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    Online Sacralization
    Danish memorial site Mindet.dk as a marked place for
    performing grief and inventing memories
    Places, People, Stories: the Mediated Places-session,
    Linnéuniversitetet, Kalmar September 30th 2011

    Kjetil Sandvik,
    Associate professor, University of Copenhagen
+
Mindet.dk: an introduction
                                                                               2




   Mindet.dk is the only Danish online community for individual performances
    of grief and mourning over the loss of loved ones (“in memory of those we
    got, lost and loved”) and facilitates well-known and easy-applied media and
    interactive materiality

   Ca. 850 memories (individual memory profiles for dead loved ones)

   Light a Candle (thousands)

   26 different topic divided entries in the ”Forum”

   Guestbook (one guestbook for each profile)

   Links to different readings on and sites about death, grief and mourning
+                                           3



    For the ones we have got, loved, and lost
+   4
+   5
+
+   7
+                                                                            8



    ”Death ends a life, not a relationship”
    Deaths on Mindet.dk = Deaths leaving a “WHY?”

       Stillborn children

       Death of children and young ones

    ”Small feet leave indelible traces”
    Mindet.dk fills a void for having marked or designated places for
     morning and bereavement (after the funeral and beside the
     graveyard): places for performing and displaying acts of mourning
     in an explicit way which is taboo – at least in protestant countries:
     a place where it is acceptable that it takes time to recover (or
     never recover) from the loss (of a child)
+                                                   9

    Places
     Theperception and interpretation of the
     physical and material environment we find
     ourselves in (Carsten Friberg)
     Obviously thephysicality and materiality is
     of another order when we are looking at
     mediated places
+                                                                         10

    Media creating places

       Today’s new media are not just (re)shaping our sense of
        place but actually producing new types of places and new
        types of spatial experiences.

       The media evolution in the new millennium has made it
        increasingly clear that the borders between online and
        offline places and activities are blurred and dissolved and
        that physical and mediated places are becoming
        intertwined.

       It is the media that makes it possible to create Mindet.dk as a
        specific social place with intimate relations between its
        users and with a solid and narrow social framing: a
        demarcation of an inside and an outside with specific and
        place-defining social rules enforced inside.
+                                                                         11

    Materiality of a mediated place
       Marked entrances: individual links leading to segregated
        ‘rooms’ (the memory profiles) separated from the rest of the
        site (and the web)  Marked difference between and inside
        and an outside

       Personalized design: background texture, imagery and
        colors, use of text, pictures, drawings and so on.

       Personalized and ritualized actions (the process of mourning,
        of remembering and (re)telling): texts and pictures ‘setting
        the scene’ (texts, pictures about the death, the loss, the
        funeral etc.) + diary-like entries (mostly texts (prose, poems,
        song lyrics) often directly addressing the dead child
        (continued life with the loss, with the sorrow AND with the
        dead child as an absent yet present agent: creation of story,
        of memories)
+
+
+                                                                         14

    Performative places

       Not just places for performance – e.g. of grief and morning
        and (re)production of memories

       But also places which are coming into being by performative
        acts:

       by acts of demarkation, definition and demonstration

       using the media as creative tool ’writing’ ritual practices and
        relationships and thus Mindet.dk as both a place for
        individual mourning and a community for mourners.
+                                                                                           15

    Performative relation-building strategy
    Community with the dead (on the individual memory profiles)
       sharing memories of experiences with the deceased (if the person
        have lived) in photographic or written form (pictures of birthdays ad
        other events, ”do you remember when we used to…”)

       different dreams of what could have been (” I wish you would have
        lived to…”).
           Sometimes reflected in photos of holidays with living children (“your younger
            brothers and sisters would have loved to swim with you”)
           Sometimes the dead child is transformed into a agent with special qualities,
            like a guardian angel, family Fairy etc)

       lighting a candle, e.g. at bed time, on red-letter days, as a confession
        etc.: maintaining an ongoing communication with the dead child

