SlideShare a Scribd company logo

6080

•
•
K
kotob arabia
Education
1 of 58
Download to read offline
‫ُ‬ ‫ﺳﻴﺪ ﺍﳋﺎﺋﻨﲔ‬ ‫)ﺍﳌﺨﺘﻠﻒ(‬ ‫א‬ ‫-٢-‬
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﻤـﺩﺨل .............................................................................................................. - ٥ -‬ ‫ﺇﻀــﺎﺀﺓ............................................................................................................ - ٦ -‬ ‫ﺘـﺄﺴﻴﺱ ............................................................................................................. - ٧ -‬ ‫ﺃﻓــﻭل ............................................................................................................. - ٨ -‬ ‫ﺴﻴﺩ ﺍﻟﺨـﺎﺌﻨﻴﻥ ...................................................................................................... - ٠١ -‬ ‫ﻭﻜ ﱠﺎ ﻋﺩﻭﻴﻥ.. ...................................................................................................... - ٤١ -‬ ‫ﻨ‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ..................................................................................................... - ٥١ -‬ ‫‪‬‬ ‫ﺜﻠﺔ ﺍﻷﻭﻟﻴﻥ.. ....................................................................................................... - ٧١ -‬ ‫ﹸ‬ ‫ﻭﺃﺸﻬﺩ.. ﻴﺎ ﺸﻬﺭﻴﺎﺭ ................................................................................................. - ٨١ -‬ ‫ﻫﻭ ﺍﻟﺼﻤﺕ ﻨﻌﺵ.. ................................................................................................. - ٠٢ -‬ ‫ﹲ‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ....................................................................................................... - ١٢ -‬ ‫ﻓﺘﻨﺔ ﻨﺎﺌﻤﺔ........................................................................................................... - ٣٢ -‬ ‫ﹲ‬ ‫ﻭﺍﻟﺤﻜﺎﻴﺔ ﺘﺒﺩﺃ ُ ﻤﻥ ﺠﻔﻨﺔ ِ ﺍﻟﺩﻡ ........................................................................................ - ٥٢ -‬ ‫‪ِ‬‬ ‫ﹸ‬ ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ﻤﺎ ﺩﻓﻨﺕ ............................................................................................... - ٧٢ -‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﺃﻨﺜﻲ ﺍﻟﺨﻼﻓﺔ ................................................................................................ - ٨٢ -‬ ‫ِ‬ ‫‪‬‬ ‫ﻫﻭﺍﻤﺵ.. ﻋﻠﻲ ﺨﺎﺭﻁﺔ ﺍﻟﻁﺭﻴﻕ ..................................................................................... - ٠٣ -‬ ‫ﺃﺤــﻭﺍل .......................................................................................................... - ٨٣ -‬ ‫ﺍﻨﺘﺒﻬﻭﺍ.............................................................................................................. - ٠٤ -‬ ‫ﺍﻟﺸـﺎﻫﺩ ............................................................................................................ - ٢٤ -‬ ‫ﺃﻨﺎ ﻁﺎﺌﺭ.. .......................................................................................................... - ٣٤ -‬ ‫‪‬‬ ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ – ﻫﺫﺍ ﺍﻟﻤﻠﻭﻥ – ................................................................................... - ٤٤ -‬ ‫ﺍﻟﻴﻘﻅـﺔ ............................................................................................................ - ٦٤ -‬ ‫ﻫل ﺘﺩﺭﻱ؟ ......................................................................................................... - ٧٤ -‬ ‫ﻤﺭﺜﻴﺔ.. ﻟﺼﺎﺤﺏ ﻤﻘﺘل ﺍﻟﻘﻤﺭ ﺇﻟﻲ / ﺃﻤل ﺩﻨﻘل ........................................................................ - ٨٤ -‬ ‫)ﺃﺒﺤﺙ ﻋﻨﻪ ﺒﻴﻥ ﺍﻷﺤﻴﺎﺀ ﺍﻟﻤﻭﺘﻰ ﻭﺍﻟﻤﻭﺘﻰ ﺍﻷﺤﻴﺎﺀ( .................................................................... - ٠٥ -‬ ‫ﺍﻟﺭﻤﺎﺩﻱ ﺇﻟﻲ ﻤﺤﻤﻭﺩ ﺇﺩﺭﻴﺱ ......................................................................................... - ٢٥ -‬ ‫ﻋﻠﻲ ﺠﻨﺒﺎﺕ ﺍﻟﻁﺭﻴﻕ ﺍﻟﻭﻟﻴﺩ.. ........................................................................................ - ٣٥ -‬ ‫ﺘﻬﻴﺌﺔ ﺇﻟﻲ/ ﺃﺤﻤﺩ ﺤﺴﻥ ﺸﺎﻫﻴﻥ ....................................................................................... - ٥٥ -‬ ‫ﻫﻤﺱ ﺇﻟﻲ ﺍﻟﻀﺩ ﺍﻟﻤﺨﺘﻠﻑ ........................................................................................... - ٧٥ -‬ ‫-٣-‬
‫ﺴﺄﻫﺘﻑ ﻤﻨﺎﺩﻴﺎ ً ﻓﻲ ﺃﻭﺭﻭﻙ :‬ ‫ﺍﻟﻘﻭﻱ ﻫﻭ ﺃﻨﺎ‬ ‫‪‬‬ ‫ﻤﺘﻲ ﺩﺨﻠﺕ ﻤﻜﺎﻨﺎ ً‬ ‫ﹸ‬ ‫ﻏ ‪‬ﺭﺕ ﻓﻴﻪ ﺍﻟﻤﺼﺎﺌﺭ!‬ ‫‪‬‬ ‫ﻴ ﹸ‬ ‫ﺇﻥ ﺍﻟﻤﻭﻟﻭﺩ ﻓﻲ ﺍﻟﺒﺭﺍﺭﻱ‬ ‫‪‬‬ ‫ﻟﺫﻭ ﻗﻭﺓ ٍ ، ﻭﺒﺄﺱ ٍ ﻋﻅﻴﻡ.‬ ‫‪‬‬ ‫ﺃﻨﻜﻴﺩﻭ‬ ‫-٤-‬
‫ﻤـﺩﺨل‬ ‫ﻗﺎﻟﻭﺍ : ﻤﻥ ﻋﺎﺯ ﻓﻘﺩ ﻻﺫ َ..!!‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻭﻋﺯ ﻫﺫﺍ ﺍﻻﻴﻌﺎﺯﺍ؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻥ ﺠﺎﺯ ﻓﻘﺩ ﺃﻨﺠﺯ ﻫﺫﺍ....‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻲ ﺫل ِ ﺍﻟﻌ ‪‬ﺓ َ ﺇﻨﺠﺎﺯﺍ....‬ ‫ﺯ‬ ‫ﻟﻜﻥ ﻤﺎﺫﺍ..‬ ‫ﻟﻭ ﺤﺎﺯ ﺍﻟﻤﺠﺭﻡ ﻤﺎ ﺤﺎﺯﺍ؟!!‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﻜﺒﺭ ﻓﻲ ﺍﻷﺭﺽ ِ... ﻭﻓﺎﺯﺍ‬ ‫ﺃﺘﻔﻴﺩ ﺇﺫﺍ..‬ ‫ﻭﻟﺫﺍ..‬ ‫ﻭﻜﺫﺍ..‬ ‫ﺍﻟﻌﺎﺌﺫ ُ ﻻ ﻴﻘﻭﻱ ﺃﺒﺩﺍ ً‬ ‫ﺃﻥ ﻴﺴﺄل ﻤﻌﻁﻴﻪ.. ﻟﻤﺎﺫﺍ.!!‬ ‫-٥-‬
‫ﺇﻀــﺎﺀﺓ‬ ‫ﺇﺫﺍ ﻜﺸﻑ ﺍﻟﺯﻤﺎﻥ ﻟﻙ ﺍﻟﻘﻨﺎﻋﺎ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﻤﺩ ﺇﻟﻴﻙ ﺼﺭﻑ ﺍﻟﺩﻫﺭ ﺒﺎﻋﺎ.‬ ‫ِ‬ ‫ﹸ‬ ‫‪ ‬‬ ‫ﻓﻼ ﺘﺨﺵ ﺍﻟﻤﻨﻴﺔ َ ، ﻭﺍﻗﺘﺤﻤﻬﺎ‬ ‫ﹶ‬ ‫ﻭﻻ ﺘﺨﺵ ﺍﻟﻤﺭﺍﺒﻊ َ ﻭﺍﻟﻴﻔﺎﻋﺎ.‬ ‫ﹶ‬ ‫ﻭﺴﻴﻔﻲ ﻜﺎﻥ ﺩﻻل َ ﺍﻟﻤﻨﺎﻴﺎ‬ ‫ﻭﺨﺎﺽ َ ﻏﻤﺎﺭﻫﺎ ﻭﺸﺭﻱ ﻭﺒﺎﻋﺎ.‬ ‫‪‬‬ ‫ﻋﻨﺘﺭﺓ ﺒﻥ ﺸﺩﺍﺩ.‬ ‫-٦-‬
‫ﺘـﺄﺴﻴﺱ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺨﺘﻠﻑ.‬ ‫ﺒﻴﻥ ﻫﺎﺀ ﺍﻟﻬﻭﺍﺀ‬ ‫ﻭﻓﺎﺀ ﺍﻷﻟﻑ.‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺨﺘﻠﻑ.‬ ‫ﻋﻨﺩ ﺤﺎﺀ ﺍﻟﺤﺩﺍﺌﻕ‬ ‫ﺤﺎﺀ ﺍﻟﺤﺭﺍﺌﻕ ﻻ ﺘﺄﺘﻠﻑ.‬ ‫ﻓﻼ ﺘﺩﻉ ﺍﻻﺴﺘﻘﺎﻤﺔ ﻋﻨﺩ ﺍﺸﺘﺩﺍﺩ ﺍﻟﺭﻴﺎﺡ.‬ ‫ﻭﻻ ﺘﺩﻉ ﺍﻻﻨﺤﻨﺎﺀ ﺇﺫﺍ ﻤﺎ ﺍﺴﺘﻘﺭ ﺍﻟﻤﻨﺎﺥ.‬ ‫ﻭﺜﺒﺕ ﺠﺫﻭﺭﻙ‬ ‫ﺤﺘﻰ ﺇﺫﺍ ﻤﺭ ﺴﻴل ﻋﻠﻴﻙ‬ ‫ﻓﻼ ﺘﻨﺠﺭﻑ.‬ ‫ﻭﺍﺴﺘﻘﻡ ﻜﺎﻷﻟﻑ.‬ ‫ﻭﺍﻥ ﺸﺌﺕ ﺃﻥ ﺘﺨﺘﻠﻑ ﺒﻌﺩﻫﺎ‬ ‫ﻓﺎﺨﺘﻠﻑ.‬ ‫-٧-‬
‫ﺃﻓــﻭل‬ ‫ﻨﺠﻡ ﺘﺭﺠل..‬ ‫ﻭﺍﻨﺘﻬﻲ ﻤﺘﺴﻭﻻ ً ﺒﻴﻥ ﺍﻷﺯﻗﺔ‬ ‫ﻓﻲ ﺴﺭﺍﺩﻴﺏ ﺍﻟﻌﺫﺍﺏ ِ.‬ ‫ﻨﺠﻡ ﻴﺩﻕ ﻋﻠﻲ ﺒﺎﺒﻲ.‬ ‫ﻨﺠﻡ..‬ ‫ﻭﻴﺒﻐﻲ ﺃﻥ ﻴﻤﻭﻩ ﻟﻲ ﺴﺭﺍﺒﻲ.‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻨﺠﻡ ﺍﻟﺫﻱ ﻤﻥ ﻗﻬﺭﻩ‬ ‫ﻴﺘﻠﻭ ﻋﻨﺎﻭﻴﻥ ﺍﻟﻜﺘﺎﺏ ِ.‬ ‫ﻟﻙ ﺃﻥ ﺘﻁل ﻋﻠﻲ ﺨﺭﺍﺒﻲ.‬ ‫ﻟﻙ ﺃﻥ ﺘﻬﺩﻫﺩ ﻫﺩﻫﺩﺍ ً‬ ‫ﺤﺎﺯ ﺍﻟﻨﺒﺄ.‬ ‫)ﺇﻥ ﺍﻟﻤﻠﻭﻙ ﺇﺫﺍ ﺃﺘﻭ(..‬ ‫ﺒﻠﻘﻴﺱ ﻟﻥ ﺘﻐﺭﻕ ﺴﺒﺄ.‬ ‫ﻟﻙ ﺃﻥ ﺘﻐﻨﻲ ﺃﻏﻨﻴﺎﺕ ﺍﻟﻘﻤﺢ‬ ‫ﺃﻭ ﺘﻠﻘﻲ ﺍﻟﺴﻼﻡ.‬ ‫ﻋﻠﻲ ﻏﻼﻡ ﻗﻠﻤﺎ ﻟﻤﺢ ﺍﻟﻐﻤﺎﻡ.‬ ‫ﻴﺎ ﻟﻴﺘﻨﻲ ﺜﻠﺠﺎ ً‬ ‫ﺒﻘﺎﻓﻠﺔ ﺍﻟﺴﺤﺎﺏ.‬ ‫ﻴﺎ ﻟﻴﺘﻨﻲ ﻤﻁﺭﺍ ً‬ ‫ﻟﻴﻌﺘﻘل ﺍﻟﻅﻤﺄ.‬ ‫ﻨﺠﻡ..‬ ‫ﻭﻤﺎ ﺫﻨﺒﻲ ﺇﺫﺍ ﺍﻨﻜﺴﺭﺕ‬ ‫ﻋﻠﻲ ﻋﻁﺸﻲ ﺍﻟﻘﺼﻴﺩﺓ؟!!‬ ‫ﻤﺎ ﺫﻨﺏ ﺃﻏﻨﻴﺘﻲ ﺍﻟﺘﻲ‬ ‫ﺘﺩﻋﻭ ﺍﻟﺠﻔﺎﻑ‬ ‫ﹶ‬ ‫-٨-‬
‫ﺍﻟﻲ ﻨﻬﺎﻴﺘﻪ ﺍﻷﻜﻴﺩﺓ؟!!‬ ‫ﻨﺠﻡ ﻴﺩﻕ ،‬ ‫ﻓﻘل ﻟﻜﺄﺱ ﺍﻟﺼﺤﻭ ﺃﻻ ﺘﻌﺒﺭﻙ.‬ ‫ﻤﻥ ﺼﺤﻭﻙ ﺍﻨﺩﻟﻊ ﺍﻟﻐﻨﺎﺀ..‬ ‫ﺃﻨﺕ ﺍﻟﻤﺤﺎﺼﺭ ﺒﺎﻟﺤﻘﻴﻘﺔ..‬ ‫ﻏﺏ ﻁﻭﻴﻼ ﻤﺎ ﺘﺸﺎﺀ..‬ ‫ﻟﻜﻥ ﺒﻭﺴﻊ ﻏﻨﺎﺌﻨﺎ ﺃﻥ ﻴﺤﻀﺭﻙ..‬ ‫ﻟﻴﺒﻴﺢ ﻀﻭﺀﻙ ﻟﻠﺴﻤﺎﺀ.‬ ‫-٩-‬
‫ﺴﻴﺩ ﺍﻟﺨـﺎﺌﻨﻴﻥ‬ ‫ﺃﻴﺎ ﺸﻬﺭﺯﺍﺩ..‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺍﻏﺘﺼﺒﻭﻙ‬ ‫ِ‬ ‫ﺠﻬﺎﺭﺍ ً ، ﻨﻬﺎﺭﺍ ً‬ ‫ﻭﻓﻀﻭﺍ ﻏﺸﺎﺀ ﺍﻟﺤﻀﺎﺭﺓ ِ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺠﺩ..‬ ‫ِ‬ ‫ﺠﺭﻭﺍ ﺍﻟﺴﻨﻴﻥ،‬ ‫‪‬‬ ‫ﺍﻟﺒﻁﻭﻟﺔ َ‬ ‫ﻤﻥ ﺸﻌ ِﻫﺎ..‬ ‫ﺭ‬ ‫ﻭﺩﺍﺴﻭﺍ ﻋﻠﻲ ﺃﻨﻑ ﺫﻱ ﻗﺎﺭ ،‬ ‫ِ‬ ‫ﻭﺍﻟﻘﺎﺩﺴﻴﺔ ﺒﺎﻷﺤﺫﻴﺔ ْ..‬ ‫ِ‬ ‫ﻭﺴﺎﻟﺕ ﺩﻤﺎﺀ ﺍﻟﺘﻭﺍﺭﻴﺦ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﻬﻭﺍﺀ ﺍﺴﺘﻌﺎﺭﺍﺕ...‬ ‫ِ‬ ‫ﹶ‬ ‫ﺃﻀﺤﺕ ﺤﻜﺎﻴﺎﻙ‬ ‫ِ‬ ‫ﻤﺤﺽ ﻨﻜﺎﺕ ٍ..‬ ‫‪‬‬ ‫ﻓﻤﺎﺫﺍ ﺇﺫﻥ ﺘﺄﻤﻠﻴﻥ؟!!‬ ‫ﺴﻴﺸﻬﺩ ﻫﺫﺍ ﺍﻟﻨﺨﻴل ﺍﻟﺠﺒﺎﻥ‬ ‫‪‬‬ ‫ُ‬ ‫ﺍﻟﺫﻱ ﻴﺭﺘﺩﻱ ﺠﺒﺔ ً‬ ‫ﻤﻥ ﺭﻤﺎل ٍ‬ ‫ﻭﻴﻐﺭﺱ ﺭﺠﻠﻴﻪ ﻓﻲ ﺍﻟﻁﻤﻲ..‬ ‫ﻴﺸﻬﺩ ﻫﺫﺍ ﺍﻟﻤﺩﻱ ﺍﻷﻓﻌﻭﺍﻥ ،‬ ‫ﺍﻷﺸﺩ ﺠﻤﻭﺤﺎ ً..‬ ‫‪‬‬ ‫ﻭﻜل ﺍﻟ ‪‬ﻜﺎﺭﻱ‬ ‫ُ ﺴ‬ ‫ﺍﻟﺫﻴﻥ ﻴﻤﻭﺘﻭﻥ‬ ‫ﻤﻭﺘﺎ ً ﺒﻁﻴﺌﺎ ً ﺒﺩﺍﺀ ِ ﺍﻟﻨﺴﺎﺀ ِ‬ ‫ﻭﻜل ﺍﻟﺯﻭﺍﺤﻑ ِ‬ ‫ُ‬ ‫- ٠١ -‬
‫ﻜل ﺍﻟﺭﺠﺎل ِ ﺍﻟﺴﻼﺤﻑ ِ..‬ ‫ُ‬ ‫ﻜل ﺍﻟﻨﻌﺎﻡ ِ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ ﺨﺒﺄﺕ ﺭﺃ ‪‬ﻬﺎ ﻓﻲ ﺍﻟﺭﻤﺎل ِ..‬ ‫ﹾ ﺴ‬ ‫ﺴﺘﺸﻬﺩ ﺇﻨﻲ..................‬ ‫‪‬‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ..‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ،‬ ‫ﻭﺍﻟﺫﻴﻥ..‬ ‫ﻭﻗﻌﺕ ﻜﻘﻁﺭﺓ ِ ﺩﻡ ّ ٍ‬ ‫ﹸ‬ ‫ﻨﻤﺎ ﻋﻭ ‪‬ﻫﺎ‬ ‫ﺩ‬ ‫ﻭﺍﺴﺘﻭﺕ ﻓﻭﻕ ﻋﺭﺵ ٍ‬ ‫ﹾ ﹶ‬ ‫ﺘﺭ ‪‬ﻊ َ ﺒﺎﻟﺩﻫﺸﺔ ِ ﺍﻟﻘﺎﺘﻠﺔ ْ.‬ ‫ﺼ‬ ‫ﻫﻜﺫﺍ ﺘﺒﺘﺩﻱ ﻤﺤﻨﺘﻲ ﺍﻟﻔﺎﺼﻠﺔ ْ..‬ ‫ﻟﻡ ﻴﻜﻥ ﺜﻡ ﻤﻥ ﻗﺎﺒﻠﺔ ْ..‬ ‫ﻴﻘﻭل ﺍﻟﻤﺤﻘﻕ ُ :‬ ‫ﻻ......‬ ‫ﻟﺴﺕ َ ﺃﻨﺕ َﺍﻟﻤﺭﺍﺩ ﺍﻟﺤﻘﻴﻘﻲ َ..‬ ‫‪‬‬ ‫ﻟﻜﻥ ﺒﺫﻭﺭ ﺍﻟﺤﻀﺎﺭﺓ ِ‬ ‫‪‬‬ ‫ﻤﻥ ‪‬ﻠﺒﺔ ﺍﻟﻨﻭﺭ ِ‬ ‫ﻋ ِ‬ ‫ﻓﻲ ﻤﺨﺯﻥ ِ ﺍﻟﻔﺨﺭ ِ ،‬ ‫ﻭﺍﻟﻤﺠﺩ ِ..‬ ‫ﺫﺍﻙ َ ﺍﻟﺫﻱ ﻴﺭﺘﺩﻱ ‪‬ﻠﺔ ً ﻤﻥ ﻗﺼﺏ ْ..‬ ‫ﺤ‬ ‫ﻭﻴﺨﺘﺎل..‬ ‫ُ‬ ‫ﻴﺯﻫﻭ ﺒﺜﻭﺏ ِ ﺍﻟﻌﻁﺏ ْ..‬ ‫ﻭﻤﺎ ﺨ ﱠﻪ ﺍﻷﻭﻟﻭﻥ‬ ‫ﻁ‪‬‬ ‫ﺍﻟﺫﻴﻥ ﺍﺴﺘﻀﺄﻨﺎ ﺒﻨﻴﺭﺍﻥ ِ ﺃﻓﻜﺎ ِﻫﻡ‬ ‫ﺭ‬ ‫ﻭﺍﻜﺘﻭﻴﻨﺎ..‬ ‫ﻭﺜﻡ ﻋﻠﻭﻨﺎ..‬ ‫- ١١ -‬
‫ﻭ ‪‬ﺩﻨﺎ‬ ‫ﻋ‬ ‫ﻟﻨﺄﺨﺫ َ ﻤﺎ ﺘﺒﻘﻲ ﻟﻜﻡ..‬ ‫‪‬‬ ‫ﻋﻨﺩﻜﻡ..‬ ‫‪‬‬ ‫ﺇﻨﻜﻡ ْ..‬ ‫ﻓﻲ ﺯﻤﺎﻥ ِ ﺍﻷﻤﺎﻨﺎﺕ ِ ﹸﻨﺘﻡ ﺃﻤﺎﻨﺎﺘﻜﻡ ،‬ ‫‪‬‬ ‫ﺨ ‪‬‬ ‫ﻭﻟﻬﻭﺘﻡ ﺒﺜﺭﻭﺍ ِﻜﻡ ْ،‬ ‫ﺘ‬ ‫‪‬‬ ‫ﻭﺍﻟﺠﻭﺍﺭﻱ ﺍﻟﺤﺴﺎﻥ ِ ،‬ ‫ﻭﺨﻤﺭ ﺍﻟﺩﻨﺎﻥ ،‬ ‫ﻭﺯﻴﻑ ﺍﻷﻤﺎﻨﻲ،‬ ‫ﻭﺤﻠﻭ ﺍﻷﻤﺎﻥ.‬ ‫ﻭﻫﺫﺍ ﺯﻤﺎﻥ ﺍﻟﺨﻴﺎﻨﺎﺕ ِ..‬ ‫‪‬‬ ‫ﺒﺎﺤﺕ ﺠﻤﻴﻊ ﺍﻟﺨﻴﺎﻨﺎﺕ‬ ‫ِ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺠﻬﺭﺍ ً ﺒﺄﺴﻤﺎﺌﻬﺎ‬ ‫ﻟﻡ ﻴﻌﺩ ﺨﺎﻓﻴﺎ ً ﻤﺎ ﺒﻬﺎ..‬ ‫ﺃﻭ ﻟﻬﺎ..‬ ‫ﺇﻨﻬﺎ..‬ ‫ﻗﺩ ﺘﺒﺎﻫﺕ ﺠﻤﻴﻌﺎ ً ﺒﻌﻭﺭﺍ ِﻬﺎ...‬ ‫ﺘ‬ ‫ﹾ‬ ‫ﻓﻜﻴﻑ ﹸﺴﻤﻲ ﺍﻟﺴﻤﺎﺀ ُ‬ ‫ﺘ‬ ‫ﺒﺄﺴﻤﺎ ِﻬﺎ؟!‬ ‫ﺌ‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ..‬ ‫ﻭﺍﻟﺫﻴﻥ‬ ‫ﻴﻘﻭل ﺍﻟﻤﺤﻘﻕ :‬ ‫ﹸ‬ ‫ُ‬ ‫ﻀ ﹼﺭﺕ ﺘﺎﺠﺎ ً‬ ‫ﻔ ﹸ‬ ‫ﻤﻥ ﺍﻟﺸﻭﻙ ِ ﻟﻠﺸﺭﻕ ِ..‬ ‫ﺒﻌﺕ ﺍﻟ ‪‬ﺩﻱ ﺒﺎﻟﻀﻼﻟﺔ ِ..‬ ‫ﹸ ﻬ‬ ‫ﻭﺍﻟﺤﻕ ﺒﺎﻟﻜﺫﺏ ِ..‬ ‫ﱠ‬ ‫- ٢١ -‬
‫ﻭﺍﻟﺤﺏ ﺒﺎﻟﻜﺭﺏ ِ..‬ ‫‪‬‬ ‫ﻭﺍﻷﻤﻥ َ ﺒﺎﻟﺭﻋﺏ ِ..‬ ‫ﻭﺍﻟﺯﻴﺕ َ ﺒﺎﻟﺤﺭﺏ ِ..‬ ‫ﻗﱠﺒﺕ ﺃﺒﻨﺎ ‪‬ﻩ ﻓﻲ ﺼﻨﻭﻑ ِ ﺍﻟﺠﺤﻴﻡ ِ..‬ ‫ﻠ ﹸ ﺀ‬ ‫ﻭﻗ ﱠﻌﺕ ﺃﻭﺼﺎﻟﻪ ﻤﻥ ﺨﻼﻑ ٍ..‬ ‫ﹶ‪‬‬ ‫ﻁ ﹸ‬ ‫ﻭﻤﺯﻗﺕ ﺃﺭﺤﺎﻤﻪ ﻤﻥ ﹸﺒل..‬ ‫ﻗ ْ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﺨﻀﺕ ﻏﻤﺎﺭ ﺍﻟﺤﺭﻭﺏ ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻷﺩﻓﺊ ﻨﻔﺴﻲ‬ ‫ﺒﻨﻴﺭﺍﻥ ِ ﻨﻔﻁ ِ ﺍﻟﻌﺭﻭﺒﺔ ِ..‬ ‫ﺃﺯﻜﻡ ﺃﻨﻑ َ ﺍﻟﻬﻭﺍﺀ ِ‬ ‫‪‬‬ ‫ﺒﺘل ﱟ ﻤﻥ ﺍﻟﺠﺜﺙ ِ ﺍﻟﻤﺅﻤﻨﺔ ْ..‬ ‫- ٣١ -‬
‫ﻭﻜ ﱠﺎ ﻋﺩﻭﻴﻥ..‬ ‫ﻨ‬ ‫ﻀﺩﻴﻥ.. ﻨﺩﻴﻥ..‬ ‫ﺭﺍﺡ ﻴﺸﺩ ﺍﻟﻐﻁﺎﺀ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﻨﺯﻋﻨﻲ ﻋﻥ ﺜﻴﺎﺏ ﺍﻟﻌﺭﻭﺒﺔ ِ..‬ ‫ِ‬ ‫- ﺇﻥ ﺍﻟﻌﺭﻭﺒﺔ َ‬ ‫- ﻻ ﺘﺭﺘﺩﻱ ﺍﻻﺴﺘﺭﻴﺘﺵ ،ﺃﻭ ﺍﻟﺠﻴﻨﺯ -‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻴﻨﺯﻉ ﻋﻨﻲ ﺜﻴﺎﺏ ﺍﻟﺒﻁﻭﻟﺔ..‬ ‫ِ‬ ‫‪‬‬ ‫ﺭﻴﺵ ﺍﻟﻁﻭﺍﻭﻴﺱ ِ..‬ ‫ﹶ‬ ‫ﻭﻜﺎﻥ ﻻﺒﺩ ﺃﻥ ﺃﺩﻓﻊ ﺍﻟﺫل ﻭﺍﻟﻌﺎﺭ ﻋﻨﻲ.. ﻭﺃﻜﺘﺏ ﻟﻠﻨﺨل ﺘﺎﺭ ‪‬ﺨﻪ..‬ ‫ﻴ ‪‬‬ ‫‪‬‬ ‫‪َ ‬‬ ‫ﻭﺃﻨﺼﺏ ﻟﻠﻘﺎﻨﻁﻴﻥ ﺍﻟﻤﺸﺎﻨﻕ..‬ ‫ﹶ‬ ‫ﻟﻠﻤﻬﻁﻌﻴﻥ ﻨﻴﻭﺏ ﺍﻟﻐﻀﺏ....‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﻭﺭﻴﺔ ً‬ ‫ﺼﺎﺭﺕ ﺍﻟﺤﺭﺏ..‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻭﺍﻟﺸﻬﺩﺍﺀ ﻜﻨﺎﻴﺎﺕ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﺼﻑ ﺇﻴﻘﺎﻉ ﻨﺹ ٍ ﺠﺩﻴﺩ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ‬ ‫- ٤١ -‬
‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ،‬ ‫ﻭﺍﻟﺫﻴﻥ..‬ ‫ﻫﻁﻠﺕ ﻜﻤﺎ ﻴﻬﻁل ﺍﻟﻤﻁﺭ ﺍﻟﺯﺌﺒﻘﻲ ﱡ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻋﻠﻲ ﺼﻠﻌﺔ ِ ﺍﻷﺭﺽ ِ...‬ ‫ﻏﻴﻡ ﺠﺭﺍﺩ ٍ..‬ ‫‪‬‬ ‫ﻭﺤﻭﻟﺕ ﺒﻌﺽ َ ﺍﻟﻔﺭﺍﺵ ِ ﺯﻨﺎﺒﻴﺭ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻟ ‪‬ﻨﺕ ﺭﻴﺵ َﺍﻟﻌﺼﺎﻓﻴﺭ ِ ﺒﺎﻟﺩﻡ ِ‬ ‫‪‬‬ ‫ﻭ‬ ‫ﺤﺘﻰ ﺒﺩﺕ ْ ﻜﺎﻟﻬﺩﺍﻫﺩ ِ..‬ ‫ﺨﻨﺕ ُ ﺍﻟﻌﻬﻭﺩ َ ﺍﻟﺘﻲ ﻻ ﺘﺨﺎﻥ ُ..‬ ‫ﻭ ِﻨﺕ ﺍﻟﺩﻤﺎﺀ َ ﺍﻟﺘﻲ ﻻ ﺘﻬﺎﻥ ُ..‬ ‫ﻫ ﹸ‬ ‫ﻭ ‪‬ﻴﻌﺕ ﻜل ﺤﻘﻭﻕ ِ ﺍﻟﺫﺌﺎﺏ ِ‬ ‫ﻀ ﹸ َ‬ ‫ﺍﻟﺫﻴﻥ ﻴﻌﻴﺸﻭﻥ ﺒﻴﻥ ﺍﻟﺸﻴﺎﻩ ِ،‬ ‫ﻭﺒﻴﻥ ﺍﻟﻜﻼﺏ ِ..‬ ‫ﻭﺭﺍﻫﻨﺕ..‬ ‫ﹸ‬ ‫ﺍﺒﺩﻟﺕ ﺸﺎل ﺍﻟﻌﻤﺎﻤﺔ )ﺒﺎﻟﻜﺎﺏ( ِ..‬ ‫ِ‬ ‫ﹸ َ‬ ‫ﺃﻫﺭﻗﺕ ﻤﺎﺀ َ ﺍﻷﻤﻴﺭﺍﺕ ِ ﻓﻲ ﺨﺩﺭﻫﻥ َ..‬ ‫ﻭﻀﻌﺕ ﻋﻠﻲ ﺠﺒﻬﺔ ِ ﺍﻟﺸﺭﻕ ِ ﺴﻴﻔﺎ ً‬ ‫ﹸ‬ ‫ﻭﻜﺎﺩ ﻴﺘل ﺍﻟﺠﺒﻴﻥ َ ،‬ ‫ﱡ‬ ‫ﻭﻴﺒﺩﻱ ﺍﻷﻨﻴﻥ َ..‬ ‫ﻭﺴﻤﻤﺕ ﺃﻓﻜﺎ ‪‬ﻩ ُ..‬ ‫ﹸ ﺭ‬ ‫ﻴﻘﻭل..‬ ‫ُ‬ ‫ﻭﻴﻘﺼﺩ ﺁﺒﺎﺭﻩ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ِ‬ ‫‪‬‬ ‫ﻴﻘﺼﺩ ﺨﻴﺭﺍﺘﻪ..‬ ‫ﹶ‪‬‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ.‬ ‫ﺒ‬ ‫ﻭﻜﺎﻨﻭﺍ ﻫﻨﺎﻟﻙ‬ ‫- ٥١ -‬
