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© Fraunhofer IIS
Fraunhofer Digital Cinema
Digital Archiving of Audiovisual Material
Pilot Projects in Europe
Arne Nowak
Joint Technical Symposium 2010
Digital Challenges and
Digital Opportunities
in Audiovisual Archiving
Oslo, May 2 – 5, 2010 arne.nowak@iis.fraunhofer.de
© Fraunhofer IIS
1. Introduction
What happened before?
The EDCINE project
 User requirements, specification
 General process and system concept developed
 use of open standards: JPEG 2000 and MXF
 sustainable (as far as possible)
 JPEG 2000 profiles for film archiving standardised in ISO
 Demonstration system developed and tested
 EDCINE ran from August 2006 to July 2009
© Fraunhofer IIS
2. EDCINE for Archives – the general concept
Ingest – Preservation – Access
OAIS Reference Model (ISO Standard 14721:2003)
© Fraunhofer IIS
2. EDCINE for Archives – the general concept
JPEG 2000 – MXF – 2-Tier Storage Approach
How does it work?
 Use of standardised formats
 JPEG 2000 for image compression
 Uncompressed multi-channel, multi-language audio
 MXF for
 Wrapping of images and sound, time code etc.
 Metadata
 Two storage packages:
 for long-term preservation: Master Archive Package (MAP)
 for access: Intermediate Access Package (IAP)
© Fraunhofer IIS
2. EDCINE for Archives – the general concept
Two-tier storage data format, access on demand
© Fraunhofer IIS
2. EDCINE for Archives – the general concept
JPEG2000 ISO Profiles Relevant for Digital Movies
Profile 2k
Distribution
Profile
4k
Distribution
Profile
2k scalable
Archive
Profile
4k scalable
Archive
Profile
Master
Archive
Profile
Profile
Indicator
3 4 5 6 7
Max Resol. 2048x1080 4096x2160 2048x1080 4096x2160 16384x8192
Quality Layer 1 1 2 2 <=5
Components 3 3 3 3 <=8
Bitrate <=250MBit <=250 MBit/s <=250MBit/s for
Layer0
<=500MBit/s for
Layer1
<=250MBit/s for
Layer0
<=500MBit/s for
Layer1
Lossy and
lossless
Purpose DCP DCP IAP
(compatible
with Profile 3)
IAP
(compatible
with Profile 4)
MAP
© Fraunhofer IIS
3. Digital A/V Archiving Pilot Installations
A joint approach of several European archives
Goal: gain experience with file-based digital A/V archiving
 Bring EDCINE concept to life in different environments
 Collect pratical experience with a small collection first
 Identify problems and opportunities; evaluate processes
 Participating archives:
 Cinémathèque Royale de Belgique
 National Audiovisual Archive, Finland
 Danish Film Institute
 Imperial War Museum, UK
 Working name: "FIAF Archival Transcoding Engine"
© Fraunhofer IIS
3. Digital A/V Archiving Pilot Installations
The idea
What do we want to do?
 Digitise, scan and convert material into the JPEG 2000 archive formats
 Store, handle and manage the archive packages
 Online: hard disks
 Offline: data tapes
 Migration
 Quality control
 Search, browse, preview archived material
 Create different end-user formats from archive packages
 Everything in a compact, affordable system that is easy to use
© Fraunhofer IIS
3. Digital A/V Archiving Pilot Installations
Requirements
What do the participating archives need?
 Support for different source formats: film, video, files etc.
 Support for different output formats: DPX, DCP, H.264, Flash etc.
 Quality control during ingest and in the archive
 Playback of archived material
 Data management
 Management of files on disks, tapes in robot, tapes on shelf
 Database with metadata and connection to existing catalogues
 In general: defined processes and workflows for all important tasks
 Guidelines for compression settings, necessary preservation metadata, …
 Definition of “sub-profiles” for different source media types
© Fraunhofer IIS
3. Digital A/V Archiving Pilot Installations
Requirements – Source Fomats
We start with these formats:
 For scanned film: DPX and TIFF
 Digital Cinema Packages (DCPs)
 Analogue and digital tape-based SD and HD video formats
 Audio: BWAV (multi-channel)
 Samma MXF files and other JPEG 2000 varieties
 Several multimedia file formats: MPEG2, H.264, AVI, Quicktime, JPEG
(details yet to be defined)
 XML for metadata, sub-titles etc.
© Fraunhofer IIS
3. Digital A/V Archiving Pilot Installations
Requirements – Output Fomats
We start with these formats:
 Uncompressed for highest quality: DPX and TIFF
 Audio: BWAV (multi-channel)
 Digital Cinema Packages (DCPs)
 H.264 for preview and high quality home use (Blu-ray Disc)
 MPEG2 for PC and DVD Video
 Professional broadcast file formats (details yet to be decided)
 XML for metadata, sub-titles etc.
