This document provides information about elements and principles of art, characteristics of different historical art periods in Western classical art, and architectural structures from Western classical periods. It includes definitions and examples of key elements of art like line, shape, color, form and principles like balance, rhythm. It also describes characteristics of art from periods like Greek, Roman, Byzantine, Gothic and architectural styles from pre-historic to Romanesque. Learners are assigned tasks to analyze elements and principles in classical works of art and create sketches, sculptures and 3D models demonstrating influences of Western classical art.
This document provides an overview of a lesson on the elements and principles of art in Western and classical styles. It discusses key concepts like line, shape, color, value, form, texture, and space as elements of art. Principles of art covered include balance, contrast, emphasis, movement, pattern, rhythm, and unity. Examples are given of art from different periods to illustrate how elements and principles were applied, including Prehistoric cave paintings, Egyptian hieroglyphics, Greek sculptures and vases, Roman mosaics and tomb paintings, and Medieval works like Byzantine mosaics and Gothic stained glass windows. Students are given exercises to identify elements and principles in various artworks and compare similarities and differences between two paintings
This document provides an overview of elements and principles of art in Western and Classical styles across different periods, including definitions of line, shape, color, value, form, texture, space, balance, contrast, emphasis, movement, pattern, rhythm, and unity. It also discusses different artistic techniques used in prehistoric, Egyptian, Greek, Roman, medieval, Byzantine, Romanesque, and Gothic periods. Examples are given of specific artworks to illustrate the elements, principles, and characteristics discussed for each period.
This document contains a daily lesson plan for a MAPEH class in Grade 9. The lesson plan covers art elements and principles from the Renaissance and Baroque periods. [The lesson plan outlines objectives, content, learning resources, procedures, and a reflection. It includes activities for students to analyze artworks, identify pictures, draw depictions of Alexander the Great and create their own mosaic.] The lesson aims to teach students about different art periods and styles and have them apply principles through creative works.
The document provides a matching activity between elements of art and principles of design in Column A and their definitions in Column B. It also includes pictures of paintings, sculptures, and architecture from Western classical art with directions to identify which is which. Finally, it asks the reader to analyze art elements and principles present in pictures and identify what era they belong to.
The document provides an overview of Western classical art traditions from prehistoric to Gothic periods. It discusses the objectives and content that will be covered in the online arts module, including analyzing elements and principles of art, identifying characteristics of different periods, and representative artworks. The module aims to cater to both learners with and without internet access during the COVID-19 pandemic.
This document discusses different periods and styles of painting throughout history, beginning with prehistoric cave paintings and continuing through Western classical traditions including Egyptian, Greek, Roman, Byzantine, Romanesque, Gothic, and other periods. It provides information on common subjects, materials, techniques, and purposes of paintings during each era. Elements of art and principles of design are also defined.
Here are 5 elements or principles of art that make Greek art visually unique:
1. Symmetry - Greek sculptures and architecture frequently featured symmetrical and balanced designs.
2. Proportion - Greek artists paid close attention to anatomical and architectural proportion in their works.
3. Realism - Greek sculptures strived for realistic and naturalistic representations of the human form.
4. Drapery - The graceful falling drapery on Greek sculptures is very characteristic of the style.
5. Mythological themes - Many Greek artworks depicted stories and characters from Greek mythology.
ARTS OF THE RENAISSANCE AND BAROQUE PERIODSYanCabanez
The document provides information about Renaissance and Baroque art periods. The Renaissance period saw a rebirth of interest in classical philosophy and art, with a focus on realistic and humanistic works. Famous Renaissance artists included Michelangelo, Leonardo Da Vinci, Raphael, and Donatello. Baroque art that followed was more elaborate and emotional, encouraged by the Catholic Church to propagate its doctrines. Artists like Caravaggio, Rubens, Rembrandt, and Bernini rose to prominence during this period. The document then summarizes characteristics and key works of both periods.
This document provides an overview of a lesson on the elements and principles of art in Western and classical styles. It discusses key concepts like line, shape, color, value, form, texture, and space as elements of art. Principles of art covered include balance, contrast, emphasis, movement, pattern, rhythm, and unity. Examples are given of art from different periods to illustrate how elements and principles were applied, including Prehistoric cave paintings, Egyptian hieroglyphics, Greek sculptures and vases, Roman mosaics and tomb paintings, and Medieval works like Byzantine mosaics and Gothic stained glass windows. Students are given exercises to identify elements and principles in various artworks and compare similarities and differences between two paintings
This document provides an overview of elements and principles of art in Western and Classical styles across different periods, including definitions of line, shape, color, value, form, texture, space, balance, contrast, emphasis, movement, pattern, rhythm, and unity. It also discusses different artistic techniques used in prehistoric, Egyptian, Greek, Roman, medieval, Byzantine, Romanesque, and Gothic periods. Examples are given of specific artworks to illustrate the elements, principles, and characteristics discussed for each period.
