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AS Film StudiesAS Film Studies
Continuity andContinuity and
Discontinuity EditingDiscontinuity Editing
Continuity EditingContinuity Editing
• Widely established editing style used throughWidely established editing style used through
early Hollywood and much of today's filmearly Hollywood and much of today's film
• This editing style tries toThis editing style tries to ‘hide’ cutting from the‘hide’ cutting from the
audience, so they immerse themselves in theaudience, so they immerse themselves in the
world of the film instead of looking at the editing.world of the film instead of looking at the editing.
• This system enables the audience to quicklyThis system enables the audience to quickly
understand what was happening and avoidunderstand what was happening and avoid
confusion.confusion.
• It developed into a set ofIt developed into a set of ‘continuity rules’‘continuity rules’
designed to make storytelling clear.designed to make storytelling clear.
The RulesThe Rules
This is not a definitive
list, but it does
represent the key
techniques.
1) The 180 ° Rule
2) Shot/reverse-shot
3) Eyeline match
4) Match on action
• Continuity editing is a
technique that relies
on particular shots
being ordered (cut) in
a familiar,
conventional
sequence.
• Audiences are so
familiar with these
techniques, that they
barely notice them.
The 180 Degree RuleThe 180 Degree Rule
http://www.youtube.com/watch?v=oNOT9iHDSXU&feature=related
Shot/reverse-shotShot/reverse-shot
This shows characters reactions to another person or
object. It creates a relationship between the two
characters in a shot.
Eyeline matchEyeline match
A character looks at an object or person and the
audience are shown a shot of what they are looking
at.
Match on actionMatch on action
It is used mainly in action scenes to increase pace.
If we show the character's movement beginning in
shot 1, & then we can cut to shot 2, which shows the
continuation of the movement
Discontinuity Editing:Discontinuity Editing:
The Post-Modern Style?The Post-Modern Style?
• The opposite of continuity editing it is notThe opposite of continuity editing it is not
seamless.seamless.
• It draws attention to itself.It draws attention to itself.
• It often disrupts the audience's suspendedIt often disrupts the audience's suspended
disbeliefdisbelief
• It can be deliberately confusing and/or shocking,It can be deliberately confusing and/or shocking,
playing with time and space.playing with time and space.

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Continuity Editing

  • 1. AS Film StudiesAS Film Studies Continuity andContinuity and Discontinuity EditingDiscontinuity Editing
  • 2. Continuity EditingContinuity Editing • Widely established editing style used throughWidely established editing style used through early Hollywood and much of today's filmearly Hollywood and much of today's film • This editing style tries toThis editing style tries to ‘hide’ cutting from the‘hide’ cutting from the audience, so they immerse themselves in theaudience, so they immerse themselves in the world of the film instead of looking at the editing.world of the film instead of looking at the editing. • This system enables the audience to quicklyThis system enables the audience to quickly understand what was happening and avoidunderstand what was happening and avoid confusion.confusion. • It developed into a set ofIt developed into a set of ‘continuity rules’‘continuity rules’ designed to make storytelling clear.designed to make storytelling clear.
  • 3. The RulesThe Rules This is not a definitive list, but it does represent the key techniques. 1) The 180 ° Rule 2) Shot/reverse-shot 3) Eyeline match 4) Match on action • Continuity editing is a technique that relies on particular shots being ordered (cut) in a familiar, conventional sequence. • Audiences are so familiar with these techniques, that they barely notice them.
  • 4. The 180 Degree RuleThe 180 Degree Rule http://www.youtube.com/watch?v=oNOT9iHDSXU&feature=related
  • 5. Shot/reverse-shotShot/reverse-shot This shows characters reactions to another person or object. It creates a relationship between the two characters in a shot.
  • 6. Eyeline matchEyeline match A character looks at an object or person and the audience are shown a shot of what they are looking at.
  • 7. Match on actionMatch on action It is used mainly in action scenes to increase pace. If we show the character's movement beginning in shot 1, & then we can cut to shot 2, which shows the continuation of the movement
  • 8. Discontinuity Editing:Discontinuity Editing: The Post-Modern Style?The Post-Modern Style? • The opposite of continuity editing it is notThe opposite of continuity editing it is not seamless.seamless. • It draws attention to itself.It draws attention to itself. • It often disrupts the audience's suspendedIt often disrupts the audience's suspended disbeliefdisbelief • It can be deliberately confusing and/or shocking,It can be deliberately confusing and/or shocking, playing with time and space.playing with time and space.