SlideShare a Scribd company logo
1 of 5
The Big Combo – Micro
       Analysis
At the start of the sequence, the audience is greeted with an
establishing shot of New York, this is to set the scene, and
show where the film is set, so that the audience know the
surroundings of where the characters are. Whilst the opening
credits roll the camera flies over the city, whilst non-diegetic
jazz music plays in the background. The music is quite calm,
and may give the audience an idea that this is quite a calm
film, and is quite casual. Whilst the credits still roll, the
camera changes from an establishing shot and fades to a
longshot of a New York City street, as the camera tilts down
to show the scene.

The credits then fade away, and the longshot of the busy city
street is shown, you can see the period of time this is set in
through the costumes of the men and women on the street.
As you can see they are all pretty much wearing quite
classy/smart clothing. As most of the men wear suits and the
women are wearing dresses or smart looking clothing. This
shows that New York City can be a place of wealth, and is a
very busy, business type place. In the frame the audience can
also see the typical new-york taxis and policemen on the
streets, within the busy commotion.
An elliptical edit is then used from the street and a transition
is used to show the audience a long shot of a boxing
ring, low-key lighting is used around the boxing ring whilst
the rest of the room has low-key lighting.
Diegetic, synchronous sounds are used in this short clip
whilst in the boxing ring, as the audience can hear the crowd
clapping, and people in the audience shouting things
towards the boxers.

The camera then cuts to a low angle, long shot of one of the
corridors outside the boxing ring; the audience sees a
dark, silhouette of a man leaning against a wall smoking.
The man cannot be identified due to him being in the
dark, this scene uses typical film noir conventions with this
character, as the costume he wears consists of a hat, suit etc.
and is smoking in the dark against a wall. In this scene, the
audience sees a woman run from the end of the corridor, as
she gets closer to the camera whilst she runs from the
shadows, the audience then sees two men running after
her, they both come from different corridors in this scene.
The camera angle remains the same throughout.
A continuity edit is then used and the camera cuts to a
long shot of the woman still running away from the
men, noir style lighting is also used to create shadows
in this scene, as she runs through shadows and
through light. The audience can still hear the diegetic
sounds of the boxing crowd, as you can still hear them
clapping and cheering from the first clip of the boxing
ring.

More continuity edits are used to show the pace of the
woman running away from the two men, a long shot
is used to show her run through the doors of a bar,
and then the audience can see the two men who run
after her. Once the women is running through the bar,
another long shot is used from the end of the bar, to
show two men sat at the bar, and their reaction as they
see the people running through the doors. The lighting
used is mainly low key in these places, with a small
amount of high key lighting to show a small amount
of light in these scenes. The low-key lighting is used to
create the film noir effect, to generate shadows and
darkness around the characters.
The two men then finally catch up to the women they are
chasing, as a continuity edit cuts to a medium shot of the two
men stood side-by-side to the women, with her in the middle.
Lighting is used well and correctly in this shot, as the three
characters in the middle of the frame are well lit in quite high-
key lighting, whereas the background of the characters and
what surrounds them is low-key. This is to create a type of
‘spotlight’ around the characters and to tell the audience that
they are the key characters in this frame. The sound used is
mainly dialogue, whilst the audience can still hear the boxing
crowd although it is quiet.

The woman then walks away from the two men for a
second, and a medium close-up shows her in the light, the
camera then slowly zooms out to show a medium shot of the
woman, and the two men then surround her side-by-side
again. The sound used is non-diegetic music, which sounds
quite mysterious and matches the scene and also matches the
film noir vibe – as it sounds quite mysterious. The camera then
cuts to a longshot of them stood still, and the characters walk
away. Whilst they walk away, a pan is used to the right to show
the bar. The man at the bar stands up from his chair, and walks
in a direction which is quite close to the camera, as it tracks
the character and shows a medium close-up of him.