This document contains a daily lesson plan for a MAPEH class in Grade 9. The lesson plan covers art elements and principles from the Renaissance and Baroque periods. [The lesson plan outlines objectives, content, learning resources, procedures, and a reflection. It includes activities for students to analyze artworks, identify pictures, draw depictions of Alexander the Great and create their own mosaic.] The lesson aims to teach students about different art periods and styles and have them apply principles through creative works.
The document provides a matching activity between elements of art and principles of design in Column A and their definitions in Column B. It also includes pictures of paintings, sculptures, and architecture from Western classical art with directions to identify which is which. Finally, it asks the reader to analyze art elements and principles present in pictures and identify what era they belong to.
The document provides an overview of Western classical art traditions from prehistoric to Gothic periods. It discusses the objectives and content that will be covered in the online arts module, including analyzing elements and principles of art, identifying characteristics of different periods, and representative artworks. The module aims to cater to both learners with and without internet access during the COVID-19 pandemic.
This document discusses different periods and styles of painting throughout history, beginning with prehistoric cave paintings and continuing through Western classical traditions including Egyptian, Greek, Roman, Byzantine, Romanesque, Gothic, and other periods. It provides information on common subjects, materials, techniques, and purposes of paintings during each era. Elements of art and principles of design are also defined.
Here are 5 elements or principles of art that make Greek art visually unique:
1. Symmetry - Greek sculptures and architecture frequently featured symmetrical and balanced designs.
2. Proportion - Greek artists paid close attention to anatomical and architectural proportion in their works.
3. Realism - Greek sculptures strived for realistic and naturalistic representations of the human form.
4. Drapery - The graceful falling drapery on Greek sculptures is very characteristic of the style.
5. Mythological themes - Many Greek artworks depicted stories and characters from Greek mythology.
ARTS OF THE RENAISSANCE AND BAROQUE PERIODSYanCabanez
The document provides information about Renaissance and Baroque art periods. The Renaissance period saw a rebirth of interest in classical philosophy and art, with a focus on realistic and humanistic works. Famous Renaissance artists included Michelangelo, Leonardo Da Vinci, Raphael, and Donatello. Baroque art that followed was more elaborate and emotional, encouraged by the Catholic Church to propagate its doctrines. Artists like Caravaggio, Rubens, Rembrandt, and Bernini rose to prominence during this period. The document then summarizes characteristics and key works of both periods.
Humanities: Development and Mediums of Painting, Sculpture and ArchitectureJD Rillo
This presentation shows the various mediums in arts, particularly visual arts. Painting, sculpture, and architecture are the primary visual arts that the roots and origins can be traced for more than many centuries ago.
Western Classical art traditions
had different styles, different characteristics and functions of the
arts occurred but all of those contributed in the development and establishing
the importance of arts in our lives today.
Chapter 4 Describing ArtFormal Analysis, Types, and Styles ofWilheminaRossi174
Chapter 4: Describing Art
Formal Analysis, Types, and Styles of Art
LEARNING OUTCOMES
• Employ a vocabulary of art specific terms and critical approaches to conduct a formal analysis of works of art.
• Identify different types of art based on the degree of representation or nonrepresentation a work displays.
• Distinguish between variations of representational qualities within a work of art.
• Identify characteristics that relate an individual or group of works to a cultural style, stylistic movement or period, or an individual artist’s style.
Elements and Principles of Design
Line – expressive, implied
Shape – organic, geometric, hard- or soft-edged
Volume has three dimensions: length, width, and height
Mass is the quantity of matter, often meaning its weight
Texture – actual or implied
Color – saturation, brightness, primary, secondary, scheme
(complementary, analogous, monochromatic)
Perspective – linear, atmospheric
Unity/Variety
Balance – symmetrical, asymmetrical
Emphasis/movement
Rhythm/repetition
Formal or critical analysis
A formal of critical analysis an examination of …
the elements and principles of design
present in an artwork and
the process of deriving meaning from
how those elements and principles are used
the ways the visual artist attempts to communicate a
concept,
idea, or
emotion
Representational or Non-representational
Representational art is a visual reference to the experiential world. The range of representational art is labeled as
naturalistic,
idealized, or
abstract
Non-representational or Non-objective is art that does not attempt to present an aspect of the recognizable world. Instead of suggesting a narrative by depicting objects meaning in non-objective art is communicated through shapes, colors, textures, and other elements and principles of design.