‫ﻴﺭﺘﻌﺩﻭﻥ ﻤﻥ ﺍﻟﺨﻭﻑ ِ..‬ ‫ﻤﺎﺯﺍل ﺩﻡ ُ ُ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺴﺘﺭﺘﻲ ﻋﺎﻟﻕ ُ ُ ﻓﻭﻕ ﺩﻡ ٍ..‬ ‫ﻭﻤﺎ ﺯﺍل ﺫﻡ ُ ُ‬ ‫َ ‪‬‬ ‫ﻋﻠﻲ ﺠﺒﻬﺘﻲ ﻓﻭﻕ ﺫﻡ ٍ..‬ ‫ﻭﻫﻡ ﱡ ُ‬ ‫ﺒﻬﻡ ٍ..‬ ‫ﻓﻤﺎﺫﺍ ﺇﺫﻥ ﻋﻥ ﺩﻤﺎﺀ ِ ﺍﻟﺭﻓﺎﻕ ِ،‬ ‫‪‬‬ ‫ﺍﻟﻨﻔﺎﻕ ِ،‬ ‫ﺍﻟﺒﺼﺎﻕ ِ ﺍﻟﻤﺭﺍﻕ ِ‬ ‫ﻋﻠﻲ ﻭﺍﺠﻬﺎﺕ ِ ﺍﻟﻔﺭﺍﻕ ِ؟!‬ ‫ﻭﻗﻴل َ :‬ ‫ﻗﺘﻠﺕ ﺍﻟ ‪‬ﺴﻴﻥ َ..‬ ‫ﹸ ﺤ‬ ‫ﻭﺤﺎﺭﺒﺕ ﺒﺎﺴﻡ ِ ﺍﻟﺨﻠﻴﻔﺔ ِ‬ ‫ﹸ‬ ‫ﺩﻭﻥ ﺍﻟﺨﻼﻓﺔ ِ..‬ ‫‪‬‬ ‫ﺃﻫﺩﺭﺕ ﺒﻌﺽ ﺩﻤﺎﺀ ِ ﺍﻷﻟﻲ،‬ ‫‪‬‬ ‫ﹸ‬ ‫- ٦١ -‬
‫ﺜﻠﺔ ﺍﻷﻭﻟﻴﻥ..‬ ‫ﹸ‬ ‫ﺍﻟﺼﺤﺎﺒﺔ ُ..‬ ‫ﺃﻫل ﺍﻟﻨﺠﺎﺒﺔ ِ..‬ ‫ُ‬ ‫ﻗﻴل..‬ ‫َ‬ ‫ﻭﻗﻴل..‬ ‫َ‬ ‫ﻭﻓﻲ ﺍﻟﺠﺏ ّ ِﻭﺤﺩﻱ ﺘﻠﻭﺕ ﺍﻟﺼﻼﺓ َ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭ ‪‬ﻤﺕ ﺍﻟﻨﺠﺎﺓ َ..‬ ‫ﺭ ﹸ‬ ‫ﻫﻤﻭﺍ ﺃﺨﻭﺘﻲ..‬ ‫ﻭﻟﻜﻨﻨﻲ ﻤﺎ ﺭﺃﻴﺕ ﺍﻟﻜﻭﺍﻜﺏ َ ،‬ ‫ﹸ‬ ‫ﻭﺍﻟﺸﻤﺱ ﻟﻲ ﺴﺎﺠﺩﻴﻥ..‬ ‫‪‬‬ ‫ﻭﻤﺎ ﻗﻴل َ– ﻟﻭ ﻤ ‪‬ﺓ ً –‬ ‫ﺭ‬ ‫ﺴﺄﺴﺘﻐﻔﺭ ﺍﷲ ﻟﻙ ْ.‬ ‫‪‬‬ ‫ﻭﺴ ‪‬ﺤﺕ ُ..‬ ‫ﺒ‬ ‫ﺼ ‪‬ﺤﺕ ُ..‬ ‫ﺭ‬ ‫ﻟ ‪‬ﺤﺕ ﷲ ِ ﻤﻌﺘﺫﺭﺍ ً ، ﻨﺎﺩﻤﺎ ً‬ ‫ﻭ ﹸ‬ ‫ﻤﻥ ﻤﻜﺎﻨﻲ ﺍﻟﻘﺼﻲ..‬ ‫ﻭﺃﻴﻘﻨﺕ ُ– ﻟﻭ ﻟﻬﻨﻴﻬﺔ َ– ﺃﻨﻲ َﺸﻘﻲ‬ ‫ﻭﺃﻨﻲ ‪‬ﺼﻲ..‬ ‫ﻋ‬ ‫- ٧١ -‬
‫ﻭﺃﺸﻬﺩ.. ﻴﺎ ﺸﻬﺭﻴﺎﺭ‬ ‫ﺍﺸﻬﺩﻱ‬ ‫ﺃﻨﺎ ﻟﻡ ﺃﺴ ‪‬ﺢ‬ ‫ﺒ‬ ‫– ﻭﻟﻭ ﻤ ‪‬ﺓ – ﻟﺘﺎﺝ ﻤﻥ ﺍﻹﻨﺱ ِ‬ ‫ﺭ‬ ‫)ﺴ ‪‬ﺢ َ ﻟﻲ ﺒﻌ ‪‬ﻬﻡ(‬ ‫ﻀ ‪‬‬ ‫ﺒ‬ ‫ﻭﻤﺎ ﻤﺴﻨﻲ ﻁﻴﻑ ِﻥ ّ ٍ..‬ ‫ﹸﺠ‬ ‫)ﻭﻗﺩ ﺤﺎﻭﻟﻭﺍ ﺠﻬﺩﻫﻡ(‬ ‫‪‬‬ ‫ﻭﻟﻡ ﺃﺘﻤﺴﺢ ﺒﺫﻴل ِ ﺩﻋﻲ ﱟ..‬ ‫)ﺘﻘ ‪‬ﺏ َﻟﻲ ﹸﻠﻬﻡ...(‬ ‫ﻜ ‪‬‬ ‫ﺭ‬ ‫ﻭﻤﺎ ﻗﻠﺕ ِﻌﺭﺍ ً..‬ ‫ﹸﺸ‬ ‫)ﻭﺠﺎﺀﺕ ﺇﻟﻲ ﺍﻟﻘﺼﺎﺌﺩ ﺘﺴﻌﻲ(‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻟﻡ ﺃﺩﻉ ِ ﺍﻟﻔﻘﺭ – ﻟﻭ ﻤ ‪‬ﺓ ً -...‬ ‫ﺭ‬ ‫‪‬‬ ‫ﻭﻻ ﻤﺎ ﺍﻨﺤﻨﻴﺕ – ﻭﻟﻭ ﻤ ‪‬ﺓ -...‬ ‫ﺭ‬ ‫ﹸ‬ ‫ﻭﺃﺸﻬﺩ ُ..‬ ‫ﻴﺎ ﺸﻬﺭﺯﺍﺩ...‬ ‫‪‬‬ ‫ﺍﺸﻬﺩﻱ‬ ‫ﻋﺸﻘﺕ ﺍﻟﻨﺨﻴل‬ ‫َ‬ ‫ﻭﺩﺠﺠﺘﻪ ﺒﺎﻟﺤﺠﺎﺭﺓ ِﻜﻴﻤﺎ ﻴﻘﺎﺘل..‬ ‫ﺁﻩ..‬ ‫ﻜﺄﻥ ﺍﻟﻨﺨﻴل ﻴﻘﺎﺘل ﻋﺸﺎ ﹶﻪ ُ‬ ‫ﻗ‬ ‫َ‬ ‫ﻴﺯﺍﻭﺭ ﻋﻥ ﺨﻁﻭﻫﻡ..‬ ‫ِ‪‬‬ ‫ﻭﻴ ‪‬ﻭﺭ ﻋﻨﻬﻡ..‬ ‫ﺯ‬ ‫ﻫﻭ ﺍﻵﻥ ﻴﺼﺭﺥ ﺒﻲ ﻤﻥ ﻟﺴﺎﻥ ِﺍﻟﻤﺤﻘﻕ ِ :‬ ‫‪‬‬ ‫ﻴﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ..‬ ‫ﻭﺍﻟﺫﻴﻥ..‬ ‫- ٨١ -‬
‫ﻭﻟﻴﺱ ﺴﻭﻱ ﺍﻟﺼﻤﺕ ِ..‬ ‫ﻭﺍﻟﺼﻤﺕ ِ..‬ ‫ﻭﺍﻟﺼﻤﺕ ِ..‬ ‫ﺍﻟﺫﻱ ﻴﺸﺒﻪ ﺍﻷﺴﺌﻠﺔ ْ.‬ ‫ﻫﻜﺫﺍ ﺘﻨﺘﻬﻲ ﺠﻭﻟﺘﻲ ﺍﻟﻔﺎﺸﻠﺔ ْ..‬ ‫- ٩١ -‬
‫ﻫﻭ ﺍﻟﺼﻤﺕ ﻨﻌﺵ..‬ ‫ﹲ‬ ‫ﻭﻻ ﻴﺩﻓﻊ ﺍﻟﺫل ، ﻭﺍﻟﻌﺎﺭ ﻋﻨﻲ‬ ‫‪‬‬ ‫َ‬ ‫ﺴﻭﻱ ﺍﻟﻤﻭﺕ..‬ ‫ﻭﺍﻟﻤﻭﺕ ُﻓﻲ ﻜل ﺤﺎﻻﺘﻪ ﺍﻵﻥ َ‬ ‫ﻤﺤﺽ ﺍﻨﺘﺼﺎﺭ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﺤﺽ ﺍﻀﻁﺭﺍﺭ.‬ ‫‪‬‬ ‫ﺍﺨﺘﺒﺎﺭ /‬ ‫ﺍﺒﺘﻜﺎﺭ /‬ ‫ﺍﻓﺘﻘﺎﺭ /‬ ‫ﺍﻨﺘﺤﺎﺭ /‬ ‫ﻭﻟﻴﺱ ﺍﺨﺘﻴﺎﺭ..‬ ‫ﻴﻘﻭل ﺍﻟﻤﺤﻘﻕ :‬ ‫ﹸ‬ ‫ﻻ ﺘﺸﻨﻘﻭﻩ‬ ‫ﺍﻟﻤﺸﺎﻨﻕ ﻻ ﺘﺤﻤل ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫ﹸ‬ ‫ﺃﻗﻭل :‬ ‫ُ‬ ‫ﺍﻏﺭﺴﻭﺍ ﺠﺜﺘﻲ ﺘﺤﺕ ﻁﻤﻲ ﺍﻟﻔﺭﺍﺕ ِ‬ ‫ﻭﺩﺠﻠﺔ.. ﻭﺍﻟﻨﻴل..‬ ‫ﺘﺨﻀﺭ ﺠﻨﺩﺍ..‬ ‫ﻭﻤﺎ ﺯﺍﻟﺕ ﺍﻟﺸﻤﺱ ﺘﺸﺭﻕ ُ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻟﻜﻥ ﻨﺠﻤﻲ ﺒﻬﺫﺍ ﺍﻟﻤﺩﺍﺭ‬ ‫ﺍﺤﺘﻀﺎﺭ /ﺍﻨﻜﺴﺎﺭ /‬ ‫ﺍﻨﺸﻁﺎﺭ / ﺍﻨﺤﺩﺍﺭ /.....‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﻨ ‪‬ﻡ ْ‬ ‫ﹶﻌ‬ ‫ﻭﻟﻭ ﻜﺎﻥ ﺴﻴﻔﻲ ﻤﻌﻲ‬ ‫ﺇﺫﻥ ْ ﻟﻘﺘﻠﺕ ﺍﻟﻤﺤﻘﻕ‬ ‫ﹶ‬ ‫ﺃﻭ ﻟﻘﺘﻠﺕ ﺍﻟﻨﻬﺎﺭ.‬ ‫‪‬‬ ‫- ٠٢ -‬
‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ‬ ‫ﻜﺄﻥ ﺃﻟﻑ ﻟﻴﻠﺔ، ﻭﻟﻴﻠﺔ‬ ‫ٍ‬ ‫ﹶ ٍ‬ ‫ﺘﻨﺴل ﻗﻠﻌﺔ ً ، ﻓﻘﻠﻌﺔ ً‬ ‫ﱡ‬ ‫ﺘﻐﺎﺩﺭ ﺍﻟﺒﺩﻥ.‬ ‫‪‬‬ ‫ﻭﺘﺴﺄل ﺍﻟﻤﺴﺎﻓﺭﻴﻥ ﻤﻘﻌﺩﺍ ً ،‬ ‫ﻭﺒﻬﺠﺔ ً.‬ ‫ﺒﻼﺩﻨﺎ ﺍﻟﺘﻲ ﻗﺩ ﻗ ‪‬ﻡ ﺍﷲ ُ‬ ‫ﺴ‬ ‫ﺍﻟﺒﻴﺎﻥ ﺒﻴﻨﻬﻥ‬ ‫‪‬‬ ‫ﻭﺍﻟﻔﺘﻥ ْ..‬ ‫ﻋﻼ ﻨﻭﺍﺤﻬﺎ..‬ ‫ﻋﻠﻲ ﻤﺩﺍﺨل ِﺍﻟﻤﺩﻥ ْ.‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻭﻁﻥ ْ..‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺫﻱ‬ ‫ﺃﻨﺕ ، ﺃﻨﺎ‬ ‫ﹶ‬ ‫ﻭﺒﻌﻀﻨﺎ‬ ‫ﻟﺒﻌﻀﻨﺎ ﺴﻜﻥ.‬ ‫‪‬‬ ‫ﻴﺎ ﻓﺎﺘﺤﺎ ً ﻋﻠﻲ ﱠ‬ ‫ﺃﺒﻭﺍﺏ ﺍﻟﺭﻴﺎﺡ ِ، ﻭﺍﻟﻤﺤﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﻤﺴﻜﺎ ً ﻋﻠﻲ ﱠ‬ ‫ﻓﻲ ﺍﻟﺭﺨﺎﺀ ِ ﻟﺤﻅﺔ ﺍﻟﺸﺠﻥ..‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺎ ﻁﺎﺌﺭﺍ ً ﻤﺤﻨﻁﺎ ً‬ ‫ﺒﻐﺩﺍﺩ ﺒﻬﺠﺔ ُ ﺍﻟﻤﺴﺎﻓﺭﻴﻥ..‬ ‫ﺠﻨﺔ ُ ﺍﻟﺯﻤﻥ ْ..‬ ‫ﻟﻡ ﺃﻗﺽ ﻤﻨﻬﺎ ﻭﺘﺭﺍ ً..‬ ‫ﺘﺒﺨﺭﺕ ﻜﻭﻤﻀﺔ ٍ..‬ ‫ﹾ‬ ‫ﻭﺍﻨﺴﻜﺒﺕ ﻜﺩﻤﻌﺔ ٍ..‬ ‫ﹾ‬ ‫- ١٢ -‬
‫ﻭﻏ ‪‬ﺒﺕ..‬ ‫ﻴ ﹾ‬ ‫ﻜـﺄﻨﻬﺎ ﻜﻔﻥ..‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ْ‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ْ.‬ ‫‪‬‬ ‫- ٢٢ -‬
‫ﻓﺘﻨﺔ ﻨﺎﺌﻤﺔ‬ ‫ﹲ‬ ‫ﺍﻟﻬﻭﻱ ﻓﺘﻨﺔ ُ ﻨﺎﺌﻤﺔ ْ..‬ ‫ﹸ‬ ‫ﻭﺃﻨﺎ ﺘﺎﺌﺏ ُ ُ‬ ‫ﻋﻥ ﺍﻟﻜﺭ ﱢ ، ﻭﺍﻟﻔﺭ ِ‬ ‫‪‬‬ ‫ﻨﻌﻡ ْ...‬ ‫ﺘﺎﺌﺏ ُ ُ..‬ ‫ﻭﺤﻭﺍﺴﻲ ﻜﻠﻬﺎ ﻨﺎﺩﻤﺔ ْ.‬ ‫ﻤﻨﺫ ﺨﻤﺴﻴﻥ ﺤﻘﻼ ً‬ ‫ﺃﻁﺎﺭﺩ ﻏﻴﻡ َ ﺍﻟﺠﺭﺍﺩ ِ‬ ‫‪‬‬ ‫ﻟﺌﻼ ﻴﺤﻁ ﱠ ﻋﻠﻲ ‪‬ﺸﺏ ِ ﻗﻠﺒﻲ..‬ ‫ﻋ‬ ‫ﻭﻫﺎ ﺤﻁ‬ ‫ﱠ‬ ‫ﻓﻲ ﻫﺠﻤﺔ ٍ ﻏﺎﺸﻤﺔ ْ.‬ ‫ﻓﺎﻟﺒﺴﺎﻁ ُﺍﻟﺫﻱ‬ ‫ﻜﻨﺕ ﺃﻤﺸﻲ ﻋﻠﻴﻪ ﺍﻨﺴﺤﺏ ْ.‬ ‫ﹸ‬ ‫ﻭﺍﻟﻐﻁﺎﺀ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺭﺃﺴﻲ ﺍﻟﺘﻬﺏ ْ.‬ ‫ﹶ‬ ‫ﻟﻡ ﻴﻌﺩ ﻟﻠﺠﻭﺍﺩ ِ ﺍﻟﺫﻱ ﻗﺩ ﻜﺒﺎ ﻗﺎﺌﻤﺔ ْ‬ ‫ﻗﻠﻤﻲ ﺯﺍﻫﺩ ُ ُ ﻓﻲ ﺒﺭﺍﻋﺘﻪ‬ ‫ِِ‬ ‫ﻭﺤﺭﻭﻓﻲ..‬ ‫ﺭ ‪‬ﻤﺎ ﻫﺎﺌﻤﺔ ْ.‬ ‫ﺒ‬ ‫ﻟﻡ ﺘﻌﺩ ﺸﻬﺭﺯﺍﺩ ﺍﻟﺘﻲ‬ ‫‪‬‬ ‫ﻋﺭﻓﺘﻬﺎ ﺍﻟﺘﻭﺍﺭﻴﺦ ُ ﻭﺭﺩﺓ َ ‪‬ﺏ ﱢ،‬ ‫ﺤ‬ ‫ﺘﺠ ‪‬ﺩ ﺩﻡ ﺍﻟﺤﻴﺎﺓ ِﺤﻜﺎﻴﺎ ﹸﻬﺎ ﺍﻟﺤﺎﻟﻤﺔ ْ.‬ ‫ﺘ‬ ‫ﺩ‪ ‬‬ ‫ﺴﻭﻱ ﻨﺠﻤﺔ ٍ ﻤﻥ ﺭﻤﺎﺩ ِ ﺍﻷﺴﺎﻁﻴﺭ ِ‬ ‫ﻤﻅﻠﻤﺔ ٍ..‬ ‫ﻅﺎﻟﻤﺔ ْ.‬ ‫- ٣٢ -‬
‫ﻻ ﻋﺎﺼﻡ ﺍﻟﻴﻭﻡ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻥ ﻜﺒﻭﺓ ِ ﺍﻟﻴﻭﻡ ِ‬ ‫ﻻ......‬ ‫ﻭﺍﻟﺜﻘﺎﻓﺔ..‬ ‫ﹸ‬ ‫ﻟﻴﺱ ﻟﻬﺎ ﻋﻨﺩﻨﺎ ﻋﺎﺼﻤﺔ ْ.‬ ‫ﻗﻴﺜﺎﺭﺘﻲ ﻤﻥ ﻟﻭﻋﺔ ِ ﺍﻟﻤﺠﺩ ِ ﺘﺒﻜﻲ‬ ‫ﻭﺩﻤﻲ ﻋﺎﻟﻕ ُ ﺒﺎﻟﻤﺩﺍﺩ ِ..‬ ‫ﹸ‬ ‫ﺩﻤﻲ ﺸﺎﺭﺓ ُ ُ..‬ ‫ﺃﻭ.. ِﻤﺔ ْ.‬ ‫ﺴ‬ ‫- ٤٢ -‬
‫ﻭﺍﻟﺤﻜﺎﻴﺔ ﺘﺒﺩﺃ ُ ﻤﻥ ﺠﻔﻨﺔ ِ ﺍﻟﺩﻡ‬ ‫‪ِ‬‬ ‫ﹸ‬ ‫ﻻ ﻤﻥ ﺒﺭﻜﺔ ِ ﺍﻟﻤﺎﺀ ِ‬ ‫ﻫﺎﻜﻡ ﺍﻟﻘﺼﺔ ُ ﺍﻵﺜﻤﺔ ْ.‬ ‫ﺃﻱ ﺃﻨﺜﻲ ﺘﺭﻱ‬ ‫ﺘﺘﺤﻠﻲ ﺒﺄﻏﻼﻟﻬﺎ ﺍﻟﺼﺎﺭﻤﺔ ْ؟!!‬ ‫ﺇﻨﻬﺎ ﺸﻤﺱ ﻨﻴﺭﺍ ِﻜﻡ ْ..‬ ‫ﻨ‬ ‫‪‬‬ ‫ﺇﻨﻬﺎ ﺘﺸﺒﻪ ﺍﻟﺸﻤﺱ َ،‬ ‫ﻟﻜﻨﻬﺎ ﻏﺎﺌﻤﺔ ْ.‬ ‫ﻗﻠﻤﻲ ﺘﺎﺌﻪ ُ ﻋﻥ ﺒﺩﺍﻴﺘﻪ ِ‬ ‫‪‬‬ ‫ﻭﺤﺭﻭﻓﻲ..‬ ‫ﻻ ﺘﻌﺭﻑ ﺍﻟﺨﺎﺘﻤﺔ ْ.‬ ‫ﺇﻨﻬﺎ ﻓﺘﻨﺔ ُ ُ‬ ‫ﺘﺘﻭﺍﺭﻱ ﺒﻨﻴﺭﺍ ِﻬﺎ ﺍﻟﻘﺎﺘﻤﺔ ْ.‬ ‫ﻨ‬ ‫ﻓﺎﺘﺭﻜﻭﺍ ﺸﻬﺭﺯﺍﺩ َ..‬ ‫ﺍﺘﺭﻜﻭﺍ ﻓﺘﻨﺔ َ ﺍﻟﺤ ‪ِ ‬‬ ‫‪‬ﺏ‬ ‫ﻓﻲ ﻤﻬﺠﺘﻲ ﻨﺎﺌﻤﺔ ْ.‬ ‫ﻓﺄﻨﺎ ﺭﺍﻏﺏ ُ ُ‬ ‫ﻋﻥ ﻤﺠﺎﺭﺍﺓ ﺃﻓﻌﺎِﻜﻡ ْ‬ ‫ﻟ‬ ‫ﻭﺤﺭﻭﻓﻲ ﻜﹸﻬﺎ ﺼﺎﺌﻤﺔ ْ.‬ ‫ﻠ‬ ‫ﻟﻡ ﺘﻌﺩ ﺘﻠﻜﻡ ﺍﻟﻨﻔﺱ ﻟ ‪‬ﺍﻤﺔ ً..‬ ‫ﻭ‬ ‫‪‬‬ ‫ﻻ..‬ ‫ﻭﻟﻡ ﺘﺠﺩ ﻓﻲ ﺍﺠﺘﻨﺎﺏ ِ ﺍﻟﻬﻭﻱ ﻻﺌﻤﺔ ْ.‬ ‫ﻻ ﺸﺊ ﻓﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﻏﻴﺭ ﺍﻟﺼﺩﻱ‬ ‫ﻭﻏﺒﺎﺭ ﺍﻟﺘﺒﺎﺭﻴﺢ ،‬ ‫ﻭﺍﻟﺭﻴﺢ..‬ ‫- ٥٢ -‬
‫ﺘﻠﻜﻡ ﺍﻟﺭﻴﺢ ُ ﺍﻟﺘﻲ ﻟﻡ ﺘﺯل ْ ﻋﺎﺭﻤﺔ ْ.‬ ‫ﺯﺍﻫﺩ ُ ُ ﺒﻴﻥ ﻓﻁﻨﺘﻪ..‬ ‫ﺃﻨﺎ..‬ ‫ﻭﻏﺒﺎﻭﺘﻪ ﺍﻟﻔﺎﻫﻤﺔ ْ.‬ ‫ِِ‬ ‫ﻓﺎﺘﺭﻜﻭﺍ ﻓﺘﻨﺘﻲ ﻨﺎﺌﻤﺔ ْ.‬ ‫ﺍﺘﺭﻜﻭﺍ ﻓﺘﻨﺘﻲ ﻨﺎﺌﻤﺔ ْ.‬ ‫- ٦٢ -‬
‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ﻤﺎ ﺩﻓﻨﺕ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻫﺏ ﺃﻥ ﺴﻴﺩﺓ ً ﺘﺨﻠﺕ.!‬ ‫ﱠ ﹾ‬ ‫‪ ‬‬ ‫ﻫﺏ ،‬ ‫‪ ‬‬ ‫ﻭﻤﺸﻨﻘﺔ ً ﺘﺩﻟﺕ.!‬ ‫ﱠ ﹾ‬ ‫ﻫﺏ ،‬ ‫‪ ‬‬ ‫ﻭﻨﺠﻤﺎ ً ﻏ ‪‬ﺒﺘﻪ ُ ﻏﻤﺎﻤﺔ ُ ُ.!‬ ‫ﻴ‬ ‫ﻫﺏ ﻤﺎ ﺘﺸﺎﺀ ْ.‬ ‫‪ ‬‬ ‫ﻫﻲ ﻗﺴﻤﺔ ُ ُ ﻀﻴﺯﻱ‬ ‫ﻭﻜﺫﺏ ُ ، ﻭﺍﺩﻋﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﻴﻥ ﺍﻟ ‪‬ﺤﺏ ِ ﻗﺭﻴﺭﺓ ُ ُ ،‬ ‫‪ ‬ﻤ ‪‬‬ ‫ﻭﺘﺭﻗﺭﻗﺕ ﻓﻴﻬﺎ ﺍﻟﺩﻤﺎﺀ.‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺨﺫ ﺸﻔﺭﺓ ً ﺃﺨﺭﻱ ،‬ ‫ﹸﹾ‬ ‫ﻭﻭﺴﺩﻫﺎ ﻟﻬﺎﺘﻙ ،‬ ‫‪‬‬ ‫ﻭﺍﻤﺘﺜل..‬ ‫ْ‬ ‫ﻭﺍﺼﺩﻉ ﺒﻤﺎ ﺘﺅﻤﺭ..‬ ‫‪‬‬ ‫ﻭ ﹸﻥ ْ ﻜﺎﻟﺒﺒﻐﺎﺀ ْ.‬ ‫ﻜ‬ ‫- ٧٢ -‬
‫ﺒﻐﺩﺍﺩ ﻴﺎ ﺃﻨﺜﻲ ﺍﻟﺨﻼﻓﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺨﺭﺍﻓﺔ ِ ،‬ ‫ﺸﻬﺭﺯﺍﺩ ﺍﻟﻤﻠﻙ ِ ،‬ ‫‪‬‬ ‫ﻤﻌﺠﺯﺓ ُ ﺍﻟﺴﻤﺎﺀ ْ.‬ ‫ﺘﻨﻭﺭ ﻓﻜﺭ ِ ﺍﻟﺸﺭﻕ ِ ،‬ ‫‪‬‬ ‫ﻋﺎﺼﻤﺔ ﺍﻷﻤﺎﻨﺔ ِ ،‬ ‫ﻭﺍﻟﺨﻴﺎﻨﺔ ِ ،‬ ‫ﻤﻬﺭﺠﺎﻥ ﺍﻟﺩﻡ ،‬ ‫‪ ‬‬ ‫ﻗﺭﺒﺎﻥ ﺍﻟﻔﺩﺍﺀ ْ.‬ ‫‪‬‬ ‫ﻗﻨﻴﻨﺔ ُ ﺍﻟﻁﺭﺏ ِ ﺍﻟﻤﻌ ﱠﻕ ِ ،‬ ‫ﺘ‬ ‫ﻓﺘﻨﺔ ُ ﺍﻷﻤﺭﺍﺀ ِ ،‬ ‫ﻭﺍﻟﺸﻌﺭﺍﺀ ِ ،‬ ‫ﻭﺍﻟﺤﻜﻤﺎﺀ ِ.‬ ‫ﻗﺎﺭﻭﺭﺓ ُ ﺍﻟﻤﺠﺩ ِ‬ ‫ﺍﻟﺘﻲ ﺍﻨﻜﺴﺭﺕ ْ ﻗﺒﻴل َ ﻟﺤﻴﻅﺔ ٍ‬ ‫ﺨﺫ ﺸﻔﺭﺓ ً ﺃﺨﺭﻱ ،‬ ‫ﹸﹾ‬ ‫ﻭﻭﺴﺩﻫﺎ ﻟﻬﺎﺘﻙ َ ،‬ ‫ﻭﺍﻨﻔﻌل ﺒﺎﻟﻘﻭل ِ..‬ ‫ﻗل :‬ ‫ﹸْ‬ ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ِ‬ ‫‪‬‬ ‫ﻤﺎ ﺩﻓﻨﺕ ُ ، ﻭﻭﺩﻋﺕ ﺭﻭﺤﻲ‬ ‫ﻭﻻ ﺘﻐﺭﻕ ﻫﻨﺎ ﻓﻲ ﺸﺒﺭ ِ ﻤﺎﺀ ْ.‬ ‫ﺴﺎل ﺨﻤﺭ ﺍﻟﻘﻭل ِ ،‬ ‫‪‬‬ ‫َ‬ ‫ﻭﺍﻨﺴﻜﺏ ﺍﻻﻨﺎﺀ ْ.‬ ‫‪‬‬ ‫ﻤﺎﺫﺍ ﻴﻘﻭل ﺍﻷﺼﺩﻗﺎﺀ ،‬ ‫‪‬‬ ‫ُ‬ ‫ﺍﻷﻭﻓﻴﺎﺀ ،‬ ‫‪‬‬ ‫- ٨٢ -‬
‫ﺍﻷﺘﻘﻴﺎﺀ ،‬ ‫‪‬‬ ‫ﺍﻟﺸﻘﻴﺎﺀ ،‬ ‫‪‬‬ ‫ﺍﻷﻏﺒﻴﺎﺀ ،‬ ‫‪‬‬ ‫ﺍﻷﺩﻋﻴﺎﺀ.‬ ‫‪‬‬ ‫ﻤﺤﺽ ﺍﻓﺘﺭﺍﺀ ْ.‬ ‫‪‬‬ ‫- ٩٢ -‬
‫ﻫﻭﺍﻤﺵ.. ﻋﻠﻲ ﺨﺎﺭﻁﺔ ﺍﻟﻁﺭﻴﻕ‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻫل ﺘﻤﺎﺩﻴﺕ َ ﻓﻲ ﺍﻟﺨﻁﺭ؟‬ ‫‪‬‬ ‫ﺃﻡ ﺘﻤﺎﺩﻴﺕ ﻓﻲ ﺍﻟﻌﻨﺎﺩ؟‬ ‫‪‬‬ ‫ﺃﻨﺕ ﻟﻡ ﺘﺒﻕ ِ..‬ ‫ﻟﻡ ﺘﺫﺭ‬ ‫‪‬‬ ‫ﻴﺎﺒﺴﺎ ً ﻴﻨﻔﻊ ﺍﻟﻌﺒﺎﺩ..‬ ‫‪‬‬ ‫ﻫل ﻋﺩﺍﻭﺘﻙ ﻟﻠﺒﺸﺭ؟‬ ‫‪‬‬ ‫ﺃﻡ ﻋﺩﺍﻭﺘﻙ ﻟﻠﺒﻼﺩ؟!!!!‬ ‫‪‬‬ ‫ﺃﺭﺠﻊ ﺍﻟﻁﺭﻑ ،‬ ‫ﹶ‬ ‫ﻭﺍﻨﺘﻅﺭ‬ ‫‪‬‬ ‫ﺴﺎﻋﺔ ً ﺘﺸﺘﻬﻲ ﺍﻟﺭﻗﺎﺩ.‬ ‫‪‬‬ ‫..............................‬ ‫ﻫﺎﻤﺵ:‬ ‫ﻫﺒﻁ ﺍﻟﺨﻭﻑ ﻜﻭﺤﺵ ٍ ﻤﻨﻔﻲ ٍ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻤﻥ ﻗﻌﺭ ﺠﻬﻨﻡ ْ..‬ ‫ِ‬ ‫ﻓﺘﺤﺕ ﻭﺍﺸﻨﻁﻥ ﺸﺒﺎﻙ ﺍﻟﺒﻴﺕ ِ ﺍﻷﺒﻴﺽ ِ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻤﻀﻲ ﻜﻘﻁﻴﻊ ﺫﺌﺎﺏ ٍ ﺴﻭﺩ ٍ‬ ‫ﻓﺭ ﺕ ْﻤﻥ ﺃﺴﺭ ﺤﻅﻴﺭﺘﻬﺎ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻫﺒﻁ ﺍﻟﺨﻭﻑ ُ..‬ ‫ﻭﺃﻁﻠﻕ ﺯﻓﺭﺓ َ ﺭﻋﺏ ٍ‬ ‫- ﻨﺤﻭ ﺨﻠﻴﺞ ﺍﻟﻌﺭﺏ ِ–‬ ‫ﻓﻔﺯﻋﺕ ﻜل ﻋﺼﺎﻓﻴﺭ ﺍﻟﻔﺭﺤﺔ ِ ﻓﻲ ﺩﺠﻠﺔ.‬ ‫ِ‬ ‫ﹾ ُ‬ ‫ﻨﺎﺩﻱ ﺠﺫﻉ ُ ُ ﺠﺫﺭﻩ ،‬ ‫ﻭﺍﻨﺘﺼﺏ َ ﻜﻤﻨﺸﺎﺭ ٍ‬ ‫ﻓﻲ ﻭﺠﻪ ﺍﻟﺭﻴﺢ ﺍﻟﺼﺭﺼﺭ ِ..‬ ‫- ٠٣ -‬
‫ﺇﺫ ﺫﺍﻙ ﺍﻜﺘﻨﻔﺘﻨﻲ ﺭﻋﺸﺔ ُ ﺒﺭﺩ ٍ..‬ ‫ﺯﺤﻔﺕ ْ‬ ‫ﻭﺍﻨﺘﺸﺭﺕ ْ ﻓﻲ ﺠﺴﺩﻱ.‬ ‫ﻫﺎﻤﺵ :‬ ‫ﺒﻐﺩﺍﺩ.. ﻴﺎ ﺒﻐﺩﺍﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺎ ﻭﺍﺤﺔ َ ﺍﻟﺴﻨﺩﺒﺎﺩ.‬ ‫‪‬‬ ‫ﻭﺃﻟﻑ ﻟﻴﻠﺔ ٍ.. ﻭﻟﻴﻠﺔ ٍ‬ ‫ﹸ‬ ‫ﻭﻋﺭﺱ ﺸﻬﺭﺯﺍﺩ ْ..‬ ‫‪‬‬ ‫ﻓﻲ ﻏﺎﺒﺭ ٍ..‬ ‫ﻅﻠﻠﺕ ﻤﻤﺴﻜﺎ ً ﺒﻁﺭ ِﻪ ِ ‪‬ﺩﻱ‬ ‫ﻓ ﺴ‬ ‫ﹸ‬ ‫ﻓﻤﺎ ﺍﻟﺫﻱ ﻴﻠﻭﺡ ﻓﻲ ﺍﻟﻤﺩﻱ؟‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻓﺭﺍﺕ ْ‬ ‫‪‬‬ ‫ﺃﻴﻥ ﺍﻨﺘﻬﺕ ﺃﺤﻼ ‪‬ﻨﺎ؟‬ ‫ﻤ‬ ‫ﻭﻤﻭﻜﺏ ﺍﻷﻤﻴﺭﺓ ِﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﺘﻘﺎﺴﻤﺘﻪ ﺍﻟﺫﻜﺭﻴﺎﺕ ْ؟‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻭﻋ ‪‬ﺎ ﻗﺭﻴﺏ ٍ‬ ‫ﻤ‬ ‫ﺴﺘﻁﻭﻱ ﺍﻟﺴﻤﺎﺀ ِﺠﻼ ً ﻗﺩﻴﻤﺎ ً‬ ‫‪‬ﺴ‬ ‫ﻟﺘﻌﻠﻥ ﻤﻴﺜﺎﻕ ﻋﻬﺩ ﻭﻟﻴﺩ.‬ ‫ﹶ ٍ ٍ‬ ‫ﺴﺘﻨﻬﺽ ﺃﺸﻜﺎﹸﻬﻡ ﻤﻥ ﺠﺩﻴﺩ‬ ‫ٍ‬ ‫ﻟ ‪‬‬ ‫ﺘﺒ ‪‬ل ﻟﻭﻨﺎ.. ً ﺒﻠﻭﻥ ٍ..‬ ‫ﺩ‬ ‫ﻭﺠﻠﺩﺍ ً.. ﺒﺠﻠﺩ..‬ ‫ٍ‬ ‫ﻭﻭﺠﻬﺎ ً.. ﺒﻭﺠﻪ..‬ ‫ٍ‬ ‫ﻓﻴﻤﺴﻙ ﺃﻁﺭﺍﻓﻬﺎ ﺍﻟﻁﻴﺒﻭﻥ..‬ ‫ﻭﻻ ﻴﺘﻌﺒﻭﻥ..‬ ‫ﻴﻅﻠﻭﻥ ﻴﻌﻁﻭﻨﻬﺎ ﻜل ﺸﺊ ٍ..‬ ‫َ‬ ‫ﻴﻀﻴﺌﻭﻨﻬﺎ..‬ ‫- ١٣ -‬
‫ﻭﻴﻌﻠﻭﻥ ﺃﺒﺭﺍﺠﻬﺎ..‬ ‫ﻓﺈﺫﺍ ﻤﺎ ﺍﻨﺘﺸﺕ.. ﻭﻓﺸﺕ ْ..‬ ‫ﹾ‬ ‫ﺴﺘﻁﻭﻱ ﺍﻟﻤﺩﺍﺌﻥ ﺃﺒﺭﺍﺠ ‪‬ﺎ‬ ‫‪‬ﻬ‬ ‫‪‬‬ ‫ﻭﺘﻬﺠﺭ ﺴﻜﺎﻨ ‪‬ﺎ ﺍﻟﻤﺘﺭﻓﻴﻥ.‬ ‫ﻬ‬ ‫ﺃﻗﻭل ﻟﻜﻡ ْ:‬ ‫ُ‬ ‫ﺇﻥ ﻤ ‪‬ﺎ ً ﻤﻥ ﺍِﺸﻌﺭ ِ‬ ‫ﻟ‬ ‫‪‬ﺴ‬ ‫ﺭﺍﻭﺩﻨﻲ ﺫﺍﺕ َ ﻟﻴل ٍ‬ ‫ﻷﻜﺘﺏ َ ﻋﻥ ﺒﻬﺠﺔ ِ ﺍﻟﻌﺎﺸﻘﻴﻥ..‬ ‫ﺭﺃﻴﺕ ﺍﻷﺯﻗﺔ َ،‬ ‫ﹸ‬ ‫ﻭﺍﻟﺨﺒﺯ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺎﺀ‬ ‫‪‬‬ ‫ﺃﻁﻬﺭ ﻤﻥ ﺤﺎﻓﻼﺕ ِ ﺍﻟﻤﻠﻭﻙ ِ..‬ ‫‪‬‬ ‫" ﻭﺃﻥ ﺍﻟﻤﻠﻭﻙ َ ﺇﺫﺍ ﺩﺨﻠﻭﺍ ﻗﺭﻴﺔ ً ﺃﻓﺴﺩﻭﻫﺎ "‬ ‫ﺃﻗﻭل ﻟﻜﻡ :‬ ‫ُ ‪‬‬ ‫ﺍﻤﻜﺜﻭﺍ ﺼﺎﻤﺘﻴﻥ‬ ‫ﻭﻻ ﺘﻁﻠﻘﻭﺍ ﺼﻴﺤﺔ َ ﺍﻟﻔﺎﺘﺤﻴﻥ..‬ ‫ﻭﻤﺎﺫﺍ ﹸﺭﻱ ﺘﻔﺘﺤﻭﻥ؟!! –‬ ‫ﺘ‬ ‫ﻓ ‪‬ﻤﺎ ﻗﺭﻴﺏ ٍ..‬ ‫ﻌ‬ ‫ﺴﺘﻁﻭﻱ ﺍﻟﺴﻤﺎﺀ ﺴﺠﻼ ً ﻗﺩﻴﻤﺎ ً‬ ‫‪‬‬ ‫ﻟﺘﻌﻠﻥ َ ﻤﻴﺜﺎﻕ ﻋﻬﺩ ٍ ﺠﺩﻴﺩ ْ.‬ ‫ﹶ‬ ‫ﻫﺎﻤﺵ :‬ ‫ﺍﻟﻭﺤﺸﺔ ُ ﺘﻨﻬﺵ ُ ﻗﻠﺏ َ ﺍﻟﻭﺤﺵ ِ‬ ‫ﺍﻟﺭﺍﺒﺽ ﺘﺤﺕ ﺍﻟﺘﺒﺔ..‬ ‫ِ‬ ‫ﺃﻭ ﻓﻲ ﺍﻟﺠ ‪ ِ ‬ﻭﺤﻴﺩﺍ ً..‬ ‫‪‬ﺏ‬ ‫ﺩﻭﻥ ﺍﻟﻘﻁﻌﺎﻥ ْ.‬ ‫ﺍﻟﺨﻭﻑ ﻴﺩﻤﺩﻡ ﻓﻲ ﺠﺴﺩ ِ ﺍﻟﻭﺤﺵ ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺍﻟﺭﺍﺒﺽ ِ ﺘﺤﺕ ﺍﻟﺘﺒﺔ ِ‬ ‫- ٢٣ -‬
‫ﺃﻭ ﻓﻲ ﺍﻟﺠ ‪ ِ ‬ﻭﺤﻴﺩﺍ ً‬ ‫‪‬ﺏ‬ ‫ﺨﻠﻑ ﺍﻟﻘﻀﺒﺎﻥ ْ.‬ ‫ﹶ‬ ‫ﺍﻟﺸﻭﻕ ﻟﺼﻭﺕ ِ ﺍﻷ ‪‬ﺔ ِ‬ ‫ﻤ‬ ‫ﹸ‬ ‫ﻤﻥ ﻗﻁﻌﺎﻥ ﺫﺌﺎﺏ ٍ ﺘﻌﻭﻱ‬ ‫ﻓﻲ ﻗﻠﺏ ِ ﺍﻟﻭﺤﺵ ِ‬ ‫ﺍﻟﺭﺍﺒﺽ ِ ﺘﺤﺕ َ ﺍﻟﺘﺒﺔ‬ ‫ﺃﻭ ﻓﻲ ﺍﻟ ‪‬ﺏ ﱢ ﻭﺤﻴﺩﺍ ً..‬ ‫ﺠ‬ ‫ﻴﺘﺄﻤل ﺃﺸﻜﺎل ﺍﻟﺴﻔﻥ ِ ﺍﻟﻤﺸﺤﻭﻨﺔ ِ‬ ‫َ‬ ‫ﺒﺎﻟﻤﻭﺕ ِ ﺍﻷﺤﻤﺭ..‬ ‫ﺘﻔﺘﻙ ﺒﺎﻟﺫﻜﺭﻱ ﻓﻭﻕ ﺍﻟﻤﻭﺝ ِ ﺍﻟﺼﺎﺨﺏ‬ ‫ﹶ‬ ‫ﺒﺠﻨﻭﻥ ِ ﺍﻹﻨﺴﺎﻥ.‬ ‫‪‬‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻏﻤﺎﻤﺔ ُ ُ ،‬ ‫ﺤﻁﺕ ﻋﻠﻲ ﻤﻔﺎﺭﻕ ِ ﺍﻟﻁﺭﻴﻕ..‬ ‫ﱠ ﹾ‬ ‫ﺴ ‪‬ﺩﺕ ﻨﻬﺎ ‪‬ﻩ ُ..‬ ‫ﻭ ﹾ ﺭ‬ ‫ﻭﺒﻠﻠﺕ ﺜﻴﺎ ‪‬ﻪ ُ..‬ ‫ﹼ ﹾ ﺒ‬ ‫ﻭﺃﻭﺤل ﺍﻟﻁﺭﻴﻕ..‬ ‫ﹸ‬ ‫َ‬ ‫ﻭﺍﺭﺘﺒﻙ ْ.‬ ‫ﻏﻤﺎﻤﺔ ُ ُ ،‬ ‫ﻜﺄﻨﻬﺎ ﹶﺭﻙ ْ.‬ ‫ﺸ‬ ‫ﻟﻜﻥ ﻨ ‪‬ﻤﺔ ً ﺘﻠﻭﺡ ﻓﻲ ﺍﻷﻓﻕ.‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺠ‬ ‫ﺘﻘﺩ ﻜل ﺫﻟﻙ ﺍﻟﺤﻠﻙ ْ.‬ ‫‪َ ‬‬ ‫ﻓﺤﻠﻡ ﺩﺭﺒﻨﺎ ﻜﺸﺎﻋﺭ ﻴﻠﻤﻠﻡ ﺍﻟﺸﺘﺎﺕ َ‬ ‫ٍ‬ ‫ﻭﺍﺴﻊ ُ ُ.. ﻭﻤﺸﺘﺭﻙ ْ.‬ ‫ﺴﺘﺨﺘﻔﻲ ﺍﻟﻐﻤﺎﻤﺔ ُ ﺍﻟﺘﻲ ﺘﺜﺎﻗﻠﺕ ْ..‬ ‫ﻭﺘﻨﻬﺽ ﺍﻷﺭﻭﻤﺔ ُ ﺍﻟﺘﻲ ﺘﻜﺎﺴﻠﺕ ْ..‬ ‫ﻏﻤﺎﻤﺔ ُ.. ﻭﺘﻨﻘﺸﻊ ْ.‬ ‫ﹸ‬ ‫- ٣٣ -‬
