠﺔ َﺍﻟﺭﻭﺡ ِ.......‬ ‫ﻤﺎﺀ ْ.؟!‬ ‫..................................‬ ‫ﻭﻋﻨﺩ ﺍﻨﺒﻼﺝ ﺍﻟﻬﻼل،‬ ‫ﺘﻘﻭﻤﻴﻥ ﻤﻥ ﺯﺭﻗﺔ ِ ﺍﻟﺒﺤﺭ‬ ‫ِ‬ ‫ﺴﺎﻤﻘﺔ ً ﻜﺎﻟﺨﻴﺎل ِ ﺍﻟ ‪‬ﺤﺎل.‬ ‫ﻤ ْ‬ ‫ﻭﻜﺎﻟ ِﺤﺭ،‬ ‫ﺴ ِ‬ ‫ﻓﻭﻕ ﺴﺭﻴﺭ ﺍﻟﺴﻭﺍﺤل ِ.‬ ‫ﹶ‬ ‫ﺘﺴﻌﻲ ﺇﻟﻴﻙ ِ ﺍﻟﺴﻔﺎﺌﻥ ،‬ ‫‪‬‬ ‫ﺴﺎﺤﺒﺔ ًﺤﻠ ‪‬ﻬﺎ‬ ‫ﻤ‬ ‫ﺒﺨﻴﻭﻁ ِ ﺍﻟﺼﺒﺎﺡ ِ‬ ‫ﺍﻟﻤﺼﺎﺤﺏ ﻟﻠ ‪‬ﺤﺏ ِ،..‬ ‫ﺼ‬ ‫ﻤﺜل ﺍﻟﻐﺯﺍﻟﺔ ِ.‬ ‫ﺇﺫ ﺘﻐﺯﻟﻴﻥ ﺍﻟﺒﺩﺍﻴﺔ َ..‬ ‫ﻏﺯﻟﻙ،‬ ‫ﻫﺫﺍ ﺍﻟﻤﻨﻤﻨﻡ ﺒﺎﻟﻔﻜﺭ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻴﺸﺭﻕ ﻤﺜل ﺍﻟﺼﺒﺎﺡ ِ‬ ‫ﻓﺘﺒﺩﻭ ﺍﻟﺭﻴﺎﺡ ﺠﻨﺎﺤﺎ ً ،‬ ‫‪‬‬ ‫ﻴﻭﺍﺼل ﻋﺯﻑ ﺍﻟﻨﺸﻴﺩ ﺍﻟ ‪‬ﺒﺎﺡ ْ.‬ ‫ﻤ‬ ‫ﹶ‬ ‫ﺠﻴﺎﺩﺍ ً،‬ ‫ﺘ ‪‬ﻠﻕ ﻓﻭﻕ ﺍﻟﺴﻬﻭل ِ ﺍﻟﻔﺴﺎﺡ ْ.‬ ‫ﹶ‬ ‫ﺤ‬ ‫-٩-‬
  • 11. ‫ﺘﻘـﻭﻤﻴﻥ...‬ ‫ﺘﺴﻌﻲ ﺍﻟﻨﺠﻭﻡ ﻋﻠﻰ ﺼﻬﻭﺓ ِﺍﻟﺒﺭﻕ ِ ﻟﻠﺸﺭﻕ ِ،‬ ‫‪‬‬ ‫ﻜﺎﻟ ‪‬ﻠﻡ ِ ..‬ ‫ﺤ‬ ‫ﻓﻲ ﺍﻻﺤﺘﻤﺎل ِ ﺍﻟ ‪‬ﺤﺎل..‬ ‫ﻤ ْ‬ ‫ﺘﻘﻭﻤﻴﻥ،..‬ ‫ﻜﺎﻥ ﺜﻘﻴﻼ ًﻋﻠﻴﻙ ِ‬ ‫ﻗﻤﻴﺹ ﺍﻟ ‪‬ﺒﺎﺕ ِ،‬ ‫‪ ‬ﺴ‬ ‫ﻭﻤﺎ ﺃﺠﻤل ﺍﻵﻥ ﺜﻭﺏ ﺍﻟﺴﻤﺎﺀ ِ‬ ‫َ ‪ ‬‬ ‫ﺒﻬﺫﺍ ﺍﻟﻤﺴﺎﺀ‬ ‫ِ‬ ‫ﻋﻅﻴﻡ ﺍﻟﺒﻬﺎﺀ ْ.‬ ‫ﺘﻘﻭﻤﻴﻥ،...‬ ‫ﻜﺎﻟﻘﻠﺏ ِ ﻴﻨﺒﺽ ﻋﻨﺩ ﺍﻟﻠﻘﺎﺀ ِ،‬ ‫‪‬‬ ‫ﻭﻜﺎﻟﻔﺠﺭ،‬ ‫ِ‬ ‫ﺃﻭ ﻜﺎﻟﻭﻻﺩﺓ ِ..‬ ‫ﻋﻁ ‪‬ﻙ ِ،‬ ‫ﺭ‬ ‫ﻴﻨﻁﻕ ﻤﻥ ﺒﻴﻥ ﻤﻠﺢ ِ ﺍﻟﺸﻁﻭﻁ ِ،‬ ‫ﹸ‬ ‫ﻭﺃﻫﺘﺯ ﺒﻴﻥ ﻴﺩﻴﻙ..‬ ‫‪‬‬ ‫ﺘﻀﺎﺀ ﺍﻟﻜﻬﻭﻑ ﺍﻟﺘﻲ ﻓﻲ ﺩﻤﺎﺌﻲ،‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﻴﻜﺸﻑ ﺴﺭﻱ ﺍﻟﺫﻱ‬ ‫ﻻ ‪‬ﺒﺎﺡ ﻟﻐﻴﺭ ﺍﻟﻤﻴﺎﻩ ِ‬ ‫ﻴ ‪ِ ‬‬ ‫ﻭﻋﻨﺩ ﺍﻨﺒﻼﺝ ﺍﻟﻬﻼل ،‬ ‫ﺘﻘﻭﻤﻴﻥ ﻤﻥ ‪‬ﺭﻗﺔ ِﺍﻟﺒﺤﺭ ،‬ ‫ِ‬ ‫ﺯ‬ ‫ﺴﺎﻤﻘﺔ ًﻜﺎﻟﺨﻴﺎل ﺍﻟ ‪‬ﺤﺎل.‬ ‫ﻤ ْ‬ ‫..................................‬ ‫- ٠١ -‬
  • 12. ‫ﻴـﺎ ﺍﻤﺭﺃﺓ‬ ‫ﹰ‬ ‫ﺘﺼل ﺍﻟﺸﺎﻁﺊ َ ﺒﺎﻟﺸﺎﻁﺊ ِ،‬ ‫ﻭﺘﺨﻴﻁ ﺍﻷﺯﺭﻕ ﺒﺎﻷﺯﺭﻕ ِ،‬ ‫ﹶ‬ ‫ﻭﺍﻟﻠﻴل ﺘﻠ ‪‬ﻨﻪ ﺒﺎﻟﻨﻭﺭ.‬ ‫‪‬‬ ‫ﻭ ‪‬‬ ‫ﻴﺎ ﺍﻤﺭﺃﺓ،‬ ‫ﻜﺎﻟﺤﻭﺭ..‬ ‫ِ‬ ‫ﺍﻟﺒﻠﻠﻭﺭ..‬ ‫ِ‬ ‫ﺘﺩﻭﺭ.‬ ‫‪‬‬ ‫ﺒﻐﻨﺎﺀ ِ ﺍﻟ ‪‬ﺭﺱ ِ ﺍﻟﻤﻨﺫﻭﺭ ،‬ ‫ﻌ‬ ‫ﺇﻟﻲ ﺍﻟﺒﺤﺭ ﺩﻫﻭﺭ.‬ ‫‪‬‬ ‫ِ‬ ‫ﻭﺃﻨﺎ ﺍﻟﻤﺠﻨﻭﻥ ﻫﻭﻱ ً..‬ ‫‪‬‬ ‫ﺍﻵﺴﺭ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺄﺴﻭﺭ.‬ ‫‪‬‬ ‫ﺒﻜﺘﺎﺏ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺍﻟﻤﺴﺘﻭﺭ ِ......‬ ‫ﺴﻁﻭﺭ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻓ ‪‬ﻠﺕ ﺍﻷﺤﻼﻡ ﺸﺭﺍﻋﺎ ً،‬ ‫‪‬‬ ‫ﺼ ﹸ‬ ‫ﻭﺸﻘﻘﺕ ﺍﻟﻤﻭﺝ ﺇﻟﻴﻙ ِ،‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻜﻤﺎ ﺸﻕ ﻨﺤﻭﺭ ﺍﻷﻋﺩﺍﺀ ِ ﺍﻟﺴﻴﻑ ْ.‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻻ ﺘﺴﺄل ﻜﻴﻑ !!!‬ ‫ﹾ‬ ‫ﻟﻭ ﺃ ﱠﺎ ﻨﻌﺭﻑ.. ﺴﺭ ﺍﻟﻁﻘﺱ ِ ،‬ ‫ِ‪‬‬ ‫ﻨ‬ ‫ﺇﺫﺍ ﻤﺎ ﻏﺎﺏ ﺍﻟﻔﺠﺭ !‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻭ ﺃ ﱠﺎ ﻨﻌﺭﻑ..‬ ‫ﻨ‬ ‫ﻜﻴﻑ ﻨﻘﻴﺱ ﺍﻟﻤﻭﺠﺔ َ ،‬ ‫ﻗﺒل ﻨﺯﻭل ﺍﻟﺒﺤﺭ !!‬ ‫‪‬‬ ‫- ١١ -‬
  • 13. ‫ﻟﻭ ﺃ ﱠﺎ...‬ ‫ﻨ‬ ‫ﻟﻭ........‬ ‫ﻤﺎ ﻜﺎﻥ ﺍﻟﻤﺩ ﻴﺨﺎﺼﻤﻨﺎ ،‬ ‫‪‬‬ ‫ﻭﻨﻌﻴﺵ ﺩﻫﻭﺭﺍ ً ،‬ ‫ﻁﻲ ﺍﻟﺠﺯﺭ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻴﺎ ﺍﻤﺭﺃﺘﻲ..‬ ‫ﻴﺎ ﺭﺌﺘﻲ..‬ ‫ﻴﺎ ﻟﺅﻟﺅﺘﻲ..‬ ‫ﺍﻟﺒﺤﺭ ﻋﻤﻴﻕ ُ،‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﺍﻷﻋﺸﺎﺏ ْ.‬ ‫ﻓﻲ ﺼﻤﺕ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺘﺴﺩ ﺍﻟﺒﺎﺏ.‬ ‫‪‬‬ ‫ﻭﺍﻟﻠﺤﻥ ﺍﻟﻌﺎﺼﻑ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻻ ﻴﺘﺠﻠﻰ‬ ‫ﺇﻻ ﻓﻲ ﺭﺩﻫﺎﺕ ِ ﺴﺤﺎﺏ ْ.‬ ‫ﱠ‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َﺍﻟﺒﺤﺭ.‬ ‫ِ‬ ‫ﺍﻟﺯﺒﺩ ﺍﻟﻁﺎﻓﺢ ُﻤﻥ ﺭﻗﺼﺎﺕ ِ ﺍﻟﻤﻭﺝ ِ ،‬ ‫‪‬‬ ‫ﻭﻓﻲ ﺭﻋﺸﺎﺕ ﺍﻟ ‪‬ﺸﺏ ِ،‬ ‫ِ ﻌ‬ ‫ﻭﻓﻭﻕ ﺍﻟﻘﻠﺏ ِ ،‬ ‫ﹶ‬ ‫ﻭﺘﺤﺕ ﺍﻟﻘﻠﺏ ِ،‬ ‫ﹶ‬ ‫ﻴﻬﺯ،‬ ‫‪‬‬ ‫ﻴﺯﻟﺯل ﺠﺫﻉ َﺍﻟﻜﻭﻥ ِ،‬ ‫ُ‬ ‫ﻴﻬﺯ،‬ ‫‪‬‬ ‫ﻴﺸﻭﺵ ﻟﻭﻥ ﺍﻟﻠﻭﻥ ِ،‬ ‫‪ ‬ﹸ ‪‬‬ ‫ﺃﻴﺎ ﺴﻴﺩﺓ َﺍﻟﺒﺤﺭ،‬ ‫ِ‬ ‫ﺃﻨﺎ ،‬ ‫- ٢١ -‬