Style
can refer to the general appearance of a work or a group of works that were created in accordance with a specific set of principles about form or appearance.
can refer to the art as a whole that was made during a particular era and within a certain culture.
does the artwork belong to a more specific stylistic movement? Italian Renaissance? Realism? Abstract Expressionism?
can also refer to how elements and principles of design are employed by an individual artist: the visual features of that artist’s work and their characteristics when using a given medium.
Four Aspects of a Formal Analysis
Description – describe the use of visual elements.
Analysis – how are the elements arranged, describe the artist’s use of the principles of design.
Interpretation – the combination of what an object symbolizes to the artist and what it means to the viewer.
Evaluation – judging whether a work of art is successful given what you have understood from your description, analysis, and interpretation. Using steps 1-3 above can you justify your emotionally response (joyful, disturbing, calm, energeti ...
This document provides an overview of Western and Classical art traditions, including ancient, Egyptian, Greek, Roman, Byzantine, Romanesque, and Gothic periods. It summarizes key characteristics and examples of paintings, sculptures, and architectures from each period, such as Egyptian tomb paintings, Greek sculptures of gods and athletes, Roman frescoes and reliefs, Byzantine mosaics and domed architectures like Hagia Sophia, Romanesque sculpted church portals, and Gothic stained glass windows and projecting sculptures. Overall, the document traces the evolution of Western art styles and techniques over thousands of years.
The document provides background information on icons. It defines icons as religious images traditionally painted on wood that depict saints. During the Byzantine period, icons were placed in Orthodox churches. Some opposed icons as idolatry in the 8th-9th century iconoclast movement. Icons used symbols to communicate religious meanings to illiterate audiences. Artists made paints from materials like egg yolk and pigments. Icons represented artistic, material and symbolic principles through compositional systems.
This document provides an overview of different types of paintings found in India. It begins by describing traditional Indian paintings such as Pattachitra, Bengal school of painting, Kangra school of painting, Madhubani painting, Mysore painting, Rajput painting, Mughal painting, Tanjore painting, and Warli painting. It then discusses mural painting, Samikshavad painting, and the benefits of introducing paintings in CLIL classrooms. The document also includes sections on painting styles through history, sources and indicators that paintings provide about historical, political, social, scientific, and technological developments. It concludes with descriptions of paintings related to Indian festivals and fairs.
The medieval art of the Western world spanned over 1000 years and included major art movements and genres. Art historians classify medieval art into periods such as Early Christian, Byzantine, Romanesque, and Gothic. Medieval art was produced in many media, with works in sculpture, illuminated manuscripts, stained glass, metalwork and panel painting having higher survival rates than other media. Religious influences dominated early medieval art, while later periods like Gothic art used brighter colors, dimensions and perspective.
Art is the expression of feelings through creative works that can influence others. It serves various functions like being aesthetically pleasing, having economic and educational value, and representing religious and social cultures. Visual arts specifically create works that are perceived primarily through sight, such as painting, sculpture, architecture, drawing, and photography. The medium an artist uses, such as watercolor, oil, acrylic, etc. and their techniques allow them to control and achieve desired effects in their artwork.
Wester Classical Art Traditions First Quarter.powerpoint presentationLigayaBacuel1
Pre-historic art included cave paintings that may have been used for communication or religious purposes. Egyptian paintings aimed to make the afterlife pleasant for the deceased by depicting their journey to the underworld. Common methods of Greek painting included fresco, encaustic, and the Kerch style.
This document provides an overview of Western classical art traditions from prehistoric times through the Gothic era. It describes paintings from different periods including styles, subjects and techniques. It also summarizes sculptures and architecture from ancient civilizations such as Egypt, Greece, Rome, Byzantine and Medieval Europe, noting characteristic forms, materials and religious or symbolic themes.
The document provides an overview of ancient Greek art from the Archaic, Classical, and Hellenistic periods. It discusses the Greeks' locations in mountains and islands, their beliefs in gods like Zeus and Poseidon, and their democratic system of living. The highest developments of Greek art were in painting, architecture, sculpture, and pottery. Key art forms included frescoes, kouros and kore sculptures, and decorated pottery. Greek art influenced later Renaissance works and architectural styles like the Doric, Ionic, and Corinthian columns.