‫ﻭﻴﺩﺭﻙ ﺍﻟﺫﻱ ﻴﻤﺭ ﺒﻌﺩﻫﺎ‬ ‫‪‬‬ ‫ﺒﺄﻥ ﻫﺎ ‪‬ﻨﺎ ﺤﻁﺕ ﻏﻤﺎﻤﺔ ُ ُ..‬ ‫ﹼ ﹾ‬ ‫ﻫ‬ ‫ﻭﺨﱠﻔﺕ ﻗﺼﻴﺩﺓ ً ﻟﺸﺎﻋﺭ..‬ ‫ٍ‬ ‫ﻠ ﹾ‬ ‫ﻭﻏﺎﺩﺭﺕ.‬ ‫ﹾ‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻗﺎل ﻤﺤﻤﻭﺩ ﺭ ‪‬ﺩ ﻤﻌﻲ :‬ ‫‪ ‬ﺩ‬ ‫ﻋﻠﻤﻭﻨﺎ ﺍﻟﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﺤﻴﻥ ﻗﺎﻟﻭﺍ :‬ ‫ﺍﻟﺩﻴﺎﻨﺎﺕ ُ ﺃﻭﺼﺕ ﺒﻪ‬ ‫ﹾ ِ‬ ‫ﻭﺍﺴﺘﺩﻟﻭﺍ ﺒﺩﺍﻭﺩ ،‬ ‫‪‬‬ ‫ﻭﺍﻷﻨﺒﻴﺎﺀ ْ.‬ ‫ﻫﻜﺫﺍ ﻴﻌﺘﻠﻲ ﺍﻷﺩﻋﻴﺎﺀ ْ.‬ ‫ﻋﺭﻭﺵ َ ﺍﻟﺫﻴﻥ ﻴﺨﺎﻓﻭﻨﻬﻡ..‬ ‫ﻓﻠﻬﻡ ﺤﻜﻤﺔ ُ ُ..‬ ‫ﻴﻤﻠﻜﻭﻥ ﺍﻟﺠﻭﺍﺭﻱ ﺒﺎﻟﻤﺎل ِ..‬ ‫ﻭﺴﻴ ‪‬ﻨﺎ.. ﻨ ‪‬ﻡ ْ..‬ ‫ﺩ ﹶﻌ‬ ‫ﻤﺘﺨﻡ ُ ﺒﺎﻟﺩﺭﺍﻫﻡ ِ‬ ‫‪‬‬ ‫ﻟﻜﻨﻪ ﻤﻭﻟﻊ ُ ﺒﺎﻟﻨﺴﺎﺀ ْ.‬ ‫‪‬‬ ‫ﻗﺎﻟﻬﺎ..‬ ‫ﻭﻓﻌﻠﺕ ُ‬ ‫ﻓﺄﻏﺭﻗﻨﻲ ﺼﻭ ﹸﻪ ﻓﻲ ﺨﻀﻡ ِ ﺍﻟ ﹸﺜﺎﺀ ْ.‬ ‫ﻐ‬ ‫ﺘ‪‬‬ ‫ﻭﺤﻴﻥ ﺘﺄﻤﻠﺕ ُ..‬ ‫ﻜﺎﻥ ﻜل ﺍﻟﺫﻱ ﺒﻴﻥ ﻋﻴﻨﻲ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﺨﻠﻕ ِ.. ﻤﺎﺀ ْ.‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻓﺎﺠﻊ ُ ﻜﺎﻟﺭﺩﻱ..‬ ‫‪‬‬ ‫ﺜﺎﺒﺕ ُ ﻜﺎﻟﻨﺨﻴل.‬ ‫ْ‬ ‫ﹸ‬ ‫- ٤٣ -‬
‫ﻭﺍﺴﻊ ُ ﻜﺎﻟﻤﺩﻱ..‬ ‫‪‬‬ ‫ﻓﺎﺠﻊ ُ ﻜﺎﻟﺭﺤﻴل ْ.‬ ‫‪‬‬ ‫ﻜﺄﻥ ﺍﻟﻭﺩﺍﻉ َ ﻟﻘﺎﺀ ُ..‬ ‫‪‬‬ ‫ﻜﺄﻥ ﺍﻟﻠﻘﺎﺀ َ‬ ‫ﻭﺩﺍﻉ ُ ﻁﻭل ْ.‬ ‫‪‬‬ ‫ﻓﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﺴﻭﻑ ﻴﻭﺼل‬ ‫ُ‬ ‫‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﻤﻴﻡ ٍ ،‬ ‫ﻭﺤﺎﺀ ٍ‬ ‫ﻭﻤﻥ ﺫﺍ ﻴﻭ ‪‬ﺩ ﺒﻴﻥ ﺍﻟﻀﺤﻲ ،‬ ‫ﺤ‪‬‬ ‫‪‬‬ ‫ﻭﺍﻷﺼﻴل ْ؟!‬ ‫ﻭﻴﻌﺯﻑ ﻟﺤﻥ ﺍﻟﻤﻐﻨﻲ ﺍﻟﻘﺘﻴل ْ؟‬ ‫ﹸ ‪‬‬ ‫ﻭﻴﻜﺸﻑ ﺴﺭ ﺍﻟﻤﻼﻙ ﺍﻟﻨﺒﻴل ْ؟‬ ‫ﹸ ِ‪‬‬ ‫ﻭﺍﻟﻤﺴﺎﺀ ﻫﻨﺎ ﻗﺩ ﺘﺜﻠﺙ َ..‬ ‫ﱠ‬ ‫‪‬‬ ‫ﻭﺍﻟﻌﺼﺭ ﻴﺎ ﺼﺎﺤﺒﻲ ﻤﺴﺘﻁﻴل ْ.‬ ‫‪‬‬ ‫ﻭﺍﻟﺫﻱ ﺒﻴﻥ ﻗﻠﺒﻲ‬ ‫ﻭﻜﻑ ﺍﻟﺤﺒﻴﺒﺔ ِ..‬ ‫ﱢ‬ ‫ﻤﺎﺯﺍل ﻴﺎ ﺼﺎﺤﺒﻲ ﻤﺴﺘﺤﻴل ْ.‬ ‫َ‬ ‫ﻫﺎﻤﺵ:‬ ‫ﻟﻠﻤﺎﺀ ِ ﻁﻌﻡ ﺍﻟﺤﻴﺎﺓ ِ..‬ ‫‪‬‬ ‫ﻟﻠﻐﻴﻡ ِ ﻭﺠﻪ ﺍﻟﻐﻀﺏ ْ.‬ ‫‪‬‬ ‫ﻭﺍﻟﺠﺭﺍﺡ ﺍﻟﺘﻲ ﺘﺘﺯﻴﻥ ﺒﺎﻟﻨﺼﺭ ِ‬ ‫‪‬‬ ‫ﺘﺯﻫﻭ ﺒﺜﻭﺏ ِ ﺍﻟﻌﻁﺏ ْ.‬ ‫ﻭﺍﻟﺼﺨﺏ ْ.. ﻜﺎﻟﻁﺭﺏ ْ.‬ ‫ﻓﻤﻥ ﺫﺍ ‪‬ﻔ ‪‬ﻕ‬ ‫ﹶ‪  ‬ﻴ ﺭ ﹸ‬ ‫ﺒﻴﻥ ﺍﻟﺒﺭﻭﺩﺓ ِ ﻓﻲ ﻟﺴﻌﻬﺎ..‬ ‫ﻭﺍﻟﻠﻬﺏ ْ؟!‬ ‫- ٥٣ -‬
‫ﻫﺎﻤﺵ:‬ ‫ﺍﻟﻔﺘﺎﺓ ﺍﻟﺘﻲ ﺃﺨﺫﺕ ﻤﻌﻁﻔﻲ‬ ‫ﹸ‬ ‫ﻟﻡ ﺘﻌﺩﻩ ﺍﻟﻲ..‬ ‫‪‬‬ ‫ﻜﺄﻥ ﺍﻟﻌﻼﻗﺔ َ ﺒﻴﻥ ﺍﻟﺼﺒﻲ‬ ‫‪‬‬ ‫ﻭﺍﻟﺼﺒ ‪‬ﺔ ْ.‬ ‫ﻴ‬ ‫ﻜﻤﺜل ِ ﺍﻟﻌﻼﻗﺔ ﺒﻴﻥ ﺍﻟﺜﻘﺎﻓﺔ ِ..‬ ‫ﻭﺍﻟﺒﻨﺩﻗﻴﺔ ْ.‬ ‫ﻫﺎﻤﺵ:‬ ‫ﺃﻜﻤل ﻋﺸﺎﺀﻙ َ ﺴﻴﺩﻱ..‬ ‫ﺭﺴﻡ ﺍﻟﻤﺩﻴﻨﺔ َ ﺒ ﱠﺔ ً ،‬ ‫ﻁ‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﺎﺱ ﻤﺤﺽ ﺘﻭﺍﺒل ٍ ﻓﻴﻬﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻭﻏل ﻓﻲ ﺍﻟﻌﺸﺎﺀ ْ.‬ ‫َ‬ ‫ﻫﻭﺍﻤﺵ ﺃﺨﺭﻱ..‬ ‫ﺍﻟﺤﺭﻑ ﻴﻭﺍﺼل ﺭﺤﻠﺘﻪ..‬ ‫ﻭﺍﻟﻀﻭﺀ ﺴﻴﻨﺒﺕ ﻨﻔﺱ ﺍﻟﻀﻭﺀ.‬ ‫ﺼﻐﺎﺭﻱ ﻴﺒﻜﻭﻥ ﻟﻴﺎل ٍ‬ ‫ﺜﻡ ﻴﻌﻭﺩ ﺍﻟﺤﺭﻑ ﺇﻟﻲ ﻏﺎﺒﺎﺕ ﺍﻟﻁﻔل ﻁﻘﻭﺴﺎ‬ ‫ﻗﺩ.. ﺃﻭ.. ﻗﺩ..‬ ‫ﻻ ﺘﺄﺨﺫ ﺯﻴﻨﺔ ﺃﻋﺭﺍﺱ ﺍﻟﺼﻭﺕ.‬ ‫ﺃﻨﺕ ﻏﺭﻴﺏ ُ..‬ ‫‪‬‬ ‫ﺃﻭ ﻤﺘﻬﻡ ُ..‬ ‫‪‬‬ ‫ﻓﻲ ﻜﻬﻑ ٍ ﻤﺘﺼل ﺒﻌﻭﺍﺀ ﺍﻟﻤﻠﻌﻭﻨﻴﻥ..‬ ‫ﻭﺃﺸﺒﺎﻩ ﺍﻷﻓﻌﺎل ﺍﻟﻤﻨﺼﻭﺒﺔ..‬ ‫ﻭﺍﻷﺴﻤﺎﺀ ﺍﻟﻤﺠﺭﻭﺭﺓ‬ ‫ﻟﻠﺼﻤﺕ ﺍﻟﺠﻭﺍﻨﻲ..‬ ‫ﺘﻤﻬل..‬ ‫- ٦٣ -‬
‫ﻭﺍﺴﻤﻊ ﻤﺎ ﻻ ﻴﺴﻤﻊ :‬ ‫ﺃﻨﺕ ﺍﻟﻔﻭﻀﻲ!!‬ ‫ﻟﻭﻓﻭﻀﺎﻙ ﺘﻔﻴﺽ ﻤﻥ ﺍﻟﺴﺒﺎﺒﺔ،‬ ‫ﻭﻫﻲ ﺘﺴﺏ ﻭﺤﻭﺵ ﺍﻟﻨﻌﺵ ﺍﻟﻤﺭﺠﺎﻨﻴﺔ‬ ‫ﻓﻲ ﺴﺎﺤﺎﺕ ﺍﻟﻘﻬﺭ..‬ ‫ﻓﻬل ﻴﺭﺜﻴﻙ ﻤﻼﻙ؟!!‬ ‫ﺃﻡ ﺸﻴﻁﺎﻥ؟!!‬ ‫ﻗل!!‬ ‫ﻫل ﺘﺩﺨل ﻓﻲ ﻤﺭﺁﺓ ﺍﻟﺤﺠﺭ ﺍﻟﺒﻠﻭﺭﻱ ﻟﺘﻨﺒﺕ ﻓﻲ ﻤﺄﺴﺎﺓ ﺍﻟﺼﻤﺕ‬ ‫ﺤﻘﻭل ﺍﻟﻭﻗﺕ؟!!!‬ ‫- ٧٣ -‬
‫ﺃﺤــﻭﺍل‬ ‫ﺴﻌﻑ ﺍﻟﻨﺨﻠﺔ ﻴﺸﻬﻕ ﻤﺎ ﺒﻴﻥ ﺍﻟﺜﻘﻠﻴﻥ..‬ ‫ﻭﻭﺠﻌﻲ ﻤﻠﻙ..‬ ‫ﻭﻋﻭﻴل ﺍﻟﻀﺎﺩ ﺘﻨﻬﺩ ﻓﻲ ﺸﺎﻫﺩﻩ ﻗﺎﻤﻭﺱ‬ ‫ﺍﻟﺩﻤﻊ ﺍﻵﺒﻕ ﻤﻥ ﺘﻌﺏ ﺍﻟﻤﻌﻨﻲ..‬ ‫ﻭﺃﻨﺎ..‬ ‫ﻭﺍﻷﻟﻕ ﺍﻟﻤﺘﺩﻓﻕ ﻤﻥ ﻨﺎﻓﺫﺓ ﺍﻟﺤﻠﻡ‬ ‫ﺇﻟﻲ ﺁﺨﺭ ﻭﻤﻀﺔ ﻏﻴﻡ..‬ ‫ﻨﻌﻘﺩ ﺼﻔﻘﺔ ﻀﻭﺀ‬ ‫ﻓﻲ ﺒﺭﻴﺔ ﻗﻠﺏ ﺍﻟﻭﻁﻥ ﺍﻟﺩﺍﺠﻥ..‬ ‫ﺍﻟﺸﺎﻋﺭ ﻴﻘﺩﺭ ﺃﻥ ﻴﺘﺯﻭﺝ ﺒﺎﻟﻨﺠﻤﺔ،‬ ‫ﻭﻴﻀﺎﺠﻊ ﺒﺤﺭﺍ ﻤﻥ ﻭﺠﻊ،‬ ‫ﻴﺘﺤﻭل ﻨﺎﻓﺫﺓ ﻓﻲ ﻟﻴل ﺍﻟﻘﻭل...‬ ‫ﻭﺒﻴﻥ ﻀﻔﺎﺌﺭ ﺯﻨﺒﻘﺔ ﺍﻟﻔﻌل،‬ ‫ﻭﺃﻓﻴﺎﺀ ﺍﻟﻠﻐﺔ ﺍﻷﻨﺜﻰ.‬ ‫ﺍﻟﺸﺎﻋﺭ ﻴﻘﺩﺭ ﺃﻥ ﻴﻜﺴﺭ ﺃﺒﻭﺍﺏ ﺍﻟﻘﻤﻘﻡ‬ ‫ﻭﻴﺤﺭﺭ ﻏﻭل ﺍﻟﻭﻫﻡ..‬ ‫ﻭﻴﻘﺩﺭ..‬ ‫ﻓﻲ ﺒﻴﺩﺭﻩ ﺍﻟﻤﺘﻭﻫﺞ‬ ‫ﺃﻥ ﻴﻌﻨﻲ ﺒﻤﻁﺎﻟﻊ ﺤﺭﺙ ﺍﻟﻜﻭﺜﺭ..‬ ‫ﻭﻴﻐﻨﻲ ﻤﻭﺍل ﺍﻟﻔﻁﺭﺓ‬ ‫ﻓﻲ ﺤﻘل ﺍﻟﺭﻭﺡ..‬ ‫ﻭﻓﻲ ﻟﺤﻅﺘﻪ ﺍﻟﻤﻜﺘﻅﺔ‬ ‫ﺒﺎﻟﺸﻐﺏ ﺍﻟﻌﻔﻭﻱ،‬ ‫ﻴﻘﺎﻤﺭ ﺒﺎﻟﻌﻤﺭ..‬ ‫ﻴﻐﺎﻤﺭ ﺒﺎﻟﻌﺯﻑ ﻋﻠﻲ ﺃﻭﺘﺎﺭ ﺍﻟﻨﻘﻤﺔ..‬ ‫- ٨٣ -‬
‫ﻴﺴﺤل ﻨﺠﻤﺎ‬ ‫ﻤﻥ ﺩﺒﺭ ﻗﻤﻴﺹ ﺍﻟﺸﻬﺭﺓ..‬ ‫ﻭﻴﻤﺭﻍ ﺒﺘﺭﺍﺏ ﺍﻷﺭﺽ‬ ‫ﻁﻭﺍﻭﻴﺱ ﺍﻟﺯﻫﻭ.‬ ‫- ٩٣ -‬
‫ﺍﻨﺘﺒﻬﻭﺍ..‬ ‫ﻤﻥ ﻴﻤﻠﻙ ﻤﻨﺴﺄﺓ ﺍﻟﺤﺏ..‬ ‫ﺴﻴﻘﺩﺭ ﺃﻥ ﻴﺘﻌﻜﺯ‬ ‫ﻋﺎﺼﻔﺔ ﺍﻟﺼﺨﺏ..!!!‬ ‫ﺃﻗﻭل ﻟﻜﻡ :‬ ‫ﻗﻠﻤﻲ ﻗﺒل ﻫﻁﻭل ﺍﻟﻐﻴﺙ‬ ‫ﻴﺭﺘﺏ ﺤﺎﻻﺕ ﺍﻟﻐﻴﻡ..‬ ‫ﻴﺯﺌﺒﻕ ﺃﺤﻭﺍل ﺍﻟﻭﻗﺕ..‬ ‫ﻴﻁﻴﺭ ﺇﻟﻲ ﻏﻴﻡ ﻁﻼﺴﻡ‬ ‫ﻟﻡ ﺘﻁﺄ ﺍﻟﻌﺸﺏ..‬ ‫ﺇﻟﻲ ﺤﻀﻥ ﻤﻼﺤﻡ ﻻ ﺘﻌﺭﻑ‬ ‫ﻤﻥ ﺠﻐﺭﺍﻓﻴﺎ ﺍﻟﻌﻘل ﺴﻭﻱ ﻗﻠﻕ..‬ ‫ﺃﻭ ﺃﻟﻕ..‬ ‫ﻴﺘﺩﺤﺭﺝ ﻤﻥ ﻓﻀﺔ ﺠﺫﻉ ﺍﻟﻤﺎﺀ‬ ‫ﺇﻟﻲ ﻭﻁﻥ ﺍﻷﺴﻤﺎﺀ ﺍﻟﺨﻀﺭﺍﺀ‬ ‫ﻴﻁﺎﺭﺩ ﻏﺯﻻﻥ ﺍﻟﺩﻫﺸﺔ‬ ‫ﻤﻥ ﻏﺎﺒﺎﺕ ﺍﻟﻔﺭﺡ ﺍﻟﺠﻭﺍﻨﻲ،‬ ‫ﺇﻟﻲ ﻤﻴﻨﺎﺀ ﻴﺩﻱ.‬ ‫ﻗﻠﻤﻲ..‬ ‫ﻴﺄﺨﺫﻨﻲ ﻜﺎﻟﻌﻔﺭﻴﺕ ﻟﺴﻔﺢ ﺴﻤﺎﺀ‬ ‫ﺘﻔﺘﺢ ﻟﻲ ﺼﺩﺭ ﺤﺩﺍﺌﻘﻬﺎ.‬ ‫ﻭﺃﻗﻭل ﻟﻜﻡ :‬ ‫ﺒﻲ ﺸﻐﻑ ﻋﻔﻭﻱ‬ ‫ﻜﻲ ﺃﻜﺴﺭ ﺭﺃﺱ ﺍﻟﺴﻠﻁﺔ..‬ ‫ﻭﻴﺩﺍﻱ ﻤﺭﺍﻫﻘﺘﺎﻥ..‬ ‫ﻭﺒﻲ ﻟﻭﺜﺔ ﺤﺭﻑ ﻴﺘﺨﺒﻁ..‬ ‫- ٠٤ -‬
‫ﻻ ﻴﻌﺭﻑ ﻤﻥ ﺃﻱ ﻁﺭﻴﻕ ﻴﻌﻠﻲ،‬ ‫ﺃﻭ ﻴﻬﺩﻡ ﻤﻤﻠﻜﺔ ﺍﻟﻜﻠﻤﺔ.‬ ‫ﻗﻠﻤﻲ.. ﻴﺘﻌﻤﺩﻩ ﺍﻟﺨﻭﻑ‬ ‫ﺍﻟﻁﺎﻟﻊ ﻤﻥ ﻋﺴل ﺍﻟﻜﻠﻤﺎﺕ.‬ ‫ﻴﺤﺩﻕ ﺒﻲ ﻜﺎﻟﻨﻤﺭﺓ..‬ ‫ﺃﻭ ﻜﺎﻟﻬﻤﺯﺓ..‬ ‫ﻴﺩﻋﻭﻨﻲ ﻟﺭﺒﻴﻊ ﺍﻟﺤﻜﻤﺔ‬ ‫ﻓﻲ ﻤﺩﻥ ﺍﻟﺸﻔﺘﻴﻥ.‬ ‫ﺃﻨﺎ.. ﻤﺒﻌﻭﺙ ﺍﻟﻔﻁﻨﺔ..‬ ‫ﻭﻜﻠﻴﻡ ﺍﻟﻨﺨﻭﺓ..‬ ‫ﺃﻫﻭﻱ ﺍﻟﺤﺭﺙ ﺒﺤﻘل ﺍﻟﻘﻠﺏ..‬ ‫ﻭﻗﻠﻤﻲ..‬ ‫ﻜﺎﻟﻌﻔﺭﻴﺕ ﺍﻟﺭﺍﻜﺏ ﻤﺭﻜﺏ ﻨﺎﺭ..‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﻟﺅ ﻟﺅ ﺓ ﺍﻟﻔﻜﺭ...‬ ‫ﻭﻋﻴﻨﻲ..‬ ‫ﻋﻴﻥ ﺍﻟﺼﻘﺭ ﺍﻟﺤﺎﺌﻡ‬ ‫ﻓﻭﻕ ﻨﺤﻭﺭ ﺫﺌﺎﺏ ﺍﻟﻌﺎﻟﻡ..‬ ‫ﻫﺫﺍ ﻗﻭﻟﻲ :‬ ‫ﺇﻨﻲ ﻜﻘﻁﻴﻊ ﻨﻴﺎﺯﻙ ﻴﺭﻋﻲ‬ ‫ﻓﻲ ﻗﺤﻁ ﻨﻘﻴﻀﻴﻥ.‬ ‫- ١٤ -‬
‫ﺍﻟﺸـﺎﻫﺩ‬ ‫ﻭﺍﻗﻑ ُ..‬ ‫ﹸ‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ‬ ‫ﻜﻌﺠﻭﺯ ٍ ﻋﻘﻴﻡ.‬ ‫‪‬‬ ‫ﻅﺎﻤﺊ ُ ُ..‬ ‫ﻟﻠﺫﻱ ﺨﺒﺄﺘﻪ ﺍﻟﻁﻤﻭﺤﺎﺕ‬ ‫ﹸ‬ ‫ﻓﻲ ﺍﻟﺩﻡ ِ ﺍﻵﺩﻤﻲ ﺍﻟﻌﻅﻴﻡ.‬ ‫‪‬‬ ‫ﻓﻁﻨﺘﻲ ﻜﻐﺯﺍل ٍ..‬ ‫ﻭﺃﻨﺕ ﻤﻤﻬﺩﺓ ُ ُ‬ ‫ﻜﺎﻟﻤﺭﺍﻋﻲ..‬ ‫ﻭﺃﻨﺎ ﻅﺎﻤﺊ ُ ُ..‬ ‫ﻭﻴﺘﻴﻡ.‬ ‫‪‬‬ ‫ﻭﺍﻗﻑ ُ ُ..‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ..‬ ‫ﺭ ‪‬ﻤﺎ ‪‬ﻌﺸﺏ ﺍﻟﻁﻭﻕ‬ ‫ﹸ‬ ‫ﺒ ﻴ‬ ‫ﻓﻭﻕ ‪‬ﺭﺘﻙ ﺍﻷﻨﺜﻭﻴﺔ ﻜﺎﻟﺤﻘل..‬ ‫ﺴ‬ ‫ﺃﺭﻋﻲ ﺇﺫﻥ..‬ ‫ﻜل ﻫﺫﺍ ﺍﻟﻁﻤﻭﺡ ﺍﻟﺭﺒﻴﻌﻲ..‬ ‫ﻭﻤﻥ ﻤﻨﺒﻊ ﺍﻟﺤﺏ ﺘﺤﺕ ﺍﻟﺭﺩﺍﺀ،‬ ‫ﺴﺄﺸﺭﺏ...‬ ‫ﻤﻥ ﺼﺩﺭ ﻫﺫﺍ ﺍﻟﺘﺭﺍﺏ ﺍﻟﻘﺩﻴﻡ.‬ ‫- ٢٤ -‬
‫ﺃﻨﺎ ﻁﺎﺌﺭ..‬ ‫‪‬‬ ‫ﺃﻨﻘﺭ ﺍﻟﺭﺃﺱ..‬ ‫‪‬‬ ‫ﺃﺩﻤﻴﻪ..‬ ‫ﺃﺭﻓﻊ ﻭﺠﻬﻲ ﺇﻟﻲ ﺍﷲ ِ..‬ ‫ﺃﺴﺄﻟﻪ..‬ ‫ﻤﺎﺫﺍ ﺃﺴﻤﻴﻙ ﻴﺎ ﻓﺘﻨﺔ ﺍﻟﻌﻘل‬ ‫ﻴﺎ ﻟﻭﺜﺔ ﺍﻟﻌﺎﺸﻘﻴﻥ؟‬ ‫ﺃﻨﺕ ﺍﻟﺘﻲ‬ ‫ﺃﻭﻗﻔﺕ ﻓﻁﻨﺘﻲ‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ‬ ‫ﺤﻔﻨﺔ ﻤﻥ ﻋﻅﺎﻡ ﺭﻤﻴﻡ.‬ ‫ﻟﻡ ﻴﻌﺩ ﻤﻤﻜﻨﺎ،‬ ‫ﺃﻥ ‪‬ﺭﻱ ﻓﻲ ﺠﻨﻭ ِﻙ ﺒﺎﻟﻤﺘﺭﻓﻴﻥ‬ ‫ﻨ‬ ‫ﻴ‬ ‫ﺴﻭﻱ ﺍﻟﻬﺫﻴﺎﻥ..‬ ‫- ٣٤ -‬
‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ‬ ‫– ﻫﺫﺍ ﺍﻟﻤﻠﻭﻥ –‬ ‫ﺤﺘﻰ ﻴﺭﻱ ﺍﻟﻁﺎﺌﺭﺍﻥ‬ ‫ﺒﺄﻱ ﺍﻟﻜﻬﻭﻑ ﻴﻨﺎﻤﺎﻥ‬ ‫ﻓﻲ ﺃ ‪‬ﻤﺎ ﺠﻬﺔ ٍ ﻴﺨﻔﻘﺎﻥ؟!!‬ ‫ﻴ‬ ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ‬ ‫– ﻫﺫﺍ ﺍﻟﻤﻠﻭﻥ –‬ ‫ﺜﻡ ﺍﻨﻅﺭﻱ ﻓﻲ ﻋﺫﺍﺒﻲ..‬ ‫ﻓﻨﻔﺴﻲ ﻤﺜﻘﺒﺔ‬ ‫ﻤﺜل ﻨﺎﻱ ﺍﻟﺤﻭﺍﺓ..‬ ‫ﻭﺃﻓﻌﺎﻙ، ﻻ ﺘﺴﺘﺠﻴﺏ ﻟﻌﺯﻓﻲ،‬ ‫ﻭﺭﻭﺤﻙ ﻻ ﺘﺴﺘﺠﻴﺏ ﻟﻨﺯﻓﻲ،‬ ‫ﺍﻨﻅﺭﻱ ﻓﻲ ﻋﺫﺍﺒﻲ..‬ ‫ﻭﻻ ﺘﺩﻋﻲ ﺃﻨﻨﻲ ﻅﺎﻟﻡ..‬ ‫ﻭﺯﻨﻴﻡ ْ.‬ ‫ﺘﻨﺎﻤﻴﻥ..‬ ‫ﺤﻭﻟﻙ ﺘﺭﺘﺒﻙ ﺍﻷﻤﻨﻴﺎﺕ..‬ ‫ﻭﻋﻴﻨﺎﻱ ﻓﻲ ﻨﺼﻑ ﺍﻏﻤﺎﻀﺔ ﺘﺭﻗﺒﺎﻥ..‬ ‫ﻭﺁﺘﻴﻙ ﻓﻲ ﻜل ﻟﻴل‬ ‫ﻜﻁﻴﺭ ﻴﻨﻘﺭ ﺍﻟﺭﺃﺱ..‬ ‫ﺤﺘﻰ ﻴﺤﺭﻙ ﻓﻴﻙ ﺍﻟﺫﻱ ﻻ ﻴﻤﻭﺕ..‬ ‫ﻭﻟﻜﻨﻪ ﺴﺎﻜﻥ..‬ ‫ﻭﻅﻠﻴﻡ.‬ ‫ﺘﻨﺎﻤﻴﻥ..‬ ‫ﺤﻭﻟﻙ، ﻻ ﺘﺭﻱ ﺍﻟﻌﻴﻥ‬ ‫ﺇﻻ ﺍﻨﻔﺠﺎﺭ ﺍﻟﺩﺨﺎﻥ ﺍﻟﻜﻅﻴﻡ.‬ ‫‪‬‬ ‫- ٤٤ -‬
‫ﻭﺃﺭﻓﻊ ﻭﺠﻬﻲ ﺇﻟﻲ ﺍﷲ..‬ ‫ﻫﺫﺍ ﺼﺭﺍﻁ ُ ُ‬ ‫ﻋﺭﻓﻨﺎﻩ ﻴﺎ ﻓﺘﻨﺘﻲ ﻤﺴﺘﻘﻴﻡ.‬ ‫‪‬‬ ‫ﻭﺍﻗﻑ ُ..‬ ‫ﹸ‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ‬ ‫ﻜﻨﻬﺎﺭ ٍ ﺒﻬﻴﻡ ْ.‬ ‫ﺃﺭﻗﺏ ﺍﻟﺤ ‪ ،‬ﻭﺍﻟﻤﻭﺕ‬ ‫‪‬ﺏ‬ ‫ﻴﺼﻁﺭﻋﺎﻥ..‬ ‫ﻭﺃﺴﻜﺏ ﻓﻲ ﻜﺄﺱ ﺸﻌﺭﻱ ﺩﻤﺎ،‬ ‫‪ ‬ﹰ‬ ‫ﺜﻡ ﻭﺤﺩﻱ ﺍﻟﺫﻱ ﻴﺸﺭﺏ ﺍﻟﻜﺄﺱ..‬ ‫‪‬‬ ‫ﺃﻱ ﺴﻼﻡ ٍ‬ ‫ﻴﺘﻭﻕ ﺇﻟﻴﻪ ﺍﻟﻤﺤﺒﻭﻥ‬ ‫ﻓﻲ ﻗﻌﺭ ﻫﺫﺍ ﺍﻟﺠﺤﻴﻡ؟!!‬ ‫‪‬‬ ‫ِ‬ ‫ﺃﻱ ﺴﻼﻡ..‬ ‫ﺴﻭﻱ ﺍﷲ.‬ ‫ﺃﻤﺸﻲ ﻭﺤﻴﺩﺍ..‬ ‫ﻭﺨﻠﻔﻲ ﺍﻟﻤﺤﺒﻭﻥ ﺼﻔﺎ..‬ ‫ﻓﺼﻔﺎ..‬ ‫ﻭﺘﺭﺘﺒﻙ ﺍﻷﻤﻨﻴﺎﺕ‬ ‫ﻭﻅﻠﻲ ﻴﺭﺍﻗﺒﻨﻲ‬ ‫ﻭﺍﻟﺩﺨﺎﻥ ﻜﺜﻴﻑ..‬ ‫ﻭﺃﻨﺕ ﺘﻨﺎﻤﻴﻥ..‬ ‫ﻨﺎﻤﻲ ﺇﺫﻥ....‬ ‫ﻓﺄﻨﺎ ﺭﺍﺤل‬ ‫ﻓﻲ ﺴﺩﻴﻡ ﺍﻟﺴﺩﻴﻡ.‬ ‫- ٥٤ -‬
‫ﺍﻟﻴﻘﻅـﺔ‬ ‫ﺍﻟﻴﻘﻅﺔ.. ﻟﺴﻊ ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺜﻠﺞ ﺍﻟﺤﺭﻕ..‬ ‫ﺃﺘﺩﺭﻱ؟!‬ ‫ﻁﻌﻡ ﺍﻟﻴﻘﻅﺔ ﻴﺼﻬل‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻟﺸﻔﺘﻴﻥ.‬ ‫ﻭﺼﻤﺕ ﺍﻟﻴﻘﻅﺔ ﻗﺒﺭ ُ‬ ‫‪‬‬ ‫ﻴﺼﻬل ﺸﺎﻫﺩﻩ‬ ‫‪‬‬ ‫ﻓﻲ ﻗﺎﻤﻭﺱ ﺍﻟﺩﻤﻊ..‬ ‫ﺃﺘﺩﺭﻱ؟!‬ ‫ﺠﺎﺀ ﺼﻴﺎﺡ ﺍﻟﺩﻴﻙ ﺍﻟﺩﺍﺠﻥ‬ ‫ﻋﻜﺱ ﻁﻤﻭﺡ ﺍﻟﻘﻠﺏ ﺍﻟﺤﺎﻟﻡ..‬ ‫ﻗﻠﺕ :‬ ‫ﺩﻟﻴل ﺍﻟﻴﻘﻅﺔ ﺃﻋﻤﻰ.‬ ‫ﺇﻥ ﺍﻟﺴﺒﺏ ﺜﻘﻴل‬ ‫ﻻ ﻴﺩﺭﻜﻪ ﺍﻟﺯﺤﻑ..‬ ‫ﻭﻟﻭ..‬ ‫ﻟﻠﻴﻘﻅﺔ ﻁﻔﻼﻥ ﺒﺭﻴﺌﺎﻥ‬ ‫ﻴﻠﻤﺎﻥ ﺴﻨﺎﺒل ﻤﻭﺴﻴﻘﺎ ﺸﻌﺭﻱ‬ ‫ﻋﻥ ﺠﺴﺩ ﺍﻟﻔﻀﺢ..‬ ‫ﻟﻠﻴﻘﻅﺔ ﻁﻔﻼﻥ ﻓﻀﻭﻟﻴﺎﻥ‬ ‫ﻴﻨﻁﺎﻥ ﻭﺭﺍﺀ ﺍﻟﺤﺭﻑ ﺍﻟﻤﺘﺤﺭﻙ‬ ‫ﻭﺍﻟﺴﺎﻜﻥ....‬ ‫ﺒﺤﺭ ﻤﻥ ﺠﻤﺭ ﻴﺘﺭﻨﺢ ﻓﻲ ﻭﺠﻬﻲ..‬ ‫- ٦٤ -‬
‫ﻫل ﺘﺩﺭﻱ؟‬ ‫ﺤﻨﺠﺭﺓ ﺍﻟﺸﻌﺭ ﻗﻨﺎﺒل ﺘﺼﺭﺥ‬ ‫ﺒﺎﻟﻁﺒل ﺍﻟﺭﺍﻗﺹ‬ ‫ﻓﻲ ﻏﺎﺒﺎﺕ ﻋﻭﺍﺀ ﺍﻟﺤﺭﻑ..‬ ‫ﺘﻭﻗﻑ.‬ ‫ﻨﻅﻑ ﺃﺫﻥ ﺍﻟﻘﻭل..‬ ‫ﻜﻔﻰ..‬ ‫ﻻ ﺘﻜﺴﺭ ﻤﺯﻻﺝ ﺍﻟﻌﻔﺔ‬ ‫ﺒﺎﻟﺭﻗﺹ ﺍﻟﻬﻤﺠﻲ..‬ ‫ﻭﺤﺎﺫﺭ..‬ ‫ﻓﺎﻟﻭﺘﺩ ﺍﻟﻤﻔﺭﻭﻕ ﻤﺠﺎﺯﺭ..‬ ‫ﻻ ﺘﺭﻜﻥ ﻟﻠﻀﺤﻜﺔ‬ ‫ﺒﻴﻥ ﻓﺤﻴﺢ ﺍﻷﻓﻌﻰ‬ ‫ﻭﺨﻭﺍﺭ ﺍﻟﺜﻭﺭ ﺍﻟﻐﻔل.‬ ‫ﻻ ﻴﻤﻜﻥ‬ ‫ﺃﻥ ﺘﺩﺭﻙ ﺃﻱ ﺼﻼﺓ‬ ‫ﻟﻐﻭﺍﻤﺽ ﻫﺫﺍ ﺍﻟﺤﻔل.‬ ‫- ٧٤ -‬
‫ﻤﺭﺜﻴﺔ.. ﻟﺼﺎﺤﺏ ﻤﻘﺘل ﺍﻟﻘﻤﺭ‬ ‫ﺇﻟﻲ / ﺃﻤل ﺩﻨﻘل‬ ‫ﻭﻜﻨﺕ ﺤﻤﻠﺕ ﻋﻠﻰ ﺯﻨﺩﻱ‬ ‫‪‬‬ ‫ﺴﻨﺎﻡ ﺃﺒﻲ..‬ ‫‪‬‬ ‫ﻭﻁﺭﺍﻭﺓ َ ﻤﺎ ﺨﺯﻨﺘﻪ ﺍﻟﻔﻁﺭﺓ ُ‬ ‫ﻓﻲ ﺁﺒﺎﺭ ﺍﻟﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻭﻤﺸﻴﺕ ﺃﻏﻨﻲ ﻓﻲ ﺍﺴﺘﻌﻼﺀ :‬ ‫‪‬‬ ‫ﺃﻨﺎ ﻭﻁﻥ ُ‬ ‫‪‬‬ ‫ﻴﺘﻤﻁﻰ ﻓﻲ ﻜل ﺍﻷﺭﺠﺎﺀ ِ‬ ‫ﻭﺃﻨﺕ ِﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻗﺘﻠﻭﻨﻲ..‬ ‫ﺫﺍﺕ ﺼﺒﺎﺡ ﻤﻘﺘﻭل‬ ‫ﻭﺭﻤﻭﻨﻲ ﺫﺍﺕ ﻤﺴﺎﺀ ٍ‬ ‫ﻓﻲ ﻜﺒﺩ ﺍﻟﺼﺤﺭﺍﺀ.‬ ‫‪‬‬ ‫ﻤﺫﻴﺎﻉ ُ..‬ ‫‪‬‬ ‫ﻴﺼﺭﺥ ﻓﻲ ﺍﻟﺒﺭﻴﺔ ِ،‬ ‫ﻴﻌ ‪‬ل ُ..‬ ‫ﻭ‬ ‫ﻴﻔﺘﺢ ﻨﺎﻓﺫﺓ ً ﻟﺘﻼل ﺍﻟﺭﻤل‬ ‫ﻓﻼ ﻴﺩﺨل ﺇﻻ ﻗﻤﺭ ﺍﻟﻨﺴﻴﺎﻥ‬ ‫ﹼ‬ ‫ﺍﻟﻘﺎﺘل،‬ ‫ﻭﺍﻟﻤﻘﺘﻭل‬ ‫ﺒﺫﺍﻜﺭﺓ ﺸﻭﻫﺎﺀ.‬ ‫ﺸﺎﻫﺩ ﻗﺒﺭﻱ ﺩﻭﻥ ﻀﺭﻴﺢ‬ ‫ﺩﻭﻥ ﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﻤﻥ ﻴﻌﺭﻓﻨﻲ ﻓﻲ ﻫﺫﺍ ﺍﻟﻘﻔﺭ؟‬ ‫ﻭﻤﻥ ﻴﺒﻜﻴﻨﻲ؟‬ ‫- ٨٤ -‬
‫ﻴﺭﻓﻊ ﺩﻤﻌﺘﻪ ﻗﺭﺒﺎﻨﺎ‬ ‫ﻟﻌﻁﺎﺵ ﺍﻟﺭﻤل،‬ ‫ﻭﺴﺎﺌﻤﺔ ﺍﻟﻁﻴﺭ‬ ‫ﻴﻐﻨﻲ ﻤﻘﺘل ﻫﺫﺍ ﺍﻟﻘﻤﺭﺍﻟﺸﺎﺤﺏ :‬ ‫ﻤﻘﺘﻭﻟﻙ‬ ‫ﻴﺎ ﺸﺎﺤﺒﺔ ﺍﻟﻠﻭﻥ ﻜﺜﻠﺞ‬ ‫ﻴﺎ ﻤﻴﺴﺎﺀ ﺍﻷﻋﻀﺎﺀ ﻜﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻴﺎ ﺯﻫﺭﺓ ﻋﻴﻥ ﺍﻟﻔﻘﺭﺍﺀ.‬ ‫‪‬‬ ‫ﻤﻨﺫﻭﺭ ﻟﻠﺩﺍﺀ.‬ ‫‪‬‬ ‫ﻟﻠﻌﻭﺩﺓ ﻓﻲ ﻜل ﺍﻷﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫- ٩٤ -‬
‫)ﺃﺒﺤﺙ ﻋﻨﻪ ﺒﻴﻥ ﺍﻷﺤﻴﺎﺀ ﺍﻟﻤﻭﺘﻰ‬ ‫ﻭﺍﻟﻤﻭﺘﻰ ﺍﻷﺤﻴﺎﺀ(‬ ‫ﻜﺎﻥ ﻴﺭﻓﺭﻑ ﺒﺠﻨﺎﺤﻴﻥ ﺴﻤﺎﻭﻴﻴﻥ‬ ‫ﻭﻴﺒﻜﻲ ﺒﻴﻥ ﻴﺩﻱ ﺘﻠﻙ ﺍﻟﺯﺭﻗﺎﺀ.‬ ‫ﻜﺎﻥ ﻴﺨﺒﺊ ﺘﺤﺕ ﺍﻟﺭﻴﺵ ﻗﻭﺍﺭﺏ‬ ‫ﻭﻗﻨﺎﺒل ﺃﻭﺠﺎﻉ ﺍﻟﻤﺴﺘﻘﺒل‬ ‫ﻭﻴﻐﻨﻲ ﻟﻠﺒﺴﻁﺎﺀ :‬ ‫)ﺤﺎﺀ... ﺒﺎﺀ‬ ‫ﺤﺎﺀ.. ﺭﺍﺀ.. ﻴﺎﺀ.. ﻫﺎﺀ(‬ ‫ﻤﺩﻱ ﻜﻔﻴﻙ ﻋﻠﻰ ﺯﻤﻨﻲ‬ ‫ﻟﻥ ﻴﺨﺩﻋﻨﻲ‬ ‫ﺃﻥ ﻴﺴﺭﺡ ﻓﻲ ﻗﻴﻌﺎﻥ ﺍﻟﻘﻔﺭ ﻏﺯﺍل.‬ ‫ْ‬ ‫ﻤﺩﻯ ﻜﻔﻴﻙ ﻋﻠﻰ ﺤﺯﻨﻲ‬ ‫ﻟﻥ ﻴﺅﻨﺴﻨﻲ‬ ‫ﺃﻥ ﻴﺒﻙ ﻋﻠﻰ ﻭﺠﻌﻲ ﺍﻟﻤﻭﺍل ْ.‬ ‫ﻤﻘﺘﻭﻟﻙ،‬ ‫ﻴﺎ ﻤﻴﺴﺎﺀ ﺍﻟﺩﺍﺀ ﺴﺅﺍل ُ‬ ‫ُ‬ ‫ﻤﻁﺭﻭﺡ ُ ﻓﻲ ﻋﻀﺩ ﺍﻟﺘﺭﺤﺎل:‬ ‫ْ‬ ‫‪‬‬ ‫ﺃﻴﻌﻭﺩ ﺍﻟﻀﻭﺀ ﻟﻴﻜﺸﻑ،‬ ‫‪‬‬ ‫ﻭﻴﺤ ‪‬ﺭ‬ ‫ﺭ‬ ‫ﻜل ﺍﻷﻏﺼﺎﻥ ﺍﻟﻤﺸﺒﻭﻜﺔ‬ ‫َ‬ ‫ﻭﺍﻟﻤﺸﺒﻭﻫﺔ‬ ‫ﻓﻲ ﺍﻷﺩﻏﺎل؟‬ ‫ﺃﻜﺘﺏ ﻤﺴﺄﻟﺘﻲ ﻓﻲ ﻜﻔﻲ‬ ‫ﻜﻲ ﻻ ﺃﻨﻁﻕ‬ ‫ﻭﺃﻨﺎ ﺃﺘﺴﻭل ﻤﻥ ﻟﺼﻲ‬ ‫- ٠٥ -‬
‫ﺒﻌﺽ ﺍﻟﺤﻕ‬ ‫ﻭﺯﺠﺎﺠﺔ ﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻤﺴﺄﻟﺘﻲ ﺃﻏﻨﻴﺔ ﻟﻠﺒﺴﻁﺎﺀ :‬ ‫)ﺤﺎﺀ.. ﺒﺎﺀ‬ ‫ﺤﺎﺀ.. ﻴﺎﺀ.. ﺤﺎﺀ.. ﻫﺎﺀ(‬ ‫)ﺤﺎﺀ.. ﺒﺎﺀ‬ ‫)ﺤﺎﺀ.. ﻴﺎﺀ.. ﺭﺍﺀ.. ﻫﺎﺀ(‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ‬ ‫ﻤﻥ ﻗﺼﻴﺩﺓ ﺒﻜﺎﺌﻴﺎﺕ‬ ‫ﻟﻠﺸﺎﻋﺭ / ﺃﻤل ﺩﻨﻘل‬ ‫- ١٥ -‬
‫ﺍﻟﺭﻤﺎﺩﻱ‬ ‫ﺇﻟﻲ ﻤﺤﻤﻭﺩ ﺇﺩﺭﻴﺱ‬ ‫ﺤﻔﻨﺔ ﻤﻥ ﺃﺭﻕ..‬ ‫ﻭﺍﻟﺭﻤﺎﺩﻱ..‬ ‫ﺤﻴﻥ ﺭﺃﻱ‬ ‫ﻤﺎ ﺭﺃﻱ..!‬ ‫ﺜﻡ ﻏﻁﻲ ﺒﺘﻭﺕ ﺍﺨﻀﺭﺍﺭ ﺍﻟﻴﻘﻴﻥ‬ ‫ﺘﺭﺍﻨﻴﻡ ﺸﻙ..‬ ‫ﻟﺠﻴل،‬ ‫ﻴﻐﻨﻲ ﺍﻋﺘﺭﺍﻓﺎﺘﻪ‬ ‫ﻓﻲ ﺠﺤﻴﻡ ﺍﻟﻌﻼﻗﺔ‬ ‫ﺒﻴﻥ ﺍﻟﺫﺒﻭل،‬ ‫ﻭﺒﻴﻥ ﺍﻷﻟﻕ.‬ ‫ﻟﻡ ﺘﺤﻥ ﻭﻗﺘﻬﺎ‬ ‫ﺴﺎﻋﺔ ﺍﻟﻤﻔﺘﺭﻕ.‬ ‫ﻭﻟﻜﻨﻪ..‬ ‫ﺇﺫ ﺭﺃﻱ‬ ‫ﻤﺎ ﺭﺃﻱ..‬ ‫ﻁﺭﺍﻭﺓ ﻨﺼل ﺍﻟﺨﺼﻭﺒﺔ‬ ‫ﺤﻴﻥ ﻴﺭﻴﻕ ﺍﻟﻠﻴﺎﻟﻲ‬ ‫- ٢٥ -‬
‫ﻋﻠﻲ ﺠﻨﺒﺎﺕ ﺍﻟﻁﺭﻴﻕ ﺍﻟﻭﻟﻴﺩ..‬ ‫)ﻴﺎ ﺸﺎﺭﻉ ﺍﻟﻭﻟﻴﺩ،‬ ‫ﻴﺎ ﺤﻘل ﺍﻷﺴﻲ..‬ ‫ﺒﻌﺜﺭﺘﻨﻲ.(‬ ‫ﻭﻻ ﻜﺎﻥ ﻴﺴﻤﻊ ﻓﻲ ﺸﻬﻘﺎﺕ ﺍﻟﻨﺩﻱ‬ ‫ﺇﺫ ﻴﺭﺩﺩ:‬ ‫)ﻜﺎﻨﺕ ﺠﻬﻨﻡ ﺒﺎﻟﻭﻴل ﺘﻀﺤﻙ..‬ ‫ﺘﻀﺤﻙ..ﺘﻀﺤﻙ.(‬ ‫ﻭﻟﻭ ﻋﻠﻤﻭﻩ ﻤﻊ ﺍﻟﺩﺭﺱ‬ ‫ﻜﻴﻑ ﻴﻜﻭﻥ ﺭﻓﻴﻘﺎ ﺒﺸﻭﻙ ﺍﻟﺯﻫﻭﺭ‬ ‫- ﻭﺒﺎﻟﺸﻭﻙ ﺘﺤﻴﺎ ﺍﻟﺯﻫﻭﺭ –‬ ‫ﺇﺫﻥ..ﻻﺴﺘﺩﺍﺭ ﻋﻠﻲ ﻨﻔﺴﻪ ﻤﺭﺓ..‬ ‫ﻭﺴ ‪‬ﺭ ﺒﺎﻟﺸﻙ ﻏﻴﻡ ﺍﻟﺴﺅﺍل..‬ ‫‪‬‬ ‫ﺠ‬ ‫ﻭﻤﺎ ﻗﺩ ﻴﻭﻤﺎ ﻗﻤﻴﺹ ﺍﻟﺨﻴﺎل،‬ ‫ﻭﺨﻠﻑ ﺤﺒﺎﺕ ﺩﻤﻊ ﺍﻷﻤﺎﻨﻲ ﺒﻪ ﺘﺤﺘﺭﻕ.‬ ‫ﺍﻟﺭﻤﺎﺩﻱ..‬ ‫ﻋﺵ..‬ ‫ﻭﻋﺼﻔﻭﺭﺓ..‬ ‫ﻭﻤﻥ ﻗﺎل : ﺇﻥ ﺍﻟﺭﻤﺎﺩﻱ ﺭﻋﺩ..‬ ‫ﺒﻪ ﻤﺎ ﺒﻪ ﻤﻥ ﻨﺯﻕ.‬ ‫ﺍﻟﺭﻤﺎﺩﻱ..‬ ‫ﺃﻗﺭﺏ ﻤﻥ ﺭﺠﻔﺘﻲ ﻓﻲ ﺍﻟﺼﻘﻴﻊ ﺇﻟﻲ.‬ ‫‪‬‬ ‫ﻭﺃﻋﺭﻑ ﺒﺎﻟﻤﺎﺀ ﻤﻥ ﺒﺤﺭﻩ.‬ ‫ﻭﺒﺎﻟﺒﺤﺭ ﻤﻥ ﻤﻭﺠﻪ..‬ ‫ﻭﺍﻟﻐﺭﻕ.‬ ‫ﻴﺤﺘﻭﻱ ﻏﻤﻐﻤﺎﺕ ﺍﻟﺤﻴﺎﺓ،‬ ‫- ٣٥ -‬
6080
6080
6080
6080