  • 14. ‫ﻭﺍﻟﻨﻭﺭﺱ ،‬ ‫‪‬‬ ‫ﻨﺤﻠﻡ ﺒﺎﻟﺼﺒﺢ ِﺍﻟﺭﺍﺒﺽ ِ ،‬ ‫ﻓﻲ ﺃﻋﻤﺎﻕ ِ ﺍﻟ ‪‬ﺭﺡ ِ،‬ ‫ﺠ‬ ‫ﺍﻟﺫﺍﺌﺏ ،‬ ‫‪‬‬ ‫ﻓﻲ ﺫﺭﺍﺕ ِ ﺍﻟﻤﻠﺢ ِ،‬ ‫ﺍﻟﻭﺍﻀﺢ،..‬ ‫‪‬‬ ‫ﻤﺜل ﺍﻟﺭﺅﻴﺔ ،‬ ‫ﻓﻭﻕ ﺴﺭﻴﺭ ﺍﻟﻤﻭﺝ ِ..‬ ‫ِ‬ ‫ﹶ‬ ‫- ٣١ -‬
  • 15. ‫ﺃﻴﺎ ﺴﻴﺩﺓ َ ﺍﻟﺒﺤﺭ‬ ‫ِ‬ ‫ﻭﺴﻴﺩﺘﻲ.‬ ‫..................................‬ ‫ﺍﻤﺭﺃﺓ ُ ُ..‬ ‫ﺨﻠﻌﺕ ﻤﻌﻁ ﹶﻬﺎ،‬ ‫ﻔ‬ ‫ﹾ‬ ‫ﻭﺍﻨﺴﻠﺨﺕ ْ ،‬ ‫ﻋﻥ ﺭﻴﺵ ﺍﻟﻌﺘﻤﺔ..،‬ ‫ِ‬ ‫ﻭﺘﺨﱠﺕ ْ..‬ ‫ﻠ‬ ‫ﻋﻥ ﻭﺭﻗﺔ ﺘﻭﺕ ٍ..‬ ‫ﻜﺎﻨﺕ ﺘﺤﺠﺒﻬﺎ ﻓﻲ ﺍﻟﻅل ِ..،‬ ‫ﺘﺨﻁﺕ ..‬ ‫ﹾ‬ ‫ﻜل ﺯﻭﺍﻴﺎ ﺍﻟﻔﻭﻀﻰ ﺍﻟﻤﻜﺘﻅﺔ‬ ‫ﱠ‬ ‫ﺒﺎﻟﺸﺒﻕ ِ ﺍﻟﺠ ‪‬ﺍل ِ،‬ ‫ﻭ‬ ‫ﻭﺃﺸﺒﺎﻩ ِﺍﻟﻀﻭﺀ ِﺍﻟﻨﺎﺭﻱ ﱢ‬ ‫ﺍﻟﻤﺘﺩﺍﻓﻊ ِ ﻨﺤﻭ ﺃﻨﻭﺜﺘﻬﺎ.‬ ‫ﻓﺘﺤﺕ ﻏﺭﻓﺘﻬﺎ،‬ ‫ﹾ‬ ‫ﺃﻟﻘﺕ ‪‬ﺭﻗﺘ ‪‬ﺎ..‬ ‫ﹾﺯ ﻬ‬ ‫ﻓﺎﺸﺘﻌل ﺍﻟﻭﻫﺞ ﺍﻟﻤﺘﺩﻓ ﹸ،‬ ‫ﻕ‬ ‫‪‬‬ ‫ﻭﺘﻭﺭﺩ ﻭﺠﻪ ﺍﻟﺴﺠﺎﺩﺓ ِ‬ ‫‪‬‬ ‫ﺒﻘﻭﺍﻓل ِ ﻏﻴﻡ ٍ‬ ‫ﺘﺴﺘﻨﻁﻕ ﺃﻨﻬﺎﺭ ﺍﻟﺤﻠﻡ ْ.‬ ‫‪‬‬ ‫..................................‬ ‫ﻫﻲ ﺫﻱ ﺘﺭﺍﻨﻴﻡ ﺍﻟﺒﺩﺍﻴﺔ ِ،‬ ‫‪‬‬ ‫ﻓﻲ ﺍﻟﺯﻤﺎﻥ ِ ﺍﻟﻔﺫ ﱢ،‬ ‫ﻓﻲ ﺍﻟﻌﺼﺭ ِ ﺍﻟﺠﺩﻴﺩ ْ.‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫- ٤١ -‬
  • 16. ‫ﻓﻭﻕ ﺃﻨﻑ ِ ﺍﻟﺒﺤﺭ ﺼﺎﺭﻴﺔ ً،‬ ‫ِ‬ ‫ﹶ‬ ‫ﻭﺒﻴﺭﻗﻬﺎ ﻴﺭﻓﺭﻑ،‬ ‫ﹸ‬ ‫ﻤﺎ ﻋﻠﻴﻙ..‬ ‫‪‬‬ ‫ﺴﻭﻱ ﺍﻟﺼﻌﻭﺩ ﺍﻟﻔﺫ ﱢ‬ ‫ﻓﻲ ﺍﻟﺯﻤﻥ ِ ﺍﻟﻌﻨﻴﺩ.‬ ‫‪‬‬ ‫ﺇﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻻ ﻤﺯﻴﺩ .‬ ‫‪‬‬ ‫..................................‬ ‫- ٥١ -‬
  • 17. ‫ﺍﻟﺤﻠﻡ.. ﺼﺎﺭ ﺤﺩﻴﻘﺔ‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻜﺎﻨﺕ ﺘﺠﺎﺫﺒﻨﻲ ﺍﻟﺘﻭﺩﺩ،‬ ‫‪‬‬ ‫ﺃﻭ ﺘﻁﺎﺭﺤﻨﻲ ﺍﻟﺘﻬﺠﺩ،‬ ‫‪‬‬ ‫ﻓﻲ ﺴﻜﻭﻥ ِ ﺍﻟﻤﻭﺝ ِ،‬ ‫ﻨﺒﻨﻲ ﻜﻭﺨﻨﺎ ﺍﻟﺒﺤﺭﻱ،‬ ‫‪‬‬ ‫ﻟﻡ ﺃﺒﺭﺃ ْ ﻤﻥ ﺍﻟﻌﺸﻕ ِ ﺍﻟﻘﺩﻴﻡ ِ،‬ ‫ِ‬ ‫ﻭﻭﺸﻭﺸﺎﺕ ﺍﻟﺭﻤل ِ،‬ ‫ِ‬ ‫ﻭﺍِﺸﻌﺭ ﺍﻟﺤﺯﻴﻥ ِ.‬ ‫ﻟ ِ‬ ‫ﺤﺘﻲ ﻨﻔﺎﻴﺎﺕ ﺍﻟﻤﺭﺍﻜﺏ ِ‬ ‫ﻜﻨﺕ ﺃﺠﻤﻌﻬﺎ،..‬ ‫ﹸ‬ ‫ﻭﺃﺤﻅﻲ ﺒﺎﺒﺘﺴﺎﻤﺎﺕ ﺍﻟﻁﻔﻭﻟﺔ ِ‬ ‫ﻓﻲ ﻗﺼﻭﺭ ِ ﺍﻟﺭﻤل ِ.‬ ‫ﺃﺒﺘﻨﻲ ﻋ ﱠﺎ ً،‬ ‫‪‬ﺸ‬ ‫ﻟﻌﺼﻔﻭﺭﻴﻥ ﻤﺒﺘﻠﻴﻥ،‬ ‫ﻴﺩﻨﻭ ﺼﺎﺤﺒﻲ‬ ‫ﻤﻥ ﺼﺨﺭﺓ ِﺍﻟﻭﺼل ﺍﻟﺘﻲ..‬ ‫ِ‬ ‫ﻋﻨﺩ ﺍﻨﺸﺭﺍﺡ ﺍﻟﺒﻭﺡ،‬ ‫ﺃﻗﺭﺃ ﺴ ‪‬ﻩ ُ..،‬ ‫ِﺭ‬ ‫ﻓﻴﻀﻤﻨﻲ ﻜﻘﺼﻴﺩﺓ ٍ.‬ ‫ﻤﺜﻠﻲ...‬ ‫ﺘﺠﺎﺫﺒﻪ ﺍﻟﺘﻭﺩﺩ،‬ ‫‪‬‬ ‫ﺃﻭ ﺘﻁﺎﺭﺤﻪ ﺍﻟﺘﻬﺠﺩ،‬ ‫‪‬‬ ‫ﻨﻨﺘﻬﻲ ﻨﺼﻔﻴﻥ،‬ ‫ﺘﺭﺒﻁﻨﺎ ﺒﻤﺨﻠﺏ ِ ﺭﻭﺤﻬﺎ.‬ ‫..................................‬ ‫ﻜﺎﻨﺕ ﻜﻤﻴﺩﻭﺯﺍ،..‬ ‫- ٦١ -‬
  • 18. ‫ﺘﺤ ﱢﻁ ﻤلﺀ ﻋﻴﻨﻴﻬﺎ،‬ ‫‪‬‬ ‫ﻨ‬ ‫ﻭﻓﻲ ﺤﺩﻴﻘﺘﻬﺎ ﺍﻟﻔﻭﺍﺭﺱ،‬ ‫ﻜﺎﻟﺘﻤﺎﺜﻴل،‬ ‫ﺍﻟﻬﻴﺎﻜل،..‬ ‫ﻋﻨﺩ ﺒﺎﺏ ِ ﺍﻟﺒﺤﺭ،‬ ‫ِ‬ ‫ﻻ ﺘﺜﺏ ﺍﻟﻔﻭﺍﺭﺱ ﻟﻸﻤﺎﻡ ِ،‬ ‫‪‬‬ ‫ﺍﻟﺨﻭﻑ..‬ ‫ﹸ‬ ‫ﻤﺸﺩﻭﺩ ُ ﻋﻠﻰ ﺃﻗﺩﺍﻤﻬﺎ،‬ ‫‪‬‬ ‫ﻭﺍﻟﺸﻁ ،‬ ‫ﱡ‬ ‫ﻋﻨﻜﺒﻪ ﺍﻟﺯﻤﺎﻥ‬ ‫‪‬‬ ‫ﻫﻨﺎﻙ َ، ﺨﻠﻑ ﺍﻟﺫﻜﺭﺓ ْ.‬ ‫ﻗﺩ ﺃﺩﺭﻜﺘﻬﺎ ﻟﻌﻨﺔ ُ ﺍﻟﻜ ‪‬ﺎﻥ ِ‬ ‫ﹸﻬ‬ ‫ﻓﻲ ﺍﻟﺯﻤﻥ ِ ﺍﻟﻘﺩﻴﻡ.‬ ‫‪‬‬ ‫ﺩﺨﻠﺕ ﺤﺩﻴﻘﺔ َ ﺍﻷﻤﻭﺍﺕ..،‬ ‫ِ‬ ‫ﹸ‬ ‫ﻜﻲ ﺃﺭﻨﻭ ﺇﻟﻰ ﺍﻟﻤﺠﺩ ﺍﻟﺫﻱ،‬ ‫ِ‬ ‫ﻗﺩ ﺘﺎﻩ ﻓﻲ ﻋﺼﺭ ﺍﻷ ﻓﻭل ِ، ﺍﻟﺒﻌﺙ ِ،‬ ‫ِ‬ ‫ﻗﻠﺕ :‬ ‫ﺃﻓ ‪ ‬ﺍﻟﻐﻴﻤﺔ َ ﺍﻟﺠﻴﺭﻴﺔ ،‬ ‫ﹸﻙ‬ ‫ﺍﻟﺼﺨﺭ،‬ ‫ﺍﻟﺭﺨﺎﻡ،‬ ‫ﺍﻟﻤﺭﻤﺭ،‬ ‫ﺍﻟﻌﺎﺝ،ﺍﻟﻤﺤﻨﻁ ﻓﻭﻕ ﺸﻁ ﺍﻟ ِﺤﺭ..‬ ‫ﺴ ِ‬ ‫ﻋﻨﺩ ﺍﻟﺠﻔﻥ ِ،‬ ‫ﺘﺤﺕ ﺭﻤﻭ ِﻬﺎ ﺍﹸﺸ ‪‬ﺎﻙ ِ،‬ ‫ﺸ ﻟ ﺒ‬ ‫ﻭﺍﻟﺸ ‪‬ﻙ ِ،‬ ‫ﹶﺭ‬ ‫ﺍِﺸ ‪‬ﺎﻙ ِ،‬ ‫ﻟ ﺒ‬ ‫ﺠﻤﻴﻠﺔ ُ ُ ! !..‬ ‫- ٧١ -‬