The document discusses the history and evolution of Western and Classical art from prehistoric times through the medieval era. It describes the characteristics and functions of paintings from different periods including prehistoric, ancient Egyptian, classical Greek and Roman, medieval Byzantine, Romanesque, and Gothic styles. Key details include the materials, subjects, and techniques used in paintings during these eras.
Here is a comparison of two sculptures from different eras using the indicators you provided:
Name of Sculpture 1: The Pharaoh Menkaure and his Queen
Period/Era: Egyptian Era, 4th Dynasty, 2548-2530 BCE
Name of Sculpture 2: The Discobulus
Period/Era: Classical Greek Era, created by Myron in 450 BCE
Materials used:
Menkaure and his Queen - Stone
The Discobulus - Bronze
The use of elements of arts in the sculpture:
Menkaure and his Queen - Simple shapes, rigid postures. Minimal detail.
The Discobulus - Dynamic curved shapes showing tension
The document provides an overview of Western and Classical art traditions from prehistoric eras to the medieval period. It describes the characteristics and functions of paintings from different periods including prehistoric, ancient Egypt, classical Greece and Rome, and medieval Byzantine, Romanesque, and Gothic styles. Key details include the materials, subjects, and techniques used in paintings from cave drawings to illuminated manuscripts across these eras of art history.
INTRODUCING THE WESTERN AND CLASSICAL ART TRADITIONS Grade-9-LLM-2-ARTS.pptSaint Joseph College
INTRODUCING THE WESTERN AND CLASSICAL ART TRADITIONS
Content Standards:
• The learner uses art elements and processes by synthesizing and applying prior knowledge and skills
• The learner understands arts as integral to the development of organizations, spiritual belief, historical events, scientific discoveries, natural disasters/ occurrences
Performance Standards:
• The learner perform / participate competently in a presentation of a creative impression (verbal/nonverbal) of a particular artistic period
• The learner recognize the difference and uniqueness of the art styles of the different periods (techniques, process, elements, and principles of art)
Here is a comparison of two sculptures from different eras:
Name of Sculpture 1: The Discobulus
Period/Era: Classical Greek
Materials used: Marble
Name of Sculpture 2: The Portonacio Sarcophagus
Period/Era: Roman
Materials used: Marble
The Discobulus uses curved, organic lines to depict the athlete's muscular form twisting into a throw. The lines create a sense of tension and movement. The sculpture's shapes are rounded and asymmetrical, following the contours of the human body. Texture is implied through realistic anatomical details. It has a distinctive naturalistic style characteristic of classical Greek sculpture in capturing a moment in time.
The document provides an overview of chapters 1 and 2 from a book on the history of art and design.
Chapter 1 discusses how appearance influences perception and how art represents ideas and feelings. It also examines talent, observation skills, technical skills, and viewing art as a language.
Chapter 2 looks at how standards of quality have changed over time and place. It then defines the basic elements of design such as line, shape, form, space, and color, exploring types of lines, functions of lines, and color theory including primary/secondary colors and use of value.
This exhibition at Kean University featured the encaustic paintings of artist Janise Yntema. The exhibition was curated by art history professor Jacquelyn Stonberg and three of her senior seminar students. Encaustic painting is an ancient technique that uses heated beeswax to fuse pigments. Yntema layers translucent wax and materials like aluminum and marble dust to create textures and colors. Her paintings are held in major museum collections worldwide. The exhibition provided students hands-on experience in curating and helped them hone research, writing, and collaboration skills.
This document provides an overview of pre-historic and ancient art from various periods, including paintings found in caves from the Pre-historic Era, works from Ancient Egypt, Classical Greece and Rome, and the Medieval Byzantine, Romanesque, and Gothic eras. Key information presented includes the locations and subjects of important cave paintings from the Pre-historic Era, the symbolic and religious purposes of Egyptian paintings, and the dominant materials and techniques used in Greek, Roman, and Medieval art periods. Major works and sites discussed include the Cave of Lascaux, paintings from the tomb of Tutankhamun, the Parthenon frieze, the Villa of Mysteries fresco, and Gothic stained glass windows.
➒➌➎➏➑➐➋➑➐➐KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Humanities: Development and Mediums of Painting, Sculpture and ArchitectureJD Rillo
This presentation shows the various mediums in arts, particularly visual arts. Painting, sculpture, and architecture are the primary visual arts that the roots and origins can be traced for more than many centuries ago.