More Related Content

What's hot

Storyboard4
Storyboard4Storyboard4
Storyboard4Johann
 
Manchester project Storyboard
Manchester project Storyboard Manchester project Storyboard
Manchester project Storyboard shakeel99
 
Analysis of Opening Sequence
Analysis of Opening SequenceAnalysis of Opening Sequence
Analysis of Opening Sequencemhutchinson4
 
Music video treatment
Music video treatmentMusic video treatment
Music video treatmentJoshvc456
 
Treatment A2 Media Studies
Treatment A2 Media StudiesTreatment A2 Media Studies
Treatment A2 Media Studiesmediastudiesqegs
 
Time line of my project
Time line of my projectTime line of my project
Time line of my projectWill Beard
 
Kingsman film opening analysis - Regan
Kingsman film opening analysis - ReganKingsman film opening analysis - Regan
Kingsman film opening analysis - Reganrhsmediastudies
 
Video idea weeknd -Amad Islam
Video idea weeknd -Amad IslamVideo idea weeknd -Amad Islam
Video idea weeknd -Amad Islamhaverstockmedia
 
Jushna Group initial ideas for opening scene & title sequence (3)
 Jushna Group initial ideas for opening scene & title sequence (3) Jushna Group initial ideas for opening scene & title sequence (3)
Jushna Group initial ideas for opening scene & title sequence (3)haverstockmedia
 
Script for music video: "Hitchhiker"- OMI
Script for music video: "Hitchhiker"- OMIScript for music video: "Hitchhiker"- OMI
Script for music video: "Hitchhiker"- OMIGJTP
 
James blunt music video analysis
James blunt music video analysisJames blunt music video analysis
James blunt music video analysisDaniel Abraham
 

What's hot (19)

Storyboard4
Storyboard4Storyboard4
Storyboard4
 
Manchester project Storyboard
Manchester project Storyboard Manchester project Storyboard
Manchester project Storyboard
 
Deconstruction
DeconstructionDeconstruction
Deconstruction
 
Visual storyboard
Visual storyboardVisual storyboard
Visual storyboard
 
Analysis of Opening Sequence
Analysis of Opening SequenceAnalysis of Opening Sequence
Analysis of Opening Sequence
 
Music video treatment
Music video treatmentMusic video treatment
Music video treatment
 
Treatment A2 Media Studies
Treatment A2 Media StudiesTreatment A2 Media Studies
Treatment A2 Media Studies
 
Hot fuzz analysis
Hot fuzz analysisHot fuzz analysis
Hot fuzz analysis
 
Time line of my project
Time line of my projectTime line of my project
Time line of my project
 
Kingsman film opening analysis - Regan
Kingsman film opening analysis - ReganKingsman film opening analysis - Regan
Kingsman film opening analysis - Regan
 
Music video idea
Music video ideaMusic video idea
Music video idea
 
Video idea weeknd -Amad Islam
Video idea weeknd -Amad IslamVideo idea weeknd -Amad Islam
Video idea weeknd -Amad Islam
 
Presentation1
Presentation1Presentation1
Presentation1
 
Jushna Group initial ideas for opening scene & title sequence (3)
 Jushna Group initial ideas for opening scene & title sequence (3) Jushna Group initial ideas for opening scene & title sequence (3)
Jushna Group initial ideas for opening scene & title sequence (3)
 
Script for music video: "Hitchhiker"- OMI
Script for music video: "Hitchhiker"- OMIScript for music video: "Hitchhiker"- OMI
Script for music video: "Hitchhiker"- OMI
 
Rear window (1)
Rear window (1)Rear window (1)
Rear window (1)
 
Presentation1
Presentation1Presentation1
Presentation1
 
James blunt music video analysis
James blunt music video analysisJames blunt music video analysis
James blunt music video analysis
 
Vertigo
VertigoVertigo
Vertigo
 

Viewers also liked

Deconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bangDeconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bangmediastudiesmarj
 
Deconstruction of titles "Kiss Kiss Bang Bang"
Deconstruction of titles "Kiss Kiss Bang Bang"Deconstruction of titles "Kiss Kiss Bang Bang"
Deconstruction of titles "Kiss Kiss Bang Bang"mediastudiesmarj
 
Deconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bangDeconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bangmediastudiesmarj
 
Polimedia Syposium - Linking the data sets
Polimedia Syposium - Linking the data setsPolimedia Syposium - Linking the data sets
Polimedia Syposium - Linking the data setsdamo_damr
 
Sistem Pengapian Konvensional
Sistem Pengapian Konvensional Sistem Pengapian Konvensional
Sistem Pengapian Konvensional Handika Putro
 
Electrical installation guide 2013
Electrical installation guide 2013 Electrical installation guide 2013
Electrical installation guide 2013 Amila Srimaal Gamage
 
Mobile phone based domestic electrical equipment controller
Mobile phone based domestic electrical equipment controllerMobile phone based domestic electrical equipment controller
Mobile phone based domestic electrical equipment controllerAmila Srimaal Gamage
 

Viewers also liked (12)

Deconstruction of Titles
Deconstruction of TitlesDeconstruction of Titles
Deconstruction of Titles
 
Deconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bangDeconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bang
 
9 frame
9 frame9 frame
9 frame
 
Deconstruction of titles "Kiss Kiss Bang Bang"
Deconstruction of titles "Kiss Kiss Bang Bang"Deconstruction of titles "Kiss Kiss Bang Bang"
Deconstruction of titles "Kiss Kiss Bang Bang"
 
Deconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bangDeconstruction of titles, kiss kiss bang bang
Deconstruction of titles, kiss kiss bang bang
 
Micro analysis
Micro analysisMicro analysis
Micro analysis
 
Polimedia Syposium - Linking the data sets
Polimedia Syposium - Linking the data setsPolimedia Syposium - Linking the data sets
Polimedia Syposium - Linking the data sets
 
9 frame
9 frame9 frame
9 frame
 
Presentation1
Presentation1Presentation1
Presentation1
 
Sistem Pengapian Konvensional
Sistem Pengapian Konvensional Sistem Pengapian Konvensional
Sistem Pengapian Konvensional
 
Electrical installation guide 2013
Electrical installation guide 2013 Electrical installation guide 2013
Electrical installation guide 2013
 
Mobile phone based domestic electrical equipment controller
Mobile phone based domestic electrical equipment controllerMobile phone based domestic electrical equipment controller
Mobile phone based domestic electrical equipment controller
 

Similar to The Big Combo Micro Analysis - Film Noir Techniques

Film opening analysis: The place beyond the pines
Film opening analysis: The place beyond the pinesFilm opening analysis: The place beyond the pines
Film opening analysis: The place beyond the pineslilycurtis
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster filmjakeleat
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster filmjakeleat
 
Conventions of a Gangster Film
Conventions of a Gangster FilmConventions of a Gangster Film
Conventions of a Gangster FilmLauren Pratt
 
Mallek Gomorrah Analysis
Mallek Gomorrah AnalysisMallek Gomorrah Analysis
Mallek Gomorrah Analysissimsimma
 
INSIDE MAN: Analysis
INSIDE MAN: AnalysisINSIDE MAN: Analysis
INSIDE MAN: AnalysisMrFujji
 
Film noir mise en scene final
Film noir mise en scene finalFilm noir mise en scene final
Film noir mise en scene finalvlorriman
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster filmjakeleat
 
Assessment 2: Detailed Analysis of Bugsy Malone
Assessment 2: Detailed Analysis of Bugsy MaloneAssessment 2: Detailed Analysis of Bugsy Malone
Assessment 2: Detailed Analysis of Bugsy Malonekenyabell1998
 
Analysis of action film openings
Analysis of action film openingsAnalysis of action film openings
Analysis of action film openingsAshraProduction
 
Mission impossible analysis
Mission impossible analysisMission impossible analysis
Mission impossible analysisOliverBooth99
 
Batman analysis 2
Batman analysis 2Batman analysis 2
Batman analysis 2ksinghmedia
 
Analysis of action film openings
Analysis of action film openingsAnalysis of action film openings
Analysis of action film openingsAshraProduction
 
Media course work video analysis
Media course work video analysisMedia course work video analysis
Media course work video analysisshiplakecollege
 
Panic room
Panic roomPanic room
Panic roomOpal
 

Similar to The Big Combo Micro Analysis - Film Noir Techniques (20)

Film opening analysis: The place beyond the pines
Film opening analysis: The place beyond the pinesFilm opening analysis: The place beyond the pines
Film opening analysis: The place beyond the pines
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster film
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster film
 
Lydia opening sequence
Lydia opening sequenceLydia opening sequence
Lydia opening sequence
 
Conventions of a Gangster Film
Conventions of a Gangster FilmConventions of a Gangster Film
Conventions of a Gangster Film
 
9 frame analysis
9 frame analysis 9 frame analysis
9 frame analysis
 
Mallek Gomorrah Analysis
Mallek Gomorrah AnalysisMallek Gomorrah Analysis
Mallek Gomorrah Analysis
 
INSIDE MAN: Analysis
INSIDE MAN: AnalysisINSIDE MAN: Analysis
INSIDE MAN: Analysis
 
Goodfellas
GoodfellasGoodfellas
Goodfellas
 
Film noir mise en scene final
Film noir mise en scene finalFilm noir mise en scene final
Film noir mise en scene final
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster film
 
Assessment 2: Detailed Analysis of Bugsy Malone
Assessment 2: Detailed Analysis of Bugsy MaloneAssessment 2: Detailed Analysis of Bugsy Malone
Assessment 2: Detailed Analysis of Bugsy Malone
 