© Fraunhofer IIS
3. Digital A/V Archiving Pilot Installations
Additional general requirements
What other capabilities must the system have?
 Easy to use, even by non-techies
 “Big knob” interface to adjust important parameters
 Possibility to burn-in information in output formats
 Flexibility: each archive has different requirements in detail
 Formats
 Processes
 Processing parameters
© Fraunhofer IIS
4. Practical Realisation
How do we do it?
© Fraunhofer IIS
4. Practical Realisation
Main software components
Key feature: modular architecture
 Transcoding: Fraunhofer Universal Transcoding Framework
 Playback of archive files: Fraunhofer easyDCP Player
 Database and catalogue: Dspace (open source)
 Data tape management: Baccula (open source)
 Operating system: Linux
 Hardware: standard PC server systems
 Multi-processor / multi-core server
 Inexpensive RAID array
 LTO tape library or single drive
 For video sources: any editing system (Final Cut, Avid, …)
© Fraunhofer IIS
5. Conclusion
 We start with a small system
 Modular and flexible: can grow with the archives’ needs
 Gain experience: for the developers and the users
 Define “sub-profiles” and documented processes for different types of
material to be archived
 Collect information, educate users, archives and ourselves
 Build knowledge base for participating archives
© Fraunhofer IIS
5. Is everything done ... ?
Universal Archival Package
 Generation of dissemination format requires multiple processing steps
 Processing chains are configured by user
 Goal: Automatic, meta data controlled transcoding
© Fraunhofer IIS
arne.nowak@iis.fraunhofer.de
The EDCINE project was funded by the European Union in the FP6 program.
Thank you for
your attention!
Questions?
© Fraunhofer IIS
© Fraunhofer IIS
Transcoding System
Distribution processing chain
© Fraunhofer IIS
Transcoding System
Modular Approach
© Fraunhofer IIS
Demonstrator System
The Prototype
© Fraunhofer IIS
Demonstrator System
Database Interface
© Fraunhofer IIS
© Fraunhofer IIS
Archive Package Usage Scenarios
Master Archive Package
© Fraunhofer IIS
Archive Package Usage Scenarios
Intermediate Access Package

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5.Arne_Nowak_Digital_Archiving_Pilots.pdf

  • 1. © Fraunhofer IIS Fraunhofer Digital Cinema Digital Archiving of Audiovisual Material Pilot Projects in Europe Arne Nowak Joint Technical Symposium 2010 Digital Challenges and Digital Opportunities in Audiovisual Archiving Oslo, May 2 – 5, 2010 arne.nowak@iis.fraunhofer.de
  • 2. © Fraunhofer IIS 1. Introduction What happened before? The EDCINE project  User requirements, specification  General process and system concept developed  use of open standards: JPEG 2000 and MXF  sustainable (as far as possible)  JPEG 2000 profiles for film archiving standardised in ISO  Demonstration system developed and tested  EDCINE ran from August 2006 to July 2009
  • 3. © Fraunhofer IIS 2. EDCINE for Archives – the general concept Ingest – Preservation – Access OAIS Reference Model (ISO Standard 14721:2003)
  • 4. © Fraunhofer IIS 2. EDCINE for Archives – the general concept JPEG 2000 – MXF – 2-Tier Storage Approach How does it work?  Use of standardised formats  JPEG 2000 for image compression  Uncompressed multi-channel, multi-language audio  MXF for  Wrapping of images and sound, time code etc.  Metadata  Two storage packages:  for long-term preservation: Master Archive Package (MAP)  for access: Intermediate Access Package (IAP)
  • 5. © Fraunhofer IIS 2. EDCINE for Archives – the general concept Two-tier storage data format, access on demand
  • 6. © Fraunhofer IIS 2. EDCINE for Archives – the general concept JPEG2000 ISO Profiles Relevant for Digital Movies Profile 2k Distribution Profile 4k Distribution Profile 2k scalable Archive Profile 4k scalable Archive Profile Master Archive Profile Profile Indicator 3 4 5 6 7 Max Resol. 2048x1080 4096x2160 2048x1080 4096x2160 16384x8192 Quality Layer 1 1 2 2 <=5 Components 3 3 3 3 <=8 Bitrate <=250MBit <=250 MBit/s <=250MBit/s for Layer0 <=500MBit/s for Layer1 <=250MBit/s for Layer0 <=500MBit/s for Layer1 Lossy and lossless Purpose DCP DCP IAP (compatible with Profile 3) IAP (compatible with Profile 4) MAP
  • 7. © Fraunhofer IIS 3. Digital A/V Archiving Pilot Installations A joint approach of several European archives Goal: gain experience with file-based digital A/V archiving  Bring EDCINE concept to life in different environments  Collect pratical experience with a small collection first  Identify problems and opportunities; evaluate processes  Participating archives:  Cinémathèque Royale de Belgique  National Audiovisual Archive, Finland  Danish Film Institute  Imperial War Museum, UK  Working name: "FIAF Archival Transcoding Engine"