Western Classical art traditions
had different styles, different characteristics and functions of the
arts occurred but all of those contributed in the development and establishing
the importance of arts in our lives today.
Chapter 4 Describing ArtFormal Analysis, Types, and Styles ofWilheminaRossi174
Chapter 4: Describing Art
Formal Analysis, Types, and Styles of Art
LEARNING OUTCOMES
• Employ a vocabulary of art specific terms and critical approaches to conduct a formal analysis of works of art.
• Identify different types of art based on the degree of representation or nonrepresentation a work displays.
• Distinguish between variations of representational qualities within a work of art.
• Identify characteristics that relate an individual or group of works to a cultural style, stylistic movement or period, or an individual artist’s style.
Elements and Principles of Design
Line – expressive, implied
Shape – organic, geometric, hard- or soft-edged
Volume has three dimensions: length, width, and height
Mass is the quantity of matter, often meaning its weight
Texture – actual or implied
Color – saturation, brightness, primary, secondary, scheme
(complementary, analogous, monochromatic)
Perspective – linear, atmospheric
Unity/Variety
Balance – symmetrical, asymmetrical
Emphasis/movement
Rhythm/repetition
Formal or critical analysis
A formal of critical analysis an examination of …
the elements and principles of design
present in an artwork and
the process of deriving meaning from
how those elements and principles are used
the ways the visual artist attempts to communicate a
concept,
idea, or
emotion
Representational or Non-representational
Representational art is a visual reference to the experiential world. The range of representational art is labeled as
naturalistic,
idealized, or
abstract
Non-representational or Non-objective is art that does not attempt to present an aspect of the recognizable world. Instead of suggesting a narrative by depicting objects meaning in non-objective art is communicated through shapes, colors, textures, and other elements and principles of design.
Style
can refer to the general appearance of a work or a group of works that were created in accordance with a specific set of principles about form or appearance.
can refer to the art as a whole that was made during a particular era and within a certain culture.
does the artwork belong to a more specific stylistic movement? Italian Renaissance? Realism? Abstract Expressionism?
can also refer to how elements and principles of design are employed by an individual artist: the visual features of that artist’s work and their characteristics when using a given medium.
Four Aspects of a Formal Analysis
Description – describe the use of visual elements.
Analysis – how are the elements arranged, describe the artist’s use of the principles of design.
Interpretation – the combination of what an object symbolizes to the artist and what it means to the viewer.
Evaluation – judging whether a work of art is successful given what you have understood from your description, analysis, and interpretation. Using steps 1-3 above can you justify your emotionally response (joyful, disturbing, calm, energeti ...
This document provides an overview of Western and Classical art traditions, including ancient, Egyptian, Greek, Roman, Byzantine, Romanesque, and Gothic periods. It summarizes key characteristics and examples of paintings, sculptures, and architectures from each period, such as Egyptian tomb paintings, Greek sculptures of gods and athletes, Roman frescoes and reliefs, Byzantine mosaics and domed architectures like Hagia Sophia, Romanesque sculpted church portals, and Gothic stained glass windows and projecting sculptures. Overall, the document traces the evolution of Western art styles and techniques over thousands of years.
The document provides background information on icons. It defines icons as religious images traditionally painted on wood that depict saints. During the Byzantine period, icons were placed in Orthodox churches. Some opposed icons as idolatry in the 8th-9th century iconoclast movement. Icons used symbols to communicate religious meanings to illiterate audiences. Artists made paints from materials like egg yolk and pigments. Icons represented artistic, material and symbolic principles through compositional systems.
This document provides an overview of different types of paintings found in India. It begins by describing traditional Indian paintings such as Pattachitra, Bengal school of painting, Kangra school of painting, Madhubani painting, Mysore painting, Rajput painting, Mughal painting, Tanjore painting, and Warli painting. It then discusses mural painting, Samikshavad painting, and the benefits of introducing paintings in CLIL classrooms. The document also includes sections on painting styles through history, sources and indicators that paintings provide about historical, political, social, scientific, and technological developments. It concludes with descriptions of paintings related to Indian festivals and fairs.
The medieval art of the Western world spanned over 1000 years and included major art movements and genres. Art historians classify medieval art into periods such as Early Christian, Byzantine, Romanesque, and Gothic. Medieval art was produced in many media, with works in sculpture, illuminated manuscripts, stained glass, metalwork and panel painting having higher survival rates than other media. Religious influences dominated early medieval art, while later periods like Gothic art used brighter colors, dimensions and perspective.