Recommended

5773
57735773
5773kotob arabia
 
4321
43214321
4321kotob arabia
 
516
516516
516kotob arabia
 
6078
60786078
6078kotob arabia
 
6155
61556155
6155kotob arabia
 
5957
59575957
5957kotob arabia
 
6212
62126212
6212kotob arabia
 
4525
45254525
4525kotob arabia
 

Recommended

5773
57735773
5773kotob arabia
 
4321
43214321
4321kotob arabia
 
516
516516
516kotob arabia
 
6078
60786078
6078kotob arabia
 
6155
61556155
6155kotob arabia
 
5957
59575957
5957kotob arabia
 
6212
62126212
6212kotob arabia
 
4525
45254525
4525kotob arabia
 
5280
52805280
5280kotob arabia
 
6079
60796079
6079kotob arabia
 
4568
45684568
4568kotob arabia
 
5769
57695769
5769kotob arabia
 
4479
44794479
4479kotob arabia
 
4473
44734473
4473kotob arabia
 
6064
60646064
6064kotob arabia
 
4922
49224922
4922kotob arabia
 
5703
57035703
5703kotob arabia
 
5772
57725772
5772kotob arabia
 
5246
52465246
5246kotob arabia
 
4882
48824882
4882kotob arabia
 
4478
44784478
4478kotob arabia
 
4114
41144114
4114kotob arabia
 
6213
62136213
6213kotob arabia
 
3755
37553755
3755kotob arabia
 
1029
10291029
1029kotob arabia
 
6230
62306230
6230kotob arabia
 
76
7676
76kotob arabia
 
4356
43564356
4356kotob arabia
 
1086
10861086
1086kotob arabia
 
960
960960
960kotob arabia
 

More Related Content

What's hot

What's hot (20)