  • 19. ‫ﻟﻜﻨﻬﻡ..‬ ‫ﻟﻡ ﻴﻔﻬﻤﻭﺍ ﺴﺭ ﺍﻟﺒﺴﺎﻁﺔ ِ،‬ ‫ِ‪‬‬ ‫ﻭﺍﻟﺘﻤﺭﺩ ﻓﻲ ﻁﺒﻴﻌﺘﻬﺎ ﺍﻷﻨﻴﻘﺔ..،‬ ‫ﻅ ﱠﻬﺎ ﺍﻟﻔﺭﺴﺎﻥ ﻏﺎﻨﻴﺔ ً،..‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺘﻌﺭﻱ ﺨﺼ ‪‬ﻫﺎ‬ ‫ِ ‪‬ﺭ‬ ‫ﻋﻨﺩ ﺍﻟﺸﻁﻭﻁ ﺍﻟﺒﻜﺭ،..‬ ‫ﺴﺎﺤﺭﺓ ً....،‬ ‫ﺭﺁﻫﺎ ﻤﻌﻅﻡ ﺍﻟﻜﻬﺎﻥ،‬ ‫‪‬‬ ‫ﺘﺯﺭﻉ ﻓﻲ ﺍﻟﺸﻁﻭﻁ ِ ﻁﻼﺴﻤﺎ ً،...‬ ‫ﻟﻡ ﻴﻔﻬﻤﻭﺍ ﺴﺭ ﺍﻷﻨﻭﺜﺔ ِ ،‬ ‫ِ‪‬‬ ‫- ٨١ -‬
  • 20. ‫ﻋﻨﺩ ﻭﺍﻫﺒﺔ ﺍﻟﻐﻼل‬ ‫ﺍﻟﺤ ‪ ،‬ﻜﺎﻥ ﺩﺜﺎ ‪‬ﻫﺎ..‬ ‫ﺭ‬ ‫‪‬ﺏ‬ ‫ﻟﻜﻨﻬﻡ ﺠﺎﺀﻭﺍ ﻴﺴﻭﻗﻭﻥ ﺍﻟﻤﻁﺎﻤﻊ،‬ ‫‪‬‬ ‫ﺠﻭﻋﻬﻡ ﺸﺒﻕ ُ،‬ ‫ﹸ‬ ‫ﻭﻤلﺀ ﺠﻨﻭﻨﻬﻡ ﻨﻬﻡ ُ ،‬ ‫‪‬‬ ‫ﻟﺨﻤﺭ ﺍﻟﺸﺭﻕ ِ ،ﻤﻥ ﺸﻔﺔ ِﺍﻟﻜﺭﻴﺯ،‬ ‫ِ‬ ‫ِ‬ ‫ﺍﻟﻨﺒﻕ ِ،‬ ‫ﻭﺍﻟﺘﻴﻥ ِ ﺍﻟﻤﻌ ﱠﻕ ِ ﻓﻲ ﻗﻭﺍﺭﻴﺭ ِ ﺍﻟﺴﻭﺍﺤل ِ، ﻤﻥ ﺯﻤﺎﻥ ِ ﺍﻟ ِﺤﺭ ِ..‬ ‫ﺴ‬ ‫ﺘ‬ ‫ﻅ ﱡﻭﻫﺎ ﻜﻤﺎ ﻜﺎﻨﺕ ﺠﻭﺍﺭﻴﻬﻡ.. ﺴﺘﺭﻗﺹ،‬ ‫ﻨ‬ ‫ﺜﻡ ﺘﺭﻗﺩ ﺘﺤﺕ ﺤﺩ ﺍﻟﺴﻴﻑ ِ،...‬ ‫‪‬‬ ‫ﻓﺎﻨﺘﺤﺭﻭﺍ.‬ ‫ﺘﺒﻨﺕ ﻤﻨﻬﻡ ﺍﻟﻨﺒﻬﺎﺀ،‬ ‫‪‬‬ ‫ﱠ ﹾ‬ ‫ﺃﻋﻁﺘﻬﻡ ﻤﻔﺎﺘﻴﺢ ﺍﻟﻌﻠﻭﻡ ِ ﺍﻟﺒﻜﺭ، ﻤﻌﺠﺯﺓ َ ﺍﻟﻌﻘﻭل ِ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﻓﻁﻨﺔ َ ﺍﻟﺒﻠﻐﺎﺀ ِ،‬ ‫ﻭﺍﻟﺤﻜﻤﺎﺀ ِ،‬ ‫ﺼﺎﺭﻭﺍ ﻓﺘﻨﺔ ً ﻟﻠﺨﻠﻕ ِ ،‬ ‫ﻭﺍﻨﺘﺸﺭﻭﺍ......‬ ‫ﺃﻀﺎﺀ ﺍﻟﻜﻭﻥ ﻤﻥ ﻗﻠﺏ ِ ﺍﻟﻤﻠﻴﻜﺔ...‬ ‫‪‬‬ ‫ﻜﻌﺒﺔ ِ ﺍﻟﻌﻠﻡ ﺍﻟﻘﺩﻴﻡ ْ.‬ ‫- ٩١ -‬
  • 21. ‫ﻜﺎﻨﺕ ﻜﻤﺎ ﻋ ‪‬ﺍﻓﺔ‬ ‫ﺭ ٍ‬ ‫ﻏﺠﺭ ‪‬ﺔ ٍ..،‬ ‫ﻴ‬ ‫ﻤﻠﻜﺕ ﻤﻔﺎﺘﻴﺢ ﺍﻟﺤﻀﺎﺭﺓ ِ،‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻭﺍﻟﻨﻀﺎﺭﺓ ِ..‬ ‫ﹸﺭﺠﻬﺎ ﺍﻟﻤﻤﻠﻭﺀ ﺒﺎﻷﺴﺭﺍﺭ ِ ،‬ ‫‪‬‬ ‫ﺨ‬ ‫ﻴﻨﺒﺊ ﺃﻨﻬﺎ ﺍﻤﺘﻠﻜﺕ ِﻤﺎﻡ ﺍﻟﻔﻥ ِ،..‬ ‫ﹾﺯ ‪‬‬ ‫ﻭﺍﻀﺠﻌﺕ ﻋﻠﻲ ﻋﺭﺵ ٍ ،‬ ‫ﹾ‬ ‫ﻤﻥ ﺍﻟﻤﻬﺞ ِﺍﻟﺘﻲ ﺫﺍﺒﺕ ﻏﺭﺍﻤﺎ ً...،‬ ‫ﻓﻲ ﺤﻘﻭل ﺍﻟﻤﻌﺠﺯﺍﺕ،..‬ ‫ِ‬ ‫ﺍﻟﻨﺎﺠﺯﺍﺕ..‬ ‫ﻟﻬﺎ ﺘﻘﺎﺯﻤﺕ ﺍﻟﻤﻠﻭﻙ ُ..‬ ‫ﹾ‬ ‫- ﺤﻜﺎﻴﺔ ُ ﺍﻟﻘﺭﻨﻴﻥ،‬ ‫ﻭﺍﻟﻤﻠﻙ ُ ﺍﻟﻤﺘ ‪‬ﺝ‬ ‫ﻭ‪‬‬ ‫ﻤﻥ ﺨﻼل ِ ﺍﻟﺭﺏ ﱢ،‬ ‫ﻭﺍﻟﺤﻠﻡ ﺍﻟﻤﻔ ‪‬ﻉ ﻓﻲ ِﺭﺍﺵ ِ‬ ‫‪ ‬ﺯ‪ ‬ﻓ‬ ‫ﻤﻠﻴﻜﺔ ﺍﻟﻤﻘﺩﻭﻥ.‬ ‫ﻤﺤﺽ ﺤﻜﺎﻴﺔ ٍ،‬ ‫‪‬‬ ‫ﺴﻬﺭﺕ ﻟﺘﺤﻜﻴﻬﺎ ﻤﺴﺎﺀ ﻻﺒﻨﻬﺎ..،‬ ‫‪‬‬ ‫ﻫﺫﺍ ﺍﻟﺫﻱ ﺃﻋﻁﺘﻪ ﻤﻥ ﺃﺴﻤﺎﺌﻬﺎ‬ ‫ﺍﺴﻤﺎ،‬ ‫ﹰ‬ ‫ﻟﻴﺼﺒﺢ ﺒﻌﺩﻩ ﻤﻠﻜﺎ ً‬ ‫‪‬‬ ‫ﻴﺴﻭﺱ ﺍﻟﻜﻭﻥ،‬ ‫‪‬‬ ‫ﺘﺜﺒﻴﺘﺎ ﻟﻤﺎ ﺍﺨﺘﺎﺭﺘﻪ ﻤﻥ ﺃﺴﻤﺎﺌﻬﺎ،‬ ‫ﻜﻴﻤﺎ ﹸﺭﻱ ﺃ ‪‬ﺎ ً‬ ‫ﻤ‬ ‫ﺘ‬ ‫ﻟﻜل ﺴﻭﺍﺤل ﺍﻷﺭﻀﻴﻥ..،‬ ‫ﻤﻭﺍﻻ ًﻴﻐﻨﻲ..‬ ‫- ٠٢ -‬
  • 22. ‫ﻜﻠﻤﺎ ﺫﻜﺭﺕ ﻤﻨﺎﺭﺘﻬﺎ ﺍﻟﺘﻲ‬ ‫ﻀﺎﺀ ﺕ ﺒﻌﻤﻕ ِ ﺍﻟﺠﻬل ِ‬ ‫ﺃﻓﻜﺎﺭ ﺍﻟﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫ﺒ ‪‬ﺭﺱ ٍ ،‬ ‫ﻌ‬ ‫ﻫﻲ ﺍﻟﺘﻲ ﺭﻗﺼﺕ ﻋﻠﻲ ﺃﻨﻐﺎﻡ ِ ﻏﻨﻭﺘﻬﺎ..‬ ‫ﹾ‬ ‫ﻅﻥ ﻜل ﻤﻠﻭﻙ ِﻫﺫﻱ ﺍﻷﺭﺽ‬ ‫‪ُ ‬‬ ‫ﺃﻨﻬﻡ ﺍﻟﻔﻭﺍﺭﺱ..‬ ‫‪‬‬ ‫ﺤﻨﻁﺘﻬﻡ ﻓﻲ ﺤﺩﻴﻘﺘﻬﺎ،..‬ ‫ﺘﻤﺎﺜﻴﻼ ً..‬ ‫ﻫﻴﺎﻜل..‬ ‫َ‬ ‫ﺫﺍﻙ ﺃﻥ ﺍﻟ ‪‬ﺭﺱ،..‬ ‫ﻌ ‪‬‬ ‫‪‬ﺭﺱ ﺍﻟﻨﻭﺭ..‬ ‫ِ‬ ‫ﻋ ‪‬‬ ‫ﻋﺭﺱ ُ ﻟﻠﺤﻴﺎﺓ ْ.‬ ‫‪‬‬ ‫..................................‬ ‫- ١٢ -‬
  • 23. ‫ﻜﺎﻨﺕ ﻜ ‪‬ﻠﺔ ﻤﺎﺭﺩ..‬ ‫ٍ‬ ‫ﺤ‬ ‫ﺼﺩﻓﻴﺔ ٍ..،‬ ‫ﺘﺘﺴﺭﺒل ﺍﻵﻤﺎل ﺩﻑﺀ ﻅﻨﻭﻨﻬﺎ..،‬ ‫‪‬‬ ‫ُ‬ ‫ﻜﺎﻨﺕ ﻋﻠﻲ ﺸﻁ ِ ﺍﻷﻤﺎﻥ ﻏﻼﻟﺔ ً..‬ ‫ﺃﻭ ﺸﻬﻘﺔ ً ﻤﻜﺒﻭﺘﺔ ً..‬ ‫ﺘﻁﻭﻱ ﺤﺩﻭﺩ ﺍﻷﻓﻕ ِ ﻓﻲ ﺠﻨﺒﺎﺘﻬﺎ.‬ ‫‪‬‬ ‫ﺍﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻤﺎ ﻟﻬﺎ ﺍﻨﺘﻔﻀﺕ..‬ ‫ﹾ‬ ‫ﻴﺨ ‪‬ﺒﻬﺎ ﺍﻟﺘﻭﻟﻪ ﻤﻥ ﺠﺩﻴﺩ ٍ..‬ ‫ﺼ‬ ‫ﺨ ‪‬ﺒﺕ ﺸﺠﺭ ﺍﻟﻐﻨﺎﺀ ِ،..‬ ‫‪‬‬ ‫ﺼ ﹾ‬ ‫ﺭﺃﺘﻪ ﻴﺤﺘﻤل ﺍﻟﻔﺼﻭل ﺠﻤﻴ ‪‬ﻬﺎ..‬ ‫َ ﻌ‬ ‫ﻭﺇﺫﻥ..‬ ‫‪‬‬ ‫ﺴﻴﻨﻘﺸﻊ ﺍﻟﻤﺩﻱ...،‬ ‫ﻭﺍﻟﺒﺤﺭ ﻴﻐﺩﻭ ﻋﺎﺸﻘﺎ ً،‬ ‫‪‬‬ ‫ﺃﻭ ﻓﺎﺭﺴﺎ ً،‬ ‫ﻴﺜﺏ ﺍﻟﺤﺼﺎﻥ ﻤﺠ ‪‬ﺩﺍ..‬ ‫‪ ‬ﺩﹰ‬ ‫ﻭﻴﻔﺽ ﺃﺴﺭﺍﺭ ﺍﻟﻤﺩﻱ..‬ ‫‪‬‬ ‫ﻓﺎﻟﻤﻨﺘﺩﻱ..‬ ‫‪‬ﺭﺱ ُ ُ..‬ ‫ﻋ‬ ‫ﻋﺭﻭﺱ ُﺍﻟﺒﺤﺭ ‪‬ﻓﺕ ْﻤﻥ ﺠﺩﻴﺩ‬ ‫ٍ‬ ‫ِﺯ‬ ‫ﻟﻠﺯﻤﺎﻥ ﻤﻠﻴﻜﺔ ً.....‬ ‫ﻫﻴﺎ ﺍﻗﺼﺩﻭﺍ ﻋﺭﺵ ﺍﻟﻤﻠﻴﻜﺔ ِ..‬ ‫ﹶ‬ ‫ﻗﻴﺩﻭﺍ ﺃﺴﻤﺎ َﻜﻡ ﺒﺴﻤﺎ ِﻬﺎ..‬ ‫ﺌ‬ ‫ﺌ ‪‬‬ ‫ﻓﺎﻟﺤﻠﻡ ُ..‬ ‫ﺼﺎﺭ..‬ ‫‪‬‬ ‫ﺤﺩﻴﻘﺔ.‬ ‫- ٢٢ -‬