  • 8. © Fraunhofer IIS 3. Digital A/V Archiving Pilot Installations The idea What do we want to do?  Digitise, scan and convert material into the JPEG 2000 archive formats  Store, handle and manage the archive packages  Online: hard disks  Offline: data tapes  Migration  Quality control  Search, browse, preview archived material  Create different end-user formats from archive packages  Everything in a compact, affordable system that is easy to use
  • 9. © Fraunhofer IIS 3. Digital A/V Archiving Pilot Installations Requirements What do the participating archives need?  Support for different source formats: film, video, files etc.  Support for different output formats: DPX, DCP, H.264, Flash etc.  Quality control during ingest and in the archive  Playback of archived material  Data management  Management of files on disks, tapes in robot, tapes on shelf  Database with metadata and connection to existing catalogues  In general: defined processes and workflows for all important tasks  Guidelines for compression settings, necessary preservation metadata, …  Definition of “sub-profiles” for different source media types
  • 10. © Fraunhofer IIS 3. Digital A/V Archiving Pilot Installations Requirements – Source Fomats We start with these formats:  For scanned film: DPX and TIFF  Digital Cinema Packages (DCPs)  Analogue and digital tape-based SD and HD video formats  Audio: BWAV (multi-channel)  Samma MXF files and other JPEG 2000 varieties  Several multimedia file formats: MPEG2, H.264, AVI, Quicktime, JPEG (details yet to be defined)  XML for metadata, sub-titles etc.
  • 11. © Fraunhofer IIS 3. Digital A/V Archiving Pilot Installations Requirements – Output Fomats We start with these formats:  Uncompressed for highest quality: DPX and TIFF  Audio: BWAV (multi-channel)  Digital Cinema Packages (DCPs)  H.264 for preview and high quality home use (Blu-ray Disc)  MPEG2 for PC and DVD Video  Professional broadcast file formats (details yet to be decided)  XML for metadata, sub-titles etc.
  • 12. © Fraunhofer IIS 3. Digital A/V Archiving Pilot Installations Additional general requirements What other capabilities must the system have?  Easy to use, even by non-techies  “Big knob” interface to adjust important parameters  Possibility to burn-in information in output formats  Flexibility: each archive has different requirements in detail  Formats  Processes  Processing parameters
  • 13. © Fraunhofer IIS 4. Practical Realisation How do we do it?
  • 14. © Fraunhofer IIS 4. Practical Realisation Main software components Key feature: modular architecture  Transcoding: Fraunhofer Universal Transcoding Framework  Playback of archive files: Fraunhofer easyDCP Player  Database and catalogue: Dspace (open source)  Data tape management: Baccula (open source)  Operating system: Linux  Hardware: standard PC server systems  Multi-processor / multi-core server  Inexpensive RAID array  LTO tape library or single drive  For video sources: any editing system (Final Cut, Avid, …)
  • 15. © Fraunhofer IIS 5. Conclusion  We start with a small system  Modular and flexible: can grow with the archives’ needs  Gain experience: for the developers and the users  Define “sub-profiles” and documented processes for different types of material to be archived  Collect information, educate users, archives and ourselves  Build knowledge base for participating archives
  • 16. © Fraunhofer IIS 5. Is everything done ... ? Universal Archival Package  Generation of dissemination format requires multiple processing steps  Processing chains are configured by user  Goal: Automatic, meta data controlled transcoding
  • 17. © Fraunhofer IIS arne.nowak@iis.fraunhofer.de The EDCINE project was funded by the European Union in the FP6 program. Thank you for your attention! Questions?
  • 19. © Fraunhofer IIS Transcoding System Distribution processing chain
  • 20. © Fraunhofer IIS Transcoding System Modular Approach
  • 21. © Fraunhofer IIS Demonstrator System The Prototype
  • 22. © Fraunhofer IIS Demonstrator System Database Interface
  • 24. © Fraunhofer IIS Archive Package Usage Scenarios Master Archive Package
  • 25. © Fraunhofer IIS Archive Package Usage Scenarios Intermediate Access Package