Art is the expression of feelings through creative works that can influence others. It serves various functions like being aesthetically pleasing, having economic and educational value, and representing religious and social cultures. Visual arts specifically create works that are perceived primarily through sight, such as painting, sculpture, architecture, drawing, and photography. The medium an artist uses, such as watercolor, oil, acrylic, etc. and their techniques allow them to control and achieve desired effects in their artwork.
Wester Classical Art Traditions First Quarter.powerpoint presentationLigayaBacuel1
Pre-historic art included cave paintings that may have been used for communication or religious purposes. Egyptian paintings aimed to make the afterlife pleasant for the deceased by depicting their journey to the underworld. Common methods of Greek painting included fresco, encaustic, and the Kerch style.
This document provides an overview of Western classical art traditions from prehistoric times through the Gothic era. It describes paintings from different periods including styles, subjects and techniques. It also summarizes sculptures and architecture from ancient civilizations such as Egypt, Greece, Rome, Byzantine and Medieval Europe, noting characteristic forms, materials and religious or symbolic themes.
The document provides an overview of ancient Greek art from the Archaic, Classical, and Hellenistic periods. It discusses the Greeks' locations in mountains and islands, their beliefs in gods like Zeus and Poseidon, and their democratic system of living. The highest developments of Greek art were in painting, architecture, sculpture, and pottery. Key art forms included frescoes, kouros and kore sculptures, and decorated pottery. Greek art influenced later Renaissance works and architectural styles like the Doric, Ionic, and Corinthian columns.
The document discusses the history and evolution of Western and Classical art from prehistoric times through the medieval era. It describes the characteristics and functions of paintings from different periods including prehistoric, ancient Egyptian, classical Greek and Roman, medieval Byzantine, Romanesque, and Gothic styles. Key details include the materials, subjects, and techniques used in paintings during these eras.
Here is a comparison of two sculptures from different eras using the indicators you provided:
Name of Sculpture 1: The Pharaoh Menkaure and his Queen
Period/Era: Egyptian Era, 4th Dynasty, 2548-2530 BCE
Name of Sculpture 2: The Discobulus
Period/Era: Classical Greek Era, created by Myron in 450 BCE
Materials used:
Menkaure and his Queen - Stone
The Discobulus - Bronze
The use of elements of arts in the sculpture:
Menkaure and his Queen - Simple shapes, rigid postures. Minimal detail.
The Discobulus - Dynamic curved shapes showing tension
The document provides an overview of Western and Classical art traditions from prehistoric eras to the medieval period. It describes the characteristics and functions of paintings from different periods including prehistoric, ancient Egypt, classical Greece and Rome, and medieval Byzantine, Romanesque, and Gothic styles. Key details include the materials, subjects, and techniques used in paintings from cave drawings to illuminated manuscripts across these eras of art history.
INTRODUCING THE WESTERN AND CLASSICAL ART TRADITIONS Grade-9-LLM-2-ARTS.pptSaint Joseph College
INTRODUCING THE WESTERN AND CLASSICAL ART TRADITIONS
Content Standards:
• The learner uses art elements and processes by synthesizing and applying prior knowledge and skills
• The learner understands arts as integral to the development of organizations, spiritual belief, historical events, scientific discoveries, natural disasters/ occurrences
Performance Standards:
• The learner perform / participate competently in a presentation of a creative impression (verbal/nonverbal) of a particular artistic period
• The learner recognize the difference and uniqueness of the art styles of the different periods (techniques, process, elements, and principles of art)
Here is a comparison of two sculptures from different eras:
Name of Sculpture 1: The Discobulus
Period/Era: Classical Greek
Materials used: Marble
Name of Sculpture 2: The Portonacio Sarcophagus
Period/Era: Roman
Materials used: Marble
The Discobulus uses curved, organic lines to depict the athlete's muscular form twisting into a throw. The lines create a sense of tension and movement. The sculpture's shapes are rounded and asymmetrical, following the contours of the human body. Texture is implied through realistic anatomical details. It has a distinctive naturalistic style characteristic of classical Greek sculpture in capturing a moment in time.
The document provides an overview of chapters 1 and 2 from a book on the history of art and design.
Chapter 1 discusses how appearance influences perception and how art represents ideas and feelings. It also examines talent, observation skills, technical skills, and viewing art as a language.
Chapter 2 looks at how standards of quality have changed over time and place. It then defines the basic elements of design such as line, shape, form, space, and color, exploring types of lines, functions of lines, and color theory including primary/secondary colors and use of value.