Analysis of action film openings
Analysis of action film openingsAnalysis of action film openings
Analysis of action film openings
 
Mission impossible analysis
Mission impossible analysisMission impossible analysis
Mission impossible analysis
 
Batman analysis 2
Batman analysis 2Batman analysis 2
Batman analysis 2
 
Analysis of action film openings
Analysis of action film openingsAnalysis of action film openings
Analysis of action film openings
 
Media course work video analysis
Media course work video analysisMedia course work video analysis
Media course work video analysis
 
Panic room
Panic roomPanic room
Panic room
 
Task 6 media
Task 6 mediaTask 6 media
Task 6 media
 
Task 6 media
Task 6 mediaTask 6 media
Task 6 media
 

The Big Combo Micro Analysis - Film Noir Techniques

  • 1. The Big Combo – Micro Analysis
  • 2. At the start of the sequence, the audience is greeted with an establishing shot of New York, this is to set the scene, and show where the film is set, so that the audience know the surroundings of where the characters are. Whilst the opening credits roll the camera flies over the city, whilst non-diegetic jazz music plays in the background. The music is quite calm, and may give the audience an idea that this is quite a calm film, and is quite casual. Whilst the credits still roll, the camera changes from an establishing shot and fades to a longshot of a New York City street, as the camera tilts down to show the scene. The credits then fade away, and the longshot of the busy city street is shown, you can see the period of time this is set in through the costumes of the men and women on the street. As you can see they are all pretty much wearing quite classy/smart clothing. As most of the men wear suits and the women are wearing dresses or smart looking clothing. This shows that New York City can be a place of wealth, and is a very busy, business type place. In the frame the audience can also see the typical new-york taxis and policemen on the streets, within the busy commotion.
  • 3. An elliptical edit is then used from the street and a transition is used to show the audience a long shot of a boxing ring, low-key lighting is used around the boxing ring whilst the rest of the room has low-key lighting. Diegetic, synchronous sounds are used in this short clip whilst in the boxing ring, as the audience can hear the crowd clapping, and people in the audience shouting things towards the boxers. The camera then cuts to a low angle, long shot of one of the corridors outside the boxing ring; the audience sees a dark, silhouette of a man leaning against a wall smoking. The man cannot be identified due to him being in the dark, this scene uses typical film noir conventions with this character, as the costume he wears consists of a hat, suit etc. and is smoking in the dark against a wall. In this scene, the audience sees a woman run from the end of the corridor, as she gets closer to the camera whilst she runs from the shadows, the audience then sees two men running after her, they both come from different corridors in this scene. The camera angle remains the same throughout.
  • 4. A continuity edit is then used and the camera cuts to a long shot of the woman still running away from the men, noir style lighting is also used to create shadows in this scene, as she runs through shadows and through light. The audience can still hear the diegetic sounds of the boxing crowd, as you can still hear them clapping and cheering from the first clip of the boxing ring. More continuity edits are used to show the pace of the woman running away from the two men, a long shot is used to show her run through the doors of a bar, and then the audience can see the two men who run after her. Once the women is running through the bar, another long shot is used from the end of the bar, to show two men sat at the bar, and their reaction as they see the people running through the doors. The lighting used is mainly low key in these places, with a small amount of high key lighting to show a small amount of light in these scenes. The low-key lighting is used to create the film noir effect, to generate shadows and darkness around the characters.
  • 5. The two men then finally catch up to the women they are chasing, as a continuity edit cuts to a medium shot of the two men stood side-by-side to the women, with her in the middle. Lighting is used well and correctly in this shot, as the three characters in the middle of the frame are well lit in quite high- key lighting, whereas the background of the characters and what surrounds them is low-key. This is to create a type of ‘spotlight’ around the characters and to tell the audience that they are the key characters in this frame. The sound used is mainly dialogue, whilst the audience can still hear the boxing crowd although it is quiet. The woman then walks away from the two men for a second, and a medium close-up shows her in the light, the camera then slowly zooms out to show a medium shot of the woman, and the two men then surround her side-by-side again. The sound used is non-diegetic music, which sounds quite mysterious and matches the scene and also matches the film noir vibe – as it sounds quite mysterious. The camera then cuts to a longshot of them stood still, and the characters walk away. Whilst they walk away, a pan is used to the right to show the bar. The man at the bar stands up from his chair, and walks in a direction which is quite close to the camera, as it tracks the character and shows a medium close-up of him.