  • 24. ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻯ..‬ ‫ﻨﺎﻴﺎ ً‬ ‫ﺘﻌﺎﻨﻘﻪ ﺸﻔﺎﺓ ُ ﺍﻟﺒﻌﺙ ِ،‬ ‫ﻴﺭﻗﺹ ﺒﻴﻥ ﻋﻴﻨﻴﻙ ﺍﻟﺤﻨﻴﻥ‬ ‫‪‬‬ ‫ﺇﻟﻲ ﺍﻟﻤﻨﺎﺭﺓ ..‬ ‫- ﻗﻠﻌﺔ ﺍﻟﻌﻠﻡ ﺍﻟﻘﺩﻴﻡ –‬ ‫ﻭﻁﺎﻟﻤﺎ..‬ ‫ﻜﺎﻥ ﺍﻟﻔﺅﺍﺩ ﻴﻀﻤﻬﺎ..‬ ‫ﻭﺘﻀﻤﻪ‬ ‫ﻓﻲ ﻗﺒﻀﺔ ِﺍﻟﺯﻤﻥ ﺍﻟﻤﻠﻭل.‬ ‫ْ‬ ‫..................................‬ ‫ﺃﺼﺒﺤﺕ ﻴﺎ ﻤﺭﺴﻲ ﺍﻟﺭﺅﻱ..‬ ‫ﻭﺘﺭﺍ ً..‬ ‫ﺘﻬﺩﻫﺩﻩ ﺍﻷﻨﺎﻤل ‪‬ﺭﺓ ًﺃﺨﺭﻱ‬ ‫ُﻤ‬ ‫ﻋﻴﻭﻥ ﺍﻟﻌﺎﻟﻡ ِﺍﺘﺠﻬﺕ ﺍﻟﻴﻙ ِ،..‬ ‫‪‬‬ ‫ﺍﻟﺤﻠﻡ..‬ ‫‪‬‬ ‫ﺼﺎﺭ..‬ ‫‪‬‬ ‫ﺤﺩﻴﻘﺔ.‬ ‫ﹰ‬ ‫..................................‬ ‫ﻫﺎ ﺃﻨﺕ ِ ﻗﻤﺕ ﺍﻵﻥ َ،‬ ‫ﻓﺠﺭﺕ ِ ﺍﻟﺭﺅﻱ؛‬ ‫ﻭﺘﻔﺠﺭﺕ‬ ‫ﹾ‬ ‫ﻤﻥ ﺭ ِﻠﻙ ﺍﻟﺼﺩﻓﻲ ﺃﻨﻬﺎﺭ ُ .‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭﺘﺨﻀﺭ ﺍﻟﻤﻨﺎﻓﻲ..‬ ‫ﺤﻴﻥ ﻴﺩﻨﻭ ﺍﻟﻤﻭﺝ ﻤﻥ ﻗﺩﻤﻴﻙ ِ،‬ ‫‪‬‬ ‫ﺘﻨﺘﻔﻀﻴﻥ ﺸﻼﻻ ً‬ ‫ﻭﻓﻭﻕ ﹶﻌﺭ ﺍﻟﻠﻴل.‬ ‫ﺸ ِ‬ ‫ﻤﻥ ﺍﻟﺭﺅﻴﺎ ﻋﻠﻲ ﻜﺘﻑ ِ ﺍﻟﻨﻬﺎﺭ ِ ،‬ ‫- ٣٢ -‬
  • 25. ‫ﻴﺎ ﺜﻐﺭﺍ ﺘﺠﺎﺫﺒﻪ ﺍﻷﻤﺎﻨﻲ‬ ‫ﹰ‬ ‫ﺒﺎﻨﻌﺘﺎﻕ ﺍﻟﺭﻭﺡ ﻤﻥ ﺴﺠﻥ ﺍﻟﺭﺘﺎﺒﺔ..‬ ‫ﻗﺒﻠﺔ ً ﻟﻠﺒﻌﺙ ِ....‬ ‫ﺘﺼﺤﻭ ﺍﺴﻜﻨﺩﺭﻴﺔ ُ‬ ‫- ‪‬ﺭﺓ ﺃﺨﺭﻱ –‬ ‫ﻤ‬ ‫ﻟﺘﺠﻠﺱ ﻓﻭﻕ ﻋﺭﺵ ِ ﺍﻟﻤﺎﺀ‬ ‫‪ ‬ﹶ‬ ‫ﺴﻴﺩﺓ ً‬ ‫- ﻜﻤﺎ ﻜﺎﻨﺕ –‬ ‫ﻭﻴﺴﻌﻲ ﺤﻭﻟﻬﺎ ﺍﻟﻌﺸﺎﻕ ُ،‬ ‫ﻭﺍﻟﺸﻌﺭﺍﺀ ُﻫﺭﻭﻟﺔ..‬ ‫ً‬ ‫ﻭﻻ ﻴﺘﺸﻜﻜﻭﻥ.‬ ‫- ٤٢ -‬
  • 26. ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ..،‬ ‫ِ‬ ‫‪‬‬ ‫ِ‬ ‫ﺘﺴﻌﻲ ﺍﻷﻨﺎﺸﻴﺩ ُ،‬ ‫ﺘﻨﻘﺵ ﺃﻨﻐﺎ ‪‬ﻬﺎ ﺒﺎﻟﻨﺩﻱ،‬ ‫ﻤ‬ ‫ﻭﺍﻟﺭﺫﺍﺫ ِ..،‬ ‫ﺃﺤﺒﻙ، ﻴﺎ ﺇﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﺃﺤﻤل ﺤﺒﻙ ﺒﻴﻥ ﻀﻠﻭﻋﻲ..‬ ‫ﻤﺄﺩﺒﺔ ﺩﺍﺌﻤﺔ ْ‬ ‫..................................‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻤﺘﺴﻊ ُ ﻟﻠﻨﻭﺍﺭﺱ ِ..،‬ ‫‪‬‬ ‫ِ‬ ‫ﺼﻔﺤﺔ ُ ﺍﻟﻤﺎﺀ ِ ﺃﻓﻕ ُ ،‬ ‫ﹸ‬ ‫ﺃﻡ ﺍﻟﺒﺤﺭ ِﺴﺭ ُ ﺒﺤﺠﻡ ِ ﺍﻟﺭﺅﻯ،‬ ‫‪ ‬‬ ‫ﻭﺃﺘﺴﺎﻉ ﺍﻟﻤﺩﻯ !!‬ ‫ﻭﺍﻟﻨﺩﻯ..،‬ ‫ﺘﺒﺎﺭﻴﺢ ﺤﻠﻡ ﺍﻟﻁﻔﻭﻟﺔ ﻓﻲ ﺍﻟﻐﻴﺏ..؟‬ ‫ِ‬ ‫‪‬‬ ‫ﺼﻭﺕ ﺍﻟﻤﻠﻴﻜﺔ ،‬ ‫ﹸ‬ ‫ﻓﻲ ﺴﺭ ﻤﻤﻠﻜﺔ ﺍﻟﺒﺤﺭ،‬ ‫ِ‪‬‬ ‫ﻴﻤﻠﻲ ﻋﻠﻴﻨﺎ ﺍﻷﻨﺎﺸﻴﺩ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻭﻗﺕ ﻨﺭﺠﺴﺔ ُ ُ ..،‬ ‫ﹸ‬ ‫ﺴﻴﻜﻭﻥ ﻟﺩﻴﻨﺎ ﺍﻟﺒﺭﺍﻕ،..‬ ‫ﹸ‬ ‫ﻨﺠﻭﺏ ﺍﻟﻤﻤﺎﻟﻙ ﻓﻲ ﻟﺤﻅﺔ ٍ،‬ ‫‪‬‬ ‫ﻭﻨﺴﺒﺭ ﺃﻏﻭﺍ ‪‬ﻫﺎ ﺍﻟﻤﺒﻬﻤﺔ ْ.‬ ‫ﺭ‬ ‫ﺃﺤﺒﻙ ، ﻴﺎ ﺍﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﺴﻴﺩﺓ ﻟﻠﻤﻴﺎﻩ..‬ ‫ﻤﻭﺍﺠﻴﺩ ﻋﺸﻘﻙ ﻁﺎﻓﻴﺔ ً‬ ‫‪‬‬ ‫ﻓﻭﻕ ﻭﺠﻪ ِ ﺍﻟﺴﻤﺎﺀ ِ.‬ ‫ﹶ‬ ‫ﺃﻨﺎ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫- ٥٢ -‬
  • 27. ‫ﻤﻌﺠﺯﺓ ُ ﺍﻟﺨﻠﻕ ِ،‬ ‫ﺒﻁﻥ ﺍﻟﻭﻻﺩﺓ ِ،‬ ‫‪‬‬ ‫ﻭﺍﻵﻴﺔ ُ ﺍﻟﺨﺎﺘﻤﺔ ْ‬ ‫ﺃﻨﺎ ﺍﻟﺒﺤﺭ..‬ ‫‪‬‬ ‫ﺃﺼل ﺍﻟﻭﺠﻭﺩ ِ..‬ ‫ُ‬ ‫ﻭﻤﻌﻨﻰ ﺍﻟﻨﺸﻴﺩ ِ..‬ ‫ﻭﺒﺩﺀ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻤ ‪‬ﻤﺦ ﺒﺎِﺴﺭ،‬ ‫ﻟ ‪‬‬ ‫ﻀ‬ ‫‪‬‬ ‫ﺴﺠﺎﺩﺓ ُ ﺍﻟﻭﺼل ِ..‬ ‫ﻭﺍﻟﻤﺩ.. ﻭﺍﻟﺠﺯﺭ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺸﺭﻴﺎﻥ ﺒﻬﺠ ِﻙ ِ ﺍﻟﻤﺅﻟﻤﺔ ْ.‬ ‫‪ ‬ﺘ‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ُ ﻓﻲ ﺍﻟﻘﻠﺏ ِ..‬ ‫ﻭﺍﻟﻘﻠﺏ ُ ﻟﻠﺒﺤﺭ..‬ ‫ِ‬ ‫ﻭﺍﻟﺒﺤﺭ،..‬ ‫‪‬‬ ‫ﻴﻨﺸﻕ ﻋﻥ ﻤﺎﺭﺩ ٍ،‬ ‫ﺸ ﱠﻪ ﺍﻟﺘﻭﻕ ﻟﻠﺒﻌﺙ ِ،‬ ‫ﹸ‬ ‫ﻔ‬ ‫ﻭﺍﺴﻜﻨﺩﺭﻴﺔ ُ،..‬ ‫ﺘﺭﺘﺞ ُ..‬ ‫ﺘﺤﺘﺞ..‬ ‫‪‬‬ ‫ﻤﺜل ﻋﺠﻭﺯ ٍ ، ﺘﺠ ‪‬ﻊ ﻓﻭﻕ ﻋﺼﺎﻩ،..‬ ‫ﻤ‬ ‫ﺘﻜﺄﻜﺄ ﻓﻭﻕ ﺘﻐ ِﻨﻪ،‬ ‫ﻀ ِ‬ ‫ْ‬ ‫ﻭﺍﻟﻌﺼﺎ ﻭﺍﻗﻔﺔ.‬ ‫..................................‬ ‫- ٦٢ -‬