5280
52805280
5280
 
6079
60796079
6079
 
4568
45684568
4568
 
5769
57695769
5769
 
4479
44794479
4479
 
4473
44734473
4473
 
6064
60646064
6064
 
4922
49224922
4922
 
5703
57035703
5703
 
5772
57725772
5772
 
5246
52465246
5246
 
4882
48824882
4882
 
4478
44784478
4478
 
4114
41144114
4114
 
6213
62136213
6213
 
3755
37553755
3755
 
1029
10291029
1029
 
6230
62306230
6230
 
76
7676
76
 
4356
43564356
4356
 

More from kotob arabia

More from kotob arabia (20)

1086
10861086
1086
 
960
960960
960
 
764
764764
764
 
6487
64876487
6487
 
6205
62056205
6205
 
942
942942
942
 
96
9696
96
 
5962
59625962
5962
 
763
763763
763
 
6486
64866486
6486
 
745
745745
745
 
6204
62046204
6204
 
6435
64356435
6435
 
5961
59615961
5961
 
6182
61826182
6182
 
959
959959
959
 
941
941941
941
 
594
594594
594
 
762
762762
762
 
744
744744
744
 

6080

  • 1.
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﻤـﺩﺨل .............................................................................................................. - ٥ -‬ ‫ﺇﻀــﺎﺀﺓ............................................................................................................ - ٦ -‬ ‫ﺘـﺄﺴﻴﺱ ............................................................................................................. - ٧ -‬ ‫ﺃﻓــﻭل ............................................................................................................. - ٨ -‬ ‫ﺴﻴﺩ ﺍﻟﺨـﺎﺌﻨﻴﻥ ...................................................................................................... - ٠١ -‬ ‫ﻭﻜ ﱠﺎ ﻋﺩﻭﻴﻥ.. ...................................................................................................... - ٤١ -‬ ‫ﻨ‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ..................................................................................................... - ٥١ -‬ ‫‪‬‬ ‫ﺜﻠﺔ ﺍﻷﻭﻟﻴﻥ.. ....................................................................................................... - ٧١ -‬ ‫ﹸ‬ ‫ﻭﺃﺸﻬﺩ.. ﻴﺎ ﺸﻬﺭﻴﺎﺭ ................................................................................................. - ٨١ -‬ ‫ﻫﻭ ﺍﻟﺼﻤﺕ ﻨﻌﺵ.. ................................................................................................. - ٠٢ -‬ ‫ﹲ‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ....................................................................................................... - ١٢ -‬ ‫ﻓﺘﻨﺔ ﻨﺎﺌﻤﺔ........................................................................................................... - ٣٢ -‬ ‫ﹲ‬ ‫ﻭﺍﻟﺤﻜﺎﻴﺔ ﺘﺒﺩﺃ ُ ﻤﻥ ﺠﻔﻨﺔ ِ ﺍﻟﺩﻡ ........................................................................................ - ٥٢ -‬ ‫‪ِ‬‬ ‫ﹸ‬ ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ﻤﺎ ﺩﻓﻨﺕ ............................................................................................... - ٧٢ -‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﺃﻨﺜﻲ ﺍﻟﺨﻼﻓﺔ ................................................................................................ - ٨٢ -‬ ‫ِ‬ ‫‪‬‬ ‫ﻫﻭﺍﻤﺵ.. ﻋﻠﻲ ﺨﺎﺭﻁﺔ ﺍﻟﻁﺭﻴﻕ ..................................................................................... - ٠٣ -‬ ‫ﺃﺤــﻭﺍل .......................................................................................................... - ٨٣ -‬ ‫ﺍﻨﺘﺒﻬﻭﺍ.............................................................................................................. - ٠٤ -‬ ‫ﺍﻟﺸـﺎﻫﺩ ............................................................................................................ - ٢٤ -‬ ‫ﺃﻨﺎ ﻁﺎﺌﺭ.. .......................................................................................................... - ٣٤ -‬ ‫‪‬‬ ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ – ﻫﺫﺍ ﺍﻟﻤﻠﻭﻥ – ................................................................................... - ٤٤ -‬ ‫ﺍﻟﻴﻘﻅـﺔ ............................................................................................................ - ٦٤ -‬ ‫ﻫل ﺘﺩﺭﻱ؟ ......................................................................................................... - ٧٤ -‬ ‫ﻤﺭﺜﻴﺔ.. ﻟﺼﺎﺤﺏ ﻤﻘﺘل ﺍﻟﻘﻤﺭ ﺇﻟﻲ / ﺃﻤل ﺩﻨﻘل ........................................................................ - ٨٤ -‬ ‫)ﺃﺒﺤﺙ ﻋﻨﻪ ﺒﻴﻥ ﺍﻷﺤﻴﺎﺀ ﺍﻟﻤﻭﺘﻰ ﻭﺍﻟﻤﻭﺘﻰ ﺍﻷﺤﻴﺎﺀ( .................................................................... - ٠٥ -‬ ‫ﺍﻟﺭﻤﺎﺩﻱ ﺇﻟﻲ ﻤﺤﻤﻭﺩ ﺇﺩﺭﻴﺱ ......................................................................................... - ٢٥ -‬ ‫ﻋﻠﻲ ﺠﻨﺒﺎﺕ ﺍﻟﻁﺭﻴﻕ ﺍﻟﻭﻟﻴﺩ.. ........................................................................................ - ٣٥ -‬ ‫ﺘﻬﻴﺌﺔ ﺇﻟﻲ/ ﺃﺤﻤﺩ ﺤﺴﻥ ﺸﺎﻫﻴﻥ ....................................................................................... - ٥٥ -‬ ‫ﻫﻤﺱ ﺇﻟﻲ ﺍﻟﻀﺩ ﺍﻟﻤﺨﺘﻠﻑ ........................................................................................... - ٧٥ -‬ ‫-٣-‬
  • 5. ‫ﺴﺄﻫﺘﻑ ﻤﻨﺎﺩﻴﺎ ً ﻓﻲ ﺃﻭﺭﻭﻙ :‬ ‫ﺍﻟﻘﻭﻱ ﻫﻭ ﺃﻨﺎ‬ ‫‪‬‬ ‫ﻤﺘﻲ ﺩﺨﻠﺕ ﻤﻜﺎﻨﺎ ً‬ ‫ﹸ‬ ‫ﻏ ‪‬ﺭﺕ ﻓﻴﻪ ﺍﻟﻤﺼﺎﺌﺭ!‬ ‫‪‬‬ ‫ﻴ ﹸ‬ ‫ﺇﻥ ﺍﻟﻤﻭﻟﻭﺩ ﻓﻲ ﺍﻟﺒﺭﺍﺭﻱ‬ ‫‪‬‬ ‫ﻟﺫﻭ ﻗﻭﺓ ٍ ، ﻭﺒﺄﺱ ٍ ﻋﻅﻴﻡ.‬ ‫‪‬‬ ‫ﺃﻨﻜﻴﺩﻭ‬ ‫-٤-‬
  • 6. ‫ﻤـﺩﺨل‬ ‫ﻗﺎﻟﻭﺍ : ﻤﻥ ﻋﺎﺯ ﻓﻘﺩ ﻻﺫ َ..!!‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻭﻋﺯ ﻫﺫﺍ ﺍﻻﻴﻌﺎﺯﺍ؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻥ ﺠﺎﺯ ﻓﻘﺩ ﺃﻨﺠﺯ ﻫﺫﺍ....‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻲ ﺫل ِ ﺍﻟﻌ ‪‬ﺓ َ ﺇﻨﺠﺎﺯﺍ....‬ ‫ﺯ‬ ‫ﻟﻜﻥ ﻤﺎﺫﺍ..‬ ‫ﻟﻭ ﺤﺎﺯ ﺍﻟﻤﺠﺭﻡ ﻤﺎ ﺤﺎﺯﺍ؟!!‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﻜﺒﺭ ﻓﻲ ﺍﻷﺭﺽ ِ... ﻭﻓﺎﺯﺍ‬ ‫ﺃﺘﻔﻴﺩ ﺇﺫﺍ..‬ ‫ﻭﻟﺫﺍ..‬ ‫ﻭﻜﺫﺍ..‬ ‫ﺍﻟﻌﺎﺌﺫ ُ ﻻ ﻴﻘﻭﻱ ﺃﺒﺩﺍ ً‬ ‫ﺃﻥ ﻴﺴﺄل ﻤﻌﻁﻴﻪ.. ﻟﻤﺎﺫﺍ.!!‬ ‫-٥-‬
  • 7. ‫ﺇﻀــﺎﺀﺓ‬ ‫ﺇﺫﺍ ﻜﺸﻑ ﺍﻟﺯﻤﺎﻥ ﻟﻙ ﺍﻟﻘﻨﺎﻋﺎ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﻤﺩ ﺇﻟﻴﻙ ﺼﺭﻑ ﺍﻟﺩﻫﺭ ﺒﺎﻋﺎ.‬ ‫ِ‬ ‫ﹸ‬ ‫‪ ‬‬ ‫ﻓﻼ ﺘﺨﺵ ﺍﻟﻤﻨﻴﺔ َ ، ﻭﺍﻗﺘﺤﻤﻬﺎ‬ ‫ﹶ‬ ‫ﻭﻻ ﺘﺨﺵ ﺍﻟﻤﺭﺍﺒﻊ َ ﻭﺍﻟﻴﻔﺎﻋﺎ.‬ ‫ﹶ‬ ‫ﻭﺴﻴﻔﻲ ﻜﺎﻥ ﺩﻻل َ ﺍﻟﻤﻨﺎﻴﺎ‬ ‫ﻭﺨﺎﺽ َ ﻏﻤﺎﺭﻫﺎ ﻭﺸﺭﻱ ﻭﺒﺎﻋﺎ.‬ ‫‪‬‬ ‫ﻋﻨﺘﺭﺓ ﺒﻥ ﺸﺩﺍﺩ.‬ ‫-٦-‬
  • 8. ‫ﺘـﺄﺴﻴﺱ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺨﺘﻠﻑ.‬ ‫ﺒﻴﻥ ﻫﺎﺀ ﺍﻟﻬﻭﺍﺀ‬ ‫ﻭﻓﺎﺀ ﺍﻷﻟﻑ.‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺨﺘﻠﻑ.‬ ‫ﻋﻨﺩ ﺤﺎﺀ ﺍﻟﺤﺩﺍﺌﻕ‬ ‫ﺤﺎﺀ ﺍﻟﺤﺭﺍﺌﻕ ﻻ ﺘﺄﺘﻠﻑ.‬ ‫ﻓﻼ ﺘﺩﻉ ﺍﻻﺴﺘﻘﺎﻤﺔ ﻋﻨﺩ ﺍﺸﺘﺩﺍﺩ ﺍﻟﺭﻴﺎﺡ.‬ ‫ﻭﻻ ﺘﺩﻉ ﺍﻻﻨﺤﻨﺎﺀ ﺇﺫﺍ ﻤﺎ ﺍﺴﺘﻘﺭ ﺍﻟﻤﻨﺎﺥ.‬ ‫ﻭﺜﺒﺕ ﺠﺫﻭﺭﻙ‬ ‫ﺤﺘﻰ ﺇﺫﺍ ﻤﺭ ﺴﻴل ﻋﻠﻴﻙ‬ ‫ﻓﻼ ﺘﻨﺠﺭﻑ.‬ ‫ﻭﺍﺴﺘﻘﻡ ﻜﺎﻷﻟﻑ.‬ ‫ﻭﺍﻥ ﺸﺌﺕ ﺃﻥ ﺘﺨﺘﻠﻑ ﺒﻌﺩﻫﺎ‬ ‫ﻓﺎﺨﺘﻠﻑ.‬ ‫-٧-‬
  • 9. ‫ﺃﻓــﻭل‬ ‫ﻨﺠﻡ ﺘﺭﺠل..‬ ‫ﻭﺍﻨﺘﻬﻲ ﻤﺘﺴﻭﻻ ً ﺒﻴﻥ ﺍﻷﺯﻗﺔ‬ ‫ﻓﻲ ﺴﺭﺍﺩﻴﺏ ﺍﻟﻌﺫﺍﺏ ِ.‬ ‫ﻨﺠﻡ ﻴﺩﻕ ﻋﻠﻲ ﺒﺎﺒﻲ.‬ ‫ﻨﺠﻡ..‬ ‫ﻭﻴﺒﻐﻲ ﺃﻥ ﻴﻤﻭﻩ ﻟﻲ ﺴﺭﺍﺒﻲ.‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻨﺠﻡ ﺍﻟﺫﻱ ﻤﻥ ﻗﻬﺭﻩ‬ ‫ﻴﺘﻠﻭ ﻋﻨﺎﻭﻴﻥ ﺍﻟﻜﺘﺎﺏ ِ.‬ ‫ﻟﻙ ﺃﻥ ﺘﻁل ﻋﻠﻲ ﺨﺭﺍﺒﻲ.‬ ‫ﻟﻙ ﺃﻥ ﺘﻬﺩﻫﺩ ﻫﺩﻫﺩﺍ ً‬ ‫ﺤﺎﺯ ﺍﻟﻨﺒﺄ.‬ ‫)ﺇﻥ ﺍﻟﻤﻠﻭﻙ ﺇﺫﺍ ﺃﺘﻭ(..‬ ‫ﺒﻠﻘﻴﺱ ﻟﻥ ﺘﻐﺭﻕ ﺴﺒﺄ.‬ ‫ﻟﻙ ﺃﻥ ﺘﻐﻨﻲ ﺃﻏﻨﻴﺎﺕ ﺍﻟﻘﻤﺢ‬ ‫ﺃﻭ ﺘﻠﻘﻲ ﺍﻟﺴﻼﻡ.‬ ‫ﻋﻠﻲ ﻏﻼﻡ ﻗﻠﻤﺎ ﻟﻤﺢ ﺍﻟﻐﻤﺎﻡ.‬ ‫ﻴﺎ ﻟﻴﺘﻨﻲ ﺜﻠﺠﺎ ً‬ ‫ﺒﻘﺎﻓﻠﺔ ﺍﻟﺴﺤﺎﺏ.‬ ‫ﻴﺎ ﻟﻴﺘﻨﻲ ﻤﻁﺭﺍ ً‬ ‫ﻟﻴﻌﺘﻘل ﺍﻟﻅﻤﺄ.‬ ‫ﻨﺠﻡ..‬ ‫ﻭﻤﺎ ﺫﻨﺒﻲ ﺇﺫﺍ ﺍﻨﻜﺴﺭﺕ‬ ‫ﻋﻠﻲ ﻋﻁﺸﻲ ﺍﻟﻘﺼﻴﺩﺓ؟!!‬ ‫ﻤﺎ ﺫﻨﺏ ﺃﻏﻨﻴﺘﻲ ﺍﻟﺘﻲ‬ ‫ﺘﺩﻋﻭ ﺍﻟﺠﻔﺎﻑ‬ ‫ﹶ‬ ‫-٨-‬
  • 10. ‫ﺍﻟﻲ ﻨﻬﺎﻴﺘﻪ ﺍﻷﻜﻴﺩﺓ؟!!‬ ‫ﻨﺠﻡ ﻴﺩﻕ ،‬ ‫ﻓﻘل ﻟﻜﺄﺱ ﺍﻟﺼﺤﻭ ﺃﻻ ﺘﻌﺒﺭﻙ.‬ ‫ﻤﻥ ﺼﺤﻭﻙ ﺍﻨﺩﻟﻊ ﺍﻟﻐﻨﺎﺀ..‬ ‫ﺃﻨﺕ ﺍﻟﻤﺤﺎﺼﺭ ﺒﺎﻟﺤﻘﻴﻘﺔ..‬ ‫ﻏﺏ ﻁﻭﻴﻼ ﻤﺎ ﺘﺸﺎﺀ..‬ ‫ﻟﻜﻥ ﺒﻭﺴﻊ ﻏﻨﺎﺌﻨﺎ ﺃﻥ ﻴﺤﻀﺭﻙ..‬ ‫ﻟﻴﺒﻴﺢ ﻀﻭﺀﻙ ﻟﻠﺴﻤﺎﺀ.‬ ‫-٩-‬
  • 11. ‫ﺴﻴﺩ ﺍﻟﺨـﺎﺌﻨﻴﻥ‬ ‫ﺃﻴﺎ ﺸﻬﺭﺯﺍﺩ..‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺍﻏﺘﺼﺒﻭﻙ‬ ‫ِ‬ ‫ﺠﻬﺎﺭﺍ ً ، ﻨﻬﺎﺭﺍ ً‬ ‫ﻭﻓﻀﻭﺍ ﻏﺸﺎﺀ ﺍﻟﺤﻀﺎﺭﺓ ِ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺠﺩ..‬ ‫ِ‬ ‫ﺠﺭﻭﺍ ﺍﻟﺴﻨﻴﻥ،‬ ‫‪‬‬ ‫ﺍﻟﺒﻁﻭﻟﺔ َ‬ ‫ﻤﻥ ﺸﻌ ِﻫﺎ..‬ ‫ﺭ‬ ‫ﻭﺩﺍﺴﻭﺍ ﻋﻠﻲ ﺃﻨﻑ ﺫﻱ ﻗﺎﺭ ،‬ ‫ِ‬ ‫ﻭﺍﻟﻘﺎﺩﺴﻴﺔ ﺒﺎﻷﺤﺫﻴﺔ ْ..‬ ‫ِ‬ ‫ﻭﺴﺎﻟﺕ ﺩﻤﺎﺀ ﺍﻟﺘﻭﺍﺭﻴﺦ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﻬﻭﺍﺀ ﺍﺴﺘﻌﺎﺭﺍﺕ...‬ ‫ِ‬ ‫ﹶ‬ ‫ﺃﻀﺤﺕ ﺤﻜﺎﻴﺎﻙ‬ ‫ِ‬ ‫ﻤﺤﺽ ﻨﻜﺎﺕ ٍ..‬ ‫‪‬‬ ‫ﻓﻤﺎﺫﺍ ﺇﺫﻥ ﺘﺄﻤﻠﻴﻥ؟!!‬ ‫ﺴﻴﺸﻬﺩ ﻫﺫﺍ ﺍﻟﻨﺨﻴل ﺍﻟﺠﺒﺎﻥ‬ ‫‪‬‬ ‫ُ‬ ‫ﺍﻟﺫﻱ ﻴﺭﺘﺩﻱ ﺠﺒﺔ ً‬ ‫ﻤﻥ ﺭﻤﺎل ٍ‬ ‫ﻭﻴﻐﺭﺱ ﺭﺠﻠﻴﻪ ﻓﻲ ﺍﻟﻁﻤﻲ..‬ ‫ﻴﺸﻬﺩ ﻫﺫﺍ ﺍﻟﻤﺩﻱ ﺍﻷﻓﻌﻭﺍﻥ ،‬ ‫ﺍﻷﺸﺩ ﺠﻤﻭﺤﺎ ً..‬ ‫‪‬‬ ‫ﻭﻜل ﺍﻟ ‪‬ﻜﺎﺭﻱ‬ ‫ُ ﺴ‬ ‫ﺍﻟﺫﻴﻥ ﻴﻤﻭﺘﻭﻥ‬ ‫ﻤﻭﺘﺎ ً ﺒﻁﻴﺌﺎ ً ﺒﺩﺍﺀ ِ ﺍﻟﻨﺴﺎﺀ ِ‬ ‫ﻭﻜل ﺍﻟﺯﻭﺍﺤﻑ ِ‬ ‫ُ‬ ‫- ٠١ -‬