    The memory profiles at Mindet.dk are about keeping the memory and
      the parents alive, keeping life meaningful, moving on
                                                                                             15
+
+                                                                                          17

    performative relation-building strategy

    Community with the living
       reflections and meta-reflections on the process of grief (forums)

       responses to other individual’s performance of grief: making comments, never
        critical, always supporting:
           directly building a relation to a particular person and her mourning process
            (guestbook)/becoming visible as a parent to a dead child (“Rikke, Mother of
            Albert”)
           Addressing the dead child in appreciative and/or including terms

       lighting a candle for others: contributing to the sense of community

    Through the online social interaction the individual in grief can rehearse how to
      represent and perform herself in different social situations. The media-created
      sociality is experienced to be intimate because of the shared grief and pain however
      at the same time because it is effectively demarcated from the person’s every day
      life: socially it is a safe place.                                               17
+
+
    Writing community into being
+
    Writing community into being
+ Time and place
•Present: The place used for the
process of mourning: dealing with
the grief, the pain and the
personal consequences of having
lost a child (individually and as
part of the community at
Mindet.dk)

•Past: the  place used for
documenting and/or inventing
memories of an either very short
life or a life not lived t all: very
thorough documentation 
physical memorabilia (things
(almost fetish-like): photos,
drawings, hand and footprints
etc..)

•Wishful time: the place used for
construction of a life that could
have been lived; inscribing the
dead child in narratives about life
continuing, about new children
(siblings): an important part of the
process of grief and (re)estab-
lishing aa meaningful life.
+
    The complexity the continuing
                     of place
               Community with the
               dead:
                             communiction with
                             the dead child (in-
                            cluding some kind of
                             metaphysical dim-
                                   ension

                                                      Place for tales of the
                                                        future: the wishes
    Place for memories
                             The memory profile       for things that could
    and tales of the past
                                                         have been if the
     (recalled or con-
                                                          child had lived
         structed)

                               Community with the
                               living: the communi-
                                  cation with other
                                users at Mindet.dk
                               through guestbooks,
                                   the forum etc.
+ Part of the project: ”Sharing Death – online                       23



  performances of grief” associated with the
  ”Death, Materiality and the Origins of Time”-
  project
      Kjetil Sandvik, ph.d., associate professor
          Crossmedia Communication
          Film & Media Departement, Copenhagen University
          Master of Dramaturgy and Asthestics & Culture


      Dorthe Refslund Christensen, ph.d. associate professor
          Event Culture and Experience Economy (everyday cultural
           practices and ritualizations)
          Scandinvian Dept. Aarhus University
          Master of Science of Religion