This exhibition at Kean University featured the encaustic paintings of artist Janise Yntema. The exhibition was curated by art history professor Jacquelyn Stonberg and three of her senior seminar students. Encaustic painting is an ancient technique that uses heated beeswax to fuse pigments. Yntema layers translucent wax and materials like aluminum and marble dust to create textures and colors. Her paintings are held in major museum collections worldwide. The exhibition provided students hands-on experience in curating and helped them hone research, writing, and collaboration skills.
This document provides an overview of pre-historic and ancient art from various periods, including paintings found in caves from the Pre-historic Era, works from Ancient Egypt, Classical Greece and Rome, and the Medieval Byzantine, Romanesque, and Gothic eras. Key information presented includes the locations and subjects of important cave paintings from the Pre-historic Era, the symbolic and religious purposes of Egyptian paintings, and the dominant materials and techniques used in Greek, Roman, and Medieval art periods. Major works and sites discussed include the Cave of Lascaux, paintings from the tomb of Tutankhamun, the Parthenon frieze, the Villa of Mysteries fresco, and Gothic stained glass windows.
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7. ◦A. To figure out the elements and
principles of art, Arrange the jumbled
letters to form the correct word
Learning Task 1: ELEMENTS and PRINCIPLES
of ARTS
12. At the end of the lesson, you will be
able to:
Analyzes art elements and principles in the
production of work following the style of a
western classical art.
16. SHAPE
A flat, enclosed area
that has two
dimensions, length and
width. Artists use both
geometric and organic
shapes.
17. COLOR
Is one of the most
dominant elements. It is
created by light. There are
three properties of color;
Hue (name) Value (shades
and tints,)and intensify
(brightness.)
21. SPACE
Is used to create the
illusion of depth.
Space can be two-
dimensional,
negative and/ or
positive.
22.
23. ELEMENTS OF ART
BALANCE
A distribution of visual
weight on either side of
the vertical axis.
Symmetrical balance uses
the same characteristics.
Asymmetrical uses
different but equally
weighted features.
24. CONTRAST
The arrangement of
opposite elements
(light vs. dark, rough
vs. smooth, small vs.
large, etc...) in a
composition so as to
create visual interest.
25. EMPHASIS
Uses to make certain
parts of an Artwork
stand out. It creates
the center of interest
or focal point. It is the
place in which an
Artist draws your eye
to first.
26. MOVEMENT
How the eye moves
through the
composition; leading
the attention of the
viewer from one aspect
of the work to another.
Can create the illusion
of action.
27. PATTERN
The repetition of
specific visual elements
such as a unit of shape
or form. A method used
to organize surfaces in a
consistent regular
manner.
31. Learning Task 5: Using the rubric below make
an artwork having your name inside the box
using the different elements and principles
of art.
Assignment page 15 in bond paper
38. Characteristics:
Highly stylized, symbolic,
and shows profile view of
an animal or a person
Main colors: red, black,
blue, gold, and green
Hieroglyphics—a system of
writing using picture
symbols used in ancient
Egypt.
39. ◦ Paintings during the classical era were most commonly found in vases,
panels and tomb. Most of the subjects were battle scenes, mythological
figures, and everyday scenes.
40. Most common methods of Greek
painting:
1. Fresco- method of painting
water-based pigments on a
freshly applied plaster usually on
a wall surfaces (murals).
43. 2. Encaustic– developed to use by
Greek ship builders, who used the
hot
wax to fill the cracks of the ship.
Soon pigments (colors) was added
and
used to paint a wax hull.
44.
45. ◦ Vase painting Kerch Style also referred to as Kerch Vases are red-figured pottery named after the place where it was found
46. ◦ Most of the paintings in this era were copied or imitated from Hellenic
Greek paintings.
◦ Fresco technique was used in brightly colored backgrounds;
◦ Roman paintings have a wide variety of subjects, animals, everyday life, still
life, mythological subjects, portraits and landscapes.
◦ The development of landscape painting is the main innovation of Roman
painting from Greek painting.
47. Mosaic It is an art process
where an image is created
using an assemblage of
small pieces of colored
glass, stones, or other
materials. This technique
use for decorative art or
interior decorations.
48. ◦The lively styles of paintings which had been invented in Greek
and Rome lived on in Byzantium but this time for Christian
subjects. By the 11th century, the Greek and Oriental styles seem
to blend together in magnificent, imposing images, which
adorned the churches in large and small forms.