  • 28. ‫ﺍﻟﺤﺒﻴﺒﺔ ﻓﻲ ﺍﻟﻘﻠﺏ..‬ ‫ِ‬ ‫ﻭﺍﻟﻘﻠﺏ ﻟﻠﺒﺤﺭ،..‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤ ‪..،‬‬ ‫ﺭ‬ ‫ﻤﻨﺘﺼﺏ ُ ﻓﻲ ﺍﻟﻌﺭﻭﻕ ِ،‬ ‫‪‬‬ ‫ﻭﺼﻭﺕ ﺍﻟﻤﻴﺎﻩ‬ ‫ﹸ‬ ‫ﻴﻘﻌﻘﻊ ﻓﻲ ُﺼﻔﺭﺓ ِ ﺍﻟ ‪‬ﻤﺭ ِ،‬ ‫ﻌ‬ ‫ﻭﺍﻟﻌﻤﺭ،...‬ ‫‪‬‬ ‫ﻴﺭﻨﻭ ﺇﻟﻰ ﺍﻟﺴﻔﻥ ِ ﺍﻟﻭﺭﻗﻴﺔ ِ‬ ‫ﻓﻲ ﺍﻟﺭﻴﺢ ِ،ﻋﻨﺩ ﺍﻟﻐﺭﻭﺏ ِ،..‬ ‫ﻭﻗﺒل ﺍﻟﻠﻘﺎﺀ ِﺍﻟ ‪‬ﺜﻴﺭ،..‬ ‫ﻤ ِ‬ ‫َ‬ ‫ﻭﺘﺤﺕ ﺍﻟﺭﺅﻱ ﺍﻟﺨﺎﺌﻔﺔ ْ.‬ ‫ﹶ‬ ‫..................................‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ُ ﻓﻲ ﺍﻟﻘﻠﺏ ِ،..‬ ‫ﻭﺍﻟﻘﻠﺏ ﻟﻠﺒﺤﺭ،...‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ،..‬ ‫‪‬‬ ‫ﻴﺩﻓﻊ ﻤﺎﺀ ﺍﻟﺘﺭﺍﺌﺏ ِ ﻟﻠ ‪‬ﻠﺏ ِ،..‬ ‫ﺼ‬ ‫‪‬‬ ‫ﻴﺴﻜﺏ ﺃﺤﻼﻤﻪ ،‬ ‫ﻓﻭﻕ ﺃﻋﺫﺍﻕ ﺘﻠﻙ ﺍﻟﺯﻭﺍﺭﻕ‬ ‫ﻓﻲ ﺍﻟﻤﻭﺠﺔ ِ ﺍﻟﺭﺍﺠﻔﺔ ْ.‬ ‫..................................‬ ‫ﺍﻟﺤﺒﻴﺒﺔ ُ ﻓﻲ ﺍﻟﻘﻠﺏ ِ،..‬ ‫ﻭﺍﻟﻘﻠﺏ ﻟﻠﺒﺤﺭ،...‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ،..‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﺸﻌﺸﻊ ﺃﺸﻭﺍﻗﻪ ﺍﻟﺴﺎﺤﻠﻴﺔ ُ..‬ ‫ﹸ‪‬‬ ‫ﺃﺤﻜﻲ ﻟﻪ..‬ ‫ﻋﻥ ﻗﺼﻭﺭ ﺍﻟﻁﻔﻭﻟﺔ ﻓﻲ ﺍﻟﺭﻤل ِ،‬ ‫ِ‬ ‫- ٧٢ -‬
  • 29. ‫ﻋﻥ ﺭﻗﺼﺔ ِ ﺍﻟﻤﻭﺝ ِ،‬ ‫ﻋﻥ ﻤﺎﺭﺩ ٍ ﺸ ﱠﻪ ﺍﻟﺘﻭﻕ ﻟﻠﺒﻌﺙ ِ‬ ‫ﹸ‬ ‫ﻔ‪‬‬ ‫ﺩﻗﺕ ﻋﻠﻰ ﺍﻟﻘﻠﺏ ِ ﺘﻐﺭﻴﺩﺓ ُ..‬ ‫ﹸ‬ ‫ﺜﻡ ﺫﺍﺒﺕ ﻤﻊ ﺍﻟﻤﻠﺢ ِ،‬ ‫ﹾ‬ ‫ﻓﻲ ﺍﻟﻁﺭﻕ ﺍﻟﻠﻭﻟﺒﻴﺔ،..‬ ‫ﻓﺎﻟﻘﻠﺏ ،‬ ‫ﺘﺸﻭﻴﻪ ﻨﺎﺭ ﺍﻟﻀﻴﺎﻉ.‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺎﺭﺩ ،‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ﻴﺘﻤﻁﻰ ﺒﺫﺍﻜﺭﺓ ِ ﺍﻟﺒﺤﺭ..‬ ‫ِ‬ ‫ﻤﺎﺫﺍ ﺘﺭﺠﻲ؟!‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ُ ﺒﺤﺎﺭﺓ ُ ُ..،‬ ‫ﻭﺍﻟﺴﻔﺎﺌﻥ ﺠﺎﻫﺯﺓ..،‬ ‫‪‬‬ ‫ﻭﺍﻟﺯﻤﺎﻥ ،‬ ‫‪‬‬ ‫ﺯﻤﺎﻥ ﺍﻟﺘﻔﺠﺭ ﻤﻥ ﻤﻭﺠﺔ ِﺍﻟﺒﻌﺙ ِ،‬ ‫‪‬‬ ‫ﺃﻭ ﺯﻓﺭﺍﺕ ﺍﻷﻓﻭل ِ..،‬ ‫ﻓﻬﻴﺎ ﺍﻨﻁﻠﻕ ْ.‬ ‫..................................‬ ‫- ٨٢ -‬
  • 30. ‫ﺍﻟﻤﺩﻴﻨﺔ ﻨﺩﺍﻫﺔ..‬ ‫ﺘﺴﺘﺩﻴﺭ ﻋﻠﻰ ﺼﻴﺩﻫﺎ ﻜل ﻴﻭﻡ..‬ ‫ﺃﺭﻱ ﻟﻤﺴﺔ ﺍﻟﻌﺸﻕ‬ ‫ﻤﻨﻘﻭﺸﺔ ﻓﻲ ﺍﻟﺤﻭﺍﺌﻁ..،‬ ‫ﺤﻭل ﺍﻟﺸﻁﻭﻁ..،‬ ‫ﻭﻓﻲ ﻓﺘﺤﺎﺕ ﺍﻟﻨﻭﺍﻓﺫ،..‬ ‫ﺃﺒﺨﺭﺓ ﺍﻟﻤﻭﺝ..،‬ ‫ﺃﺠﻨﺤﺔ ﺍﻟﻔﻠﻙ،..‬ ‫ﺃﻭ ﺭﺩﻫﺎﺕ ﺍﻟﺒﺭﺍﺡ ﺍﻟﻔﺴﻴﺢ‬ ‫ﻤﻊ ﺍﻟﻨﺴﻤﺔ ﺍﻟﺒﺎﺭﺩﺓ.‬ ‫..................................‬ ‫ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ﺘﻌﻠﻙ ﺨﻁﻭﺍﺘﻨﺎ ﻓﻲ ﺍﻟﺼﺒﺎﺡ..‬ ‫ﻓﻨﺴﻜﻥ ﺠﻠﺩ ﺍﻟﺸﻭﻁﺊ..،‬ ‫ﻨﻌﺼﺭ ﻴﻭﺩﺍ..،‬ ‫ﻭﻨﺸﺭﺏ ﻨﺨﺏ ﺍﻟﻤﺩﻱ ،‬ ‫ﺍﻷﺭﻤﺩﺍ..‬ ‫ﻓﻲ ﺼﺩﻯ ﺍﻟﻠﺤﻅﺔ ﺍﻟﺸﺎﺭﺩﺓ.‬ ‫..................................‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ُ ﻨ ‪‬ﺍﻫﺔ ُ ُ..‬ ‫ﺩ‬ ‫ﺇﻥ ﻁﻴﺭﻱ‬ ‫ﻴﺩﻭﺭ ﻤﻊ ﺍﻟﺭﻴﺢ ﺩﻭﺭﺘﻪ..،‬ ‫ﺒﺎﺤﺜﺎ ً ﻋﻥ ﻨﺠﻴﻤﺎﺕ ِﻋﺸﻕ ٍ ، ﻴﺨﺎﺼﺭﻫﺎ ﻓﻲ ﺍﻟﺼﺒﺎﺡ ِ؛‬ ‫ﻴﺭﺍﻗﺼﻬﺎ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ِ،‬ ‫ﻭﻴﻠﻘﻲ ﺒﺄﺘﺭﺍ ِﻪ ِ ﺤﻭﻟﻬﺎ ،‬ ‫ﺤ‬ ‫ﻤﺴﺘﻅﻼ ً ﺒﻸﻻﺌﻬﺎ،‬ ‫- ٩٢ -‬
  • 31. ‫ﻻﺌﺫﺍ ً ﺒﺎﻟﺭﻤﺎل ِ،‬ ‫ﻭﺭﺍﺌﺤﺔ ِﺍﻟﻴﻭﺩ ِ......؛‬ ‫ﻟﻜﻥ ﻗﻠﺒﻲ ﻴﻌﻭﺩ ﺒﺤﺯﻤﺔ ِ ‪‬ﺸﺏ ٍ،‬ ‫ﻋ‬ ‫ﺘﺼ ﱢﺭ ﻓﻴﻬﺎ ﺍﻟﺭﻴﺎﺡ ُ،‬ ‫ﻔ‪‬‬ ‫ﻭﺃﺘﺭﺒﺔ ٍ ﺍﻷﻋﺼﺭ ِ ﺍﻟﺒﺎﺌﺩﺓ ْ.‬ ‫ﺍ ﱠﻪ ﻴﺘﻤﻁﻲ ﻤﻊ ﺍﻟﻨﻭﺭﺴﺎﺕ ِ‬ ‫ﻨ‪‬‬ ‫ﻋﻠﻲ ﺼﻔﺤﺔ ِ ﺍﻟﻤﺎﺀ ِ ،‬ ‫ﻴﻐﻤﺱ ﻓﻴﻬﺎ ﻤﻨﺎﻗﻴﺭﻩ ﺍﻟﻬﺎﻤﺩﺓ ْ.‬ ‫‪‬‬ ‫ﻴﺘﻭﺍﺼل ﺒﺎﻟﺼﺨﺭ،‬ ‫ِ‬ ‫ﻭﺍﻟ ‪‬ﺸﺏ ِ..؛‬ ‫ﻌ‬ ‫ﻴﻠﻘﻲ ﺒﺄﺘﺭﺍﺤﻪ ﻋﻠﻲ ﺠﺒﻬﺔ ﺍﻟﺒﺤﺭ،‬ ‫ِ‬ ‫ِ‬ ‫ِِ‬ ‫ﻴﺸﺭﺏ ﻗﻁﺭﺓ ﻁل،‬ ‫ﻴﺩﺍﻋﺏ ﻗﻭﻗﻌﺔ ً،‬ ‫ﻴﺴﺘﻨﻁﻕ ﺍﻟﺼﺩﻓﺎﺕ ِ‬ ‫ﺍﻟﻤﻠﻴﺌﺔ َ ﺒﺎﻟﺒﻭﺡ،‬ ‫ِ‬ ‫ﻋﻥ ﻨﺠﻤﺔ ٍ...‬ ‫ﺘﺩﺍﻋﺏ ﻓﻲ ﺍﻷﻓﻕ ِ ﻨﺠﻤﺎ ً،‬ ‫ﻋﻠﻲ ﻤﻭﺠﺔ ِ ﺍﻟﻔﻁﻨﺔ ﺍﻟﻌﺎﺌﺩﺓ ْ.‬ ‫ِ‬ ‫..................................‬ ‫ﺍﻟﻤﺩﻴﻨﺔ ُ ﻨ ‪‬ﺍﻫﺔ ُ ُ..‬ ‫ﺩ‬ ‫ﻭﺍﻟﺯﻤﺎﻥ..‬ ‫‪‬‬ ‫ﺯﻤﺎﻥ ﺍﻟﺘﻤﻨﻁﻕ ﺒﺎِﻌﻠﻡ ِ..؛‬ ‫ﻟ‬ ‫‪‬‬ ‫ﻭﺍﻟ ِﻠﻡ ُ..‬ ‫ﻌ‬ ‫ﻴﻨﻘﺵ ﻓﻲ ﺃﻋﻴﻥ ﺍﻟﻌﺎﺌﺩﻴﻥ ﺘﻌﺎﻭﻴﺫﻩ‬ ‫ﹶ‪‬‬ ‫ِ‬ ‫ﻴﺴﺘﺒﻴﻬﻡ ﺒﺄﺴﻁﻭﺭﺓ ٍ ﺨﺎﻟﺩﺓ ْ.‬ ‫ﺤﻔﺭﺘﻬﺎ ﺍﻟﻤﺩﻴﻨﺔ ُ‬ ‫ﻓﻲ ﺠﺒﻬﺔ ِﺍﻟﻌﺎﻟﻤﻴﻥ ،‬ ‫- ٠٣ -‬