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Online sacralization

  • 1. + Online Sacralization Danish memorial site Mindet.dk as a marked place for performing grief and inventing memories Places, People, Stories: the Mediated Places-session, Linnéuniversitetet, Kalmar September 30th 2011 Kjetil Sandvik, Associate professor, University of Copenhagen
  • 2. + Mindet.dk: an introduction 2  Mindet.dk is the only Danish online community for individual performances of grief and mourning over the loss of loved ones (“in memory of those we got, lost and loved”) and facilitates well-known and easy-applied media and interactive materiality  Ca. 850 memories (individual memory profiles for dead loved ones)  Light a Candle (thousands)  26 different topic divided entries in the ”Forum”  Guestbook (one guestbook for each profile)  Links to different readings on and sites about death, grief and mourning
  • 3. + 3 For the ones we have got, loved, and lost
  • 4. + 4
  • 5. + 5
  • 6. +
  • 7. + 7
  • 8. + 8 ”Death ends a life, not a relationship” Deaths on Mindet.dk = Deaths leaving a “WHY?”  Stillborn children  Death of children and young ones ”Small feet leave indelible traces” Mindet.dk fills a void for having marked or designated places for morning and bereavement (after the funeral and beside the graveyard): places for performing and displaying acts of mourning in an explicit way which is taboo – at least in protestant countries: a place where it is acceptable that it takes time to recover (or never recover) from the loss (of a child)
  • 9. + 9 Places  Theperception and interpretation of the physical and material environment we find ourselves in (Carsten Friberg)  Obviously thephysicality and materiality is of another order when we are looking at mediated places
  • 10. + 10 Media creating places  Today’s new media are not just (re)shaping our sense of place but actually producing new types of places and new types of spatial experiences.  The media evolution in the new millennium has made it increasingly clear that the borders between online and offline places and activities are blurred and dissolved and that physical and mediated places are becoming intertwined.  It is the media that makes it possible to create Mindet.dk as a specific social place with intimate relations between its users and with a solid and narrow social framing: a demarcation of an inside and an outside with specific and place-defining social rules enforced inside.
  • 11. + 11 Materiality of a mediated place  Marked entrances: individual links leading to segregated ‘rooms’ (the memory profiles) separated from the rest of the site (and the web)  Marked difference between and inside and an outside  Personalized design: background texture, imagery and colors, use of text, pictures, drawings and so on.  Personalized and ritualized actions (the process of mourning, of remembering and (re)telling): texts and pictures ‘setting the scene’ (texts, pictures about the death, the loss, the funeral etc.) + diary-like entries (mostly texts (prose, poems, song lyrics) often directly addressing the dead child (continued life with the loss, with the sorrow AND with the dead child as an absent yet present agent: creation of story, of memories)
  • 12. +
  • 13. +
  • 14. + 14 Performative places  Not just places for performance – e.g. of grief and morning and (re)production of memories  But also places which are coming into being by performative acts:  by acts of demarkation, definition and demonstration  using the media as creative tool ’writing’ ritual practices and relationships and thus Mindet.dk as both a place for individual mourning and a community for mourners.
  • 15. + 15 Performative relation-building strategy Community with the dead (on the individual memory profiles)  sharing memories of experiences with the deceased (if the person have lived) in photographic or written form (pictures of birthdays ad other events, ”do you remember when we used to…”)  different dreams of what could have been (” I wish you would have lived to…”).  Sometimes reflected in photos of holidays with living children (“your younger brothers and sisters would have loved to swim with you”)  Sometimes the dead child is transformed into a agent with special qualities, like a guardian angel, family Fairy etc)  lighting a candle, e.g. at bed time, on red-letter days, as a confession etc.: maintaining an ongoing communication with the dead child The memory profiles at Mindet.dk are about keeping the memory and the parents alive, keeping life meaningful, moving on 15
  • 16. +
  • 17. + 17 performative relation-building strategy Community with the living  reflections and meta-reflections on the process of grief (forums)  responses to other individual’s performance of grief: making comments, never critical, always supporting:  directly building a relation to a particular person and her mourning process (guestbook)/becoming visible as a parent to a dead child (“Rikke, Mother of Albert”)  Addressing the dead child in appreciative and/or including terms  lighting a candle for others: contributing to the sense of community Through the online social interaction the individual in grief can rehearse how to represent and perform herself in different social situations. The media-created sociality is experienced to be intimate because of the shared grief and pain however at the same time because it is effectively demarcated from the person’s every day life: socially it is a safe place. 17
  • 18. +
  • 19. + Writing community into being
  • 20. + Writing community into being
  • 21. + Time and place •Present: The place used for the process of mourning: dealing with the grief, the pain and the personal consequences of having lost a child (individually and as part of the community at Mindet.dk) •Past: the place used for documenting and/or inventing memories of an either very short life or a life not lived t all: very thorough documentation  physical memorabilia (things (almost fetish-like): photos, drawings, hand and footprints etc..) •Wishful time: the place used for construction of a life that could have been lived; inscribing the dead child in narratives about life continuing, about new children (siblings): an important part of the process of grief and (re)estab- lishing aa meaningful life.
  • 22. + The complexity the continuing of place Community with the dead: communiction with the dead child (in- cluding some kind of metaphysical dim- ension Place for tales of the future: the wishes Place for memories The memory profile for things that could and tales of the past have been if the (recalled or con- child had lived structed) Community with the living: the communi- cation with other users at Mindet.dk through guestbooks, the forum etc.
  • 23. + Part of the project: ”Sharing Death – online 23 performances of grief” associated with the ”Death, Materiality and the Origins of Time”- project  Kjetil Sandvik, ph.d., associate professor  Crossmedia Communication  Film & Media Departement, Copenhagen University  Master of Dramaturgy and Asthestics & Culture  Dorthe Refslund Christensen, ph.d. associate professor  Event Culture and Experience Economy (everyday cultural practices and ritualizations)  Scandinvian Dept. Aarhus University  Master of Science of Religion