  • 12. ‫ﻜل ﺍﻟﺭﺠﺎل ِ ﺍﻟﺴﻼﺤﻑ ِ..‬ ‫ُ‬ ‫ﻜل ﺍﻟﻨﻌﺎﻡ ِ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ ﺨﺒﺄﺕ ﺭﺃ ‪‬ﻬﺎ ﻓﻲ ﺍﻟﺭﻤﺎل ِ..‬ ‫ﹾ ﺴ‬ ‫ﺴﺘﺸﻬﺩ ﺇﻨﻲ..................‬ ‫‪‬‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ..‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ،‬ ‫ﻭﺍﻟﺫﻴﻥ..‬ ‫ﻭﻗﻌﺕ ﻜﻘﻁﺭﺓ ِ ﺩﻡ ّ ٍ‬ ‫ﹸ‬ ‫ﻨﻤﺎ ﻋﻭ ‪‬ﻫﺎ‬ ‫ﺩ‬ ‫ﻭﺍﺴﺘﻭﺕ ﻓﻭﻕ ﻋﺭﺵ ٍ‬ ‫ﹾ ﹶ‬ ‫ﺘﺭ ‪‬ﻊ َ ﺒﺎﻟﺩﻫﺸﺔ ِ ﺍﻟﻘﺎﺘﻠﺔ ْ.‬ ‫ﺼ‬ ‫ﻫﻜﺫﺍ ﺘﺒﺘﺩﻱ ﻤﺤﻨﺘﻲ ﺍﻟﻔﺎﺼﻠﺔ ْ..‬ ‫ﻟﻡ ﻴﻜﻥ ﺜﻡ ﻤﻥ ﻗﺎﺒﻠﺔ ْ..‬ ‫ﻴﻘﻭل ﺍﻟﻤﺤﻘﻕ ُ :‬ ‫ﻻ......‬ ‫ﻟﺴﺕ َ ﺃﻨﺕ َﺍﻟﻤﺭﺍﺩ ﺍﻟﺤﻘﻴﻘﻲ َ..‬ ‫‪‬‬ ‫ﻟﻜﻥ ﺒﺫﻭﺭ ﺍﻟﺤﻀﺎﺭﺓ ِ‬ ‫‪‬‬ ‫ﻤﻥ ‪‬ﻠﺒﺔ ﺍﻟﻨﻭﺭ ِ‬ ‫ﻋ ِ‬ ‫ﻓﻲ ﻤﺨﺯﻥ ِ ﺍﻟﻔﺨﺭ ِ ،‬ ‫ﻭﺍﻟﻤﺠﺩ ِ..‬ ‫ﺫﺍﻙ َ ﺍﻟﺫﻱ ﻴﺭﺘﺩﻱ ‪‬ﻠﺔ ً ﻤﻥ ﻗﺼﺏ ْ..‬ ‫ﺤ‬ ‫ﻭﻴﺨﺘﺎل..‬ ‫ُ‬ ‫ﻴﺯﻫﻭ ﺒﺜﻭﺏ ِ ﺍﻟﻌﻁﺏ ْ..‬ ‫ﻭﻤﺎ ﺨ ﱠﻪ ﺍﻷﻭﻟﻭﻥ‬ ‫ﻁ‪‬‬ ‫ﺍﻟﺫﻴﻥ ﺍﺴﺘﻀﺄﻨﺎ ﺒﻨﻴﺭﺍﻥ ِ ﺃﻓﻜﺎ ِﻫﻡ‬ ‫ﺭ‬ ‫ﻭﺍﻜﺘﻭﻴﻨﺎ..‬ ‫ﻭﺜﻡ ﻋﻠﻭﻨﺎ..‬ ‫- ١١ -‬
  • 13. ‫ﻭ ‪‬ﺩﻨﺎ‬ ‫ﻋ‬ ‫ﻟﻨﺄﺨﺫ َ ﻤﺎ ﺘﺒﻘﻲ ﻟﻜﻡ..‬ ‫‪‬‬ ‫ﻋﻨﺩﻜﻡ..‬ ‫‪‬‬ ‫ﺇﻨﻜﻡ ْ..‬ ‫ﻓﻲ ﺯﻤﺎﻥ ِ ﺍﻷﻤﺎﻨﺎﺕ ِ ﹸﻨﺘﻡ ﺃﻤﺎﻨﺎﺘﻜﻡ ،‬ ‫‪‬‬ ‫ﺨ ‪‬‬ ‫ﻭﻟﻬﻭﺘﻡ ﺒﺜﺭﻭﺍ ِﻜﻡ ْ،‬ ‫ﺘ‬ ‫‪‬‬ ‫ﻭﺍﻟﺠﻭﺍﺭﻱ ﺍﻟﺤﺴﺎﻥ ِ ،‬ ‫ﻭﺨﻤﺭ ﺍﻟﺩﻨﺎﻥ ،‬ ‫ﻭﺯﻴﻑ ﺍﻷﻤﺎﻨﻲ،‬ ‫ﻭﺤﻠﻭ ﺍﻷﻤﺎﻥ.‬ ‫ﻭﻫﺫﺍ ﺯﻤﺎﻥ ﺍﻟﺨﻴﺎﻨﺎﺕ ِ..‬ ‫‪‬‬ ‫ﺒﺎﺤﺕ ﺠﻤﻴﻊ ﺍﻟﺨﻴﺎﻨﺎﺕ‬ ‫ِ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺠﻬﺭﺍ ً ﺒﺄﺴﻤﺎﺌﻬﺎ‬ ‫ﻟﻡ ﻴﻌﺩ ﺨﺎﻓﻴﺎ ً ﻤﺎ ﺒﻬﺎ..‬ ‫ﺃﻭ ﻟﻬﺎ..‬ ‫ﺇﻨﻬﺎ..‬ ‫ﻗﺩ ﺘﺒﺎﻫﺕ ﺠﻤﻴﻌﺎ ً ﺒﻌﻭﺭﺍ ِﻬﺎ...‬ ‫ﺘ‬ ‫ﹾ‬ ‫ﻓﻜﻴﻑ ﹸﺴﻤﻲ ﺍﻟﺴﻤﺎﺀ ُ‬ ‫ﺘ‬ ‫ﺒﺄﺴﻤﺎ ِﻬﺎ؟!‬ ‫ﺌ‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ..‬ ‫ﻭﺍﻟﺫﻴﻥ‬ ‫ﻴﻘﻭل ﺍﻟﻤﺤﻘﻕ :‬ ‫ﹸ‬ ‫ُ‬ ‫ﻀ ﹼﺭﺕ ﺘﺎﺠﺎ ً‬ ‫ﻔ ﹸ‬ ‫ﻤﻥ ﺍﻟﺸﻭﻙ ِ ﻟﻠﺸﺭﻕ ِ..‬ ‫ﺒﻌﺕ ﺍﻟ ‪‬ﺩﻱ ﺒﺎﻟﻀﻼﻟﺔ ِ..‬ ‫ﹸ ﻬ‬ ‫ﻭﺍﻟﺤﻕ ﺒﺎﻟﻜﺫﺏ ِ..‬ ‫ﱠ‬ ‫- ٢١ -‬
  • 14. ‫ﻭﺍﻟﺤﺏ ﺒﺎﻟﻜﺭﺏ ِ..‬ ‫‪‬‬ ‫ﻭﺍﻷﻤﻥ َ ﺒﺎﻟﺭﻋﺏ ِ..‬ ‫ﻭﺍﻟﺯﻴﺕ َ ﺒﺎﻟﺤﺭﺏ ِ..‬ ‫ﻗﱠﺒﺕ ﺃﺒﻨﺎ ‪‬ﻩ ﻓﻲ ﺼﻨﻭﻑ ِ ﺍﻟﺠﺤﻴﻡ ِ..‬ ‫ﻠ ﹸ ﺀ‬ ‫ﻭﻗ ﱠﻌﺕ ﺃﻭﺼﺎﻟﻪ ﻤﻥ ﺨﻼﻑ ٍ..‬ ‫ﹶ‪‬‬ ‫ﻁ ﹸ‬ ‫ﻭﻤﺯﻗﺕ ﺃﺭﺤﺎﻤﻪ ﻤﻥ ﹸﺒل..‬ ‫ﻗ ْ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﺨﻀﺕ ﻏﻤﺎﺭ ﺍﻟﺤﺭﻭﺏ ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻷﺩﻓﺊ ﻨﻔﺴﻲ‬ ‫ﺒﻨﻴﺭﺍﻥ ِ ﻨﻔﻁ ِ ﺍﻟﻌﺭﻭﺒﺔ ِ..‬ ‫ﺃﺯﻜﻡ ﺃﻨﻑ َ ﺍﻟﻬﻭﺍﺀ ِ‬ ‫‪‬‬ ‫ﺒﺘل ﱟ ﻤﻥ ﺍﻟﺠﺜﺙ ِ ﺍﻟﻤﺅﻤﻨﺔ ْ..‬ ‫- ٣١ -‬
  • 15. ‫ﻭﻜ ﱠﺎ ﻋﺩﻭﻴﻥ..‬ ‫ﻨ‬ ‫ﻀﺩﻴﻥ.. ﻨﺩﻴﻥ..‬ ‫ﺭﺍﺡ ﻴﺸﺩ ﺍﻟﻐﻁﺎﺀ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﻨﺯﻋﻨﻲ ﻋﻥ ﺜﻴﺎﺏ ﺍﻟﻌﺭﻭﺒﺔ ِ..‬ ‫ِ‬ ‫- ﺇﻥ ﺍﻟﻌﺭﻭﺒﺔ َ‬ ‫- ﻻ ﺘﺭﺘﺩﻱ ﺍﻻﺴﺘﺭﻴﺘﺵ ،ﺃﻭ ﺍﻟﺠﻴﻨﺯ -‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻴﻨﺯﻉ ﻋﻨﻲ ﺜﻴﺎﺏ ﺍﻟﺒﻁﻭﻟﺔ..‬ ‫ِ‬ ‫‪‬‬ ‫ﺭﻴﺵ ﺍﻟﻁﻭﺍﻭﻴﺱ ِ..‬ ‫ﹶ‬ ‫ﻭﻜﺎﻥ ﻻﺒﺩ ﺃﻥ ﺃﺩﻓﻊ ﺍﻟﺫل ﻭﺍﻟﻌﺎﺭ ﻋﻨﻲ.. ﻭﺃﻜﺘﺏ ﻟﻠﻨﺨل ﺘﺎﺭ ‪‬ﺨﻪ..‬ ‫ﻴ ‪‬‬ ‫‪‬‬ ‫‪َ ‬‬ ‫ﻭﺃﻨﺼﺏ ﻟﻠﻘﺎﻨﻁﻴﻥ ﺍﻟﻤﺸﺎﻨﻕ..‬ ‫ﹶ‬ ‫ﻟﻠﻤﻬﻁﻌﻴﻥ ﻨﻴﻭﺏ ﺍﻟﻐﻀﺏ....‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﻭﺭﻴﺔ ً‬ ‫ﺼﺎﺭﺕ ﺍﻟﺤﺭﺏ..‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻭﺍﻟﺸﻬﺩﺍﺀ ﻜﻨﺎﻴﺎﺕ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﺼﻑ ﺇﻴﻘﺎﻉ ﻨﺹ ٍ ﺠﺩﻴﺩ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ‬ ‫- ٤١ -‬
  • 16. ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ ،‬ ‫ﻭﺍﻟﺫﻴﻥ..‬ ‫ﻫﻁﻠﺕ ﻜﻤﺎ ﻴﻬﻁل ﺍﻟﻤﻁﺭ ﺍﻟﺯﺌﺒﻘﻲ ﱡ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻋﻠﻲ ﺼﻠﻌﺔ ِ ﺍﻷﺭﺽ ِ...‬ ‫ﻏﻴﻡ ﺠﺭﺍﺩ ٍ..‬ ‫‪‬‬ ‫ﻭﺤﻭﻟﺕ ﺒﻌﺽ َ ﺍﻟﻔﺭﺍﺵ ِ ﺯﻨﺎﺒﻴﺭ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻟ ‪‬ﻨﺕ ﺭﻴﺵ َﺍﻟﻌﺼﺎﻓﻴﺭ ِ ﺒﺎﻟﺩﻡ ِ‬ ‫‪‬‬ ‫ﻭ‬ ‫ﺤﺘﻰ ﺒﺩﺕ ْ ﻜﺎﻟﻬﺩﺍﻫﺩ ِ..‬ ‫ﺨﻨﺕ ُ ﺍﻟﻌﻬﻭﺩ َ ﺍﻟﺘﻲ ﻻ ﺘﺨﺎﻥ ُ..‬ ‫ﻭ ِﻨﺕ ﺍﻟﺩﻤﺎﺀ َ ﺍﻟﺘﻲ ﻻ ﺘﻬﺎﻥ ُ..‬ ‫ﻫ ﹸ‬ ‫ﻭ ‪‬ﻴﻌﺕ ﻜل ﺤﻘﻭﻕ ِ ﺍﻟﺫﺌﺎﺏ ِ‬ ‫ﻀ ﹸ َ‬ ‫ﺍﻟﺫﻴﻥ ﻴﻌﻴﺸﻭﻥ ﺒﻴﻥ ﺍﻟﺸﻴﺎﻩ ِ،‬ ‫ﻭﺒﻴﻥ ﺍﻟﻜﻼﺏ ِ..‬ ‫ﻭﺭﺍﻫﻨﺕ..‬ ‫ﹸ‬ ‫ﺍﺒﺩﻟﺕ ﺸﺎل ﺍﻟﻌﻤﺎﻤﺔ )ﺒﺎﻟﻜﺎﺏ( ِ..‬ ‫ِ‬ ‫ﹸ َ‬ ‫ﺃﻫﺭﻗﺕ ﻤﺎﺀ َ ﺍﻷﻤﻴﺭﺍﺕ ِ ﻓﻲ ﺨﺩﺭﻫﻥ َ..‬ ‫ﻭﻀﻌﺕ ﻋﻠﻲ ﺠﺒﻬﺔ ِ ﺍﻟﺸﺭﻕ ِ ﺴﻴﻔﺎ ً‬ ‫ﹸ‬ ‫ﻭﻜﺎﺩ ﻴﺘل ﺍﻟﺠﺒﻴﻥ َ ،‬ ‫ﱡ‬ ‫ﻭﻴﺒﺩﻱ ﺍﻷﻨﻴﻥ َ..‬ ‫ﻭﺴﻤﻤﺕ ﺃﻓﻜﺎ ‪‬ﻩ ُ..‬ ‫ﹸ ﺭ‬ ‫ﻴﻘﻭل..‬ ‫ُ‬ ‫ﻭﻴﻘﺼﺩ ﺁﺒﺎﺭﻩ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ِ‬ ‫‪‬‬ ‫ﻴﻘﺼﺩ ﺨﻴﺭﺍﺘﻪ..‬ ‫ﹶ‪‬‬ ‫‪‬‬ ‫ﺭ ‪‬ﻤﺎ.‬ ‫ﺒ‬ ‫ﻭﻜﺎﻨﻭﺍ ﻫﻨﺎﻟﻙ‬ ‫- ٥١ -‬
  • 17. ‫ﻴﺭﺘﻌﺩﻭﻥ ﻤﻥ ﺍﻟﺨﻭﻑ ِ..‬ ‫ﻤﺎﺯﺍل ﺩﻡ ُ ُ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺴﺘﺭﺘﻲ ﻋﺎﻟﻕ ُ ُ ﻓﻭﻕ ﺩﻡ ٍ..‬ ‫ﻭﻤﺎ ﺯﺍل ﺫﻡ ُ ُ‬ ‫َ ‪‬‬ ‫ﻋﻠﻲ ﺠﺒﻬﺘﻲ ﻓﻭﻕ ﺫﻡ ٍ..‬ ‫ﻭﻫﻡ ﱡ ُ‬ ‫ﺒﻬﻡ ٍ..‬ ‫ﻓﻤﺎﺫﺍ ﺇﺫﻥ ﻋﻥ ﺩﻤﺎﺀ ِ ﺍﻟﺭﻓﺎﻕ ِ،‬ ‫‪‬‬ ‫ﺍﻟﻨﻔﺎﻕ ِ،‬ ‫ﺍﻟﺒﺼﺎﻕ ِ ﺍﻟﻤﺭﺍﻕ ِ‬ ‫ﻋﻠﻲ ﻭﺍﺠﻬﺎﺕ ِ ﺍﻟﻔﺭﺍﻕ ِ؟!‬ ‫ﻭﻗﻴل َ :‬ ‫ﻗﺘﻠﺕ ﺍﻟ ‪‬ﺴﻴﻥ َ..‬ ‫ﹸ ﺤ‬ ‫ﻭﺤﺎﺭﺒﺕ ﺒﺎﺴﻡ ِ ﺍﻟﺨﻠﻴﻔﺔ ِ‬ ‫ﹸ‬ ‫ﺩﻭﻥ ﺍﻟﺨﻼﻓﺔ ِ..‬ ‫‪‬‬ ‫ﺃﻫﺩﺭﺕ ﺒﻌﺽ ﺩﻤﺎﺀ ِ ﺍﻷﻟﻲ،‬ ‫‪‬‬ ‫ﹸ‬ ‫- ٦١ -‬
  • 18. ‫ﺜﻠﺔ ﺍﻷﻭﻟﻴﻥ..‬ ‫ﹸ‬ ‫ﺍﻟﺼﺤﺎﺒﺔ ُ..‬ ‫ﺃﻫل ﺍﻟﻨﺠﺎﺒﺔ ِ..‬ ‫ُ‬ ‫ﻗﻴل..‬ ‫َ‬ ‫ﻭﻗﻴل..‬ ‫َ‬ ‫ﻭﻓﻲ ﺍﻟﺠﺏ ّ ِﻭﺤﺩﻱ ﺘﻠﻭﺕ ﺍﻟﺼﻼﺓ َ..‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭ ‪‬ﻤﺕ ﺍﻟﻨﺠﺎﺓ َ..‬ ‫ﺭ ﹸ‬ ‫ﻫﻤﻭﺍ ﺃﺨﻭﺘﻲ..‬ ‫ﻭﻟﻜﻨﻨﻲ ﻤﺎ ﺭﺃﻴﺕ ﺍﻟﻜﻭﺍﻜﺏ َ ،‬ ‫ﹸ‬ ‫ﻭﺍﻟﺸﻤﺱ ﻟﻲ ﺴﺎﺠﺩﻴﻥ..‬ ‫‪‬‬ ‫ﻭﻤﺎ ﻗﻴل َ– ﻟﻭ ﻤ ‪‬ﺓ ً –‬ ‫ﺭ‬ ‫ﺴﺄﺴﺘﻐﻔﺭ ﺍﷲ ﻟﻙ ْ.‬ ‫‪‬‬ ‫ﻭﺴ ‪‬ﺤﺕ ُ..‬ ‫ﺒ‬ ‫ﺼ ‪‬ﺤﺕ ُ..‬ ‫ﺭ‬ ‫ﻟ ‪‬ﺤﺕ ﷲ ِ ﻤﻌﺘﺫﺭﺍ ً ، ﻨﺎﺩﻤﺎ ً‬ ‫ﻭ ﹸ‬ ‫ﻤﻥ ﻤﻜﺎﻨﻲ ﺍﻟﻘﺼﻲ..‬ ‫ﻭﺃﻴﻘﻨﺕ ُ– ﻟﻭ ﻟﻬﻨﻴﻬﺔ َ– ﺃﻨﻲ َﺸﻘﻲ‬ ‫ﻭﺃﻨﻲ ‪‬ﺼﻲ..‬ ‫ﻋ‬ ‫- ٧١ -‬
  • 19. ‫ﻭﺃﺸﻬﺩ.. ﻴﺎ ﺸﻬﺭﻴﺎﺭ‬ ‫ﺍﺸﻬﺩﻱ‬ ‫ﺃﻨﺎ ﻟﻡ ﺃﺴ ‪‬ﺢ‬ ‫ﺒ‬ ‫– ﻭﻟﻭ ﻤ ‪‬ﺓ – ﻟﺘﺎﺝ ﻤﻥ ﺍﻹﻨﺱ ِ‬ ‫ﺭ‬ ‫)ﺴ ‪‬ﺢ َ ﻟﻲ ﺒﻌ ‪‬ﻬﻡ(‬ ‫ﻀ ‪‬‬ ‫ﺒ‬ ‫ﻭﻤﺎ ﻤﺴﻨﻲ ﻁﻴﻑ ِﻥ ّ ٍ..‬ ‫ﹸﺠ‬ ‫)ﻭﻗﺩ ﺤﺎﻭﻟﻭﺍ ﺠﻬﺩﻫﻡ(‬ ‫‪‬‬ ‫ﻭﻟﻡ ﺃﺘﻤﺴﺢ ﺒﺫﻴل ِ ﺩﻋﻲ ﱟ..‬ ‫)ﺘﻘ ‪‬ﺏ َﻟﻲ ﹸﻠﻬﻡ...(‬ ‫ﻜ ‪‬‬ ‫ﺭ‬ ‫ﻭﻤﺎ ﻗﻠﺕ ِﻌﺭﺍ ً..‬ ‫ﹸﺸ‬ ‫)ﻭﺠﺎﺀﺕ ﺇﻟﻲ ﺍﻟﻘﺼﺎﺌﺩ ﺘﺴﻌﻲ(‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻟﻡ ﺃﺩﻉ ِ ﺍﻟﻔﻘﺭ – ﻟﻭ ﻤ ‪‬ﺓ ً -...‬ ‫ﺭ‬ ‫‪‬‬ ‫ﻭﻻ ﻤﺎ ﺍﻨﺤﻨﻴﺕ – ﻭﻟﻭ ﻤ ‪‬ﺓ -...‬ ‫ﺭ‬ ‫ﹸ‬ ‫ﻭﺃﺸﻬﺩ ُ..‬ ‫ﻴﺎ ﺸﻬﺭﺯﺍﺩ...‬ ‫‪‬‬ ‫ﺍﺸﻬﺩﻱ‬ ‫ﻋﺸﻘﺕ ﺍﻟﻨﺨﻴل‬ ‫َ‬ ‫ﻭﺩﺠﺠﺘﻪ ﺒﺎﻟﺤﺠﺎﺭﺓ ِﻜﻴﻤﺎ ﻴﻘﺎﺘل..‬ ‫ﺁﻩ..‬ ‫ﻜﺄﻥ ﺍﻟﻨﺨﻴل ﻴﻘﺎﺘل ﻋﺸﺎ ﹶﻪ ُ‬ ‫ﻗ‬ ‫َ‬ ‫ﻴﺯﺍﻭﺭ ﻋﻥ ﺨﻁﻭﻫﻡ..‬ ‫ِ‪‬‬ ‫ﻭﻴ ‪‬ﻭﺭ ﻋﻨﻬﻡ..‬ ‫ﺯ‬ ‫ﻫﻭ ﺍﻵﻥ ﻴﺼﺭﺥ ﺒﻲ ﻤﻥ ﻟﺴﺎﻥ ِﺍﻟﻤﺤﻘﻕ ِ :‬ ‫‪‬‬ ‫ﻴﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﺍﻟﺫﻱ..‬ ‫ﻭﺍﻟﺫﻴﻥ..‬ ‫- ٨١ -‬
  • 20. ‫ﻭﻟﻴﺱ ﺴﻭﻱ ﺍﻟﺼﻤﺕ ِ..‬ ‫ﻭﺍﻟﺼﻤﺕ ِ..‬ ‫ﻭﺍﻟﺼﻤﺕ ِ..‬ ‫ﺍﻟﺫﻱ ﻴﺸﺒﻪ ﺍﻷﺴﺌﻠﺔ ْ.‬ ‫ﻫﻜﺫﺍ ﺘﻨﺘﻬﻲ ﺠﻭﻟﺘﻲ ﺍﻟﻔﺎﺸﻠﺔ ْ..‬ ‫- ٩١ -‬
  • 21. ‫ﻫﻭ ﺍﻟﺼﻤﺕ ﻨﻌﺵ..‬ ‫ﹲ‬ ‫ﻭﻻ ﻴﺩﻓﻊ ﺍﻟﺫل ، ﻭﺍﻟﻌﺎﺭ ﻋﻨﻲ‬ ‫‪‬‬ ‫َ‬ ‫ﺴﻭﻱ ﺍﻟﻤﻭﺕ..‬ ‫ﻭﺍﻟﻤﻭﺕ ُﻓﻲ ﻜل ﺤﺎﻻﺘﻪ ﺍﻵﻥ َ‬ ‫ﻤﺤﺽ ﺍﻨﺘﺼﺎﺭ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﺤﺽ ﺍﻀﻁﺭﺍﺭ.‬ ‫‪‬‬ ‫ﺍﺨﺘﺒﺎﺭ /‬ ‫ﺍﺒﺘﻜﺎﺭ /‬ ‫ﺍﻓﺘﻘﺎﺭ /‬ ‫ﺍﻨﺘﺤﺎﺭ /‬ ‫ﻭﻟﻴﺱ ﺍﺨﺘﻴﺎﺭ..‬ ‫ﻴﻘﻭل ﺍﻟﻤﺤﻘﻕ :‬ ‫ﹸ‬ ‫ﻻ ﺘﺸﻨﻘﻭﻩ‬ ‫ﺍﻟﻤﺸﺎﻨﻕ ﻻ ﺘﺤﻤل ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫ﹸ‬ ‫ﺃﻗﻭل :‬ ‫ُ‬ ‫ﺍﻏﺭﺴﻭﺍ ﺠﺜﺘﻲ ﺘﺤﺕ ﻁﻤﻲ ﺍﻟﻔﺭﺍﺕ ِ‬ ‫ﻭﺩﺠﻠﺔ.. ﻭﺍﻟﻨﻴل..‬ ‫ﺘﺨﻀﺭ ﺠﻨﺩﺍ..‬ ‫ﻭﻤﺎ ﺯﺍﻟﺕ ﺍﻟﺸﻤﺱ ﺘﺸﺭﻕ ُ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻟﻜﻥ ﻨﺠﻤﻲ ﺒﻬﺫﺍ ﺍﻟﻤﺩﺍﺭ‬ ‫ﺍﺤﺘﻀﺎﺭ /ﺍﻨﻜﺴﺎﺭ /‬ ‫ﺍﻨﺸﻁﺎﺭ / ﺍﻨﺤﺩﺍﺭ /.....‬ ‫ﺃﻨﺎ ﺴﻴﺩ ﺍﻟﺨﺎﺌﻨﻴﻥ‬ ‫‪‬‬ ‫ﻨ ‪‬ﻡ ْ‬ ‫ﹶﻌ‬ ‫ﻭﻟﻭ ﻜﺎﻥ ﺴﻴﻔﻲ ﻤﻌﻲ‬ ‫ﺇﺫﻥ ْ ﻟﻘﺘﻠﺕ ﺍﻟﻤﺤﻘﻕ‬ ‫ﹶ‬ ‫ﺃﻭ ﻟﻘﺘﻠﺕ ﺍﻟﻨﻬﺎﺭ.‬ ‫‪‬‬ ‫- ٠٢ -‬
  • 22. ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ‬ ‫ﻜﺄﻥ ﺃﻟﻑ ﻟﻴﻠﺔ، ﻭﻟﻴﻠﺔ‬ ‫ٍ‬ ‫ﹶ ٍ‬ ‫ﺘﻨﺴل ﻗﻠﻌﺔ ً ، ﻓﻘﻠﻌﺔ ً‬ ‫ﱡ‬ ‫ﺘﻐﺎﺩﺭ ﺍﻟﺒﺩﻥ.‬ ‫‪‬‬ ‫ﻭﺘﺴﺄل ﺍﻟﻤﺴﺎﻓﺭﻴﻥ ﻤﻘﻌﺩﺍ ً ،‬ ‫ﻭﺒﻬﺠﺔ ً.‬ ‫ﺒﻼﺩﻨﺎ ﺍﻟﺘﻲ ﻗﺩ ﻗ ‪‬ﻡ ﺍﷲ ُ‬ ‫ﺴ‬ ‫ﺍﻟﺒﻴﺎﻥ ﺒﻴﻨﻬﻥ‬ ‫‪‬‬ ‫ﻭﺍﻟﻔﺘﻥ ْ..‬ ‫ﻋﻼ ﻨﻭﺍﺤﻬﺎ..‬ ‫ﻋﻠﻲ ﻤﺩﺍﺨل ِﺍﻟﻤﺩﻥ ْ.‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻭﻁﻥ ْ..‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺫﻱ‬ ‫ﺃﻨﺕ ، ﺃﻨﺎ‬ ‫ﹶ‬ ‫ﻭﺒﻌﻀﻨﺎ‬ ‫ﻟﺒﻌﻀﻨﺎ ﺴﻜﻥ.‬ ‫‪‬‬ ‫ﻴﺎ ﻓﺎﺘﺤﺎ ً ﻋﻠﻲ ﱠ‬ ‫ﺃﺒﻭﺍﺏ ﺍﻟﺭﻴﺎﺡ ِ، ﻭﺍﻟﻤﺤﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻤﻤﺴﻜﺎ ً ﻋﻠﻲ ﱠ‬ ‫ﻓﻲ ﺍﻟﺭﺨﺎﺀ ِ ﻟﺤﻅﺔ ﺍﻟﺸﺠﻥ..‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺎ ﻁﺎﺌﺭﺍ ً ﻤﺤﻨﻁﺎ ً‬ ‫ﺒﻐﺩﺍﺩ ﺒﻬﺠﺔ ُ ﺍﻟﻤﺴﺎﻓﺭﻴﻥ..‬ ‫ﺠﻨﺔ ُ ﺍﻟﺯﻤﻥ ْ..‬ ‫ﻟﻡ ﺃﻗﺽ ﻤﻨﻬﺎ ﻭﺘﺭﺍ ً..‬ ‫ﺘﺒﺨﺭﺕ ﻜﻭﻤﻀﺔ ٍ..‬ ‫ﹾ‬ ‫ﻭﺍﻨﺴﻜﺒﺕ ﻜﺩﻤﻌﺔ ٍ..‬ ‫ﹾ‬ ‫- ١٢ -‬
  • 23. ‫ﻭﻏ ‪‬ﺒﺕ..‬ ‫ﻴ ﹾ‬ ‫ﻜـﺄﻨﻬﺎ ﻜﻔﻥ..‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ْ‬ ‫‪‬‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻭﻁﻥ ْ.‬ ‫‪‬‬ ‫- ٢٢ -‬
  • 24. ‫ﻓﺘﻨﺔ ﻨﺎﺌﻤﺔ‬ ‫ﹲ‬ ‫ﺍﻟﻬﻭﻱ ﻓﺘﻨﺔ ُ ﻨﺎﺌﻤﺔ ْ..‬ ‫ﹸ‬ ‫ﻭﺃﻨﺎ ﺘﺎﺌﺏ ُ ُ‬ ‫ﻋﻥ ﺍﻟﻜﺭ ﱢ ، ﻭﺍﻟﻔﺭ ِ‬ ‫‪‬‬ ‫ﻨﻌﻡ ْ...‬ ‫ﺘﺎﺌﺏ ُ ُ..‬ ‫ﻭﺤﻭﺍﺴﻲ ﻜﻠﻬﺎ ﻨﺎﺩﻤﺔ ْ.‬ ‫ﻤﻨﺫ ﺨﻤﺴﻴﻥ ﺤﻘﻼ ً‬ ‫ﺃﻁﺎﺭﺩ ﻏﻴﻡ َ ﺍﻟﺠﺭﺍﺩ ِ‬ ‫‪‬‬ ‫ﻟﺌﻼ ﻴﺤﻁ ﱠ ﻋﻠﻲ ‪‬ﺸﺏ ِ ﻗﻠﺒﻲ..‬ ‫ﻋ‬ ‫ﻭﻫﺎ ﺤﻁ‬ ‫ﱠ‬ ‫ﻓﻲ ﻫﺠﻤﺔ ٍ ﻏﺎﺸﻤﺔ ْ.‬ ‫ﻓﺎﻟﺒﺴﺎﻁ ُﺍﻟﺫﻱ‬ ‫ﻜﻨﺕ ﺃﻤﺸﻲ ﻋﻠﻴﻪ ﺍﻨﺴﺤﺏ ْ.‬ ‫ﹸ‬ ‫ﻭﺍﻟﻐﻁﺎﺀ ﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺭﺃﺴﻲ ﺍﻟﺘﻬﺏ ْ.‬ ‫ﹶ‬ ‫ﻟﻡ ﻴﻌﺩ ﻟﻠﺠﻭﺍﺩ ِ ﺍﻟﺫﻱ ﻗﺩ ﻜﺒﺎ ﻗﺎﺌﻤﺔ ْ‬ ‫ﻗﻠﻤﻲ ﺯﺍﻫﺩ ُ ُ ﻓﻲ ﺒﺭﺍﻋﺘﻪ‬ ‫ِِ‬ ‫ﻭﺤﺭﻭﻓﻲ..‬ ‫ﺭ ‪‬ﻤﺎ ﻫﺎﺌﻤﺔ ْ.‬ ‫ﺒ‬ ‫ﻟﻡ ﺘﻌﺩ ﺸﻬﺭﺯﺍﺩ ﺍﻟﺘﻲ‬ ‫‪‬‬ ‫ﻋﺭﻓﺘﻬﺎ ﺍﻟﺘﻭﺍﺭﻴﺦ ُ ﻭﺭﺩﺓ َ ‪‬ﺏ ﱢ،‬ ‫ﺤ‬ ‫ﺘﺠ ‪‬ﺩ ﺩﻡ ﺍﻟﺤﻴﺎﺓ ِﺤﻜﺎﻴﺎ ﹸﻬﺎ ﺍﻟﺤﺎﻟﻤﺔ ْ.‬ ‫ﺘ‬ ‫ﺩ‪ ‬‬ ‫ﺴﻭﻱ ﻨﺠﻤﺔ ٍ ﻤﻥ ﺭﻤﺎﺩ ِ ﺍﻷﺴﺎﻁﻴﺭ ِ‬ ‫ﻤﻅﻠﻤﺔ ٍ..‬ ‫ﻅﺎﻟﻤﺔ ْ.‬ ‫- ٣٢ -‬