49. ◦ These are largely placed mosaics on the walls of the churches that
follows a strict frontal pose.
◦ It also shows traces of Mozarabic influence (Arabize influence) through
elongated oval faces, large staring eyes and long noses, figures against
flat colored bands and heavy outlining.
50. ◦ Paintings have been confined in the illumination of manuscript pages and
the painting of frescoes on the walls of churches in cosmopolitan style,
elegant, mannered and sophisticated.
51. WEEK 2
encaustic make an abstract artwork, using melted crayons in
bond paper and answer the following questions.
1. Describe your artwork
2. How do you feel while doing the artwork?
3. What did you realized in using the encaustic method?
56. At the end of the lesson, you will be
able to:
Reflect on and derive the mood, idea, or
message from selected sculptures.
57.
58. wikipedia
◦Sculpture is the branch of the visual arts
that operates in three dimensions
-used carving (the removal of material)
- modelling (the addition of material, as clay),
59.
60.
61. ◦Mood is the atmosphere in a painting, or
the feeling expressed. Is the art tranquil,
or is it dark and disturbing?
62. ◦The purpose of art is self expression. It is a
way to show someone's feelings and
emotions. It can make a political
statement, a religious statement. Art is
very personal and evokes different feelings
in different people.
◦the message of art is whatever you take
63. ◦Venus of Willendorf Venus figurine
dating to 28,000–25,000 BCE
◦ Idea/Message: symbolized a goddess of
fertility with her enlarged genitals, and the
red ochre symbolized the life giving
menstrual blood. - served as a good luck
charm.
◦ Mood: Intimate; sentimental -
meaningful,
68. Carve/model anything that would symbolize your
personality/character:
THEN answer the questions after in your notebook:
1. How did you feel while working on your piece?
2. What is the mood of your artwork?
3. What is the message of your artwork?
73. At the end of the lesson, you will be
able to:
-show the influences of the Western
traditions to Philippine art form
-create artworks guided by techniques and
styles of Western
Classical art traditions
83. WIKIPEDIA
◦Architecture can mean: A general term to
describe buildings and other physical
structures. The art and science of designing
buildings and (some) nonbuilding structures.
The style of design and method of
construction of buildings and other physical
structures.
84. PRE-HISTORIC ARCHITECTURE
Man has developed a form
of architecture based on
megaliths (a big rock) This
architecture is made of
huge stone blocks which
were probably intended for
burial.
85. EGYPTIAN ARCHITECTURE
1. The structure has thick
sloping walls with few
openings to obtain stability.
2. The exterior and interior walls
along with columns and piers
were covered with hieroglyphics
and pictorial frescoes and
carvings painted in brilliant
colors.
86. ◦Greek Architecture Temples consisted of a central
shrine or room in an aisle surrounded by rows of
columns. These buildings were designed in one of
three architectural style or orders:
88. ◦Roman Architecture
◦The emperors erected huge
halls and arenas for public
games, baths and
procession. They built them
of gigantic arches of stone,
bricks and concrete or with
barrel vaults.
89. ◦ Byzantine Architecture
◦ Mosaic decoration was perfected by
the Byzantines, as was the use of
clerestory to bring light in from high
windows. Byzantine's advancement
in developing the dome created a
new style in global architecture.
◦ One of the biggest domes ever
created with 108 feet in diameter
and because of its grand size it can
still be seen from miles away.
90. ◦ Romanesque Architecture The doorways of
Romanesque’s churches are often grand
sculptured portals. Wood or metal doors are
surrounded by elaborate stone sculpture
arranged in zones to fit architectural
elements. It displayed solid masonry walls,
rounded arches and masonry vaults. It is the
period of great building activities in Europe,
castles, churches, monasteries arose
everywhere.
91. ◦Gothic Architecture This design
included two new devices: pointed
arch which enabled builders to
construct much higher ceiling vaults
and stone vaulting borne on a
network of stone ribs supported by
piers and clustered pillars.
◦- Splendid stained glass windows -
Thousands of sculptured figures
94. ◦Column, in architecture, a vertical element,
usually a rounded shaft with a capital and a
base, which in most cases serves as a support.
A column may also be nonstructural, used for a
decorative purpose or as a freestanding
monument.
116. PERFORMANCE TASK:
Make a 3D model (miniature) of your own choice
from any Western and Classical Architectural
Structure. Take a photo of your finished artwork
and submitted it to your eportfolio. You may also
present this work to your members of the family
and share the distinct characteristic of your
architectural structure.