  • 32. ‫ﻓﻅﻠﻭﺍ ﻴﻔﻜﻭﻥ ﺃﺴﺭﺍ ‪‬ﻫﺎ؛..‬ ‫ﺭ‬ ‫ﻴﻘﺭﺃ ﻭﻥ ﻜﺘﺎﺏ ﺍﻟﻤﻨﺎﺭﺓ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﻜ ‪‬ﺓ ﺍﻟﻀﻭﺀ ِ..‬ ‫ﻭ‬ ‫ﺤﺘﻲ ﺘﻌﻭﺩ ﺍﻷﺸﻌﺔ ُ ﻤﺜل ﺍﻟﺒﺴﺎﻁ ِ‬ ‫ﻷﻗﺩﺍﻤﻬﺎ ﺍﻟﺴﻴﺩﺓ ْ.‬ ‫..................................‬ ‫- ١٣ -‬
  • 33. ‫ﺁﻩ.. ﻴﺎ ﻋﺎﺠﻴﺔ َﺍﻷﺤﺯﺍﻥ‬ ‫ِ‬ ‫ِ‬ ‫‪‬ﺭ ‪‬ﻙ ِ ﻁﺎﻟﻊ ُ ﻜﺎﻟﻭﻫﺞ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋ ﺴ‬ ‫ﻫﺫﺍ ﻫﻭ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫ﻴﻌﺭﻑ ﺃﻨﻲ‬ ‫ﺴﺄﻁﻠﻊ ﻓﻲ ﻁﻤﻭﺡ ِ ﺍﻟﻤﺩ..........‬ ‫‪‬‬ ‫ﺃﻨﺕ ِ ﺠﻤﻴﻠﺔ ُ ُ ،‬ ‫ﻜﺎﻟﺒﺭﻋﻡ ِ ﺍﻟﻤﺸﺘﺩ ِ‬ ‫ﻭﻗﺕ ﺍﻟﺒﺭﺩ ِ.‬ ‫ﹶ‬ ‫ﺨﺎﺭﺠﺔ ًﻤﻥ ﺍﻹﺭﻫﺎﺹ ِ؛..‬ ‫ﻴﺠﺒﺭﻙ ﺍﻟﻤﻠﻭﻙ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺍﺭﺘﺩﺍﺀ ﺍﻟﺯﻫﻭ ،‬ ‫ِ‬ ‫ﻭﺍﻟﻠﻬﻭ ﺍﻟﻤﺠ ﱠﺢ ِ.‬ ‫ﻨ‬ ‫ِ‬ ‫ﺇﻥ ﻟﻲ ﻭﻗﺕ ﺍﻟﺘﺼﻌﻠﻕ ِ،‬ ‫ﹶ‬ ‫ﻭﺍﺭﺘﺩﺍﺀ ﺍﻟﻌﺸﻕ ِ..؛‬ ‫‪‬‬ ‫ﺼﺤﻭﺓ َ ﺸﺎﻋﺭ ٍ ﻴﻠﺘﺎﻉ ُ.‬ ‫ﺼﺩ ‪‬ﻙ ﻤﺎﺌﺞ ُ ..‬ ‫‪‬‬ ‫ﺭ‬ ‫ﻟﻜﻨﻨﻲ ﺍﻟﻘﺭﺼﺎﻥ‬ ‫‪‬‬ ‫ﺃﻋﺭﻓﻬﻡ..‬ ‫ﻭﺃﻋﺭﻑ ﻜﻴﻑ ﺃﺤﺒﺴﻬﻡ‬ ‫ﺇﺫﺍ ﺼﺎﺭﻭﺍ ﻜﺤﻴﺘﺎﻥ ٍ..‬ ‫ﻓﺸﺼﻲ ﺼﺎﺌﺩ ﺍﻟﺤﻴﺘﺎﻥ َ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻐﻴﻼﻥ ،‬ ‫‪‬‬ ‫- ٢٣ -‬
  • 34. ‫ﻴﺎ ﺃﺒﻨﻭﺴﺔ َﺍﻷﺤﺯﺍﻥ..‬ ‫ِ‬ ‫ﺒﻴﻨﻙ،‬ ‫ﻭﺍﻟﻨﺩﻱ،‬ ‫ﻭﺒﻴﺎﺽ ِ ﹶﻌﺭ ﺍِﺸﻌﺭ ،‬ ‫ﺸ ِ ﻟ ِ‬ ‫‪‬ﺭﺱ ُ ﺃﺴﻤﺭ ُ ...‬ ‫‪‬‬ ‫ﻋ ‪‬‬ ‫ﻫل ﺘﺴﻤﻌﻴﻥ ﺍﻟﻤﻭﺝ؟‬ ‫‪‬‬ ‫ﺼﺩﺭﻙ ﻤﺎﺌﺞ ُ ُ، ﻴﺭﺘﺞ ُ...‬ ‫‪‬‬ ‫ﺃﺴﻤﻌﻪ..‬ ‫ﻭﺃﺴﻤﻊ ﻤﺎ ﻭﺭﺍﺀ ﺍﻷﻓﻕ ِ‬ ‫‪‬‬ ‫‪‬ﺭ ‪‬ﻙ ِ ﻁﺎﻟﻊ ُ ﻜﺎﻟﻭﻫﺞ ِ...‬ ‫‪‬‬ ‫ﻋ ﺴ‬ ‫ﻓﺎﺒﺘﺴﻤﻲ.‬ ‫..................................‬ ‫- ٣٣ -‬
  • 35. ‫ﻟﻠﺭﻗﺹ ِ ﺍﻟﻤﻐﺎﻴﺭ‬ ‫ِ‬ ‫ﻓﻭﻕ ﻭﺠﻪ ﺍﻟﺭﻤل ِ،‬ ‫ﺘﺩﻋﻭﻨﻲ..،‬ ‫ﻓﺄﺭﻗﺹ..،‬ ‫‪‬‬ ‫ﻻﺯﺭﻗﺎﻕ ﺍﻟﺒﺤ ِ،‬ ‫ﺭ‬ ‫ﺃﺩﺨل..،‬ ‫ُ‬ ‫ﺠﺫ ‪‬ﻬﺎ ﺍﻟﻤﻤﺘﺩ ﻤﺜل ﺍﻷﻓﻕ ِ،‬ ‫‪‬‬ ‫ﻋ‬ ‫ﻴﻐﺭﻴﻨﻲ ﻓﺄﻏﻔﻭ..،‬ ‫ﺜﻡ ﺃﺼﺤﻭ..،‬ ‫ﺜﻡ ﺃﻫﻔﻭ..،‬ ‫ﻴﺎ ﺼﺒﺎﺡ ﺭﻭﺍﺌﺢ ِ ﺍﻟﺘﻔﺎﺡ ِ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺎﻨﺠﻭ..،‬ ‫ﻁﺒﻭل ﺍﻟﺼﻴﺩ ِ ﺘﻁﻠﺒﻨﻲ،..‬ ‫ُ‬ ‫ﻭﺒﺴﻤﺘﻙ ِ ﺍﻟﻌﺠﻴﺒﺔ ُ ﻓﻲ ﺍﻟﺸﺘﺎﺀ ِ ،‬ ‫ﺤﺩﻴﻘﺔ ُ ُ،‬ ‫ﻤﺯﻫﻭﺓ ُﻓﻲ ﻋﻁﺭﻫﺎ ﺍﻟﻤﺭﺠﺎﻥ..،‬ ‫ﺃﻱ ﺠﻤﻴﻠﺔ ٍ ﺃﻨﺕ ِ؟!!‬ ‫‪‬‬ ‫ﺫﺭﺍﻉ ﺍﻟﻨﻴل ِ ﺘﻤﺘﺩ،..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻋﻨﺩ ﺍﻟﻘﻠﺏ ِ ﺘﺤﺘ ‪..،‬‬ ‫ﺩ‬ ‫ﻓﺄﻱ ﻟﺫﻴﺫﺓ ﺃﻨﺕ ِ؟!!‬ ‫‪‬‬ ‫ﻫﺫﺍ ﺍﺸﺘﻬﺎﺌﻲ ﺠﺎﻤﺢ ٌ ﻜﻘﺼﻴﺩﺓ ٍ..،‬ ‫ﻭﻗﺼﻴﺩﺘﻲ ﺃﻨﺕ ِ!!‬ ‫ﻭﺃﺴﺄل ﻨﺠﻤﺔ ً ﻓﻲ ﺍﻟﻠﻴل ﻋﻨﻙ ِ،..‬ ‫ِ‬ ‫ﻭ ‪‬ﺸﺒﺔ ً ﻤﺸﺘﺎﻗﺔ ً‬ ‫ﻋ‬ ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﻋﻨﻙ..‬ ‫ِ ِ‬ ‫ﻭﻨﺴﻤﺔ ًﺼﻴﻔﻴﺔ ً،‬ ‫- ٤٣ -‬
  • 36. ‫ﻭﺍﻟ ِﻌﺭ ﺃﺴﺄ ُ،‬ ‫ﺸ ‪ ‬ل‬ ‫ﺇﻥ ﺼﻭﺕ َﺍﻟﺭﻴﺢ ِﻤﺤﺘﻘﻥ ُ..،‬ ‫‪‬‬ ‫ﻓﻬل ﺼﻭﺕ ُ‬ ‫ﹸ‬ ‫ﻟﺼﻭﺘﻲ؟!‬ ‫ﺃﻨﺕ ِ..‬ ‫ﻤﺎ ﺃﻨﺕ ِ..‬ ‫ﻭﻤﻥ ﺃﻨﺕ ِ؟!!‬ ‫‪‬‬ ‫ﺃﻻ ﺤﺠﺭ ُ ﻴﺠﺎﻭﺒﻨﻲ؟‬ ‫‪‬‬ ‫ﺃﻻ ﻤﻁﺭ ُ ؟...‬ ‫‪‬‬ ‫ﻭﻤﻥ ﺃﻱ ﺍﻟﺠﻬﺎﺕ ِ ُﻁل،‬ ‫ﺃ ﱡ‬ ‫ﻭﺃﻏﺯل ﺍﻟﺸﻁﺂﻥ..،‬ ‫‪‬‬ ‫ﻴﺎ ﺍﻤﺭﺃﺓ ً ‪‬ﺤﺎﺼﺭﺓ ً،..‬ ‫ﻤ‬ ‫ﺘﺸﻊ ﺍﻟﻨﻭﺭ‬ ‫‪‬‬ ‫ﺒﺎﻟﺩﻴﺠﻭﺭ‬ ‫ِ‬ ‫ﺒﻴﻨﻲ،‬ ‫ﻭﺍﻟﻨﺩﻯ ﺍﻟﺒﺤﺭﻱ ﺼﻭﺕ ُ ..‬ ‫ﹸ‬ ‫ﻤﻥ ﻟﺼﻭﺘﻲ؟!‬ ‫‪‬‬ ‫ﺭﺩﺩﺘﻪ ﺤﻤﺎﻤﺔ ُ ُ ﺒﻴﻀﺎﺀ،..‬ ‫‪‬‬ ‫- ٥٣ -‬