  • 25. ‫ﻻ ﻋﺎﺼﻡ ﺍﻟﻴﻭﻡ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻥ ﻜﺒﻭﺓ ِ ﺍﻟﻴﻭﻡ ِ‬ ‫ﻻ......‬ ‫ﻭﺍﻟﺜﻘﺎﻓﺔ..‬ ‫ﹸ‬ ‫ﻟﻴﺱ ﻟﻬﺎ ﻋﻨﺩﻨﺎ ﻋﺎﺼﻤﺔ ْ.‬ ‫ﻗﻴﺜﺎﺭﺘﻲ ﻤﻥ ﻟﻭﻋﺔ ِ ﺍﻟﻤﺠﺩ ِ ﺘﺒﻜﻲ‬ ‫ﻭﺩﻤﻲ ﻋﺎﻟﻕ ُ ﺒﺎﻟﻤﺩﺍﺩ ِ..‬ ‫ﹸ‬ ‫ﺩﻤﻲ ﺸﺎﺭﺓ ُ ُ..‬ ‫ﺃﻭ.. ِﻤﺔ ْ.‬ ‫ﺴ‬ ‫- ٤٢ -‬
  • 26. ‫ﻭﺍﻟﺤﻜﺎﻴﺔ ﺘﺒﺩﺃ ُ ﻤﻥ ﺠﻔﻨﺔ ِ ﺍﻟﺩﻡ‬ ‫‪ِ‬‬ ‫ﹸ‬ ‫ﻻ ﻤﻥ ﺒﺭﻜﺔ ِ ﺍﻟﻤﺎﺀ ِ‬ ‫ﻫﺎﻜﻡ ﺍﻟﻘﺼﺔ ُ ﺍﻵﺜﻤﺔ ْ.‬ ‫ﺃﻱ ﺃﻨﺜﻲ ﺘﺭﻱ‬ ‫ﺘﺘﺤﻠﻲ ﺒﺄﻏﻼﻟﻬﺎ ﺍﻟﺼﺎﺭﻤﺔ ْ؟!!‬ ‫ﺇﻨﻬﺎ ﺸﻤﺱ ﻨﻴﺭﺍ ِﻜﻡ ْ..‬ ‫ﻨ‬ ‫‪‬‬ ‫ﺇﻨﻬﺎ ﺘﺸﺒﻪ ﺍﻟﺸﻤﺱ َ،‬ ‫ﻟﻜﻨﻬﺎ ﻏﺎﺌﻤﺔ ْ.‬ ‫ﻗﻠﻤﻲ ﺘﺎﺌﻪ ُ ﻋﻥ ﺒﺩﺍﻴﺘﻪ ِ‬ ‫‪‬‬ ‫ﻭﺤﺭﻭﻓﻲ..‬ ‫ﻻ ﺘﻌﺭﻑ ﺍﻟﺨﺎﺘﻤﺔ ْ.‬ ‫ﺇﻨﻬﺎ ﻓﺘﻨﺔ ُ ُ‬ ‫ﺘﺘﻭﺍﺭﻱ ﺒﻨﻴﺭﺍ ِﻬﺎ ﺍﻟﻘﺎﺘﻤﺔ ْ.‬ ‫ﻨ‬ ‫ﻓﺎﺘﺭﻜﻭﺍ ﺸﻬﺭﺯﺍﺩ َ..‬ ‫ﺍﺘﺭﻜﻭﺍ ﻓﺘﻨﺔ َ ﺍﻟﺤ ‪ِ ‬‬ ‫‪‬ﺏ‬ ‫ﻓﻲ ﻤﻬﺠﺘﻲ ﻨﺎﺌﻤﺔ ْ.‬ ‫ﻓﺄﻨﺎ ﺭﺍﻏﺏ ُ ُ‬ ‫ﻋﻥ ﻤﺠﺎﺭﺍﺓ ﺃﻓﻌﺎِﻜﻡ ْ‬ ‫ﻟ‬ ‫ﻭﺤﺭﻭﻓﻲ ﻜﹸﻬﺎ ﺼﺎﺌﻤﺔ ْ.‬ ‫ﻠ‬ ‫ﻟﻡ ﺘﻌﺩ ﺘﻠﻜﻡ ﺍﻟﻨﻔﺱ ﻟ ‪‬ﺍﻤﺔ ً..‬ ‫ﻭ‬ ‫‪‬‬ ‫ﻻ..‬ ‫ﻭﻟﻡ ﺘﺠﺩ ﻓﻲ ﺍﺠﺘﻨﺎﺏ ِ ﺍﻟﻬﻭﻱ ﻻﺌﻤﺔ ْ.‬ ‫ﻻ ﺸﺊ ﻓﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﻏﻴﺭ ﺍﻟﺼﺩﻱ‬ ‫ﻭﻏﺒﺎﺭ ﺍﻟﺘﺒﺎﺭﻴﺢ ،‬ ‫ﻭﺍﻟﺭﻴﺢ..‬ ‫- ٥٢ -‬
  • 27. ‫ﺘﻠﻜﻡ ﺍﻟﺭﻴﺢ ُ ﺍﻟﺘﻲ ﻟﻡ ﺘﺯل ْ ﻋﺎﺭﻤﺔ ْ.‬ ‫ﺯﺍﻫﺩ ُ ُ ﺒﻴﻥ ﻓﻁﻨﺘﻪ..‬ ‫ﺃﻨﺎ..‬ ‫ﻭﻏﺒﺎﻭﺘﻪ ﺍﻟﻔﺎﻫﻤﺔ ْ.‬ ‫ِِ‬ ‫ﻓﺎﺘﺭﻜﻭﺍ ﻓﺘﻨﺘﻲ ﻨﺎﺌﻤﺔ ْ.‬ ‫ﺍﺘﺭﻜﻭﺍ ﻓﺘﻨﺘﻲ ﻨﺎﺌﻤﺔ ْ.‬ ‫- ٦٢ -‬
  • 28. ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ﻤﺎ ﺩﻓﻨﺕ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻫﺏ ﺃﻥ ﺴﻴﺩﺓ ً ﺘﺨﻠﺕ.!‬ ‫ﱠ ﹾ‬ ‫‪ ‬‬ ‫ﻫﺏ ،‬ ‫‪ ‬‬ ‫ﻭﻤﺸﻨﻘﺔ ً ﺘﺩﻟﺕ.!‬ ‫ﱠ ﹾ‬ ‫ﻫﺏ ،‬ ‫‪ ‬‬ ‫ﻭﻨﺠﻤﺎ ً ﻏ ‪‬ﺒﺘﻪ ُ ﻏﻤﺎﻤﺔ ُ ُ.!‬ ‫ﻴ‬ ‫ﻫﺏ ﻤﺎ ﺘﺸﺎﺀ ْ.‬ ‫‪ ‬‬ ‫ﻫﻲ ﻗﺴﻤﺔ ُ ُ ﻀﻴﺯﻱ‬ ‫ﻭﻜﺫﺏ ُ ، ﻭﺍﺩﻋﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﻴﻥ ﺍﻟ ‪‬ﺤﺏ ِ ﻗﺭﻴﺭﺓ ُ ُ ،‬ ‫‪ ‬ﻤ ‪‬‬ ‫ﻭﺘﺭﻗﺭﻗﺕ ﻓﻴﻬﺎ ﺍﻟﺩﻤﺎﺀ.‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺨﺫ ﺸﻔﺭﺓ ً ﺃﺨﺭﻱ ،‬ ‫ﹸﹾ‬ ‫ﻭﻭﺴﺩﻫﺎ ﻟﻬﺎﺘﻙ ،‬ ‫‪‬‬ ‫ﻭﺍﻤﺘﺜل..‬ ‫ْ‬ ‫ﻭﺍﺼﺩﻉ ﺒﻤﺎ ﺘﺅﻤﺭ..‬ ‫‪‬‬ ‫ﻭ ﹸﻥ ْ ﻜﺎﻟﺒﺒﻐﺎﺀ ْ.‬ ‫ﻜ‬ ‫- ٧٢ -‬
  • 29. ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﺃﻨﺜﻲ ﺍﻟﺨﻼﻓﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺨﺭﺍﻓﺔ ِ ،‬ ‫ﺸﻬﺭﺯﺍﺩ ﺍﻟﻤﻠﻙ ِ ،‬ ‫‪‬‬ ‫ﻤﻌﺠﺯﺓ ُ ﺍﻟﺴﻤﺎﺀ ْ.‬ ‫ﺘﻨﻭﺭ ﻓﻜﺭ ِ ﺍﻟﺸﺭﻕ ِ ،‬ ‫‪‬‬ ‫ﻋﺎﺼﻤﺔ ﺍﻷﻤﺎﻨﺔ ِ ،‬ ‫ﻭﺍﻟﺨﻴﺎﻨﺔ ِ ،‬ ‫ﻤﻬﺭﺠﺎﻥ ﺍﻟﺩﻡ ،‬ ‫‪ ‬‬ ‫ﻗﺭﺒﺎﻥ ﺍﻟﻔﺩﺍﺀ ْ.‬ ‫‪‬‬ ‫ﻗﻨﻴﻨﺔ ُ ﺍﻟﻁﺭﺏ ِ ﺍﻟﻤﻌ ﱠﻕ ِ ،‬ ‫ﺘ‬ ‫ﻓﺘﻨﺔ ُ ﺍﻷﻤﺭﺍﺀ ِ ،‬ ‫ﻭﺍﻟﺸﻌﺭﺍﺀ ِ ،‬ ‫ﻭﺍﻟﺤﻜﻤﺎﺀ ِ.‬ ‫ﻗﺎﺭﻭﺭﺓ ُ ﺍﻟﻤﺠﺩ ِ‬ ‫ﺍﻟﺘﻲ ﺍﻨﻜﺴﺭﺕ ْ ﻗﺒﻴل َ ﻟﺤﻴﻅﺔ ٍ‬ ‫ﺨﺫ ﺸﻔﺭﺓ ً ﺃﺨﺭﻱ ،‬ ‫ﹸﹾ‬ ‫ﻭﻭﺴﺩﻫﺎ ﻟﻬﺎﺘﻙ َ ،‬ ‫ﻭﺍﻨﻔﻌل ﺒﺎﻟﻘﻭل ِ..‬ ‫ﻗل :‬ ‫ﹸْ‬ ‫ﻏﻴﺭ ﺍﻟﺤﻘﻴﻘﺔ ِ‬ ‫‪‬‬ ‫ﻤﺎ ﺩﻓﻨﺕ ُ ، ﻭﻭﺩﻋﺕ ﺭﻭﺤﻲ‬ ‫ﻭﻻ ﺘﻐﺭﻕ ﻫﻨﺎ ﻓﻲ ﺸﺒﺭ ِ ﻤﺎﺀ ْ.‬ ‫ﺴﺎل ﺨﻤﺭ ﺍﻟﻘﻭل ِ ،‬ ‫‪‬‬ ‫َ‬ ‫ﻭﺍﻨﺴﻜﺏ ﺍﻻﻨﺎﺀ ْ.‬ ‫‪‬‬ ‫ﻤﺎﺫﺍ ﻴﻘﻭل ﺍﻷﺼﺩﻗﺎﺀ ،‬ ‫‪‬‬ ‫ُ‬ ‫ﺍﻷﻭﻓﻴﺎﺀ ،‬ ‫‪‬‬ ‫- ٨٢ -‬
  • 30. ‫ﺍﻷﺘﻘﻴﺎﺀ ،‬ ‫‪‬‬ ‫ﺍﻟﺸﻘﻴﺎﺀ ،‬ ‫‪‬‬ ‫ﺍﻷﻏﺒﻴﺎﺀ ،‬ ‫‪‬‬ ‫ﺍﻷﺩﻋﻴﺎﺀ.‬ ‫‪‬‬ ‫ﻤﺤﺽ ﺍﻓﺘﺭﺍﺀ ْ.‬ ‫‪‬‬ ‫- ٩٢ -‬
  • 31. ‫ﻫﻭﺍﻤﺵ.. ﻋﻠﻲ ﺨﺎﺭﻁﺔ ﺍﻟﻁﺭﻴﻕ‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻫل ﺘﻤﺎﺩﻴﺕ َ ﻓﻲ ﺍﻟﺨﻁﺭ؟‬ ‫‪‬‬ ‫ﺃﻡ ﺘﻤﺎﺩﻴﺕ ﻓﻲ ﺍﻟﻌﻨﺎﺩ؟‬ ‫‪‬‬ ‫ﺃﻨﺕ ﻟﻡ ﺘﺒﻕ ِ..‬ ‫ﻟﻡ ﺘﺫﺭ‬ ‫‪‬‬ ‫ﻴﺎﺒﺴﺎ ً ﻴﻨﻔﻊ ﺍﻟﻌﺒﺎﺩ..‬ ‫‪‬‬ ‫ﻫل ﻋﺩﺍﻭﺘﻙ ﻟﻠﺒﺸﺭ؟‬ ‫‪‬‬ ‫ﺃﻡ ﻋﺩﺍﻭﺘﻙ ﻟﻠﺒﻼﺩ؟!!!!‬ ‫‪‬‬ ‫ﺃﺭﺠﻊ ﺍﻟﻁﺭﻑ ،‬ ‫ﹶ‬ ‫ﻭﺍﻨﺘﻅﺭ‬ ‫‪‬‬ ‫ﺴﺎﻋﺔ ً ﺘﺸﺘﻬﻲ ﺍﻟﺭﻗﺎﺩ.‬ ‫‪‬‬ ‫..............................‬ ‫ﻫﺎﻤﺵ:‬ ‫ﻫﺒﻁ ﺍﻟﺨﻭﻑ ﻜﻭﺤﺵ ٍ ﻤﻨﻔﻲ ٍ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻤﻥ ﻗﻌﺭ ﺠﻬﻨﻡ ْ..‬ ‫ِ‬ ‫ﻓﺘﺤﺕ ﻭﺍﺸﻨﻁﻥ ﺸﺒﺎﻙ ﺍﻟﺒﻴﺕ ِ ﺍﻷﺒﻴﺽ ِ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻤﻀﻲ ﻜﻘﻁﻴﻊ ﺫﺌﺎﺏ ٍ ﺴﻭﺩ ٍ‬ ‫ﻓﺭ ﺕ ْﻤﻥ ﺃﺴﺭ ﺤﻅﻴﺭﺘﻬﺎ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻫﺒﻁ ﺍﻟﺨﻭﻑ ُ..‬ ‫ﻭﺃﻁﻠﻕ ﺯﻓﺭﺓ َ ﺭﻋﺏ ٍ‬ ‫- ﻨﺤﻭ ﺨﻠﻴﺞ ﺍﻟﻌﺭﺏ ِ–‬ ‫ﻓﻔﺯﻋﺕ ﻜل ﻋﺼﺎﻓﻴﺭ ﺍﻟﻔﺭﺤﺔ ِ ﻓﻲ ﺩﺠﻠﺔ.‬ ‫ِ‬ ‫ﹾ ُ‬ ‫ﻨﺎﺩﻱ ﺠﺫﻉ ُ ُ ﺠﺫﺭﻩ ،‬ ‫ﻭﺍﻨﺘﺼﺏ َ ﻜﻤﻨﺸﺎﺭ ٍ‬ ‫ﻓﻲ ﻭﺠﻪ ﺍﻟﺭﻴﺢ ﺍﻟﺼﺭﺼﺭ ِ..‬ ‫- ٠٣ -‬
  • 32. ‫ﺇﺫ ﺫﺍﻙ ﺍﻜﺘﻨﻔﺘﻨﻲ ﺭﻋﺸﺔ ُ ﺒﺭﺩ ٍ..‬ ‫ﺯﺤﻔﺕ ْ‬ ‫ﻭﺍﻨﺘﺸﺭﺕ ْ ﻓﻲ ﺠﺴﺩﻱ.‬ ‫ﻫﺎﻤﺵ :‬ ‫ﺒﻐﺩﺍﺩ.. ﻴﺎ ﺒﻐﺩﺍﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺎ ﻭﺍﺤﺔ َ ﺍﻟﺴﻨﺩﺒﺎﺩ.‬ ‫‪‬‬ ‫ﻭﺃﻟﻑ ﻟﻴﻠﺔ ٍ.. ﻭﻟﻴﻠﺔ ٍ‬ ‫ﹸ‬ ‫ﻭﻋﺭﺱ ﺸﻬﺭﺯﺍﺩ ْ..‬ ‫‪‬‬ ‫ﻓﻲ ﻏﺎﺒﺭ ٍ..‬ ‫ﻅﻠﻠﺕ ﻤﻤﺴﻜﺎ ً ﺒﻁﺭ ِﻪ ِ ‪‬ﺩﻱ‬ ‫ﻓ ﺴ‬ ‫ﹸ‬ ‫ﻓﻤﺎ ﺍﻟﺫﻱ ﻴﻠﻭﺡ ﻓﻲ ﺍﻟﻤﺩﻱ؟‬ ‫ﺒﻐﺩﺍﺩ ﻴﺎ ﻓﺭﺍﺕ ْ‬ ‫‪‬‬ ‫ﺃﻴﻥ ﺍﻨﺘﻬﺕ ﺃﺤﻼ ‪‬ﻨﺎ؟‬ ‫ﻤ‬ ‫ﻭﻤﻭﻜﺏ ﺍﻷﻤﻴﺭﺓ ِﺍﻟﺫﻱ‬ ‫‪‬‬ ‫ﺘﻘﺎﺴﻤﺘﻪ ﺍﻟﺫﻜﺭﻴﺎﺕ ْ؟‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻭﻋ ‪‬ﺎ ﻗﺭﻴﺏ ٍ‬ ‫ﻤ‬ ‫ﺴﺘﻁﻭﻱ ﺍﻟﺴﻤﺎﺀ ِﺠﻼ ً ﻗﺩﻴﻤﺎ ً‬ ‫‪‬ﺴ‬ ‫ﻟﺘﻌﻠﻥ ﻤﻴﺜﺎﻕ ﻋﻬﺩ ﻭﻟﻴﺩ.‬ ‫ﹶ ٍ ٍ‬ ‫ﺴﺘﻨﻬﺽ ﺃﺸﻜﺎﹸﻬﻡ ﻤﻥ ﺠﺩﻴﺩ‬ ‫ٍ‬ ‫ﻟ ‪‬‬ ‫ﺘﺒ ‪‬ل ﻟﻭﻨﺎ.. ً ﺒﻠﻭﻥ ٍ..‬ ‫ﺩ‬ ‫ﻭﺠﻠﺩﺍ ً.. ﺒﺠﻠﺩ..‬ ‫ٍ‬ ‫ﻭﻭﺠﻬﺎ ً.. ﺒﻭﺠﻪ..‬ ‫ٍ‬ ‫ﻓﻴﻤﺴﻙ ﺃﻁﺭﺍﻓﻬﺎ ﺍﻟﻁﻴﺒﻭﻥ..‬ ‫ﻭﻻ ﻴﺘﻌﺒﻭﻥ..‬ ‫ﻴﻅﻠﻭﻥ ﻴﻌﻁﻭﻨﻬﺎ ﻜل ﺸﺊ ٍ..‬ ‫َ‬ ‫ﻴﻀﻴﺌﻭﻨﻬﺎ..‬ ‫- ١٣ -‬
  • 33. ‫ﻭﻴﻌﻠﻭﻥ ﺃﺒﺭﺍﺠﻬﺎ..‬ ‫ﻓﺈﺫﺍ ﻤﺎ ﺍﻨﺘﺸﺕ.. ﻭﻓﺸﺕ ْ..‬ ‫ﹾ‬ ‫ﺴﺘﻁﻭﻱ ﺍﻟﻤﺩﺍﺌﻥ ﺃﺒﺭﺍﺠ ‪‬ﺎ‬ ‫‪‬ﻬ‬ ‫‪‬‬ ‫ﻭﺘﻬﺠﺭ ﺴﻜﺎﻨ ‪‬ﺎ ﺍﻟﻤﺘﺭﻓﻴﻥ.‬ ‫ﻬ‬ ‫ﺃﻗﻭل ﻟﻜﻡ ْ:‬ ‫ُ‬ ‫ﺇﻥ ﻤ ‪‬ﺎ ً ﻤﻥ ﺍِﺸﻌﺭ ِ‬ ‫ﻟ‬ ‫‪‬ﺴ‬ ‫ﺭﺍﻭﺩﻨﻲ ﺫﺍﺕ َ ﻟﻴل ٍ‬ ‫ﻷﻜﺘﺏ َ ﻋﻥ ﺒﻬﺠﺔ ِ ﺍﻟﻌﺎﺸﻘﻴﻥ..‬ ‫ﺭﺃﻴﺕ ﺍﻷﺯﻗﺔ َ،‬ ‫ﹸ‬ ‫ﻭﺍﻟﺨﺒﺯ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺎﺀ‬ ‫‪‬‬ ‫ﺃﻁﻬﺭ ﻤﻥ ﺤﺎﻓﻼﺕ ِ ﺍﻟﻤﻠﻭﻙ ِ..‬ ‫‪‬‬ ‫" ﻭﺃﻥ ﺍﻟﻤﻠﻭﻙ َ ﺇﺫﺍ ﺩﺨﻠﻭﺍ ﻗﺭﻴﺔ ً ﺃﻓﺴﺩﻭﻫﺎ "‬ ‫ﺃﻗﻭل ﻟﻜﻡ :‬ ‫ُ ‪‬‬ ‫ﺍﻤﻜﺜﻭﺍ ﺼﺎﻤﺘﻴﻥ‬ ‫ﻭﻻ ﺘﻁﻠﻘﻭﺍ ﺼﻴﺤﺔ َ ﺍﻟﻔﺎﺘﺤﻴﻥ..‬ ‫ﻭﻤﺎﺫﺍ ﹸﺭﻱ ﺘﻔﺘﺤﻭﻥ؟!! –‬ ‫ﺘ‬ ‫ﻓ ‪‬ﻤﺎ ﻗﺭﻴﺏ ٍ..‬ ‫ﻌ‬ ‫ﺴﺘﻁﻭﻱ ﺍﻟﺴﻤﺎﺀ ﺴﺠﻼ ً ﻗﺩﻴﻤﺎ ً‬ ‫‪‬‬ ‫ﻟﺘﻌﻠﻥ َ ﻤﻴﺜﺎﻕ ﻋﻬﺩ ٍ ﺠﺩﻴﺩ ْ.‬ ‫ﹶ‬ ‫ﻫﺎﻤﺵ :‬ ‫ﺍﻟﻭﺤﺸﺔ ُ ﺘﻨﻬﺵ ُ ﻗﻠﺏ َ ﺍﻟﻭﺤﺵ ِ‬ ‫ﺍﻟﺭﺍﺒﺽ ﺘﺤﺕ ﺍﻟﺘﺒﺔ..‬ ‫ِ‬ ‫ﺃﻭ ﻓﻲ ﺍﻟﺠ ‪ ِ ‬ﻭﺤﻴﺩﺍ ً..‬ ‫‪‬ﺏ‬ ‫ﺩﻭﻥ ﺍﻟﻘﻁﻌﺎﻥ ْ.‬ ‫ﺍﻟﺨﻭﻑ ﻴﺩﻤﺩﻡ ﻓﻲ ﺠﺴﺩ ِ ﺍﻟﻭﺤﺵ ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺍﻟﺭﺍﺒﺽ ِ ﺘﺤﺕ ﺍﻟﺘﺒﺔ ِ‬ ‫- ٢٣ -‬
  • 34. ‫ﺃﻭ ﻓﻲ ﺍﻟﺠ ‪ ِ ‬ﻭﺤﻴﺩﺍ ً‬ ‫‪‬ﺏ‬ ‫ﺨﻠﻑ ﺍﻟﻘﻀﺒﺎﻥ ْ.‬ ‫ﹶ‬ ‫ﺍﻟﺸﻭﻕ ﻟﺼﻭﺕ ِ ﺍﻷ ‪‬ﺔ ِ‬ ‫ﻤ‬ ‫ﹸ‬ ‫ﻤﻥ ﻗﻁﻌﺎﻥ ﺫﺌﺎﺏ ٍ ﺘﻌﻭﻱ‬ ‫ﻓﻲ ﻗﻠﺏ ِ ﺍﻟﻭﺤﺵ ِ‬ ‫ﺍﻟﺭﺍﺒﺽ ِ ﺘﺤﺕ َ ﺍﻟﺘﺒﺔ‬ ‫ﺃﻭ ﻓﻲ ﺍﻟ ‪‬ﺏ ﱢ ﻭﺤﻴﺩﺍ ً..‬ ‫ﺠ‬ ‫ﻴﺘﺄﻤل ﺃﺸﻜﺎل ﺍﻟﺴﻔﻥ ِ ﺍﻟﻤﺸﺤﻭﻨﺔ ِ‬ ‫َ‬ ‫ﺒﺎﻟﻤﻭﺕ ِ ﺍﻷﺤﻤﺭ..‬ ‫ﺘﻔﺘﻙ ﺒﺎﻟﺫﻜﺭﻱ ﻓﻭﻕ ﺍﻟﻤﻭﺝ ِ ﺍﻟﺼﺎﺨﺏ‬ ‫ﹶ‬ ‫ﺒﺠﻨﻭﻥ ِ ﺍﻹﻨﺴﺎﻥ.‬ ‫‪‬‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻏﻤﺎﻤﺔ ُ ُ ،‬ ‫ﺤﻁﺕ ﻋﻠﻲ ﻤﻔﺎﺭﻕ ِ ﺍﻟﻁﺭﻴﻕ..‬ ‫ﱠ ﹾ‬ ‫ﺴ ‪‬ﺩﺕ ﻨﻬﺎ ‪‬ﻩ ُ..‬ ‫ﻭ ﹾ ﺭ‬ ‫ﻭﺒﻠﻠﺕ ﺜﻴﺎ ‪‬ﻪ ُ..‬ ‫ﹼ ﹾ ﺒ‬ ‫ﻭﺃﻭﺤل ﺍﻟﻁﺭﻴﻕ..‬ ‫ﹸ‬ ‫َ‬ ‫ﻭﺍﺭﺘﺒﻙ ْ.‬ ‫ﻏﻤﺎﻤﺔ ُ ُ ،‬ ‫ﻜﺄﻨﻬﺎ ﹶﺭﻙ ْ.‬ ‫ﺸ‬ ‫ﻟﻜﻥ ﻨ ‪‬ﻤﺔ ً ﺘﻠﻭﺡ ﻓﻲ ﺍﻷﻓﻕ.‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺠ‬ ‫ﺘﻘﺩ ﻜل ﺫﻟﻙ ﺍﻟﺤﻠﻙ ْ.‬ ‫‪َ ‬‬ ‫ﻓﺤﻠﻡ ﺩﺭﺒﻨﺎ ﻜﺸﺎﻋﺭ ﻴﻠﻤﻠﻡ ﺍﻟﺸﺘﺎﺕ َ‬ ‫ٍ‬ ‫ﻭﺍﺴﻊ ُ ُ.. ﻭﻤﺸﺘﺭﻙ ْ.‬ ‫ﺴﺘﺨﺘﻔﻲ ﺍﻟﻐﻤﺎﻤﺔ ُ ﺍﻟﺘﻲ ﺘﺜﺎﻗﻠﺕ ْ..‬ ‫ﻭﺘﻨﻬﺽ ﺍﻷﺭﻭﻤﺔ ُ ﺍﻟﺘﻲ ﺘﻜﺎﺴﻠﺕ ْ..‬ ‫ﻏﻤﺎﻤﺔ ُ.. ﻭﺘﻨﻘﺸﻊ ْ.‬ ‫ﹸ‬ ‫- ٣٣ -‬
  • 35. ‫ﻭﻴﺩﺭﻙ ﺍﻟﺫﻱ ﻴﻤﺭ ﺒﻌﺩﻫﺎ‬ ‫‪‬‬ ‫ﺒﺄﻥ ﻫﺎ ‪‬ﻨﺎ ﺤﻁﺕ ﻏﻤﺎﻤﺔ ُ ُ..‬ ‫ﹼ ﹾ‬ ‫ﻫ‬ ‫ﻭﺨﱠﻔﺕ ﻗﺼﻴﺩﺓ ً ﻟﺸﺎﻋﺭ..‬ ‫ٍ‬ ‫ﻠ ﹾ‬ ‫ﻭﻏﺎﺩﺭﺕ.‬ ‫ﹾ‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻗﺎل ﻤﺤﻤﻭﺩ ﺭ ‪‬ﺩ ﻤﻌﻲ :‬ ‫‪ ‬ﺩ‬ ‫ﻋﻠﻤﻭﻨﺎ ﺍﻟﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﺤﻴﻥ ﻗﺎﻟﻭﺍ :‬ ‫ﺍﻟﺩﻴﺎﻨﺎﺕ ُ ﺃﻭﺼﺕ ﺒﻪ‬ ‫ﹾ ِ‬ ‫ﻭﺍﺴﺘﺩﻟﻭﺍ ﺒﺩﺍﻭﺩ ،‬ ‫‪‬‬ ‫ﻭﺍﻷﻨﺒﻴﺎﺀ ْ.‬ ‫ﻫﻜﺫﺍ ﻴﻌﺘﻠﻲ ﺍﻷﺩﻋﻴﺎﺀ ْ.‬ ‫ﻋﺭﻭﺵ َ ﺍﻟﺫﻴﻥ ﻴﺨﺎﻓﻭﻨﻬﻡ..‬ ‫ﻓﻠﻬﻡ ﺤﻜﻤﺔ ُ ُ..‬ ‫ﻴﻤﻠﻜﻭﻥ ﺍﻟﺠﻭﺍﺭﻱ ﺒﺎﻟﻤﺎل ِ..‬ ‫ﻭﺴﻴ ‪‬ﻨﺎ.. ﻨ ‪‬ﻡ ْ..‬ ‫ﺩ ﹶﻌ‬ ‫ﻤﺘﺨﻡ ُ ﺒﺎﻟﺩﺭﺍﻫﻡ ِ‬ ‫‪‬‬ ‫ﻟﻜﻨﻪ ﻤﻭﻟﻊ ُ ﺒﺎﻟﻨﺴﺎﺀ ْ.‬ ‫‪‬‬ ‫ﻗﺎﻟﻬﺎ..‬ ‫ﻭﻓﻌﻠﺕ ُ‬ ‫ﻓﺄﻏﺭﻗﻨﻲ ﺼﻭ ﹸﻪ ﻓﻲ ﺨﻀﻡ ِ ﺍﻟ ﹸﺜﺎﺀ ْ.‬ ‫ﻐ‬ ‫ﺘ‪‬‬ ‫ﻭﺤﻴﻥ ﺘﺄﻤﻠﺕ ُ..‬ ‫ﻜﺎﻥ ﻜل ﺍﻟﺫﻱ ﺒﻴﻥ ﻋﻴﻨﻲ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﺨﻠﻕ ِ.. ﻤﺎﺀ ْ.‬ ‫ﻫﺎﻤﺵ :‬ ‫ﻓﺎﺠﻊ ُ ﻜﺎﻟﺭﺩﻱ..‬ ‫‪‬‬ ‫ﺜﺎﺒﺕ ُ ﻜﺎﻟﻨﺨﻴل.‬ ‫ْ‬ ‫ﹸ‬ ‫- ٤٣ -‬
  • 36. ‫ﻭﺍﺴﻊ ُ ﻜﺎﻟﻤﺩﻱ..‬ ‫‪‬‬ ‫ﻓﺎﺠﻊ ُ ﻜﺎﻟﺭﺤﻴل ْ.‬ ‫‪‬‬ ‫ﻜﺄﻥ ﺍﻟﻭﺩﺍﻉ َ ﻟﻘﺎﺀ ُ..‬ ‫‪‬‬ ‫ﻜﺄﻥ ﺍﻟﻠﻘﺎﺀ َ‬ ‫ﻭﺩﺍﻉ ُ ﻁﻭل ْ.‬ ‫‪‬‬ ‫ﻓﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﺴﻭﻑ ﻴﻭﺼل‬ ‫ُ‬ ‫‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﻤﻴﻡ ٍ ،‬ ‫ﻭﺤﺎﺀ ٍ‬ ‫ﻭﻤﻥ ﺫﺍ ﻴﻭ ‪‬ﺩ ﺒﻴﻥ ﺍﻟﻀﺤﻲ ،‬ ‫ﺤ‪‬‬ ‫‪‬‬ ‫ﻭﺍﻷﺼﻴل ْ؟!‬ ‫ﻭﻴﻌﺯﻑ ﻟﺤﻥ ﺍﻟﻤﻐﻨﻲ ﺍﻟﻘﺘﻴل ْ؟‬ ‫ﹸ ‪‬‬ ‫ﻭﻴﻜﺸﻑ ﺴﺭ ﺍﻟﻤﻼﻙ ﺍﻟﻨﺒﻴل ْ؟‬ ‫ﹸ ِ‪‬‬ ‫ﻭﺍﻟﻤﺴﺎﺀ ﻫﻨﺎ ﻗﺩ ﺘﺜﻠﺙ َ..‬ ‫ﱠ‬ ‫‪‬‬ ‫ﻭﺍﻟﻌﺼﺭ ﻴﺎ ﺼﺎﺤﺒﻲ ﻤﺴﺘﻁﻴل ْ.‬ ‫‪‬‬ ‫ﻭﺍﻟﺫﻱ ﺒﻴﻥ ﻗﻠﺒﻲ‬ ‫ﻭﻜﻑ ﺍﻟﺤﺒﻴﺒﺔ ِ..‬ ‫ﱢ‬ ‫ﻤﺎﺯﺍل ﻴﺎ ﺼﺎﺤﺒﻲ ﻤﺴﺘﺤﻴل ْ.‬ ‫َ‬ ‫ﻫﺎﻤﺵ:‬ ‫ﻟﻠﻤﺎﺀ ِ ﻁﻌﻡ ﺍﻟﺤﻴﺎﺓ ِ..‬ ‫‪‬‬ ‫ﻟﻠﻐﻴﻡ ِ ﻭﺠﻪ ﺍﻟﻐﻀﺏ ْ.‬ ‫‪‬‬ ‫ﻭﺍﻟﺠﺭﺍﺡ ﺍﻟﺘﻲ ﺘﺘﺯﻴﻥ ﺒﺎﻟﻨﺼﺭ ِ‬ ‫‪‬‬ ‫ﺘﺯﻫﻭ ﺒﺜﻭﺏ ِ ﺍﻟﻌﻁﺏ ْ.‬ ‫ﻭﺍﻟﺼﺨﺏ ْ.. ﻜﺎﻟﻁﺭﺏ ْ.‬ ‫ﻓﻤﻥ ﺫﺍ ‪‬ﻔ ‪‬ﻕ‬ ‫ﹶ‪  ‬ﻴ ﺭ ﹸ‬ ‫ﺒﻴﻥ ﺍﻟﺒﺭﻭﺩﺓ ِ ﻓﻲ ﻟﺴﻌﻬﺎ..‬ ‫ﻭﺍﻟﻠﻬﺏ ْ؟!‬ ‫- ٥٣ -‬
  • 37. ‫ﻫﺎﻤﺵ:‬ ‫ﺍﻟﻔﺘﺎﺓ ﺍﻟﺘﻲ ﺃﺨﺫﺕ ﻤﻌﻁﻔﻲ‬ ‫ﹸ‬ ‫ﻟﻡ ﺘﻌﺩﻩ ﺍﻟﻲ..‬ ‫‪‬‬ ‫ﻜﺄﻥ ﺍﻟﻌﻼﻗﺔ َ ﺒﻴﻥ ﺍﻟﺼﺒﻲ‬ ‫‪‬‬ ‫ﻭﺍﻟﺼﺒ ‪‬ﺔ ْ.‬ ‫ﻴ‬ ‫ﻜﻤﺜل ِ ﺍﻟﻌﻼﻗﺔ ﺒﻴﻥ ﺍﻟﺜﻘﺎﻓﺔ ِ..‬ ‫ﻭﺍﻟﺒﻨﺩﻗﻴﺔ ْ.‬ ‫ﻫﺎﻤﺵ:‬ ‫ﺃﻜﻤل ﻋﺸﺎﺀﻙ َ ﺴﻴﺩﻱ..‬ ‫ﺭﺴﻡ ﺍﻟﻤﺩﻴﻨﺔ َ ﺒ ﱠﺔ ً ،‬ ‫ﻁ‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﺎﺱ ﻤﺤﺽ ﺘﻭﺍﺒل ٍ ﻓﻴﻬﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﻭﻏل ﻓﻲ ﺍﻟﻌﺸﺎﺀ ْ.‬ ‫َ‬ ‫ﻫﻭﺍﻤﺵ ﺃﺨﺭﻱ..‬ ‫ﺍﻟﺤﺭﻑ ﻴﻭﺍﺼل ﺭﺤﻠﺘﻪ..‬ ‫ﻭﺍﻟﻀﻭﺀ ﺴﻴﻨﺒﺕ ﻨﻔﺱ ﺍﻟﻀﻭﺀ.‬ ‫ﺼﻐﺎﺭﻱ ﻴﺒﻜﻭﻥ ﻟﻴﺎل ٍ‬ ‫ﺜﻡ ﻴﻌﻭﺩ ﺍﻟﺤﺭﻑ ﺇﻟﻲ ﻏﺎﺒﺎﺕ ﺍﻟﻁﻔل ﻁﻘﻭﺴﺎ‬ ‫ﻗﺩ.. ﺃﻭ.. ﻗﺩ..‬ ‫ﻻ ﺘﺄﺨﺫ ﺯﻴﻨﺔ ﺃﻋﺭﺍﺱ ﺍﻟﺼﻭﺕ.‬ ‫ﺃﻨﺕ ﻏﺭﻴﺏ ُ..‬ ‫‪‬‬ ‫ﺃﻭ ﻤﺘﻬﻡ ُ..‬ ‫‪‬‬ ‫ﻓﻲ ﻜﻬﻑ ٍ ﻤﺘﺼل ﺒﻌﻭﺍﺀ ﺍﻟﻤﻠﻌﻭﻨﻴﻥ..‬ ‫ﻭﺃﺸﺒﺎﻩ ﺍﻷﻓﻌﺎل ﺍﻟﻤﻨﺼﻭﺒﺔ..‬ ‫ﻭﺍﻷﺴﻤﺎﺀ ﺍﻟﻤﺠﺭﻭﺭﺓ‬ ‫ﻟﻠﺼﻤﺕ ﺍﻟﺠﻭﺍﻨﻲ..‬ ‫ﺘﻤﻬل..‬ ‫- ٦٣ -‬