  • 37. ‫ﻭﺍﻟﺴﻔﻥ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻁﺎﺭﺩﺘﻙ ِﻏﺯﺍﻟﺔ ً.‬ ‫ﻫل ﺃﻨﺕ ِ ﻤﺎﺀ ُ ُ‬ ‫ﺩﺍﻓﻕ ُ ﻓﻲ ﺩﺍﺨﻠﻲ؟‬ ‫ﹸ‬ ‫ﻫل ﺘﺄﺨﺫﻴﻥ ﺍﻟﺸﻜل ﻤﻨﻲ؟‬ ‫َ‬ ‫ﺸﻜﻠﻙ ﺍﻟﺒﺤﺭﻱ..،‬ ‫‪‬‬ ‫ﺃﺭﺴﻤﻪ ﺨﻠﻴﺠﺎ ًﺨﺎﺭﺠﺎ ًﻜﺎﻟﺤ ‪،..‬‬ ‫‪‬ﺏ‬ ‫ﺒﻴﻨﻲ، ﻭﺒﻴﻨﻙ ِ،..‬ ‫ﻭﺍﻟﺒﻴﺎﺽ ِ ﺍﻟﺠﺎﻤﺢ ِ ،‬ ‫ﺍﻟﻤﻨﻘﺽ ِ ﺒﺎﻟﺭﻏﺒﺎﺕ ِ،‬ ‫ﻴﺼﻬل ﺒﺎﻷﻏﺎﻨﻲ..‬ ‫ُ‬ ‫ﻫل ﺴﺅﺍل ﺍﻟﺒﺤﺭ ﻴﻔﻬﻤﻪ‬ ‫ِ‬ ‫ُ‬ ‫ﺴﻭﻯ ‪‬ﻥ ْﻋﺎﺸﺭ ﺍﻟﺼﺩﻓﺎﺕ ِ، ﻭﺍﻷﺴﻤﺎﻙ َ؟‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭﺤﺩﻙ ِ،‬ ‫ﺘﻌﺭﻓﻴﻥ ﺘﺒﺭﻋﻤﻲ..‬ ‫ﻭﺘﻨﺎﻏﻤﻲ..‬ ‫ﻫل ﺩﺍﻓﺊ ُ ُ ﻤﺭﺠﺎﻥ ﻗﻠﺒﻙ..‬ ‫ِ‬ ‫‪‬‬ ‫ﺃﻡ ﺴﺭﺍﺏ ُ ﻜﺎﻟﺼﺩﻯ‬ ‫‪‬‬ ‫ﻓﻲ ﻤﻭﺴﻡ ﺍﻟﻬﺠﺭﺍﺕ..‬ ‫ﺃﻨﺕ ِ؟!!‬ ‫- ٦٣ -‬
  • 38. ‫ﻤﻠﻙ.. ﻭﻤﻤﻠﻜﺘﻲ ﺍﻟﻐﻨﺎﺀ...‬ ‫‪ٌ ِ‬‬ ‫ﺒﺎﺀ ُ ُ...،‬ ‫ﻟﺒﺎﺏ ِ ﺍﻟﺒﺭﺯﺥ ِﺍﻟ ‪‬ﻌﺘل ﻓﻲ‬ ‫ﻤ ﱢ‬ ‫.. )ﻻ ﻴﺒﻐﻴﺎﻥ(.‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ ﻜﺎﻥ ﺴﻔﻴﻨﺔ ًﻤﺎﻟﺕ.‬ ‫ﹾ‬ ‫‪‬‬ ‫ﻭﻋ ‪‬ﻟﻬﺎ ﻫﺒﻭﺏ ﺍِﺸﻌﺭ،.. ﻓﺎﻋﺘﺩﻟﺕ.‬ ‫ﹾ‬ ‫‪ ‬ﻟ ‪‬‬ ‫ﺩ‬ ‫ﻭﺃﻭﻏﻠﺕ ﺍﻟﻘﺼﺎﺌﺩ..،‬ ‫‪‬‬ ‫ﻨﺤﻭ ﺸﻁ ِ ﺍﻟﺘﻴﻪ ِ..،‬ ‫ﻓﻲ ﺍﻟ ‪‬ﻔﺭ ﺍﻟﺠﺒﺎﻥ.‬ ‫‪‬‬ ‫ﺴ ِ‬ ‫ﻭﺇﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻓﻬﺭﺴﺕ ﺒﺤﺭﺍ ً،‬ ‫ﹾ‬ ‫ﻭﺼﻴﺎﺩﻴﻥ..،‬ ‫ﺃﻜﺒﺭﻫﻡ..،‬ ‫ﺘﻼﺸﻰ ﻓﻲ ﺍﻟﺭﻏﺎﻡ ِ..،‬ ‫ﻭﻁﺄﻁﺄ ﺍﻟﺜﺎﻨﻲ..،‬ ‫ﻓﻬل ﻴﺄﺕ ﺍﻟﺫﻱ ﻨﺭﺠﻭﻩ،..‬ ‫ﺇﻥ ﺤﺎﻥ ﺍﻟﻁﻌﺎﻥ؟!‬ ‫‪‬‬ ‫‪‬‬ ‫ﺍﻟﻤﺎﺀ ﻴﻁﻠﺒﻨﻲ،..‬ ‫‪‬‬ ‫ﻭﻻ ﺃﺠﺩ ﺍﻟﺴﻔﻴﻨﺔ َ..،‬ ‫ﻭﺍﻟﺠﺒﺎل ﺘﻘ ‪‬ﻀﺕ ْ،..‬ ‫ﻭ‬ ‫ﻭﺍِﺸﻌﺭ ﻴ ‪‬ﻭﺯﻩ ﺍﻷﻤﺎﻥ.‬ ‫‪‬‬ ‫ﻟ ‪ ‬ﻌ‬ ‫ﻻ..،‬ ‫ﻟﻴﺱ ﻟﻲ ﻤﻥ ﻤﻭﺝ ِﺃﻓﻜﺎﺭﻱ‬ ‫ﺼﺩﻱ ﻟﺤﻥ ٍ ،‬ ‫ﻭﻻ ﺤﻠﻡ ُ ﺒﺩﺍﺌﻲ ُ..،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﻠﺢ ﺍِﺸﻌﺭ،‬ ‫‪ ‬ﻟ ِ‬ ‫- ٧٣ -‬
  • 39. ‫ﻫل ﻴﻜﻔﻲ ﻟﻀﺒﻁ ﺍﻟﺒﺤﺭ‬ ‫ِ‬ ‫ﺍﻥ ﻏﺎﺏ ﺍﻹﻤﺎﻡ ْ؟.‬ ‫‪‬‬ ‫ﻓﻸﺠل ﻤﻥ‪‬؛‬ ‫‪‬‬ ‫ﻜﺎﻥ ﺍﻨﺤﺴﺎﺭ ﺍﻟﻭﻗﺕ ِ‬ ‫‪‬‬ ‫ﻋﻥ ﺸﺭﻕ ِ ﺍﻟﺴﻼﻡ‪‬؟!‬ ‫ﻭﻷﺠل ِ ﻤﻥ ،‬ ‫‪‬‬ ‫ﻤﺘﻔﺭﻗﺎ ً‬ ‫ﻀﺎﻉ َﺍﻟ ‪‬ﻤﺎﻡ ْ؟!‬ ‫ﺤ‬ ‫ﻤﻥ ﻴﺴﺘﺩل ﺒﺸﺎﻫﺩ ٍ ﺃﻋﻤﻲ،‬ ‫‪‬‬ ‫ﻭﻴﺭﺸﺩﻨﻲ..‬ ‫ﻷﻜﺘﺸﻑ ﺍﻟﻐﻤﺎﻡ؟!‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﻏﺩﺍ ً ﺘﺠﺊ ﻨﻭﺍﺭﺱ ُ؛‬ ‫‪‬‬ ‫ﻴﻘﺘﺎﺩﻫﺎ ﺒﺎﺯ ُ ُ ؛‬ ‫ﻟﻔﻙ ﺨﺭﺍﺌﻁ ﺍﻟﺸﻁﺂﻥ ِ.،‬ ‫ﹶ‬ ‫ﻟﻠﺴﻤﻙ ﺍﻟﻤﺸﺘﺕ ﻓﻲ ﺍﻟﺘﺫﻜﺭ ، ﻭﺍﻟﻨﺩﺍﺀ.‬ ‫‪‬‬ ‫ِ‬ ‫- ٨٣ -‬
  • 40. ‫ﺍﻟﻴﻭﺩ ﻏﻁﻲ ﺇﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺃﺭ ‪‬ﻬﺎ..‬ ‫ﻀ‬ ‫ﻭﺴﻤﺎ َﻬﺎ..‬ ‫ﺌ‬ ‫ﻭﻗﺼﻴﺩﺘﻲ ﺍﻏﺘﺼﺒﺕ ﺒﻬﺎ..‬ ‫ﻭﻤﻨﺼﺔ ُﺍﻟﺒﺤﺙ ِﺍﻟﻤﻘﺩﺱ ِ ،‬ ‫ﺨ ‪‬ﺠﺕ ْﺠﻴﻼ ً ﻤﻥ ﺍﻟ ‪‬ﻬﺎل ِ،‬ ‫ﺠ‬ ‫ﺭ‬ ‫ﺃﻋﻁﺘﻬﻡ ﻏﺩ ﺍﻷﺠﻴﺎل ِ‬ ‫‪‬‬ ‫ﻓﻲ ﻴﺩﻫﻡ ﻜﻤﺸﻨﻘﺔ..؛‬ ‫ﻭﺃﻨﻑ ﻗﺼﻴﺩﺘﻲ ﺍﻨﻜﺴﺭﺕ ْ..؛‬ ‫ﹸ‬ ‫ﻭﻟﻡ ﻴﺤﻥ ﺍﻷﻭﺍﻥ.‬ ‫‪‬‬ ‫..................................‬ ‫ﺃﻭﺍﻩ ﻴﺎ ﺃﺨﺕ َ ﺍﻟﻨﻭﺍﺭﺱ ِ..‬ ‫ﻭﺍﻟﺸﻁﻭﻁ ِﺍﻟﺯﺭﻕ ِ..‬ ‫ﻭﺍﻟﻠﻌﺏ ِ ﺍﻟﺒﺭﺉ .‬ ‫ﺍﻟﺼﻭﺕ ﺼﻭﺕ ُ ﻭﺍﺤﺩ ُ ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﻫﺩﻴﹸﻪ،‬ ‫ﻠ‪‬‬ ‫ﻻ ﻴﻜﻑ ﺤﺘﻲ ﺘﺭﻋﻭﻱ ،‬ ‫ﺘﻠﻙ ﺍﻟﻐﺭﺍﻨﻴﻕ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﻋﻥ ﺠﻨﺎﺡ ِ ﺍﻟﻔﻥ ِ..‬ ‫ﺘﻠﻙ ﺒﺭﺍﺌﺘﻲ..‬ ‫ﻭﺒﺭﺍﺀﺓ ﺍﻷﺠﻴﺎل ِ‬ ‫ﻭﺍﻫﻨﺔ ُ ُ،‬ ‫ﻭﺭﺒﻁ ُ ﺴﻤﺎ َﻬﺎ ﺒﺎﻷﺭﺽ ِ‬ ‫ﺌ‬ ‫ﻤﺤﺽ ﻗﻀﻴﺘﻲ..‬ ‫‪‬‬ ‫ﻭﺃﻗﻭل :‬ ‫ُ‬ ‫ﻤﺎﺫﺍ ﻟﻭ ﺒﻐﻲ ﻤﻠﺢ ُ‬ ‫‪‬‬ ‫- ٩٣ -‬
  • 41. ‫ﻋﻠﻲ ﻋﺫﺏ ٍ..‬ ‫ﺒﺒﺎﺏ ِ ﺍﻟﺒﺭﺯﺥ ﺍﹸﻤﻌﺘل ِ‬ ‫ﻟ‬ ‫ﻓﻲ)ﻻ ﻴﺒﻐﻴﺎﻥ(؟!!‬ ‫‪‬‬ ‫ﻭﺒﺄﻱ ﺁﻻﺀ ﺍﻟﺒﺭﺉ‬ ‫ﺘﻜﺫﺒﺎﻥ؟!!‬ ‫‪‬‬ ‫..................................‬ ‫- ٠٤ -‬
  • 42. ‫ﺇﻥ ﺍﻟﺤﻴﺎﺓ‬ ‫ﺠﺩﻴﺭﺓ ُ ُﺒﺭﻤﻭﺯﻫﺎ..‬ ‫ﺤﻕ ُ ..‬ ‫ﹸ‬ ‫ﻭﻟﻴﺱ ﺭﻤﻭﺯﻨﺎ ﻭﺜﻥ ُ ُ‬ ‫ﻤﻥ ﺍﻟﺼﻠﺼﺎل...‬ ‫ﺇﻨﻲ ﺃﻋﺘﺭﻑ.‬ ‫ﺠﺭﺒﺕ ﺃﻥ ﺃﻫﻭﻱ..‬ ‫ﻭﻟﻜﻨﻲ ﺍﺭﺘﻔﻌﺕ..‬ ‫ﹸ‬ ‫ﻭﻜﻠﻤﺎ ﺃﻭﻏﻠﺕ ﻨﺤﻭ ﺍﻟﻘﺎﻉ ِ،‬ ‫ﻴﺭﻓﻀﻨﻲ..‬ ‫ﻓﻤﺎ ﺫﻨﺒﻲ؟‬ ‫ﺇﺫﺍ ﻨﻔﺴﻲ ﺃﺒﺕ ﺍﻵﻱ؟!‬ ‫ﺇﻨﻲ ﺃﻋﺘﺭﻑ..‬ ‫ﹾ‬ ‫ﻓﺸل ﺍﻟﺠﻤﻴﻊ ُ،‬ ‫ﻭﻋﺎﻨﺩﻭﺍ،‬ ‫ﻤﺎ ﻏﻴﺭﻭﺍ ﺸﻤﺴﺎ ،‬ ‫ﻭﻻ ﻗﻤﺭﺍ ً..‬ ‫ﻓﻜﻴﻑ ﺃﺯﻭﻍ ﻤﻥ ﺩﺭﺏ ٍ‬ ‫ﺇﻟﻲ ﺍﻹﺸﺭﺍﻕ ﺘﺄﺨﺫﻨﻲ‬ ‫ﺇﻟﻲ ﻤﻭﺘﻲ؟!!‬ ‫ﻭﻟﻭ ﻜﺎﻨﺕ ﺘﺨﻭﻡ ﺴﻤﺎﺌﻬﻡ‬ ‫‪‬‬ ‫ﺘﺩﻨﻭ ﻗﻠﻴﻼ ً‬ ‫ﻤﻥ ﻋﺫﻭﺒﺔ ﺒﺌﺭﻨﺎ..؛‬ ‫ﻭﺍﻷﺼﺩﻗﺎﺀ ُ..‬ ‫ﺃﻗل ﺇﻫﻤﺎﻻ ﻗﻠﻴﻼ..؛‬ ‫ُ‬ ‫ﺭﺒﻤﺎ....‬ ‫- ١٤ -‬
  • 43. ‫ﺒﺎﺴﻤﻲ...‬ ‫ﺴﺘﻨﺠﺏ ﺠﻤﻠﺘﻲ ﺘﺄﻭﻴﻠ ‪‬ﺎ..‬ ‫ﻬ‬ ‫ﺒﺈﺸﺎﺭﺘﻲ..‬ ‫ﺴﻴﻘﻭﻡ ﺩﻴﻭﺍﻨﻲ،‬ ‫ﻭﻴﻔﺘﺢ ﻤﺎ ﻴﺸﺎﺀ ﻋﻠﻲ ﺍﻟﺴﻤﺎﺀ ْ.‬ ‫‪‬‬ ‫ﻁﺎل ﺍﻟﻤﻜﻭﺙ ﻋﻠﻲ ﺭﺼﻴﻑ ﺍﻟﻌﻤﺭ ،‬ ‫ﻭﺍﻨﺘﺤﺭ ﺍﻟﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﺤﻔﻅ ﺍﻟﺠﻤﻴﻊ ﺤﻜﺎﻴﺘﻲ..؛‬ ‫‪‬‬ ‫ﻭﺘﻨﺎﻓﺴﻭﺍ ﻓﻲ ﺍﻟﻘﻔﺯ ﻓﻭﻕ ﺍﻟﺭﻤﺯ..؛‬ ‫ِ‬ ‫ِ‬ ‫ﻭﺍﻟﺴﺠﻊ ِ ﺍﻟﻤﻭﺸﻲ ﺒﺎﻟﺘﺸﺭﺩ ِ، ﻭﺍﻟﻌﺫﺍﺏ ْ.‬ ‫ﻨﺴﺞ ﺍﻟﺠﻤﻴﻊ ﺤﻜﺎﻴﺘﻲ..‬ ‫‪‬‬ ‫ﻜﻔﻨﺎ ً‬ ‫ﻤﻥ ﺍﻟﺫﻫﺏ ِ ﺍﻟ ‪‬ﺫﺍﺏ.‬ ‫ﻤ ‪‬‬ ‫ﻨﻐﻤﺎ ً ﺨﺼﻭﺼﻴﺎ ً‬ ‫ﺘﻜﻠل ﺒﺎﻟﺴﺭﺍﺏ ْ.‬ ‫ﻻ..‬ ‫ﻟﻡ ﻴﺴﺎﻓﺭ ﻓﻲ ﺩﻤﻲ ﺃﺤﺩ ُ ،‬ ‫‪‬‬ ‫ﻟﻴﻌﺭﻑ ﺃﻨﻨﻲ‬ ‫ﹶ‬ ‫ﻤﻥ ﺭﻭﺽ ﺍﻟﺫﻜﺭﻱ..،‬ ‫‪  ‬‬ ‫ﻭﺤ ‪‬ﺙ ﻨﻔﺴﻪ..،‬ ‫‪‬‬ ‫ﺩ‬ ‫ﻭﺍﻵﻥ..‬ ‫‪‬‬ ‫ﺃﺨﺭﺝ ﻤﻥ ﻓﻤﻲ..‬ ‫ﻭﺃﺠﺊ ﻤﻌﺘﺫﺭﺍ ً ﻟﺸﺊ ﻟﻡ ﺃﻗﻠﻪ..‬ ‫ﻤﺭﺍﻗﺒﺎ ً ﺼﻔﺘﻲ..‬ ‫ﻭﻤﺒﺘﻜﺭﺍ ً ﻟﻤﻭﺘﻲ ﺸﻜﻠﻪ..‬ ‫ﹶ‪‬‬ ‫ﻭﻟﺼﺤﻭﺘﻲ ﻤﻭﺘﺎ ً..‬ ‫ﻓﺘﺨﺭﺝ ﺴﻴﻥ ﺃﻨﻔﺎﺴﻲ‬ ‫‪‬‬ ‫ﺇﻟﻲ ﻟﻐﺔ ِ ﺍﻟﻐﻴﺎﺏ.‬ ‫‪‬‬ ‫- ٢٤ -‬
  • 44. ‫ﻓﻸﺠل ﻤﻥ..‬ ‫‪ْ‬‬ ‫ﻨﺎﺩﻴﺕ ﻓﺎﺤﺘﺸﺩ ﺍﻟﻅﻼﻡ ْ؟!!‬ ‫ﻭﺍﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻋﻨﺩ ﺸﻁ ﺍﻟﺒﺤﺭ ِ ﺠﺎﻟﺴﺔ ً..‬ ‫ﺴﺘﻐﺴل ﺭﻜﺒﺘﻴﻬﺎ..‬ ‫ﺜﻡ ﺘﺴﻬﻭ،‬ ‫ﺃﻭ ﺘﻐﻴﻡ..‬ ‫‪‬‬ ‫ﻓﻤﺎ ﻟﻬﺎ ﺍﻷﺴﺭﺍﺏ‬ ‫‪‬‬ ‫ﺘﺨﺭﺝ ﻋﻥ ﺘﺸﻜﻠﻬﺎ !!‬ ‫ﻭﺍﻟﻤﺎﺀ ﻴﺼﺒﺢ ﺼﺨﺭﺓ !!‬ ‫‪‬‬ ‫ﻻ ﺒﺄﺱ..‬ ‫‪‬‬ ‫ﻫﺫﺍ ﻤﺎ ﺭﺃﻴﺕ،‬ ‫ﹸ‬ ‫ﻭﺼﺩﻗﺕ ﺭﻭﺤﻲ،‬ ‫ﻏﺩﺍﺓ َﺠﺩﺩﺕ ﺍﻻﻗﺎﻤﺔ َ ﻓﻲ..‬ ‫‪‬‬ ‫ﻭﺍﺠﺘﻤﻊ ﺍﻟﺫﻴﻥ ﺘﺴﺎﺌﻠﻭﺍ‬ ‫ﻋﻥ ﻭﺍﺤﺩ ٍ ﻤﺘﻌﺩﺩ ٍ..‬ ‫ﻓﻨﺼﺤﺘﻬﻡ ﺒﺎﻟ ِﻌﺭ..‬ ‫ﺸ ِ‬ ‫ﻭﺍﺨﺘﺎﺭﻭﺍ ﺍﻟﺫﻫﻭل.!!‬ ‫ْ‬ ‫ﺍﻟﻤﻭﺝ ﺨﻴل ُ ..‬ ‫‪ُ ‬‬ ‫ﻫل ﺴﺘﺼﺤﻭ ﺍﺴﻜﻨﺩﺭﻴﺔ ُ‬ ‫ﺤﻴﻥ ﺘﻨﺘﺤﺭ ﺍﻟﺨﻴﻭل؟!!‬ ‫ْ‬ ‫ﺠﻴل ُﻤﻥ ﺍﻟ ‪‬ﺒﺎﺭ ِ‬ ‫ﺼ‬ ‫ُ‬ ‫- ٣٤ -‬
  • 45. ‫ﻴﺨﺭﺝ ﻤﻥ ﻓﻤﻲ..‬ ‫ﻭﻜﺄﻨﻪ..‬ ‫ﻭﻜﺄﻨﻨﻲ..........‬ ‫ﻭﺇﺴﻜﻨﺩﺭﻴﺔ. ُ.‬ ‫ﻓﻲ ﻟﻬﺎﺙ ﺍﻟﺒﺤﺭ ِ‬ ‫ﺃﻏﻨﻴﺔ ُ ُﻋﻠﻲ ﻭﺘﺭ ٍ ﺠﺤﻭﺩ ْ.‬ ‫ﺍﺴﻜﻨﺩﺭﻴﺔ..‬ ‫ﻜﺎﺒﺘﺴﺎﻡ ﺍﻟﻨﻭﺭ‬ ‫ﻓﻲ ﺇﺒﻁ ﺍﻟﻐﻤﻭﺽ.‬ ‫‪‬‬ ‫ﺍﺴﻜﻨﺩﺭﻴﺔ ُ..‬ ‫ﻜﺎﺸﺘﻌﺎل ِ ﺍﻟﺒﻭﺡ ِ‬ ‫ﻓﻲ ﺴﻁﺢ ﺒﻌﻴﺩ ٍ‬ ‫ٍ‬ ‫ﻋﻥ ﻤﻨﺎﻗﻴﺭ ﺍﻟﻬﺩﻴل.‬ ‫ﻭﺃﻨﺎ.. ﻫﻨﺎ..‬ ‫ﺘﻨﻔﺽ ﻋﻨﻲ ﺃﺒﺠﺩﻴﺎﺕ ُﺍﻟﻔﺼﻭل ْ.‬ ‫ﻫﻲ ﺍﺭﺙ ُﻤﻥ ﺩﺨﻠﻭﺍ ،‬ ‫ﻭﺍﻨﻲ ﺨﺎﺭﺝ؛‬ ‫ﻤﻥ ﺠﻤﻠﺔ ٍ ﻗﺎﻤﺕ ﻋﻠﻲ ﻭﺠﻌﻲ..‬ ‫ﻭﺃﺯﻤﻨﺔ ٍ..‬ ‫ﻤﺼ ﱠﻌﺔ ٍ ﻋﻠﻲ ﻋﻴﻨﻲ..‬ ‫ﻨ‬ ‫ﺃﻨﺎ ﺍﺒﻥ ﺍﻵﻥ..‬ ‫ﻤﺎﺀ ُﺍﷲ ﻓﻲ ﺠﺫﺭﻱ..‬ ‫ﻭﺠﺫﻋﻲ ﻻ ﻴﻠﻴﻥ..‬ ‫ﺒﺎﺴﻤﻲ..‬ ‫ﺃﻗﻴﻡ ﺸﺭﻴﻌﺘﻲ..‬ ‫‪‬‬ ‫ﻭﺘﻘﻭﻡ ﻤﻴﻡ ﺍﻟﺤﻤﺩ ِ ﻓﻲ ﻤﻴﻡ ﺍﻟﻌﻤﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫- ٤٤ -‬
  • 46. ‫ﻓﻲ ﻜل ﺼﻭﺕ ٍ ﺘﺭﺘﻘﻲ،‬ ‫ﺃﻭ ﺘﻨﺤﻨﻲ ﻟﻐﺔ.‬ ‫ﹲ‬ ‫ﻭﻴﺒﻘﻲ ﺍﻟﺭﻤﺯ ﻓﻲ ﺃﻟﻕ ِ ﺍﻟﻀﻴﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺒﺈﺸﺎﺭﺘﻲ..‬ ‫ﺴﺘﻘﻭﻡ ﻤﺸﻜﻠﺔ ُ ُ،‬ ‫ﻟﺘﺒﺤﺙ َﻋﻥ ﺘﺄﻭﻴل ﺘﻤﺜﺎﻟﻴﻥ‬ ‫ﻤﻥ ﺸﻤﻊ ٍ.. ﻭﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻜل ﺍﻟﻤﻭﺍﺴﻡ ِ ﺘﻨﻜﺭ ﺍﻟﻤﻭﺘﻲ، ﻭﺘﺭﺤل..‬ ‫ُ‬ ‫ﻫل ﺴﻨﺫﺒل؟‬ ‫ﺃﻡ ﻴﻤﻭﺕ ﺍﻟﺒﺒﻐﺎﺀ ْ؟‬ ‫ﻫل ﻗﻭﺓ ُ ُ ﻟﻠﺤﻕ ِ؟‬ ‫ﺃﻡ ﺤﻕ ﺍﻟﻘﻭﻱ ﻫﻭ ﺍﻟﻌﺩﺍﻟﺔ ُ؟!!!!‬ ‫ﹸ‬ ‫ﻭﺇﺴﻜﻨﺩﺭﻴﺔ ُ ﺃﻋﻠﻨﺕ :‬ ‫ﹾ‬ ‫ﻟﻲ ﻜل ﻤﺎ ﺘﺤﺕ ﺍﻟﻘﺼﻴﺩﺓ ِ‬ ‫ُ‬ ‫ﻤﻥ ﻓﺘﻭﺤﺎﺕ،‬ ‫ٍ‬ ‫ﻭﻟﻲ ﻜل ﺍﻟﺩﻤﺎﺀ.‬ ‫‪‬‬ ‫- ٥٤ -‬