  • 38. ‫ﻭﺍﺴﻤﻊ ﻤﺎ ﻻ ﻴﺴﻤﻊ :‬ ‫ﺃﻨﺕ ﺍﻟﻔﻭﻀﻲ!!‬ ‫ﻟﻭﻓﻭﻀﺎﻙ ﺘﻔﻴﺽ ﻤﻥ ﺍﻟﺴﺒﺎﺒﺔ،‬ ‫ﻭﻫﻲ ﺘﺴﺏ ﻭﺤﻭﺵ ﺍﻟﻨﻌﺵ ﺍﻟﻤﺭﺠﺎﻨﻴﺔ‬ ‫ﻓﻲ ﺴﺎﺤﺎﺕ ﺍﻟﻘﻬﺭ..‬ ‫ﻓﻬل ﻴﺭﺜﻴﻙ ﻤﻼﻙ؟!!‬ ‫ﺃﻡ ﺸﻴﻁﺎﻥ؟!!‬ ‫ﻗل!!‬ ‫ﻫل ﺘﺩﺨل ﻓﻲ ﻤﺭﺁﺓ ﺍﻟﺤﺠﺭ ﺍﻟﺒﻠﻭﺭﻱ ﻟﺘﻨﺒﺕ ﻓﻲ ﻤﺄﺴﺎﺓ ﺍﻟﺼﻤﺕ‬ ‫ﺤﻘﻭل ﺍﻟﻭﻗﺕ؟!!!‬ ‫- ٧٣ -‬
  • 39. ‫ﺃﺤــﻭﺍل‬ ‫ﺴﻌﻑ ﺍﻟﻨﺨﻠﺔ ﻴﺸﻬﻕ ﻤﺎ ﺒﻴﻥ ﺍﻟﺜﻘﻠﻴﻥ..‬ ‫ﻭﻭﺠﻌﻲ ﻤﻠﻙ..‬ ‫ﻭﻋﻭﻴل ﺍﻟﻀﺎﺩ ﺘﻨﻬﺩ ﻓﻲ ﺸﺎﻫﺩﻩ ﻗﺎﻤﻭﺱ‬ ‫ﺍﻟﺩﻤﻊ ﺍﻵﺒﻕ ﻤﻥ ﺘﻌﺏ ﺍﻟﻤﻌﻨﻲ..‬ ‫ﻭﺃﻨﺎ..‬ ‫ﻭﺍﻷﻟﻕ ﺍﻟﻤﺘﺩﻓﻕ ﻤﻥ ﻨﺎﻓﺫﺓ ﺍﻟﺤﻠﻡ‬ ‫ﺇﻟﻲ ﺁﺨﺭ ﻭﻤﻀﺔ ﻏﻴﻡ..‬ ‫ﻨﻌﻘﺩ ﺼﻔﻘﺔ ﻀﻭﺀ‬ ‫ﻓﻲ ﺒﺭﻴﺔ ﻗﻠﺏ ﺍﻟﻭﻁﻥ ﺍﻟﺩﺍﺠﻥ..‬ ‫ﺍﻟﺸﺎﻋﺭ ﻴﻘﺩﺭ ﺃﻥ ﻴﺘﺯﻭﺝ ﺒﺎﻟﻨﺠﻤﺔ،‬ ‫ﻭﻴﻀﺎﺠﻊ ﺒﺤﺭﺍ ﻤﻥ ﻭﺠﻊ،‬ ‫ﻴﺘﺤﻭل ﻨﺎﻓﺫﺓ ﻓﻲ ﻟﻴل ﺍﻟﻘﻭل...‬ ‫ﻭﺒﻴﻥ ﻀﻔﺎﺌﺭ ﺯﻨﺒﻘﺔ ﺍﻟﻔﻌل،‬ ‫ﻭﺃﻓﻴﺎﺀ ﺍﻟﻠﻐﺔ ﺍﻷﻨﺜﻰ.‬ ‫ﺍﻟﺸﺎﻋﺭ ﻴﻘﺩﺭ ﺃﻥ ﻴﻜﺴﺭ ﺃﺒﻭﺍﺏ ﺍﻟﻘﻤﻘﻡ‬ ‫ﻭﻴﺤﺭﺭ ﻏﻭل ﺍﻟﻭﻫﻡ..‬ ‫ﻭﻴﻘﺩﺭ..‬ ‫ﻓﻲ ﺒﻴﺩﺭﻩ ﺍﻟﻤﺘﻭﻫﺞ‬ ‫ﺃﻥ ﻴﻌﻨﻲ ﺒﻤﻁﺎﻟﻊ ﺤﺭﺙ ﺍﻟﻜﻭﺜﺭ..‬ ‫ﻭﻴﻐﻨﻲ ﻤﻭﺍل ﺍﻟﻔﻁﺭﺓ‬ ‫ﻓﻲ ﺤﻘل ﺍﻟﺭﻭﺡ..‬ ‫ﻭﻓﻲ ﻟﺤﻅﺘﻪ ﺍﻟﻤﻜﺘﻅﺔ‬ ‫ﺒﺎﻟﺸﻐﺏ ﺍﻟﻌﻔﻭﻱ،‬ ‫ﻴﻘﺎﻤﺭ ﺒﺎﻟﻌﻤﺭ..‬ ‫ﻴﻐﺎﻤﺭ ﺒﺎﻟﻌﺯﻑ ﻋﻠﻲ ﺃﻭﺘﺎﺭ ﺍﻟﻨﻘﻤﺔ..‬ ‫- ٨٣ -‬
  • 40. ‫ﻴﺴﺤل ﻨﺠﻤﺎ‬ ‫ﻤﻥ ﺩﺒﺭ ﻗﻤﻴﺹ ﺍﻟﺸﻬﺭﺓ..‬ ‫ﻭﻴﻤﺭﻍ ﺒﺘﺭﺍﺏ ﺍﻷﺭﺽ‬ ‫ﻁﻭﺍﻭﻴﺱ ﺍﻟﺯﻫﻭ.‬ ‫- ٩٣ -‬
  • 41. ‫ﺍﻨﺘﺒﻬﻭﺍ..‬ ‫ﻤﻥ ﻴﻤﻠﻙ ﻤﻨﺴﺄﺓ ﺍﻟﺤﺏ..‬ ‫ﺴﻴﻘﺩﺭ ﺃﻥ ﻴﺘﻌﻜﺯ‬ ‫ﻋﺎﺼﻔﺔ ﺍﻟﺼﺨﺏ..!!!‬ ‫ﺃﻗﻭل ﻟﻜﻡ :‬ ‫ﻗﻠﻤﻲ ﻗﺒل ﻫﻁﻭل ﺍﻟﻐﻴﺙ‬ ‫ﻴﺭﺘﺏ ﺤﺎﻻﺕ ﺍﻟﻐﻴﻡ..‬ ‫ﻴﺯﺌﺒﻕ ﺃﺤﻭﺍل ﺍﻟﻭﻗﺕ..‬ ‫ﻴﻁﻴﺭ ﺇﻟﻲ ﻏﻴﻡ ﻁﻼﺴﻡ‬ ‫ﻟﻡ ﺘﻁﺄ ﺍﻟﻌﺸﺏ..‬ ‫ﺇﻟﻲ ﺤﻀﻥ ﻤﻼﺤﻡ ﻻ ﺘﻌﺭﻑ‬ ‫ﻤﻥ ﺠﻐﺭﺍﻓﻴﺎ ﺍﻟﻌﻘل ﺴﻭﻱ ﻗﻠﻕ..‬ ‫ﺃﻭ ﺃﻟﻕ..‬ ‫ﻴﺘﺩﺤﺭﺝ ﻤﻥ ﻓﻀﺔ ﺠﺫﻉ ﺍﻟﻤﺎﺀ‬ ‫ﺇﻟﻲ ﻭﻁﻥ ﺍﻷﺴﻤﺎﺀ ﺍﻟﺨﻀﺭﺍﺀ‬ ‫ﻴﻁﺎﺭﺩ ﻏﺯﻻﻥ ﺍﻟﺩﻫﺸﺔ‬ ‫ﻤﻥ ﻏﺎﺒﺎﺕ ﺍﻟﻔﺭﺡ ﺍﻟﺠﻭﺍﻨﻲ،‬ ‫ﺇﻟﻲ ﻤﻴﻨﺎﺀ ﻴﺩﻱ.‬ ‫ﻗﻠﻤﻲ..‬ ‫ﻴﺄﺨﺫﻨﻲ ﻜﺎﻟﻌﻔﺭﻴﺕ ﻟﺴﻔﺢ ﺴﻤﺎﺀ‬ ‫ﺘﻔﺘﺢ ﻟﻲ ﺼﺩﺭ ﺤﺩﺍﺌﻘﻬﺎ.‬ ‫ﻭﺃﻗﻭل ﻟﻜﻡ :‬ ‫ﺒﻲ ﺸﻐﻑ ﻋﻔﻭﻱ‬ ‫ﻜﻲ ﺃﻜﺴﺭ ﺭﺃﺱ ﺍﻟﺴﻠﻁﺔ..‬ ‫ﻭﻴﺩﺍﻱ ﻤﺭﺍﻫﻘﺘﺎﻥ..‬ ‫ﻭﺒﻲ ﻟﻭﺜﺔ ﺤﺭﻑ ﻴﺘﺨﺒﻁ..‬ ‫- ٠٤ -‬
  • 42. ‫ﻻ ﻴﻌﺭﻑ ﻤﻥ ﺃﻱ ﻁﺭﻴﻕ ﻴﻌﻠﻲ،‬ ‫ﺃﻭ ﻴﻬﺩﻡ ﻤﻤﻠﻜﺔ ﺍﻟﻜﻠﻤﺔ.‬ ‫ﻗﻠﻤﻲ.. ﻴﺘﻌﻤﺩﻩ ﺍﻟﺨﻭﻑ‬ ‫ﺍﻟﻁﺎﻟﻊ ﻤﻥ ﻋﺴل ﺍﻟﻜﻠﻤﺎﺕ.‬ ‫ﻴﺤﺩﻕ ﺒﻲ ﻜﺎﻟﻨﻤﺭﺓ..‬ ‫ﺃﻭ ﻜﺎﻟﻬﻤﺯﺓ..‬ ‫ﻴﺩﻋﻭﻨﻲ ﻟﺭﺒﻴﻊ ﺍﻟﺤﻜﻤﺔ‬ ‫ﻓﻲ ﻤﺩﻥ ﺍﻟﺸﻔﺘﻴﻥ.‬ ‫ﺃﻨﺎ.. ﻤﺒﻌﻭﺙ ﺍﻟﻔﻁﻨﺔ..‬ ‫ﻭﻜﻠﻴﻡ ﺍﻟﻨﺨﻭﺓ..‬ ‫ﺃﻫﻭﻱ ﺍﻟﺤﺭﺙ ﺒﺤﻘل ﺍﻟﻘﻠﺏ..‬ ‫ﻭﻗﻠﻤﻲ..‬ ‫ﻜﺎﻟﻌﻔﺭﻴﺕ ﺍﻟﺭﺍﻜﺏ ﻤﺭﻜﺏ ﻨﺎﺭ..‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﻟﺅ ﻟﺅ ﺓ ﺍﻟﻔﻜﺭ...‬ ‫ﻭﻋﻴﻨﻲ..‬ ‫ﻋﻴﻥ ﺍﻟﺼﻘﺭ ﺍﻟﺤﺎﺌﻡ‬ ‫ﻓﻭﻕ ﻨﺤﻭﺭ ﺫﺌﺎﺏ ﺍﻟﻌﺎﻟﻡ..‬ ‫ﻫﺫﺍ ﻗﻭﻟﻲ :‬ ‫ﺇﻨﻲ ﻜﻘﻁﻴﻊ ﻨﻴﺎﺯﻙ ﻴﺭﻋﻲ‬ ‫ﻓﻲ ﻗﺤﻁ ﻨﻘﻴﻀﻴﻥ.‬ ‫- ١٤ -‬
  • 43. ‫ﺍﻟﺸـﺎﻫﺩ‬ ‫ﻭﺍﻗﻑ ُ..‬ ‫ﹸ‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ‬ ‫ﻜﻌﺠﻭﺯ ٍ ﻋﻘﻴﻡ.‬ ‫‪‬‬ ‫ﻅﺎﻤﺊ ُ ُ..‬ ‫ﻟﻠﺫﻱ ﺨﺒﺄﺘﻪ ﺍﻟﻁﻤﻭﺤﺎﺕ‬ ‫ﹸ‬ ‫ﻓﻲ ﺍﻟﺩﻡ ِ ﺍﻵﺩﻤﻲ ﺍﻟﻌﻅﻴﻡ.‬ ‫‪‬‬ ‫ﻓﻁﻨﺘﻲ ﻜﻐﺯﺍل ٍ..‬ ‫ﻭﺃﻨﺕ ﻤﻤﻬﺩﺓ ُ ُ‬ ‫ﻜﺎﻟﻤﺭﺍﻋﻲ..‬ ‫ﻭﺃﻨﺎ ﻅﺎﻤﺊ ُ ُ..‬ ‫ﻭﻴﺘﻴﻡ.‬ ‫‪‬‬ ‫ﻭﺍﻗﻑ ُ ُ..‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ..‬ ‫ﺭ ‪‬ﻤﺎ ‪‬ﻌﺸﺏ ﺍﻟﻁﻭﻕ‬ ‫ﹸ‬ ‫ﺒ ﻴ‬ ‫ﻓﻭﻕ ‪‬ﺭﺘﻙ ﺍﻷﻨﺜﻭﻴﺔ ﻜﺎﻟﺤﻘل..‬ ‫ﺴ‬ ‫ﺃﺭﻋﻲ ﺇﺫﻥ..‬ ‫ﻜل ﻫﺫﺍ ﺍﻟﻁﻤﻭﺡ ﺍﻟﺭﺒﻴﻌﻲ..‬ ‫ﻭﻤﻥ ﻤﻨﺒﻊ ﺍﻟﺤﺏ ﺘﺤﺕ ﺍﻟﺭﺩﺍﺀ،‬ ‫ﺴﺄﺸﺭﺏ...‬ ‫ﻤﻥ ﺼﺩﺭ ﻫﺫﺍ ﺍﻟﺘﺭﺍﺏ ﺍﻟﻘﺩﻴﻡ.‬ ‫- ٢٤ -‬
  • 44. ‫ﺃﻨﺎ ﻁﺎﺌﺭ..‬ ‫‪‬‬ ‫ﺃﻨﻘﺭ ﺍﻟﺭﺃﺱ..‬ ‫‪‬‬ ‫ﺃﺩﻤﻴﻪ..‬ ‫ﺃﺭﻓﻊ ﻭﺠﻬﻲ ﺇﻟﻲ ﺍﷲ ِ..‬ ‫ﺃﺴﺄﻟﻪ..‬ ‫ﻤﺎﺫﺍ ﺃﺴﻤﻴﻙ ﻴﺎ ﻓﺘﻨﺔ ﺍﻟﻌﻘل‬ ‫ﻴﺎ ﻟﻭﺜﺔ ﺍﻟﻌﺎﺸﻘﻴﻥ؟‬ ‫ﺃﻨﺕ ﺍﻟﺘﻲ‬ ‫ﺃﻭﻗﻔﺕ ﻓﻁﻨﺘﻲ‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ‬ ‫ﺤﻔﻨﺔ ﻤﻥ ﻋﻅﺎﻡ ﺭﻤﻴﻡ.‬ ‫ﻟﻡ ﻴﻌﺩ ﻤﻤﻜﻨﺎ،‬ ‫ﺃﻥ ‪‬ﺭﻱ ﻓﻲ ﺠﻨﻭ ِﻙ ﺒﺎﻟﻤﺘﺭﻓﻴﻥ‬ ‫ﻨ‬ ‫ﻴ‬ ‫ﺴﻭﻱ ﺍﻟﻬﺫﻴﺎﻥ..‬ ‫- ٣٤ -‬
  • 45. ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ‬ ‫– ﻫﺫﺍ ﺍﻟﻤﻠﻭﻥ –‬ ‫ﺤﺘﻰ ﻴﺭﻱ ﺍﻟﻁﺎﺌﺭﺍﻥ‬ ‫ﺒﺄﻱ ﺍﻟﻜﻬﻭﻑ ﻴﻨﺎﻤﺎﻥ‬ ‫ﻓﻲ ﺃ ‪‬ﻤﺎ ﺠﻬﺔ ٍ ﻴﺨﻔﻘﺎﻥ؟!!‬ ‫ﻴ‬ ‫ﺍﻜﺸﻔﻲ ﻋﻥ ﻟﺜﺎﻤﻙ‬ ‫– ﻫﺫﺍ ﺍﻟﻤﻠﻭﻥ –‬ ‫ﺜﻡ ﺍﻨﻅﺭﻱ ﻓﻲ ﻋﺫﺍﺒﻲ..‬ ‫ﻓﻨﻔﺴﻲ ﻤﺜﻘﺒﺔ‬ ‫ﻤﺜل ﻨﺎﻱ ﺍﻟﺤﻭﺍﺓ..‬ ‫ﻭﺃﻓﻌﺎﻙ، ﻻ ﺘﺴﺘﺠﻴﺏ ﻟﻌﺯﻓﻲ،‬ ‫ﻭﺭﻭﺤﻙ ﻻ ﺘﺴﺘﺠﻴﺏ ﻟﻨﺯﻓﻲ،‬ ‫ﺍﻨﻅﺭﻱ ﻓﻲ ﻋﺫﺍﺒﻲ..‬ ‫ﻭﻻ ﺘﺩﻋﻲ ﺃﻨﻨﻲ ﻅﺎﻟﻡ..‬ ‫ﻭﺯﻨﻴﻡ ْ.‬ ‫ﺘﻨﺎﻤﻴﻥ..‬ ‫ﺤﻭﻟﻙ ﺘﺭﺘﺒﻙ ﺍﻷﻤﻨﻴﺎﺕ..‬ ‫ﻭﻋﻴﻨﺎﻱ ﻓﻲ ﻨﺼﻑ ﺍﻏﻤﺎﻀﺔ ﺘﺭﻗﺒﺎﻥ..‬ ‫ﻭﺁﺘﻴﻙ ﻓﻲ ﻜل ﻟﻴل‬ ‫ﻜﻁﻴﺭ ﻴﻨﻘﺭ ﺍﻟﺭﺃﺱ..‬ ‫ﺤﺘﻰ ﻴﺤﺭﻙ ﻓﻴﻙ ﺍﻟﺫﻱ ﻻ ﻴﻤﻭﺕ..‬ ‫ﻭﻟﻜﻨﻪ ﺴﺎﻜﻥ..‬ ‫ﻭﻅﻠﻴﻡ.‬ ‫ﺘﻨﺎﻤﻴﻥ..‬ ‫ﺤﻭﻟﻙ، ﻻ ﺘﺭﻱ ﺍﻟﻌﻴﻥ‬ ‫ﺇﻻ ﺍﻨﻔﺠﺎﺭ ﺍﻟﺩﺨﺎﻥ ﺍﻟﻜﻅﻴﻡ.‬ ‫‪‬‬ ‫- ٤٤ -‬
  • 46. ‫ﻭﺃﺭﻓﻊ ﻭﺠﻬﻲ ﺇﻟﻲ ﺍﷲ..‬ ‫ﻫﺫﺍ ﺼﺭﺍﻁ ُ ُ‬ ‫ﻋﺭﻓﻨﺎﻩ ﻴﺎ ﻓﺘﻨﺘﻲ ﻤﺴﺘﻘﻴﻡ.‬ ‫‪‬‬ ‫ﻭﺍﻗﻑ ُ..‬ ‫ﹸ‬ ‫ﻓﻲ ﻤﺩﻱ ﺨﺒﺭﺘﻲ‬ ‫ﻜﻨﻬﺎﺭ ٍ ﺒﻬﻴﻡ ْ.‬ ‫ﺃﺭﻗﺏ ﺍﻟﺤ ‪ ،‬ﻭﺍﻟﻤﻭﺕ‬ ‫‪‬ﺏ‬ ‫ﻴﺼﻁﺭﻋﺎﻥ..‬ ‫ﻭﺃﺴﻜﺏ ﻓﻲ ﻜﺄﺱ ﺸﻌﺭﻱ ﺩﻤﺎ،‬ ‫‪ ‬ﹰ‬ ‫ﺜﻡ ﻭﺤﺩﻱ ﺍﻟﺫﻱ ﻴﺸﺭﺏ ﺍﻟﻜﺄﺱ..‬ ‫‪‬‬ ‫ﺃﻱ ﺴﻼﻡ ٍ‬ ‫ﻴﺘﻭﻕ ﺇﻟﻴﻪ ﺍﻟﻤﺤﺒﻭﻥ‬ ‫ﻓﻲ ﻗﻌﺭ ﻫﺫﺍ ﺍﻟﺠﺤﻴﻡ؟!!‬ ‫‪‬‬ ‫ِ‬ ‫ﺃﻱ ﺴﻼﻡ..‬ ‫ﺴﻭﻱ ﺍﷲ.‬ ‫ﺃﻤﺸﻲ ﻭﺤﻴﺩﺍ..‬ ‫ﻭﺨﻠﻔﻲ ﺍﻟﻤﺤﺒﻭﻥ ﺼﻔﺎ..‬ ‫ﻓﺼﻔﺎ..‬ ‫ﻭﺘﺭﺘﺒﻙ ﺍﻷﻤﻨﻴﺎﺕ‬ ‫ﻭﻅﻠﻲ ﻴﺭﺍﻗﺒﻨﻲ‬ ‫ﻭﺍﻟﺩﺨﺎﻥ ﻜﺜﻴﻑ..‬ ‫ﻭﺃﻨﺕ ﺘﻨﺎﻤﻴﻥ..‬ ‫ﻨﺎﻤﻲ ﺇﺫﻥ....‬ ‫ﻓﺄﻨﺎ ﺭﺍﺤل‬ ‫ﻓﻲ ﺴﺩﻴﻡ ﺍﻟﺴﺩﻴﻡ.‬ ‫- ٥٤ -‬
  • 47. ‫ﺍﻟﻴﻘﻅـﺔ‬ ‫ﺍﻟﻴﻘﻅﺔ.. ﻟﺴﻊ ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺜﻠﺞ ﺍﻟﺤﺭﻕ..‬ ‫ﺃﺘﺩﺭﻱ؟!‬ ‫ﻁﻌﻡ ﺍﻟﻴﻘﻅﺔ ﻴﺼﻬل‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻟﺸﻔﺘﻴﻥ.‬ ‫ﻭﺼﻤﺕ ﺍﻟﻴﻘﻅﺔ ﻗﺒﺭ ُ‬ ‫‪‬‬ ‫ﻴﺼﻬل ﺸﺎﻫﺩﻩ‬ ‫‪‬‬ ‫ﻓﻲ ﻗﺎﻤﻭﺱ ﺍﻟﺩﻤﻊ..‬ ‫ﺃﺘﺩﺭﻱ؟!‬ ‫ﺠﺎﺀ ﺼﻴﺎﺡ ﺍﻟﺩﻴﻙ ﺍﻟﺩﺍﺠﻥ‬ ‫ﻋﻜﺱ ﻁﻤﻭﺡ ﺍﻟﻘﻠﺏ ﺍﻟﺤﺎﻟﻡ..‬ ‫ﻗﻠﺕ :‬ ‫ﺩﻟﻴل ﺍﻟﻴﻘﻅﺔ ﺃﻋﻤﻰ.‬ ‫ﺇﻥ ﺍﻟﺴﺒﺏ ﺜﻘﻴل‬ ‫ﻻ ﻴﺩﺭﻜﻪ ﺍﻟﺯﺤﻑ..‬ ‫ﻭﻟﻭ..‬ ‫ﻟﻠﻴﻘﻅﺔ ﻁﻔﻼﻥ ﺒﺭﻴﺌﺎﻥ‬ ‫ﻴﻠﻤﺎﻥ ﺴﻨﺎﺒل ﻤﻭﺴﻴﻘﺎ ﺸﻌﺭﻱ‬ ‫ﻋﻥ ﺠﺴﺩ ﺍﻟﻔﻀﺢ..‬ ‫ﻟﻠﻴﻘﻅﺔ ﻁﻔﻼﻥ ﻓﻀﻭﻟﻴﺎﻥ‬ ‫ﻴﻨﻁﺎﻥ ﻭﺭﺍﺀ ﺍﻟﺤﺭﻑ ﺍﻟﻤﺘﺤﺭﻙ‬ ‫ﻭﺍﻟﺴﺎﻜﻥ....‬ ‫ﺒﺤﺭ ﻤﻥ ﺠﻤﺭ ﻴﺘﺭﻨﺢ ﻓﻲ ﻭﺠﻬﻲ..‬ ‫- ٦٤ -‬
  • 48. ‫ﻫل ﺘﺩﺭﻱ؟‬ ‫ﺤﻨﺠﺭﺓ ﺍﻟﺸﻌﺭ ﻗﻨﺎﺒل ﺘﺼﺭﺥ‬ ‫ﺒﺎﻟﻁﺒل ﺍﻟﺭﺍﻗﺹ‬ ‫ﻓﻲ ﻏﺎﺒﺎﺕ ﻋﻭﺍﺀ ﺍﻟﺤﺭﻑ..‬ ‫ﺘﻭﻗﻑ.‬ ‫ﻨﻅﻑ ﺃﺫﻥ ﺍﻟﻘﻭل..‬ ‫ﻜﻔﻰ..‬ ‫ﻻ ﺘﻜﺴﺭ ﻤﺯﻻﺝ ﺍﻟﻌﻔﺔ‬ ‫ﺒﺎﻟﺭﻗﺹ ﺍﻟﻬﻤﺠﻲ..‬ ‫ﻭﺤﺎﺫﺭ..‬ ‫ﻓﺎﻟﻭﺘﺩ ﺍﻟﻤﻔﺭﻭﻕ ﻤﺠﺎﺯﺭ..‬ ‫ﻻ ﺘﺭﻜﻥ ﻟﻠﻀﺤﻜﺔ‬ ‫ﺒﻴﻥ ﻓﺤﻴﺢ ﺍﻷﻓﻌﻰ‬ ‫ﻭﺨﻭﺍﺭ ﺍﻟﺜﻭﺭ ﺍﻟﻐﻔل.‬ ‫ﻻ ﻴﻤﻜﻥ‬ ‫ﺃﻥ ﺘﺩﺭﻙ ﺃﻱ ﺼﻼﺓ‬ ‫ﻟﻐﻭﺍﻤﺽ ﻫﺫﺍ ﺍﻟﺤﻔل.‬ ‫- ٧٤ -‬
  • 49. ‫ﻤﺭﺜﻴﺔ.. ﻟﺼﺎﺤﺏ ﻤﻘﺘل ﺍﻟﻘﻤﺭ‬ ‫ﺇﻟﻲ / ﺃﻤل ﺩﻨﻘل‬ ‫ﻭﻜﻨﺕ ﺤﻤﻠﺕ ﻋﻠﻰ ﺯﻨﺩﻱ‬ ‫‪‬‬ ‫ﺴﻨﺎﻡ ﺃﺒﻲ..‬ ‫‪‬‬ ‫ﻭﻁﺭﺍﻭﺓ َ ﻤﺎ ﺨﺯﻨﺘﻪ ﺍﻟﻔﻁﺭﺓ ُ‬ ‫ﻓﻲ ﺁﺒﺎﺭ ﺍﻟﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻭﻤﺸﻴﺕ ﺃﻏﻨﻲ ﻓﻲ ﺍﺴﺘﻌﻼﺀ :‬ ‫‪‬‬ ‫ﺃﻨﺎ ﻭﻁﻥ ُ‬ ‫‪‬‬ ‫ﻴﺘﻤﻁﻰ ﻓﻲ ﻜل ﺍﻷﺭﺠﺎﺀ ِ‬ ‫ﻭﺃﻨﺕ ِﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻗﺘﻠﻭﻨﻲ..‬ ‫ﺫﺍﺕ ﺼﺒﺎﺡ ﻤﻘﺘﻭل‬ ‫ﻭﺭﻤﻭﻨﻲ ﺫﺍﺕ ﻤﺴﺎﺀ ٍ‬ ‫ﻓﻲ ﻜﺒﺩ ﺍﻟﺼﺤﺭﺍﺀ.‬ ‫‪‬‬ ‫ﻤﺫﻴﺎﻉ ُ..‬ ‫‪‬‬ ‫ﻴﺼﺭﺥ ﻓﻲ ﺍﻟﺒﺭﻴﺔ ِ،‬ ‫ﻴﻌ ‪‬ل ُ..‬ ‫ﻭ‬ ‫ﻴﻔﺘﺢ ﻨﺎﻓﺫﺓ ً ﻟﺘﻼل ﺍﻟﺭﻤل‬ ‫ﻓﻼ ﻴﺩﺨل ﺇﻻ ﻗﻤﺭ ﺍﻟﻨﺴﻴﺎﻥ‬ ‫ﹼ‬ ‫ﺍﻟﻘﺎﺘل،‬ ‫ﻭﺍﻟﻤﻘﺘﻭل‬ ‫ﺒﺫﺍﻜﺭﺓ ﺸﻭﻫﺎﺀ.‬ ‫ﺸﺎﻫﺩ ﻗﺒﺭﻱ ﺩﻭﻥ ﻀﺭﻴﺢ‬ ‫ﺩﻭﻥ ﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫ﻤﻥ ﻴﻌﺭﻓﻨﻲ ﻓﻲ ﻫﺫﺍ ﺍﻟﻘﻔﺭ؟‬ ‫ﻭﻤﻥ ﻴﺒﻜﻴﻨﻲ؟‬ ‫- ٨٤ -‬
  • 50. ‫ﻴﺭﻓﻊ ﺩﻤﻌﺘﻪ ﻗﺭﺒﺎﻨﺎ‬ ‫ﻟﻌﻁﺎﺵ ﺍﻟﺭﻤل،‬ ‫ﻭﺴﺎﺌﻤﺔ ﺍﻟﻁﻴﺭ‬ ‫ﻴﻐﻨﻲ ﻤﻘﺘل ﻫﺫﺍ ﺍﻟﻘﻤﺭﺍﻟﺸﺎﺤﺏ :‬ ‫ﻤﻘﺘﻭﻟﻙ‬ ‫ﻴﺎ ﺸﺎﺤﺒﺔ ﺍﻟﻠﻭﻥ ﻜﺜﻠﺞ‬ ‫ﻴﺎ ﻤﻴﺴﺎﺀ ﺍﻷﻋﻀﺎﺀ ﻜﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻴﺎ ﺯﻫﺭﺓ ﻋﻴﻥ ﺍﻟﻔﻘﺭﺍﺀ.‬ ‫‪‬‬ ‫ﻤﻨﺫﻭﺭ ﻟﻠﺩﺍﺀ.‬ ‫‪‬‬ ‫ﻟﻠﻌﻭﺩﺓ ﻓﻲ ﻜل ﺍﻷﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫- ٩٤ -‬
  • 51. ‫)ﺃﺒﺤﺙ ﻋﻨﻪ ﺒﻴﻥ ﺍﻷﺤﻴﺎﺀ ﺍﻟﻤﻭﺘﻰ‬ ‫ﻭﺍﻟﻤﻭﺘﻰ ﺍﻷﺤﻴﺎﺀ(‬ ‫ﻜﺎﻥ ﻴﺭﻓﺭﻑ ﺒﺠﻨﺎﺤﻴﻥ ﺴﻤﺎﻭﻴﻴﻥ‬ ‫ﻭﻴﺒﻜﻲ ﺒﻴﻥ ﻴﺩﻱ ﺘﻠﻙ ﺍﻟﺯﺭﻗﺎﺀ.‬ ‫ﻜﺎﻥ ﻴﺨﺒﺊ ﺘﺤﺕ ﺍﻟﺭﻴﺵ ﻗﻭﺍﺭﺏ‬ ‫ﻭﻗﻨﺎﺒل ﺃﻭﺠﺎﻉ ﺍﻟﻤﺴﺘﻘﺒل‬ ‫ﻭﻴﻐﻨﻲ ﻟﻠﺒﺴﻁﺎﺀ :‬ ‫)ﺤﺎﺀ... ﺒﺎﺀ‬ ‫ﺤﺎﺀ.. ﺭﺍﺀ.. ﻴﺎﺀ.. ﻫﺎﺀ(‬ ‫ﻤﺩﻱ ﻜﻔﻴﻙ ﻋﻠﻰ ﺯﻤﻨﻲ‬ ‫ﻟﻥ ﻴﺨﺩﻋﻨﻲ‬ ‫ﺃﻥ ﻴﺴﺭﺡ ﻓﻲ ﻗﻴﻌﺎﻥ ﺍﻟﻘﻔﺭ ﻏﺯﺍل.‬ ‫ْ‬ ‫ﻤﺩﻯ ﻜﻔﻴﻙ ﻋﻠﻰ ﺤﺯﻨﻲ‬ ‫ﻟﻥ ﻴﺅﻨﺴﻨﻲ‬ ‫ﺃﻥ ﻴﺒﻙ ﻋﻠﻰ ﻭﺠﻌﻲ ﺍﻟﻤﻭﺍل ْ.‬ ‫ﻤﻘﺘﻭﻟﻙ،‬ ‫ﻴﺎ ﻤﻴﺴﺎﺀ ﺍﻟﺩﺍﺀ ﺴﺅﺍل ُ‬ ‫ُ‬ ‫ﻤﻁﺭﻭﺡ ُ ﻓﻲ ﻋﻀﺩ ﺍﻟﺘﺭﺤﺎل:‬ ‫ْ‬ ‫‪‬‬ ‫ﺃﻴﻌﻭﺩ ﺍﻟﻀﻭﺀ ﻟﻴﻜﺸﻑ،‬ ‫‪‬‬ ‫ﻭﻴﺤ ‪‬ﺭ‬ ‫ﺭ‬ ‫ﻜل ﺍﻷﻏﺼﺎﻥ ﺍﻟﻤﺸﺒﻭﻜﺔ‬ ‫َ‬ ‫ﻭﺍﻟﻤﺸﺒﻭﻫﺔ‬ ‫ﻓﻲ ﺍﻷﺩﻏﺎل؟‬ ‫ﺃﻜﺘﺏ ﻤﺴﺄﻟﺘﻲ ﻓﻲ ﻜﻔﻲ‬ ‫ﻜﻲ ﻻ ﺃﻨﻁﻕ‬ ‫ﻭﺃﻨﺎ ﺃﺘﺴﻭل ﻤﻥ ﻟﺼﻲ‬ ‫- ٠٥ -‬
  • 52. ‫ﺒﻌﺽ ﺍﻟﺤﻕ‬ ‫ﻭﺯﺠﺎﺠﺔ ﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻤﺴﺄﻟﺘﻲ ﺃﻏﻨﻴﺔ ﻟﻠﺒﺴﻁﺎﺀ :‬ ‫)ﺤﺎﺀ.. ﺒﺎﺀ‬ ‫ﺤﺎﺀ.. ﻴﺎﺀ.. ﺤﺎﺀ.. ﻫﺎﺀ(‬ ‫)ﺤﺎﺀ.. ﺒﺎﺀ‬ ‫)ﺤﺎﺀ.. ﻴﺎﺀ.. ﺭﺍﺀ.. ﻫﺎﺀ(‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻷﻗﻭﺍﺱ‬ ‫ﻤﻥ ﻗﺼﻴﺩﺓ ﺒﻜﺎﺌﻴﺎﺕ‬ ‫ﻟﻠﺸﺎﻋﺭ / ﺃﻤل ﺩﻨﻘل‬ ‫- ١٥ -‬
  • 53. ‫ﺍﻟﺭﻤﺎﺩﻱ‬ ‫ﺇﻟﻲ ﻤﺤﻤﻭﺩ ﺇﺩﺭﻴﺱ‬ ‫ﺤﻔﻨﺔ ﻤﻥ ﺃﺭﻕ..‬ ‫ﻭﺍﻟﺭﻤﺎﺩﻱ..‬ ‫ﺤﻴﻥ ﺭﺃﻱ‬ ‫ﻤﺎ ﺭﺃﻱ..!‬ ‫ﺜﻡ ﻏﻁﻲ ﺒﺘﻭﺕ ﺍﺨﻀﺭﺍﺭ ﺍﻟﻴﻘﻴﻥ‬ ‫ﺘﺭﺍﻨﻴﻡ ﺸﻙ..‬ ‫ﻟﺠﻴل،‬ ‫ﻴﻐﻨﻲ ﺍﻋﺘﺭﺍﻓﺎﺘﻪ‬ ‫ﻓﻲ ﺠﺤﻴﻡ ﺍﻟﻌﻼﻗﺔ‬ ‫ﺒﻴﻥ ﺍﻟﺫﺒﻭل،‬ ‫ﻭﺒﻴﻥ ﺍﻷﻟﻕ.‬ ‫ﻟﻡ ﺘﺤﻥ ﻭﻗﺘﻬﺎ‬ ‫ﺴﺎﻋﺔ ﺍﻟﻤﻔﺘﺭﻕ.‬ ‫ﻭﻟﻜﻨﻪ..‬ ‫ﺇﺫ ﺭﺃﻱ‬ ‫ﻤﺎ ﺭﺃﻱ..‬ ‫ﻁﺭﺍﻭﺓ ﻨﺼل ﺍﻟﺨﺼﻭﺒﺔ‬ ‫ﺤﻴﻥ ﻴﺭﻴﻕ ﺍﻟﻠﻴﺎﻟﻲ‬ ‫- ٢٥ -‬
  • 54. ‫ﻋﻠﻲ ﺠﻨﺒﺎﺕ ﺍﻟﻁﺭﻴﻕ ﺍﻟﻭﻟﻴﺩ..‬ ‫)ﻴﺎ ﺸﺎﺭﻉ ﺍﻟﻭﻟﻴﺩ،‬ ‫ﻴﺎ ﺤﻘل ﺍﻷﺴﻲ..‬ ‫ﺒﻌﺜﺭﺘﻨﻲ.(‬ ‫ﻭﻻ ﻜﺎﻥ ﻴﺴﻤﻊ ﻓﻲ ﺸﻬﻘﺎﺕ ﺍﻟﻨﺩﻱ‬ ‫ﺇﺫ ﻴﺭﺩﺩ:‬ ‫)ﻜﺎﻨﺕ ﺠﻬﻨﻡ ﺒﺎﻟﻭﻴل ﺘﻀﺤﻙ..‬ ‫ﺘﻀﺤﻙ..ﺘﻀﺤﻙ.(‬ ‫ﻭﻟﻭ ﻋﻠﻤﻭﻩ ﻤﻊ ﺍﻟﺩﺭﺱ‬ ‫ﻜﻴﻑ ﻴﻜﻭﻥ ﺭﻓﻴﻘﺎ ﺒﺸﻭﻙ ﺍﻟﺯﻫﻭﺭ‬ ‫- ﻭﺒﺎﻟﺸﻭﻙ ﺘﺤﻴﺎ ﺍﻟﺯﻫﻭﺭ –‬ ‫ﺇﺫﻥ..ﻻﺴﺘﺩﺍﺭ ﻋﻠﻲ ﻨﻔﺴﻪ ﻤﺭﺓ..‬ ‫ﻭﺴ ‪‬ﺭ ﺒﺎﻟﺸﻙ ﻏﻴﻡ ﺍﻟﺴﺅﺍل..‬ ‫‪‬‬ ‫ﺠ‬ ‫ﻭﻤﺎ ﻗﺩ ﻴﻭﻤﺎ ﻗﻤﻴﺹ ﺍﻟﺨﻴﺎل،‬ ‫ﻭﺨﻠﻑ ﺤﺒﺎﺕ ﺩﻤﻊ ﺍﻷﻤﺎﻨﻲ ﺒﻪ ﺘﺤﺘﺭﻕ.‬ ‫ﺍﻟﺭﻤﺎﺩﻱ..‬ ‫ﻋﺵ..‬ ‫ﻭﻋﺼﻔﻭﺭﺓ..‬ ‫ﻭﻤﻥ ﻗﺎل : ﺇﻥ ﺍﻟﺭﻤﺎﺩﻱ ﺭﻋﺩ..‬ ‫ﺒﻪ ﻤﺎ ﺒﻪ ﻤﻥ ﻨﺯﻕ.‬ ‫ﺍﻟﺭﻤﺎﺩﻱ..‬ ‫ﺃﻗﺭﺏ ﻤﻥ ﺭﺠﻔﺘﻲ ﻓﻲ ﺍﻟﺼﻘﻴﻊ ﺇﻟﻲ.‬ ‫‪‬‬ ‫ﻭﺃﻋﺭﻑ ﺒﺎﻟﻤﺎﺀ ﻤﻥ ﺒﺤﺭﻩ.‬ ‫ﻭﺒﺎﻟﺒﺤﺭ ﻤﻥ ﻤﻭﺠﻪ..‬ ‫ﻭﺍﻟﻐﺭﻕ.‬ ‫ﻴﺤﺘﻭﻱ ﻏﻤﻐﻤﺎﺕ ﺍﻟﺤﻴﺎﺓ،‬ ‫- ٣٥ -‬